Exclude Me Quotes

We've searched our database for all the quotes and captions related to Exclude Me. Here they are! All 100 of them:

Like all failed experiments, that one taught me something I didn’t expect: one key ingredient of so-called experience is the delusional faith that it is unique and special, that those included in it are privileged and those excluded from it are missing out.
Jennifer Egan (A Visit from the Goon Squad)
Everybody feels safe belonging not to the excluded minority but to the excluding majority. You think, Oh, I’m glad that’s not me. It’s basically the same in all periods in all societies. If you belong to the majority, you can avoid thinking about lots of troubling things.
Haruki Murakami (1Q84 (1Q84, #1-3))
She inhabited a world from which I was excluded, and she had left me in an immense empty space.
Alfred Hayes (In Love (Modern Romance Classics))
On such sunny, sad mornings I always feel in my bones that there is a chance yet of my not being excluded from Heaven, and that salvation may be granted to me despite the frozen mud and horror in my heart.
Vladimir Nabokov (Pale Fire)
The worst thing is not that the world is unfree, but that people have unlearned their liberty. The more indifferent people are to politics, to the interests of others, the more obsessed they become with their own faces. The individualism of our time. Not being able to fall asleep and not allowing oneself to move: the marital bed. If high culture is coming to an end, it is also the end of you and your paradoxical ideas, because paradox as such belongs to high culture and not to childish prattle. You remind me of the young men who supported the Nazis or communists not out of cowardice or out of opportunism but out of an excess of intelligence. For nothing requires a greater effort of thought than arguments to justify the rule of nonthought… You are the brilliant ally of your own gravediggers. In the world of highways, a beautiful landscape means: an island of beauty connected by a long line with other islands of beauty. How to live in a world with which you disagree? How to live with people when you neither share their suffering nor their joys? When you know that you don’t belong among them?... our century refuses to acknowledge anyone’s right to disagree with the world…All that remains of such a place is the memory, the ideal of a cloister, the dream of a cloister… Humor can only exist when people are still capable of recognizing some border between the important and the unimportant. And nowadays this border has become unrecognizable. The majority of people lead their existence within a small idyllic circle bounded by their family, their home, and their work... They live in a secure realm somewhere between good and evil. They are sincerely horrified by the sight of a killer. And yet all you have to do is remove them from this peaceful circle and they, too, turn into murderers, without quite knowing how it happened. The longing for order is at the same time a longing for death, because life is an incessant disruption of order. Or to put it the other way around: the desire for order is a virtuous pretext, an excuse for virulent misanthropy. A long time a go a certain Cynic philosopher proudly paraded around Athens in a moth-eaten coat, hoping that everyone would admire his contempt for convention. When Socrates met him, he said: Through the hole in your coat I see your vanity. Your dirt, too, dear sir, is self-indulgent and your self-indulgence is dirty. You are always living below the level of true existence, you bitter weed, you anthropomorphized vat of vinegar! You’re full of acid, which bubbles inside you like an alchemist’s brew. Your highest wish is to be able to see all around you the same ugliness as you carry inside yourself. That’s the only way you can feel for a few moments some kind of peace between yourself and the world. That’s because the world, which is beautiful, seems horrible to you, torments you and excludes you. If the novel is successful, it must necessarily be wiser than its author. This is why many excellent French intellectuals write mediocre novels. They are always more intelligent than their books. By a certain age, coincidences lose their magic, no longer surprise, become run-of-the-mill. Any new possibility that existence acquires, even the least likely, transforms everything about existence.
Milan Kundera
Way to make me feel excluded, bitches.” “Darcy,” we all say at once, all in the same disapproving tone. “What?” She shrugs from the door. “I thought we now just sprinkled the word generously in conversation. For seasoning.
Ali Hazelwood (Check & Mate)
He refused categorically all ideas of fidelity or serious commitments. He explained that they were arbitrary and sterile. From anyone else such views would have shocked me, but I knew that in his case they did not exclude tenderness and devotion - feelings which came all the more easily to him since he was determined that they should be transient.
Françoise Sagan (Bonjour Tristesse)
God, if I worship Thee in fear of hell, burn me in hell. And if I worship Thee in hope of Paradise, exclude me from Paradise; but if I worship Thee for Thine own sake, withhold not Thine everlasting Beauty.
Aldous Huxley (The Perennial Philosophy)
Like all failed experiments, that one taught me something I didn’t expect: one key ingredient of so-called experience is the delusional faith that it is unique and special, that those included in it are privileged and those excluded from it are missing out. And I, like a scientist unwittingly inhaling toxic fumes from the beaker I was boiling in my lab, had, through sheer physical proximity, been infected by that same delusion and in my drugged state had come to believe I was Excluded: condemned to stand shivering outside the public library at Fifth Avenue and Forty-second Street forever and...
Jennifer Egan (A Visit from the Goon Squad)
O Allah! If I worship You for fear of Hell, burn me in Hell, and if I worship You in hope of Paradise, exclude me from Paradise. But if I worship You for Your Own sake, grudge me not Your everlasting Beauty. -- Ya Allah, jika aku menyembahMu karena takut neraka, bakarlah aku di dalamnya, dan jika aku menyembahMu karena mengharap surga, campakkanlah aku darinya. Tetapi, jika aku menyembahMu demi Engkau semata, Janganlah Engkau enggan memperlihatkan keindahan wajahMu Yang abadi padaku.
Rābiʻah al-ʻAdawīyah
I think deeply about things and want others to do likewise. I work for ideas and learn from people. I don’t like excluding people. I’m a perfectionist, but I won’t let that get in the way of publication. Except for education and entertainment, I’m not going to waste my time on things that won’t have an impact. I try to be friends with everyone, but I hate it when you don’t take me seriously. I don’t hold grudges, it’s not productive, but I learn from my experience. I want to make the world a better place.
Aaron Swartz
And he listened to me. That was the thing he did, as if he was trying to fill himself up with all the sound he could hear. He listened to the wind and the falling ocean and my voice, always with rapt attention, a concentration that almost excluded physical bodies themselves and kept only the sounds.
Ray Bradbury (The Illustrated Man)
I often went to Catholic mass or Eucharist at the Episcopal church, nourished by the symbol and power of this profound feeding ritual. It never occurred to me how odd it was that women, who have presided over the domain of food and feeding for thousands of years, were historically and routinely barred from presiding over it in a spiritual context. And when the priest held out the host and said, "This is my body, given for you," not once did I recognize that it is women in the act of breastfeeding who most truly embody those words and who are also most excluded from ritually saying them.
Sue Monk Kidd (The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine)
Built into the very structure of the egoic self is a need to oppose, resist, and exclude to maintain the sense of separateness on which its continued survival depends. So there is “me” against the “other,” “us” against “them.” The ego needs to be in conflict with something or someone. That explains why you are looking for peace and joy and love but cannot tolerate them for very long. You say you want happiness but are addicted to your unhappiness. Your unhappiness ultimately arises not from the circumstances of your life but from the conditioning of your mind.
Eckhart Tolle (Stillness Speaks)
Be composed--be at ease with me--I am Walt Whitman, liberal and lusty as Nature, Not till the sun excludes you do I exclude you, Not till the waters refuse to glisten for you and the leaves to rustle for you, do my words refuse to glisten and rustle for you.
Walt Whitman (Leaves of Grass)
I only know that all of those people would have sensed me that night, excluding the youngest of the children. I was the suggestion. I was the advice, my imagined feet walking into the kitchen and down the corridor.
Markus Zusak (The Book Thief)
Be calm! I entreat you to hear me before you give vent to your hatred on my devoted head. Have I not suffered enough, that you seek to increase my misery? Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it. Remember, thou hast made me more powerful than thyself; my height is superior to thine, my joints more supple. But I will not be tempted to set myself in opposition to thee. I am thy creature, and I will be even mild and docile to my natural lord and king if thou wilt also perform thy part, the which thou owest me. Oh, Frankenstein, be not equitable to every other and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. Remember that I am thy creature; I ought to be thy Adam, but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous.
Mary Wollstonecraft Shelley (Frankenstein, or the Modern Prometheus)
Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend.
Mary Wollstonecraft Shelley (Frankenstein)
Somewhere to the eastward a wolf howled; lightly, questioningly. I knew the voice, for I had heard it many times before. It was George, sounding the wasteland for an echo from the missing members of his family. But for me it was a voice which spoke of the lost world which once was ours before we chose the alien role; a world which I had glimpsed and almost entered...only to be excluded, at the end, by my own self.
Farley Mowat (Never Cry Wolf: The Amazing True Story of Life Among Arctic Wolves)
I grieve to leave Thornfield: I love Thornfield - I love it, because I have lived in it a full and delightful life, -momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright and energetic, and high. I have talked, face to face, with what I reverence; with what I delight in, -with an original, a vigorous, an expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you for ever. I see the necessity of departure; and it is like looking on the necessity of death.
Charlotte Brontë (Jane Eyre)
That the speech of self-disclosure should be translatable seems to me very odd, but I am convinced that it is. The conclusion that I draw is that the only quality which all human being without exception possess is uniqueness: any characteristic, on the other hand, which one individual can be recognized as having in common with another, like red hair or the English language, implies the existence of other individual qualities which this classification excludes.
W.H. Auden
An abusive culture, to me, is any culture that needs to single out and exclude a group. It’s always a less productive culture because the organization’s energy is diverted from lifting people up to keeping people down. It’s like an autoimmune disease where the body sees its own organs as threats and begins attacking them. One of the most common signs of an abusive culture is the false hierarchy that puts women below men.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
A woman owes it to herself to have pretty things. And if she feels good she looks good. You are wrong if you think you cannot live without love. I cannot live without it. I do not mean that I go into a decline, develop odd symptons, became a caricature. I mean that I cannot live well without it. I cannot think or act or speak or write or even dream with any kind of energy in the absence of love. I feel excluded from the living world. I become cold, fish-like, immobile. I implode. My idea of absolute happiness is to sit in a hot garden all day, reading or writing, utterly safe in the knowledge that the person I love will come home to me in the evening. Every evening. I am not a romantic. I am a domesticated animal. I do not sigh and yearn for extravagant displays of passion, for the grand affair, the world well lost for love. I know all that, and know that it leaves you lonely. No, what I crave is the simplicity of routine. An evening walk, arm in arm, in fine weather. A game of cards. Time for idle talk. Preparing a meal together.
Anita Brookner (Hotel du Lac)
You're funny.' Phoebe passed me the last chocolate cupcake. 'And I always thought your friends were laughing over their own farts.' 'Ninety percent of Eastwood's male population laughs over their own farts. Present company excluded, naturally.
Robyn Schneider (The Beginning of Everything)
When my brothers try to draw a circle to exclude me, I shall draw a larger circle to include them. Where they speak out for the privileges of a puny group, I shall shout for the rights of all mankind.
Pauli Murray
I ’ve often felt separate from other human beings. I have my moments of togetherness with others; I love all sentient beings with my heart and am wildly fortunate to have friends I can talk to, share joy and despair with; we loyally have each other’s back. I wordlessly communicate with other musicians, sometimes plumbing great depths. But I’m awkward with other people, sometimes even my closest friends. My mind wanders, seeing others hold hands in a circle, from my separate place. My earliest memories are rooted in an underlying sense that something’s wrong with me, that everyone else is clued into a group consciousness from which I’m excluded. Like something in me is broken. As time passes I become more comfortable with this strange sense of being apart, but it never leaves, and on occasion, I go through phases of intense and debilitating anxiety. Gnarly fucking panic attacks. Perhaps it is a form of self-loathing, that I’m often unable to find comfort in community. Am I the only one who’s fucked up like this? Can I get a witness?
Flea (Acid for the Children: A Memoir)
Attention is not the same thing as concentration. Concentration is exclusion; attention, which is total awareness, excludes nothing. It seems to me that most of us are not aware, not only of what we are talking about but of our environment, the colours around us, the people, the shape of the trees, the clouds, the movement of water.
J. Krishnamurti (Freedom from the Known)
I lay awake for hours in my twin bed next to the other, empty bed, feeling and hearing the spruces, the hemlocks, the rhododendron scraping at the partly open window, the verdant mountain out there in the night, the burgeoning of nature that did not seem to include me. And when, my restless body asked my teeming brain, had I agreed to be excluded?
Elizabeth Kostova (The Swan Thieves)
Remember that I am thy creature; I ought to be thy Adam, but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous.
Mary Wollstonecraft Shelley
amusement in her eyes and had to grin. "How are you feeling?" he asked, his voice dropping to a low, intimate tone that excluded everyone else in the cafe and made several women draw in their breath. Her mouth quirked in that self-amusement that made him want to grab her to him. "This isn't one of my good days. The only thing holding me together is static cling." "Come home with me, and I'll take care of you." She looked him in the eye and said quietly, "Give me one good reason why I should." Right there in front of God and most of Crook, Montana, he drew in a deep breath and took the gamble of a lifetime, his words plain and heard by all, because no one was making even the pretense of not listening. "Because I love you." Maddie blinked, and to his surprise he saw her eyes glitter with tears. Before he could start forward, however, her smile broke through like sunshine through a cloud bank. She didn't take the time to go around the counter; she climbed on top of it and slid off on the other side. "It's about time," she said as she went into his arms.
Linda Howard (Duncan's Bride (Patterson-Cannon Family, #1))
I fake fake to have a fake life. Does that make me a real horse? Buy now for $777, wooden saddle sold separately. Real horseshoes not included. Imaginary ones – neither.
Will Advise (Nothing is here...)
It comes to me that fear of death is, love of the world. The desire not to be excluded from the world. That perhaps at the heart of all my assumptions is the assumption that after death I will stop being a part of things.
Alayna Munce (When I Was Young & In My Prime)
Remember that I am thy creature: I ought to be thy Adam; but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Every where I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous.
Mary Wollstonecraft Shelley (Frankenstein)
In school, the other girls formed alliances which always excluded me. They called me names; I will not repeat them here. They made fun of my unshapely body, my pale skin, my untamed hair. I do not know why I was born this way.
John Boyne (This House is Haunted)
Paul saith, 'Not of works, lest any man should boast.' Now, faith excludes all boasting. The hand which receives charity does not say, 'I am to be thanked for accepting the gift'; that would be absurd. When the hand conveys bread to the mouth it does not say to the body, 'Thank me; for I feed you.' It is a very simple thing that the hand does though a very necessary thing; and it never arrogates glory to itself for what it does. So God has selected faith to receive the unspeakable gift of His grace, because it cannot take to itself any credit, but must adore the gracious God who is the giver of all good.
Charles Haddon Spurgeon (All of grace (Summit Books))
Karhiders discuss sexual matters freely, and talk about kemmer with both reverence and gusto, but they are reticent about discussing perversion - at least they were with me. Excessive prolongation of the kemmer period, with permanent hormonal imbalance toward the male or the female, causes what they call perversion; it is not rare; three or four percent of adults may be physiological perverts or abnormals - normals, by our standard. They are not excluded from society, but they are tolerated with some disdain, as homosexuals are in many bisexual societies, the Karhidish slang for them is halfdeads. They are sterile.
Ursula K. Le Guin (The Left Hand of Darkness)
Let me remind all of us--disabled and nondisabled--that every time we defend our intelligence, we come close to disowning intellectually disabled people. We imply that it might be okay to exclude, devalue, and institutionalize people who actually live with body-mind conditions that impact the ways they think, understand, and process information. The only way out of this trap is to move toward, not away from, intellectually disabled people, to practice active solidarity.
Eli Clare (Brilliant Imperfection: Grappling with Cure)
I think I can say without fear of inaccuracy that description is my strong point. Possibly this fact is central to my feeling excluded and so on in what might be called “the scene.” There appears to be a particular divide in literature that has “description” and all it implies, as its focus. Some people hate “fancy writing,” and just want to “cut to the chase,” and so on. This attitude deeply irritates me. If you can’t try and take words to their limit in the field of literature, then where can you? I actually think that variety is good, but it’s usually the enemies of “fancy writing” who also seem to deplore variety and believe that there’s only one way to write—without adverbs etc. etc.
Quentin S. Crisp
Moriarty smiled his adder’s smile. And I relaxed. I knew. My destiny and his wound together. It was a sensation I’d never got before upon meeting a man. When I’d had it from women, the upshot ranged from disappointment to attempted murder. Understand me, Professor James Moriarty was a hateful man, the most hateful, hateable, creature I have ever known, not excluding Sir Augustus and Kali’s Kitten and the Abominable Bloody Snow-Bastard and the Reverend Henry James Prince. He was something man-shaped that had crawled out from under a rock and moved into the manor house. But, at that moment, I was his, and I remain his forever. If I am remembered, it will be because I knew him. From that day on, he was my father, my commanding officer, my heathen idol, my fortune and terror and rapture.
Kim Newman (Professor Moriarty: The Hound of the D'Urbervilles)
Wouldn't it be good if we could let teachers do what they do best - teach. Not judge each child on a series of standardized exams. Let schools embrace, not exclude, those like me with a different way of thinking. Stop praising literacy with one hand and closing libraries with the other. Let librarians be free to do what they do best: encourage a lifelong love of reading in every child, even the ones without a hope of ever getting an A star.
Sally Gardner
I will let you carry me into the fecundity of destruction. I choose a body then, a face, a voice. I become you. And you become me. Silence the sensational course of your body and you will see me, intact, your own fears, your own pities. You will see love which was excluded from the passions given you, and I will see the passions excluded from love. Step out of your role and rest yourself on the core of your true desires. Cease for a moment your violent deviations. Relinquish the furious indomitable strain. I will take them up.
Anaïs Nin
The black people around me were strong and determined but marginalized and excluded.
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
When I was young, women were raped on the campus of a great university and the authorities responded by telling all the women students not to go out alone after dark or not to be out at all. Get in the house. (For women, confinement is always waiting to envelope you.) Some pranksters put up a poster announcing another remedy, that all men be excluded from campus after dark. It was an equally logical solution, but men were shocked at being asked to disappear, to lose their freedom to move and participate, all because of the violence of one man.
Rebecca Solnit (Men Explain Things to Me)
If we lived in a less healthist, capitalist, and hierarchical society, which spent less time finding ways to exclude and disenfranchise people and more time finding ways to include and enhance the potentialities of everyone, then there wouldn’t have been so much for me to overcome
Arthur W. Frank (The Wounded Storyteller: Body, Illness, and Ethics)
At this point there's something I should explain about myself, which is that I don't talk much, probably too little, and I think this has been detrimental to my social life. It's not that I have trouble expressing myself, or no more than people generally have when they're trying to put something complex into words. I'd even say I have less trouble than most because my long involvement with literature has given me a better-than-average capacity for handling language. But I have no gift for small talk, and there's no point trying to learn or pretend; it wouldn't be convincing. My conversational style is spasmodic (someone once described it as "hollowing"). Every sentence opens up gaps, which require new beginnings. I can't maintain any continuity. In short, I speak when I have something to say. My problem, I suppose - and this may be an effect of involvement with literature - is that I attribute too much importance to the subject. For me, it's never simply a question of "talking" but always a question of "what to talk about". And the effort of weighing up potential subjects kills the spontaneity of dialogue. In other words, when everything you say has to be "worth the effort", it's too much effort to go on talking. I envy people who can launch into a conversation with gusto and energy, and keep it going. I envy them that human contact, so full of promise, a living reality from which, in my mute isolation, I feel excluded. "But what do they talk about?" I wonder, which is obviously the wrong question to ask. The crabbed awkwardness of my social interactions is a result of this failing on my part. Looking back, I can see that it was responsible for most of my missed opportunities and almost all the woes of solitude. The older I get, the more convinced I am that this is a mutilation, for which my professional success cannot compensate, much less my "rich inner life." And I've never been able to resolve the conundrum that conversationalists pose for me: how do they keep coming up with things to talk about? I don't even wonder about it anymore, perhaps because I know there's no answer.
César Aira
He wrapped his hand around mine and moved it from his lips, laying a gentle kiss on my fingers as he did it. ‘When I saw you on the television bleeding and hurt I knew you would not die, because I could feel how hurt you were, and I knew we had power to heal you and bring you safely home to me, to us, but it wasn’t enough, ma petite.’ He pressed my hand to his chest. ‘I needed to feel this. I needed to touch your skin, kiss your lips, hold you as close as I could. I would survive your death physically, I believe there is enough power now for that, but my heart …’ He raised my hand and kissed it. ‘My heart, it beats for you, Anita Blake. If there were a way for us to marry without the other men in our lives feeling excluded, I would ask it of you.
Laurell K. Hamilton (Affliction (Anita Blake, Vampire Hunter, #22))
As Narrative (Novel, Passion), love is a story which is accomplished, in the sacred sense of the word: it is a program which must be completed. For me, on the contrary, this story has already taken place; for what is event is exclusively the delight of which I have been the object and whose aftereffects I repeat (and fail to achieve). Enamoration is a drama, if we restore to this word the archaic meaning Nietzsche gives it: "Ancient drama envisioned great declamatory scenes, which excluded action (action took place before or behind the stage)." Amorous seduction (a pure hypnotic moment) takes place before discourse and behind the proscenium of consciousness: the amorous "event" is of a hieratic order: it is my own local legend, my little sacred history that I declaim to myself, and this declamation of a fait accompli (frozen, embalmed, removed from any praxis) is the lover's discourse.
Roland Barthes (A Lover's Discourse: Fragments)
Existences and events occurring without any relationship to myself, occurring at places that not only appealed to my senses but were moreover denied to me— these, together with the people involved in them, constituted my definition of “tragic things.” It seemed that my grief at being eternally excluded was always transformed in my dreaming into grief for those persons and their ways of life, and that solely through my own grief I was trying to share in their existences.
Yukio Mishima (Confessions of a Mask)
I tell you this. As war becomes dishonored and its nobility called into question those honorable men who recognize the sanctity of blood will become excluded from the dance, which is the warrior's right, and thereby will the dance become a false dance and the dancers false dancers. And yet there will be one there always who is a true dancer and can you guess who that might be? You aint nothin. You speak truer than you know. But I will tell you. Only that man who has offered himself up entire to the blood of war, who has been to the floor of the pit and seen horror in the round and learned at last that it speaks to his innermost heart, only that man can dance. Even a dumb animal can dance. The judge set the bottle on the bar. Hear me, man, he said. There is room on the stage for one beast and one alone. All others are destined for a night that is eternal and without name. One by one they will step down into the darkness before the floodlamps. Bears that dance, bears that dont.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Only after something is done do we truly realise it cannot be undone. Never had a night seemed to me so ill-omened; never had a celebration seemed to me so unjust, so cruel. The music drifting on the breeze sounded like an incantation that conjured me like a demon. I felt excluded from the joy of these people as they laughed and danced. I thought about the terrible waste my life had become … How? How could I have come so close to happiness and not had the courage to seize it with both hands? What terrible sin had I committed that I was forced to watch love seep though my fingers like blood from a wound? What is love when all it can do is survey the damage? What are its myths and legends, its victories and its miracles if a lover is not prepared to rise above, to brave the thunderbolt, to renounce eternal happiness for one kiss, one embrace, one moment with his beloved? Regret coursed through my veins like a poisonous sap, swelled my heart with loathsome fury. I hated myself, this useless burden abandoned by the roadside.
Yasmina Khadra (Ce que le jour doit à la nuit)
I have never belonged to a tribe. It gives me a different perspective. Perhaps if I did, I too would feel ill at ease in Les Marauds. But I have always been different. Perhaps that's why I find it easier to cross the narrow boundaries between one tribe and the next. To belong so often means to exclude; to think in terms of us and them - to little words that, juxtaposed, so often lead to conflict.
Joanne Harris (Peaches for Father Francis (Chocolat, #3))
Houses"—so the Wise Men tell me— "Mansions"! Mansions must be warm! Mansions cannot let the tears in, Mansions must exclude the storm! "Many Mansions," by "his Father," I don't know him; snugly built! Could the Children find the way there— Some, would even trudge tonight!
Emily Dickinson
Losing your faith in a world where God is all around you is a precarious business. When God shows his face on a daily basis to your friends and neighbors, it is, on some level, impossible to stop believing in Him. Instead i felt that God chose to exclude me from His world. Since i was the only one to lose faith, to stop hearing Christ's voice, i thought perhaps it was my fault that Roy had left us. I thought i was being punished for some unknown sin. I had learned early in my Catholic career that one could sin silently in one's heart. One could even sin without ever discovering what one had done or why it was wrong. What had i done, i asked myself, to make God disappear and take Roy with Him.
Alison Smith
Coming from a country where mapmakers tend to exclude any landscape feature smaller than, say, Pike’s Peak, I am constantly impressed by the richness of detail on the OS 1:25,000 series. They include every wrinkle and divot of the landscape, every barn, milestone, wind pump and tumulus. They distinguish between sand pits and gravel pits and between power lines strung from pylons and power lines strung from poles. This one even included the stone seat on which I sat now. It astounds me to be able to look at a map and know to the square metre where my buttocks are deployed.
Bill Bryson (Notes from a Small Island)
Remember, that I am thy creature; I ought to be thy Adam; but I am rather a fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall be virtuous.
Mary Wollstonecraft Shelley (Frankenstein (Spanish Edition))
Oh, Frankenstein, be not equitable to every other, and trample upon me alone, to whom thy justice, or even thy clemency and affection, is most due. Remember that I am thy creature: I ought to be thy Adam,; but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Every where I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous.
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
God said to David, "Be not too intimate with men; for two kinds of persons are excluded from My presence: those who are earnest in seeking reward and slack when they obtain it, and those who prefer their own thoughts to the remembrance of Me. The sign of My displeasure is that I leave such to themselves." In
Abu Hamid al-Ghazali (The Alchemy of Happiness)
Aside from wanting to write cracking good books that turn children into lifelong readers, I really want to create stories that enable kids to LOOK at the world around them. To see it for what it is, with wide open, wondering eyes. Our mass media is so horribly skewed. It presents this idea of 'normalcy' which excludes and marginalises so many for an idea of commercial viability which is really nothing but blinkered prejudice. People who are black and Asian and Middle Eastern and Hispanic, people who are gay or transgendered or genderqueer, people who have disabilities, disfigurements or illnesses - all have this vision of a world which does not include them shoved down their throats almost 24-7, and they're told 'No one wants to see stories about people like you. Films and TV shows about people like you won't make money. Stories about straight, white, cisgendered, able-bodied people are universal and everyone likes them. You are small and useless and unattractive and you don't matter.' My worry is that this warped version of 'normal' eventually forms those very same blinkers on children's eyes, depriving them of their ability to see anyone who isn't the same as them, preventing them from developing the ability to empathise with and appreciate and take joy in the lives and experiences of people who are different from them. If Shadows on the Moon - or anything I write - causes a young person to look at their own life, or the life of another, and think, 'Maybe being different is cool' I will die a happy writer. -Guest blog - what diversity means to me
Zoë Marriott
One often hears of writers that rise and swell with their subject, though it may seem but an ordinary one. How, then, with me, writing of this Leviathan? Unconsciously my chirography expands into placard capitals. Give me a condor's quill! Give me Vesuvius' crater for an inkstand! Friends, hold my arms! For in the mere act of penning my thoughts of this Leviathan, they weary me, and make me faint with their out-reaching comprehensiveness of sweep, as if to include the whole circle of the sciences, and all the generations of whales, and men, and mastodons, past, present, and to come, with all the revolving panoramas of empire on earth, and throughout the whole universe, not excluding its suburbs. Such, and so magnifying, is the virtue of a large and liberal theme! We expand to its bulk. To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it.
Herman Melville (Moby-Dick or, The Whale)
I always wished a little that the church was not a church, set off as it was behind its barriers of doctrine and creed, so that all the people of the town and neighborhood might two or three times a week freely have come there and sat down together - though I knew perfectly well that, in the actual world, any gathering would exclude some, and some would not consent to be gathered, and some (like me) would be outside even when inside. I liked the naturally occurring silences - the one, for instance, just before the service began and the other, the briefest imaginable, just after the last Amen. Occasionally a preacher would come who had a little bias toward silence, and then my attendance would become purposeful. At a certain point in the service the preacher would ask that we observe a moment of silence . . . And then the quiet that was almost the quiet of the empty church would come over us and unite us as we were not united even in singing, and the little sounds (maybe a bird's song) from the world outside would come in to us, and we would completely hear it. But always too soon the preacher would become abashed (after all, he was being paid to talk) and start a prayer, and the beautiful moment would end. I would think again how I would like for us all just to go there from time to time and sit in silence. Maybe I am a Quaker of sorts, but I am told that the Quakers sometimes speak at their meetings. I would've preferred no talk, no noise at all.
Wendell Berry (Jayber Crow)
[Emilio’s dinner with FM Banier] Gradually I abandon the conversation (suffering because the others might suppose I am doing so for reasons of contempt.) FMB (supported by Youssef) embodies a strong (and ingenious) system of values, codes, seductions, styles; but even as the system gains in consistency, I feel excluded from it. And little by little I cease struggling, I withdraw, without concern for how I appear to the others. Thus it begins by an initially slight disaffection for sociability which becomes quite radical. As it develops, it gradually combines with a hostalgia for what remains living for me: maman. And ultimately I fall into an abyss of suffering.
Roland Barthes (Mourning Diary: October 26, 1977–September 15, 1979)
Can anyone capable of genuinely appreciating Mozart and Mizoguchi possibly say that he is not, in that respect, immeasurably better off than someone whose cultural horizon is limited to bingo and The Black and White Minstrel Show? The assimilation will not necessarily make him a better person (a common, and obviously fallacious, assumption), but it will open to him possibilities that are closed to his less fortunate fellow humans. If that is what is meant by an "élite," then I for one shall not willingly sacrifice my membership of it in the name of some perverse and destructive egalitarianism: to put it succinctly, nothing is ever going to come between me and The Magic Flute. It is not, however, an elite from which I would wish anyone to feel excluded: on the contrary, I would like to share my advantages with as many others as possible. That is why I am a teacher.
Robin Wood
Just let everyone know not to give her a hard time.” “Fine, you miserable shit, but if she gives us a hard time there’s nothing I can do.” As if anyone would dare go against my word. They know the consequences of that. I’m not a bully. I never take my fists to anyone—never play mean pranks, that shit is for turds with no self-esteem, who need to feel like a man in any way they can. But if I issue a demand, then I expect it to be followed. And Delaney Sloan is now hands off to everyone. Excluding me. I want my dirty hands all over her.
V. Theia (Manhattan Secret (From Manhattan #4))
Much to my surprise, church has become a spiritual, even a theological struggle for me. I have found it increasingly difficult to sing hymns that celebrate a hierarchical heavenly realm, to recite creeds that feel disconnected from life, to pray liturgies that emphasize salvation through blood, to listen to sermons that preach an exclusive way to God, to participate in sacraments that exclude others, and to find myself confined to a hard pew in a building with no windows to the world outside. This has not happened because I am angry at the church or God. Rather, it has happened because I was moving around in the world and began to realize how beautifully God was everywhere: in nature and in my neighborhood, in considering the stars and by seeking my roots. It took me five decades to figure it out, but I finally understood. The church is not the only sacred space; the world is profoundly sacred as well. And thus I fell into a gap - the theological ravine between a church still proclaiming conventional theism with its three-tiered universe and the spiritual revolution of God-with-us.
Diana Butler Bass (Grounded: Finding God in the World-A Spiritual Revolution)
But say I could repent and could obtaine By Act of Grace my former state: how soon would higth recal high thoughts; how soon unsay what feign'd submission swore: ease would recant vows made in pain, as violent and void. For never can true reconcilement grow where wounds of deadly hate have pierced so deep: which would but lead me to a worse relapse and heavier fall: so should I purchase cleave short intermission bought with double smart: This knows my punisher; therefore as far from granting here, as I from begging peace: All hope excluded thus, behold in stead of us out-cast, exil'd, his new delight, Mankind created, and for his this World. So farewell Hope, and with Hope farwel Fear, Farewel Remorse: all Good to me is lost.
John Milton
there was a sort of embarrassment about storytelling that struck home powerfully about one hundred years ago, at the beginning of modernism. We see a similar reaction in painting and in music. It's a preoccupation suddenly with the surface rather than the depth. So you get, for example, Picasso and Braque making all kinds of experiments with the actual surface of the painting. That becomes the interesting thing, much more interesting than the thing depicted, which is just an old newspaper, a glass of wine, something like that. In music, the Second Viennese School becomes very interested in what happens when the surface, the diatonic structure of the keys breaks down, and we look at the notes themselves in a sort of tone row, instead of concentrating on things like tunes, which are sort of further in, if you like. That happened, of course, in literature, too, with such great works as James Joyce's Ulysses, which is all about, really, how it's told. Not so much about what happens, which is a pretty banal event in a banal man's life. It's about how it's told. The surface suddenly became passionately interesting to artists in every field about a hundred years ago. In the field of literature, story retreated. The books we talked about just now, Middlemarch, Bleak House, Vanity Fair -- their authors were the great storytellers as well as the great artists. After modernism, things changed. Indeed, modernism sometimes seems to me like an equivalent of the Fall. Remember, the first thing Adam and Eve did when they ate the fruit was to discover that they had no clothes on. They were embarrassed. Embarrassment was the first consequence of the Fall. And embarrassment was the first literary consequence of this modernist discovery of the surface. "Am I telling a story? Oh my God, this is terrible. I must stop telling a story and focus on the minute gradations of consciousness as they filter through somebody's..." So there was a great split that took place. Story retreated, as it were, into genre fiction-into crime fiction, into science fiction, into romantic fiction-whereas the high-art literary people went another way. Children's books held onto the story, because children are rarely interested in surfaces in that sort of way. They're interested in what-happened and what-happened next. I found it a great discipline, when I was writing The Golden Compass and other books, to think that there were some children in the audience. I put it like that because I don't say I write for children. I find it hard to understand how some writers can say with great confidence, "Oh, I write for fourth grade children" or "I write for boys of 12 or 13." How do they know? I don't know. I would rather consider myself in the rather romantic position of the old storyteller in the marketplace: you sit down on your little bit of carpet with your hat upturned in front of you, and you start to tell a story. Your interest really is not in excluding people and saying to some of them, "No, you can't come, because it's just for so-and-so." My interest as a storyteller is to have as big an audience as possible. That will include children, I hope, and it will include adults, I hope. If dogs and horses want to stop and listen, they're welcome as well.
Philip Pullman
I was taught that punishment and shame were the logical and necessary reactions to screwing up. The benefit of punishment was that it would keep my wild and terrible natural tendencies in line. It would shame me into being better. “Justice is the firmest pillar of good government,” after all, and justice meant people had to pay for their mistakes. When something went wrong, there had to be fault. There had to be blame. There had to be pain. Now I knew I was wrong. Punishment didn’t make things better. It mucked things up even more. The father’s self-punishment did not grant him his daughter’s forgiveness. It did not whip his sins out of him. Instead, it removed him from his family by isolating him in a prison of self-loathing. Locked in this prison, he couldn’t hear what his daughter needed. He couldn’t give her what she was asking for. There was blame and pain in spades. But all of this actively prevented him from making amends, from healing his relationship with his daughter. Punishment did not ease Willow or Jeremy or the other children at Mott Haven back into their circles of friends. Punishment excludes and excises. It demolishes relationships and community. I could not believe it had taken me this long to realize that punishment is not love. In fact, it is the opposite of love. Forgiveness is love. Spaciousness is love.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
In all his spiciness, it was the chili pepper who posed the zesty question to me—how would you learn of what is presently unknown about our vegetal ways of communicating if you are not looking for it and do not even realize that it may exist? Generously, he had also provided the answer—exclude the known to allow yourself to see what unexpected things might happen. And the unexpected is exactly what happened.
Monica Gagliano (Thus Spoke the Plant: A Remarkable Journey of Groundbreaking Scientific Discoveries and Personal Encounters with Plants)
I am one of those persons who, when sexually immersed, require serious silence, the hush of impeccable concentration. Perhaps it is due to my pubescent training as a Hershey Bar whore, and because I have consistently willed myself to accommodate unscintillating partners - whatever the reason, for me to reach an edge and fall over, all the mechanics must be assisted by the deepest fantasizing, an intoxicating mental cinema that does not welcome lovemaking chatter. The truth is, I am rarely with the person I am with, so to say; and dependence upon an inner scenery, imagined and remembered erotic fragments, shadows irrelevant to the body above or beneath us - those images our minds accept inside sexual seizure but exclude once the beast has been routed, for, regardless of how tolerant we are, these cameos are intolerable to the meanspirited watchmen within us.
Truman Capote (Answered Prayers: The Unfinished Novel)
It's this oppressive, aggressive and exclusice side to cool that makes me declare ardently, no I'm not cool. I rebel against the notion of a standard or style or attitude that oppresses those that don't fit in- that excludes and diminishes the vulnerable, the shy, the uninformed and the uncofident. I rebel, too, against the dominance of a set of values which seems so geared towards the superficial and ephemeral. And I rebel against the idea of being cool if it means being detatched, distant, univolved, dismissive, unresponsive, lacking in emotional honesty- in fact, lacking in all the things that make the world a happier, more sympathetic place.
John Farndon (Do You Think You're Clever?: The Oxford and Cambridge Questions)
So often we are inclined to keep our lives hidden. Shame and guilt prevent us from letting others know what we are living. We think: 'If my family and friends knew the dark cravings of my heart and my strange mental wanderings, they would push me away and exclude me from their company.' But the opposite is true. When we dare to lift our cup and let our friends know what is in it, they will be encouraged to lift their cups and share with us their own anxiously hidden secrets. The greatest healing often takes place when we no longer feel isolated by our shame and guilt and discover that others often feel what we feel and think what we think and have the fears, apprehensions, and preoccupations we have." Henri Nouwen, Can You Drink the Cup
Henri J.M. Nouwen
Recently I came across a Zen prayer that Thich Nhat Hanh, a Buddhist monk, recites prior to eating: "In this plate of food, I see the entire universe supporting my existence." I like Hanh's meditation a lot because the wording allows me to include God in my gratitude without excluding gratitude to all the unseen human beings who also had a hand in the gift of the food in front of me.
Jacqueline A. Bussie
I pretended to be interested in their secret undertaking, but in fact I was very sorry about it. Although the two siblings had involved me by choosing me as their confidant, it was still an experience that I could enter only as witness: on that path Lila would do great things by herself, I was excluded. But above all, how, after our intense conversations about love and poetry, could she walk me to the door, as she was doing, far more absorbed in the atmosphere of excitement around a shoe?...What did I care about shoes. I still had, in my mind's eye, the most secret stages of that affair of violated trust, passion, poetry that became a book, and it was as if she and I had read a novel together, as if we had seen, there in the back of the shop and not in the parish hall on Sunday, a dramatic film.
Elena Ferrante (My Brilliant Friend (My Brilliant Friend #1))
There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question. I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed. The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, “She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner— something lighter, franker, more natural, as it were—she really must exclude me from privileges intended only for contented, happy, little children.” What does Bessie say I have done?” I asked. Jane, I don’t like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent.
Charlotte Brontë (Jane Eyre)
if my memory serves me right, here is my genealogical line: Boccaccio, Petronius, Rabelais, Whitman, Emerson, Thoreau, Maeterlinck, Romain Rolland, Plotinus, Heraclitus, Nietzsche, Dostoievsky (and other Russian writers of the Nineteenth Century), the ancient Greek dramatists, theElizabethan dramatists (excluding Shakespeare), Theodore Dreiser, Knut Hamsun, D. H. Lawrence, James Joyce, Thomas Mann, Elie Faure, Oswald Spengler, Marcel Proust, Van Gogh, the Dadaists and Surrealists, Balzac, Lewis Carroll, Nijinsky, Rimbaud, Blaise Cendrars, Jean Giono, Celine, everything I read on Zen Buddhism, everything I read about China, India, Tibet, Arabia, Africa, and of course the Bible, the men who wrote it and especially the men who made the King James version, for it was the language of the Bible rather than its “message” which I got first and which I will never shake off.
Henry Miller (The Books in My Life)
An old story is told about Rabia of Basra, an eighth-century Sufi mystic who was seen running through the streets of her city one day carrying a torch in one hand and a bucket of water in the other. When someone asked her what she was doing, she said she wanted to burn down the rewards of paradise with the torch and put out the fires of hell with the water, because both blocked the way to God. "O, Allah," Rabia prayed, "if I worship You for fear of Hell, burn me in Hell, and if I worship You in hope of Paradise, exclude me from Paradise. But if I worship You for Your Own sake, grudge me not Your everlasting Beauty.
Barbara Brown Taylor (Holy Envy: Finding God in the Faith of Others)
When you feel the need to escape your problems, to escape from this world, don't make the mistake of resorting to suicide Don't do it! You will hear the empty advice of many scholars in the matter of life and death, who will tell you, "just do it" there is nothing after this, you will only extinguish the light that surrounds you and become part of nothingness itself, so when you hear these words remember this brief review of suicide: When you leave this body after committing one of the worst acts of cowardice that a human being can carry out, you turn off the light, the sound and the sense of reality, you become nothing waiting for the programmers of this game to pick you up from the darkness, subtly erase your memories and enable your return and I emphasize the word subtle because sometimes the intelligence behind this maneuver or automated mechanism is wrong and send human beings wrongly reset to such an extent, that when they fall to earth and are born again, they begin to experience memories of previous lives, in many cases they perceive themselves of the opposite sex, and science attributes this unexplainable phenomenon to genetic and hormonal factors, but you and I know better! And we quickly identified this trigger as a glitch in the Matrix. Then we said! That a higher intelligence or more advanced civilization throws you back into this game for the purpose of experimenting, growing and developing as an advanced consciousness and due to your toxic and destructive behavior you come back again but in another body and another life, but you are still you, then you will carry with you that mark of suicide and cowardice, until you learn not to leave this experience without having learned the lesson of life, without having experienced and surprised by death naturally or by design of destiny. About this first experience you will find very little material associated with this event on the internet, it seems that the public is more reserved, because they perceive themselves and call themselves "awakened" And that is because the system has total control over the algorithm of fame and fortune even over life and death. Now, according to religion and childish fears, which are part of the system's business to keep you asleep, eyes glued to the cellular device all day, it says the following: If you commit this act of sin, you turn off light, sound and sense of reality, and from that moment you begin to experience pain, fear and suffering on alarming scales, and that means they will come for you, a couple of demons and take you to the center of the earth where the weeping and gnashing of teeth is forever, and in that hell tormented by demons you will spend eternity. About this last experience we will find hundreds of millions of people who claim to have escaped from there! And let me tell you that all were captivated by the same deity, one of dubious origin, that feeds on prayers and energetic events, because it is not of our nature, because it knows very well that we are beings of energy, then this deity or empire of darkness receives from the system its food and the system receives from them power, to rule, to administer, to control, to control, to kill, to exclude, to inhibit, to classify, to imprison, to silence, to infect, to contaminate, to depersonalize. So now that you know the two sides of the same coin, which one will your intelligence lean towards! You decide... Heads or tails? From the book Avatars, the system's masterpiece.
Marcos Orowitz (THE LORD OF TALES: The masterpiece of deceit)
It has suddenly occurred to me to write out word for word all that has happened to me during this last year, simply from an inward impulse, because I am so impressed by all that has happened. I shall simply record the incidents, doing my utmost to exclude everything extraneous, especially all literary graces. The professional writer writes for thirty years, and is quite unable to say at the end why he has been writing for all that time. I am not a professional writer and don't want to be, and to drag forth into the literary market-place the inmost secrets of my soul and an artistic description of my feelings I should regard as indecent and contemptible.
Fyodor Dostoevsky
my issue with what they consider beautiful is their concept of beauty centers around excluding people i find hair beautiful when a woman wears it like a garden on her skin that is the definition of beauty big hooked noses pointing upward to the sky like they’re rising to the occasion skin the color of earth my ancestors planted crops on to feed a lineage of women with thighs thick as tree trunks eyes like almonds deeply hooded with conviction the rivers of punjab flow through my bloodstream so don’t tell me my women aren’t as beautiful as the ones in your country
Rupi Kaur (Milk and Honey)
From the recent Balkan Wars, journalist Slavenka Drakulic observed that “someone is always a Jew. Once the concept of ‘otherness’ takes root, the unimaginable becomes possible.”8 She continues, “Once excluded, [people] become aliens. Not-me. Not-us. You still feel responsible but in a different way, as towards beggars. . . . The feeling of human solidarity turns into an issue of my personal ethics. . . . You are no longer obliged to do something for their sake.”9 This is true of anyone we place in special categories—refugees, veterans, victims, and survivors, as well as enemies—even though they may be our neighbors. In the British movie Pretty Dirty Things, one migrant shouts at another, “I’m a certified refugee. You’re an illegal. You have nothing. You are nothing.
Edward Tick (War and the Soul: Healing Our Nation's Veterans from Post-tramatic Stress Disorder)
Christ’s fourth indirect claim was to judge the world. This is perhaps the most fantastic of all his statements. Several of his parables imply that he will come back at the end of the world, and that the final day of reckoning will be postponed until his return. He will himself arouse the dead, and all the nations will be gathered before him. He will sit on the throne of his glory, and the judgment will be committed to him by the Father. He will then separate men from one another as a shepherd separates his sheep from his goats. Some will be invited to come and inherit the kingdom prepared for them from the foundation of the world. Others will hear the dreadful words, 'Depart from me, you cursed, into the eternal fire prepared for the devil and his angels.' Not only will Jesus be the judge, but the criterion of judgment will be men’s attitude to him as shown in their treatment of his 'brethren' or their response to his word. Those who have acknowledged him before men he will acknowledge before his Father: those who have denied him, he will deny. Indeed, for a man to be excluded from heaven on the last day, it will be enough for Jesus to say, "I never knew you.
John R.W. Stott (Basic Christianity (IVP Classics))
In my own life, I must confess that I had never felt “manly” until I got married. I was a nerd before it was fashionable, playing trumpet in the marching band and staying in the Boy Scouts through high school. Good things, no doubt, but not cool or macho. I was often mocked and excluded, especially during high school, for my uncoolness. But Kathy looked at me like her knight in shining armor. She has always told me, and continues to tell me, that though all the world may look at me and see Clark Kent, she knows that underneath I have on blue underwear. She has always been very quick to point out and celebrate anything I have done that is courageous. Over the years, bit by bit, it has sunk in. To my wife, I’m Superman, and it makes me feel like a man in a way nothing else could.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
You are wrong if you think you cannot live without love, Edith.' 'No, I am not,' she said, slowly. 'I cannot live without it. Oh, I do not mean that I go into a decline, develop odd symptoms, become a caricature. I mean something far more serious than that. I mean that I cannot live well without it. I cannot think or act or speak or write or even dream with any kind of energy in the absence of love. I feel excluded from the living world. I become cold, fish-like, immobile. I implode. My idea of absolute happiness is to sit in a hot garden all day, reading or writing, utterly safe in the knowledge that the person I love will come home to me in the evening. Every evening.' 'You are a romantic, Edith,' repeated Mr Neville, with a smile. 'It is you who are wrong,' she replied. 'I have been listening to that particular accusation for most of my life. I am not a romantic. I am a domestic animal. I do not sigh and yearn for extravagant displays of passion, for the grand affair, the world well lost for love. I know all that, and know that it leaves you lonely. No, what I crave is the simplicity of routine. An evening walk, arm in arm, in fine weather. A game of cards. Time for idle talk. Preparing a meal together.
Anita Brookner (Hotel du Lac)
The topic of disinterested, non-calculating, and purposeless love for the sake of love is central to mysticism as such. To love God, not because of powerful institutions, or even because God commands it, but to do so in an act of unencumbered freedom, is the very source of mystical relation. To love God is all the reason there needs to be . . . The orthodoxies that have been handed down to us in the monotheistic religions called for obedience to the commanding God. They threatened with punishment and enticed with rewards - images of hell and heaven resting on that authority. In technologically advanced centers of the world, authoritarian religious systems are in sharp decline. Mystical perceptions and approaches to God, however, are entirely different: "God, if I worship Thee in fear of hell, burn me in hell. And if I worship Thee in hope of Paradise, exclude me from Paradise; but if I worship Thee for Thine own sake, withhold not Thine everlasting Beauty" (Aldous Huxley, in The Perennial Philosophy). Mysticism may he regarded as the anti-authoritarian religion per se. In it, the commanding lord becomes the beloved; what is to come later becomes the now; and naked or even enlightened self-interest that is oriented by reward and punishment becomes mystical freedom.
Dorothee Sölle (The Silent Cry: Mysticism and Resistance)
he pulled me up into the world of advanced literature, where you wrote essays about a line of Dante, where nothing could be made complex enough, where art dealt with the supreme, not in a high-flown sense because it was the modernist canon with which we were engaged, but in the sense of the ungraspable, which was best illustrated by Blanchot’s description of Orpheus’s gaze, the night of the night, the negation of the negation, which of course was in some way above the trivial and in many ways wretched lives we lived, but what I learned was that also our ludicrously inconsequential lives, in which we could not attain anything of what we wanted, nothing, in which everything was beyond our abilities and power, had a part in this world, and thus also in the supreme, for books existed, you only had to read them, no one but myself could exclude me from them. You just had to reach up.
Karl Ove Knausgård (My Struggle: Book 1)
Society is neither my master nor my servant, neither my father nor my sister; and so long as she does not bar my way to the kingdom of heaven, which is the only society worth getting into, I feel no right to complain of how she treats me. I have no claim on her; I do not acknowledge her laws--hardly her existence, and she has no authority over me. Why should she, how could she, constituted as she is, receive such as me? The moment she did so, she would cease to be what she is; and, if all be true that one hears of her, she does me a kindness in excluding me. What can it matter to me, Letty, whether they call me a lady or not, so long as Jesus says “Daughter” to me?
George MacDonald (Mary Marston)
Remarkably, Psalm 50:15 was originally written to those who had mocked God. They had presented their sacrifices without a true heart. Yet the Lord said to each of them, “Call upon me in the day of trouble: I will deliver thee.” I gather from this that God excludes none from the promise. You atheist, you blasphemer, you immoral and impure one, if you call upon the Lord now, in the day of your trouble, He will deliver you! Come and try Him. Do you say, “If there is a God”? I declare that there is a God. Come, put Him to the test and see. He says, “Call upon me in the day of trouble: I will deliver thee.” Will you not test Him now and find Him true? Come here, you enslaved ones, and see if He does not free you! Come to Christ, all of you who labor and are burdened down, and He will give you rest (Matt. 11:28)! In both temporal and spiritual things, but especially in spiritual things, call upon Him in the day of trouble, and He will deliver you.
Charles Haddon Spurgeon (Spurgeon on Prayer & Spiritual Warfare)
i think any poem worth its salt, if poems can indeed be salty, should allow the reader to think. this poem is of course a chronological poem tracing the development of humans through the movement of black women. i have no feelings that the poem is exclusive of any one but i wanted to write a sassy hands-on-the-hips poem from the understanding that i am a woman and indeed was once a girl. i think it works because the more you know about anthropology and history the more you can follow what i am saying; on the other hand you can be a little child with no previous experiences and catch the joy of the poem. it goes from the first human bones discovered all the way to the space age. what has been included is as important to me as what has been excluded. what i strove to do was show progress, movement, humor and a bit of pride. this is the most i’ve ever commented on any poem of mine since i tend to agree with t.s. eliot when he said a poet was the last person to know what the poem was/is about.
Nikki Giovanni
For all its outwardly easy Latin charm, Buenos Aires was making me feel sick and upset, so I did take that trip to the great plains where the gaucho epics had been written, and I did manage to eat a couple of the famous asados: the Argentine barbecue fiesta (once summarized by Martin Amis's John Self as 'a sort of triple mixed grill swaddled in steaks') with its slavish propitiation of the sizzling gods of cholesterol. Yet even this was spoiled for me: my hosts did their own slaughtering and the smell of drying blood from the abattoir became too much for some reason (I actually went 'off' steak for a good few years after this trip). Then from the intrepid Robert Cox of the Buenos Aires Herald I learned another jaunty fascist colloquialism: before the South Atlantic dumping method was adopted, the secret cremation of maimed and tortured bodies at the Navy School had been called an asado. In my youth I was quite often accused, and perhaps not unfairly, of being too politicized and of trying to import politics into all discussions. I would reply that it wasn’t my fault if politics kept on invading the private sphere and, in the case of Argentina at any rate, I think I was right. The miasma of the dictatorship pervaded absolutely everything, not excluding the aperitifs and the main course.
Christopher Hitchens (Hitch 22: A Memoir)
Hendry sighed and changed the subject. “I had a dream today—” “Typically, one has them at night—” “—while napping in the graveyard.” Despite his charm and freckled nose, Hendry was still a Lowe. He had a little villain in him. The Lowe family graveyard was his favorite place, full of vague, unnerving epitaphs for those who’d died young—even excluding the tournament, their family had a surprisingly large amount of tragedy in its history. “In the dream, you really were a monster.” Alistair snorted and mashed the games buttons. “What did I look like?” “Oh, you looked the same.” “Then what made me a monster?” “You were collecting the spellrings of dead children and hiding them in your wardrobe, cackling about souls being trapped inside them.” “Don’t be ridiculous,” Alistair said. “I’d do something like that now.
Amanda Foody, christine lynn Herman (All of Us Villains (All of Us Villains, #1))
The imaginable had always been problematic. When I was a child the feel of things went into me: deep, narrow, intense. The grittiness of the street, the chalk-white air of the drugstore, the grain of the wooden floor in the storefront library, the blocks of cheese in the grocery-store refrigerator. I took it all so seriously, so literally. I was without imagination. I paid a kind of idiot attention to the look and feel of things, leveling an intent inner stare at the prototypic face of the world. These streets were all streets, these buildings all buildings, these women and men all women and men. I could imagine no other than that which stood before me. That child’s literalness of the emotions continued to exert influence, as though a shock had been administered to the nervous system and the flow of imagination had stopped. I could feel strongly, but I could not imagine. The granite gray of the street, the American-cheese yellow of the grocery store, the melancholy brownish tint of the buildings were all still in place, only now it was the woman on the couch, the girl hanging out the window, the confinement that sealed us off, on which I looked with that same inner intentness that had always crowded out possibility as well as uncertainty. It would be years before I learned that extraordinary focus, that excluding insistence, is also called depression.
Vivian Gornick (Fierce Attachments)
in such moments I have formulated my creed, wherein all is clear and holy to me. This creed is extremely simple; here it is: I believe that there is nothing lovelier, deeper, more sympathetic, more rational, more manly, and more perfect than the Saviour; I say to myself with jealous love that not only is there no one else like Him, but that there could be no one. I would even say more: If anyone could prove to me that Christ is outside the truth, and if the truth really did exclude Christ, I should prefer to stay with Christ and not with truth. I would rather not say anything more about it. And yet I don't know why certain topics may never be touched on in society, and why, if anyone does introduce them, it makes the others uncomfortable. Still, enough of it. I heard that you were desirous of travelling somewhere in the South. God grant that you may succeed in obtaining permission to do so. But will you please tell me when we shall be quite free, or at any rate as free as other people ? Perhaps only when we no longer need freedom ? For my part, I want all or nothing. In my soldier's uniform I am the same prisoner as before. I rejoice greatly that I find there is patience in my soul for quite a long time yet, that I desire no earthly possessions, and need nothing but books, the possibility of writing, and of being daily for a few hours alone. The last troubles me most. For almost five years I have been constantly under surveillance, or with several other people, and not one hour alone with myself. To be alone is a natural need, like eating and drinking ; for in that kind of concentrated communism one becomes a whole-hearted enemy of mankind. The constant companionship of others works like poison or plague; and from that unendurable martyrdom I most suffered in the last four years. There were moments in which I hated every man, whether good or evil, and regarded him as a thief who, unpunished, was robbing me of life. The most unbearable part is when one grows unjust, malignant, and evil, is aware of it, even reproves one's-self, and yet has not the power to control one's-self. I have experienced that. I am convinced that God will keep you from it. I believe that you, as a woman, have more power to forgive and to endure. Do
Fyodor Dostoevsky (Letters of Fyodor Michailovitch Dostoyevsky to his family and friends)
In the course of an extended investigation into the nature of inflammation, and the healthy and morbid conditions of the blood in relation to it, I arrived several years ago at the conclusion that the essential cause of suppuration in wounds is decomposition brought about by the influence of the atmosphere upon blood or serum retained within them, and, in the case of contused wounds, upon portions of tissue destroyed by the violence of the injury. To prevent the occurrence of suppuration with all its attendant risks was an object manifestly desirable, but till lately apparently unattainable, since it seemed hopeless to attempt to exclude the oxygen which was universally regarded as the agent by which putrefaction was effected. But when it had been shown by the researches of Pasteur that the septic properties of the atmosphere depended not on the oxygen, or any gaseous constituent, but on minute organisms suspended in it, which owed their energy to their vitality, it occurred to me that decomposition in the injured part might be avoided without excluding the air, by applying as a dressing some material capable of destroying the life of the floating particles.
Joseph Lister (On the Antiseptic Principle of the Practice of Surgery)
…Hey, Yoo Joonghyuk." He stopped his actions when I spoke up. "You probably know this already, but I'm not a prophet. No, I am as far removed from such a being as you can get." Ever since we got into a tussle back on the Dongho Bridge, I had never introduced myself properly once. To Yoo Joonghyuk, I was the prophet, a man with a mysterious background. "I'm not the 'Demon King of Salvation'." [Story, 'Demon King of Salvation', has stopped its storytelling.] "I'm also not the 'King of a Kingless World'." [Story, 'King of a Kingless World', has stopped its storytelling.] One by one, my Stories stopped their stories. Excluding my own, everything else became dead still. "My name is Kim Dokja." The wings on my back disappeared, and the ballooned-up muscles shrunk back, too. "Twenty-eight… No, wait. I was twenty-eight, and I was an employee of a game company. My hobby was reading web novels…" As if I was talking to someone I met for the first time, I continued to tell my own story. "It's pathetic, right? Well, this is who I am… Yoo Joonghyuk, who are you?" To me, Yoo Joonghyuk was someone I 'knew' since from a long time ago. To be more specific, he was someone I read about all by myself. That was why I had never heard about his story in his own words. He finally opened his mouth. "I am Yoo Joonghyuk." His blade slowly moved and cut me down. "Yoo Joonghyuk, a former Regressor.
Singshong
Be calm! I entreat you to hear me, before you give vent to your hatred on my devoted head. Have I not suffered enough that you seek to increase my misery? Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it. Remember, thou hast made me more powerful than thyself; my height is superior to thine; my joints more supple. But I will not be tempted to set myself in opposition to thee. I am thy creature, and I will be even mild and docile to my natural lord and king, if thou wilt also perform thy part, the which thou owest me. Oh, Frankenstein, be not equitable to every other, and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. Remember, that I am thy creature; I ought to be thy Adam; but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous." "Begone! I will not hear you. There can be no community between you and me; we are enemies. Begone, or let us try our strength in a fight, in which one must fall." "How can I move thee? Will no entreaties cause thee to turn a favourable eye upon thy creature, who implores thy goodness and compassion? Believe me, Frankenstein: I was benevolent; my soul glowed with love and humanity: but am I not alone, miserably alone? You, my creator, abhor me; what hope can I gather from your fellow-creatures, who owe me nothing? they spurn and hate me. The desert mountains and dreary glaciers are my refuge. I have wandered here many days; the caves of ice, which I only do not fear, are a dwelling to me, and the only one which man does not grudge. These bleak skies I hail, for they are kinder to me than your fellow-beings. If the multitude of mankind knew of my existence, they would do as you do, and arm themselves for my destruction. Shall I not then hate them who abhor me? I will keep no terms with my enemies. I am miserable, and they shall share my wretchedness. Yet it is in your power to recompense me, and deliver them from an evil which it only remains for you to make so great that not only you and your family, but thousands of others, shall be swallowed up in the whirlwinds of its rage. Let your compassion be moved, and do not disdain me. Listen to my tale: when you have heard that, abandon or commiserate me, as you shall judge that I deserve. But hear me. The guilty are allowed, by human laws, bloody as they are, to speak in their own defence before they are condemned. Listen to me, Frankenstein. You accuse me of murder; and yet you would, with a satisfied conscience, destroy your own creature. Oh, praise the eternal justice of man! Yet I ask you not to spare me: listen to me; and then, if you can, and if you will, destroy the work of your hands.
Mary Wollstonecraft Shelley (Frankenstein)
Your short understanding, your clipped mind, your hollow heart, will make more of mankind than it has the power to become. Make of a man what you will, yet he cannot be more than this I say to you, with the leave of all pure women: a human is conceived in sin, nourished with impure, unspeakable feculence in the maternal body, born naked and smeared like a beehive; a mass of refuse, a churn of filth, a dish for worms, a stinkhouse, a repulsive washtub, a rancid carcass, a mildewed crate, a bottomless sack, a perforated pocket, a bellows, a rapacious maw, a reeking flagon of urine, a malodorous pail, a deceptive marionette-show, a loamy robber’s den, an insatiably slaking trough, a painted delusion. Let recognise who will: every human created to completion has nine holes in his body; out of all these there flows such repellent filth that nothing could be more impure. You would never see human beauty, if you had the eyes of a lynx, and your gaze could penetrate to the innards; you would shudder at the sight. Strip the dressmaker’s colouring from the loveliest of ladies, and you will see a shameful puppet, a hastily withering flower, a sparkle of little durance and a soon decomposing clod of earth! Show me a handful of beauty of all the belles who lived a hundred years ago, excluding those painted on the wall, and you shall have the Kaiser’s crown! Let love flow away, let grief flow away! Let the Rhine run its course like other waters, you wise lad from Assville!
Johannes von Saaz (Death and the Ploughman)
Because,' he said, 'I sometimes have a queer feeling with regard to you, especially when you are near me, as now; it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situation in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land, come broad between us, I am afraid that cord of communion will be snapped; and the nI've a nervous notion I should take to bleeding inwardly. As for you, you'd forget me.' 'That I never would, sir; you know -,' impossible to proceed. [...] The vehemence of emotion, stirred by grief and love within me, was claiming mastery, and struggling for full sway and asserting a right to predominate - to overcome, to live, rise, and reign at last; yes, and to speak. 'I grieve to leave Thornfield; I love Thornfield; I love it, because I have lived in it a full and delightful life, momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright, and energetic, and high. I have talked, face to face, with what I reverence; with what I delight in, with an origin, a vigorous, and expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you forever. I see the necessity of departure; and it is like looking on the necessity of death.' 'Where do you see the necessity?' he asked, suddenly. 'Where? You, sir, have placed it before me.' 'In what shape?' 'In the shape of Miss Ingram; a noble and beautiful woman, your bride.' 'My bride! What bride? I have no bride!' 'But you will have.' 'Yes; I will! I will!' He set his teeth. 'Then I must go; you have said it yourself.' 'No; you must stay! I swear it, and the oath shall be kept.' 'I tell you I must go!' I retorted, roused to something like passion. 'Do you think I can stay to become nothing to you? Do you think I am an automation? a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! I have as much soul as you, and full as much heart! And if God had gifted me with some beauty, and much wealth, I should have made it hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh; it is my spirit that addresses your spirits; just as if both had passed through the grace, and we stood at God's feel, equal - as we are!' 'As we are!' repeated Mr. Rochester - 'so,' he added, including me in his arms, gathering me to his breast, pressing his lips on my lips; 'so, Jane!' 'Yes, so, sir,' I rejoined; 'and yet not so; for you are a married man, or as good as a married man, and we'd to one inferior to you - to one with whom you have no sympathy - whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union; therefore I am better than you - let me go!' 'Where, Jane? to Ireland?' 'Yes - to Ireland. I have spoke my mind, and can go anywhere now.' 'Jane, be still; don't struggle so, like a wild, frantic bird that is tending its own plumage in its desperation.' 'I am no bird; and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.' Another effort set me at liberty, and I stood erect before him. 'And your will shall decide your destiny,' he said; 'I offer you my hand, my heart, and a share of all my possessions.' 'You play a farce, which I merely taught at.' 'I ask you to pass through life at my side - to be my second self, and best earthly companion.' [...] 'Do you doubt me, Jane?' 'Entirely.' 'You have no faith in me?' 'Not a whit.
Charlotte Brontë (Jane Eyre)
Creating “Correct” Children in the Classroom One of the most popular discipline programs in American schools is called Assertive Discipline. It teaches teachers to inflict the old “obey or suffer” method of control on students. Here you disguise the threat of punishment by calling it a choice the child is making. As in, “You have a choice, you can either finish your homework or miss the outing this weekend.” Then when the child chooses to try to protect his dignity against this form of terrorism, by refusing to do his homework, you tell him he has chosen his logical, natural consequence of being excluded from the outing. Putting it this way helps the parent or teacher mitigate against the bad feelings and guilt that would otherwise arise to tell the adult that they are operating outside the principles of compassionate relating. This insidious method is even worse than outand-out punishing, where you can at least rebel against your punisher. The use of this mind game teaches the child the false, crazy-making belief that they wanted something bad or painful to happen to them. These programs also have the stated intention of getting the child to be angry with himself for making a poor choice. In this smoke and mirrors game, the children are “causing” everything to happen and the teachers are the puppets of the children’s choices. The only ones who are not taking responsibility for their actions are the adults. Another popular coercive strategy is to use “peer pressure” to create compliance. For instance, a teacher tells her class that if anyone misbehaves then they all won’t get their pizza party. What a great way to turn children against each other. All this is done to help (translation: compel) children to behave themselves. But of course they are not behaving themselves: they are being “behaved” by the adults. Well-meaning teachers and parents try to teach children to be motivated (translation: do boring or aversive stuff without questioning why), responsible (translation: thoughtless conformity to the house rules) people. When surveys are conducted in which fourth-graders are asked what being good means, over 90% answer “being quiet.” And when teachers are asked what happens in a successful classroom, the answer is, “the teacher is able to keep the students on task” (translation: in line, doing what they are told). Consulting firms measuring teacher competence consider this a major criterion of teacher effectiveness. In other words if the students are quietly doing what they were told the teacher is evaluated as good. However my understanding of ‘real learning’ with twenty to forty children is that it is quite naturally a bit noisy and messy. Otherwise children are just playing a nice game of school, based on indoctrination and little integrated retained education. Both punishments and rewards foster a preoccupation with a narrow egocentric self-interest that undermines good values. All little Johnny is thinking about is “How much will you give me if I do X? How can I avoid getting punished if I do Y? What do they want me to do and what happens to me if I don’t do it?” Instead we could teach him to ask, “What kind of person do I want to be and what kind of community do I want to help make?” And Mom is thinking “You didn’t do what I wanted, so now I’m going to make something unpleasant happen to you, for your own good to help you fit into our (dominance/submission based) society.” This contributes to a culture of coercion and prevents a community of compassion. And as we are learning on the global level with our war on terrorism, as you use your energy and resources to punish people you run out of energy and resources to protect people. And even if children look well-behaved, they are not behaving themselves They are being behaved by controlling parents and teachers.
Kelly Bryson (Don't Be Nice, Be Real: Balancing Passion for Self with Compassion for Others)
From other shelters, there were stories of singing “Deutschland über Alles” or of people arguing amid the staleness of their own breath. No such things happened in the Fiedler shelter. In that place, there was only fear and apprehension, and the dead song at Rosa Hubermann’s cardboard lips. Not long before the sirens signaled the end, Alex Steiner—the man with the immovable, wooden face—coaxed the kids from his wife’s legs. He was able to reach out and grapple for his son’s free hand. Kurt, still stoic and full of stare, took it up and tightened his grip gently on the hand of his sister. Soon, everyone in the cellar was holding the hand of another, and the group of Germans stood in a lumpy circle. The cold hands melted into the warm ones, and in some cases, the feeling of another human pulse was transported. It came through the layers of pale, stiffened skin. Some of them closed their eyes, waiting for their final demise, or hoping for a sign that the raid was finally over. Did they deserve any better, these people? How many had actively persecuted others, high on the scent of Hitler’s gaze, repeating his sentences, his paragraphs, his opus? Was Rosa Hubermann responsible? The hider of a Jew? Or Hans? Did they all deserve to die? The children? The answer to each of these questions interests me very much, though I cannot allow them to seduce me. I only know that all of those people would have sensed me that night, excluding the youngest of the children. I was the suggestion. I was the advice, my imagined feet walking into the kitchen and down the corridor. As is often the case with humans, when I read about them in the book thief’s words, I pitied them, though not as much as I felt for the ones I scooped up from various camps in that time. The Germans in basements were pitiable, surely, but at least they had a chance. That basement was not a washroom. They were not sent there for a shower. For those people, life was still achievable.
Markus Zusak (The Book Thief)
So you don’t trust me: the guy who taught you everything you know. I’m guessing if you have her”—he jerked his thumb at Rae—“that’s no accident. Luke’s buddies sent her to trap you, and she thought she was doing the right thing, because, duh, she’s already proven she’s kinda gullible that way.” “Hey!” Rae said. “You are. Own it. Fix it. Now, you guys have her, which means you escaped whoever sent her after you. You didn’t escape without a fight, given that bruise I see rising on Daniel’s jaw and the scrapes on Derek’s knuckles. But you escaped, and you came back here, and you captured me. Who taught you all that?” “Daniel and I had already started learning,” Maya said, “during those weeks you were chasing us.” “Trial by fire,” he said. “Followed by hardcore, hands-on tactical training. You got away scot-free from these guys because of my lessons. And yet now you don’t trust I’m on your side?” “Nope,” Derek said. “Sorry,” Daniel said. Maya crossed her arms and shook her head. I shrugged. Moreno broke into a grin. “You guys do me proud. I’d give you all a hug, if that wasn’t a little creepy. And if I was the hugging sort. But if you survive the rest of this, I’ll take you all out for beer and ice cream.” “You don’t need to be sarcastic,” Rae muttered. “Oh, but I’m not, and they know it. This is exactly what I trained them for. Trust no one except one another. Excluding you, kid, because I don’t know you, and you have a bad habit of screwing up. But these guys are doing the right thing. Next step?” Turn the tables,” I said. “Capture someone who’s behind this and get them to talk.” “Mmm, yes. That would work. But even better?” “Stop them,” Derek said. “Don’t just take down one. Take them all down.” “Without running to the Nasts for help,” Daniel said. “Because in another year, some of us will be off to college, and we need to be able to look after ourselves.” “Starting with proving we can look after ourselves,” Maya said. Moreno beamed. “You guys are ace. See, this is what I told Sean. The best time to train operatives is when they’re still young and malleable. None of that shit about waiting until they’re eighteen and legally old enough to consent.” Maya shook her head. “I suppose you’d also suggest he have the Cabal terrorize them for weeks first, so they’re properly motivated.” “Exactly. Personal rights and freedoms are vastly overrated. And there’s nothing wrong with a little PTSD. I’ve always found mine useful. Keeps me on my toes.” Rae stared at him. “I’m kidding,” he said to her. “Mostly. Don’t you joke around like this with your instructors? Oh, wait. You don’t have any. Which is why you got tricked—again. And got captured by these guys.” “Can we tie him up now?” Rae said. “And gag him?” “Doesn’t do any good,” Derek said. “We could try.
Kelley Armstrong (Atoning (Darkness Rising #3.1))