Excuse Me Funny Quotes

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The wolf said, "You know, my dear, it isn't safe for a little girl to walk through these woods alone." Red Riding Hood said, "I find your sexist remark offensive in the extreme, but I will ignore it because of your traditional status as an outcast from society, the stress of which has caused you to develop your own, entirely valid, worldview. Now, if you'll excuse me, I must be on my way.
James Finn Garner (Politically Correct Bedtime Stories)
For the first twenty years of my life, I rocked myself to sleep. It was a harmless enough hobby, but eventually, I had to give it up. Throughout the next twenty-two years I lay still and discovered that after a few minutes I could drop off with no problem. Follow seven beers with a couple of scotches and a thimble of good marijuana, and it’s funny how sleep just sort of comes on its own. Often I never even made it to the bed. I’d squat down to pet the cat and wake up on the floor eight hours later, having lost a perfectly good excuse to change my clothes. I’m now told that this is not called “going to sleep” but rather “passing out,” a phrase that carries a distinct hint of judgment.
David Sedaris (Me Talk Pretty One Day)
She smirks."Are you attempting to stop me, little one?" "Excuse me? Did you just call me 'little one'? What are you? Like, four feet tall?" I ask.
Carrie Jones (Captivate (Need, #2))
I threw an etiquette party and served nothing but beans and sparkling water. The topic of conversation was ‘excuse me’.
Bauvard (Some Inspiration for the Overenthusiastic)
What’s so funny?” I asked, horrified, trying to think of an inconspicuous way to check my breath. “Of everything you’ve done, this is by far the most entertaining!” Maxon bent over, hitting his knee as he laughed. “Excuse me?” He kissed me hard on my forehead. “I always wondered what it would be like to see you try.” He started laughing again. “I’m sorry; I have to go.” Even the way he stood held a sense of amusement. “I’ll see you in the morning.” And then he left. He just left!
Kiera Cass (The One (The Selection, #3))
Plastic ware," he said slowly, "like knives and forks and spoons?" I brushed a bit of dirt off the back of my car—was that a scratch?—and said casually, "Yeah, I guess.Just the basics, you know." "Did you need plastic ware?" he asked. I shrugged. "Because," he went on, and I fought the urge to squirm, "it's so funny, because I need plastic ware. Badly." "Can we go inside, please?" I asked, slamming the trunk shut. "It's hot out here." He looked at the bag again, then at me. And then, slowly, the smile I knew and dreaded crept across his face. "You bought me plastic ware," he said. "Didn't you?' "No," I growled, picking at my license plate. "You did!" he hooted, laughing out loud. "You bought me some forks. And knives. And spoons. Because—" "No," I said loudly. "—you love me!" He grinned, as if he'd solved the puzzler for all time, as I felt a flush creep across my face. Stupid Lissa. I could have killed her. "It was on sale," I told him again, as if this was some kind of an excuse. "You love me," he said simply, taking the bag and adding it to the others. "Only seven bucks," I added, but he was already walking away, so sure of himself. "It was on clearance, for God's sake." "Love me," he called out over his shoulder, in a singsong voice. "You. Love. Me.
Sarah Dessen (This Lullaby)
Who's your daddy?' Myrnin stared at him as if he'd gone completely mental. 'Excuse me?
Rachel Caine (Black Dawn (The Morganville Vampires, #12))
Excuse me?" I said, palms down on the Formica tabletop. "Coffee? I thought we came here for pie." "I don't eat the kind of pie they serve here." I felt a flash of heat go through my stomach. I knew firsthand the kind of pie Ranger liked.
Janet Evanovich (To the Nines (Stephanie Plum, #9))
Called her a whore and attacked her walls, tearing down her posters and throwing her books everywhere. I found out because some whitegirl ran up and said, Excuse me, but your stupid roommate is going insane, and I had to bolt upstairs and put him in a headlock.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
This was all an excuse, I think. I was doing fine. I had a 93 average and I was holding my head above water. I had good friends and a loving family. And because I needed to be the center of attention, because I needed something more, I ended up here, wallowing in myself, trying to convince everybody around me that I have some kind of. . . disease. I don’t have any disease. I keep pacing. Depression isn’t a disease. It’s a pretext for being a prima donna. Everybody knows that. My friends know it; my principal knows it. The sweating has started again. I can feel the Cycling roaring up in my brain. I haven’t done anything right. What have I done, made a bunch of little pictures? That doesn’t count as anything. I’m finished. My principal just called me and I hung up on him and didn’t call back. I’m finished. I’m expelled. I’m finished.
Ned Vizzini (It's Kind of a Funny Story)
With no chance to take off, I had to play my role, searching for the rendezvous spot, which gave me the excuse to look for an escape opportunity. Maybe a hole in the wall too small for Tori’s mom to follow me through or a precarious stack of boxes I could topple onto her head or an abandoned hammer I could brain her with. I’d never “brained” anyone in my life, but with Tori’s mom, I was willing to try.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
New Rule: If an Evangelical tries to use Halloween to pimp Jesus to kids, they get to egg his house. On Halloween, the president of the American Family Association urged his flock to hand out a Christian-based comic book instead of candy. Excuse me, Halloween isn't a time to push your beliefs. You don't see me handing out pot to kids...Okay, well not the little kids.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
We made love like a half a minute. I brought the thirty seconds, and she provided the excuse as to why she didn’t have enough time to have sex with me.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
I shook my head. "Not Interested" I said. he straightened up. "Not interested in what?" In you." I couldn't be more blunt. Excuse me, miss, but I was going to ask if you would like to sign up for karaoke.
Karen E. Olson (The Missing Ink (Tattoo Shop Mystery, #1))
Her hands shot up. “See that’s exactly what I’m saying. You’re seeing what you want, and what you see you explain away and excuse things like you’re fixing me. I’m not perfect, Ephraim and I really wish you would see that.” “You drool.” “What?” That caught her off guard. “When you’re asleep you drool. I’ve woken up more than a few times with a little puddle forming on my chest.” After a thought he added. “And you snore. Not a delicate snore either mind you.” “I do not!” Her face colored with indignation. He sighed heavily as if the knowledge pained him. “Oh, but you do. I’ve even heard Jill talk about it. Did you know that’s the main reason she was happy about her room. Actually, she and Joshua thanked your Grandmother for putting you at the other end of the house, something about finally getting a decent night’s sleep. They compared your snore to a chainsaw. I can see why they’d say that.
R.L. Mathewson (Tall, Dark & Lonely (Pyte/Sentinel, #1))
My family tree spreads wide as well. I am a great ape, and you are a great ape, and so are chimpanzees and orangutans and bonobos, all of us distant and distrustful cousins. I know this is troubling. I too find it hard to believe there is a connection across time and space, linking me to a race of ill-mannered clowns. Chimps. There's no excuse for them.
Katherine Applegate (The One and Only Ivan (The One and Only #1))
I'm one-half Cherokee, one-half Irish, one-half Turkish, one-half Australian and one-half Korean." "Excuse me, but that's five halves," said Maggie.
Cuthbert Soup (A Whole Nother Story)
As we drove uptown, I spotted a Kmart on a corner,with its familiar red sign.I cleared my throat."Wait. Can we stop for a minute?" "What for?" "Just - I need a few things." He looked irritated, but pulled into a metered space. "We don't really have time to go shopping." I glared at him."yeah, excuse me for being so frivolous. You have your suitcase all packed already; I dont even have clean underwear.I'll be right back.
L.A. Weatherly
Excuse me, your attention please.” He waited until the whole floor had stopped what it was doing and turned to face him. For a split second his impulse control kicked in, but by then his mouth was fully engaged. “For the record, Claire Marsden and I are not having sex.
Sarah Mayberry (Can't Get Enough)
Look around you. Watch how people function and interact with one another. You'll see this is going on everywhere all the time. People devour each other in the name of love, or family or country. But that's an excuse; they're just hungry and want to be fed. Read their faces, the newspapers, read what it says on their T-shirts! 'I think you're mistaking me for someone who gives a shit.' 'My parents went to London but all they brought me back was this lousy T-shirt.' 'So many women, so little time.' 'Whoever dies with the most toys, wins.' They're supposed to be funny, witty, and postmodern, Miranda. But the truth is they're only stating a fact: Me. I come first. Get out of my way.
Jonathan Carroll (The Marriage of Sticks (Crane's View, #2))
Excuse me,” she said, her voice tight. “But if I’d known there was going to be a firearms examination at the end of the kidnapping, by God, I would have studied for it!
Tara Janzen (Avenging Angel)
I'm going to need to save you." "Excuse me? No one needs-" "I'm saving you, so shut up and be grateful.
Kelley Armstrong (The Rising (Darkness Rising, #3))
What happened was, I got the idea in my head-and I could not get it out ㅡ that college was just one more dopey, inane place in the world dedicated to piling up treasure on earth and everything. I mean treasure is treasure, for heaven's sake. What's the difference whether the treasure is money, or property, or even culture, or even just plain knowledge? It all seemed like exactly the same thing to me, if you take off the wrapping ㅡ and it still does! Sometimes I think that knowledge ㅡ when it's knowledge for knowledge's sake, anyway ㅡ is the worst of all. The least excusable, certainly. [...] I don't think it would have all got me quite so down if just once in a while ㅡ just once in a while ㅡ there was at least some polite little perfunctory implication that knowledge should lead to wisdom, and that if it doesn't, it's just a disgusting waste of time! But there never is! You never even hear any hints dropped on a campus that wisdom is supposed to be the goal of knowledge. You hardly ever even hear the word 'wisdom' mentioned! Do you want to hear something funny? Do you want to hear something really funny? In almost four years of college ㅡ and this is the absolute truth ㅡ in almost four years of college, the only time I can remember ever even hearing the expression 'wise man' being used was in my freshman year, in Political Science! And you know how it was used? It was used in reference to some nice old poopy elder statesman who'd made a fortune in the stock market and then gone to Washington to be an adviser to President Roosevelt. Honestly, now! Four years of college, almost! I'm not saying that happens to everybody, but I just get so upset when I think about it I could die.
J.D. Salinger (Franny and Zooey)
Excuse me, but where do you think you’re going?” I asked. “I figured I’d put my underwear in with yours. That way they could all get to know each other.” One brown eyebrow lifted. “Unless you want to make some formal introductions right now?
Michele Bardsley (Cross Your Heart (Broken Heart, #7))
Senator. If you call my friend a liar one more time, I will take it badly." "Excuse me?" Arnos said, his eyebrows rising up. "I suggest you find an alternate shortsighted, egomaniacally ridiculous reason to blatantly, recklessly ignore an obvious threat to the Realm simply because you don't wish it to exist. If you cannot restrain yourself from base slander, I will be pleased to meet you in juris macto and personally rip your forked tongue from your head.
Jim Butcher (Cursor's Fury (Codex Alera, #3))
Turn on the news, another black man slain. They say "Its okay. Save your voice, don't complain. This isn't about race so stop using that excuse. Now look at this funny picture of Obama in a noose! See how colorblind we are? You're not really black to me. Underneath, where it all matters, we both bleed red you see? So put away that race card: it aint 1962. Theres no more segregation, isn't that enough for you?
Nic Stone (Dear Martin (Dear Martin, #1))
She keeps looking at you.” Ansel tripped over a stray limb, nearly landing face-first in the snow. Absalon leapt sleekly from his path. “Of course she does. I’m objectively beautiful. A masterpiece made flesh.” Ansel snorted. “Excuse me?” Offended, I kicked snow in his direction, and he nearly tumbled again. “I don’t think I heard you correctly. The proper response was, ‘Goddess Divine, of course thy beauty is a sacred gift from Heaven, and we mortals are blessed to even gaze upon thy face.’” “Goddess Divine.” He laughed harder now, brushing the snow from his coat. “Right.
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
Excuse me, Tex," the nurse said, hands on hips. 'Would you mind reining in the voice. There are babies being born in this hospital. We wouldn't want the first sound they hear to be your painful howling. There could be lawsuits.
Eoin Colfer (Half Moon Investigations)
STEVE CARELL IS NICE BUT IT IS SCARY It has been said many times, but it is true: Steve Carell is a very nice guy. His niceness manifests itself mostly in the fact that he never complains. You could screw up a handful of takes outside in 104-degree smog-choked Panorama City heat, and Steve Carell’s final words before collapsing of heat stroke would be a friendly and hopeful “Hey, you think you have that shot yet?” I’ve always found Steve gentlemanly and private, like a Jane Austen character. The one notable thing about Steve’s niceness is that he is also very smart, and that kind of niceness has always made me nervous. When smart people are nice, it’s always terrifying, because I know they’re taking in everything and thinking all kinds of smart and potentially judgmental things. Steve could never be as funny as he is, or as darkly observational an actor, without having an extremely acute sense of human flaws. As a result, I’m always trying to impress him, in the hope that he’ll go home and tell his wife, Nancy, “Mindy was so funny and cool on set today. She just gets it.” Getting Steve to talk shit was one of the most difficult seven-year challenges, but I was determined to do it. A circle of actors could be in a fun, excoriating conversation about, say, Dominique Strauss-Kahn, and you’d shoot Steve an encouraging look that said, “Hey, come over here; we’ve made a space for you! We’re trashing Dominique Strauss-Kahn to build cast rapport!” and the best he might offer is “Wow. If all they say about him is true, that is nuts,” and then politely excuse himself to go to his trailer. That’s it. That’s all you’d get. Can you believe that? He just would not engage. That is some willpower there. I, on the other hand, hear someone briefly mentioning Rainn, and I’ll immediately launch into “Oh my god, Rainn’s so horrible.” But Carell is just one of those infuriating, classy Jane Austen guys. Later I would privately theorize that he never involved himself in gossip because—and I am 99 percent sure of this—he is secretly Perez Hilton.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Isn’t it funny how we make rational excuses for being out of alignment? We say, “Well, this ____ and that ____ happened, so it makes perfect sense for me to be feeling like this ____ and wanting to do this ____.” Yet, to this day, I have never met a happy person who adheres to those excuses. In fact, each time I – or anyone else – decide to give in to “rational excuses” that justify feeling bad – it’s interesting that only further suffering is the result. There is never a good enough reason for us to be out of alignment with peace. Sure, we can go there and make choices that dim our lights… and that is fine; there certainly is purpose for it and the contrast gives us lessons to learn… yet if we’re aware of what we are doing and we’re ready to let go of the suffering – then why go there at all? It’s like beating a dead horse. Been there, done that… so why do we keep repeating it? Pain is going to happen; it’s inevitable in this human experience, yet it is often so brief. When we make those excuses, what happens is: we pick up that pain and begin to carry it with us into the next day… and the next day… into next week… maybe next month… and some of us even carry it for years or to our graves! Forgive, let it go! It is NOT worth it! It is NEVER worth it. There is never a good enough reason for us to pick up that pain and carry it with us. There is never a good enough reason for us to be out of alignment with peace. Unforgiveness hurts you; it hurts others, so why even go there? Why even promote pain? Why say painful things to yourself or others? Why think pain? Just let it go! Whenever I look back on painful things or feel pain today, I know it is my EGO that drives me to “go there.” The EGO likes to have the last word, it likes to feel superior, it likes to make others feel less than in hopes that it will make itself (me) feel better about my insecurities. Maybe if I hurt them enough, they will feel the pain I felt over what they did to me. It’s only fair! It’s never my fault; it’s always someone else’s. There is a twisted sense of pleasure I get from feeling this way, and my EGO eats it right up. YET! With awareness that continues to grow and expand each day, I choose to not feed my pain (EGO) or even go there. I still feel it at times, of course, so I simply acknowledge it and then release it. I HAVE power and choice over my speech and actions. I do not need to ever “go there” again. It’s my choice; it’s your choice. So it’s about damn time we start realizing this. We are not victims of our impulses or emotions; we have the power to control them, and so it’s time to stop acting like we don’t. It’s time to relinquish the excuses.
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
New Rule: You can't force the ATM to do something it doesn't want to do. Excuse me, lady in front of me at the Citibank ATM, but you've been standing there punching buttons for ten minutes--what are you trying to do, write a novel on it? You hear those beeping noises? That's the ATM saying, "Stop it, you're hurting me." A chicken would have gotten forty bucks out of that thing by now just by pecking the buttons randomly.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Amanda bit her lip. "You're not... trying to be funny or something, are you?" "I'm not trying to be anything!" I said. "All right, kids," the photographer called. "On the count of three. One, two-" She broke off, straightening up from the camera with a frown. "Excuse me. You in the turquoise? I need you to face forward." I rotated my body as best I could. "All the way, please." I turned so that my shoulders werre even with everybody else's, only now my head faced Gail instead of the lens. Gail pressed her lips together. "Stop it!" she said. "Winnie?" Mr. Hutchinson said. He walked to the end of our row. "What's going on?" "I can't," I whispered. "Can't what?" "Can't move my neck, it's stuck." Tears burned in my eyes, and I blinked hard to keep them back. "Mr. Hutchinson, she's faking," Gail said. "She's trying to be funny and she's ruining everything.
Lauren Myracle (Eleven (The Winnie Years, #2))
Now if you'll excuse me, I have to go out and greet those wonderful creatures and say a few nice words in a language invented by Tolkein. I've practiced, but I sound like Chewbacca making a New Year's speech.
Nina George (The Little Paris Bookshop)
Really?” he whispers as the flight attendant walks past us. “Excuse me, can we have two more champagnes, please?” he asks her. “Of course, sir.” His eyes come back to meet mine. “Well, do tell. What was your first impression of me?” I pretend to look around for Jessica the flight attendant. “You may need something stronger to drink to hear this, Jim. You’re not going to like it.” He laughs out loud, and I find myself smiling broadly as I watch him. “What’s funny?” I ask. “You are.” “Why am I funny?” I frown. “This sense of righteousness that you have.” “Oh, like you don’t have that too . . . Mr. I’ll Have Two Champagnes.” Our drinks arrive, and he smiles as he passes mine to me. His eyes linger on my face as he takes a sip.
T.L. Swan (The Stopover (Miles High Club, #1))
Seafood poisoning, a cigarette lit as the person is drifting off to sleep and that sets fire to the sheets or, worse, to a woollen blanket; a slip in the shower—the back of the head—the bathroom door locked; a lightning bolt that splits in two a tree planted in a broad avenue, a tree which, as it falls, crushes or slices off the head of a passer-by, possibly a foreigner; dying in your socks, or at the barber’s, still wearing a voluminous smock, or in a whorehouse or at the dentist’s; or eating fish and getting a bone stuck in your throat, choking to death like a child whose mother isn’t there to save him by sticking a finger down his throat; or dying in the middle of shaving, with one cheek still covered in foam, half-shaven for all eternity, unless someone notices and finishes the job off out of aesthetic pity; not to mention life’s most ignoble, hidden moments that people seldom mention once they are out of adolescence, simply because they no longer have an excuse to do so, although, of course, there are always those who insist on making jokes about them, never very funny jokes.
Javier Marías (Tomorrow in the Battle Think on Me)
Hey. You know Twilight?” He blinks.“Excuse me?” “Twilight. The vampire book.” His wary eyes study my face. “What about it?” “Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?” “Are you fucking with me right now?” I ignore that. “Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he’s attracted to his mother or some shit? Or is there actually a biological reason why we’re drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?” “Are you seriously dissecting Twilight right now?
Elle Kennedy (The Score (Off-Campus, #3))
It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later. Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day." Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter "Excuse me?" He says "I'll keep the earpiece in!" I say loud enough to wake half the hospital. "You sure? Because I'm equally happy with any of the three options," he tells me "I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?" Haymitch rises to go. "While I was waiting. . . I ate your lunch." My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow. "You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
How was the sex?” he asked casually. “Excuse me?” “How was it,” said Nicholas, emphasizing each syllable, “when he fucked you? I'm assuming it was a he. Tell me all about it. I want to know.” Jay set her fork down with a ping. “It was fine.” “Dinner is fine. Cable television is fine. I'm asking if, when he was pounding into you at night with his college boy cock, were you screaming the walls down, or were you just lying there calculating last night's tips?
Nenia Campbell (Quid Pro Quo (Nick & Jay, #1))
No. I will not." "Excuse me?" "I said no, I will-" "I heard what you said. I'm giving you a chance to reconsider.
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
Don't make the people who love me make your excuses.
Emily Henry (Funny Story)
Excuse me for a moment, will ye. I think I have to talk to the river,' he said unsteadily and flopped over the side-rail.
Ian Livingstone (Firestorm (The Zagor Chronicles, #1))
Excuse me. I know this is a personal question, but are you clinically insane?
Neil Gaiman (Neverwhere)
Maybe you didn’t notice, I say, but that dick is essentially universally loved. By strangers, Mile says. By people who don’t know him or need anything from him. Excuse me if I don’t find that impressive.
Emily Henry (Funny Story)
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
Why are you here?” “Oh— I came to tell the chieftain we’re going to die.” The girl said it quickly and with the same casual indifference as if she were announcing that the sun sets in the evening. Persephone narrowed her eyes. “Excuse me? What did you say? Who’s going to die?” “All of us.” “All of whom?” “Us.” The girl looked puzzled, but this time Persephone wasn’t certain if it was the tattoos or not. “You and I?” Suri sighed. “Yes— you, me, the funny man with the horn at the gate, everyone.
Michael J. Sullivan (Age of Myth (The Legends of the First Empire, #1))
Dear Jessa, I’ve started this letter so many times and I’ve never been able to finish it. So here goes again . . . I’m sorry. I’m sorry that Riley is dead. I’m sorry for ignoring your emails and for not being there for you. I’m sorry I’ve hurt you. There isn’t a day that goes by that I don’t wish it had been me that died and not Riley. If I could go back in time and change everything I would. I’m sorry I left without a word. There’s no excuse for my behaviour but please know that it had nothing to do with you. I was a mess. I haven’t been able to talk to anyone for months. And I felt too guilty and didn’t know how to tell you the truth about what happened. I couldn’t bear the thought of you knowing. I got all your emails but I didn’t read them until last week. I couldn’t face it and I guess that makes me the biggest coward you’ll ever meet. I’m sorry. I’m sorry I never replied. You needed me and I wasn’t there for you. I don’t even know how to ask your forgiveness because I don’t deserve it. I’m just glad you’re doing better. I’m better too. I’ve started seeing a therapist – twice a week – you’d like her. She reminds me of Didi. I never thought I’d be the kind of guy who needed therapy, but they made it a condition of me keeping my job. She’s helped me a lot with getting the panic attacks under control. Working in a room the size of a janitor’s closet helps too – there aren’t too many surprises, only the occasional rogue paperclip. I asked for the posting. I have to thank your dad ironically. The demotion worked out. Kind of funny that I totally get where your father was coming from all those years. Looks like I’ll be spending the remainder of my marine career behind a desk, but I’m OK with that. I don’t know what else to say, Jessa. My therapist says I should just write down whatever comes into my head. So here goes. Here’s what’s in my head . . . I miss you. I love you. Even though I long ago gave up the right to any sort of claim over you, I can’t stop loving you. I won’t ever stop. You’re in my blood. You’re the only thing that got me through this, Jessa. Because even during the bad times, the worst times, the times I’d wake up in a cold sweat, my heart thumping, the times I’d think the only way out was by killing myself and just having it all go away, I’d think of you and it would pull me back out of whatever dark place I’d fallen into. You’re my light, Jessa. My north star. You asked me once to come back to you and I told you I always would. I’m working on it. It might take me a little while, and I know I have no right to ask you to wait for me after everything I’ve done, but I’m going to anyway because the truth is I don’t know how to live without you. I’ve tried and I can’t do it. So please, I’m asking you to wait for me. I’m going to come back to you. I promise. And I’m going to make things right. I’ll do whatever it takes. I’ll never stop trying for the rest of my life to make things right between us. I love you. Always. Kit
Mila Gray (Come Back to Me (Come Back to Me, #1))
You might want to pop your collar." "Hey if the biker doesn't pop his, I'm not popping mine. Also? We're thirty years past that fashion faux pas." "Yeah, but it still comes in handy when you're sporting a hickey." "What?" My hands flew to my neck, and I found the tender spot. "Shit. No, that's not-- I burned it. My hair wasn't cooperating, so I dragged out the curling iron." "Gabriel has a curling iron?" "No, I meant--Damn it." I rooted through my bag for concealer. "I'm sorry. If I'd noticed, I'd have hidden it." "I know." His lips twitched. "It is kinda funny, though, watching you guys scramble with excuses. Gabriel told me you weren't answering my calls because you forgot your phone in the car. Which is about as likely as you leaving your arm behind. He dried his hair so fast the back was sticking up. And then he scarfed down half the food I brought for lunch. I've never seen him eat like that." He smiled. "But I do appreciate he's being circumspect." "He's not going to wave it in your face." "No, but we are talking about Gabriel, who never goes out of his way to cushion anyone's feelings but yours. He's being very thoughtful. It's sweet. Just don't tell him I said that." "I won't." I finished applying the concealer. "Better?" "Yep." He leaned over for a better look and then stopped. "Is that a bite on your collarbone?" "Shit! No. Damn it. Ricky laughed as I frantically applied more makeup.
Kelley Armstrong (Rituals (Cainsville, #5))
The sound of a chainsaw going off inside the building had me meeting Amari’s gaze, and he shot me a funny expression. “You scared?” He tilted his head to the side. “Why? If I say yes, will you hold my hand?” Well, I hadn’t been asking to flirt. I’d just been joking. But…. “No,” I replied. “I’m going to be too busy holding Zac’s hand. I don’t want him having nightmares tonight.” He chuckled just as I felt a hand land on the back of my neck again, molding itself around it. Tilting my head back, I found those familiar baby blues on me. I whispered, “But for real, I don’t think I’ll get scared, but if I do, I’m using you as a human shield. You’ve lived a much fuller life than I have. Technically, Amari’s bigger but—” My old friend scoffed. “We’re the same size. You know people still call me ‘Big Texas,’ don’t you?” “Yeah, I know, but I started calling you that back when you were the biggest guy I knew. You’re not even that big.” “Excuse me?” It was too much fun to pick on him. “You’re big, but you’re not that big.” Zac’s head reared back. “Aren’t you five feet tall?” “Five foot two.” Zac blinked. I blinked. He narrowed his eyes. “Swear to God, I’m tellin’ Mama on you.
Mariana Zapata (Hands Down)
Tell me the story," said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also," said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.
Douglas Adams
Addo: 'Thank you for letting me know, Charlotte.' 'Madam.' She corrects, doting the name softly in the air with her finger. 'Excuse me, of course, Ma...dam.' When Addo says Madam, he says it funny like my damn, which makes Brandon and Mark snicker from their seats. Although Addo doesn't turn to look at them, his grin assures me that the next words are more for their benefit than Ms. Fisk's. 'So that would make you...My Damn Fisk
Misty Provencher (Keystone (Cornerstone, #2))
Excuse me,’ said Ransom. ‘But it is funny, you know. The idea of a man thinking he could become a saint as a minor detail in his scientific training. You might as well imagine you could use the stairs of heaven as a short cut to the nearest tobacconist’s. Don’t you see that long before you had reached the level of timeless experience you would have had to become so interested in something else—or, frankly, Someone Else—that you wouldn’t be bothering about time-travel?
C.S. Lewis (The Dark Tower: and Other Stories)
And what did it say?” I ask, almost expecting to hear him tell me, “Soon.” “Check the bed.” His voice cracks saying the words. “Excuse me?” “That’s what it said.” “And what’s it supposed to mean?” “Call me crazy, but I think it might mean that I should check my bed.” “Not funny.” “Who’s laughing? I’m paranoid about going home now. I’m having major flashbacks to summer camp. You know, itching powder in the bedsheets, snakes under the pillow, getting your hand dipped into a bowl full of water while you sleep—
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
At this point, one of the elevators went ‘ping!’ so I whipped Carol across my lap, making it look as if I had her in a full embrace. The doors opened … and the elevator was packed …. Nobody got out, nobody got in. As the doors closed, they collectively leaned toward the center so they could get a better view. Carol and I simply cracked up. Suddenly another elevator went ‘ping’; I quickly dipped Carol over my knee again. The doors opened and a lone woman stepped out, glanced at us both, and then hurried on down the hall. By now, we were both weeping with laughter. Carol slid off my knee and crawled behind the sofa to hide. ‘What are you doing?’ I asked. She couldn’t even reply, she was laughing so hard. With a touch of panic, I noticed that the lady who had just passed us had turned around and was now coming back. Leaning over the sofa, she inquired, ‘Excuse me, are you Carol Burnett?’ In a strangled voice Carol said, ‘Yes,” Then raising a hand above the sofa to point at me, she added, ‘And this is my friend, Mary Poppins!
Julie Andrews
A cemetery?" I chuckle, but the pitch is a bit higher than I expected. "At night? With a full moon? Um ... did you see any, uh, zombies, you, while you were there?" Shiko blinks at me a few times. "No" I slump in relief. "Thank God. I mean, I don't want to be the first to die. The funny guy always dies first, for shock value, you know. Rourke would get killed next, because it's be a heroic sacrifice or something." I motion to Shiko. "You'd live, though, unless you had sex." ... Shiko has the look of an addled kitten, complete with head tilt. Rourke sighs and leans toward her, embarrassed. 'You'll have to excuse him. According to his mother he has an irrational fear of something called the zombie apocalypse." "It's not irrational!
Vaughn R. Demont (Coyote's Creed (Broken Mirrors, #1))
He needs to be talked to." "This is funny, but I know how to talk, too." Brian swore under his breath. "He prefers singing." "Excuse me?" "I said,he prefers singing." "Oh." Keeley tucked her tongue in her cheek. "Any particular tune? Wait, let me guess. Finnegan's Wake?" Brian''s steely-eyed stare had her laughing until she had to lean weakly against the gelding.The horse responded by twisting his head and trying to sniff her pockets for apples. "It's a quick tune," Brian said coolly, "and he likes hearing his name." "I know the chorus." Gamely Keeley struggled to swallow another giggle. "But I'm not sure I know all the words.There are several verses as I recall." "Do the best you can," he muttered and strode off.His lips twitched as he heard her launch into the song about the Dubliner who had a tippling way. When he reached Betty's box, he shook his head. "I should've known. If there's not a Grant one place, there's a Grant in another until you're tripping over them." Travis gave Betty a last pat on the shoulder. "Is that Keeley I hear singing?" "She's being sarcastic, but as long as the job's done. She's dug in her heels about grooming Finnegan." "She comes by it naturally.The hard head as well as the skill." "Never had so many owners breathing down my neck.We don't need them, do we, darling?" Brian laid his hands on Beetty's cheek, and she shook her head, then nibbled his hair. "Damn horse has a crush on you." "She may be your lady, sir, but she's my own true love.Aren't you beautiful, my heart?" He stroked, sliding into the Gaelic that had Betty's ears pricked and her body shifting restlessly. "She likes being excited before a race," Brian murmured. "What do you call it-pumped up like your American football players.Which is a sport that eludes me altogether as they're gathered into circles discussing things most of the time instead of getting on with it." "I heard you won the pool on last Monday nights game," Travis commented. "Betting's the only thing about your football I do understand." Brian gathered her reins. "I'll walk her around a bit before we take her down. She likes to parade.You and your missus will want to stay close to the winner's circle." Travis grinned at him. "We'll be watching from the rail." "Let's go show off." Brian led Betty out.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
ketchup sandwich. Grover was an easy target. He was scrawny. He cried when he got frustrated. He must’ve been held back several grades, because he was the only sixth grader with acne and the start of a wispy beard on his chin. On top of all that, he was crippled. He had a note excusing him from PE for the rest of his life because he had some kind of muscular disease in his legs. He walked funny, like every step hurt him, but don’t let that fool you. You should’ve seen him run when it was enchilada day in the cafeteria. Anyway, Nancy Bobofit was throwing wads of sandwich that stuck in his curly brown hair, and she knew I couldn’t do anything back to her because I was already on probation. The headmaster had threatened me with death-by-in-school-suspension if anything bad, embarrassing, or even mildly entertaining happened on this trip. ‘I’m going to kill her,’ I mumbled.
Rick Riordan (Percy Jackson and the Lightning Thief (Percy Jackson, #1))
I don’t know. I think maybe I’m just partly yellow and partly the type that doesn’t give much of a damn if they lose their gloves. One of my troubles is, I never care too much when I lose something—it used to drive my mother crazy when I was a kid. Some guys spend days looking for something they lost. I never seem to have anything that if I lost it I’d care too much. Maybe that’s why I’m partly yellow. It’s no excuse, though. It really isn’t. What you should be is not yellow at all. If you’re supposed to sock somebody in the jaw, and you sort of feel like doing it, you should do it. I’m just no good at it, though. I’d rather push a guy out the window or chop his head off with an ax than sock him in the jaw. I hate fist fights. I don’t mind getting hit so much—although I’m not crazy about it, naturally—but what scares me most in a fist fight is the guy’s face. I can’t stand looking at the other guy’s face, is my trouble. It wouldn’t be so bad if you could both be blindfolded or something. It’s a funny kind of yellowness, when you come to think of it, but it’s yellowness, all right. I’m not kidding myself.
J.D. Salinger (The Catcher in the Rye)
You’re wonderful. You’re the reason for the word wonderful. It really shouldn’t be used for anything else. You make me want to see the best in everyone. You’re the person I want to be with when everything’s going wrong, instead of just wanting to skip over those times entirely. I love that you’re so present that you always forget to keep track of your phone, and I love that when you’re late, you never make excuses but you always have a good reason. “You’re the most generous person I’ve ever met, even to people who’ve given you no reason to be generous, and you always come through for the people you care about. I honestly can’t totally figure out why someone as good as you would love me, when I can be kind of a pessimistic asshole. But I do feel like the luckiest person in the world, to be who you want. Because I want you too. I love you too. I love you in a way that feels brand-new. You make every single thing that went wrong feel like it was just a step in the right direction, and it—it makes me excited. For life to keep surprising me. “You aren’t what I pictured,” I say. “You are so, so, so much better than what my cynical little brain could’ve ever come up with.
Emily Henry (Funny Story)
It didn’t take long for us to realize, though, that we hadn’t eaten since the eggs twenty-four hours earlier. Eating was the one desire of the flesh we hadn’t fulfilled. I remembered seeing a McDonald’s near the entrance of our hotel, and since I needed a little exercise I offered to dart out for some safe and predictable American food, which would tide us over till the dinner we had reservations for that night. Our blood sugar was too low to comb the city, looking for a place to have a quick lunch. I knew Marlboro Man was a ketchup-only guy when it comes to burgers, and that’s what I ordered when I approached the counter: “Hamburger, ketchup only, please.” “Sar…you only want kitchipinmite?” the innocent clerk replied. “Excuse me?” “Kitchipinmite?” “Uh…pardon?” “You jis want a hamburger with kitchipinmite?” “Uh…what?” I had no idea what the poor girl was saying. It took me about ten minutes to realize the poor Australian woman behind the counter was merely repeating and confirming my order: kitchip (ketchup) inmite (and meat). It was a traumatic ordering experience. I returned to the hotel room, and Marlboro Man and I dug into our food like animals. “This tastes a little funny,” my new husband said. I concurred. The mite was not right. It didn’t taste like America.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He’s close enough now that I can hear his footfall on the pavement, and I know my chances of outrunning him are slim. I’m practically in a full sprint, and my pounding heart is begging me to take it down a notch. I try to will my feet to keep pace with its beat; but I think it’s humanly impossible to run that fast. And then it dawns on me that my footsteps are the only ones I hear. Somewhere along the way, Tristan’s must have come to a stop. And I can’t quite explain why I’m running this fast in the first place. I slow to a jog, intending to just pick up with my original pace; but I can’t seem to suck in breaths fast enough to propel my feet any further. My molten shoes stutter to a stop, as my hands come to rest on my knees. I’m still wheezily sucking in breath after breath of thick, humid air, when I warily turn to look over my shoulder. Tristan’s standing about fifty feet back, hands on his hips and a completely flummoxed twist in his forehead, his chest rising and falling with equally winded gasps. Evidently I was running faster than I gave myself credit for. As he silently watches me, regaining his breath as I do mine, the confusion on his face turns to undeniable hurt (and not the physical kind). I’ve wounded him, and I can’t even explain why. Man, I really am an ass. I start the slow walk of shame back to where he stands, one hand upon my hip as I pull in a few more calming deep breaths. I’m debating whether to concoct some excuse for my behavior…Maybe I left my contacts out today, and didn’t recognize his face? Who would blame me for running for my life, if a stranger seemed to be following me? But as I amble closer—his wrinkled forehead already fading in the wake of a welcoming smile—I decide not to dig myself a deeper hole. I’m already a straight-up jerk. I’d rather not add lying to my repertoire.
M.A. George (Aqua)
I had always been a very physically active person. And I loved my job. I got into the military because of September 11, but I stumbled into a career that I absolutely loved. I was meant to be an infantry soldier. I thought, I will never be physical again and my career in the military is over. One tiny trip wire had taken everything away from me in one explosive moment. I sank into a very dark place. I wallowed in both my physical pain and my mental anguish. One day my parents were sitting by my side in the hospital room--as they did every day--and I turned to my mom and blurted out, “How am I ever gonna be able to tie my shoes again?” Mom rebutted my pity party with, “Well, your father can tie his shoes with one hand. Andy! Show Noah how you can tie your shoes with one hand.” And as I started to protest, Dad cut my whining off at the pass. “Oh my gosh, Noah, I can tie my shoes with one hand.” And he did, as I had seen him do so many times growing up. “I just need a little sympathy,” I said. To which Mom replied, “Well, you’re not getting it today.” A few days after I’d had my shoelace meltdown, after many tears, I found myself drained of emotion, a hollowed-out shell. My mother saw the blank expression on my face and she saw an opportunity to drag me out of the fog. She took it. She came up to my bed, leaned in close--but not so close that the other people in the room couldn’t hear her, and said, “You just had to outdo your dad and lose your arm and your leg.” She smiled, waiting for my reply, but all I could do was laugh. It was funny but it was also at that moment that I think I felt a little spark of excitement and anticipation again. It would take a while to fully ignite the flame but what she said definitely tapped into some important part of me. I have a very competitive side and Mom knew that. She knew just what to say to shake me up, so I could realize, Okay, life will go on from here. I thought to myself, My dad could do a whole lot with just one hand. Imagine how much more impressive it’ll look with two missing limbs. And I smiled the best I could through a wired jaw.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
He’s close enough now that I can hear his footfall on the pavement, and I know my chances of outrunning him are slim. I’m practically in a full sprint, and my pounding heart is begging me to take it down a notch. I try to will my feet to keep pace with its beat; but I think it’s humanly impossible to run that fast. And then it dawns on me that my footsteps are the only ones I hear. Somewhere along the way, Tristan’s must have come to a stop. And I can’t quite explain why I’m running this fast in the first place. I slow to a jog, intending to just pick up with my original pace; but I can’t seem to suck in breaths fast enough to propel my feet any further. My molten shoes stutter to a stop, as my hands come to rest on my knees. I’m still wheezily sucking in breath after breath of thick, humid air, when I warily turn to look over my shoulder. Tristan’s standing about fifty feet back, hands on his hips and a completely flummoxed twist in his forehead, his chest rising and falling with equally winded gasps. Evidently I was running faster than I gave myself credit for. As he silently watches me, regaining his breath as I do mine, the confusion on his face turns to undeniable hurt (and not the physical kind). I’ve wounded him, and I can’t even explain why. Man, I really am an ass. I start the slow walk of shame back to where he stands, one hand upon my hip as I pull in a few more calming deep breaths. I’m debating whether to concoct some excuse for my behavior…Maybe I left my contacts out today, and didn’t recognize his face? Who would blame me for running for my life, if a stranger seemed to be following me? But as I amble closer—his wrinkled forehead already fading in the wake of a welcoming smile—I decide not to dig myself a deeper hole. I’m already a straight-up jerk. I’d rather not add lying to my repertoire.
M.A. George
Kids’ Bedtime Excuses 1. There’s a fly in my room. 2. Well, what time are you going to bed? 3. There’s no ice in my water and I clearly stated that I wanted ice water. 4. This is the wrong cup for my water. 5. I think one of my knees is bigger than the other. 6. My lips are chapped. 7. The tag in my jammies is bothering me. 8. “I’m having a bad dream.” “But you haven’t fallen asleep yet.” “Touché.” 9. I think someone stole my blankie. 10. My feet itch. 11. I’m wondering when we can go to Disneyland again. 12. My hair feels funny. 13. I’m worried that kangaroos bite. 14. Am I allergic to anything? 15. Can I have dessert again? 16. I want to sleep in your room. 17. You forgot to tuck me in. 18. My brain is telling me funny jokes and I need to share them with you. 19. My lamp is too loud. 20. My socks are too tight. 21. There’s a penny in my bed. 22. I can’t figure out why pudding is so delicious. 23. I forgot what comes after twenty-nine. 24. It’s not dark enough outside. 25. My legs are hot.
Stefanie Wilder-Taylor (Gummi Bears Should Not Be Organic: And Other Opinions I Can't Back Up With Facts)
11 Funny Things to Do on an Elevator Say “DING” on every floor. Walk in with a small cooler and let everyone know there is a human heart in it. Make meow sounds like a kitten. Every time someone pushes a button make a small explosion noise. Every few seconds open your briefcase or purse just a crack, peer in and say “Do you have enough air in there?” Stand facing into a corner with your back to everyone and at every stop clap your hands and say yippee! Act real surprised, as if you passed gas and announce to everyone “Excuse me!” Slap your face and say, “Hush!  All of you, be quiet!” Put a puppet on one hand and talk to other passengers with it. With your finger, draw an imaginary square on the floor, step in it and tell everyone this is your private space. Keep muttering to yourself, “it’s okay…. you can do this.…it’s okay.…we’re almost there….
Peter Jenkins (Funny Jokes for Adults: All Clean Jokes, Funny Jokes that are Perfect to Share with Family and Friends, Great for Any Occasion)
Mr Dumble wouldn't stop raising his glass and making toasts to Buster's good health. (Some people might say it was just an excuse for him to drink lots of that expensive champagne which he seemed to enjoy so much, but I'm sure that had nothing to do with it.)
Neil McFarlane (Me Tawk Funny Too (Me Tawk Funny: Book Three))
An old lady went to visit her dentist. When it was her turn, she sat in the chair, lowered her underpants, and raised her legs. The dentist said, "Excuse me, but I'm not a gynecologist." "I know," said the old lady. "I want you to take my husband's teeth out
Various
I know why Stuart sent the note. He wanted me to start distrusting my friends and to drive a wedge between me and Seth. Another way to control me. For someone so clever he’s been incredibly stupid. And so have I. A kick, a shove, a twist of the wrist … it’s abuse, whichever way you look at it. I’ve been making excuses for him for far too long. It doesn’t take me long to pack my belongings. It’s funny how little of everything here is mine. The furniture, the crockery, the kitchen utensils. Everything is Stuart’s. I have nothing, which is the way he liked it. He wanted me to rely on him for everything. But now I’m free of him. Because I don’t want to be like Andrew Burton’s wife. Caroline or Carolyn. Abused and controlled by a misogynistic bully until I’m the one who finally flips and plunges a knife in to his chest. I need to get out now. While I still can.
Claire Douglas (The Text)
Richard put his head on one side. 'Excuse me,' he said. 'I know this is a personal question. But are you clinically insane?' 'Possible, but very unlikely. Why?' 'Well,' said Richard. 'One of us must be.
Neil Gaiman (Neil Gaiman's Neverwhere)
No, YOU. You were my first and best reader. You helped me immensely in all those years when the world didn’t quite believe, but you always did. Those summer nights at your apartment in the Village . . . reading my plays . . . I always felt so good when you would read a line and you’d crack up in the middle of it. That’s when I knew it was truly funny. Of course, I only wrote those plays as an excuse to kiss you. But you knew that. It was always YOU.
Nancy Balbirer (Almost Romance)
You were my first and best reader. You helped me immensely in all those years when the world didn’t quite believe, but you always did. Those summer nights at your apartment in the Village . . . reading my plays . . . I always felt so good when you would read a line and you’d crack up in the middle of it. That’s when I knew it was truly funny. Of course, I only wrote those plays as an excuse to kiss you. But you knew that. It was always YOU.
Nancy Balbirer (Almost Romance)
As I’m about to leave, Pearl says something under her breath. “Excuse me?” I ask. “I don’t know why you people keep coming here like this, taking up my time.” “You people?” I’m getting confused. “Just this morning, one of your relatives came in asking about room 1405. I told him about Mrs. Krausz and he got quite unpleasant.” My relatives? “I’m so sorry….I didn’t know that. I wonder which one of my relatives it was. What did he look like?” “He wasn’t Asian, which was kind of funny.
Denis Markell (Click Here to Start)
He was tall and leanly muscled with broad shoulders and a solid chest that was built for cuddling. Naked cuddling. After a full, long night of no-promises sex. He opened her door. "Let me help. It's a big step down." "Is that a jab at my size?" she said with no heat. "No, it's an excuse to get my hands on you." As promised, his big, manly hands spanned her waist and he lifted her from the seat and let her slide, oh so slowly, down his body until she was safely on the ground. Only he didn't let go right away, holding her snug against him, so all their good parts lined up. "And I think your size is pretty fucking perfect." Man, was she ever in trouble. Tingles sizzled, starting in her belly and moving to all the essential parts so quickly she could scarcely breathe. Stupid tingles, they were at the center of this mess. This problematic, complicated, and incredibly sexy mess that, as far as she could conclude, would only be solved one way. "Buttercup," he whispered. "You keep looking at me like that and we're both going to be in trouble." "I've never gotten in trouble," she said, sliding her hands up up his chest. "I'm beginning to think I've been missing out." Hudson groaned and rested his forehead on hers. "If we go there now, I won't be able to show you the best part."' "Funny, I was thinking by going there, we'd get to the best part faster." "When we go there, it will be slow, and long, and will take all night and into the next day.
Marina Adair (The Café Between Pumpkin and Pie (Moonbright, Maine #3))
Isn’t it a funny feeling; guilt And the things we feel it for I’m not sure which is harder; being unloved Or being taught love is what it isn’t But both leave you robbed And angry. “ It took me two decades to understand, You never knew how; Yours came with strings of compliance attached And obligatory love is a piss poor excuse for it. “ I left, I left And still the guilt came; That unwanted visitor, who refuses to leave.
Megan E. Hoffman (Biting Thorns Off Roses)
Not used to visiting the houses of commoners, are we, Prince Nicholas?' 'I'm not a prince,' said Nicholas. 'Technically, I'm a very minor baron.' 'Excuse me, your majesty.' 'The correct honorific is my lord.' 'No,' said Esther. 'Not even as a joke.
Emma Törzs (Ink Blood Sister Scribe)
Not used to visiting the houses of commoners, awe we, Prince Nicholas?' 'I'm not a prince,' said Nicholas. 'Technically, I'm a very minor baron.' 'Excuse me, your majesty.' 'The correct honorific is my lord.' 'No,' said Esther. 'Not even as a joke.
Emma Törzs (Ink Blood Sister Scribe)
It’s a little bit funny, this feeling inside I’m not one of those who can easily hide I don’t have much money, but boy, if I did I’d buy a big house where we both could live If I was a sculptor, but then again, no Or a man who makes potions in a travelin’ show Oh, I know it’s not much, but it’s the best I can do My gift is my song and this one’s for you And you can tell everybody this is your song It may be quite simple but now that it’s done I hope you don’t mind I hope you don’t mind That I put down in words How wonderful life is while you’re in the world I sat on the roof and kicked off the moss Well, a few of the verses, well, they’ve got me quite cross But the sun’s been quite kind while I wrote this song It’s for people like you that keep it turned on So excuse me forgetting, but these things I do You see, I’ve forgotten if they’re green or they’re blue Anyway, the thing is, what I really mean Yours are the sweetest eyes I’ve ever seen And you can tell everybody this is your song It may be quite simple but now that it’s done
Brandi Carlile (Broken Horses)
Why didn't you say anything? This could become infected.' It took everything in me to keep my arms at my sides. 'Well, there really wasn't a lot of time, considering you were busy betraying me.' His eyes narrowed. 'That's no excuse.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
Excuse me?” That tone was also all his mother's. Adrian sounded like he'd be asking to see Beck's manager any second now.
Lynn Van Dorn (Meet Me At Midnight)
So unrealistic.” “Excuse me?” Liam asked, eyeing the offending book. “Nothing,” I huffed. “Doesn’t look like nothing,” he countered. “Freaking Natalie and her fairy tale bullshit.” I let out a breath so heavy a lock of hair blew away from my face. The tiniest smirk curled on Liam’s lips. “Now we’re getting somewhere.” “Don’t get me wrong, I’m thrilled she got the happy ending she was searching for, but that’s not for everyone. These books she reads—there’s no way ninety-nine percent of these scenarios would ever happen. It’s false advertising for how life and love actually unfold, creating unrealistic expectations for men and women alike.” How so?” Narrowing my eyes across the table at him, I challenged, “Have you ever read one of these romance novels?” “Can’t say that I have,” he admitted. “Well, let me enlighten you. They’re all variations of the same story—the girl usually has some kind of a hang-up, and this perfect man comes along and makes her believe in love. Blah, blah, blah. Then something happens, a conflict, and they break up—every damn time. Then someone realizes they’re an idiot and apologizes—sometimes there’s a grand gesture—but they always end up back together. Life doesn’t work like that. Not all women are broken, and not all men are perfect. And don’t even get me started on how all the men are gods in bed with huge dicks.” Liam snorted. “Are they not, then?” “Don’t.” I was not in the mood and threw him a death glare. Throwing his hands up in defense, he asked, “What? I can only speak for myself, so I don’t know what all the other men are up to.” “Not funny, Liam.” Those piercing blue eyes found mine. “Who said I was joking, Amy?
Siena Trap (Playing Pretend with the Prince (The Remington Royals, #2))
You’re wonderful. You’re the reason for the word wonderful. It really shouldn’t be used for anything else. You make me want to see the best in everyone. You’re the person I want to be with when everything’s going wrong, instead of just wanting to skip over those times entirely. I love that you’re so present that you always forget to keep track of your phone, and I love that when you’re late, you never make excuses but you always have a good reason.
Emily Henry (Funny Story)
Will had Chaz with him for support. Funny how Will could have had Chaz as a trainer this summer. I smiled. Will looked for an excuse to hang out with me. And it worked.
Stephanie J. Scott (Sunset Summer (Love on Summer Break, #2))
I know who I am. I’m the girl who got rejected from Columbia. I’m the girl who’s terrible at English but good at writing funny captions. I’m the girl who learned to stand up for herself. I’m the girl who faced all her fears.
Joya Goffney (Excuse Me While I Ugly Cry)
Gdmng everyone! Welcome to another dose of “Level Up Your Life”! Today’s topic might sting a bit, but hear me out – we’re talking about responsibility… Or rather, the lack thereof. You know, that cozy little place called “I don’t care” land. It’s comfy, familiar, maybe even fun… for a while. But let’s be honest, it’s a dead end. Nevertheless, maybe you like that? Maybe being irresponsible, unreliable & thoughtless is your thing. If that’s the case, well…more power to you.. You can keep on – keep on, blaming the world for your problems. You think, life loves rewarding people who play the victim, right? Of course not! Sweetheart, life rewards those who take responsibility. Those who show up, who follow through, who build a life they can be proud of. Is it easy? Absolutely not. But guess what? It’s worth it. Don’t Wait for life to slap you in the face. Take responsibility for your actions, words & start building something beautiful & better.. Darling listen – the universe has a funny way of giving you exactly what you ask for. It gives us what we ask for. Just like it responded to your irresponsible thoughts & choices, trust me – it will respond tenfold to your responsible behavior. Remember, responsibility isn’t a burden, it’s your superpower. So ditch the excuses & step up! Your world is waiting to see that responsible YOU & guess what? You’re totally capable of it. Stay Responsible & Blessed!
Rajesh Goyal, राजेश गोयल
He was convinced he had lead poisoning the other day from chewing a pencil. Pencils don’t even have lead anymore.” “He like a hundred years old. He worry.” “He went to the hospital, Sasha. He didn’t even have symptoms.” “So? Mind your own business.” “Um, excuse me, it very much was my business because all his drama always happens in the middle of a big project.” Sasha ignored him. Jason shook his head sadly. “I can’t believe you’re on his side.” “There is no side. You make side. Shut up and help me choose.” “Maybe we should get him a lead-detection kit.” “I said shut up.” “You said to help!” “Yes. You not helping, you shut up.” “This is harassment.” “You are harassment.
Marina Vivancos (Crybaby)
Hey, Jack,” John said. “Why don’t you go ahead. I’m right here. Go ahead, bring her out.” “No way, man,” he said, backing away. “Come on—you know you want to. Might as well. You did the hard part. You put up with this for nine months.” “Hey!” Mel objected. “Excuse me?” But Jack got a funny, dreamy look on his face and said, “Yeah. Let me bring her out. Let me. Since you’re right here…” All these months of insisting this wasn’t what he wanted and suddenly it was all he wanted. He’d pulled the last one right out of her body and he felt as if he’d gone to heaven, it was such a trip. He gloved up real fast. “There won’t be anyone for Mel’s back,” he said. “I’ll take her back, and I’ll coach you,” John offered. “But you’re okay, you know what to do. Go for it, man. It’s your baby.” “Okay,” he said, getting himself settled on his knees, right at the foot of the bed, and waited through a few more contractions, and then she delivered the baby’s head. Without even being told, he checked around the neck for the cord. John left Mel for a second to look over his shoulder to be sure. Then Jack supported the baby’s head with a large hand and John told Mel to give them a little push. The baby came out slick and easy, mucky and screaming. Jack held another life he’d produced in his hands. No one should be this lucky, he thought. No man on earth should have all this. John
Robyn Carr (Second Chance Pass)
Excuse me, Mr. Westfall,” I called out. He gave me the kind of look most people save for things they find squashed in the road. “Would you mind if I rode my bicycle over to your house on Sunday afternoon?” That caught him off guard. For a minute he didn’t say anything. Then he began with “Well, I’m not sure what—” “I won’t be any trouble,” I said. “I’m kind of funny-looking, but I’m a pretty good guy. You can ask my mother.” Mr. Westfall actually laughed. “Yeah. Come on over.” The night went downhill fast from there. Los Cedros lost by forty points, Julie cried most of the way home, and Jack didn’t forget to stop at the gas station. But I still went to bed with a smile on my face.
P.J. Petersen (The Freshman Detective Blues)
Yes, Max is very hot.” “Excuse me?” She laughed. “He’s the knight, and you’re the noble gentleman, silly. You’re both hotties.” Ethan snorted with a laugh. “On with the tour you noble hotty you.” “You’re a funny girl, but also quite hot.” “Thanks.” Ethan
Cheri Schmidt (Fateful (Fateful #1))
Could it be that while you are waiting for God to come down and help you, God is also waiting for you to get up? Maybe your breakthrough never happen when your situation changes but when you make a determination within yourself without excuses or blaming anybody and not waiting for anyone and stop praying that your situation change but let God change you. Let your prayer be God change me, God work in me, spring out the rivers of living water within me and I bet you, this is where the breakthrough begins. ☺just a thought and something to ponder on....
Patience Johnson (Why Does an Orderly God Allow Disorder)
What? Do you expect me to ask every woman I meet, 'Excuse me are you a goddess, because you look like one to me?' Because frankly, that is cheesy. Even for me.
C. Gockel (Warriors (I Bring the Fire, #5))
You look healthy,” Dev said. “If I did not know you were sporting the remains of a bullet wound, I would think you in the pink.” “Thank you.” Anna smiled. “I slept well last night.” For the first time in weeks, she truly had. “Well”—Val sat down and reached for the iced lemonade pitcher—“I did not sleep well. We need another thunderstorm.” “I wonder.” Anna’s eyes met Val’s. “Does Morgan still dread the thunderstorms?” “She does,” he replied, sitting back. “She figured out that the day your parents died, when she was trapped in the buggy accident, it stormed the entire afternoon. Her associations are still quite troubling, but her ears don’t physically hurt.” Dev and Anna exchanged a look of surprise, but Val was tucking into his steak. Dev turned his attention back to his plate. “Anna, are you ready to remove to the ducal mansion?” “As ready as I’ll be,” Anna replied, her steak suddenly losing its appeal. “Would you like me to cut that for you?” Dev asked, nodding at the meat on her plate. “I’ve pulled a shoulder now and then or landed funny from a frisky horse, and I know the oddest things can be uncomfortable.” “I just haven’t entirely regained my appetite,” Anna lied, eyeing the steak dubiously. “And I find I am tired, so perhaps you gentleman will excuse me while I catch a nap before we go?” She was gone before they were on their feet, leaving Dev and Val both frowning. “We offered to assist him in any way,” Dev said, picking up his glass. “I think this goes beyond even fraternal devotion.” “He’s doing what he thinks is right,” Val responded. “I have had quite enough of my front-row seat, Dev. Tragedy has never been my cup of tea.” “Nor farce mine.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Excuse me while I jot that down in my Big Blue Book of Who Gives a Shit?
Carsten Stroud (The Homecoming (Niceville Trilogy, 2))
But we’re Sukie’s brother and sister,’ I protested. ‘You’re supposed to be her friend!’ Queenie looked surprised. ‘Me? I don’t know what you mean.’ ‘You’ve written to…’ I trailed off hopelessly. There was no point in arguing any more. Queenie has made up her mind. ‘Well, I don’t trust Esther Jenkins,’ I muttered, as much to myself as anyone. ‘And I bet she’ll not be as quick doing the deliveries, either.’ Queenie gave me a withering look. ‘For your information, Esther’s moved house, city and country more times than you’ve had hot dinners. I don’t think she’d manage it again. At least you two have each other.’ Glancing at Cliff, all I felt was more worry, not less. I hadn’t got the hang of this ‘big sister’ lark – you only had to look at Cliff’s split lip to see my attempt at looking after him wasn’t exactly going well. ‘All Esther’s anger, all that bluster – it’s just a front.’ Queenie went on. ‘Behind it she’s a smashing girl. You need to give her a chance.’ ‘She said horrible things about my sister!’ I insisted, though I was beginning to feel uncomfortable. Because I’d started the fight, hadn’t I? I’d been the angry one – Esther had almost tried to apologise. Queenie stopped. ‘You’ve heard of the Kindertransport, have you?’ ‘Some Jewish kids joined our school from Europe,’ I said. ‘But I don’t see what –’ ‘Esther was one of them,’ Queenie interrupted. ‘Not at your school but another one in London. She’s a Jewish refugee.’ ‘Well, she as good as called Sukie a spy!’ I pointed out. Queenie ignored my comment. ‘Esther’s had a terrible time of it. Everyone she loves has either died or disappeared, or failing that, lives in another country. Imagine what that feels like, can you?’ I swallowed miserably. The thing was I could imagine it – bits of it, anyway – and I felt ashamed, which didn’t improve my temper. ‘That doesn’t excuse what she did to Cliff’s lip,’ I mumbled, though really I was cross with myself. After what I’d overheard about kosher meat, I should have realised she was a Kindertransport child. But I didn’t think, did I? Instead, I’d grabbed her by the hair. What sort of person was I turning into to be so bitter? So angry? Queenie set off walking again. ‘That lip’ll heal in no time. Now hurry up and stop dawdling.’ Glancing sideways at Cliff, I felt a funny sensation in my chest. His lip looked horrid now but he would recover – Queenie was right. At least he was here, my living, breathing, sticky-handed brother. I was pretty lucky, all things considered.
Emma Carroll (Letters from the Lighthouse)
The drinking became a little more of a problem when I went to university. My parents had never been particularly present while I was growing up, so one might presume if I was going to go off the rails, why not do it at home, but I saved it for when I went away. I was enough of a disappointment to my father. I didn’t need to give him yet another excuse to help me understand I was not the daughter he wanted. My mother had left her native America when she fell in love with my dad while working for a year as an au pair in Gerrards Cross. She seemed happy when I was very young, then spent most of my teenage years in what I have always thought must have been, albeit undiagnosed a deep, and possibly clinical, depression. I can understand why. What I couldn’t understand is how she ever ended up with my father in the first place. He was handsome, and I suppose he must have been charming when they were young, but he was so damned difficult, I used to think, even when I was young, that we’d all be much happier if they got a divorce. I would sit with friends who would be in floods of tears because their mother had just found out their father had been having an affair, or their parents had decided they hated each other, or whatever the myriad of reasons are that drive people apart, and these friends would be crying at the terrible fear of their families breaking up, and all I could think was: I wish my parents would get divorced. It seemed to me that if ever there were two people on the planet who should not have been together, it was my parents. My mother is laid-back, funny, kind. She’s comfortable in her skin and has the easy laugh you expect from all Americans. She was brought up in New York, but her parents died very young, after which she went to live with her Aunt Judith. I never knew Aunt Judith, but everything about those days sounds idyllic, especially her summers in Nantucket. You look at pictures of my mum from those days and she was in flowing, hippie-ish clothes, always smiling. She had long, silky hair, and she looked happy and free. In sharp contrast to the pictures of her with my dad, even in those early days, when they were newlyweds, supposedly the happiest time of a relationship. He insisted she wear buttoned-up suits, or twinsets and pearls. Her hair was elaborately coiffed. I remember the heated rollers she kept in the bathroom, twisting her hair up every morning, spraying it into tight submission, slicking lipstick on her lips, her feet sliding into Roger Vivier pumps. If my father was away, she left her hair long and loose, wrapping a scarf around her head. She’d wear long gypsy skirts with espadrilles or sandals. I loved her like that most of all. I used to think it was her clothing that changed her personality,
Jane Green (Cat and Jemima J)
Being with Tracy and Colston distracted me from all of the unresolved issues I felt about Iraq, about my injuries, and about my uncertain future. She also helped me cope with the little moments when I forgot to be distracted. She cut up my steak for me when we went out. One time when I couldn’t open a jar I got very mad. But she just came over and opened it for me. She didn’t make a big deal about it; she just did it. I told her, “You know how hard that is as a man to have you open a jar for me? I am supposed to be doing these things for you and I can’t.” But she told me that was no big deal. And she made me feel like it wasn’t. I struggled a little with Colston as well. I was capable of taking care of him in many ways, but it was hard and little things would trip me up. Putting a sock on a toddler with one hand will absolutely stress you out. It’s funny now, looking back. But back then I really struggled to get a sock on that boy.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
So after I got Jamie’s address, I wrote to her every day. Every night after I put the kids to bed, I would write. I would tell her about everything that had happened--what I did, what the kids did, something funny one of them said. I just wrote as much as I could for several pages. Every night I wrote her novels and every morning I mailed them to her. That was all well and good until I found out I’d addressed all of the envelopes incorrectly! I’d left out one digit of the zip code on every single letter I’d written. I was devastated. Even though I had put a return address on them, I was sure they were stuck in post office limbo. I had this realization the same day I got my first letter from Jamie. I ripped it open and read it through gripped fingers. She told me all about her first few days in basic training, and at the bottom she added the most heartbreaking line, “I wish you’d write me. I know you’re busy and I know you don’t like to write, but I wish you would.” I couldn’t believe it. She thought I hadn’t written at all. I called a buddy of mine who is now Command Sergeant Major Phil Blaisdell, a battalion sergeant major at Fort Jackson, South Carolina. “Phil, I’m in trouble. Man, I’ve been sending her letters and I was putting the wrong zip code on them and I got a letter from her and she thinks I’m not sending her letters and I know she needs that.” “All right, let me call you back.” A little while later my phone rang. “I’m Command Sergeant Major Duncan. I am the battalion sergeant major of Fort Leonard Wood, Missouri. First of all, I’d like to tell you that I know who you are and I appreciate your service and what you’ve done. I’ve seen your Men’s Health issue and you are an inspiration. I understand you know a Specialist Boyd,” she said. “Yes, Sergeant Major, I do.” “Well, I’ve got her standing in front of me right now. Would you like to talk to her?” “Yes, Sergeant Major, I would.” So she handed the phone to Jamie. Jamie was a little stressed out because she had been called to the sergeant major’s office and thought, What have I done? The conversation was rushed and she was speaking in a hushed tone. “Hey, I miss you, I love you.” “Hey, me, too, baby. Let me tell you real quick, I’ve been sending you letters--” “I got them all today. Thank you.” “I miss you, and I hope that you can tell.” “Look, I want to keep talking but they’re watching me.” “Okay, we’re good. Just wanted to make sure you got the letters. I love you and we’ll talk later.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
Are you Russian?” “To the core.” “Well then, let me say at the outset that I am positively enamored with your country. I love your funny alphabet and those little pastries stuffed with meat. But your nation’s notion of a cocktail is rather unnerving. . . .” “How so?” The captain pointed discreetly down the bar to where a bushy-eyebrowed apparatchik was chatting with a young brunette. Both of them were holding drinks in a striking shade of magenta. “I gather from Audrius that that concoction contains ten different ingredients. In addition to vodka, rum, brandy, and grenadine, it boasts an extraction of rose, a dash of bitters, and a melted lollipop. But a cocktail is not meant to be a mélange. It is not a potpourri or an Easter parade. At its best, a cocktail should be crisp, elegant, sincere—and limited to two ingredients.” “Just two?” “Yes. But they must be two ingredients that complement each other; that laugh at each other’s jokes and make allowances for each other’s faults; and that never shout over each other in conversation. Like gin and tonic,” he said, pointing to his drink. “Or bourbon and water . . . Or whiskey and soda . . .” Shaking his head, he raised his glass and drank from it. “Excuse me for expounding.” “That’s quite all right.” The
Amor Towles (A Gentleman in Moscow)
The mind is a funny thing. When we have no explanation for something, we create one. Rationalizations, excuses, hypotheses. When there is no alternative other than mental illness, our minds turn fantasy into reality.
Janis Thomas (All That's Left of Me)
The other cousin. What was his name? Bill or Ben?” “Beau,” I replied, curious as to what she was going to say. “That’s right. Ugh, I remember the time Beau handcuffed me to the chain-link fence where Sawyer’s daddy kept his hunting dogs. I was terrified of being so close to the gate. I remember thinking that those snarling dogs were going to somehow gnaw my hand off through the fence.” I chuckled at the memory, and Lana twirled around on the bed and frowned at me. “It isn’t funny. You know I’m scared silly of dogs. And that awful boy made me sing ‘I’m a Little Teapot’ at the top of my lungs, over and over. Each time, he told me to sing it louder if I wanted to get free. And the louder I got, the angrier the dogs got. It was horrible.” She stopped, and a soft smile touched her lips, erasing the previous frown. “Then Sawyer showed up, scolded Beau, and unhandcuffed me. You finally popped up out of nowhere about that time and made up some lame excuse about needing Beau’s help with something. The two of you took off running with your giggles trailing behind y’all. Sawyer just shook his head as he watched y’all take off and apologized for his cousin. He was so sweet.” I’d forgotten that escapade. We had had so many that I couldn’t remember them all. But hearing Lana retell it, I laughed out loud. I’d been hiding behind the big ole oak tree just a few feet away. Beau had told me to stay out of sight in case Sawyer showed up. I’d had to shove my fist in my mouth to keep from laughing out loud at the sound of Lana singing so loudly and off-key. “I was so sure the two of you would end up together. You’re still laughing about my torment seven years later. You two were evil.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
Jackson?” “Hmm?” “Can I tell you something and will you promise not to get mad or make me feel bad or irresponsible or reckless?” “You’re pregnant?” “What?” She sat up resting on her elbow, giving him a scrunched-face expression. “I’m having my period.” He shrugged. “I wasn’t convinced if that’s what it was for sure since a few days ago you accused me of trying to ‘break your vagina.’” She jabbed him in the side with her fist. He chuckled. “It’s not funny. A few times I wondered if you were going to rip me straight up the middle in two. You’ve been weird … even kind of angry. That’s it … it’s felt like angry sex. Not even sex at times, more like just effing.” “Effing?” “Yes, fucking,” she whispered. He roared a big laugh that only turned her face true crimson. “Why…” he tried to catch his breath through his laughter “…are you whispering? Are you worried about Gunner hearing you or God? Because I’m quite certain that dog has already told me to back the fuck away from you in more than one language, and I know you haven’t been to church in a while, but as far as I know, God can still read minds.” “Well excuse me, Mr. Vulgar, I didn’t grow up using explicit language, and I had a baby before I had a chance to sow any wild oats and making a habit of using the F-word as an adjective and adverb to every single word in the English language. Don’t people realize it starts to lose its effect after a while? It’s like putting an explanation point at the end of every sentence. ‘I’m going to wake the F up tomorrow and roll the F out of my effing bed, and take an effing hot shower before I effing eat an effing bowl of cereal. Then I’m going to get the F going to my first effing job, then meet my effing amazing boyfriend for an effing good lunch, and then if I’m done with my effing period we might F a few times until we’re effing exhausted.’” Jackson’s body vibrated with laughter. “Am I the ‘effing amazing boyfriend’ in your little story?” Ryn kissed along his chest, following the lines of ink. “Maybe.” “Maybe, huh? I can work with that. So before you went off on your effing tangent, what were you going to tell me?
Jewel E. Ann (Middle of Knight (Jack & Jill, #2))