“
Mrs. Ewing was a short woman who accepted the obligation borne by so many short women to make up in vivacity what they lack in number of inches from the ground.
”
”
Dorothy Parker (Men, Women and Dogs)
“
Hope is a precious thing, isn’t it,” she says. “And yet, we don’t really appreciate it until it’s gone.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
This is how The Jewel operates. Status is our sole occupation. Gossip is our currency.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
It would be easier to forget you," he says to me, "and these past few weeks we've had together. It would be easier if I could hate you. But the sad truth is, I will more than likely love you for the rest of my life.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
When you feel neglected, think of the female salmon, who lays 3,000,000 eggs but no one remembers her on Mother's Day
”
”
Sam Ewing
“
Strip back the beliefs pasted on by governesses, schools, and states, you find indelible truths at one's core. Rome'll decline and fall again, Cortés'll lay Tenochtitlán to waste again, and later, Ewing will sail again, Adrian'll be blown to pieces again, you and I'll sleep under the Corsican stars again, I'll come to Bruges again, fall in and out of love with Eva again, you'll read this letter again, the sun'll grow cold again. Nietzsche's gramophone record. When it ends, the Old One plays it again, for an eternity of eternities.
”
”
David Mitchell (Cloud Atlas)
“
God put the moon in the sky to remind us that our darkest moments lead to our brightest.
”
”
Lynne Ewing
“
Daimonds are a girls best friend- they're sharper than knives
”
”
Lynne Ewing
“
Ser Cleos looked like a weasel, fought like a goose, and had the courage of an especially brave ewe.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
It's hard to remember who you were when you're constantly pretending to be someone you're not.
”
”
Amy Ewing
“
Life is like riding a bicycle. You get nowhere standing up, so get up on that seat and go!
”
”
Lynne Ewing (Moon Demon (Daughters of the Moon, #7))
“
When you finally go back to your old hometown, you find it wasn't the old home you missed but your childhood.
”
”
Sam Ewing
“
I love sunrises, even more than sunsets. There's something so exciting about the worlds coming to life in a thousand colors.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
Maybe hallucinations are just another reality that we don't see most of the time
”
”
Lynne Ewing
“
If you admit you need people, you can lose them.' Her gaze sharpens, returning to the present. 'But needing people can save your life.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
You know that there are no black people in Africa,” she said. Most Americans, weaned on the myth of drawable lines between human beings, have to sit with that statement. It sounds nonsensical to our ears. Of course there are black people in Africa. There is a whole continent of black people in Africa. How could anyone not see that? “Africans are not black,” she said. “They are Igbo and Yoruba, Ewe, Akan, Ndebele. They are not black. They are just themselves. They are humans on the land. That is how they see themselves, and that is who they are.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
Surrogates are not just silly girls, to be bought and sold and treated like pets or furniture. We are a force to be reckoned with.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
It is odd, the twists that life will sometimes take. The ewe that you think will give birth with ease dies bringing forth a two-headed lamb. Or the ski trail that you have been told is treacherous, you navigate easily.
”
”
Edith Pattou (East (East, #1))
“
Oh, well. Everyone else has suave, cosmopolitan sheep: why not us? The Millers at Hepple have a ewe that’s been to Kelso three times, and they’ve never been farther than Ford in their lives.” Kate peered absently into the farm pond, and clucked again. “Thoughtless creatures. They’ve forgotten the fish.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
The people you love make you strong, Violet. They make you brave and fearless. I wish there were some way I could make you see that.
”
”
Amy Ewing (The Black Key (The Lone City, #3))
“
there won't be any pain, he promised. Only an eternity together. Come back to me. (Stanton, book #5)
”
”
Lynne Ewing
“
What is life without a bit of excitement.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
Ye elves of hills, brooks, standing lakes and groves,
And ye that on the sands with printless foot
Do chase the ebbing Neptune and do fly him
When he comes back; you demi-puppets that
By moonshine do the green sour ringlets make,
Whereof the ewe not bites, and you whose pastime
Is to make midnight mushrooms, that rejoice
To hear the solemn curfew; by whose aid,
Weak masters though ye be, I have bedimm’d
The noontide sun, call’d forth the mutinous winds,
And ‘twixt the green sea and the azured vault
Set roaring war: to the dread rattling thunder
Have I given fire and rifted Jove’s stout oak
With his own bolt; the strong-based promontory
Have I made shake and by the spurs pluck’d up
The pine and cedar: graves at my command
Have waked their sleepers, oped, and let ‘em forth
By my so potent art. But this rough magic
I here abjure, and, when I have required
Some heavenly music, which even now I do,
To work mine end upon their senses that
This airy charm is for, I’ll break my staff,
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
I’ll drown my book.
”
”
William Shakespeare (The Tempest)
“
The ram winked. “You like my new wool coat? Because I like ewe. Get it? Ewe?
”
”
Rick Riordan (Percy Jackson's Greek Gods)
“
I am ewe to your ram. How can I call myself a man anymore?"
"The penis is a dead giveaway.
”
”
Jill Knowles (Concubine)
“
These people are the air I breathe and the blood I bleed. They are my courage. I will not let them down. I
”
”
Amy Ewing (The Black Key (The Lone City, #3))
“
Our life is composed of events and states of mind. How ewe appraise our life from our deathbed will be predicated not only on what came to us in life but how we lived with it. It will not be simply illness or health, riches or poverty, good luck or bad, which ultimately define whether we believe we have had a good life or not, but the quality of our relationship to these situations: the attitudes of our states of mind. (34)
”
”
Stephen Levine (A Year to Live: How to Live This Year as If It Were Your Last)
“
Stanton emerged from the shadows.
"So your brother thinks you need a boyfriend?"he teased.
"Stop.
”
”
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
“
Oh, I do like you. You have such an interesting balance of obedience and contempt.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
Where are we going?” she asked.
“Mr. Durbin’s sheep have begun to lamb, and I wanted to see how the ewes are doing.” He cleared his throat. “I suppose I should have told you about today’s outing earlier.”
Anna kept her eyes straight ahead and made a noncommittal sound.
He coughed. “I might’ve, had you not left so precipitously yesterday afternoon.”
She arched a brow but did not reply.
There was a lengthy lull broken only by the dog’s eager yelp as he flushed a rabbit from the hedge along the lane.
Then the earl tried again. “I’ve heard some people say my temper is rather . . .” He paused, apparently searching for a word.
Anna helped him. “Savage?”
He squinted at her.
“Ferocious?”
He frowned and opened his mouth.
She was quicker. “Barbaric?”
He cut her off before she could add to her list. “Yes, well, let us simply say that it intimidates some people.” He hesitated. “I wouldn’t want to intimidate you, Mrs. Wren.”
“You don’t.
”
”
Elizabeth Hoyt (The Raven Prince (Princes Trilogy, #1))
“
We all have things we are ashamed of.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
Nothing is as frustrating as arguing with someone who knows what he’s talking about.
”
”
Sam Ewing
“
It is frighteningly bizarre to hear myself described this way; a set of statistics, a musical instrument, and nothing more.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
I think you can do anything you put your mind to
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
Hard work spotlights the CHARACTER of people; some turn up their sleeves, some turn up their noses, and some don't turn up at all.
”
”
Sam Ewing
“
I want to feel as though I am loved, no matter what decisions or mistakes I've made. Because I love him for all of his.
”
”
Amy Ewing (The Black Key (The Lone City, #3))
“
Inflation is when you pay fifteen dollars for the ten-dollar haircut you used to get for five dollars when you had hair.
”
”
Sam Ewing
“
She had a way about her that spoke of homemade bread, and caring for people, and the kind of patience that women have when they help a ewe birth a lamb, or stay up in the night with a baby calf bawling for its momma.
”
”
James Aura (When Saigon Surrendered: A Kentucky Mystery)
“
It's brutal out there. A bear will eat a lactating ewe alive, starting with her udders. as a rule, animals in the wild don't get good deaths surrounded by their loved ones.
”
”
Michael Pollan
“
Africans are not black,” she said. “They are Igbo and Yoruba, Ewe, Akan, Ndebele. They are not black. They are just themselves.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
An old black ram is tupping your white ewe
”
”
William Shakespeare
“
Ne xeletîye tu qesta xodê bikey di tengavî o wan demên zehmet yên bi ser te da dihên, belê xeletî ewe tu wî ji bîr bikey demê tu rizgar di bî o di xûşîya da.
”
”
Jiwar Chelky
“
I am a person. I am Raven Stirling. They are monsters.
”
”
Amy Ewing (The House of the Stone (The Lone City, #1.5))
“
Computers will never take the place of books. You can't stand on a floppy disk to reach a high shelf.
”
”
Sam Ewing
“
The next time that we meet we meet as enemies!
”
”
Lynne Ewing (Possession (Daughters of the Moon, #8))
“
Hope is a precious thing, isn't it," she said. "And yet, we don't really appreciate it until it's gone.
”
”
Amy Ewing
“
Violet’s eyes meet mine. I give her a look that tries to say, “What is wrong with these people?
”
”
Amy Ewing (The House of the Stone (The Lone City, #1.5))
“
I look at my reflection and can almost believe I'm capable of something incredible.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
Once you give up your integrity, the rest is a piece of cake.
”
”
J.R. Ewing
“
Something had to be done. No one deserves this life. No one deserves to have their choices taken away.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
This is about a race of people enslaved and made extinct.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
Nature is unselfish," she says. "It only wishes to survive. Humanity inflicts harm on it, digs up the earth, poisons the waters, harnesses rock and metal and stone for its own purposes. We are the protectors. We are the connection between humanity and nature. Nature is always searching for balance.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
Sir, I am a true laborer; I earn that I eat, get that I wear; owe no man hate, envy no man’s happiness; glad of other men’s good, content with my harm; and the greatest of my pride is to see my ewes graze and my lambs suck.” (As You Like It, Act 3, Sc. 2.)
”
”
William Shakespeare (Complete Works of William Shakespeare)
“
Who do you look like?” I laugh.
“No one. My father used to joke that my mother must have had an affair with the milkman.
”
”
Amy Ewing
“
My name is Raven Stirling!” I shout. “And I am stronger than you!
”
”
Amy Ewing (The House of the Stone (The Lone City, #1.5))
“
My mother used to say that a good meal could ease a troubled heart.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
They can be remarkably helpful, the dregs of society. And they love rebelling against authority.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
It hardens you, living in that place. It holds up a mirror and shows you the very worst parts of humanity. It changes people.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
I feel myself dissolve into a thousand molecules, amazed at how three small words can completely alter my state of being.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
Don't recite that royal line of crap at me.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
Well, I could never lie to you, Thor. I'm actually the All-Mother's undercover operative in the cause of niceness and puppies, and I'm here on a top-secret spy-type thingie. Shh! Don't tell anyone.
”
”
Al Ewing (Loki: Agent of Asgard, Vol. 1: Trust Me)
“
How many more humiliations do I have to suffer? I’ve only been here a day.
”
”
Amy Ewing (The House of the Stone (The Lone City, #1.5))
“
The bruises on my arm?"she asked.
From pulling you up,"he explained."I'm sorry."He touched her arm as if he were trying to take away the pain.
”
”
Lynne Ewing
“
I think the last dinner was preferable to this one. At least Raven was there. And Lucien.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
Haven't we all been wrong about this at some point? I mean, isn't that how we learn to be right?
”
”
Amy Ewing (The Black Key (The Lone City, #3))
“
I'm not a little sheep who's wandered from her ewe. I am a grown woman!
”
”
Mary Ellis (A Marriage for Meghan (Wayne County, #2))
“
And yet you take away the one little ewe-lamb of pleasure that I have in this dull life of mine. Well, perhaps generosity is not a woman's most marked characteristic.
”
”
Thomas Hardy
“
I suggest to you that, although you may have endeavored to gloss over the fact to yourself, you did deliberately set about taking your husband from your friend. I suggest that you felt strongly attracted to him at once. But I suggest that there was a moment when you hesitated, when you realized that there was a choice–that you could refrain or go on. I suggest that the initiative rested with you–not with Monsieur Doyle. … You had everything, Madame, that life can offer. Your friend’s life was bound up in one person. You knew that, but, though you hesitated, you did not hold your hand. You stretched it out and, like the rich man in the Bible, you took the poor man’s one ewe lamb.
”
”
Agatha Christie (Death on the Nile (Hercule Poirot, #18))
“
They can't keep us from being who we are anymore. They can no longer be allowed to dictate our lives.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
This woman can take her easy way and shove it. “I’ll take the hard way,” I say.
”
”
Amy Ewing (The House of the Stone (The Lone City, #1.5))
“
Nothing is so embarrassing as watching someone do something that you said couldn't be done.
”
”
Sam Ewing
“
I am Raven stirling. They cannot own me.
”
”
Amy Ewing
“
She wants to believe in the magic and the mystery of it. She doesn't seem to understand that we are part of that magic.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
Once a small crack reveals itself, suddenly a hundred others appear. And then the walls that have been so carefully constructed begin to crumble.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
I feel like I'm seeing a sparrow in a cage, something young and innocent trapped by grasping hands.
And I think that perhaps my own cage is simply larger than hers, so large I have never been fully aware of its edges.
”
”
Amy Ewing (Garnet's Story (The Lone City, #1.25))
“
The royalty take and take and it never seems to be enough for them. They steal girls to make their babies, boys to protect them, or seduce them, or serve them. But we are not objects. We are not the latest fashion or the most expensive prize. We are people. And I'm going to help make them see that.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
Sex to a woman can be like a bad emotion or imbalanced hormones, if you can't get a handle on it, it'll have you walking around mixed up and messed up, happy one moment and inthe next plotting to kill somebody--value ypur goodies and know who you giving them to.
”
”
Jacqueline Ewing
“
If you admit you need people, you can lose them. But needing people can save your life.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
We all have things we need to do, no matter how reckless or foolish.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
Hard work spotlights the character of people: some turn up their sleeves, some turn up their noses, and some don't turn up at all.
”
”
Sam Ewing
“
I did not write you out of my life, but I would never want to assume my plans would line up with yours. You have the right to choose what you want for yourself.
”
”
Amy Ewing (The Black Key (The Lone City, #3))
“
What?" I demand, too tired and frazzled to be polite. "Did you think I didn't care? Do you think I'm not human?"
"No," he replies. "I think you are royal.
”
”
Amy Ewing (Garnet's Story (The Lone City, #1.25))
“
Please don't set me on fire in the middle of the night.
”
”
Amy Ewing
“
Doctors are idiots," ...."It's the surrogate that counts.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
I hate him. But I hate myself more, for being idiotic enough to believe that I could have that sort of happiness.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
Title does not protect you from everything.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
It’s my life. You can’t decide how I live it.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
That's the thing about stories--they have to end to mean anything.
”
”
Al Ewing (LOKI: AGENT OF ASGARD - THE COMPLETE COLLECTION)
“
To rule out the possibility of belief in another's reality is to encapsulate that reality and, thus, to impose implicity the hegemony of one's own view of the world.
”
”
Katherine P. Ewing
“
And they can never harm a person who does a genuine act of kindness toward them. Evil is so unprepared for that. But then, I suppose few people have ever acted kindly toward them.
”
”
Lynne Ewing (Daughters of the Moon, Volume 1 (Daughters of the Moon, #1-3))
“
Without hope, people become desperate to escape the pain. They seldom see the rhythms in their own lives, how dark phases come before new beginnings.
”
”
Lynne Ewing (Daughters of the Moon, Volume 1 (Daughters of the Moon, #1-3))
“
To us children he (Mr Ewing) was our very own ‘Mr Chips’ and invariably we would each receive half a crown whenever we encountered him on his afternoon walk. If we were particularly lucky, he would send us to the ‘Big House’ for ice-cream – a rare treat in the early 1950s
”
”
Bill Scott
“
Your employers evince great faith in your talents, Mr Ewing, to entrust you with business neccessitating such a long & arduous voyage." I replied that, yes, I was a senior enough notary to be entrusted with my present assignment, but a junior enough scrivener to be obligated to accept the same.
”
”
David Mitchell (Cloud Atlas)
“
If he don't ever buy you nothing
and I mean nothing -
I don't mean your birthstone,
I don't mean groceries, even -
I mean if he don't buy you an ice-cream cone,
I mean if he don't buy you time when you had none,
I mean if he don't buy your fantastic tales, calls them nonsense,
then he's gotta go.
”
”
Eve L. Ewing (Electric Arches)
“
Asante traders would bring in their captives. Fante, Ewe, or Ga middlemen would hold them, then sell them to the British or the Dutch or whoever was paying the most at the time. Everyone was responsible. We all were... we all are.
”
”
Yaa Gyasi (Homegoing)
“
That's Collin."She panicked."He can't see you!"
Don't tell me you're afraid of your own brother?"Staton seemed to think that was funny.She hated the smirk that crept over his face.
She shoved him."You want Collin to kill you?Hide."
That made him laugh louder."Kill me?"
Stop it,"she warned him,or he'll hear you."
You think I should be afraid of your brother?I'm immortal."
Collin's heavy steps filled the downstairs hallway.Her heart raced.Why was life so complicated?
”
”
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
“
Success has a simple formula: do your best, and people may like it.
”
”
Sam Ewing
“
Don't start acting like you're responsible for everyone's problems. I make my own choices. So do you.. Being lied to or bribed or coerced doesn't qualify as making a choice
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
I am Violet lasting again. I am home.
”
”
Amy Ewing (The House of the Stone (The Lone City, #1.5))
“
Can I not have the same freedom you have? To choose what I want. Choice is freedom, Violet.
”
”
Amy Ewing (The White Rose (The Lone City, #2))
“
In this place that takes little bits and pieces of us, you remind me of who I am.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
I think that maybe if we can guard ourselves and each other, if we can keep from losing our minds alone in quiet rooms and can at least lose them side by side, we may live through the year.
”
”
Eve L. Ewing (Electric Arches)
“
I press my face against the wrought-iron bars on my window - they are arched and curl into the shape of roses, as i by making a pretty pattern, they can pretend they're something they're not.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
He loves you, do you see that? He loves you and he hates himself and he'll never, ever be good enough, not for you or his family or anyone. He was stolen, taken away and twisted, and everything that was pure inside him was left to rot and decay. He's ashamed.' She returns to the present and looks at Ash. 'We all have things we are ashamed of.
”
”
Amy Ewing
“
The sparkle and morning-freshness of the shop, and the butter-conjuring girl, formed a mind-picture which accompanied the whole of my youth.(about the Buttercup Dairy)
”
”
Muriel Spark (Curriculum Vitae: Autobiography)
“
Uniciteit wordt altijd ontkend, terwijl iedereen wanhopig zijn best doet om zo uniek mogelijk te zijn. De consequentie van een maatschappij gebaseerd op ellebogenwerk.
”
”
Philippe Diepvents (Bobby Ewing Blues)
“
Gamboling is happiness in motion.
”
”
Joan Jarvis Ellison (Shepherdess: Notes from the Field)
“
I love sunrises, even more than sunsets. There's something so exciting about the world coming to life in a thousand colors. It's hopeful.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
It appears that acting without caution runs in your family.
”
”
Amy Ewing (The Black Key (The Lone City, #3))
“
A bowl. Like I’m a dog.
”
”
Amy Ewing (The House of the Stone (The Lone City, #1.5))
“
Frederic hangs the rod back on the wall without even cleaning it.
”
”
Amy Ewing (The House of the Stone (The Lone City, #1.5))
“
Ash, do you honestly think that what they've made you do affects who you are? You are a good person, and don't ever let anyone make you feel differently.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
Knowing that it would happen and experiencing it are two entirely different things.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
Afrofuturism is the premise that Black people exist in the future.
”
”
Eve L. Ewing
“
ewes. Any reasonable ram would volunteer to go up there.
”
”
Maria Parr (Astrid the Unstoppable)
“
It seems like for every time the Jewel makes me angry or uneasy or sad, I discover something beautiful in it.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
In New York in the 1910s, William B. Coley, James Ewing, and Ernest Codman had treated bone sarcomas with a mixture of bacterial toxins—the so-called Coley’s toxin.
”
”
Siddhartha Mukherjee (The Emperor of All Maladies)
“
Oh, love is handsome, love is charming
Love is beauty while it's new
But love grows old and love grows colder
And fades away like morning dew.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
Maybe she knew it, and that's why she wasn't frightened at the end. "This is how it begins," she said. I wonder if she saw death as just another way to freedom.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
I do wish there were an easier way," Indi says wistfully. "One that didn't involve violence."
"You want us to fight them with hugs?" Sienna asks. "Love is stronger than hate," Indi says.
”
”
Amy Ewing (The Black Key (The Lone City, #3))
“
In antiquity, Hekate was loved and revered as the goddess of the dark moon. People looked to her as a guardian against unseen dangers and spiritual foes.
All was well until Persephone, the goddess of spring, was kidnapped by Hades and ordered to live in the underworld for three months each year. Persephone was afraid to make the journey down to the land of the dead alone, so year after year Hekate lovingly guided her through the dark passageway and back. Over time Hekate became known as Persephone's attendant. But because Persephone was also the queen of the lower world, who ruled over the dead with her husband, Hades, Hekate's role as a guardian goddess soon became twisted and distorted until she was known as the evil witch goddess who stalked the night, looking for innocent people to bewitch and carry off to the underworld.
Today few know the great goddess Hekate. Those who do are blessed with her compassion for a soul lost in the realm of evil. Some are given a key.
”
”
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
“
This is what I'm wearing. This is my favorite thing to wear, and since it's the last time I'll ever get to choose my own outfit, I'm choosing this, because I love it and it's mine. I don't care what I look like.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
it from you for so long.” “You don’t need to be embarrassed.” I shook my head because it didn’t work that way. Shame couldn’t be erased so easily. It was sticky like chewing gum and embedded itself in everything it touched.
”
”
Susannah Nix (Mad About Ewe (Common Threads, #1))
“
Nonsense,” Ophelia said stoutly. “They’re happy sheep. You can tell.”
“How?” Sophia demanded.
Ophelia regarded the ewes for a moment, then suddenly broke into a huge grin. “Maybe you can tell they
’re happy sheep because they don’t feel baaaaad.
”
”
Karen Hawkins (How to Treat a Lady (Talisman Ring, #3))
“
You know that there are no black people in Africa,” she said. Most Americans, weaned on the myth of drawable lines between human beings, have to sit with that statement. It sounds nonsensical to our ears. Of course there are black people in Africa. There is a whole continent of black people in Africa. How could anyone not see that? “Africans are not black,” she said. “They are Igbo and Yoruba, Ewe, Akan, Ndebele. They are not black. They are just themselves. They are humans on the land. That is how they see themselves, and that is who they are.” What we take as gospel in American culture is alien to them, she said. “They don’t become black until they go to America or come to the U.K.,” she said. “It is then that they become black.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
Diana was the goddess of the hunt and of all newborn creatures. Women prayed to her for happiness in marriage and childbirth, but her strength was so great that even the warlike Amazons worshipped her.
No man was worthy of her love, until powerful Orion won her affection. She was about to marry him, but her twin brother, Apollo, was angered that she had fallen in love. One day, Apollo saw Orion in the sea with only his head above the water. Apollo tricked Diana by challenging her to hit the mark bobbing in the distant sea. Diana shot her arrow with deadly aim. Later, the waves rolled dead Orion to shore.
Lamenting her fatal blunder, Diana placed Orion in the starry sky. Every night, she would lift her torch in the dark to see her beloved. Her light gave comfort to all, and soon she became known as a goddess of the moon.
It was whispered that if a girl-childwas born in the wilderness, delivered by the great goddess Diana, she would be known for her fierce protection of the innocent.
”
”
Lynne Ewing (Night Shade (Daughters of the Moon, #3))
“
Slow walkers were a scourge upon the city streets. It was all very well to live a leisurely, low-stress life, taking plenty of time to stop and smell the roses—so long as you did it off to one side so those of us with somewhere to be could get past you.
”
”
Susannah Nix (Mad About Ewe (Common Threads, #1))
“
The story of Andrew Ewing is partly one of rags to riches – but there is more to it than that, since his business success was combined with a generosity of spirit that led him to give away a fortune in pursuit of his ultimate ambition to die a poor man.
”
”
Bill Scott (The Buttercup: The Remarkable Story of Andrew Ewing and the Buttercup Dairy Company)
“
By the Ram with a Thousand Ewes! By the Tail of Dagon and the Horns of Derceto!” said Azédarac, as he fingered the tiny, pot-bellied vial of vermilion liquid on the table before him. “Something will have to be done with this pestilential Brother Ambrose.
”
”
H.P. Lovecraft (The Cthulhu Mythos Megapack: 40 Modern and Classic Lovecraftian Stories)
“
Serena and Jimena walked into the crowd, strides long and seductive. Jimena wore a silver bustier and capris with matching sandals. Her hair was rolled on top of her head with glitter and jewels. Curls bounced with each step. Her face gleamed; her full lips sparkled. The tattoos on her arms seemed iridescent. She whooped and squealed and gave Serena a high five.
Serena had moussed her hair so it stood on end. Streaks of orange glitter shot from her temples into her hair. She wore a yellow tulle skirt over a sheer, clingy red dress and looked like a walking flame.
”
”
Lynne Ewing (Goddess of the Night)
“
It's Also Tradition to Wear White,I Study Myself in The Mirror Now,as Annabelle Curls My Hair. My Dress is Strapless,Layers of ivory
chiffon Floating to The Floor.a Necklace of Diamonds and Rubies Sparkles at My Throat
Garnet Leans Against The Newel Post and Whistles As I Come Down The Stairs. My Cheeks Flush.
Have You Been To The Royal Palace Yet? Garnet Asks Me.I Stare at Him for a Second
Wondering if He's Joking. Yes, I Say Slowly. You Bumped Into Me at The Exetor's Ball.
Did I? Garnet's Eyebrows Pinch Together. Huh
Well,You Haven't Seen Anytging Until You've Seen The Winter Ball Decorations.
We are Escorted to a Extension Made Entirely of Glass. It is Lit with Thousands of Candles. Giving The Room a Beautiful Golden Glow. The Floor is Made Out Of Blue Glass and Enormous Ice Sculptures Glitter in The Flickering Light. I See What Garnet Meant-The Whole Effect is Magnificent.
”
”
Amy Ewing
“
It's Also Tradition to Wear White,I Study Myself in The Mirror Now,as Annabelle Curls My Hair. My Dress is Strapless,Layers of ivory
chiffon Floating to The Floor.a Necklace of Diamonds and Rubies Sparkles at My Throat
Garnet Leans Against The Newel Post and Whistles As I Come Down The Stairs. My Cheeks Flush.
Have You Been To The Royal Palace Yet? Garnet Asks Me.I Stare at Him for a Second
Wondering if He's Joking. Yes, I Say Slowly. You Bumped Into Me at The Exetor's Ball.
Did I? Garnet's Eyebrows Pinch Together. Huh
Well,You Haven't Seen Anything Until You've Seen The Winter Ball Decorations.
We are Escorted to a Extension Made Entirely of Glass. It is Lit with Thousands of Candles. Giving The Room a Beautiful Golden Glow. The Floor is Made Out Of Blue Glass and Enormous Ice Sculptures Glitter in The Flickering Light. I See What Garnet Meant-The Whole Effect is Magnificent.”
”
”
Amy Ewing
“
Jane, I never meant to wound you thus. If the man who had but one little ewe lamb that was dear to him as a daughter, that ate of his bread and drank of his cup, and lay in his bosom, had by some mistake slaughtered it at the shambles, he would not have rued his bloody blunder more than I now rue mine. Will you ever forgive me?” Reader, I forgave him at the moment and on the spot. There was such deep remorse in his eye, such true pity in his tone, such manly energy in his manner; and besides, there was such unchanged love in his whole look and mien—I forgave him all: yet not in words, not outwardly; only at my heart’s core.
”
”
Charlotte Brontë (Jane Eyre)
“
Wow, you have a lot of characters.” “Yeah, I like to try all the powers out. I’m kind of a perma-lowbie by nature.” “What does that mean?” “It means I like the early part of the game better than the endgame. I’d rather keep rolling up new characters than max out my existing ones.” “You seem to have a preference for melee classes over ranged classes.
”
”
Susannah Nix (Mad About Ewe (Common Threads, #1))
“
She wore Hawaiian-print bell-bottoms and a pair of clogs painted fairy-tale red with blue flowers. She looked like a pixie, the way her hair was moussed with glitter on the ends.
”
”
Lynne Ewing (Goddess of the Night)
“
Gender affects everybody, so whether you're trans or not, gender is fucking you up. -Jac, 2013
”
”
Rhea Ewing (Fine: A Comic About Gender)
“
Those who move with courage make the path for those who live in fear.
”
”
Eve L. Ewing (Ironheart, Vol. 1: Those With Courage)
“
Men,” Linda harrumphed from her chair by the window. “Can’t live with them, can’t tip the lot of them into a volcano and start society over without ’em.
”
”
Susannah Nix (Mad About Ewe (Common Threads, #1))
“
I reached for my wine and took a drink, even though I didn’t really like wine. Jessica was right, it was too oaky. Drinking it was like licking the underside of a coffee table.
”
”
Susannah Nix (Mad About Ewe (Common Threads, #1))
“
The origins of great companies inevitably start with the ideas and enterprise of great men.
”
”
Bill Scott (The Buttercup: The Remarkable Story of Andrew Ewing and the Buttercup Dairy Company)
“
curls lip and sways clutching a whisky sour. "JR, you bastard!
”
”
Sue Ellen Ewing
“
It’s been said that there is always one identifiable moment in one’s life that shapes the course of where the rest of one’s existence will lead one.
”
”
Sherry Ewing (For All of Ever: A Time Travel Romance (The Knights of Berwyck, A Quest Through Time Book 1))
“
Have I changed from who I used to be? I'm not sure if I can remember who I used to be.
”
”
Amy Ewing
“
Ik mag jou wel, met je interessante balans tussen gehoorzaamheid en minachting. - Hertogin
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
O, is de jacht op de surrogaten weer geopend?... Pas maar op, nieuw meisje. Dit jaar wordt ongetwijfeld gevaarlijk nu het om de hand van de lieve, kleine Exetor gaat. - Garnet
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
Wíj maken hun kinderen. Wíj hebben de macht. - De leeuwin
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
Hoffnung ist ein kostbares Gut, nicht wahr? [...] Und doch wissen wir sie erst zu schätzen, wenn sie fort ist.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
Hard work spotlights the character of people: some turn up their sleeves, some turn up their noses, some don’t turn up at all.
”
”
Sam Ewing
“
Zumindest werde ich unter demselben Himmel sein, wohin auch immer es mich verschlägt. Hazel und ich werden wenigstens auf dieselben Sterne schauen.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
And now there is this—this fit. It is altogether unlike anything she has felt before. It makes her think of a hand drawing on a glove, of a lamb slithering wet from a ewe, an axe splitting open a log, a key turning in an oiled lock. How, she wonders, as she looks into the face of the tutor, can anything fit so well, so exactly, with such a sense of rightness?
”
”
Maggie O'Farrell (Hamnet)
“
El orgullo de llegar hasta el final. Certezas. Cuando te despojas de las creencias que te endilgan las institutrices, los colegios y los Estados, descubres dentro de ti verdades indelebles. Roma entrará en decadencia y volverá a caer, Cortés se hará de nuevo a la mar y después Ewing también, Adrian volverá a saltar en pedazos, tú y yo volveremos a dormir juntos bajo las estrellas corsas, regresaré a Brujas, de nuevo me enamoraré y me desenamoraré de Eva, tú leerás otra vez esta carta y el sol volverá a apagarse. Un disco en el gramófono de Nietzsche. Cuando termine, el Viejo lo pondrá una vez más, y así una eternidad de eternidades.
El tiempo no consigue penetrar en este periodo sabático. No duramos mucho muertos. Una vez que la Luger me deje partir, mi nuevo nacimiento caerá sobre mí en un abrir y cerrar de ojos. Dentro de trece años volveremos a conocernos en Gresham, diez años después estaré en esta misma habitación, empuñando la misma pistola, escribiendo esta misma carta, una decisión tan consumada como mi sexteto de mil cabezas. Estas certezas elegantes me reconfortan.
”
”
David Mitchell (Cloud Atlas)
“
But May Amelia, Miss EcEwing says, Proper Young Ladies don't go gallivanting around the world on ships.
Well I sure ain't no Proper Young Lady Miss McEwing, you can ask any of my brothers here.
And every child starts laughing and Wilbert laughs so hard he falls off his chair.
Miss EcEwing tries to look serious, but finally her eyes crinkle merrily and she laughs too.
”
”
Jennifer L. Holm (Our Only May Amelia (May Amelia, #1))
“
General Taylor participated in the celebration of the Fourth of July, a very hot day, by hearing a long speech from the Hon. Henry S. Foote, at the base of the Washington Monument. Returning from the celebration much heated and fatigued, he partook too freely of his favorite iced milk with cherries, and during that night was seized with a severe colic, which by morning had quite prostrated him. It was said that he sent for his son-in-law, Surgeon Wood, United States Army, stationed in Baltimore, and declined medical assistance from anybody else. Mr. Ewing visited him several times, and was manifestly uneasy and anxious, as was also his son-in-law, Major Bliss, then of the army, and his confidential secretary. He rapidly grew worse, and died in about four days.
”
”
William T. Sherman (The Memoirs Of General William T. Sherman)
“
I know perfectly well that it is impossible, according to arithmetic and scholarly books, to live in a far valley off a handful of ewes and two low yield cows. But we live, I say. You children all lived; your sisters now have sturdy children in far-off districts. And what you are now carrying under your heart will also live and be welcome, little one, despite arithmetic and scholarly books.
”
”
Halldór Laxness (The Atom Station)
“
I ran from the barn out through the herd to make certain and saw that the coyote was really dead, as was the sheep, but I ran smack into what makes border collies the incredible beings that they are. Louise grabbed at the coyote’s neck, growling, and having made certain that it was dead, tried to bring the sheep back to life. She pulled at the ewe, trying to lift her to her feet, nudged at her ribs in a kind of crude CPR,
”
”
Gary Paulsen (This Side of Wild: Mutts, Mares, and Laughing Dinosaurs)
“
That ewe's life had been saved not by medicinal therapy but simply by stopping her pain and allowing nature to do its own job of healing. It was a lesson I have never forgotten; the animals confronted with severe continuous pain and the terror and shock that goes with it will often retreat even into death, and if you can remove that pain amazing things can happen. It is difficult to explain rationally but I know that it is so.
”
”
James Herriot (All Things Bright and Beautiful (All Creatures Great and Small, #3-4))
“
She loved her room. She had window seats and shutters, flowered wallpaper, and a bed with too many pillows. Her mother called the decor "romance and drama," and said the room looked like it belonged to a fairy princess.
”
”
Lynne Ewing (Goddess of the Night)
“
But it is meet I should, in the true spirit of romantic story, give some account of the looks and equipments of my hero and his steed. The animal he bestrode was a broken-down plow-horse, that had outlived almost everything but its viciousness. He was gaunt and shagged, with a ewe neck, and ahead like a hammer; his rusty mane and tail were tangled and
knotted with burs; one eye had lost its pupil, and was glaring and spectral, but the other had the gleam of a genuine devil in it. Still he must have had fire and mettle in his day, if we may judge from the name he bore of Gunpowder. He had, in fact, been a
favorite steed of his master's, the choleric Van Ripper, who was a furious rider, and had infused, very probably, some of his own spirit into the animal; for, old and broken-down as he looked, there was more of the lurking devil in him than in any young filly in the country.
”
”
Washington Irving (The Legend of Sleepy Hollow)
“
That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips.
She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest.
Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani.
She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.
”
”
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
“
My grandfather says the moon is the greatest gift from the gods."
She glanced back at the sky. "Why is that?" She had always felt the same way but had never understood it.
"God put the moon in the sky to remind us that our darkest moments lead us to our brightest."
"Never give up hope," Vanessa finished quietly.
"Grandpa says that's what the phases of the moon teach us," Michael said. "The moon goes from light to dark, but always back to light.
”
”
Lynne Ewing (Goddess of the Night)
“
She held a scarlet sequin dress to her chest and posed in front of a mirror. Too hot. She put it back and took a black mini. Too dreary. Then a blue as pale as a whisper caught her eye. She took the dress. The material was silky and clinging. Perfect for a goddess. On the floor below the dress sat scrappy wraparound high-heeled sandals that matched the blue.
She didn't understand why she needed to dress up to meet Stanton but the impulse to steal into the storage room had been rising in her since the sun set.
She took the dress and sandals back to her room, then sat on the floor and painted her toenails and fingernails pale blue. She drew waves of eternal flames and spiral hearts in silver and blue around her ankles and up her legs with body paints.
When she was done, she pressed a Q-tip into glitter eye shadow and spread sparkles on her lid and below her eye. With a sudden impulse she swirled the lines over her temple and into her hairline. She liked the look.
She rolled blue mascara on her lashes, then brushed her hair and snapped crystals in the long blond strands. She squeezed glitter lotion into her palms and rubbed it on her shoulders and arms. Last she took the dress and stepped into it. She turned to the mirror on the closet door.
A thrill ran through her. Her reflection astonished her. She looked otherworldly, a mystical creature... eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more powerful and sleek and fairy tale. Surely this wasn't really happening. Maybe she would wake up and run to school and tell Catty about her crazy dreams. But another part of her knew this was real.
She leaned to one side. The dress exposed too much thigh.
"Good." Her audacity surprised her. Another time she would have changed her dress. But why should she?
”
”
Lynne Ewing (Goddess of the Night)
“
Serena Killingsworth walked toward them, carrying her cello in a brown case. Her short hair, currently colored Crayola-red, was twisted into bobby-pin curls. A nose ring glistened on the side of her nose. She wore purple lipstick, red-brown shadow around her green eyes, and a smile that seemed to hold a secret. She was new at school. Vanessa liked her look and especially admired the way she seemed so oblivious to what other people thought about her.
”
”
Lynne Ewing (Goddess of the Night)
“
Long ago, darkness reigned over the night. People were afraid and remained inside their shelters from sundown until sunrise. The goddess Selene saw their fear and gave light to their nocturnal world by driving her moon chariot across the starry sky. She followed her brother Helios, who rode the sun and caught his shining rays on her magnificent silver chariot, then cast them down to earth as moonbeams. She felt pride in the way the earthlings were comforted by her light.
But one night when she had abandoned her chariot to walk upon the earth, she noticed that in times of trouble many people lost all hope. Their despair bewildered her. After considering their plight, she knew how she could make her moon the greatest gift from the gods.
From then on she drove around the earth and each night caught her brother's rays from a different angle. This way the face of the moon was everchanging. People watched the moon decrease in light every night, until it could no longer be seen from the earth. Then after three nights of darkness, a crescent sliver returned and the moon increased in light until it was fully illuminated as before. Selene did this to remind people that their darkest times can lead them to their brightest.
The ancients understood Selene's gift in the lunar phases. Each night when they gazed at the moon, they knew Selene was telling them to never give up hope.
”
”
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
“
She has seen neighbouring women do it, has heard their cries rise into screams, smelt the rusty coin scent of new birth. She has seen the pig, the cow, the ewes birth their young; she has been the one called on by her father, by Bartholomew, when lambs were stuck. Her female fingers, slender, tapered, were required to enter that narrow, heated, slick canal, and hook out the soft hoofs, the gluey nose, the plastered-back ears. And she knows, in the way she always does, that she will reach the other side of birth, that she and this baby will live. Nothing, however, could have prepared her for the relentlessness of it. It is like trying to stand in a gale, like trying to swim against the current of a flooded river, like trying to lift a fallen tree. Never has she been more sensible of her weakness, of her inadequacy. She has always felt herself to be a strong person: she can push a cow into milking position, she can douse and stir a load of laundry, she can lift and carry her small siblings, a bale of skins, a bucket of water, an armful of firewood. Her body is one of resilience, of power: she is all muscle beneath smooth skin. But this is something else. Something other. It laughs at her attempts to master it, to subdue it, to rise above it. It will, Agnes fears, overtake her. It will seize her by the scruff of her neck and plunge her down, under the surface of the water.
”
”
Maggie O'Farrell (Hamnet)
“
She dressed quickly in yellow drawstring pants and a lacy camisole over her bra, then pulled on a sheer blouse with dragons crawling down the shoulders. She slipped into sandals with butterflies, grabbed her messenger bag, and hurried downstairs.
”
”
Lynne Ewing (Goddess of the Night)
“
I had discovered something, discovered something by accident. That ewe’s life had been saved not by medicinal therapy but simply by stopping her pain and allowing nature to do its own job of healing. It was a lesson I have never forgotten; that animals confronted with severe continuous pain and the terror and shock that goes with it will often retreat even into death, and if you can remove that pain amazing things can happen. It is difficult to explain rationally but I know that it is so.
”
”
James Herriot (Three James Herriot Classics: All Creatures Great and Small / All Things Bright and Beautiful / All Things Wise and Wonderful)
“
... the gods will feast on the smoke of rams and ewes that all these lovely people will offer them, on the Temple Mount three times promised, there where the heads of Palestinian suicide bombers take off for the skies, corks of divine champagne, during the celebration of the end of days, the last fireworks, prefigured by the explosions of war, and it’s no doubt only a question of patience before the universe decides to become infinitesimal again and sucks all these burning memories into nothingness…
”
”
Mathias Énard (Zone)
“
They could lock the sheep in pens, castrate rams and selectively breed ewes, yet they could not ensure that the ewes conceived and gave birth to healthy lambs, nor could they prevent the eruption of deadly epidemics. How then to safeguard the fecundity of the flocks? A leading theory about the origin of the gods argues that gods gained importance because they offered a solution to this problem. Gods such as the fertility goddess, the sky god and the god of medicine took centre stage when plants and animals lost their ability to speak, and the gods’ main role was to mediate between humans and the mute plants and animals. Much of ancient mythology is in fact a legal contract in which humans promise everlasting devotion to the gods in exchange for mastery over plants and animals – the first chapters of the book of Genesis are a prime example. For thousands of years after the Agricultural Revolution, religious liturgy consisted mainly of humans sacrificing lambs, wine and cakes to divine powers, who in exchange promised abundant harvests and fecund flocks.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
One cannot overlook the fact that the chief fertility myths of later periods, like those of Osiris or Dionysus, involve the murder and the brutal dismemberment of a male deity, whose death and resurrection result in the emergence of plant life.
Animal domestication may well have begun, then, with the capture of rams and bulls for purposes of ritual, and eventual sacrifice. Conceivably this went hand in hand with the utilization, also for religious purposes, of the surplus milk of the ewes and cows necessary to propogate the captured stock.
”
”
Lewis Mumford (Technics and Human Development (The Myth of the Machine, Vol 1))
“
I’m fine,” I assured her. “Are you scared?” Sandra asked. I shrugged. “Not really.” “Bull pucky,” Sandra retorted. “Sandra!” Elizabeth nudged her friend with her elbow. “No, I mean it.” Sandra crossed her arms and arched an eyebrow at me. “That's a load of steaming bovine dooky.
”
”
Susannah Nix (Mad About Ewe (Common Threads, #1))
“
Serena looked through the violently rotating flames and saw Vanessa, Jimena, and Catty running toward her. They looked like goddesses; Vanessa dressed in shimmering blue, Jimena in lightning-strike silver, and Catty in wild strawberry pink, their hair bouncing in silky soft swirls with each step.
”
”
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
“
Loving the Hands
I could make a wardrobe
with tufts of wool
caught on thistle and bracken.
Lost - the scraps
I might have woven whole cloth.
"Come watch," the man says,
shearing sheep
with the precision of long practice,
fleece, removed all of a piece,
rolled in a neat bundle.
I've been so clumsy
with people people who've loved me.
Straddling a ewe,
the man props its head on his foot,
leans down with clippers,
each pass across the coat a caress.
His dogs, lying nearby,
tremble at every move - as I do,
loving the hands that have learned
to gentle the life beneath them.
”
”
Julie Suk (Lie Down with Me: New and Selected Poems)
“
This prolific and inventive photographer (Edward Steichen) must be given credit for virtually inventing modern fashion photography, and as the tohousands of high-quality original prints in the Conde Nast archives prove, only Irving Penn and Richard Avedon have since emerged as serious historical rivals.
”
”
William A. Ewing
“
Since the experiment began, dead beaked whales have been discovered stranded on beaches of the Gulf of California by senior marine biologists at the National Marine Fisheries Services, including several experts in beaked whales, the impacts of noise on marine mammals, and the stranding of marine mammals. These scientists, and others who care about whales, wrote letters to the expedition’s sponsors. Columbia University failed to meaningfully respond. The National Science Foundation’s response was to write a letter stating, “There is no evidence that there is any connection between the operations of the Ewing and the reported [sic] beached whales.
”
”
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
“
She looked down at the amulet that hung around her neck. She seldom took it off, but she unclasped it now and studied the face of the moon etched in the metal. Sparkling in the sunlight, it wasn't pure silver but reflected pinks and blues and greens. Maybe who she was had something to do with this moon charm that was given to her at birth.
”
”
Lynne Ewing (Goddess of the Night)
“
You know that there are no black people in Africa,” she said. Most Americans, we have to sit with that statement. It sounds nonsensical to our ears. Of course there are black people in Africa. There is a whole continent of black people in Africa. How could anyone not see that? “Africans are not black,” she said. “They are Igbo and Yoruba, Ewe, Akan, Ndebele. They are not black. They are just themselves. They are humans on the land. That is how they see themselves, and that is who they are.” What we take as gospel in American culture is alien to them, she said. “They don’t become black until they go to America or come to the U.K.,” she said. “It is then that they become black.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
For what is in this world but grief and woe?
O God! methinks it were a happy life
To be no better than a homely swain;
To sit upon a hill, as I do now,
To carve out dials quaintly, point by point,
Thereby to see the minutes how they run-
How many makes the hour full complete,
How many hours brings about the day,
How many days will finish up the year,
How many years a mortal man may live.
When this is known, then to divide the times-
So many hours must I tend my flock;
So many hours must I take my rest;
So many hours must I contemplate;
So many hours must I sport myself;
So many days my ewes have been with young;
So many weeks ere the poor fools will can;
So many years ere I shall shear the fleece:
So minutes, hours, days, months, and years,
Pass'd over to the end they were created,
Would bring white hairs unto a quiet grave.
Ah, what a life were this! how sweet! how lovely!
Gives not the hawthorn bush a sweeter shade
To shepherds looking on their silly sheep,
Than doth a rich embroider'd canopy
To kings that fear their subjects' treachery?
O yes, it doth; a thousand-fold it doth.
And to conclude: the shepherd's homely curds,
His cold thin drink out of his leather bottle,
His wonted sleep under a fresh tree's shade,
All which secure and sweetly he enjoys,
Is far beyond a prince's delicates-
His viands sparkling in a golden cup,
His body couched in a curious bed,
When care, mistrust, and treason waits on him.
”
”
William Shakespeare (King Henry VI, Part 3)
“
Ever since black people came to this country we have needed a Moses. There has always been so much water that needs parting. It seems like all black children, from the time we are born, come into the world in the midst of a rushing current that threatens to swallow us whole if we don't heed the many, many warnings we are told to heed. We come into the world as alchemists of the water, bending it, willing it to bear us safe passage and cleanse us along the way, to teach us to move with joy and purpose and to never, ever stop flowing forward into something grand waiting at the other end of the delta. We're a people forever in exodus.
Before Moses there was Abraham, and ever since black people came to this country we have needed an Abraham. We have always been sending each other away -- for our own good, don't you know it -- and calling each other back, finding kinship where a well springs from tears. We are masters of the art of sacrifice; no one is more skilled at laying their greatest beloveds on the altar and feeling certainty even as we feel sorrow. And when we see the ram, we know how to act fast, and prosper, even as the stone knife warms in our hands.
”
”
Eve L. Ewing (Electric Arches)
“
The door opened and Muriel came into the room. She looked round her a moment, smiling; and, instead of the powdered little actress she had expected, Mummie saw a tall slim girl, with light brown hair and no paint on her face, dressed simply in good clothes, a girl with wide-apart eyes who looked right amongst the furniture from New Grove House and Kicky’s drawings on the wall, and the books and the rugs. As Mummie went to greet her, Muriel ran forward and took her hands and kissed her, and said, ‘I am so glad to be here with you all’; then looked a little troubled, and lowered her voice, glancing towards the door, and said, ‘I’m in such a way about Gerald, he is starting one of his horrid colds.’ Mummie looked at the girls and smiled, Trixie nodded her head, and Sylvia and May leant back with a sigh of relief. The ewee lamb was safe in the fold at last.
”
”
Daphne du Maurier (Gerald: A Portrait)
“
Britain is a country that, since World War II, has been on a managed decline. The men live vicariously through their favorite soccer team, celebrating its success with “a few pints” and commiserating over its failings with “a few pints.” And the women—walking muffin tops. Yet they stride around with a terribly misplaced sense of entitlement. Even their TV shows are emblematic of their mediocre mentality. EastEnders and Coronation Street are all about fat, dumb, ugly, poor people. And there begins the vicious cycle of complacent underachievers. Maybe I’m biased because, despite being born in England, I grew up in the US. At least our equivalent TV shows are full of good-looking rich people doing big business deals and dating glamorous women. I wouldn’t mind my kids growing up wanting to be J. R. Ewing, but who the fuck wants to be a pub landlord in Essex?
”
”
John LeFevre (Straight to Hell: True Tales of Deviance, Debauchery, and Billion-Dollar Deals)
“
She had heard about telekinetic phenomena. Where she had heard about it she didn't know, but she knew telekinesis was the ability to move objects by thinking about them. She felt thrilled with the possibilities of her newfound power.
She wondered if she could move larger things, too. She glanced at the Dumpster, narrowed her eyes in concentration, and strained. The side of the Dumpster buckled with a sharp pop. She gasped. Could she bend objects, too?
A noise like rattling chains startled her, and she peered back down the alley. Justin and Mason were shaking the double gate in the fence as if they were trying to break the chain lock. She turned back to the trash piled at the dead end and raised her hands like a great conductor of an orchestra. Soon lettuce leaves, orange peels, coffee grounds, and papers were flying everywhere. With a flick of her wrists, the garbage bounced away from her, heading for Justin and Mason.
”
”
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
“
In ancient times when Pandora's box was opened-"
"Pandora?" Kendra interrupted. "Are you talking about the myth?"
Catty nodded solemnly. "It isn't a myth," she stated firmly and continued, "The last thing to leave the box was hope. Only Selene, the goddess of the moon, saw the creature that had been sent by the Atrox to devour hope. Selene took pity on the people of earth and gave her Daughters, like guardian angels, to perpetuate hope. I'm one of those Daughters. A goddess.
”
”
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
“
Because his own deeds were evil and his brother’s righteous. 13Do not be surprised, brothers, [3] z that the world hates you. 14We know that a we have passed out of death into life, because we love the brothers. Whoever does not love abides in death. 15 b Everyone who hates his brother is a murderer, and you know that c no murderer has eternal life abiding in him. 16By this we know love, that d he laid down his life for us, and e we ought to lay down our lives for the brothers.
”
”
Anonymous (The Holy Bible: English Standard Version)
“
Section four people who don’t under stand homophones If ewe due naught no watt a homophone is, eye well X plane. Homophones R words, that win herd, sound the same, butt R naught spelt the same and mien differ rent things. Watt eye yam saying hear is that the English language ran out of words and had two reuse a phew. If some one is reading this too ewe rite now than it mite seam grate, butt just no that the purse son who reeds this is half-ing a reel pane full thyme. If ewe half know clew how two spell some thing and you’re teacher tells ewe two spell it buy “sounding it out,” ask hymn ab out home a phones, cause if the “sound ding it out” method was a hole lot moor ack U rate oar bet her than guess sing, wood home F owns X cyst? Ewe sea, hoe Moe phones own Lee X cyst sew you’re tea chair has a ree sun too mark down you’re pay purse. All so sew ewe sound like ewe half Ben drink king when ewe send text mess ages you sing voice two text. Two bee fare, English spell ling never maid much scents too beg in with.
”
”
James Rallison (The Odd 1s Out: The First Sequel)
“
In the life of Moses, in Hebrew folklore, there is a remarkable passage. Moses finds a shepherd in the desert. He spends the day with the shepherd and helps him milk his ewes, and at the end of the day he sees that the shepherd puts the best milk he has in a wooden bowl, which he places on a flat stone some distance away. So Moses asks him what it is for, and the shepherd replies 'This is God's milk.' Moses is puzzled and asks him what he means. The shepherd says 'I always take the best milk I possess, and I bring it as on offering to God.' Moses, who is far more sophisticated than the shepherd with his naive faith, asks, 'And does God drink it?' 'Yes,' replies the shepherd, 'He does.' Then Moses feels compelled to enlighten the poor shepherd and he explains that God, being pure spirit, does not drink milk. Yet the shepherd is sure that He does, and so they have a short argument, which ends with Moses telling the shepherd to hide behind the bushes to find out whether in fact God does come to drink the milk. Moses then goes out to pray in the desert. The shepherd hides, the night comes, and in the moonlight the shepherd sees a little fox that comes trotting from the desert, looks right, looks left and heads straight towards the milk, which he laps up, and disappears into the desert again. The next morning Moses finds the shepherd quite depressed and downcast. 'What's the matter?' he asks. The shepherd says 'You were right, God is pure spirit, and He doesn't want my milk.' Moses is surprised. He says 'You should be happy. You know more about God than you did before.' 'Yes, I do' says the shepherd, 'but the only thing I could do to express my love for Him has been taken away from me.' Moses sees the point. He retires into the desert and prays hard. In the night in a vision, God speaks to him and says 'Moses, you were wrong. It is true that I am pure spirit. Nevertheless I always accepted with gratitude the milk which the shepherd offered me, as the expression of his love, but since, being pure spirit, I do not need the milk, I shared it with this little fox, who is very fond of milk.
”
”
Anthony Bloom (Beginning to Pray)
“
That's when she noticed that Serena, Jimena, and Vanessa each wore matching silver charms.
Corrine caught what she was staring at.
"They never take them off," she whispered. "Not in P.E., not for dances. Never. They had another friend, Catty, who wore the same amulet, but she's gone now. Someday when we're alone, I'll tell you what happened to her."
Tianna looked at the face of the moon etched in the metal on the charms. Sparkling in the morning light, the charms didn't seem silver but more like a strange stone that reflected a rainbow of colors.
”
”
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
“
hoped that would be the last time they would see that one. He blew out a breath. “I think I know why those goats ran right off the cliff into the lava.” “Oh? Why?” Mom asked. “Because they didn’t see the ewe-turn sign.” He wiggled his eyebrows. “OH NO!” Kate groaned. “Not again!” “Don’t mind me, I’m only kid-ding,” Dad said, wiggling his eyebrows even harder. “Oh maaaaan,” Jack said. “Honey,” Mom said, “I don’t think the kids are interested in your jokes right now.” “Okay, I’ll stop,” Dad said with a sigh. Mom patted him on the shoulder and Dad looked at her. “I would hate to butt heads with you over it.” Jack and Kate both burst out laughing and Mom rolled her eyes. “Now kids, no butting in!” Dad said, pointing his finger at them. The kids laughed even harder and Mom chuckled too. Dad put his hands on his hips. “You have goat to be kidding me! I said NO butting in!” The kids were laughing bigly now, and Mom had a big grin on her face. Their spirits had been lifted, even if only a little. Mom squeezed Dad’s hand. “I love you, honey.” Dad squeezed hers back. “We already did the bee jokes, dear.” He winked.
”
”
Pixel Ate (The Accidental Minecraft Family: Book 13)
“
How long will you be away?”
“Three days,” he said cheerfully. “You’ll scarcely have time to miss me before I’m back.”
“I wouldn’t miss you no matter how long you were gone.” But Kathleen looked over him with concern as the butler helped him don his hat and coat. When he returned, she thought, they would have to take in his clothes again; he had lost at least another stone. “Don’t forget to eat while you’re away,” she scolded. “You’ll soon be mistaken for a scarecrow if you keep missing your dinner.”
The constant exercise of riding across the estate lands, walking the fields, helping a farmer repair a gate or retrieve a ewe that had jumped a garden wall, had wrought considerable changes in West. He’d lost so much weight that his garments hung on his frame. The bloat had melted from his face and neck, revealing a firm jawline and hard profile. All the time spent outdoors had imparted healthy color to his complexion, and he appeared years younger, an air of vitality replacing the look of sleepy indolence.
West leaned down to press a light kiss on her forehead. “Good-bye, Attila,” he said affectionately. “Try not to browbeat everyone in my absence.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
Do you like cooking shows?” she asked, her eyes skittering away bashfully. “There’s this one I’ve been watching on YouTube—Angie got me hooked on it.” “I love cooking shows.” I leaned forward to snag the remote off the table and handed it to her. “Show me.” We settled back to watch a charming young woman attempt to replicate Girl Scout cookies. It was both amusing and stressful, and as the show’s host veered off task to clean the microwave and tried to reject the assistance of the other kitchen staffers, insisting that she worked better alone when she so clearly needed help, I began to understand why Dawn liked it so much.
”
”
Susannah Nix (Mad About Ewe (Common Threads, #1))
“
The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.
”
”
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
“
Dr. Syngmann: But someone must have made it all. Don't you think so, John?
Pastor Jón: Thou shalt love the Lord thy God with all thy heart and so on, said the late pastor Lens.
Dr. Syngmann: Listen, John, how is it possible to love God? And what reason is there for doing so? To love, is that not the prelude to sleeping together, something connected with the genitals, at its best a marital tragedy among apes? It would be ridiculous. People are fond of their children, all right, but if someone said he was fond of God, wouldn't that be blasphemy?
Pastor Jón once again utters that strange word 'it' and says: I accept it.
Dr. Syngmann: What do you mean when you say you accept God? Did you consent to his creating the world? Do you think the world as good as all that, or something? This world! Or are you all that pleased with yourself?
Pastor Jón: Have you noticed that the ewe that was bleating outside the window is now quiet? She has found her lamb. And I believe that the calf here in the homefield will pull through.
Dr. Syngmann: I know as well as you do, John, that animals are perfect within their limits and that man is the lowest rung in the reverse-evolution of earthly life: one need only compare the pictures of an emperor and a dog to see that, or a farmer and the horse he rides. But I for my part refuse to accept it.
Pastor Jón Prímus: To refuse to accept it - what is meant by that? Suicide or something?
Dr. Syngmann: At this moment, when the alignment with a higher humanity is at hand, a chapter is at last beginning that can be taken seriously in the history of the earth. Epagogics provide the arguments to prove to the Creator that life is an entirely meaningless gimmick unless it is eternal.
Pastor Jón: Who is to bell the cat?
Dr. Syngmann: As regards epagogics, it is pleading a completely logical case. In six volumes I have proved my thesis with incontrovertible arguments; even juridically. But obviously it isn't enough to use cold reasoning. I take the liberty of appealing to this gifted Maker's honour. I ask Him - how could it ever occur to you to hand over the earth to demons? The only ideal over which demons can unite is to have a war. Why did you permit the demons of the earth to profess their love to you in services and prayers as if you were their God? Will you let honest men call you demiurge, you, the Creator of the world? Whose defeat is it, now that the demons of the earth have acquired a machine to wipe out all life? Whose defeat is it if you let life on earth die on your hands? Can the Maker of the heavens stoop so low as to let German philosophers give Him orders what to do? And finally - I am a creature you have created. And that's why I am here, just like you. Who has given you the right to wipe me out? Is justice ridiculous in your eyes? Cards on the table! (He mumbles to himself.) You are at least under an obligation to resurrect me!
”
”
Halldór Laxness (Under the Glacier)
“
Her mother looked at the window over the sink. The moon shone huge and ivory yellow through the kitchen window. "You've always loved the moonlight. It seems to relax you."
Vanessa looked outside at the moon. "Do you think there is a goddess of the moon?"
"Oh, several," her mother answered.
"No, I mean for real."
"I was answering for real." Her mother pushed back her chair, then walked over to the sliding glass door, opened it, and stepped out on the patio. The night jasmine filled the cool air with its sweet fragrance. "God must have many spirits to help. We call them angels because that's what we learned to call them when we were little. But there must be many divine beings who act as God's messengers. I think there's room for a goddess or more. When you look at the beauty of the moon it's easy to believe.
”
”
Lynne Ewing (Goddess of the Night)
“
The air inside her room was thick with the scent of eucalyptus and lemon. He materialized near her dresser. His hand automatically turned her alarm clock to face the wall, then brushed across a tray filled with Vicks, cough syrup, aspirin, and a thermometer. He tenderly touched the lemon slices near an empty teacup. Could a simple illness have filled him with so much fear that he had risked coming to see her?
A dim light from a purple Lava lamp cast an amber glow across the bed where Serena lay, the leopard-print sheets twisted in a knot beside her leg. Her long curly hair was half caught in a scrunchy that matched her flannel pajamas. The words Diamonds are a girl's best friend- they're sharper than knives curled around a dozen marching Marilyns in army fatigues on the blue fabric. Stanton had been with her when she bought the Sergeant Marilyn pajamas three months back.
”
”
Lynne Ewing (The Sacrifice (Daughters of the Moon, #5))
“
The Bronze Serpent 4From Mount Hor a they set out by the way to the Red Sea, b to go around the land of Edom. And the people became impatient on the way. 5And the people c spoke against God and against Moses, d “Why have you brought us up out of Egypt to die in the wilderness? For there is no food and no water, and e we loathe this worthless food.” 6 f Then the LORD sent fiery serpents among the people, and g they bit the people, so that many people of Israel died. 7 h And the people came to Moses and said, “We have sinned, for we have spoken against the LORD and against you. i Pray to the LORD, that he take away the serpents from us.” So Moses prayed for the people. 8And the LORD said to Moses, “Make a fiery serpent and set it on a pole, and everyone who is bitten, when he sees it, shall live.” 9So j Moses made a bronze [3] serpent and set it on a pole. And if a serpent bit anyone, he would look at the bronze serpent and live.
”
”
Anonymous (The Holy Bible: English Standard Version)
“
September 1995: Mark and I had our well documented book entitled TRANCE Formation of America published, complete with irrefutable graphic details which are in themselves evidence to present to Congress, all factions of law enforcement including the FBI, CIA, DIA, DEA, TBI, NSA, etc., all major news media groups, national and international human rights advocates, both American Psychological and Psychiatric Associations, the National Institute of Mental Health, and more… to no avail. TRANCE thoroughly exposes many of the perpe-TRAITORS and their agenda replete with names, which raises the question “why haven't we been sued?” The obvious answer is that the same “National Security Act” that continues to block our access to all avenues of justice and public exposure also prevents these criminals from inevitably bringing mind control to light through court procedures, an opportunity we would welcome. Meanwhile, as reported by both APAs, survivors of U.S. Government sponsored mind control began to surface all across our nation. The first to encounter the vast number of survivors were law enforcement and mental health professionals, and these professionals began to ask questions. in other countries, answers are being provided through somewhat less controlled media, reflecting the CIA's involvement in Project MK Ultra human rights atrocities. A television documentary entitled The Sleep Room aired across Canada by the Canadian Broadcast Corp. in the spring of 1998. Dr. Martin Orne, an associate boasted by Dr. William Mitchell M.D., Ph.D. who thrust Kelly into Vanderbilt's cover-up attempt (re: p.14), is named as an accomplice to Dr. Ewing Cameron's MK Ultra 'experiments' in Montreal, Quebec. Additionally, it should be known that Dr. Cameron went on to found the American Psychiatric Association, which has helped to maintain America's mental health profession in the dark ages of information control.
”
”
Cathy O'Brien (TRANCE Formation of America: True life story of a mind control slave)
“
Dear Net-Mail User [ EweR-635-78-2267-3 aSp]: Your mailbox has just been rifled by EmilyPost, an autonomous courtesy-worm chain program released in October 2036 by an anonymous group of net subscribers in western Alaska. [ ref: sequestered confession 592864-2376298.98634, deposited with Bank Leumi 10/23/36:20:34:21. Expiration-disclosure 10 years.] Under the civil disobedience sections of the Charter of Rio, we accept in advance the fines and penalties that will come due when our confession is released in 2046. However we feel that’s a small price to pay for the message brought to you by EmilyPost. In brief, dear friend, you are not a very polite person. EmilyPost’s syntax analysis subroutines show that a very high fraction of your Net exchanges are heated, vituperative, even obscene. Of course you enjoy free speech. But EmilyPost has been designed by people who are concerned about the recent trend toward excessive nastiness in some parts of the Net. EmilyPost homes in on folks like you and begins by asking them to please consider the advantages of politeness. For one thing, your credibility ratings would rise. (EmilyPost has checked your favorite bulletin boards, and finds your ratings aren’t high at all. Nobody is listening to you, sir!) Moreover, consider that courtesy can foster calm reason, turning shrill antagonism into useful debate and even consensus. We suggest introducing an automatic delay to your mail system. Communications are so fast these days, people seldom stop and think. Some Net users act like mental patients who shout out anything that comes to mind, rather than as functioning citizens with the human gift of tact. If you wish, you may use one of the public-domain delay programs included in this version of EmilyPost, free of charge. Of course, should you insist on continuing as before, disseminating nastiness in all directions, we have equipped EmilyPost with other options you’ll soon find out about…
”
”
David Brin (Earth)
“
By this we know that we abide in him and he in us, because he has given us of his Spirit. 14And t we have seen and testify that u the Father has sent his Son to be the Savior of v the world. 15 w Whoever confesses that Jesus is the Son of God, God abides in him, and he in God. 16So x we have come to know and to believe the love that God has for us. y God is love, and z whoever abides in love abides in God, and God abides in him. 17By this a is love perfected with us, so that b we may have confidence for the day of judgment, because c as he is so also are we in this world. 18There is no fear in love, but d perfect love casts out fear. For fear has to do with punishment, and whoever fears has not a been perfected in love. 19 e We love because he first loved us. 20 f If anyone says, “I love God,” and g hates his brother, he is a liar; for he who does not love his brother whom he has seen cannot [1] love God h whom he has not seen. 21And i this commandment we have from him: j whoever loves God must also love his brother.
”
”
Anonymous (The Holy Bible: English Standard Version)
“
In ancient times, it was said that the goddess Selene drove the moon across the sky. Each night she followed her brother Helios, the sun, to catch his fiery rays and reflect the light back to earth. One night on her journey, she looked down and saw Endymion sleeping in the hills. She fell in love with the beautiful shepherd. Night after night she looked down on his gentle beauty and loved him more, until finally one evening she left the moon between the sun and the earth and went down to the grassy fields to lie beside him.
For three nights she stayed with him, and the moon, unable to catch the sun's rays, remained dark. People feared the dark moon. They said it brought death and freed evil forces to roam the black night. Zeus, King of the Gods, was angered by the darkness and punished Selene by giving Endymion eternal sleep.
Selene returned to the moon and drove it across the night sky, but her love was too strong. She hid Endymion in a cave; and now, three nights each lunar month, she leaves the moon to visit her sleeping lover and cover him with silver kisses. In his sleep, Endymion dreams he holds the moon. He has given Selene many daughters to guard the night. They are powerful and beautiful like their mother, and mortal like their father.
”
”
Lynne Ewing (Goddess of the Night)
“
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with.
“Now, then,” he said. “We can do this the easy way, or we can make things difficult.”
With a soft snort, she turned her head. It was as if he’d ceased to exist.
Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored.
“Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.”
Though she spoke not a word, her reply was clear: You can kiss my great woolly arse.
Confounded sheep.
“Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?”
Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons.
“Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.”
Bram gestured at the surrounding landscape. “There is no other road.”
They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France.
So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything.
Except sheep. Blast it. It would seem they were stopping for sheep.
A rough voice said, “I’ll take care of them.”
Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle.
“We can’t simply shoot them, Thorne.”
Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.”
“We can’t butcher them, either.”
Thorne shrugged. “I’m hungry.”
Yes, that was Thorne-straightforward, practical. Ruthless.
“We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.”
Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
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Monty küçük tuvaletin kapısını kilitleyip, klozetin kapalı kapağının üstüne oturdu. Biri tuvalet kağıdı rulosunun takılı olduğu plastiğin üzerine, cehenneme kadar yolunuz var, yazmıştı. Kesinlikle diye düşündü o da. Ama senin de cehenneme kadar yolun var. Herkesin. Kapıdaki Fransız kadının, şarap içerek yemek yiyenlerin, siparişleri alan garsonların, hepinizin canı cehenneme. Bu kentin ve içindeki herkesin canı cehenneme. Sokak köşelerinde sırıtarak dilenen serserilerin, türbanlı Sihlerin, sarı taksileriyle birbiriyle yarışan yıkanmak bilmez Pakistanlıların da. Göğüs kıllarını alıp, memelerini büyüten Chelsea'li ibnelerin de. Hepsinin canı cehenneme. Aşırı pahalı meyvelerinden piramitler yapan Koreli manavların, onların plastik ambalajlara sarılı lale ve güllerinin de. Beşinci Cadde'de sahte Gucci satan beyaz cübbeli Nijeryalıların da. Brighton Sahili'nde küp şekerleri dişlerinin arasında tutarak çaylarını cam bardaklardan içen Rusların da. Hepsinin canları cehenneme. 47. Cadde'de elmas satan şapkalı, kirli gabardin takımlı, Mesih'in gelmesini beklerken sürekli para sayıp duran Yahudilerin de. Sokaklarda sürtenlerin, yaşlıların ve de spastiklerin de. Kendini beğenmiş, metrolarda sürekli gazete okuyan, kolonya sürünmüş Wall Street borsacılarının da. Hepsinin canı cehenneme. Washington Square Park'ta, bellerinden cüzdan zincirleri sarkan patenli punkçıların, her yere bayrak asan, otomobillerinin açık camlardan dinledikleri müziği bangır bangır herkese dinleten Porto Rikoluların da. Naylon eşofmanları ve St. Anthony madalyonlarıyla gezip, saçlarına durmadan briyantin süren Bensonhurst İtalyanlarının da. Enginarı Balducci'den, eşarbı Hermes'ten alan, büzük dudaklı, asık suratlı ev kadınlarının da. Asla pas vermeyi bilmeyen, savunma yapmayan, her turnikeye girişte bir adım fazladan atan varoş çocuklarının da. Babaları Tokyo'ya iş gezisine giderken mutfakta oturup esrar çeken okullu uyuşturucu müptelalarının da. Mavi giysileri içinde kabadayılık taslayarak dolaşan, kalın enseli, Krispy Kreme'e giderken bile kırmızı ışığı takmayan polislerin de. Knicks'in, Indiana'ya karşı oyunu nedeniyle Patrick Ewing'in, Charles Smith ve onun Chicago maçındaki başarısız uzaktan atışlarının, John Starks'ın Houston maçındaki korkunç şutlarının da canı cehenneme. Jordan'ı hiç yenemedikleri için cehennemin dibine kadar yolları var. Sürekli söylenip duran bücür Jakob Elinsky'nin de canı cehenneme. Hep sevgililerimin kıçlarına bakıp duran Frank Slattery'nin de canı cehenneme. Ben gidince özgürlüğünü ilan edecek Naturelle Rosariao'nun da canı cehenneme. Güvendiğim ama beni gammazlayan Kostya Novotyny'in de. Karanlık odasında film banyo edip duran babamın da. Karlar altında çürüyen annemin de. Bu kadar çabuk kurtulan İsa'nın da canı cehenneme. Çarmıhta yalnızca birkaç saat, cehennemde bir hafta sonu sonra melek ordusuyla eğlence. Bu şehrin ve içindeki her şeyin canı cehenneme. Astoria'daki tek katlı evlerden Park Avenue'daki dublekslere, Brownsville'deki projelerden, Soho'daki mağazalara, Bellevue Hastanesi'nden Alphabet City'deki meskenlere, Park Slope'un kahverengi taşlarına kadar her şeyin canı cehenneme. Bırakın Araplar her tarafı bombalasınlar, bırakın sular yükselsin ve bu fare delikleri yok olsun, depremler yıksın tüm bu yüksek binaları, alevler sarsın her yanı. Yaksın, yıksın, bitirsin. Ve senin de canın cehenneme Montygomery Brogan. Her şeyi mahveden asıl sensin.
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David Benioff (The 25th Hour)