Excuse My French Quotes

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The noise I made when I collided with his chest was something so unladylike my mama would’ve pitched a hissy fit if she’d heard it. It was part grunt, part groan, and part something that sounded like it shot out of my butthole on a hot burst of air, excuse my French.
J.T. Geissinger (Burn for You (Slow Burn, #1))
Excuse me for just a sec, I've got eczema around my nubbins.
Renée French (Micrographica)
Sion calls Anne an eel, he calls her a slippery dipper from the slime, and he remembers what the cardinal had called her: my serpentine enemy. Sion says, she goes to it with her brother; he says, what, her brother George? ‘Any brother she's got. Those kind keep it in the family. They do filthy French tricks, like –’ ‘Can you keep your voice down?’ He looks around, as if spies might be swimming by the boat. ‘– and that's how she trusts herself she don't give in to Henry, because if she lets him do it and she gets a boy he's, thanks very much, now clear off, girl – so she's oh, Your Highness, I never could allow – because she knows that very night her brother's inside her, licking her up to the lungs, and then he's, excuse me, sister, what shall I do with this big package – she says, oh,don't distress yourself, my lord brother, shove it up the back entry, it'll come to no harm there.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
The things about you I appreciate May seem indelicate: I'd like to find you in the shower And chase the soap for half an hour. I'd like to have you in my power And see your eyes dilate. I'd like to have your back to scour And other parts to lubricate. Sometimes I feel it is my fate To chase you screaming up a tower Or make you cower By asking you to differentiate Nietzsche from Schopenhauer. I'd like successfully to guess your weight And win you at a fête. I'd like to offer you a flower. I like the hair upon your shoulders, Falling like water over boulders. I like the shoulders too: they are essential. Your collar-bones have great potential (I'd like your particulars in folders Marked Confidential). I like your cheeks, I like your nose, I like the way your lips disclose The neat arrangement of your teeth (Half above and half beneath) In rows. I like your eyes, I like their fringes. The way they focus on me gives me twinges. Your upper arms drive me berserk. I like the way your elbows work. On hinges … I like your wrists, I like your glands, I like the fingers on your hands. I'd like to teach them how to count, And certain things we might exchange, Something familiar for something strange. I'd like to give you just the right amount And get some change. I like it when you tilt your cheek up. I like the way you not and hold a teacup. I like your legs when you unwind them. Even in trousers I don't mind them. I like each softly-moulded kneecap. I like the little crease behind them. I'd always know, without a recap, Where to find them. I like the sculpture of your ears. I like the way your profile disappears Whenever you decide to turn and face me. I'd like to cross two hemispheres And have you chase me. I'd like to smuggle you across frontiers Or sail with you at night into Tangiers. I'd like you to embrace me. I'd like to see you ironing your skirt And cancelling other dates. I'd like to button up your shirt. I like the way your chest inflates. I'd like to soothe you when you're hurt Or frightened senseless by invertebrates. I'd like you even if you were malign And had a yen for sudden homicide. I'd let you put insecticide Into my wine. I'd even like you if you were Bride Of Frankenstein Or something ghoulish out of Mamoulian's Jekyll and Hyde. I'd even like you as my Julian Or Norwich or Cathleen ni Houlihan. How melodramatic If you were something muttering in attics Like Mrs Rochester or a student of Boolean Mathematics. You are the end of self-abuse. You are the eternal feminine. I'd like to find a good excuse To call on you and find you in. I'd like to put my hand beneath your chin, And see you grin. I'd like to taste your Charlotte Russe, I'd like to feel my lips upon your skin I'd like to make you reproduce. I'd like you in my confidence. I'd like to be your second look. I'd like to let you try the French Defence And mate you with my rook. I'd like to be your preference And hence I'd like to be around when you unhook. I'd like to be your only audience, The final name in your appointment book, Your future tense.
John Fuller
Any girl faced with daily attention from a gorgeous boy with a cute accent and perfect hair would be hard-pressed not to develop a big,stinking, painful,all-the-time,all consuming crush. Not that that's what's happening to me. Like I said.It's a relief to know it won't happen. It makes things easier. Most girls laugh too hard at his jokes and find excuses to gently press his arm. To touch him.Instead,I argue and roll my eyes and act indifferent. And when I touch his arm,I shove it.Because that's what friends do. Besides,I have more important things on my mind: movies. I've been in France for a month, and though I have ridden the elevators to the top of La Tour Eiffel (Mer took me while St. Clair and Rashmi waited below on the lawn-St. Clair because he's afraid of falling and Rashmi because she refuses to do anything touristy), and though I have walked the viewing platform of L'Arc de Triomphe (Mer took me again,of course, while St. Clair stayed below and threatened to push Josh and Rashmi into the insane traffic circle),I still haven't been to the movies. Actually,I have yet to leave campus alone. Kind of embarrassing. But I have a plan.First,I'll convince someone to go to a theater with me. Shouldn't be too difficult; everyone likes the movies.And then I'll take notes on everything they say and do, and then I'll be comfortable going back to that theater alone.A
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
excuse for our negligent attitude. But it is not so. What we call chauvinistic education - in the case of the French people, for example - is only the excessive exaltation of the greatness of France in all spheres of culture or, as the French say, civilization. The French boy is not educated on purely objective principles. Wherever the importance of the political and cultural greatness of his country is concerned he is taught in the most subjective way that one can imagine.
Adolf Hitler (Mein Kampf - My Struggle: Unabridged edition of Hitlers original book - Four and a Half Years of Struggle against Lies, Stupidity, and Cowardice)
My seventeen-year-old son, Chase, and his friends are in the family room watching a movie. I’ve been trying to leave them alone, but it’s hard for me. I understand that most teenagers think their moms are uncool, but I am certain I’m the exception. I stand at the door and peek inside. The boys are draped all over the couch. The girls have arranged themselves in tiny, tidy roly-poly piles on the floor. My young daughters are perched at the feet of the older girls, quietly worshipping. My son looks over at me and half smiles. “Hi, Mom.” I need an excuse to be there, so I ask, “Anybody hungry?” What comes next seems to unfold in slow motion. Every single boy keeps his eyes on the TV and says, “YES!” The girls are silent at first. Then each girl diverts her eyes from the television screen and scans the faces of the other girls. Each looks to a friend’s face to discover if she herself is hungry. Some kind of telepathy is happening among them. They are polling. They are researching. They are gathering consensus, permission, or denial. Somehow the collective silently appoints a French-braided, freckle-nosed spokesgirl. She looks away from the faces of her friends and over at me. She smiles politely and says, “We’re fine, thank you.” The boys looked inside themselves. The girls looked outside themselves. We forgot how to know when we learned how to please. This is why we live hungry.
Glennon Doyle (Untamed)
But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together." "Is that all?" He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her. She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them." Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook." "That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it." "Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself." It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip." He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie." She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me." Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us." She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?" "Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death." Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him. It was almost as good. He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley." "I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland." "I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead." "As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception." "I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off." She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Clementine liked de Gaulle, but, keenly aware of how deeply her husband grieved having to sink the French ships, she now rounded on the general and, in her perfect French, took him to task “for uttering words and sentiments that ill became either an ally or a guest in this country,” as Pamela put it. Churchill, at the far side of the table, sought to dispel the tension. He leaned forward and, in an apologetic tone, in French, said, “You must excuse my wife, my General; she speaks French too well.” Clementine glared at Churchill. “No, Winston,” she snapped. She turned back to de Gaulle and, again in French, said, “That is not the reason. There are certain things that a woman can say to a man that a man cannot say. And I am saying them to you, General de Gaulle.” The next day, by way of apology, de Gaulle sent her a large basket of flowers.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
The pressure is on. They've teased me all week, because I've avoided anything that requires ordering. I've made excuses (I'm allergic to beef," "Nothing tastes better than bread," Ravioli is overrated"), but I can't avoid it forever.Monsieur Boutin is working the counter again. I grab a tray and take a deep breath. "Bonjour, uh...soup? Sopa? S'il vous plait?" "Hello" and "please." I've learned the polite words first, in hopes that the French will forgive me for butchering the remainder of their beautiful language. I point to the vat of orangey-red soup. Butternut squash, I think. The smell is extraordinary, like sage and autumn. It's early September, and the weather is still warm. When does fall come to Paris? "Ah! soupe.I mean,oui. Oui!" My cheeks burn. "And,um, the uh-chicken-salad-green-bean thingy?" Monsieur Boutin laughs. It's a jolly, bowl-full-of-jelly, Santa Claus laugh. "Chicken and haricots verts, oui. You know,you may speek Ingleesh to me. I understand eet vairy well." My blush deepends. Of course he'd speak English in an American school. And I've been living on stupid pears and baquettes for five days. He hands me a bowl of soup and a small plate of chicken salad, and my stomach rumbles at the sight of hot food. "Merci," I say. "De rien.You're welcome. And I 'ope you don't skeep meals to avoid me anymore!" He places his hand on his chest, as if brokenhearted. I smile and shake my head no. I can do this. I can do this. I can- "NOW THAT WASN'T SO TERRIBLE, WAS IT, ANNA?" St. Clair hollers from the other side of the cafeteria. I spin around and give him the finger down low, hoping Monsieur Boutin can't see. St. Clair responds by grinning and giving me the British version, the V-sign with his first two fingers. Monsieur Boutin tuts behind me with good nature. I pay for my meal and take the seat next to St. Clair. "Thanks. I forgot how to flip off the English. I'll use the correct hand gesture next time." "My pleasure. Always happy to educate." He's wearing the same clothing as yesterday, jeans and a ratty T-shirt with Napolean's silhouette on it.When I asked him about it,he said Napolean was his hero. "Not because he was a decent bloke, mind you.He was an arse. But he was a short arse,like meself." I wonder if he slept at Ellie's. That's probably why he hasn't changed his clothes. He rides the metro to her college every night, and they hang out there. Rashmi and Mer have been worked up, like maybe Ellie thinks she's too good for them now. "You know,Anna," Rashmi says, "most Parisians understand English. You don't have to be so shy." Yeah.Thanks for pointing that out now.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I typed the winery address into the GPS and then proceeded to pull out of the rental company driveway. I screeched and slammed on the brakes every four feet until I got out onto the street. There was going to be a learning curve. The GPS lady successfully got me over the Golden Gate, but I didn’t get to enjoy one minute of it. Paranoid that I was going to hit a pedestrian or a cyclist or launch myself off the massive bridge, I couldn’t take my eyes off of the car in front of me. Once I was out of the city, I spotted a Wendy’s and pulled off the highway. GPS lady started getting frantic. “Recalculating. Head North on DuPont for 1.3 miles.” I did a quick U-turn to get to the other side of the freeway and into the loving arms of a chocolate frosty. “Recalculating.” Shit. Shut up, lady. I was frantically hitting buttons until I was able to finally silence her. I made a right turn and then another turn immediately into the Wendy’s parking lot and into the drive-thru line. I glanced at the clock. It was three forty. I still had time. I pulled up to the speaker and shouted, “I’ll take a regular French fry and a large chocolate frosty.” Just then, I heard a very loud, abbreviated siren sound. Whoop. I looked into my rearview mirror and spotted the source. It was a police officer on a motorcycle. What’s he doing? I sat there waiting for the Wendy’s speaker to confirm my order, and then again, Whoop. “Ma’am, please pull out of the drive-thru and off to the side.” What’s going on? I quickly rolled the window all the way down, stuck my head out, and peered around until the policeman was in my view. “Are you talking to me?” To my absolute horror, he used the speaker again. “Yes, ma’am, I am talking to you. Please pull out of the drive-thru.” Holy shit, I’m being pulled over in a Wendy’s drive-thru. “Excuse me, Wendy’s people? You need to scratch that last order.” A few seconds went by and then a young man’s voice came over the speaker. “Yeah, we figured that,” he said before bursting into laughter and cutting the speaker off. The policeman was very friendly and seemed to find a little humor in the situation as well. Apparently I had made an illegal right turn at a red light just before I pulled into the parking lot. After completely and utterly humiliating me, he let me off with a warning, which was nice, but I still didn’t have a frosty. Pulling my old Chicago Cubs cap from my bag, I decided that nothing was going to get in the way of my beloved frosty. Going incognito, I made my way through the door. Apparently the cap was not enough because the Justin Timberlake–looking fellow behind the counter could not contain himself. “Hi,” I said. “Hi, what can I get you?” he said, and then he clapped his hand over his mouth, struggling to hold back a huge amount of laughter and making gagging noises in the back of his throat in the process. “Can I get an extra-large chocolate frosty please, and make it snappy.” “Do you still want the fries with that?” There was more laughter and then I heard laughter from the back as well. “No, thank you.” I paid, grabbed my cup, and hightailed it out of there.
Renee Carlino (Nowhere but Here)
It’s about time you got here. Fuck, Crew. It’s not a good look to make a judge wait.” Law and Order looks at me, adding, “Excuse my French. Hi, I’m Joshua Maroney, your lawyer for the day.” I grin. “I don’t speak French, Stabler, so you’re good. Just make sure your fee is covered by the other guy.
Trilina Pucci (Knot So Lucky (Destination Love, #1))
Oh my God,” she choked, stepping away from him as he reached out for her. “Don’t touch me.” “What’s wrong?” he asked worriedly. “What’s wrong? What’s wrong!” she shrieked. “You stole my song, Thomas!” He started to say something, but she interrupted him. “Don’t lie to me! It’s on the radio right now! Oh my God, is that why you wanted us to have dinner tonight? Because you knew it would be released today? Is this some sick joke?” “No, Maude, listen,” he said, trying to reach out for her again, but not succeeding. “This isn’t a joke. I didn’t know they would release this song tonight. It was supposed to be released in a couple of weeks. I—” “That’s your excuse?!” she cried in disbelief. “You didn’t know the song you stole from me was going to be airing tonight! Are you freaking kidding me? You stole my song, Thomas! I thought we were friends at the least! How could you?” “Maude, please, calm down. Let me explain!” “What the hell is there for you to explain? You betrayed my trust, Thomas. You lied to my face. I sang that song to you to get an honest opinion. And you used it and recorded it! With LINDSEY LINTON!” Maude rushed back into the restaurant to grab her bag. Thomas followed her, calling her name. “Maude,
Anna Adams (A French Girl in New York (The French Girl, #1))
St. Lawrence River May 1705 Temperature 48 degrees From the river they walked back to the town, and the boy was taken into the fire circle outside the powwow’s longhouse. Here he was placed on the powwow’s sacred albino furs. A dozen men, those who were now his relatives, sat in a circle around him. The powwow lit a sacred pipe and passed it, and for the first time in his life, the boy smoked. Don’t cough, Mercy prayed for him. Don’t choke. Afterward she found out they diluted the tobacco with dried sumac leaves to make sure he wouldn’t cough on his first pull. Although the women had adopted him, it was the men who filed by to bring gifts. The new Indian son received a tomahawk, knives, a fine bow, a pot of vermilion paint, a beautiful black-and-white-striped pouch made from a skunk and several necklaces. “Watch, watch!” whispered Snow Walker, riveted. “This is his father. Look what his father gives him!” The warrior transferred from his own body to his son’s a wampum belt--hundreds of tiny shell circles linked together like white lace. The belt was so large it had to hang from the neck instead of the waist. To give a man a belt was old-fashioned. Wampum had no value to the French and had not been used as money by the Indians for many years. But it still spoke of power and honor and even Mercy caught her breath to see it on a white boy’s body. But of course, he was not white any longer. “My son,” said the powwow, “now you are flesh of our flesh and bone of our bone.” At last his real name was called aloud, and the name was plain: Annisquam, which just meant “Hilltop.” Perhaps they had caught him at the summit of a mountain. Or considering the honor of the wampum belt, perhaps he kept his eyes on the horizon and was a future leader. Or like Ruth, he might have done some great deed that would be told in story that evening. When the gifts and embraces were over, Annisquam was taken into the powwow’s longhouse to sit alone. He would stay there for many hours and would not be brought out until well into the dancing and feasting in the evening. Not one of Mercy’s questions had been answered. Was he, in his heart, adopted? Had he, in his heart, accepted these new parents? Where, in his heart, had he placed his English parents? How did he excuse himself to his English God and his English dead? The dancing began. Along with ancient percussion instruments that crackled and rattled, rasped and banged, the St. Francis Indians had French bells, whose clear chimes rang, and even a bugle, whose notes trumpeted across the river and over the trees.
Caroline B. Cooney (The Ransom of Mercy Carter)
The entire problem is this victim mentality. When did that start? Life’s not turning out the way they said it would when you were in first grade. You’re not the president or a movie star or playing center field for the Yankees. Guess what? They lied! Move on! You come from incredible stock! Immigrants who chewed through it all and spit it out with thanks: Ellis Island, Manifest Destiny, the dust bowls, Normandy, and for what? For a society that now encourages everyone to choose up excuse teams: My attention span’s a little off, sometimes I’m nervous, sometimes I’m tired, insults make me sad, I was unfairly labeled slow in school when I really just didn’t want to do any work, a diet of super-size French fries turned me into a human zeppelin, your honor, so I need to be given a lot of money….
Tim Dorsey (Torpedo Juice (Serge Storms #7))
I sucked in my lips and leaned against the camper door. "Which one is the real you? The charming rogue slash professional thief or the highly trained secret undercover agent?" Jack walked over and leaned his forearm against the door above my head, his gaze never leaving mine. "Which one do you want?" My pulse kicked up a notch and a white-hot heat shot through my veins. "I want the real you." Jack cupped my jaw, tilting my face back as his lips came down on mine. "You have the real me." I melted against him, drowning in his kiss. I wanted to go back to the time when there was trust between us and life hadn't gotten in the way. He lifted my hand and brushed his lips softly over my knuckles. "I never saw a more beautiful sight than you hanging out the window of a speeding truck, screaming my name." "You didn't answer." Slowly, carefully, he kissed my hand, claiming every inch of bare skin with a gentleness I didn't know he possessed. "I had a knife between my teeth." "I suppose that's a good excuse." I tipped my head back for another kiss. Alone for the first time since the chase, knowing he was safe, I felt overwhelmed with the need to have him close, to feel his body against mine. His smell, his taste, his heat, his desire--- I wanted them all. His lips met mine and I explored the depths of his mouth, tangling my tongue with his as I slid one hand under his shirt to feel his warmth and the firm, steady beat of his heart beneath my palm. When we broke apart to take a breath, I pressed a kiss to his throat, licking the saltiness from his skin. He backed away, one step, then two, leaving me bereft. "What's wrong?" "Chloe is in the truck." "She's a very heavy sleeper." I trailed my fingers over every hard ripple of his abdomen, following the soft trail that disappeared beneath his belt.
Sara Desai ('Til Heist Do Us Part (Simi Chopra #2))
A separation of church and state was more politically needful in the American republic than elsewhere, because of the sheer diversity of religious views. (A prominent French judge once explained to me the essential difference between France and the United States as follows: France has two religions and three hundred cheeses; the United States has two cheeses and three hundred religions.) But perhaps more than any other principle of American government, that one—the separation of church and state—has swept the Western world. I hope you will excuse my cynicism if I believe that the
Antonin Scalia (On Faith: Lessons from an American Believer)
I find that death or the middle finger go hand-in-hand another words giving death or the Grim Reaper the middle finger go about your life and forgot the Grim Reaper even exist. Excuse my French but fuck the Grim Reaper but he needs to know that he is worthless
Wendy wendigo
The situation is complicated.” “People say that when they know they have to make a choice between hurting themselves or someone else. Very few things are really complicated. You don’t want to act selfishly, I understand. What you need to know, though, is that the person who would call you selfish doesn’t have to live your life. And life is long, sometimes motherfucking long—excuse my French—and their judgment won’t carry you to the end, only your choices will.
Loretta Nyhan (All the Good Parts)
May 1942 Monsieur l’Inspecteur: I am writing to inform you that at the American Library, the directress Clara de Chambrun née Longworth writes lies and excuses to keep both the head librarian and caretaker in Paris, rather than allowing them to be dispatched to work in the Fatherland. Boris Netchaeff visits the homes of Jewish readers. Each evening, he carries away several batches of books. It wouldn’t surprise me if he were smuggling obscene books to people. He has no morals, and refuses to keep the library’s collection pure. He says he took French nationality, but I have my doubts. Do your job—rid Paris of these foreign degenerates. Signed, One who knows
Janet Skeslien Charles (The Paris Library)