Exhibition Invitation Quotes

Often when a woman exhibits leadership, she’s accused of having that Jezebel spirit. I look forward to the day when women with leadership and insight, gifts and talents, callings and prophetic leanings are called out and celebrated as a Deborah, instead of silenced as a Jezebel.

The racism, misogyny, and counter-rationality of the reactionary right in American politics for the last several years is a frightening exhibition of the destructive force of anger deliberately nourished by hate, encouraged to rule thought, invited to control behavior. I hope our republic survives this orgy of self-indulgent rage.

Monotheism exhibits what is essentially a pathological personality pattern projected onto the ideal of God: the pattern of the paranoid, possessive, power-obsessed male ego. This God is not someone you would care to invite to a garden party. Also interesting is that the Western ideal is the only formulation of deity that has no relationship with woman at any point in the theological myth. In ancient Babylon Anu was paired with his consort Inanna; Grecian religion assigned Zeus a wife, many consorts, and daughters. These heavenly pairings are typical. Only the god of Western civilization has no mother, no sister, no female consort, and no daughter.

When and if I wish to yield my privacy to the scrutiny of others, you will be the first to be invited to the exhibition.

What are the true reasons why the purchaser is planning to spend his money on a new car instead of a piano? Because he has decided that he wants the commodity called locomotion more than he wants the commodity called music? Not altogether. He buys a car, because it is at the moment the group custom to buy cars. The modern propagandist therefore sets to work to create circumstances which will modify that custom . . . He will endeavor to develop public acceptance of the idea of a music room in the home. This he may do, for example, by organizing an exhibition of period music rooms designed by well-known decorators who themselves exert an influence on the buying groups . . . Then, in order to create dramatic interest in the exhibit, he stages an event or ceremony. To this ceremony key people, persons known to influence the buying habits of the public, such as a famous violinist, a popular artist, and a society leader, are invited. These key persons affect other groups, lifting the idea of the music room to a place in the public consciousness which it did not have before. The juxtaposition of these leaders, and the idea which they are dramatizing, are then projected to the wider public through various publicity channels . . . The music room will be accepted because it has been made the thing. And the man or woman who has a music room, or has arranged a corner of the parlor as a musical corner, will naturally think of buying a piano. It will come to him as his own idea.

I resolutely refuse to believe that the state of Edward's health had anything to do with this, and I don't say this only because I was once later accused of attacking him 'on his deathbed.' He was entirely lucid to the end, and the positions he took were easily recognizable by me as extensions or outgrowths of views he had expressed (and also declined to express) in the past. Alas, it is true that he was closer to the end than anybody knew when the thirtieth anniversary reissue of his Orientalism was published, but his long-precarious condition would hardly argue for giving him a lenient review, let alone denying him one altogether, which would have been the only alternatives. In the introduction he wrote for the new edition, he generally declined the opportunity to answer his scholarly critics, and instead gave the recent American arrival in Baghdad as a grand example of 'Orientalism' in action. The looting and destruction of the exhibits in the Iraq National Museum had, he wrote, been a deliberate piece of United States vandalism, perpetrated in order to shear the Iraqi people of their cultural patrimony and demonstrate to them their new servitude. Even at a time when anything at all could be said and believed so long as it was sufficiently and hysterically anti-Bush, this could be described as exceptionally mendacious. So when the Atlantic invited me to review Edward's revised edition, I decided I'd suspect myself more if I declined than if I agreed, and I wrote what I felt I had to. Not long afterward, an Iraqi comrade sent me without comment an article Edward had contributed to a magazine in London that was published by a princeling of the Saudi royal family. In it, Edward quoted some sentences about the Iraq war that he off-handedly described as 'racist.' The sentences in question had been written by me. I felt myself assailed by a reaction that was at once hot-eyed and frigidly cold. He had cited the words without naming their author, and this I briefly thought could be construed as a friendly hesitance. Or as cowardice... I can never quite act the stern role of Mr. Darcy with any conviction, but privately I sometimes resolve that that's 'it' as it were. I didn't say anything to Edward but then, I never said anything to him again, either. I believe that one or two charges simply must retain their face value and not become debauched or devalued. 'Racist' is one such. It is an accusation that must either be made good upon, or fully retracted. I would not have as a friend somebody whom I suspected of that prejudice, and I decided to presume that Edward was honest and serious enough to feel the same way. I feel misery stealing over me again as I set this down: I wrote the best tribute I could manage when he died not long afterward (and there was no strain in that, as I was relieved to find), but I didn't go to, and wasn't invited to, his funeral.

people invariably exhibited the very worst side of their flawed natures when invited to put their thoughts into writing, especially when the invitation was sanctioned hit-and-run posing as democracy in action.

The best she was able to do was to reflect that people invariably exhibited the very worst side of their flawed natures when invited to put their thoughts into writing, especially when the invitation was sanctioned hit-and-run posing as democracy in action.

The best she was able to do was to reflect that people invariably exhibited the very worst side of their flawed natures when invited to put their thoughts into writing, especially when the invitation was sanctioned hit-and-run posing as democracy in action. Here

All great, simple images reveal a psychic state. The house, even more than the landscape, is a "psychic state," and even when reproduced as it appears from the outside, it bespeaks intimacy. Psychologists generally, and Francoise Minkowska in particular, together with those whom she has succeeded interesting in the subject, have studied the drawing of houses made by children, and even used them for testing. Indeed, the house-test has the advantage of welcoming spontaneity, for many children draw a house spontaneously while dreaming over their paper and pencil. To quote Anne Balif: "Asking a child to draw his house is asking him to reveal the deepest dream shelter he has found for his happiness. If he is happy, he will succeed in drawing a snug, protected house which is well built on deeply-rooted foundations." It will have the right shape, and nearly always there will be some indication of its inner strength. In certain drawings, quite obviously, to quote Mme. Balif, "it is warm indoors, and there is a fire burning, such a big fire, in fact, that it can be seen coming out of the chimney." When the house is happy, soft smoke rises in gay rings above the roof. If the child is unhappy, however, the house bears traces of his distress. In this connection, I recall that Francoise Minkowska organized an unusually moving exhibition of drawings by Polish and Jewish children who had suffered the cruelties of the German occupation during the last war. One child, who had been hidden in a closet every time there was an alert, continued to draw narrow, cold, closed houses long after those evil times were over. These are what Mme. Minkowska calls "motionless" houses, houses that have become motionless in their rigidity. "This rigidity and motionlessness are present in the smoke as well as in the window curtains. The surrounding trees are quite straight and give the impression of standing guard over the house". Mme. Minkowska knows that a live house is not really "motionless," that, particularly, it integrates the movements by means of which one accedes to the door. Thus the path that leads to the house is often a climbing one. At times, even, it is inviting. In any case, it always possesses certain kinesthetic features. If we were making a Rorschach test, we should say that the house has "K." Often a simple detail suffices for Mme. Minkowska, a distinguished psychologist, to recognize the way the house functions. In one house, drawn by an eight-year-old child, she notes that there is " a knob on the door; people go in the house, they live there." It is not merely a constructed house, it is also a house that is "lived-in." Quite obviously the door-knob has a functional significance. This is the kinesthetic sign, so frequently forgotten in the drawings of "tense" children. Naturally, too, the door-knob could hardly be drawn in scale with the house, its function taking precedence over any question of size. For it expresses the function of opening, and only a logical mind could object that it is used to close as well as to open the door. In the domain of values, on the other hand, a key closes more often than it opens, whereas the door-knob opens more often than it closes. And the gesture of closing is always sharper, firmer, and briefer than that of opening. It is by weighing such fine points as these that, like Francoise Minkowska, one becomes a psychologist of houses.

What are the true reasons why the purchaser is planning to spend his money on a new car instead of a piano? Because he has decided that he wants the commodity called locomotion more than he wants the commodity called music? Not altogether. He buys a car, because it is at the moment the group custom to buy cars. The modern propagandist therefore sets to work to create circumstances which will modify that custom. He appeals perhaps to the home instinct which is fundamental. He will endeavor to develop public acceptance of the idea of a music room in the home. This he may do, for example, by organizing an exhibition . . . key people, persons known to influence the buying habits of the public, such as a famous violinist, a popular artist, and a society leader, are invited. These key persons affect other groups, lifting the idea of the music room to a place in the public consciousness which it did not have before. The juxtaposition of these leaders, and the idea which they are dramatizing, are then projected to the wider public through various publicity channels . . . The music room will be accepted because it has been made the thing. And the man or woman who has a music room, or has arranged a corner of the parlor as a musical corner, will naturally think of buying a piano. It will come to him as his own idea.

You know that Gauguin is invited to exhibit at the “Vingtistes.” He is already imagining settling in Brussels, and that certainly would be a means towards his being able to see his Danish wife again. Since in the meantime he is very successful with the Arlésiennes, I should not consider this entirely insignificant. He is married but he doesn’t look it very much. In short, I fear that there is an absolute incompatibility of character between his wife and him, but he naturally cares more for his children, who are very pretty according to the portraits.

To be free is to escape restraint. Style becomes manner, introspection breeds narcissism, asserting the self leads to exhibition. Fame decays into celebrity, public presence into publicity, public judgement is a noise in the street. The individual as subject becomes an ego. Yet this egotism, liberated by its illegitimacy from the discipline of family and community, makes a display of what unrestrained talent can attain - inviting others, whatever their birth or position, to do the same. If individualism is a demonic power, it is also a force for democracy.

It is spring 2007, and the block-long security lines into the Smithsonian Institution’s National Museum of American History (NMAH) are missing now while it is closed for renovation. The once controversial and “technically superb” exhibition Science in American Life is due to be phased out. The hot new museum exhibit is at the National Museum of Natural History’s (NMNH) Kenneth E. Behring Hall of Mammals. There, entering this multimedia, multisensory immersive installation, we are invited to a “Mammal Family Reunion—Come meet your relatives!”—in a savvy response to antievolution religious activism.

Examples of Trump’s narcissism are legion and instructive. A widely photographed instance occurred in February 2018, when Trump, boarding Air Force One on a rainy day, held a large umbrella to cover his head in the storm without inviting his wife or young son to join him. While depriving Melania and Barron of cover from the rain, Trump was exhibiting textbook signs of two kinds of narcissism: primary narcissism, associated with survival, which was the impulse behind his disregarding his family’s comfort to ensure his own protection, and secondary narcissism, the impulse we connect to the familiar impulse to give oneself pleasure beyond mere survival

Haiti as an independent republic accepted the invitation extended to her along with other nations, and erected a building on the World's Fair grounds. She placed Frederick Douglass in charge of this building to represent the Haitian government. Mr. Douglass had been sent as minister to Haiti from this country a few years before this, and had so won the confidence of this little black republic that it in turn gave him the honor of being in charge of their exhibit. Had it not been for this, Negroes of the United States would have had no part nor lot in any official way in the World's Fair. For the United States government had refused her Negro citizens participation therein.

People, especially those in charge, rarely invite you into their offices and give freely of their time. Instead, you have to do something unique, compelling, even funny or a bit daring, to earn it. Even if you happen to be an exceptionally well-rounded person who possesses all of the scrappy qualities discussed so far, it’s still important to be prepared, dig deep, do the prep work, and think on your feet. Harry Gordon Selfridge, who founded the London-based department store Selfridges, knew the value of doing his homework. Selfridge, an American from Chicago, traveled to London in 1906 with the hope of building his “dream store.” He did just that in 1909, and more than a century later, his stores continue to serve customers in London, Manchester, and Birmingham. Selfridges’ success and staying power is rooted in the scrappy efforts of Harry Selfridge himself, a creative marketer who exhibited “a revolutionary understanding of publicity and the theatre of retail,” as he is described on the Selfridges’ Web site. His department store was known for creating events to attract special clientele, engaging shoppers in a way other retailers had never done before, catering to the holidays, adapting to cultural trends, and changing with the times and political movements such as the suffragists. Selfridge was noted to have said, “People will sit up and take notice of you if you will sit up and take notice of what makes them sit up and take notice.” How do you get people to take notice? How do you stand out in a positive way in order to make things happen? The curiosity and imagination Selfridge employed to successfully build his retail stores can be just as valuable for you to embrace in your circumstances. Perhaps you have landed a meeting, interview, or a quick coffee date with a key decision maker at a company that has sparked your interest. To maximize the impression you’re going to make, you have to know your audience. That means you must respectfully learn what you can about the person, their industry, or the culture of their organization. In fact, it pays to become familiar not only with the person’s current position but also their background, philosophies, triumphs, failures, and major breakthroughs. With that information in hand, you are less likely to waste the precious time you have and more likely to engage in genuine and meaningful conversation.

Space Rockets as Power Symbols The moon rocket is the climactic expression of the power system: the maximum utilization of the resources of science and technics for the achievement of a relatively miniscule result: the hasty exploration of a barren satellite. Space exploration by manned rockets enlarges and intensifies all the main components of the power system: increased energy, accelerated motion, automation, cyber-nation, instant communication, remote control. Though it has been promoted mainly under military pressure, the most vital result of moon visitation so far turns out to be an unsought and unplanned one-a full view of the beautiful planet we live on, an inviting home for man and for all forms of life. This distant view on television evoked for the first time an active, loving response from many people who had hitherto supposed that modern technics would soon replace Mother Earth with a more perfect, scientifically organized, electronically controlled habitat, and who took for granted that this would be an improvement. Note that the moon rocket is itself necessarily a megastructure: so it naturally calls forth such vulgar imitations as the accompanying bureaucratic obelisk (office building) of similar dimensions, shown here (left). Both forms exhibit the essentially archaic and regressive nature of the science-fiction mind.

Ode 38 I went up into the light of Truth as into a chariot, and the Truth led me and caused me to come. And caused me to pass over chasms and gulfs, and saved me from cliffs and valleys. And became for me a haven of salvation, and set me on the place of immortal life. And He went with me and caused me to rest and did not allow me to err; because He was and is the Truth. And there was no danger for me because I constantly walked with Him; and I did not err in anything because I obeyed Him. For Error fled from Him, and never met Him. But Truth was proceeding on the upright way, and whatever I did not understand He exhibited to me: All the poisons of error, and pains of death which are considered sweetness. And the corrupting of the Corruptor, I saw when the bride who was corrupting was adorned, and the bridegroom who corrupts and is corrupted. And I asked the Truth, Who are these? And He said to me: This is the Deceiver and the Error. And they imitate the Beloved and His Bride, and they cause the world to err and corrupt it. And they invite many to the wedding feast, and allow them to drink the wine of their intoxication; So they cause them to vomit up their wisdom and their knowledge, and prepare for them mindlessness. Then they abandon them; and so they stumble about like mad and corrupted men. Since there is no understanding in them, neither do they seek it. But I have been made wise so as not to fall into the hands of the Deceivers, and I myself rejoiced because the Truth had gone with me. For I was established and lived and was redeemed, and my foundations were laid on account of the Lord's hand; because He has planted me. For He set the root, and watered it and endowed it and blessed it, and its fruits will be forever. It penetrated deeply and sprang up and spread out, and it was full and was enlarged. And the Lord alone was glorified, in His planting and in His cultivation; In His care and in the blessing of His lips, in the beautiful planting of His right hand; And in the attainment of His planting, and in the understanding of His mind. Hallelujah.

Beyond the US Army’s apps platform, it seems that every industry today relies upon some form of platform business model—many of them internet-based. Doctors quickly cross-check prescriptions to identify interactions between drugs, job-seekers exchange insights about various employers, and property values and other attributes of a given zip code are easily comparable. Successful platforms in a solution economy exhibit one or more of these three characteristics: (1) they invite participants to collaborate and exchange at little or no cost; (2) they encourage decentralized, user-generated content; and (3) they enable average citizens to contribute to problem solving.

For who, I ask you, has exhibited better mastery of the shorter form than Chekhov in his flawless little stories? Precise and uncluttered, they invite us into some corner of a household at some discrete hour in which the entire human condition is suddenly within reach, if heartbreakingly so.

Whenever you meet the enemy,” he liked to say, “no matter how few there are of you or how many of them, show fight.” Forrest knew that to exhibit weakness or indecision was tantamount to inviting attack. “If you show fight,” he explained, “they will think there are more of you, and will not push you half so hard.

Seeking a compelling example of the company’s poor purchasing habits, Stegner assigned a summer student intern to investigate a single item—work gloves, which workers in most of the company’s factories wore. The student embarked on a mission to identify all the types of gloves used in all the company’s factories and then trace back what the company was paying for them. The intrepid intern soon reported that the factories were purchasing 424 different kinds of gloves! Furthermore, they were using different glove suppliers, and they were all negotiating their own prices. The same pair of gloves that cost $5 at one factory might cost $17 at another. At Stegner’s request, the student collected a specimen of every one of the 424 different types of gloves and tagged each with the price paid. Then all the gloves were gathered up, brought to the boardroom, and piled up on the conference table. Stegner invited all the division presidents to come visit the Glove Shrine. He recalled the scene: What they saw was a large expensive table, normally clean or with a few papers, now stacked high with gloves. Each of our executives stared at this display for a minute. Then each said something like, “We really buy all these different kinds of gloves?” Well, as a matter of fact, yes we do. “Really?” Yes, really. Then they walked around the table…. They could see the prices. They looked at two gloves that seemed exactly alike, yet one was marked $3.22 and the other $10.55. It’s a rare event when these people don’t have anything to say. But that day, they just stood with their mouths gaping. The gloves exhibit soon became a traveling road show, visiting dozens of plants. The reaction was visceral: This is crazy. We’re crazy. And we’ve got to make sure this stops happening.

In the American colonies, the first laborers were European indentured servants. When African laborers were forcibly brought to Virginia beginning in 1619, status was defined by wealth and religion, not by physical characteristics such as skin color. But this would change. Over time, physical difference mattered, and with the development of the transatlantic slave trade, landowners began replacing their temporary European laborers with enslaved Africans who were held in permanent bondage. Soon a new social structure emerged based primarily on skin color, with those of English ancestry at the top and African slaves and American Indians at the bottom. By 1776, when “all men are created equal” was written into the Declaration of Independence by a slaveholder named Thomas Jefferson, a democratic nation was born with a major contradiction about race at its core. As our new nation asserted its independence from European tyranny, blacks and American Indians were viewed as less than human and not deserving of the same liberties as whites. In the 19th and 20th centuries, the notion of race continued to shape life in the United States. The rise of “race science” supported the common belief that people who were not white were biologically inferior. The removal of Native Americans from their lands, legalized segregation, and the internment of Japanese Americans during World War II are legacies of where this thinking led. Today, science tells us that all humans share a common ancestry. And while there are differences among us, we’re also very much alike. Changing demographics in the United States and across the globe are resulting in new patterns of marriage, housing, education, employment, and new thinking about race. Despite these advances, the legacy of race continues to affect us in a variety of ways. Deeply held assumptions about race and enduring stereotypes make us think that gaps in wealth, health, housing, education, employment, or physical ability in sports are natural. And we fail to see the privileges that some have been granted and others denied because of skin color. This creation, called race, has fostered inequality and discrimination for centuries. It has influenced how we relate to each other as human beings. The American Anthropological Association has developed this exhibit to share the complicated story of race, to unravel fiction from fact, and to encourage meaningful discussions about race in schools, in the workplace, within families and communities. Consider how your view of a painting can change as you examine it more closely. We invite you to do the same with race. Examine and re-examine your thoughts and beliefs about race. 1

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Photographs, which fiddle with the scale of the world, themselves get reduced, blown up, cropped, retouched, doctored, tricked out. They age, plagued by the usual ills of paper objects; they disappear; they become valuable, and get bought and sold; they are reproduced. Photographs, which package the world, seem to invite packaging. They are stuck in albums, framed and set on tables, tacked on walls, projected as slides. Newspapers and magazines feature them; cops alphabetize them; museums exhibit them; publishers compile them.

Louisa watched her husband shave. He was careful, methodical, and efficient as he scraped dark whiskers from his face. He kept a mug—not a cup—of tea at his elbow throughout this masculine ritual, shaving around his mouth first so he might sip at his tea. “You missed a spot on your jaw, Husband.” Husband. Her very own husband. He turned, flecks of lather dotting his visage, and held his razor out to her. Not quite a challenge, but something more than an invitation. The moment called for a shaving sonnet. Louisa set her tea aside—tea Joseph had prepared for her—and climbed off the bed. She took the razor from him and eyed his jaw. “Were you trying to spare my sensibilities last night?” “You were indisposed.” They both fell silent while Louisa scraped the last of the whiskers from Joseph’s cheek. She appropriated the towel he’d draped over his shoulder and wiped his face clean. “I know I was indisposed, but you blew out all the candles before you undressed. I’ve seen naked men before.” She’d never slept with one wrapped around her, though. Such an arrangement was… cozy, and inclined one toward loquaciousness. “You’ve seen naked men?” There was something too casual in Joseph’s question. Louisa set the razor down and stepped back. “Growing up, there was always a brother or two to spy on, and I think they didn’t mind being spied on so very much, or they wouldn’t have been quite as loud when they went swimming. I attend every exhibition the Royal Society puts on, and the Moreland library is quite well stocked.” He kissed her, and by virtue of his mouth on hers, Louisa understood that her husband was smiling at her pronouncements. He gave her a deucedly businesslike kiss though, over in a moment. As Louisa lingered in her husband’s arms, sneaking a whiff of the lavender soap scent of his skin, she wondered if married kisses were different from the courting kind. “I have married a fearlessly naughty woman,” Joseph said, stroking a hand down her braid. “And to think I was concerned that I was imposing by asking you to share my bed last night.” “You needn’t be gallant. I talked your ears off.” And he’d listened. He hadn’t fallen asleep, hadn’t patted her arm and rolled over, hadn’t let her know in unsubtle ways that the day had been quite long enough, thank you very much.

As a child, she attended classes at Juilliard, whose pre-college program invites students “who exhibit the talent, potential, and accomplishment to pursue a career in music” to experience “an atmosphere where artistic gifts and technical skills can flourish.

When We Want the Kind of Love That Pleases God Love suffers long and is kind; love does not envy; love does not parade itself, is not puffed up; does not behave rudely, does not seek its own, is not provoked, thinks no evil; does not rejoice in iniquity, but rejoices in the truth; bears all things, believes all things, hopes all things, endures all things. Love never fails. 1 CORINTHIANS 13:4-8 GOD MAKES IT CRYSTAL CLEAR in His Word about the kind of love He wants us to have. Sometimes we may wish it weren’t so clear, because what is also clear is that we can’t express this kind of love on a consistent basis without His help. He wants us to have love that is shown in patience and kindness and is not possessive. Love that is not arrogant, rude, demanding, or selfish. Love that does not become irritable or grumpy, and does not keep a list of injustices. Love that believes for the best in others and not the worst, and is happy for their success and not their failure. Love that never gives up on the other person and endures through whatever happens. God not only wants you to have that kind of love for others, but He also wants you to have it for your husband. And He wants your husband to always exhibit that kind of love for you. How in the world do you find love within you like that? Do you have the kind of love in your heart that is never selfish or impatient? Do you have the kind of love that can endure anything and never doubt or lose hope? Only the love of God in you can accomplish all that through you. The way you access the flow of God’s love is by being in His presence—in prayer, praise, and worship. It comes by inviting the Holy Spirit to fill you afresh each day with His love and allowing His love to transform you. My Prayer to God LORD, I pray You would pour Your amazing, unconditional love into my heart and into my husband’s heart as well. Help us to love each other the way You love us. I know we don’t have it in us to do that on our own, but I also know Your Holy Spirit can fill us with Your love so that it overflows to each other. Enable us to have the kind of love that shows patience with each other, love that is kind and does good, love that doesn’t become possessive or jealous, love that is not arrogant and always trying to steal attention away from the other, love that is never rude or selfish, love that is not hostile or easily irritable, love that believes for the best and not the worst in each other, love that is not resentful and doesn’t keep a record of every offense, love that stands strong no matter what happens and doesn’t lose hope and faith, love that never gives up. Enable us to have love for each other that will not fail. Lord, You know what we are made of and how imperfect we are. We recognize we can’t begin to do this without Your working a miracle in our hearts. I ask for a continual flow of Your presence and love in our lives today and every day. Help us to have the kind of love for each other that pleases You. In Jesus’ name I pray.

I bet this isn’t your idea of the perfect Saturday night.” “Be honest. Where are you supposed to be right now?” I’d received invitations to two charity galas, a private museum exhibit, and a dinner party at the Singhs’ townhouse for that night. I’d declined all of them. “Nowhere,” I said. “I’m exactly where I want to be.

I bet this isn’t your idea of the perfect Saturday night. Be honest. Where are you supposed to be right now?” I’d received invitations to two charity galas, a private museum exhibit, and a dinner party at the Singhs’ townhouse for that night. I’d declined all of them. “Nowhere,” I said. “I’m exactly where I want to be.

The Wolf. The single most productive engineer you’ll meet. You’ve heard of the 10x engineer, but I am here to tell you about the Wolf. They are engineers, and they consistently exhibit the following characteristics: They appear to exist outside of the well-defined process that we’ve defined to get things done, but they appear to suffer no consequences for not following these rules. Everyone knows they’re the Wolf, but no one ever calls them the Wolf. They have a manager, but no one really knows who it is. They have a lot of meetings, but none of them are scheduled. Inviting them to your meeting is a crap shoot. They understand how “the system” works, they understand how to use “the system” to their advantage, and they understand why “the system” exists, but they think “the system” is a bit of a joke. You can ask a Wolf to become a manager, but they’ll resist it. If you happen to convince them to do it, they will do a fine job, but they won’t stay in that role long. In fact, they’ll likely quit managing when you least expect it. Lastly, and most importantly, the Wolf generates disproportionate value for the company with their unparalleled ability to identify and rapidly work on projects essential to the future of the company.

Silent departure of its members is an important property of government. To speak out even after leaving is to go into the wilderness; by exhibiting disloyalty to bar return within the circle. The same reasons account for reluctance to resign. The official can always convince himself that he can exercise more restraining influence inside, and he then remains acquiescent lest his connection with power be terminated. The effect of the American Presidency with its power of appointment in the Executive branch is overbearing. Advisers find it hard to say no to the President or to dispute policy because they know that their status, their invitation to the next White House meeting, depends on staying in line. If they are Cabinet officers, they have in the American system no parliamentary seat to return to from which they may retain a voice in government.

We have the same strange idea in work as we do in love: that we will engender love, loyalty, and admiration in others by exhibiting a great sense of power and competency. We are surprised to find that we garner fear and respect but forgo the other, more intimate magic. Real, undying loyalty in work can never be legislated or coerced; it is based on a courageous vulnerability that invites others by our example to a frontier conversation whose outcome is yet in doubt.

Before we ever exhibit any change or do anything, grace is an ongoing invitation to live in response to the Lord’s divined delight in you and me.

While Devon browsed over a nearby exhibit of weaponry, Helen wandered to Kathleen, who was looking at a glass case of ancient coins. “There are so many galleries in this museum,” she remarked, “that we could visit every day for a month, and still not see everything.” “Certainly not at this rate,” Kathleen said, watching as Pandora and Cassandra opened their sketch tablets and began to copy some of the hieroglyphs. Following her gaze, Helen said, “They’re enjoying this immensely. So am I. It seems we’ve all been starved for more culture and stimulation than Eversby can offer.” “London has an abundance of both,” Kathleen said. Trying to sound light, she added, “I suppose Mr. Winterborne has that on his side: You would never be bored.” “No, indeed.” Helen paused before asking cautiously, “Regarding Mr. Winterborne, may we invite him to dinner? I would like to thank him in person for the music box.” Kathleen frowned. “Yes. Lord Trenear will invite him if you wish. However…you are aware of how inappropriate that music box is. It was a lovely and generous gift, but we should give it back.” “I can’t,” Helen whispered with a frown. “It would hurt his feelings.” “It would hurt your reputation.” “No one has to know, do they? Couldn’t we consider it as a gift for the family?” Before she replied, Kathleen thought of all the rules she had broken and the sins she had committed, some small, some far more egregious than accepting an inappropriate gift. Her mouth curved in wry resignation. “Why not?” she said, and took Helen’s arm. “Come help me stop Pandora--she’s trying to open a mummy case.

Creativity becomes a way of life. This then is the opportunity and invitation: little bets provide a powerful vehicle to approach life and work in a new way. After all, as children we exhibit a natural desire to tinker, explore, and discover. Just examine research on child development. Starting soon after birth, experimenting and making mistakes are primary ways children learn and discover how things work. That tendency doesn’t vanish when we become adults. As many researchers and observers have described, that innate curiosity which is the basis for so much creativity routinely gets squelched. Perfection is rewarded, while making mistakes is often penalized. The term “failure” has taken on a deeply personal meaning, something to be avoided at nearly all costs.

The intimate relation between obligation and likelihood is nicely illustrated by an anecdote from the Soviet era. The story goes that during his state visit to Moscow,27 Fidel Castro is shown around the capital by Leonid Brezhnev. First of all, Castro is invited for a beer, which he downs in one go, and praises heartily. ‘Yes,’ says Brezhnev, ‘it was provided by our good friends from Czechoslovakia.’ Then Castro is chauffeured around the city, and is rather taken by the limo. ‘Yes,’ says Brezhnev, ‘these cars are provided by our good friends from Czechoslovakia.’ Later on, they visit an exhibition of fine crystal, and Castro duly waxes lyrical. ‘Yes,’ says Brezhnev, ‘the crystal is provided by our good friends from Czechoslovakia.’ ‘They must be very good friends,’ says Castro. ‘Yes,’ says Brezhnev, ‘they must.

Conceptual Games. Dr Nathan pondered the list on his desk-pad. (1) The catalogue of an exhibition of tropical diseases at the Wellcome Museum; (2) chemical and topographical analyses of a young woman’s excrement; (3) diagrams of female orifices: buccal, orbital, anal, urethral, some showing wound areas; (4) the results of a questionnaire in which a volunteer panel of parents were asked to devise ways of killing their own children; (5) an item entitled ‘self-disgust’ - someone’s morbid and hate-filled list of his faults. Dr Nathan inhaled carefully on his gold-tipped cigarette. Were these items in some conceptual game? To Catherine Austin, waiting as ever by the window, he said, ‘Should we warn Miss Novotny?’ Biomorphic Horror. With an effort, Dr Nathan looked away from Catherine Austin as she picked at her finger quicks. Unsure whether she was listening to him, he continued: ‘Travers’s problem is how to come to terms with the violence that has pursued his life - not merely the violence of accident and bereavement, or the horrors of war, but the biomorphic horror of our own bodies. Travers has at last realized that the real significance of these acts of violence lies elsewhere, in what we might term “the death of affect”. Consider our most real and tender pleasures - in the excitements of pain and mutilation; in sex as the perfect arena, like a culture-bed of sterile pus, for all the veronicas of our own perversions, in voyeurism and self-disgust, in our moral freedom to pursue our own psychopathologies as a game, and in our ever greater powers of abstraction. What our children have to fear are not the cars on the freeways of tomorrow, but our own pleasure in calculating the most elegant parameters of their deaths. The only way we can make contact with each other is in terms of conceptualizations. Violence is the conceptualization of pain. By the same token psychopathology is the conceptual system of sex.’ Sink Speeds. During this period, after his return to Karen Novotny’s apartment, Travers was busy with the following projects: a cogent defence of the documentary films of Jacopetti; a contribution to a magazine symposium on the optimum auto-disaster; the preparation, at a former colleague’s invitation, of the forensic notes to the catalogue of an exhibition of imaginary genital organs. Immersed in these topics, Travers moved from art gallery to conference hall. Beside him, Karen Novotny seemed more and more isolated by these excursions. Advertisements of the film of her death had appeared in the movie magazines and on the walls of the underground stations. ‘Games, Karen,’ Travers reassured her. ‘Next they’ll have you filmed masturbating by a cripple in a wheel chair.

AS WE REACQUAINT OURSELVES WITH OUR BREATHING BODIES, then the perceived world itself begins to shift and transform. When we begin to consciously frequent the wordless dimension of our sensory participations, certain phenomena that have habitually commanded our focus begin to lose their distinctive fascination and to slip toward the background, while hitherto unnoticed or overlooked presences begin to stand forth from the periphery and to engage our awareness. The countless human artifacts with which we are commonly involved—the asphalt roads, chain-link fences, telephone wires, buildings, lightbulbs, ballpoint pens, automobiles, street signs, plastic containers, newspapers, radios, television screens—all begin to exhibit a common style, and so to lose some of their distinctiveness; meanwhile, organic entities—crows, squirrels, the trees and wild weeds that surround our house, humming insects, streambeds, clouds and rainfalls—all these begin to display a new vitality, each coaxing the breathing body into a unique dance. Even boulders and rocks seem to speak their own uncanny languages of gesture and shadow, inviting the body and its bones into silent communication. In contact with the native forms of the earth, one’s senses are slowly energized and awakened, combining and recombining in ever-shifting patterns.

It was near the end of the year 1906, and I had just returned from Milan, where I had been one of a committee at the International Exhibition for the assignment of prizes in the subjects of Scientific Pedagogy and Experimental Psychology. A great opportunity came to me, for I was invited by Edoardo Talamo, the Director General of the Roman Association for Good Building, to undertake the organisation of infant schools in its model tenements. It was Signor Talamo's happy idea to gather together in a large room all the little ones between the ages of three and seven belonging to the families living in the tenement. The play and work of these children was to be carried on under the guidance of a teacher who should have her own apartment in the tenement house. It was intended that every house should have its school, and as the Association for Good Building already owned more than 400 tenements in Rome the work seemed to offer tremendous possibilities of development. The first school was to be established in January, 1907, in a large tenement house in the Quarter of San Lorenzo. In the same Quarter the Association already owned fifty-eight buildings, and according to Signor Talamo's plans we should soon be able to open sixteen of these "schools within the house.

Your Behavioral Responses to Anxiety The ways in which people react to social situations are often a result of physical and mental responses. Feeling anxious is a clue from your body that you are in danger and need to take action. However, because the danger is exaggerated, your actions often do not fit the situation and do not help you. Two typical behaviors are freezing and avoidance. When people freeze in a situation, they cannot react. Movement, speech, and memory are all affected. You may have experienced freezing when a teacher called on you in class. When attention like that was placed upon you, you probably felt the physical responses of blushing, shortness of breath, and rapid heart rate, among others. You probably had negative thoughts running through your head, such as “I’m such an idiot. I look stupid.” As a result of the strong physical and mental reactions, you froze and were unable to remember the answer; perhaps you could not speak at all. Because feelings of anxiety are unpleasant, some people try to avoid stressful situations altogether. If you are nervous around crowds of people, you may avoid going to parties or dances. If you are afraid of speaking in public, you probably avoid classes or situations in which you would be asked to speak or make a presentation. There are also other, subtler forms of avoidance. If you are nervous in crowds, you may not avoid parties entirely, but you might leave early or latch onto one person the entire time. Or, you may distract yourself by daydreaming or flipping through CDs instead of talking with people. Because of her social anxiety, Ruby hadn’t participated in any extracurricular activities during high school. At the beginning of her senior year, her guidance counselor told her she would have a better chance of getting into her top-choice college if she would join activities, so she joined the Spanish club. The group was led by the Spanish teacher and met once a week before school. When Ruby joined, they were beginning to plan the annual fiesta, and there were many decisions to make. At first, the other students tried to include her and would ask her opinion about decorations or games, but Ruby was so anxious that she couldn’t respond. Soon, they stopped asking and left her alone. Ruby thought she was being a part of the group simply by showing up, but she never volunteered for any of the planning committees and never offered suggestions. When it was time to fill out college applications, Ruby asked the Spanish teacher to write her a recommendation. The teacher said she couldn’t because she didn’t know Ruby well enough. Patterns of avoidance may be so deeply ingrained in your lifestyle that you are not even aware that you are exhibiting them. Think carefully about your reactions to various situations. When you receive an invitation, do you instantly think of reasons why you can’t accept? When you are with a group of people, do you use escape mechanisms, such as reading a magazine, hiding in the restroom, or daydreaming? Avoidance may help lessen your anxiety in the moment, but in the long run, it usually makes things worse. Life is very unsatisfying when you avoid so many situations, and such behavior hurts self-esteem and self-confidence.