Everything Is Going Smoothly Quotes

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But if everything was always smooth and perfect, you'd get too used to that, you know? You have to have a little bit of disorganization now and then. Otherwise, you'll never really enjoy it when things go right.
Sarah Dessen (The Truth About Forever)
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
I just think that some things are meant to be broken, imperfect, chaotic. It's the universe's way of providing contrast, ya know? [...] If everything was always smooth and perfect, you'd get too used to that. You have to have a little bit of disorganization now and then, otherwise, you'll never really enjoy it when things go right.
Sarah Dessen (The Truth About Forever)
Reading is...” His brows knit together and then his forehead smoothed as the right words appeared to dawn on him. “It’s going somewhere without ever taking a train or ship, an unveiling of new, incredible worlds. It’s living a life you weren’t born into and a chance to see everything colored by someone else’s perspective. It’s learning without having to face consequences of failures, and how best to succeed.” He hesitated. “I think within all of us, there is a void, a gap waiting to be filled by something. For me, that something is books and all their proffered experiences.
Madeline Martin (The Last Bookshop in London)
The measuring and mixing always smoothed out her thinking processes - nothing was as calming as creaming butter - and when the kitchen was warm from the oven overheating and the smell of baking chocolate, she took final stock of where she'd been and where she was going. Everything was fine.
Jennifer Crusie (Maybe This Time)
It's not that I believe everything happens for a reason,' she said. 'It's just that... I just think that some things are meant to be broken. Imperfect. Chaotic. It's the universe's way of providing contrast, you know? There have to be a few holes in the road. It's how life is' ... 'But if everything was always smooth and perfect,' she continued,'you'd get too used to that, you know? You have to have a little bit of disorganization now and then. Otherwise, you'll never really enjoy it when things go right. ' ~Delia, pg 93 and 94
Sarah Dessen (The Truth About Forever)
Sometimes I think he’s the kind of friend that grownups call a ‘fair-weather friend.’ That means when everything’s going smoothly, he’s the best friend a guy could want. But as soon as something goes wrong…(he) sort of turns on you.
Barbara Park (Almost Starring Skinnybones)
Remember everything I said in the bedroom? I'm scared, too. And there are times I question what I deserve, but we're in this together. So fall with me," he said, smoothing his thumbs along my cheekbones. "Let yourself go and fall with me, and baby, I will catch you. I will get you through this. You just got to take that risk.
Jennifer L. Armentrout (Fall with Me (Wait for You, #4))
He seemed happy. She thought that she seldom concerned herself about Laurence’s being happy. She wanted him to be in a good mood, so that everything would go smoothly, but that was not the same thing.
Alice Munro (The Progress of Love)
Go ahead, deny up and down that the delicate act of turning the doorknob, that act which may transform everything, is done with the indifferent vigor of a daily reflex. See you later, sweetheart. Have a good day. Tighten your fingers around a teaspoon, feel its metal pulse, its mistrustful warning. How it hurts to refuse a spoon, to say no to a door, to deny everything that habit has licked to a suitable smoothness. How much simpler to accept the easy request of the spoon, to use it, to stir the coffee.
Julio Cortázar (Cronopios and Famas)
Surprisingly, everything was going smoothly. So far, no awkward or embarrassing moments had made me regret all my life choices, and no one had dropped any inappropriate questions that made me want to open a hole in the ground and plunge myself in.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
And they are deformed though it does not show on the outside. I live only my dwarf life. I never go around tall and smooth-featured. I am ever myself, always the same, I live one life alone. I have no other being inside me. And I recognize everything within me, nothing ever comes up from my inner depths, nothing there is shrouded in mystery. Therefore I do not fear the things which frighten them, the incoherent, the unknown, the mysterious. Such things do not exist for me. There is nothing "different" about me.
Pär Lagerkvist (The Dwarf)
I've always thought you can judge the quality of a villain by his elevator music. Smooth jazz? Devious villainy with an inferiority complex. Pop hits? Ageing villainy trying desperately to be hip. Nero had chosen soft classical, as in the lobby. Oh, well played. this was self-assured villainy. Villainy that said I already own everything and have all the power. Relax. You're going to die in a minute, so you might as well enjoy this soothing string quartet.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Of Woman and Chocolate   "Chocolate shares both the bitter and the sweet. Chocolate melts away all cares, coating the heart while smothering every last ache.   Chocolate brings a smile to the lips on contact, leaving a dark kiss behind.   Chocolate is amiable, complimenting any pairing; berries, peanut butter, pretzels, mint, pastries, drinks...everything goes with chocolate.   The very thought of chocolate awakens taste buds, sparking memories of candy-coated happiness.   Chocolate will go nuts with you, no questions asked.   Chocolate craves your lips, melts at your touch, and savors the moment.   Chocolate is that dark and beautiful knight who charges in on his gallant steed ready to slay dragons when needed.   Chocolate never disappoints; it leaves its lover wanting more.   Chocolate is the ultimate satisfaction, synonymous with perfection.   Chocolate is rich, smooth pleasure.   Chocolate has finesse - the charm to seduce and indulge at any time, day or night.   Chocolate is a true friend, a trusted confidant, and faithful lover. Chocolate warms and comforts and sympathizes.   Chocolate holds power over depression, victory over disappointment.   Chocolate savvies the needs of a woman and owns her.   Simply put, chocolate is paradise.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year)
Everything is about to go to hell very quickly, so I want one moment where we don't talk about that. We pretend it doesn't exist. I want one last quiet moment with you." "No, Loki." I shook my head, but I didn't pull away. "I told you that one night wasn't enough." Loki leaned down, kissing me deeply and pressing me to him. I didn't even attempt to resist. I wrapped my arms around his neck. It wasn't the way we had kissed before, not as hungry or fevered. This was something different, nicer. We were holding on to each other, knowing this might be the last time we could. It felt sweet and hopeful and tragic all at once. When he stopped kissing me he rested his forehead against mine. He breathed as if struggling to catch his breath. I reached up and touched his face, his skin smooth and cool beneath my hand. Loki lifted his head so he could look me in the eyes, and I saw something in them, something I'd never seen before. Something pure and unadulterated, and my heart seemed to grow with the warmth of my love for him. I don't know how it happened or when it had, but I knew it with complete certainty. I had fallen in love with Loki, more intensely than anything I had felt for anyone before. "Wendy!" Finn shouted, pulling me from my moment with Loki. "What are you doing? You're married! And not to him!" "Nothing slips by you, does it?" Loki asked. "Finn," I said, and stepped away from Loki. "Calm down." "No!" Finn yelled. "I will not calm down! What were you thinking? We're about to go to war, and you're cheating on your husband?" "Everything's not exactly the way it seems," I said, but guilt and regret were gripping my stomach. My marriage might be over, but I was still technically wed to another man. And I should be worrying about things more important than kissing Loki. "It seemed like you had your tongue down his throat." Finn glared at us both. "Well, then, everything is exactly as it seems," Loki said glibly.
Amanda Hocking (Ascend (Trylle, #3))
I guess when you expect the worst it’s always a pleasant surprise if everything ends up going smoothly.
Karina Halle (Dead Sky Morning (Experiment in Terror, #3))
When the heart stops oozing blood & the outpouring is clear as water (so to speak) then you know you've turned the corner & will be well. When you look inward & all pathways are no longer dark but clearly lighted & shine like transparent drinking straws then you know you'll find your way alone. When the gray morning has nothing to do with you & doesn't weigh you down like a heavy blanket, then you know that moving will be easy again and your body will flow through time like the river it really is, smooth & deep. no rocks, no shallows to smash or catch you, keep you from moving on. When the heart slows to its normal rhythm and the beauty of birdsong at dawn doesn't make you cry because you are alone listening, then you know that everything has happened that is going to for now, and you can get on with your life & everything about it that was yours alone and always finer than anyone could ever imagine it would be without him.
Grace Butcher
Gemma, I’m not going to hurt you.” His voice is as smooth as silk as he winds around the bed, his radiant, green eyes fixed on me. “I promise I won’t hurt you. Everything’s okay.” I laugh sharply as I put weight on my weak legs. “That’s the biggest lie I’ve ever heard come out of your mouth, which says a lot since you’re the biggest liar I’ve ever met.
Jessica Sorensen
Irresponsibility. Maria’s never been irresponsible. When she was little, she was responsible for protecting everybody else from her own shit around her gender—responsible for making sure her parents didn’t have to have a weird kid. Of course, then they had a weird, sad kid anyway, right? Whatever. That’s when responsibility at the expense of self became a habit: she did not care about school, but she knew her parents would be sad if she didn’t go to college, since certain things are expected from you when you do well on standardized tests, so she scraped by and paid attention. Then, with drugs, it’s like, she took them all, but always in such moderation that it wasn’t really dangerous. Even when she was throwing up or incoherent, it was in a controlled situation. She never went to jail, never had the police bring her home, never got caught breaking curfew or went to the hospital or anything. And then she came to New York, paid her rent, had a job, kept her head down, had relationships with people where making the relationship run smoothly was more important than being present in it. Which did not work. It’s clear that being responsible has not been a positive force in her life. It has been fucking everything up.
Imogen Binnie (Nevada)
We are never as thankful as we should be. When good things come to us, we do everything possible to tell ourselves we accomplished that or at least deserve it. We take the credit. And when our lives simply are going along pretty smoothly, without a lot of difficulties, we don’t live in quiet, amazed, thankful consciousness of it. In the end, we not only rob God of the glory due him, but the assumption that we are keeping our lives going robs us of the joy and relief that constant gratitude to an all-powerful God brings.
Timothy J. Keller (Prayer: Experiencing Awe and Intimacy with God)
Beautiful day out there,” I said, perching on the stool and crossing my legs. “It’s autumn, Sunday, great weather, and crowded everywhere you go. Relaxing indoors like this is the best thing you can do on such a nice day. It’s exhausting to get into those crowds. And the air is bad. I mostly do laundry on Sundays—wash the stuff in the morning, hang it out on the roof of my dorm, take it in before the sun goes down, do a good job of ironing it. I don’t mind ironing at all. There’s a special satisfaction in making wrinkled things smooth. And I’m pretty good at it, too. Of course, I was lousy at it at first. I put creases in everything. After a month of practice, though, I knew what I was doing. So Sunday is my day for laundry and ironing. I couldn’t do it today, of course. Too bad: wasted a perfect laundry day.
Haruki Murakami (Norwegian Wood)
Now, remember, Jesus did not go around simply being nice to people. This is where the idea of “loving others” has gotten turned into a “get well” card. Christians honestly and sincerely believe that being nice is what they are called to do. No, you are called to do something far more powerful than be nice; you are called to love. And what love has in mind is not “How can I keep things running smoothly here?” but rather, “What does this person truly need?” This will change everything in the way you relate to people; it will help you love them.
John Eldredge (Free to Live: The Utter Relief of Holiness)
Reading is..." His brows knit together and then his forehead smoothed as the right words appeared to dawn on him. "It's going somewhere without ever taking a train or ship, an unveiling of new, incredible worlds. It's living a life you weren't born into and a chance to see everything colored by someone else's perspective. It's learning without having to face consequences of failures, and how best to succeed." He hesitated. "I think within all of us, there is a void, a gap waiting to be filled by something. For me, that something is books and all their proffered experiences.
Madeline Martin (The Last Bookshop in London)
You might be afraid of the dark, but the dark is not afraid of you. That's why the dark is always close by. The dark peeks around the corner and waits behind the door, and you can see the dark up in the sky almost every night, gazing down at you as you gaze up at the stars. Without a creaky roof, the rain would fall on your bed, and without a smooth, cold window, you could never see outside, and without a set of stairs, you could never go into the basement, where the dark spends its time. Without a closet, you would have nowhere to put your shoes, and without a shower curtain, you would splash water all over the bathroom, and without the dark, everything would be light, and you would never know if you needed a lightbulb.
Lemony Snicket (The Dark)
There are two choices post forty-five: letting ourselves go or making ourselves sit like good, well-groomed, obliging pets, coats smooth and wrinkle-free, stomachs flat, muscles taut, teeth clean, hair dyed, nails manicured—everything just so. The thing is, though, not only is this completely unnatural, requiring warehouses full of self-control and perseverance, but it demands a level of discomfort you have to be willing to live with ’til death by lap band or liposuction.
Carrie Fisher (Shockaholic)
Rebecca leaned in close and whispered to me, “Why doesn’t she want anyone to read her memoirs? I thought for a minute, struggling with telling an outright lie and finding a way to smooth out the truth. Then I said, “There’s nothing in there except a person getting on through a hard life. You know she was young during the big war. I reckon she doesn’t want to answer any questions. She had some things to say, that’s all. You know how Granny will say things that don’t fit what’s going on, or seems like she’s addled? Well, after listening to her tell me all these tales about her life and things her granny and great-granny told her, and putting them all together in light of what’s happened at the minute she decided to say something, what I believe is that her words are coming from some distant time, and seem out of place the way we hear it, but all her life is one huge supper table, and it’s her going around taking a bit of that dish and a bit of this one. Some of it is sweet relishes and some is better and harsh. It goes together, but not in our listening order. It comes out in her tasting order. She ain’t addled at all. Her table’s just full.” (p. 188)
Nancy E. Turner (Light Changes Everything)
For a moment I am jealous: He has grown up here, fearless, happy. Perhaps he will never even know about the world on the other side of the fence, the real world. For him there will be no such thing. But there will also be no medicine for him when he is sick, and never enough food to go around, and winters so cold the mornings are like a punch in the gut. And someday-unless the resistance succeeds and takes the country back-the planes and the fires will find him. Someday the eye will turn in this direction, like a laser beam, consuming everything in its path. Someday all the Wilds will be razed, and we will be left with a concrete landscape, a land of pretty houses and trim gardens and planned parks and forests, and a world that works as smoothly as a clock, neatly wound: a world of metal and gears, and people going tick-tick-tick to their deaths.
Lauren Oliver (Pandemonium (Delirium, #2))
Furthermore, Professor Uzzi-Tuzii had begun his oral translation as if he were not quite sure he could make the words hang together, going back over every sentence to iron out the syntactical creases, manipulating the phrases until they were not completely rumpled, smoothing them, clipping them, stopping at every word to illustrate its idiomatic uses and its commutations, accompanying himself with inclusive gestures as if inviting you to be content with approximate equivalents, breaking off to state grammatical rules, etymological derivations, quoting the classics. but just when you are convinced that for the professor philology and erudition mean more than what the story is telling, you realize the opposite is true: that academic envelope serves only to protect everything the story says and does not say, an inner afflatus always on the verge of being dispersed at contact with the air, the echo of a vanished knowledge revealed in the penumbra and in tacit allusions. Torn between the necessity to interject glosses on multiple meanings of the text and the awareness that all interpretation is a use of violence and caprice against a text, the professor, when faced by the most complicated passages, could find no better way of aiding comprehension than to read them in the original, The pronunciation of that unknown language, deduced from theoretical rules, not transmitted by the hearing of voices with their individual accents, not marked by the traces of use that shapes and transforms, acquired the absoluteness of sounds that expect no reply, like the song of the last bird of an extinct species or the strident roar of a just-invented jet plane that shatters the sky on its first test flight. Then, little by little, something started moving and flowing between the sentences of this distraught recitation,. The prose of the novel had got the better of the uncertainties of the voice; it had become fluent, transparent, continuous; Uzzi-Tuzii swam in it like a fish, accompanying himself with gestures (he held his hands open like flippers), with the movement of his lips (which allowed the words to emerge like little air bubbles), with his gaze (his eyes scoured the page like a fish's eyes scouring the seabed, but also like the eyes of an aquarium visitor as he follows a fish's movement's in an illuminated tank).
Italo Calvino (If on a Winter's Night a Traveler)
The wonder of cells is not that things occasionally go wrong, but that they manage everything so smoothly for decades at a stretch.
Bill Bryson (A Short History of Nearly Everything)
Any time I found myself wavering- thinking about death or dying or ends or Dad or the ToD -I'd force myself to think about June instead... Think about June. Flip my mind overtop of itself, push everything else out until she's all that's left. June laughing at a joke I'd made, or June speaking, or June existing. This didn't serve, exactly, to balance me on the tightrope; it disintegrated the tightrope. It made it so the tightrope had never existed at all. There was no gravity. I could float there, comfortable, and never worry about the fall ever again. What's the point of living it- June. We're all going to die and the universe is indifferent and- June. Her hands on me and her face close to mine but what does it matter if she, if Dad- June. June sitting in the driver's seat. Dad decomposing in the driver's seat- June. Heaven is June in the driver's seat. Hell is June in the driver's seat. There is only June in the driver's seat. And at night, my consciousness would slip away, repeating that smooth, delicious mantra in my head. There is only June in the driver's seat.
Savannah Brown (The Truth About Keeping Secrets)
the tree to get a little wood for cooking. The little bit of food that we people get is immediately burnt up with heavy logs; we do not swallow so much as you coarse, greedy folk. I had just driven the wedge safely in, and everything was going as I wished; but the cursed wedge was too smooth and suddenly sprang out, and the tree closed so quickly that I could not pull out my beautiful white beard; so now it is tight and I cannot get away, and the silly, sleek, milk-faced things laugh! Ugh! how odious you are!' The children tried very hard, but they
Jacob Grimm (Grimm's Fairy Tales (Annotated))
The company that employed me strived only to serve up the cheapest fare that its customers would tolerate, churn it out as fast as possible, and charge as much as they could get away with. If it were possible to do so, the company would sell what all businesses of its kind dream about selling, creating that which all our efforts were tacitly supposed to achieve: the ultimate product – Nothing. And for this product they would command the ultimate price – Everything. This market strategy would then go on until one day, among the world-wide ruins of derelict factories and warehouses and office buildings, there stood only a single, shining, windowless structure with no entrance and no exit. Inside would be – will be – only a dense network of computers calculating profits. Outside will be tribes of savage vagrants with no comprehension of the nature or purpose of the shining, windowless structure. Perhaps they will worship it as a god. Perhaps they will try to destroy it, their primitive armory proving wholly ineffectual against the smooth and impervious walls of the structure, upon which not even a scratch can be inflicted.
Thomas Ligotti (My Work is Not Yet Done: Three Tales of Corporate Horror)
There, tam, la-bas, the gaze of men glows with inimitable understanding; there the freaks that are tortured here walk unmolested; there time takes shape according to one’s pleasure, like a figured rug whose folds can be gathered in such a way that two designs will meet—and the rug is once again smoothed out, and you live on, or else superimpose the next image on the last, endlessly, endlessly, with the leisurely concentration of a woman selecting a belt to go with her dress—now she glides in my direction, rhythmically butting the velvet with her knees, comprehending everything and comprehensible to me…There, there are the original of those gardens where we used to roam and hide in this world; there everything strikes one by its bewitching evidence, by the simplicity of perfect good; there everything pleases one’s soul, everything is filled with the kind of fun that children know; there shines the mirror that now and then sends a chance reflection here…
Vladimir Nabokov (Invitation to a Beheading (Vintage International))
Sometimes we find ourselves thinking that since the call comes from the Lord, everything ought to work out smoothly, with every potential obstacle removed. We forget sometimes that life is a "schooling" provided for our growth and development, and that if every time we went on the Lord's errand, things were to go perfectly well because of the Lord's blessing, we would be deprived of much of our education. {re 1 Nephi 3:7}
David J. Ridges
What are you? Do you know? What you are is you’re always trying to smooth everything over. What you are is always trying to be moderate. What you are is never telling the truth if you think it’s going to hurt somebody’s feelings. What you are is you’re always compromising. What you are is always complacent. What you are is always trying to find the bright side of things. The one with the manners. The one who abides everything patiently. The one with the ultimate decorum.
Philip Roth (American Pastoral (The American Trilogy, #1))
People try to get away from it all—to the country, to the beach, to the mountains. You always wish that you could too. Which is idiotic: you can get away from it anytime you like. By going within. Nowhere you can go is more peaceful—more free of interruptions—than your own soul. Especially if you have other things to rely on. An instant’s recollection and there it is: complete tranquillity. And by tranquillity I mean a kind of harmony. So keep getting away from it all—like that. Renew yourself. But keep it brief and basic. A quick visit should be enough to ward off all < . . . > and send you back ready to face what awaits you. What’s there to complain about? People’s misbehavior? But take into consideration: • that rational beings exist for one another; • that doing what’s right sometimes requires patience; • that no one does the wrong thing deliberately; • and the number of people who have feuded and envied and hated and fought and died and been buried. . . . and keep your mouth shut. Or are you complaining about the things the world assigns you? But consider the two options: Providence or atoms. And all the arguments for seeing the world as a city. Or is it your body? Keep in mind that when the mind detaches itself and realizes its own nature, it no longer has anything to do with ordinary life—the rough and the smooth, either one. And remember all you’ve been taught—and accepted—about pain and pleasure. Or is it your reputation that’s bothering you? But look at how soon we’re all forgotten. The abyss of endless time that swallows it all. The emptiness of all those applauding hands. The people who praise us—how capricious they are, how arbitrary. And the tiny region in which it all takes place. The whole earth a point in space—and most of it uninhabited. How many people there will be to admire you, and who they are. So keep this refuge in mind: the back roads of your self. Above all, no strain and no stress. Be straightforward. Look at things like a man, like a human being, like a citizen, like a mortal. And among the things you turn to, these two: i. That things have no hold on the soul. They stand there unmoving, outside it. Disturbance comes only from within—from our own perceptions. ii. That everything you see will soon alter and cease to exist. Think of how many changes you’ve already seen. “The world is nothing but change. Our life is only perception.
Marcus Aurelius (Meditations)
I’m not a person who does well with idle time.” “Seriously? I never would have guessed.” His teasing didn’t bother her, especially when she looked at her ring again. Smaller diamonds surrounded the impressive princess-cut stone, making it glint brightly in the sunlight. “It is so perfect.” “If it’s not, we can exchange it—” She snatched the ring up close to her chest. “Never.” Trace gave a slow, sexy grin. “So, Priscilla Patterson, since you approve of my job, my home, my friends and my ring, will you try another new experience—and marry me?” Joy bubbled up, but she didn’t want to shout just yet. “When you go off to—” She glanced at Matt “—work, will you at least tell me what’s going on?” “Yes. As much as I can.” “Will you be honest about the danger involved?” “I’ll be honest with you about everything.” “Okay.” She peeked at him, and winced in dread. “Did you want a big wedding?” Trace frowned at the continued line of questioning. “I want whatever you want.” That almost made her cry, too. “Another first,” she whispered, because before now, what she wanted hadn’t really mattered. She kept smoothing her hands over his chest, as always drawn by his physique. “You should enter a wet T-shirt contest. You’d win.” Chris snorted, but Matt agreed.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Sorry I was bitchy,” I managed to say. “You had cause, honey.” “My mother’s awful.” “Yeah.” He wiggled my toes individually. His voice was steam-blended and soft. “That advice she gave you was crap, by the way.” “You heard that? Oh, God.” “You should give me everything I want,” Jack informed me. “You should spoil me rotten. And it’s too late to play dumb, and you’re cute as hell without makeup.” I smiled, my eyes still closed. “What about my glasses?” “Definite turn-on.” “Everything’s a turn-on for you,” I said languidly. “Not everything.” Laughter thickened his voice. “Yes. You’re like one of those pharmaceutical commercials where they warn about four-hour erections. You need to go see your doctor.” “I don’t find him all that attractive.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Just—let me hold you. That’s all. Hold you and go to sleep.” He smoothed his thumbs over the back of her hands. “You can tell me everything about tableware.” She was silent a moment, gazing down at their hands. Then she said, “Would you like to know about holloware or flatware?” “Flatware. Naturally, flatware.” “I shall certainly put you to sleep with that. I venture to say you’ll be snoring by the time I get to the runcible spoon.” “My God. Do I snore?” “You were decidedly snoring last night, as I was enlightening you upon the nature and arrangement of sideboards. I’m rather a connoisseur of sideboards, but I suppose not everyone enters into my own enthusiasm. Kindly refrain from swearing, if you please.” “I beg your pardon.” He kissed her nose...
Laura Kinsale (The Shadow and the Star (Victorian Hearts, #2))
My own walls caved. Tears trickled from the corner of my eyes. Then strong arms enveloped me. “Don’t cry.” Ben’s hot breath on my cheek. “We’ll find her. And the twins. I promise.” “Don’t make promises you can’t keep,” I hiccupped. “People always do that.” “I mean it.” Firmly spoken. “I won’t let us fail. Not at this.” The sobs broke free. I burrowed into Ben’s chest, letting everything go. I cried and cried and cried, unthinking, releasing a week’s worth of pent-up emotion in a few hot seconds. Ben held me, silent, softly rubbing my back. A thought floated from somewhere far away. This isn’t so bad. I pushed away, gently breaking Ben’s embrace. Looked into his eyes. His face was a whisper from mine. I thought of Ben’s confession during the hurricane. How he’d wanted to be more than just packmates. Emotions swirled in my chest, making me dizzy. Off balance. “Ben . . . I . . .” “Tory?” My father’s voice sent us flying apart as if electroshocked. Kit was descending the steps, an odd look on his face. “Yes?” Discreetly wiping away tears. I saw a thousand questions fill Kitt’s eyes, but, thankfully, he kept them shelved. “I hate to do this, kiddo, but Whitney’s party starts in an hour. She’s trying to be patient, but, frankly, that isn’t her strong suit.” “No. Right.” I stood, smoothing clothes and hair. “Mustn’t keep the Duchess waiting.” Kit frowned. “Say the word, and we cancel right now. No question.” “No, sorry. I was just being flip. It’s really fine.” Forced smile. “Might be just the thing.” “All right, then. We need to get moving.” Kit glanced at Ben, still sitting on the bench, striving for invisible. A smile quirked my father’s lips. “And you, Mr. Blue? Ready for a good ol’-fashioned backyard barbeque? My daughter will be there.” Ben’s uneasy smile was his only response.
Kathy Reichs (Exposure (Virals, #4))
So are you going to keep rolling downhill in order to receive recognition from others? Are you going to wear yourself down like a rolling stone, until everything is smoothed away? When all that is left is a little round ball, would that be “the real I”? It cannot be.
Ichiro Kishimi (The Courage to Be Disliked: The Japanese Phenomenon That Shows You How to Change Your Life and Achieve Real Happiness)
By the time Mitch got out of jail, he looked more the part than ever. The imposing teen had graduated into a towering adult, flecked with the first of many tattoos. Once out, he lasted a month and a half before the curse caught back up with him. He’d gotten a job in food distribution, mostly because he could unload four times the weight of any other guy on the truck, and because he liked physical work. He might be mentally cut out for a desk job, but he doubted he’d fit behind most desks. And everything was going smoothly—shitty apartment and shitty pay but all legally valid—until a man was beaten to death a few blocks from where his crew was unloading peaches. The cops took one look at Mitch and booked him. No bloody knuckles, and two coworkers to swear he had his arms full of fruit the whole time, and none of it mattered. Mitch went straight back to prison.
Victoria Schwab (Vicious (Villains, #1))
And before I know it, my tears come crashing down as I bury my head in his chest. “Oh shit, Winnie, what’s going on?” “She lost her key,” Katherine says. “Trust me, I’m upset about it too, but I’ll call the locksmith and we’ll have this all sorted out.” She pats my shoulder coldly. “I don’t think it’s about her key, Katherine.” Max walks me down the hall and into the living room, where we take a seat on the couch. His hand smooths over the back of my head and he asks, “What’s going on? Is everything okay with Pacey?” I shake my head. “Told you it wasn’t about the stupid key,” Max sneers at Katherine. “Well, I’d be devastated if I lost a key.
Meghan Quinn (Kiss and Don't Tell (The Vancouver Agitators, #1))
Ty was silent, and in that silence, Kit thought of Ty's headphones, the music in his ears, the whispered words, the way he touched things with such total concentration: smooth stones, rough glass, silk and leather and textured linen. There were people in the world, he knew, who thought human beings like Ty did those things for no reason - because they were inexplicable. Broken. Kit felt a wash of rage go through him. How could they not understand everything Ty did had a reason? If an ambulance siren blared in your ears, you covered them. If something hit you, you doubled up to protect yourself from hurt. But not everyone felt and heard exactly the same way. Ty heard everything twice as loud and fast as everyone else. The headphones and the music, Kit sensed, were a buffer: They deadened not just other noises, but also feelings that would otherwise be too intense. They protected him from hurt. He couldn't help but wonder what it would be like to live so intensely, to feel things so much, to have the world sway into and out of too-bright colors and too-bright noises. When every sound and feeling was jacked up to eleven, it only made sense to calm yourself by concentrating all your energy on something small that you could master - a mass of pipe cleaners to unravel, the pebbled surface of a glass between your fingers.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
But he said that his general optimism about the shape of American history remained unchanged. “To be optimistic about the long-term trends of the United States doesn’t mean that everything is going to go in a smooth, direct, straight line,” he said. “It goes forward sometimes, sometimes it goes back, sometimes it goes sideways, sometimes it zigs and zags.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
It's a place I go to, even if nobody else can see that I've gone. I can smell it and certainly hear it, even if I can't always see it. That's the problem with all those well-meaning people who try to comfort you by telling you that everything's okay, you're home now, and the war's over, as if you're the idiot who can't read a newspaper and see that an armistice has been declared. It's like telling someone that Greece is over, or England, or Russia. It's nonsensical. Places aren't ever over, except maybe Pompeii. Still we pretend we believe it, all of us who sometimes fall over into that familiar place. Trying to explain that the war will never be over just makes you sound either mad or self-pitying, and makes your relatives look at you worriedly and pat your hand, and that's far more exhausting. You learn to just smooth over the conversation and get on with things. It doesn't even feel like a lie. As long as you don't hurt anybody and don't act too obviously strange, most people will let it go. The other ones like you understand. We all realized long ago that we're dual citizens now, that we come from two different places. Gallacia. And the war.
T. Kingfisher (What Feasts at Night (Sworn Soldier, #2))
The lateness also became more apparent, and notorious, once I started to perform. Half of the time I was late arriving onstage. I was asked to be late. That’s a big secret about my lateness. It has to do with money. A lot of the time when people are waiting for me to appear, I am waiting myself backstage. The clubs want to make money on the booze, and because people leave as soon as I finish, they make me wait so they can sell more booze. They pay me the door money, so they need the money from the bar. That was in my contract. They wouldn’t let me go onstage even if I wanted to. In that case, I might as well turn up late, rather than hang around. And then people started to expect me to be late. It became a Grace Jones thing. There would be disappointment if everything ran smoothly.
Grace Jones (I'll Never Write My Memoirs)
The earth is all scorched and black and everything green is gone. But after the burning the soil is richer, and new things can grow.” She held Izzy at arm’s length, wiped her cheek with a fingertip, smoothed her hair one last time. “People are like that, too, you know. They start over. They find a way.” Izzy nodded and turned to go, then turned back. “Tell her I’m so sorry,” she said. Mia nodded. “See you tomorrow, okay?
Celeste Ng (Little Fires Everywhere)
For a moment I am jealous: He has grown up here, fearless, happy. Perhaps he will never even know about the world on the other side of the fence, the real world. For him there will be no such thing. But there will also be no medicine for him when he is sick, and never enough food to go around, and winters so cold the mornings are like a punch to the gut. And someday—unless the resistance succeeds and takes the country back—the planes and the fires will find him. Someday the eye will turn in this direction, like a laser beam, consuming everything in its path. Someday all the Wilds will be razed, and we will be left with a concrete landscape, a land of pretty houses and trim gardens and planned parks and forests, and a world that works as smoothly as a clock, neatly wound: a world of metal and gears, and people going tick-tick-tick to their deaths.
Lauren Oliver (Pandemonium (Delirium, #2))
Suttree felt a deep and chilling lassitude go by nape and shoulderblades. He slumped and crossed his wrists in his lap. He looked at a world of incredible loveliness. Old distaff Celt's blood in some back chamber of his brain moved him to discourse with the birches, with the oaks. A cool green fire kept breaking in the woods and he could hear the footsteps of the dead. Everything had fallen from him. He scarce could tell where his being ended or the world began nor did he care. He lay on his back in the gravel, the earth's core sucking his bones, a moment's giddy vertigo with this illusion of falling outward through blue and windy space, over the offside of the planet, hurtling through the high thin cirrus. His fingers clutched up wet handfuls from the bar, polished lozenges of slate, small cold and mascled granite teardrops. He let them fall through his fingers in a smooth clatter.
Cormac McCarthy (Suttree)
...Women have preserved this `baby look' for as long as possible so as to make the world continue to believe in the darling, sweet little girl she once was, and she relies on the protective instinct in man to make him take care of her. As with everything a woman undertakes on her own initiative, this whole maneuvre is as incredible as it is stupid. It is amazing, in fact, that it succeeds. It would appear very shortsighted to encourage such an ideal of beauty. For how can any woman hope to maintain it beyond the age of twenty-five? Despite every trick of the cosmetics industry, despite magazine advice against thinking or laughing (both tend to create wrinkles), her actual age will inevitably show'- through in the end. And what on earth is a man to do with a grown-up face when he has been manipulated into considering only helpless, appealing little girls to be creatures of beauty? What is a men to do with a woman when the smooth curves have become flabby tires of flesh, the skin slack and pallid, when the childish tones have grown shrill and the laughter sounds like neighing? What is to become of this shrew when her face no longer atones for her ceaseless inanities and when the cries of `Ooh' and Ah' begin to drive him out of his mind? This mummified `child' will never fire a man's erotic fantasy again. One might think her power broken at last. But no, she still manages to get her own way - and for two reasons. The first is obvious: she now has children, who enable her to continue feigning helplessness. As for the second - there are simply not enough young women to go around. It is a safe bet that, given the choice, man would trade in his grown-up child-wife for a younger model, but, as the ratio between the sexes is roughly equal, not every man can have a younger woman. And as he has to have a wife of some sort. he prefers to keep the one he already possesses. This is easy to prove. Given the choice, a man will always choose a younger woman.
Esther Vilar (The Manipulated Man)
My ideal was contained within the word beauty, so difficult to define despite all the evidence of our senses. I felt responsible for sustaining and increasing the beauty of the world. I wanted the cities to be splendid, spacious and airy, their streets sprayed with clean water, their inhabitants all human beings whose bodies were neither degraded by marks of misery and servitude nor bloated by vulgar riches; I desired that the schoolboys should recite correctly some useful lessons; that the women presiding in their households should move with maternal dignity, expressing both vigor and calm; that the gymnasiums should be used by youths not unversed in arts and in sports; that the orchards should bear the finest fruits and the fields the richest harvests. I desired that the might and majesty of the Roman Peace should extend to all, insensibly present like the music of the revolving skies; that the most humble traveller might wander from one country, or one continent, to another without vexatious formalities, and without danger, assured everywhere of a minimum of legal protection and culture; that our soldiers should continue their eternal pyrrhic dance on the frontiers; that everything should go smoothly, whether workshops or temples; that the sea should be furrowed by brave ships, and the roads resounding to frequent carriages; that, in a world well ordered, the philosophers should have their place, and the dancers also. This ideal, modest on the whole, would be often enough approached if men would devote to it one part of the energy which they expend on stupid or cruel activities; great good fortune has allowed me a partial realization of my aims during the last quarter of a century. Arrian of Nicomedia, one of the best minds of our time, likes to recall to me the beautiful lines of ancient Terpander, defining in three words the Spartan ideal (that perfect mode of life to which Lacedaemon aspired without ever attaining it): Strength, Justice, the Muses. Strength was the basis, discipline without which there is no beauty, and firmness without which there is no justice. Justice was the balance of the parts, that whole so harmoniously composed which no excess should be permitted to endanger. Strength and justice together were but one instrument, well tuned, in the hands of the Muses. All forms of dire poverty and brutality were things to forbid as insults to the fair body of mankind, every injustice a false note to avoid in the harmony of the spheres.
Marguerite Yourcenar (Memoirs of Hadrian)
When I look back over every struggle, heartache, disappointment, failure, and moment of fear, I recognize that God has been with me through it all. And I know that He will continue to be with me. There is no promise in Scripture that our lives will be free from pain or that everything will always go smoothly. But there is the promise that He is always with us, even in the darkest storms of our lives. We can find some peace in the middle of the hardest experiences because He is there in the middle of the storm. I can't imagine living my life without the truth of that promise.
Ryan Stevenson (Eye of the Storm: Experiencing God When You Can't See Him)
Searching for Love in Everything We are so much like these rocks I think to myself One morning While passing a sea of black, gray, and white Pebbles All different shapes, sizes, colors They drift past one another On land or in oceans All while we collide, we crash Gracefully or without the intention of even finding one another Is it messy or beautiful? Our choice or fate? We all have a home We all have a story And perhaps we are found In the waves that rush Where over time we lose our sharp edges And the water All-knowing Smooths us out Reminding us to be gentle with ourselves Perhaps the boulders basking in the light On land carry similar knowledge And, like us Maybe they love watching the clouds in the day And even more the stars at night Maybe all of life ponders the change the earth makes as we constantly gain and lose sight As we try to follow a path to love this life There must be love to go around In all places In all things Isn’t all of it a greater message for the love present in this world? They were here before us And will remain long after Perhaps one day Long after Love will exist For and within Everything
Alice Tyszka (Loving this Life)
I REMEMBER the day the Aleut ship came to our island. At first it seemed like a small shell afloat on the sea. Then it grew larger and was a gull with folded wings. At last in the rising sun it became what it really was—a red ship with two red sails. My brother and I had gone to the head of a canyon that winds down to a little harbor which is called Coral Cove. We had gone to gather roots that grow there in the spring. My brother Ramo was only a little boy half my age, which was twelve. He was small for one who had lived so many suns and moons, but quick as a cricket. Also foolish as a cricket when he was excited. For this reason and because I wanted him to help me gather roots and not go running off, I said nothing about the shell I saw or the gull with folded wings. I went on digging in the brush with my pointed stick as though nothing at all were happening on the sea. Even when I knew for sure that the gull was a ship with two red sails. But Ramo’s eyes missed little in the world. They were black like a lizard’s and very large and, like the eyes of a lizard, could sometimes look sleepy. This was the time when they saw the most. This was the way they looked now. They were half-closed, like those of a lizard lying on a rock about to flick out its tongue to catch a fly. “The sea is smooth,” Ramo said. “It is a flat stone without any scratches.” My brother liked to pretend that one thing was another. “The sea is not a stone without scratches,” I said. “It is water and no waves.” “To me it is a blue stone,” he said. “And far away on the edge of it is a small cloud which sits on the stone.” “Clouds do not sit on stones. On blue ones or black ones or any kind of stones.” “This one does.” “Not on the sea,” I said. “Dolphins sit there, and gulls, and cormorants, and otter, and whales too, but not clouds.” “It is a whale, maybe.” Ramo was standing on one foot and then the other, watching the ship coming, which he did not know was a ship because he had never seen one. I had never seen one either, but I knew how they looked because I had been told. “While you gaze at the sea,” I said, “I dig roots. And it is I who will eat them and you who will not.” Ramo began to punch at the earth with his stick, but as the ship came closer, its sails showing red through the morning mist, he kept watching it, acting all the time as if he were not. “Have you ever seen a red whale?” he asked. “Yes,” I said, though I never had. “Those I have seen are gray.” “You are very young and have not seen everything that swims in the world.” Ramo picked up a root and was about to drop it into the basket. Suddenly his mouth opened wide and then closed again. “A canoe!” he cried. “A great one, bigger than all of our canoes together. And red!” A canoe or a ship, it did not matter to Ramo. In the very next breath he tossed the root in the air and was gone, crashing through the brush, shouting as he went. I kept on gathering roots, but my hands trembled as I dug in the earth, for I was more excited than my brother. I knew that it was a ship there on the
Scott O'Dell (Island of the Blue Dolphins)
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
When I die I want your hands on my eyes: I want the light and the wheat of your beloved hands to pass their freshness over me one more time to feel the smoothness that changed my destiny. I want you to live while I wait for you, asleep, I want for your ears to go on hearing the wind, for you to smell the sea that we loved together and for you to go on walking the sand where we walked. I want for what I love to go on living and as for you I loved you and sang you above everything, for that, go on flowering flowery one, so that you reach all that my love orders for you, so that my shadow passes through your hair, so that everything can learn the reason for my song.
Pablo Neruda (100 Love Sonnets)
My requirements in a husband are simple,” she informed him smoothly. “All I want is a man who will hold me above everything else, including his horse, his fortune, and his pride.” Hearing that simple yet seemingly impossible declaration was like a blow to Grey’s solar plexus. She was going to be so disappointed, the poor thing. How perverted was it of him to secretly rejoice over her wants? She might find a man who could love her more than his horse, perhaps even more than his fortune, but never would she find a man willing to sacrifice his pride-not without that same man coming to hate her for it eventually. “More than his horse?” he joked. “My dear girl, you ask too much.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
The introduction was meant to be all important and elegant and meaningful and “This summer marks the voyage of discovery of Livia Stowe,” and instead all I’m doing is writing about the plane crashing and when they find my laptop the only message I’ll have left for my loved ones and the good of humanity is “Oh, noooooo, we’re all going to die! It was the turkeys!” They will know that I knew about the loose bit on the wing. And didn’t tell anyone. Okay, everything’s smoothing out again now. The flap is still flapping, but we’ve made it through the flying turkeys, and the plane has stopped bumping. The flight attendants still don’t seem bothered, so I think maybe I’m not going to die today.
Kate le Vann (Things I Know About Love)
One night, when Violet’s parents had gone out, he teased her about it, whispering against her throat, “I should probably be dating girls my own age now that you’ll be over-the-hill.” Jay was stretched out on Violet’s bed as she curled against him. Violet laughed, rising to the bait. “Fine,” she challenged, pulling away and leaning up on her elbow. “I’m sure there are plenty of men my own age who would be willing to finish what you’ve started.” Jay stiffened, and Violet realized that she’d struck a nerve. “What is it?” He shook his head, and Violet thought he might say, “Nothing,” so when he answered, his words caught her off guard. “Is there someone else, Vi?” Violet frowned, baffled by the unfamiliar jealousy she saw on his face. She wondered what in the world he meant as she reached down and smoothed a strand of hair from his forehead. “What are you talking about, Jay?” His eyes met hers. “I saw you with that guy at the movies, Vi. Who was he?” Violet closed her eyes. She wasn’t ready yet. She didn’t want to tell him about the FBI, about Sara and Rafe or what she’d learned about Mike’s mother. She wondered briefly if he knew about Mike’s mom-if his friend had ever confided in him. But somehow she doubted it. Jay wasn’t like her; he didn’t keep secrets. “It’s not like that,” she explained, hoping that would be enough. Jay got up and went to the window, pushing the curtain aside. Every muscle in his body was rigid. “Like what, Vi? What’s going on? Something’s been bothering you lately. Why can’t you tell me?” He was right. She owed it to him to at least try. “I don’t know how to explain, but I just feel like everything’s changed between us-“ “Of course it’s changed, Violet, what’d you expect?” Violet tried to ignore the bitterness in his voice, telling herself she had no right to be hurt. “It used to be that I would never keep secrets from you. You were my best friend. But now that we’re dating, it’s just…different. I feel like I have to watc what I say, or you get all worried. Sometimes I just want you to be the old Jay again, so I can talk to you.” Violet crept up behind him, wrapping her arms around his waist and resting her cheek against his back.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Reading is..." His brows knit together and then his forehead smoothed as the right words appeared to dawn on him. "It's going somewhere without ever taking a train or ship, an unveiling of new, incredible worlds. It's living a life you weren't born into and a chance to see everything colored by someone else's perspective. It's learning without having to face consequences of failures, and how best to succeed." He hesitated. "I think within all of us, there is a void, a gap waiting to be filled by something. For me, that something is books and all their proffered experiences." Grace's heart went soft at the poetic affection with which he spoke, finding herself both envious of the books as well as the fulfillment he found in them.
Madeline Martin (The Last Bookshop in London)
The hot crown of his cock notched against my sex, and we both stopped, our gazes clashing. "Em." I knew what he meant. This felt different. This felt more like than sex. He didn't look away as he slowly pushed into me, all that hot girth making itself at home. I moaned and spread my legs wider, working with him. He was big. And there. And it felt so good I could barely breathe through it all. Lucian dipped his head, trembling with effort to go slow. "God. God. You feel..." He broke off with a tortured groan and a hard thrust, filling me completely. I closed my eyes, my hands smoothing over his damp back. "So good, Lucian. So good." That was all he needed. Moving like liquid, he rocked into me, kissing my mouth, whispering how much he wanted me. I grew incandescent with it, heat licking through me in waves. Lucian fucked like he did most everything, with perfect finesse and fierce determination. With swagger. Soon we were both panting, moving faster, reaching for that peak yet wanting to prolong it. "I don't want it to end," he said against my mouth. But then he canted his hips, hitting that spot that lit me up and made me scream. There was no more finesse, no more drawing it out. Just basic rutting, fucking each other like we might die and not get another chance. And when he came, I stared up at him, at those muscles straining, his wintergreen eyes gleaming in lust and surprise, as though he couldn't quite believe how good it was. Neither could I. Because it had never been like this.
Kristen Callihan (Make It Sweet)
Do you have a piece of paper I could write on?” I jump up too fast. “Sure. Just one? Do you—of course you need something to write with. Sorry. Here.” I grab him a paper from my deskdrawer and one of my myriad pencils, and he uses the first Children of Hypnos book as a flat surface to write on. When I’m sure he’s writing something for me to read right now, I say, “I thought you only needed to do that when other people were around?” He etches one careful line after the next. He frowns, shakes his head. “Sometimes it’s . . . tough to say things. Certain things.” His voice is hardly a whisper. I sit down beside him again, but his big hand blocks my view of the words. He stops writing, leaves the paper there, and stares. Then he hands it to me and looks the other direction. Can I kiss you? “Um,” is a delightfully complex word. “Um” means “I want to say something but don’t know what it is,” and also “You have caught me off guard,” and also “Am I dreaming right now? Someone please slap me.” I say “um,” then. Wallace’s entire head-neck region is already flushed with color, but the “um” darkens it a few shades, and goddammit, he was nervous about asking me and I made it worse. What good is “um” when I should say “YES PLEASE NOW”? Except there’s no way I’m going to say “YES PLEASE NOW” because I feel like my body is one big wired time bomb of organs and if Wallace so much as brushes my hand, I’m going to jump out of my own skin and run screaming from the house. I’ll like it too much. Out of control. No good. I say, “Can I borrow that pencil?” He hands me the pencil, again without looking. Yes, but not right now. I know it sounds weird. Sorry. I don’t think it’ll go well if I know it’s coming. I will definitely freak out and punch you in the face or scream bloody murder or something like that. Surprising me with it would probably work better. I am giving you permission to surprise me with a kiss. This is a formal invitation for surprise kisses. I don’t like writing the word “kiss.” It makes my skin crawl. Sorry. It’s weird. I’m weird. Sorry. I hope that doesn’t make you regret asking. I hand the paper and pencil back. He reads it over, then writes: No regret. I can do surprises. That’s it. That’s it? Shit. Now he’s going to try to surprise me with a kiss. At some point. Later today? Tomorrow? A week from now? What if he never does it and I spend the rest of the time we hang out wondering if he will? What have I done? This was a terrible idea. I’m going to vomit. “Be right back,” I say, and run to the bathroom to curl up on the floor. Just for like five minutes. Then I go back to my room and sit down beside Wallace. As I’m moving myself into position, his hand falls over mine, and I don’t actually jump out of my skin. My control shakes for a moment, but I turn in to it, and everything smooths out. I flip my hand over. He flexes his fingers so I can fit mine in the spaces between. And we sit there, shoulder to shoulder, with our hands resting on the bed between us. It’s not so bad
Francesca Zappia (Eliza and Her Monsters)
I want to be married,” I blurted. “I want you to marry me.” Fuuuuuuuck. And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated. In the circle of my arms, Chloe grew very still. “What did you just say?” I had completely botched the plan, but it was too late to turn back now. “I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.” She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth. “I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.” Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.” Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—” She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked. “You tell me, genius.” “Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.” “It’s a ring, dummy. For you.” My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?” She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle. “You were going to propose to me?” I asked, still completely confused. “Do women even do that?” She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.” “So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?” “You tell me!” she yelled, but she was smiling. “Technically you haven’t asked yet.” “Goddamnit, Bennett! You haven’t, either!” “Will you marry me?” I asked, laughing. “Will you marry me?” With a growl, I took the box and dropped it on the floor, flipping her onto her back.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
From this distance, they looked like rocks. Unnaturally smooth and round rocks. “Were you going to poke them with a stick?” Keelan growled. Hakeem looked uncertain. “Yes?” “When you find freaky shit in the scary woods, you don’t poke it with a stick. It can explode in your face. What do you do instead?” Hakeem clearly didn’t know the answer to that question. I almost felt sorry for him. He had just turned eighteen this year, and this was likely his first real outing. “You ask the Consort. The Consort knows everything.” “Oh,” Hakeem said. Keelan pivoted to me. “Consort, please tell us what this is.” “I have no idea.” Keelan blinked, his teaching moment temporarily derailed. He took a second to recover. “How do we proceed?” I held my hand out, and Hakeem surrendered his branch. “I’m going to poke it with a stick.
Ilona Andrews (Magic Claims (Kate Daniels: Wilmington Years, #2; Kate Daniels, #10.6))
There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin. She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp. "Don't," she said weakly. His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?" Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened? "No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate." Gabriel looked blank for a moment. "Oh, that. That was a compliment." Pandora scowled. "It would only be a compliment if I had a beard and a peg leg." Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming." "Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong." "No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?" "Even when I plunder and pillage like a Viking?" she asked darkly. "Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling." "You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe. Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'" Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
See my coat over there? I want you to look in the pockets.” CyFi’s heavy coat is a few yards away tossed over the seat of a swing. Lev goes to the swing set and picks up the coat. He reaches into an inside pocket and finds, of all things, a gold cigarette lighter. He pulls it out. “Is that it, Cy? You want a cigarette?” If a cigarette would bring CyFi out of this, Lev would be the first to light it for him. There are things far more illegal than cigarettes, anyway. “Check the other pockets.” Lev searches the other pockets for a pack of cigarettes, but there are none. Instead he finds a small treasure trove. Jeweled earrings, watches, a gold necklace, a diamond bracelet—things that shimmer and shine even in the dim daylight. “Cy, what did you do . . . ?” “I already told you, it wasn’t me! Now go take all that stuff and get rid of it. Get rid of it and don’t let me see where you put it.” Then he covers his eyes like it’s a game of hide-and-seek. “Go—before he changes my mind!” Lev pulls everything out of the pocket and, cradling it in his arms, runs to the far end of the playground. He digs in the cold sand and drops it all in, kicking sand back over it. When he’s done, he smoothes it over with the side of his shoe and drops a scattering of leaves above it. He goes back to CyFi, who’s sitting there just like Lev left him, hands over his face. “It’s done,” Lev says. “You can look now.” When Cy takes his hands away, there’s blood all over his face from the cuts on his hands. Cy stares at his hands, then looks at Lev helplessly, like . . . well, like a kid who just got hurt in a playground. Lev half expects him to cry. “You wait here,” Lev says. “I’ll go get some bandages.” He knows he’ll have to steal them. He wonders what Pastor Dan would say about all the things he’s been stealing lately. “Thank you, Fry,” Cy says. “You did good, and I ain’t gonna forget it.” The Old Umber lilt is back in his voice. The twitching has stopped.
Neal Shusterman (Unwind (Unwind, #1))
You’re going into the hospital, all right, Heinrich,” says Bethke, comforting him. But he would not listen. “Let be.” Thereafter he does not say much. Nor does he want to be carried in; but to stay outside. The hospital is on a gentle slope, whence one can see far out along the avenue down which we have come. It is all gay and golden. The earth lies there, still and smooth and secure; even fields are to be seen, little, brown, tilled strips, right close by the hospital. And when the wind blows away the stench of blood and of gangrene, one can smell the pungent ploughed earth. The distance is blue and everywhere peaceful, for from here the view is away from the Front. Wessling is still. He is observing everything most narrowly. His eyes are clear and alert. He is a farmer and at home with the country; he understands it better and otherwise than we. He knows that he must leave it now. So he will miss nothing; nor does he take his eyes from it again. Minute by minute he grows paler.
Erich Maria Remarque (The Road Back)
This is the story of a boy named Pete Coutinho, who had a spell put on him. Some people might have called it a curse. I don't know. It depends on a lot of things, on whether you've got gipsy blood, like old Beatriz Sousa, who learned a lot about magic from the wild gitana tribe in the mountains beyond Lisbon, and whether you're satisfied with a fisherman's life in Cabrillo. Not that a fisherman's life is a bad one, far from it. By day you go out in the boats that rock smoothly across the blue Gulf waters, and at night you can listen to music and drink wine at the Shore Haven or the Castle or any of the other taverns on Front Street. What more do you want? What more is there? And what does any sensible man, or any sensible boy, want with that sorcerous sort of glamor that can make everything incredibly bright and shining, deepening colors till they hurt, while wild music swings down from stars that have turned strange and alive? Pete shouldn't have wanted that, I suppose, but he did, and probably that's why there happened to him - what did happen. And the trouble began long before the actual magic started working. ("Before I Wake...")
Henry Kuttner (Masters of Horror)
He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
He was taking another hit from his short-and-squat of Goose when his eyes skipped to the arched doorway of the room. Jane hesitated as she glanced inside, her white coat opening as she leaned to the side, as if she were looking for him. When their eyes met, she smiled a little. And then a lot. His first impulse was to hide his own grin behind his Goose. But then he stopped himself. New world order. Come on, smile, motherfucker, he thought. Jane gave a short wave and played it cool, which was what they usually did when they were together in public. Turning away, she headed over to the bar to make herself something. “Hold up, cop,” V murmured, putting his drink down and bracing his cue against the table. Feeling like he was fifteen, he put his hand-rolled between his teeth and tucked his wife-beater tightly into the waistband of his leathers. A quick smooth of the hair and he was . . . well, as ready as he could be. He approached Jane from behind just as she struck up a convo with Mary—and when his shellan pivoted around to greet him, she seemed a little surprised that he’d come up to her. “Hi, V . . . How are—” Vishous stepped in close, putting them body to body, and then he wrapped his arms around her waist. Holding her with possession, he slowly bent her backward until she gripped his shoulders and her hair fell from her face. As she gasped, he said exactly what he thought: “I missed you.” And on that note, he put his mouth on hers and kissed the ever-living hell out of her, sweeping one hand down to her hip as he slipped his tongue in her mouth, and kept going and going and going . . . He was vaguely aware that the room had fallen stone silent and that everything with a heartbeat was staring at him and his mate. But whatever. This was what he wanted to do, and he was going to do it in front of everyone—and the king’s dog, as it turned out. Because Wrath and Beth came in from the foyer. As Vishous slowly righted his shellan, the catcalls and whistling started up, and someone threw a handful of popcorn like it was confetti. “Now that’s what I’m talkin’ ’bout,” Hollywood said. And threw more popcorn. Vishous cleared his throat. “I have an announcement to make.” Right. Okay, there were a lot of eyes on the pair of them. But he was so going to suck up his inclination to bow out. Tucking his flustered and blushing Jane into his side, he said loud and clear: “We’re getting mated. Properly. And I expect you all to be there and . . . Yeah, that’s it.” Dead. Quiet. Then Wrath released the handle on George’s harness and started to clap. Loud and slow. “About. Fucking. Time.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
There is a great deal of testing going on early in the relationship. The misogynist is defining for himself—often without even realizing it—just how far he can go. Unfortunately, his partner believes that by not confronting or questioning his behavior when he hurts her feelings, she is expressing her love for him. Many women fall into this trap. We have been taught since we were little girls that love is the answer. It will make everything better, all we have to do is to get a man to love us and then life will be good and we will live happily ever after. We have also been taught that in the service of getting that love, certain behaviors are expected of us. Some of those are "smoothing things over," backing down, apologizing, and "making nice." As it turns out, these are the very behaviors that encourage the misogynist to mistreat his partner. It is as if we've made both a spoken and an unspoken contract, or agreement, with the misogynist. The spoken agreement says: I love you and I want to be with you. The unspoken agreement, which comes from our deepseated needs and fears, is far more powerful and binding. Your part in the unspoken agreement is: My emotional security depends on your love, and to get that I will be compliant and renounce my own needs and wishes. His part of that agreement is: My emotional security depends on my being in total control.
Susan Forward (Men Who Hate Women and the Women Who Love Them: When Loving Hurts and You Don't Know Why)
All my life, everything’s been smooth and easy. My family loves me, lots of friends, I never wanted for anything. Nothing bad has ever happened to me. I knew God loved me. But now . . .” “He still loves you, sweetheart.” Hutch winced, and his cheeks flamed. Why on earth did he call her sweetheart? “I know. But I’ve always been good, and my life’s always been good, and now . . .” “Now your life stinks.” She lifted her face to look at him, so close he’d barely have to move to kiss her. He wouldn’t mind the taste of tears. “It does stink.” She buried her face in his shoulder again. “And you haven’t stopped being good.” “No. I know the Lord doesn’t make bargains like that. I know good people suffer and the wicked prosper, but I always thought . . .” Hutch sighed and rubbed her back. “You always thought you were the exception.” “It sounds stupid.” “No. It was a reasonable assumption based on observation.” Georgie sagged in his arms. “I also thought God spared me because I’m weak. He knows I can’t handle tragedy.” “Well, then.” He gave her a squeeze. “This tragedy shows you what I already know. You are strong enough. This is hard, the hardest thing you’ve ever gone through, but you can handle it if you lean on God. You’ll come through stronger and wiser and even more compassionate because of it.” “Thank you. You’re such a good friend.” Her arms loosened around his waist, and she pulled back slightly, staring at his chest. “I should get going. I just wanted to say good-bye.
Sarah Sundin (On Distant Shores (Wings of the Nightingale, #2))
Her voice sounded more normal. Much of the coldness he'd heard before was gone. “You could wait till the baby is born.” He swallowed the food and shrugged. “I don't know yet. My lawyer is looking into my options.” Jake didn't want to discuss how he was going to handle this problem with Blair. Instead he wanted to know where he stood with her. Eventually everything with Blair would be settled even if it did take several months. But he needed to know if she believed him enough to stick around and learn the truth. “I'm meeting with him again next week.” Charlie fell silent again and Jake could almost see her brain processing everything as she studied him. “Charlie I know you have no reason to believe me.” He reached out, lacing her fingers with his. “But if I thought the baby could be mine, I'd try to smooth things over with Blair. I would want to be a part of my child's life. But I don't believe her. The timing is all wrong, and she's too uncooperative.”   She wanted to believe him. Everything she'd learned about him so far told her that he wasn't the type of man who would abandon a child. Then again her mother had probably thought the same thing about her father. At the same time she couldn't help but think of the scandal from the previous year with Jake's half-sister Callie. Sure Warren Sherbrooke claimed Callie's mother never told him about the pregnancy. Who really knew the truth though? Callie's mom was dead. Had it been a similar situation? Was Jake merely following in his father's footsteps? On
Christina Tetreault (The Sherbrookes of Newport: A Collection of Novels (The Sherbrookes of Newport, #1-3))
To days like these, I know it's pretty difficult to carry on, especially with all that is going on around. I know you tried your best to build something, to grow something the very whole time and when the time came for it to blossom, everything seemed to have fallen apart all over again. I know you have always believed in hard work and the goodness of spirit, yet sometimes when you find your hardwork slip through Time's fingers and your goodness going absolutely unnoticed in a world of camouflaged realities, I hope you hold on. I know you feel angry and hostile and you seek answers but hold on, dear heart for nothing goes in vain in a Universe that absorbs every bit of one's actions and intentions. Hold on, dear heart for it doesn't matter how many times you fall but how you remember to walk ahead having full faith on the Justice of Time. Hold on, dear heart for Faith is not when you carry on when the way is smooth and lit but when you cross tunnels of darkness to become the light yourself, for Faith is knowing He is there with you, even in the darkest of nights and the fiercest of storms. Hold on, dear heart for Nothing is certain in a world that revolves around a star of Fire, only that you have the same fire within yourself, the very Stardust that He has put in your soul. And no matter what, carry on, walk ahead with kindness and grace, seep deep in that passion of hard work that pushes you to wake up in the morning to create something, to grow something and to find something wherein you can pour a flicker of your spirit, while wearing the smile of goodness, the very one that makes you, You. Hold on, dear heart! We will grow our garden, all over again, with a little more sunshine and a smile of strength! Love & Light, always - Debatrayee
Debatrayee Banerjee
Perhaps the elements of memory in plants are superficially treated," he writes, "but at least there they are in black and white! Yet no one calls his friends or neighbors, no one shouts in a drunken voice over the telephone: Have you heard the news? Plants can feel! They can feel pain! They cry out! Plants remember everything!" When Soloukhin began to telephone his own friends in excitement he learned from one of them that a prominent member of the Soviet Academy of Sciences, working in Akademgorodok, the new town inhab­ ited almost exclusively by research scientists on the outskirts of Siberia's largest industrial center, Novosibirsk, had stated: Don't be amazed! We too are carrying out many experiments of this kind and they all point to one thing: plants have memory. They are able to gather impressions and retain them over long periods. We had a man molest, even torture, a geranium for several days in a row. He pinched it, tore it, pricked its leaves with a needle, dripped acid on its living tissues, burned it with a lighted match, and cut its roots. Another man took tender care of the same geranium, watered it, worked its soil, sprayed it with fresh water, supported its heavy branches, and treated its burns and wounds. When we electroded our instruments to the plant, what do you think? No sooner did the torturer come near the plant than the recorder of the instrument began to go wild. The plant didn't just get "nervous"; it was afraid, it was horrified. If it could have, it would have either thrown itself out the window or attacked its torturer. Hardly had this inquisitor left and the good man taken his place near the plant than the geranium was appeased, its impulses died down, the recorder traced out smooth­ one might almost say tender-lines on the graph.
Peter Tompkins (The Secret Life of Plants: A Fascinating Account of the Physical, Emotional and Spiritual Relations Between Plants and Man)
Rose, we were seen together naked and in my bed by my brother, my butler and two men who are about to become intimately acquainted with this family. We must marry.” She frowned, delicate brow pulling in a manner that made him want to kiss it smooth and promise everything would be all right. He’d do his best to make her happy. Yes, he would willfully lie to ease her burden. “But, you’ve sacrificed so much for me and Mama already.” Christ, she wasn’t going to cry, was she? “It doesn’t seem fair that you be forced to marry me because I made the mistake of coming to your room.” “Is that what it was? A mistake?” His head swam and his heart felt strangely tight. Hadn’t she told him earlier that she wanted this? Perhaps she hadn’t come right out and said it, but he had thought it was obvious. Her eyes widened, big brown circles that stared helplessly at him. “You aren’t the least bit angry with me, are you?” “No,” he replied. “Strangely enough I’m not angry at myself either, although I could strangle Bronte’s future father-in-law for arriving when he did.” Rose glanced away, but not before he saw the flash of desire in her eyes as she remembered what he was about to do to her before they were interrupted. “Yes, I could strangle the poor man as well.” Sweet God, were it not for Bronte he’d throw her on the bed right now and screw her senseless. “When I return I will procure a special license for us to marry.” Her gaze flew to his. “Grey-“ He could not bear to have her refuse him now. “We will be wed. And then we will continue what we begun tonight-no interruptions.” And just in case she didn’t believe him, he too her by the arms and hauled her roughly against his chest, lowering his head to bruise her lips with his own. She was his now. Or at least, she soon would be. Till death do them part. As he left her to rejoin the men downstairs, he found himself wishing to live to be a very old man.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Our Best Days at Work WHEN ASKED, “WHAT was one of your best days at work?” very few of us recount the time everything went smoothly and the big project we were working on came in on time and under budget. Considering how we work so hard to make things go well, that example should count as a pretty good day at work. But strangely, the days everything goes smoothly and as planned are not the ones we remember with fondness. For most of us, we have warmer feelings for the projects we worked on where everything seemed to go wrong. We remember how the group stayed at work until 3 a.m., ate cold pizza and barely made the deadline. Those are the experiences we remember as some of our best days at work. It was not because of the hardship, per se, but because the hardship was shared. It is not the work we remember with fondness, but the camaraderie, how the group came together to get things done. And the reason is, once again, natural. In an effort to get us to help one another during times of struggle, our bodies release oxytocin. In other words, when we share the hardship, we biologically grow closer. You may be getting sick of my saying this over and over, but our bodies are trying to incentivize us to repeat behavior in our best interest. And in hard times, what better way to protect the tribe, organization or species than to make us feel good for helping one another? Our “best days at work” were the ones when we helped each other endure or overcome hardship. And if those days do not come with fond memories, it is probably because the team didn’t come together, and backstabbing and selfishness prevailed. When we work in a culture in which we are left to fend for ourselves, even a “good day at work,” from a biological perspective, is still a bad day at work. Those in the military often speak with fondness of their time deployed. It seems strange that a group living in austere conditions, with real
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
Oh, Lord. I have once again jilted a fiancé, haven’t I? I’m forever going to be known as the woman who jilted two men.” She made a face. “I should have calling cards made--‘Jane the Jilt,’ to go along with ‘Dom the Almighty.’” “I will never carry a card with the appellation ‘Dom the Almighty,’ so just put that right out of your head,” he said irritably. “In any case, since you’re marrying me, I’m no longer jilted.” He paused a moment to shoot her a wary glance. “You are marrying me, aren’t you?” That was even closer to asking. “Say ‘please,’” she teased. Though he eyed her askance, he pulled her close for a long, lingering kiss, then said, “Please, Jane, will you marry me?” She beamed at him. “I do believe I will.” He sobered. “Even if Nancy actually does turn out to be bearing George’s son, and he inherits everything?” “Of course. You’re head of the Duke’s Men. I would be a fool to pass up such a match.” When he scowled at her, she burst into laughter. “Max and Lisette told me all about how your agency got the name. I must say I found it vastly amusing.” “You would,” he grumbled. “And you still haven’t said why your uncle let you go off with them.” After she related her elaborate deception, he shook his head. “All this subterfuge in order to talk to me could have been prevented if you’d just ridden with me earlier today, when I asked.” “Really?” She smoothed his disordered hair, which was sticking up at all angles. “You wouldn’t have spent the entire trip detailing reasons why I ‘must’ marry you?” He flinched. “I’m sorry, Jane. Apparently, when I find myself with my back to the wall, I bark orders.” “I know.” She straightened his cravat. “And in case you hadn’t noticed, I don’t do well with men who bark orders or make plans for me. It makes me want to shove them off a cliff.” “Or refuse to marry them?” “That, too.” “Then I can see it’s a habit I shall have to break, if I am to keep you happy.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
GUAC AD HOC   Hannah’s 1st Note: This is Howie Levine’s guacamole recipe. He’s Lake Eden’s most popular lawyer. 2 ounces cream cheese 4 ripe avocados (I used Haas avocados) 2 Tablespoons lemon juice (freshly squeezed is best) 1 clove garlic, finely minced (you can squeeze it in a garlic press if you have one) cup finely chopped fresh oregano leaves 1 Italian (or plum) tomato, peeled, seeded, and chopped 4 green onions, peeled and thinly sliced (you can use up to 2 inches of the green stem) ½ teaspoon salt 10 grinds of freshly ground pepper (or tea spoon) ½ cup sour cream to spread on top Bacon bits to sprinkle on top of the sour cream Tortilla chips as dippers Howie’s Note: I use chopped oregano because Florence doesn’t always carry cilantro at the Lake Eden Red Owl. This guacamole is equally good with either one. Heat the cream cheese in a medium-sized microwave-safe bowl for 15 seconds on HIGH, or until it’s spreadable. Peel and seed the avocados. Put them in the bowl with the cream cheese and mix everything up with a fork. Mix just slightly short of smooth. You want the mixture to have a few lumps of avocado. Add the lemon juice and mix it in. It’ll keep your Guac Ad Hoc from browning. Add the minced garlic, chopped oregano leaves, tomato, sliced green onion, salt, and pepper. Mix everything together. Put your Guac Ad Hoc in a pretty bowl, and cover it with the sour cream. Sprinkle on the bacon bits. If you’re NOT going to serve it immediately, spread on the sour cream, but don’t use the bacon bits. Cover the bowl with plastic wrap and refrigerate it until time to serve. Then sprinkle on the bacon bits. (My bacon bits got a little tough when I added them to the bowl and refrigerated it. They were best when I sprinkled them on at the last moment.) Hannah’s 2nd Note: Mike and Norman like this best if I serve it with sliced, pickled Jalapenos on top. Mother won’t touch it that way. Yield: This amount of Guac Ad Hoc serves 4 unless you’re making it for a Super Bowl game. Then you’d better double the recipe.
Joanne Fluke (Red Velvet Cupcake Murder (Hannah Swensen, #16))
But come on—tell me the proposal story, anyway.” She raised an eyebrow. “Really?” “Really. Just keep in mind that I’m a guy, which means I’m genetically predisposed to think that whatever mushy romantic tale you’re about to tell me is highly cheesy.” Rylann laughed. “I’ll keep it simple, then.” She rested her drink on the table. “Well, you already heard how Kyle picked me up at the courthouse after my trial. He said he wanted to surprise me with a vacation because I’d been working so hard, but that we needed to drive to Champaign first to meet with his former mentor, the head of the U of I Department of Computer Sciences, to discuss some project Kyle was working on for a client.” She held up a sparkly hand, nearly blinding Cade and probably half of the other Starbucks patrons. “In hindsight, yes, that sounds a little fishy, but what do I know about all this network security stuff? He had his laptop out, there was some talk about malicious payloads and Trojan horse attacks—it all sounded legitimate enough at the time.” “Remind me, while I’m acting U.S. attorney, not to assign you to any cybercrime cases.” “Anyhow. . . we get to Champaign, which as it so happens, is where Kyle and I first met ten years ago. And the limo turns onto the street where I used to live while in law school, and Kyle asks the driver to pull over because he wants to see the place for old time’s sake. So we get out of the limo, and he’s making this big speech about the night we met and how he walked me home on the very sidewalk we were standing on—I’ll fast-forward here in light of your aversion to the mushy stuff—and I’m laughing to myself because, well, we’re standing on the wrong side of the street. So naturally, I point that out, and he tells me that nope, I’m wrong, because he remembers everything about that night, so to prove my point I walk across the street to show him and”—she paused here— “and I see a jewelry box, sitting on the sidewalk, in the exact spot where we had our first kiss. Then I turn around and see Kyle down on one knee.” She waved her hand, her eyes a little misty. “So there you go. The whole mushy, cheesy tale. Gag away.” Cade picked up his coffee cup and took a sip. “That was actually pretty smooth.” Rylann grinned. “I know. Former cyber-menace to society or not, that man is a keeper
Julie James (Love Irresistibly (FBI/US Attorney, #4))
Condom,” she gasped. A movement stopped. “What?” Phoebe felt the earth open up in preparation of swallowing her. How could she have not mentioned this before? “I’m not on anything right now,” she whispered. “Birth control. I’m not on the Pill.” She gestured helplessly. “Shit, fuck, damn.” Disappointment tied her in knots. “I was really only interested in that middle part,” she joked. There was a second of silence, followed by a low chuckle. “You’re never predictable, Phoebe. I’ll give you that. Cross your fingers.” “What?” “Cross your fingers. I might have a condom in my shaving kit.” There was movement and rustling, then the sound of a zipper being opened. “I’m going to have to put on the light.” She briefly debated being polite and closing her eyes, but who was she kidding? She wanted to see Zane naked. In preparation, she raised up on one elbow and stared in his general direction. When the light came on, she saw all she wanted and more. He was kneeling at the end of the sleeping bag. Naked, aroused and more physically perfect than any man had a right to be. She saw the definition in his arms, the broad strength of his chest and his flat stomach before lowering her attention to his large, hard penis. The physical proof of his desire for her made her so happy, she nearly cried. Her other instinct was to part her legs, tell him never mind with birth control and protection and demand he take her right there. As that last bit was only ever going to happen in her fantasies, she contended herself with stretching out her arm and lightly grazing the tip of him with her fingers. He stiffened instantly, then turned to look at her. If she’d had any doubts about his willingness to participate, they were put to rest by the fire in his eyes and the tightness of his expression. He was a man on the sexual edge, and she couldn’t wait to push him over. He shook his head and forced his attention back to the shaving kit. At first he set the various items on the foot of the sleeping bag, but after a couple of seconds, he simply turned the container over and dumped out the contents. “Be here, be here, be here,” he muttered as he pawed through everything. Then he grabbed a square packet in triumph. “Got one.” She couldn’t help smiling. “Only one?” He grinned. “We’ll have to be creative after that.” He handed her the condom, then clicked off the light. “Where was I?” he asked. “You can pretty much be anywhere you want to be,” she told him. “Good. Then I want to be here.” He pulled off her panties in one smooth move. Then there was nothing.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Gentleman,” I purr smoothly in greeting. Ezra and Cort circle me like sharks scenting blood. I know who they are, but not who is who since they’re wearing black hoods over their heads. It covers them to the shoulder and has holes for the eyes and mouth. Their clothing is identical Italian designer label suits. Even their shoes are the same. Their eyes glow like steel ball-bearings from the safety of their masks. The mouths are different- one serious, one snarky- both ruby-red and kissable. While they circle Fate and me several times taking our measure, the other Master stands in a sphere of his own confidence. He’s older and I don’t mean just in age, but knowledge. Ezra and Cortez feel like babies compared to this man. I bet he’s who I really have to impress. I wait, always meeting their eyes when their path moves them back to my face. I don’t follow them with my gaze- I wait. “Hello,” the hood with the serious lips speaks in a smooth deep tone. I know it’s not his true voice, but the one Kris calls The Boss. His eyes are kind and assessing. No one pays Fate any mind as she cowers at my thigh. I hold their undivided attention. Curly-locks is quiet- watchful- a predator sighting its quarry. Snarky mouth is leering at my chest and I smirk. Caught ya, Cortez Abernathy. “I seem to be at a disadvantage conversing with you while you’re hooded. I can’t see you, but you can see me.” I try to get them to out themselves. It’s a longshot. “And who are you, Ma’am?” Ezra asks respectfully. “Please call me Queen.” I draw on all of my lessons from Hillbrook to pull me through this conversation. The power in the air is stifling. I wonder if it’s difficult for them to be in the same room without having a cage match for dominance. I feel like I’m on Animal Planet and the lions are circling. “Queen, indeed,” Cort says snidely under his breath and I wince. I turn my face from them in embarrassment. I should have gone with something less- less everything. I know I’m strong, but the word also emulates elegance and beauty. I’m neither. Have to say, tonight has sucked for my self-esteem. First, the dominant one overlooks me for Fate and now Cortez makes fun of me- lovely. “What did you say to upset her?” Ezra accuses Cortez. “Nothing,” Cort complains in confusion. “Please excuse my partner. Words are his profession and it seems they have failed him this evening. I will apologize for not sharing our names, but this gentleman is Dexter.” He gestures to the dominant man. I wait for him to shake my hand like a civilized person. He does not- he actually crosses his arms over his chest in disobedience. This shit is going to be a piece of cake.
Erica Chilson (Queened (Mistress & Master of Restraint, #6))
Those minutes were the beginning of his abandoning himself to a very strange kind of devotion, such a reeling, intoxicated sensation that the proud and portentous word ‘love’ is not quite right for it. It was that faithful, dog-like devotion without desire that those in mid-life seldom feel, and is known only to the very young and the very old. A love devoid of any deliberation, not thinking but only dreaming. He entirely forgot the unjust yet ineradicable disdain that even the clever and considerate show to those who wear a waiter’s tailcoat, he did not look for opportunities and chance meetings, but nurtured this strange affection in his blood until its secret fervour was beyond all mockery and criticism. His love was not a matter of secret winks and lurking glances, the sudden boldness of audacious gestures, the senseless ardour of salivating lips and trembling hands; it was quiet toil, the performance of those small services that are all the more sacred and sublime in their humility because they are intended to go unnoticed. After the evening meal he smoothed out the crumpled folds of the tablecloth where she had been sitting with tender, caressing fingers, as one would stroke a beloved woman’s soft hands at rest; he adjusted everything close to her with devout symmetry, as if he were preparing it for a special occasion. He carefully carried the glasses that her lips had touched up to his own small, musty attic bedroom, and watched them sparkle like precious jewellery by night when the moonlight streamed in. He was always to be found in some corner, secretly attentive to her as she strolled and walked about. He drank in what she said as you might relish a sweet, fragrantly intoxicating wine on the tongue, and responded to every one of her words and orders as eagerly as children run to catch a ball flying through the air. So his intoxicated soul brought an ever-changing , rich glow into his dull, ordinary life. The wise folly of clothing the whole experience in the cold, destructive words of reality was an idea that never entered his mind: the poor waiter François was in love with an exotic Baroness who would be for ever unattainable. For he did not think of her as reality, but as something very distant, very high above him, sufficient in its mere reflection of life. He loved the imperious pride of her orders, the commanding arch of her black eyebrows that almost touched one another, the wilful lines around her small mouth, the confident grace of her bearing. Subservience seemed to him quite natural, and he felt the humiliating intimacy of menial labour as good fortune, because it enabled him to step so often into the magic circle that surrounded her.
Stefan Zweig
I never dreamed it would be as amazing as that,” she whispered. “I did.” “Really?” Her soft voice was a caress. Everything about her was as smooth and silky and sweet as whipped cream. Well, except for her tart opinions. And her fierce determination to make him tell everything in his soul. Though he had to admit that after confessing his secret fears to her earlier, he felt freer, as if the boulder he’d been carrying for years had dropped from his back. “I knew it would be perfect.” He gave her a lingering kiss, then drew back to cup her pinkening cheek. “With you it could be nothing less.” Shyly avoiding his gaze, she finger-combed his short hair. “Nancy always said that sharing a man’s bed was something to ‘endure.’ That marriage was more pleasant without it, but it was required for having children so she’d had to put up with it.” He skimmed a hand down her lightly freckled arm. “And what do you think, now that you’ve experienced it for yourself?” “I think I could ‘endure’ it with great enthusiasm.” Jane flashed him a mischievous smile. “But I’m not really sure. Should we try it again so I can make certain?” Stifling a laugh, he tried to look stern. “We’re lucky none of the grooms have stumbled over us already.” He managed to sound even-toned, though the prospect of taking her again--here, now--was already making him hard. “Speaking of that, we’d better get dressed, before someone finds us here naked.” A sigh escaped her. “You do have a point. Though I don’t know how you can be so sensible and industrious when all I feel is lazy and content.” “I’m not being sensible and industrious at all.” Reluctantly he slipped from her arms to go hunt up his drawers. “I’m simply being selfish. The longer you stay naked, the more chance that I will attempt to ravish you again.” “That sounds perfectly…awful,” she said as she struck a seductive pose. God save him. He swept his gaze over her thrusting breasts, her slender belly with its delicate navel, and her auburn thatch of curls. The taste of her was still on his lips, the smell of her still in his nostrils. He wanted her again. And again and again… Muttering a curse under his breath, he tossed her shift at her. “Put some clothes on before I combust.” She laughed, a delicate tinkling sound that tightened his cock. Fortunately for his self-restraint, she did as he bade and donned her shift. Only then was he able to breathe, to concentrate on putting on his trousers rather than on the erotic sight of her drawing her stockings up those luscious legs. He turned and nearly stumbled over the carriage lamps. “These are a lost cause, now that I recklessly dashed them to the floor in my…er…enthusiasm, sweeting.” “Good,” she said cheerily. “Now you can’t run off to London without me tonight.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Good God, Miss Butterfield,” Lord Jarret said. “Don’t tell me you read Minerva’s Gothic horrors.” “They’re not Gothic horrors!” Maria protested. “They’re wonderful books! And yes, I’ve read every single one, more than once.” “Well, that explains a few things,” Oliver remarked. “I suppose I have my sister to thank for turning a sword on me at the brothel.” Lord Gabriel laughed. “You took a sword to old Oliver? Oh, God, that’s rich!” Lord Jarret sipped some wine. “At least the mystery of the ‘weapons at her disposal’ is now solved.” “He was misbehaving,” Maria said, with a warning glance for Oliver. Did he want them to know everything, for pity’s sake? “He left me no choice.” “Oh, Maria’s always doing things like that,” Freddy said through a mouth full of eel. “That’s why we won’t teach her to shoot. She always goes off half-cocked.” Maria thrust out her chin. “A woman has to stand up for herself.” “Hear, hear!” Lady Celia raised her goblet of wine to Maria. “Don’t mind these clod-pates. What can you expect from a group of men? They would prefer we let them run roughshod over us.” “No, we wouldn’t,” Lord Gabriel protested. “I like a woman with a little fire. Of course, I can’t speak for Oliver-“ “I assure you, I rarely feel the need to run roughshod over a woman,” Oliver drawled. An arch smile touched his lips as his gaze locked with Maria’s. “I’ve kissed one or two when they weren’t prepared for it, but every man does that.” Lady Minerva snorted. “Yes, and most of them get slapped, but not you, I expect. Even when you misbehave, you have a talent for turning ladies up sweet. How else would you go from having a sword thrust at you to gaining Miss Butterfield’s consent to be your bride-eh, Miss Butterfield?” Maria didn’t answer. Something was nagging at the back of her brain-a vaguely familiar line from one of Lady Minerva’s books: “He had a talent for turning ladies up sweet, which both thrilled and alarmed her.” “Heavens alive.” She stared at Oliver. “You’re the Marquess of Rockton!” She hardly realized she’d said it aloud until his brothers and sisters laughed. A pained look crossed Oliver’s face. “Don’t remind me.” Sparing a glare for his sister, Oliver muttered, “You have no idea how my friends revel in the fact that my sister made me a villain in her novel.” “They only revel because she made them into heroes,” Lord Jarret pointed out, eyes twinkling. “Foxmoor got quite a big head over it, and Kirkwood’s been strutting around ever since the last one came out. He loved that he got to trounce you.” “That’s because he knows he couldn’t trounce me in real life,” Oliver remarked. “Though he keeps suggesting we should have a ‘rapier duel’ to prove whether he could.” Maria stared at them agape. “Do you mean that the Viscount Churchgrove is real? And Foxmoor…great heavens, that’s Wolfplain!” “Yes.” Oliver rolled his eyes. “Churchgrove is my friend, the Viscount Kirkwood, and Wolfplain is another friend, the Duke of Foxmoor. Apparently Minerva has trouble coming up with original characters.” “You know perfectly well that I only used a version of their names,” Lady Minerva said smoothly. “The characters are my own.” “Except for you, Oliver,” Lord Jarret remarked. “You’re clearly Rockton.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
I’d known him just ten days, and it had just left his mouth in an unexpected whisper. It had been purely instinctive, it seemed--something entirely unplanned. He clearly hadn’t planned to say those words to me that night; that wasn’t the way he operated. He was a man who had a thought and acted on it immediately, as evidenced by his sweet, whispery phone calls right after our dates. He spent no time at all calculating moves; he had better things to do with his time. When we held each other on that chilly spring night and his feelings had come rushing to the surface, he’d felt no need to slap a filter over his mouth. It had come out in a breath: I love you. It was as if he had to say it, in the same way air has to escape a person’s longs. It was involuntary. Necessary. Natural. But as beautiful and warm a moment as it was, I froze on the spot. Once I realized it had been real--that he’d actually said the words--it seemed too late to respond; the window had closed, the shutters had clapped shut. I responded in the only way my cowardice would allow: by holding him tighter, burying my face deeper into his neck, feeling equal parts stupid and awkward. What is your problem? I asked myself. I was in the midst of what was possibly the most romantic, emotionally charged moment of my life, in the embrace of a man who embodied not only everything I’d ever understood about the textbook definition of lust, but everything I’d ever dreamed about in a man. He was a specimen--tall, strong, masculine, quiet. But it was much more than that. He was honest. Real. And affectionate and accessible, quite unlike J and most of the men I’d casually dated since I’d returned home from Los Angeles months earlier. I was in a foreign land. I didn’t know what to do. I love you. He’d said it. And I knew his words had been sincere. I knew, because I felt it, too, even though I couldn’t say it. Marlboro Man continued to hold me tightly on that patio chair, undeterred by my silence, likely resting easily in the knowledge that at least he’d been able to say what he felt. “I’d better go home,” I whispered, suddenly feeling pulled away by some imaginary force. Marlboro Man nodded, helping me to my feet. Holding hands, we walked around his house to my car, where we stopped for a final hug and a kiss or two. Or eight. “Thanks for having me over,” I managed. Man, I was smooth. “Any time,” he replied, locking his arms around my waist during the final kiss. This was the stuff that dreams were made of. I was glad my eyes were closed, because they were rolled all the way into the back of my head. It wouldn’t have been an attractive sight. He opened the door to my car, and I climbed inside. As I backed out of his driveway, he walked toward his front door and turned around, giving me his characteristic wave in his characteristic Wranglers. Driving away, I felt strange, flushed, tingly. Burdened. Confused. Tortured. Thirty minutes into my drive home, he called. I’d almost grown to need it. “Hey,” he said. His voice. Help me. “Oh, hi,” I replied, pretending to be surprised. Even though I wasn’t. “Hey, I…,” Marlboro Man began. “I really don’t want you to go.” I giggled. How cute. “Well…I’m already halfway home!” I replied, a playful lilt to my voice. A long pause followed. Then, his voice serious, he continued, “That’s not what I’m talking about.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
What would the ton do without us to feed them scandal broth?” Grey returned her grin. “The lot of them would starve.” They chuckled and as the humor faded, Grey tilted his head to look at her. “You look beautiful tonight.” She flushed, pleasure lighting the dark depths of her eyes. “You don’t have to say such things.” “I know I don’t, but you are my fiancée and it’s perfectly acceptable for me to voice my thoughts aloud. It’s rather refreshing after keeping them to myself for so long.” That got her attention. One of her fine, high brows twitched. “How long?” He grinned. “Since you were old enough for me to think such thoughts without being lecherous.” They stood no more than six inches apart. Close enough that he could see how amazingly flawless her skin was-not a freckle in sight. Close enough that she could see every twist and knot in his scar-and yet she barely glanced at it. Her gaze was riveted on his. She didn’t care that he was disfigured-at least not on the outside. Not on the inside either, so it seemed. “I’ve never been a good man,” he confessed-a little more hoarse than he liked-“but I promise to be a faithful husband.” It was the best he could offer, because as much as he would like to be the man she wanted, it wasn’t going to happen. Her smooth brow puckered. “I haven’t actually consented, you know.” “Rose, we have to marry.” “No.” She raised sparkling eyes to his. “I want you to ask me to marry you-not demand it. I don’t care if it has to be done. I want to feel like I have a choice.” “If you did have a choice, what would it be?” He was on dangerous ground with her, inching into territory better left unexplored for both their sakes. Rose smiled, and everything was right with the world. “Ask me and find out.” His hands came up, seemingly of their own volition, to cup her face. She was so delicate, yet so strong. Her entire world had been turned upside down, and yet she faced him with a teasing glint in her eyes and a soft flush of color in her cheeks. “Rose Danvers, will you do me the extreme honor of becoming my wife?” Were those tears dampening her eyes? And was it joy or sorrow that put them there? “I will.” He knew that they had to marry regardless, but hearing her say those two little words was like someone kicking his heart through his ribs. It hurt, but there was such unfathomable joy that came with it-such terrible happiness that Grey had no idea what to do with it. He’d never felt anything like it before. Holding her face, he lowered his head and hungrily claimed her mouth with his own. Her lips parted for his tongue as her fingers bit into his arms. A trickle of warm wetness brushed against his thumb. She was crying. A sharp gasp came from the open door. “What the devil is going on here?” The kiss and its magic were broken. Rose stepped back, and Grey dropped his hands, but he wasn’t willing to let her go just yet. He placed one arm behind her back, holding her close so that they faced her mother together. Camilla did not look happy. In fact, she looked like any mother would to walk into a room and find her daughter being molested. “Mama,” Rose begun. “It’s not what you think.” “It is exactly what you think,” Grey countered, drawing his friend’s stormy and narrow gaze. “I have asked Rose for her hand in marriage and she has accepted. I regret that you had to find out this way, but I was too overcome with joy to contain my feelings.” He could feel Rose gaping at him. He didn’t look at her, not because the words were a lie, but because they were all too damnably true.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Who will have their strength renewed? “Those who wait upon the Lord”. Waiting could signify passivity: being still. Waiting could also indicate action: serving. Waiting — either kind — can be nearly impossible while we are being run by our emotions. In learning to balance your emotions with wisdom, learning to wait upon the Lord in both senses of the word, you will find that your strength is renewed every day in every situation. On the other hand, operating out of emotions can be exhausting. In your Christian walk, the ability to discern seasons is vital. There are times in your life where immediate action is not only unnecessary, it can be damaging. There are situations in which your best course of action is to “be still and know that He is God” (Psalm 46:10). Allowing Him to speak to you in the midst of your storm, finding your peace in Christ when your life seems upside down may be exactly what is needed. There are times when patience is the order of the day, and waiting on the Lord to move or instruct you in the way you are to move is exactly what is needed. Sometimes the most difficult course to take is to wait and allow the Lord to direct your heart “into the love of God and the patience of Christ” (2 Thessalonians3:5). However difficult it may be, practicing waiting will serve you well. “Waiting” can also signify an action. A waitress will wait on you in your favorite restaurant. You may wait on, or serve, your family. In being able to discern the seasons of waiting passively, we must also be able to discern the seasons of waiting actively. Even in times when you might feel unsure of the next step, there are continually ways for you to serve the Lord: prayer, study, service to others being a few examples. In times when everything is going along smoothly, waiting actively on the Lord is always in order. Paul encourages young Timothy to “be diligent to show yourself approved” (2 Timothy 2:15). In learning to wait actively on the Lord, it is good advice for us as well. Applying ourselves to faithful service to the Lord (active waiting) will sustain us through times when the waiting requires patience and stillness. In our Christian walk, both kinds of “waiting” are needed: an active waiting on or serving the Lord, and likewise a passive waiting for the Lord to move on your behalf. As everything in our relationship with the Lord is a partnership or covenant, this waiting is a “two way street”. As we serve the Lord, He is moved to action on our behalf. Psalm 37:3-7 speaks to both kinds of waiting (parentheses mine): “Trust in the LORD (passive), and do good (active); Dwell in the land (passive), and feed on His faithfulness (active). Delight yourself also in the LORD, And He shall give you the desires of your heart. Commit your way to the LORD (active), Trust also in Him (passive), And He shall bring it to pass (the Lord’s action). He shall bring forth your righteousness as the light, And your justice as the noonday (the Lord’s action). Rest in the LORD (passive), and wait patiently for Him (passive)”. Tremendous and amazing results can come from this kind of waiting. Of course, the Lord in His generous and kind manner will send you opportunities to practice if you want to learn to wait! In His providence, those opportunities are already provided — it is for you to take advantage of them. Will you? Unfortunately, patience is not one of Ahasuerus’ virtues. He is motivated by his emotions, and seems to rush right into whatever comes into his mind without much forethought. Let’s return to Persia, and find out what Ahasuerus is rushing into today. After these things, when the wrath of King Ahasuerus subsided, he remembered... Esther 2:1 “After these things”…. By the beginning of chapter two, four years have passed since King Ahasuerus dethroned Queen Vashti. God was working through this Persian chronicler as he wrote this history
Jennifer Spivey (Esther: Reflections From An Unexpected Life)
His scales were smooth and hot beneath my palms but I managed to gain purchase by grabbing hold of his wing and hoisting myself higher. His body was trembling beneath me and he bellowed in pain again, urging me on faster. I reached up, grabbing a thick spine which ran down the centre of his neck before coming face to face with the creature from my nightmares. The Nymph shrieked, lunging at me faster than should have been possible and I almost lost my grip on Darius as I fell back. My heart lurched violently but I managed to catch the top of his wing, swinging myself around as that paralysing rattle juddered through my core, halting my magic in its tracks and stealing my energy from me. Fear shot through me as the Nymph pounced, its probes aimed right for my chest. I screamed, throwing my fist out even though I knew it was no good. As my knuckles connected with the bony ridges of its face, pain exploded through my hand swiftly followed by a flood of red and blue flames. The Nymph shrieked so loudly that I threw my hands over my ears as the flames consumed it, a wisp of black smoke sweeping up towards the sky where it had been moments before. I fell forwards, my palms meeting the warmth of Darius’s blood as I braced myself against him. More Nymphs were running straight for us and with an echoing roar which vibrated right through my body, Darius destroyed all five of them with a torrent of Dragon Fire. His head fell forward as he used the last of his energy and I cried out, grabbing hold of his wing as he tilted sideways beneath me. He crashed to the ground on his side and through some miracle, I managed to keep hold of his wing before falling against his neck. I wrapped my arms around him, scrunching my eyes closed as a tremor tore through his body and the golden colour of his scales seemed to shine with inner power and heat. My stomach lurched and I released a scream as I found myself falling over ten foot down to the ground as Darius retreated into his Fae form. I kept hold of him as I fell, crashing down into the mud of the Pitball pitch on top of him with a cry of fear. All around us the fight raged on but beneath my hands, blood was pulsing from his chest and he was lying deathly still. “Darius?” I demanded, shaking him while still trying to press down on his wounds. It wouldn’t be enough though, his back and legs were bleeding too. A bloody gouge shone wetly on his neck and his breaths were far too shallow. “Help!” I shouted, though my eyes stayed fixed on Darius’s face and my heart was pounding the rhythm of a war drum in my chest. The hairs were rising along the back of my neck, a strange sensation prickling in my chest. This moment felt eternal and fleeting all at once, like we were hanging between two great points and everything could change on the turn of a coin. “Wake up!” I demanded, pushing my magic towards him in hopes of being able to do something. Instead of stopping the blood or healing him, my magic spilled into his body, merging with his in the reverse of what we’d been doing when he helped me with my fire magic. His power welcomed mine instantly, drawing it in, blending with it completely like it had been waiting for this moment. The feeling took my breath away and though it didn’t slow the blood, I felt the tension ease from his muscles and the fear loosen its grip on his heart. My hands were shaking as they ran slick with Darius’s blood and silent tears tracked down my cheeks. His heart was slowing down, his power flickering like a candle in a breeze. If someone didn’t get to us soon, Darius Acrux was going to die. And though it seemed like he should have been the last person in the world for me to care about after everything he’d done to me, I wasn’t sure I could bear it if I lost him here.(tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
A person who had such a task before him would not need to look very far in Packingtown—he had only to walk up the avenue and read the signs, or get into a streetcar, to obtain full information as to pretty much everything a human creature could need. It was quite touching, the zeal of people to see that his health and happiness were provided for. Did the person wish to smoke? There was a little discourse about cigars, showing him exactly why the Thomas Jefferson Five-cent Perfecto was the only cigar worthy of the name. Had he, on the other hand, smoked too much? Here was a remedy for the smoking habit, twenty-five doses for a quarter, and a cure absolutely guaranteed in ten doses. In innumerable ways such as this, the traveler found that somebody had been busied to make smooth his paths through the world, and to let him know what had been done for him. In Packingtown the advertisements had a style all of their own, adapted to the peculiar population. One would be tenderly solicitous. "Is your wife pale?" it would inquire. "Is she discouraged, does she drag herself about the house and find fault with everything? Why do you not tell her to try Dr. Lanahan's Life Preservers?" Another would be jocular in tone, slapping you on the back, so to speak. "Don't be a chump!" it would exclaim. "Go and get the Goliath Bunion Cure." "Get a move on you!" would chime in another. "It's easy, if you wear the Eureka Two-fifty Shoe.
Upton Sinclair (The Jungle)
So it is essential to bring more consciousness into your life in ordinary situations when everything is going relatively smoothly. In this way, you grow in presence power. It generates an energy field in you and around you of a high vibrational frequency.
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
Reading is...” His brows knit together and then his forehead smoothed as the right words appeared to dawn on him. “It’s going somewhere without ever taking a train or ship, an unveiling of new, incredible worlds. It’s living a life you weren’t born into and a chance to see everything colored by someone else’s perspective. It’s learning without having to face consequences of failures, and how best to succeed.
Madeline Martin (The Last Bookshop in London)
I’ll try.” He tilted his head and his gaze focused in the distance as he considered his response with apparent care. “Reading is...” His brows knit together and then his forehead smoothed as the right words appeared to dawn on him. “It’s going somewhere without ever taking a train or ship, an unveiling of new, incredible worlds. It’s living a life you weren’t born into and a chance to see everything colored by someone else’s perspective. It’s learning without having to face consequences of failures, and how best to succeed.” He hesitated. “I think within all of us, there is a void, a gap waiting to be filled by something. For me, that something is books and all their proffered experiences.
Madeline Martin (The Last Bookshop in London)
Come on, Jeff. Tell us. You’ve been eating these guys, haven’t you?” Dahmer pulled back in his chair with a look of terror. He studied my face intensely as if he were a child waiting to be reprimanded. I deliberately tried to keep an air of acceptance and calm as I spoke. “Jeff, it’s okay. We know. It’s going to be all right. Just be honest with us and tell the truth. That’s all we ask.” Dahmer leaned forward in his chair, dropped his smoke to the floor, and crushed it with his foot. With his head still lowered, he murmured a barely audible, “Yes.” Murphy didn’t move and remained in Dahmer’s personal space. “Jeff, what did you say? You’ve been eating them, haven’t you?” Dahmer leaned back. “Yes. I have. Well, I mean, not all of them. Just a few.” I again put my hand on Dahmer’s shoulder. “Why didn’t you tell us this before?” He looked at me pleadingly. “I don’t know. I mean, everything was going so smooth. I didn’t think it mattered so much for the investigation. Besides, it seemed like you guys really liked me. I didn’t know what you would think of me if I told you that. And then there is the whole thing with the press. They are going to make me out to be some kind of monster when they find out about this.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
Large fountain glasses arrived at our table, layered with sweet beans, caramelized saba bananas, jackfruit, palm fruit, nata de coco, and strips of macapuno topped with shaved ice, evaporated milk, a slice of leche flan, a healthy scoop of ube halaya, and a scattering of pinipig, the toasted glutinous rice adding a nice bit of crunch. This frosty rainbow confection raised my spirits every time I saw it, and both Sana and I pulled out our phones to take pictures of the dish. She laughed. "This is almost too pretty to eat, so I wanted to document its loveliness before digging in." "This is for the restaurant's social media pages. My grandmother only prepares this dish in the summer, so I need to remind our customers to come while it lasts." "How do we go about this?" Rob asked, looking at his rapidly melting treat in trepidation. "Up to you. You can mix everything together like the name says so that you get a bit of everything in each bite. Or you can tackle it layer by layer. I'm a mixing girl, but you better figure it out fast or you're going to be eating dessert soup." We all dug in, each snowy bite punishing my teeth making me shiver in delight. I loved the interplay of textures---the firmness of the beans versus the softness of the banana and jackfruit mingling with the chewiness of the palm fruit, nata de coco, and macapuno. The fluffy texture of the shaved ice soaked through with evaporated milk, with the silky smoothness of the leche flan matched against the creaminess of the ube halaya and crispiness of the pinipig. A texture eater's (and sweet tooth's) paradise. "This is so strange," Valerie said. "I never would've thought of putting all these things together, especially not in a dessert. But it works. I mean, I don't love the beans, but they're certainly interesting. And what are these yellow strips?" "Jackfruit. When ripe, they're yellow and very sweet and fragrant, so they make a nice addition to lots of Filipino desserts. They were also in the turon I brought to the meeting earlier. Unripe jackfruit is green and used in vegetarian recipes, usually.
Mia P. Manansala (Homicide and Halo-Halo (Tita Rosie's Kitchen Mystery, #2))
The water rushed in, sweeping her body back against the wall and pinning her there until the entire world turned into slow motion. Everything floated. Her welder, her hair, the undine who glided toward her with so much grace it made her eyes sting with tears. Oh, wait. That was the saltwater. He moved closer to her, those sharp teeth flashing, and she wondered if this was when she would die. It would be nice to not be awake for whenever he took a bite out of her body. Instead, he moved closer and then sealed his lips over hers. Oh, he was cold. That was her first thought. And she was surrounded by deep, icy ocean water that already squeezed her chest and made what little air was in there come out. Mere minutes and she’d go into hypothermic shock, if she somehow managed to breathe. Somehow, his lips were colder than all that, but smooth as they slid over hers. His tongue swept out, licking at her lips and she was so shocked that she opened them without thinking. Maybe he was giving her some kind of mercy before she died? His clawed hand came up and pinched her jaw, forcing her to open wider, and then he breathed into her. Her lungs sucked up the air, and she scrabbled at his arms, his shoulders, anything she could hold onto to suck in that air she desperately needed. Again he exhaled, and she inhaled even more before wrenching away from him, coughing into the water as her lungs tried to remember what to do with air.
Emma Hamm (Whispers of the Deep (Deep Waters, #1))
The smack helped my siege mentality. It was my wall against all of that daily stuff, because rather than deal with it, I shut it out, to concentrate on what I wanted to do. You could go out and about, totally insulated. Without it, in certain cases you wouldn’t have walked into that room at that time to deal with something. With it, you could go in there, brazen it off and be very smooth. And then go back and get the guitar out and finish what it was you were doing. It made everything possible. Whereas straight, I don’t know, there were too many things going on. While you’re insulated like this, you live in a world where other people go round with the sun and the moon. They wake up, go to sleep.… If you break that cycle and you’ve been up for four, five days, your perception of these people who have just got up, who have crashed out, is very distant. You’ve been working, writing songs, transferring tape to tape, and these people come in and they’ve been to bed and everything! They’ve even eaten stuff! Meanwhile, you’re sitting at this desk with a guitar and this pen and paper. “Where the fuck you been?” It got to the point where I’d be thinking, how can I help these poor people who have to sleep every day?
Keith Richards (Life)
It is remarkably easy for a divorced parent to make remarriage a smooth transition for his or her children. You just keep your mouth shut and let them know that everything is going to be all right.
Karin Slaughter (Pretty Girls)
Not everyone at camp is buying Stoic determinism. The grad students, rigorous logic-choppers, are particularly skeptical. If everything is fated, where does that leave human agency? Why bother doing anything? Why get out of bed in the morning? I share these concerns and notice Rob is busy stroking his goatee. I’m eager to hear his rebuttal. It comes in the form of an analogy. (The Stoics love analogies.) People are like cylinders rolling down a hill, he says, eyes twinkling. All of the cylinders are going to reach the bottom of the hill. That is a given. Whether they have a rough or smooth journey, though, is up to them. Are they polished, perfectly shaped cylinders or rough and uneven ones? In other words, are they virtuous cylinders? We don’t control the hill or the force of gravity, but we do control the kind of cylinder we are, and that matters.
Eric Weiner (The Socrates Express: In Search of Life Lessons from Dead Philosophers)
So it is essential to bring more consciousness into your life in ordinary situations when everything is going relatively smoothly. In this way, you grow in presence power. It generates an energy field in you and around you of a high vibrational frequency. No unconsciousness, no negativity, no discord or violence can enter that field and survive, just as darkness cannot survive in the presence of light.
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
sat, gliding slowly back and forth in the comfort of my favorite rocking chair. I had lulled babies to sleep and dreamed of their bright futures in this chair, and now I had to contemplate what it would be like to lose one. All the memories of years filled by the spirit of that beautiful boy swam in my mind and left my heart to ache like arms that clutched a weighty treasure for a long time. How could I let go of this son who brought so much joy into our lives and into our home? What would our family be like without the child who made everything run smoothly just by his peaceful presence
Laura Sobiech (Fly a Little Higher: How God Answered a Mom's Small Prayer in a Big Way)
I sat, gliding slowly back and forth in the comfort of my favorite rocking chair. I had lulled babies to sleep and dreamed of their bright futures in this chair, and now I had to contemplate what it would be like to lose one. All the memories of years filled by the spirit of that beautiful boy swam in my mind and left my heart to ache like arms that clutched a weighty treasure for a long time. How could I let go of this son who brought so much joy into our lives and into our home? What would our family be like without the child who made everything run smoothly just by his peaceful presence
Laura Sobiech (Fly a Little Higher: How God Answered a Mom's Small Prayer in a Big Way)
Making my way across the restaurant to clear off an empty table, my body froze and all the air left my lungs in one hard rush when I heard him directly behind me. “To refresh your memory, sweetheart, you belong to me.” Please let this be a nightmare. His large hand touched my lower back as he came up to my side and my body began shaking. “Long time, no see,” he said, and lowered his voice. “Hiding, Rachel?” Oh God, did Candice tell him where I work? “Leave me alone.” I hated how small my voice sounded, but I couldn’t force out anything more than a whisper. I refused to look over at him, and when he stepped closer, I dropped my head to stare at the floor. His other hand came up to my stomach and brushed gently back and forth, just above the top of my shorts, and I prayed I wouldn’t start dry-heaving in the middle of the restaurant. “Never. I gave you the summer to realize that you needed me, wanted me. Obviously you need more time, but make no mistake, you are mine. What I’m not okay with is someone else touching you. Kissing you.” “Please leave.” “Who is he, Rachel? Boyfriend? Fuck buddy? And before you answer that, know that either of those two answers would be the wrong one.” “Rach, everything okay here?” Kash grabbed the arm farthest from Blake and pulled me into him. Blake’s fingers dug into my back momentarily, but he let me go. I still couldn’t take my eyes off the floor. “Everything’s fine. We were just catching up for a second,” Blake answered. His voice had dropped the threatening tone and was the smooth and silky voice everyone else knew and loved. “I haven’t seen Rachel since school ended.” “Babe . . . ,” Kash whispered softly. Blake’s arm shot out in front of me and I cringed back. “Blake West. Rach and I go way back.” “Logan . . . Hendricks. Rachel’s boyfriend.” He accepted Blake’s hand and shook it hard once before dropping it. “You’re a very lucky guy,” Blake said tightly. “Rachel is extremely picky when it comes to dating and has broken more than a few hearts with her rejections.” No one said anything as I was caught in the middle of a testosterone-filled staring contest. Kash’s hand ran up and down my back slowly and Blake finally cleared his throat. “It was good to meet you, Logan. Take care of Rachel for me, will you?” He took a step closer and Kash’s hand stopped on my back. I could feel his body vibrating as it tensed up. “I’ll be talking to you very soon, Rach.” As
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
Deanna was up and out of her chair like it was spring-loaded.Thankfully, Lucky had excellent reflexes. It also didn’t hurt that he’d already been anticipating her quick departure, so he was right behind her. As soon as they made it outside, her phone buzzed in her purse. She pulled it out and said, “Shit!” “Everything okay?” he asked. Apparently, she hadn’t realized he was hot on her tail, because she screamed and threw her arms up in the air, sending her phone flying. Thanks to his aforementioned great reflexes, he caught it in midair. Gripping her chest, she asked, wild-eyed, “What are you doing?” “I want to talk to you.” “I don’t want to talk to you,” her response was so fast, it felt like it’d been rehearsed. Maybe it had. Maybe she’d planned on saying that if he ever showed interest in having a conversation with her. Handing her phone back, he ignored her protest and repeated, “Everything okay?” Looking flustered, Deanna replied, “I just… I forgot that Eli is my ride.” “I’ll take you home,” Lucky offered. Pulling her head back, she scoffed. “What? No. Thanks, but no. I’ll walk.” Then she turned on her heel and started hightailing out of the parking lot. In two strides, he was beside her. “What are you doing?” Deanna asked, which was becoming a running theme in their relationship. Lucky smiled. “Walking you home.” “Thanks, but I’m fine. This is Hope Falls.” She dramatically stretched her arms out. “Seriously, I can take care of myself.” “Really?” He continued walking beside her. “Yes, really.” Her feet moved faster. “Like you did back there when you screamed and threw your phone in the air?” Stopping, she spun towards him and crossed her arms. She was mad—or, at the very least, irritated—so he tried not to let the fact that she looked cuter than anything he’d ever seen in his life show on his face. “I didn’t know you were there,” she said in a defiant explanation. He knew that he might just piss her off more, but that didn’t stop him from saying, “Oh, right. And I guess most attackers announce their presence. Give you plenty of time to prepare your retaliation.” Taking a deep breath, she tried to calm down. Or stay mad. He couldn’t really tell, but he was enjoying the show. Between her arms pushing her breasts up so they were spilling over her revealing neckline, and the motion of her chest rising and falling, he could’ve stood there and watched her breathe all night and not get bored. “Look, this is a safe town. I’ve studied self-defense, and I was just distracted.” “Okay,” he agreed. She narrowed her gaze as if she didn’t accept his easy answer. “Okay?” Shrugging casually, he repeated, “Okay.” Nodding, she smoothed her hands over her dress and started walking again. So, naturally, he followed. “You said okay!” she exclaimed indignantly as she once again stopped. “Yes, I did. Just because I agreed with the points you made doesn’t mean I’m going to let you walk home alone.” He grinned, trying to disguise the fact that she was so damn adorable when flustered from irritation.
Melanie Shawn
Next time, talk to me, please. If I didn’t want to be with you, I wouldn’t be. Or do you think I’m biding my time with you until something better comes along?” “I don’t think that. I fucked up.” Sloane pulled Dex into his arms, aware of the slight hesitation. If he kept this up, one of these days Dex was going to be the one walking away. He didn’t like how the thought made him feel. He wrapped his arms tightly around Dex and kissed his temple, inhaling Dex’s scent. “I’m sorry,” he said quietly. Dex’s arms circled his waist and gave him a squeeze. Knowing their teammates were busy and most likely didn’t know where they were, Sloane took a chance, stealing a kiss. It started slow, Dex’s mouth tasting sweet from the shots, his lips soft and sending a rush of blood down to Sloane’s groin, but it quickly turned heated. Sloane slipped his hand under Dex’s T-shirt, his fingers stroking smooth skin over hard muscle. He dug his fingers into Dex’s ass, reveling in the low moan Dex let out against his lips, loving the shiver that Sloane could feel go through his partner. He reminded himself he was responsible for that. His thoughts went to Dex writhing underneath him, the way he stole Dex’s breath, left him speechless, in a sweaty, panting mess. His mouth demanded more from Dex, and he pulled Dex hard against him, his erection rubbing against Dex’s. “Dex? Is everything—Oh wow.” Sloane pulled away with a start, his breath heavy and his eyes wide at Lou standing there, his mouth hanging open. Shit. “Shit.” Dex thrust a finger at Sloane. “You, don’t you dare disappear on me. I’ll handle this.” He took Lou’s arm and led him outside, leaving Sloane standing there with nothing but the muffled sounds coming from the dance floor and the taste of Dex on his lips. Fuck.
Charlie Cochet (Blood & Thunder (THIRDS, #2))
Mick?” she whispered. “Yeah?” “Are you feeling something?” “You could say that,” he murmured. “You?” She licked her lips and he nearly groaned. “I think so,” she whispered. “That’s good.” “Are you going to kiss me?” He cupped her face, let his thumbs trace her jawbone, his fingers sinking into her silky waves. “No,” he said quietly. “And not because I don’t want to, but because when I do, I want to know you’re ready. That you’ll feel it.” She sighed. “Guys do whatever they want all the time, no emotions necessary. I want that skill.” Another shaky breath escaped her, and since they were literally an inch apart, they shared air for a single heartbeat during which neither of them moved. Her gaze dropped to his mouth. “Okay, so I’m definitely feeling things.” She hesitated and then her hands came up to his chest. “Maybe we should test it out to be sure.” God, she was the sweetest temptation he’d ever met, and he wanted nothing more than to cover her mouth with his. Instead, he brushed his mouth to her cheek. “Please, Mick,” she whispered, her exhale warming his throat. He loved the “please,” and he wanted to do just that more than anything. But when she tried to turn her head into his, to line up their mouths, he gently tightened his grip, dragging his mouth along her smooth skin instead, making his way to her ear. “Not yet,” he whispered, letting his lips brush over her earlobe and the sensitive skin beneath it. She moaned and clutched him. “Why not?” It took every ounce of control he had to lift his head and meet her gaze. “Because I want to make sure you’re really with me, that you’re feeling everything I’m feeling. That there’ll be no doubt, no regrets.” “You sure have a lot of requirements.” He laughed. And she was right, it was all big talk for a guy who didn’t do relationships anymore. Still, he forced himself to step back and shut the passenger door. As he rounded the hood to the driver’s side, he tried to remind himself of all the reasons she was a bad idea. He lived two hundred miles away and he was hoping to move his mom up by him and never come back here. Not to mention that Quinn lived an equal two hundred miles in the opposite direction and she was in a deeply vulnerable place. No way would he even think about taking advantage of that. But when he slid behind the wheel and their eyes locked, he realized that while his mind could stand firm, the rest of his body wasn’t on board with the in-control program.
Jill Shalvis
Mick?” she whispered. “Yeah?” “Are you feeling something?” “You could say that,” he murmured. “You?” She licked her lips and he nearly groaned. “I think so,” she whispered. “That’s good.” “Are you going to kiss me?” He cupped her face, let his thumbs trace her jawbone, his fingers sinking into her silky waves. “No,” he said quietly. “And not because I don’t want to, but because when I do, I want to know you’re ready. That you’ll feel it.” She sighed. “Guys do whatever they want all the time, no emotions necessary. I want that skill.” Another shaky breath escaped her, and since they were literally an inch apart, they shared air for a single heartbeat during which neither of them moved. Her gaze dropped to his mouth. “Okay, so I’m definitely feeling things.” She hesitated and then her hands came up to his chest. “Maybe we should test it out to be sure.” God, she was the sweetest temptation he’d ever met, and he wanted nothing more than to cover her mouth with his. Instead, he brushed his mouth to her cheek. “Please, Mick,” she whispered, her exhale warming his throat. He loved the “please,” and he wanted to do just that more than anything. But when she tried to turn her head into his, to line up their mouths, he gently tightened his grip, dragging his mouth along her smooth skin instead, making his way to her ear. “Not yet,” he whispered, letting his lips brush over her earlobe and the sensitive skin beneath it. She moaned and clutched him. “Why not?” It took every ounce of control he had to lift his head and meet her gaze. “Because I want to make sure you’re really with me, that you’re feeling everything I’m feeling. That there’ll be no doubt, no regrets.” “You sure have a lot of requirements.” He laughed. And she was right, it was all big talk for a guy who didn’t do relationships anymore. Still, he forced himself to step back and shut the passenger door. As he rounded the hood to the driver’s side, he tried to remind himself of all the reasons she was a bad idea. He lived two hundred miles away and he was hoping to move his mom up by him and never come back here. Not to mention that Quinn lived an equal two hundred miles in the opposite direction and she was in a deeply vulnerable place. No way would he even think about taking advantage of that. But when he slid behind the wheel and their eyes locked, he realized that while his mind could stand firm, the rest of his body wasn’t on board with the in-control program.
Jill Shalvis (Lost and Found Sisters (Wildstone, #1))
Being constantly active made time fly, and so it didn’t take long before the day of departure came. It was January 4, 1953, and with the last of everything we needed aboard, we set sail just as many did before us. We were among those that continued the tradition of... “they that go down to the sea in ships” and we were very aware that this tradition rested on our shoulders. With the sound of three short blasts on the ship’s whistle, we backed away from the pier. This ship was unlike most ships of that era and we all noticed a definite difference in her sounds and vibrations. At that time, most American vessels were driven by steam propulsion that relied on superheating the water. The reciprocating steam engines, with their large pistons were the loudest as they hissed and wheezed, turning a huge crankshaft. Steam turbines were relatively vibration free, but live steam was always visible as it powered the many pumps, winches, etc. Steam is powerful and efficient, but can be dangerous and even deadly. Diesel engines were seldom used on the larger American ships of that era, and were not considered cost or energy efficient. The Empire State was a relatively quiet ship since she only used steam power to drive the turbines, which then spun the generators that made the electricity needed to energize the powerful electric motors, which were directly geared to turn the propeller shafts. All in all, the ship was nearly vibration free, making for a smooth ride.
Hank Bracker
The short pieces of his black hair are spiked out every which way. The poor lighting from the singular bulb on the ceiling over the shower exaggerates the dark circles under his eyes. He looks rough. And why I find it incredibly hot is beyond me. “Late night?” I ask. I’m staring. I shouldn’t stare. Biting back a smirk at his disheveledness, I pull the band out of my hair, pretending that I need to redo my ponytail. Really, I just need a distraction. “I’m going back to work today,” I say, when he doesn’t reply. He snatches my hand to keep me from putting my hair back up. “It is lovely down,” he says softly. I’m frozen, watching him in the mirror as he smooths a section of my hair, grazing my bare neck with his fingers. Everything Chiara’s said about him rushes to the front of my mind. “Don’t,” I tell him, immediately wishing I hadn’t. His hands are at my waist in an instant and he rotates me, pinning me between him and the counter. “Why?” Because your cousin already wants to kill me for kissing you. Because I like it too much. Because you make me feel wanted. I clear my throat. “Because you haven’t brushed your teeth yet.” I twist my upper body around and grab his toothbrush--the neon green one. I squeeze out a bead of toothpaste from my tube, get the brush wet, and hold it close to his mouth. With the tiniest hint of a smile, Bruno opens his mouth maybe half an inch and shifts his body even closer to mine. His eyes dart down to my lips and back to my eyes, down and up, down and up, leaning closer. I should dodge him but I don’t--can’t. All I can do is stare at his mouth, knowing full well I don’t really care if he’s brushed his teeth yet or not. Our noses nearly touch. He tilts his head to his right, I tilt mine to my right. We’re lined up and ready for impact. His warm breath tickles my chin as he whispers, “Grazie.” He turns his head, wraps his mouth around the toothbrush, taking it from me, and walks out of the bathroom.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Hunter?” She grasped his shoulders for support, digging her nails into his flesh. “Hunter?” “I am here. Be easy.” He slid a hand to the nape of her neck and turned her face back to him. “Be easy.” Loretta’s legs felt like wet clay. As his mouth again claimed hers, a hundred possibilities ran through her mind, all frightening. Then sensation wiped out everything. There was only Hunter, solid and warm and gentle, holding her in rock-hard arms, his body bracing hers. Even in her inexperience, she sensed that kissing was new to him, that he was doing it only to please her. But after a few experimental nibbles, he mastered the art, claiming her mouth with a shattering thoroughness, his tongue thrusting deep, the sensuous rhythm he struck as old as time. Loretta leaned into him, sliding her hands into his hair, forgetting for a moment to be afraid. Looping an arm under her bottom, he lifted her against him. She could feel his heart slamming. Or was it hers? It didn’t matter. All that mattered were the feelings sweeping through her. When at last Hunter drew back for air, his dark eyes were cloudy with tenderness. He smiled a slow, thoughtful smile and, sliding her down his thighs, let her feet touch the floor. With infinite slowness he grasped the tails of her overblouse and skimmed the leather lightly up her ribs, grazing her sensitized breasts. Loretta glued her gaze to his, bracing herself. “I’m frightened,” she said shakily. “I am frightened beside you,” he murmured. “You? But why are you--” “Because you are sunshine. Because you make a glad song inside me. I have great fear that you will go away from me.” He drew the blouse over her head and tossed it aside. Smiling, he smoothed her hair, then lifted its heavy length to resettle it around her white shoulders so it covered her breasts. Skimming his palms down her slender arms, he found the drawstring that held up her skirt and made fast work of untying the knot. “Nei com-mar-pe ein.” She clutched her skirt. “What does that mean?” “I love you.” “Oh, Hunter.
Catherine Anderson (Comanche Moon (Comanche, #1))
In the passing of an instant everything stopped and there he stood at the bottom of the ocean in perfect stillness. He gazed into a strange and eerie light that seemed to draw closer as the fear in his heart faded. An amazing tunnel was extending towards him, smooth shiny walls in the night. Reaching his hand out to touch it he wondered; if he were to die in that moment, where would the life inside him go? His heart, bursting with unspent love and the breathtaking happiness in his soul, just disappearing into the ocean. Two more handfuls of salt dissolving in a world barely able to justify its own existence. He heard a rushing sound as the sea inhaled again just before it struck him in the chest. A wall of sand and stones that blew him off his feet and sent him back out, his last thought escaping him in a long trail of bubbles. ‘Stop fighting now Thomas—it’s over.
Kevin Keely
My, my,” she said, as he hauled her up against him, feet dangling off the floor, and held her there as he walked her into the room, using his elbow to hit the button to close the screens and turn them opaque. “The invitation didn’t say clothing optional,” she said, running her sandaled feet up the back of his bare legs. Which matched the rest of him. She let out a little laugh as he tossed her gently on the bed. “That’s because I wanted to peel your clothes off you,” he said, following her down. “Well,” she said, stretching her arms up over her head, “if you must.” She reveled in the way the two of them sank into the thick down mattress pad and even thicker down comforter that was layered on top. The word sumptuous came to mind. Even better, the bed didn’t pitch and roll with each ocean swell, though that slow roll had provided a few key moments of its own, she recalled. “Such a wicked smile you’re wearing,” he said approvingly, flipping her sandals off. “I think it should be the only thing you have on.” He unsnapped her shorts, then slid everything off the lower half of her body in one smooth slide. “You’ve been practicing,” she said, though it was hard to keep the casual banter going now, seeing as he was slowly kissing his way past her ankle and on up along the curve of her calf.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Such a wicked smile you’re wearing,” he said approvingly, flipping her sandals off. “I think it should be the only thing you have on.” He unsnapped her shorts, then slid everything off the lower half of her body in one smooth slide. “You’ve been practicing,” she said, though it was hard to keep the casual banter going now, seeing as he was slowly kissing his way past her ankle and on up along the curve of her calf.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Alyssa shrugged. “I think we know the routine.” “You do, but there’s still a…stiffness because y’all aren’t completely comfortable with it, and it shows in your dancing.” Ashton held up a finger. “Everyone close your eyes, relax your shoulders, and just feel the breeze that’s blowing across the field right now.” Ashton closed her eyes and waved her arms around slowly. “You’re a tree, and the gentle wind is swaying your branches. Let it sway you.” What Ashton didn’t know was that no one did as she instructed. The girls and Patty stood there watching Ashton sway her arms. “Coach, you look like the inflatable tube man they have at the new carwash, and you’re scaring me,” Sophie said, looking disturbed. Ashton’s eyes flew open. “I better see some people doing the inflatable tube man pretty darn quick.” The girls all threw up their arms and flopped them around violently, and Ashton said, “Y’all are killing me. Show me how y’all would dance if you were at a party.” She covered her face with both hands when they all started twerking. “Okay, just stop. Gemma, run them through the moves again.” “What were you trying to accomplish with all that?” Patty asked with a grin. “I was trying to get them to loosen up,” Ashton said and glanced at her watch. “This day is creeping by.” “You should’ve dusted off your snake and showed them that. If you can do a smooth snake, you can make any dance move smooth. Check my snake.” Ashton shook her head. “That’s not a full-on snake. You have to roll your body from your head to your hips, use your neck like this.” “You were always better at this one than I was,” Patty said as she mimicked Ashton’s moves. “You couldn’t touch my Cabbage Patch though.” Ashton snorted. “That sounded so dirty. Come on, Patty, neck and shoulders, work them.” Ashton turned when the music stopped and realized the girls had stopped practicing to watch her and Patty. “What’re y’all doing?” Gemma asked with a laugh. “This is dancing,” Patty retorted. “Back in the day, we moved our entire bodies instead of rhythmically humping the air like y’all do. Tell you what, if y’all can learn to do the snake, I’ll buy y’all shakes at Molly’s.” Every girl on the team executed the dance move perfectly, and Gemma grinned. “Momma, we know old school moves.” Melody nodded. “Yeah, we know all those old-timey dances. Can we go to Molly’s now?” “What were you trying to accomplish with this plan?” Ashton asked Patty with a grin. “Apparently, bankruptcy.” ******* “How many times are you gonna change your clothes?” Jet asked that evening as she watched Shawna go back into her closet. Shawna groaned. “Everything I put on is pissing me off.” “Wear jeans and your light blue V-neck T-shirt. You’re just going to her house, you don’t have to dress up.” Jet sprawled out on Shawna’s bed and toyed with the TV remote.
Robin Alexander (Patty's Potent Potion)
You’ve made yourself quite at home, I see.” “You’ve a nice one here, Kerry,” he said quite sincerely, his smile still sparkling with equal sincerity. “Good people, nice little town. I find I’m liking it a great deal. Your ocean is everything you described and more. I’d like to see more of it, through your eyes. When you have the time.” She debated the wisdom of trying to put him off as long as possible, but hell, he’d talked to half the town already and even had Fergus playing wingman for him. “Apparently I have time today,” she said dryly. “I don’t know how long this meeting will go, and I have errands to run. I still have to buy tonight’s special--unless you’re about to tell me that’s already been handled, too.” “Not that I’m aware of,” he replied easily. “But then, I just got into town late yesterday, so I’m not fully up to speed yet.” Oh, he was speedy all right. “It scares me to think what you’ll know after a full twenty-four hours. If you want to go with me to Blue’s to look at the early morning catch, I can meet you down in Half Moon around two.” He grinned. “We have a date, then.” “We have a meeting. Blue’s is--” “I’ll find it.” “I’m sure you will.” She went to climb in the cab of her truck, then paused. “I don’t guess it will do me any good to ask you to stop talking to people about me, will it?” “I don’t guess it would, no.” His accent, the way it wrapped around the os, making them sound like two delicious syllables in one, shouldn’t affect her like it always had. Like it still did. To be fair, given her protracted stay Down Under, she’d grown accustomed to the accent in general. It was the deep, smooth timbre of his voice, speaking in that vowel-curling way of his, that rolled right through her like ocean waves relentlessly lapping at the shore. Lapping at her. “Well, be warned,” she told him, trying to ignore the delicious little shiver that was snaking its way down her spine, and all she was doing was looking at him. “Folks here can tell you everything you ever wanted to know about me, my family, and the entire history of Blueberry Cove, but just know that they’ll also be telling everyone in the Cove every last detail they learn about you, too.” “Not much different from life in the Downs, then.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Turning with a start, she saw Cam Rohan standing just inside the door. Her heart began to drum with furious force. He looked like something from a dream, a dark enigmatic ghost. He approached her slowly. The closer he came, the more it seemed everything around her was unraveling, falling away, leaving her exposed and vulnerable. Cam’s breathing wasn’t quite steady. Neither was hers. After a long pause, he finally spoke. “The Rom believe you should take the road that calls to you, and never turn back. Because you never know what adventures await.” He reached for her slowly, giving her every opportunity to object. Through the cottony gauze of her nightgown, he touched the curve of her hips. He brought her close, into his hard weight. “So we’re going to take this road,” he murmured, “and see where it leads.” He waited for a signal, some syllable of objection or encouragement, but she could only stare at him, transfixed and helpless. He smoothed her hair, whispering for her not to fear him, he would take care of her, please her. His fingers found the sensitive curve of her scalp, cradling her head as he kissed her.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I just want everything to go smoothly for you and Vanni, and for the children. I want Hannah to be content. And…” She paused for a moment. “And I want you to get one of your own, like you and Vanni were planning, and yet I don’t want Vanni to be overwhelmed. This thing you’ve taken on—it’s a huge undertaking. And I’m so proud of you both.” He grinned at his mother. “It’s going to be a houseful. And me and Vanni? We’re not that young. Not as young as you and Dad were.” “Yes, but we were young and dumb and poor. At least you’re not poor. You should’ve seen how we lived in the beginning. And every time your father walked by the bedroom door, I was pregnant again.” He
Robyn Carr (Forbidden Falls)
The JD wasn't going down smooth at all. Not like good stuff should. Instead of a warm slow seeping, it seemed to be kicking its way down his throat. And the buzz felt wrong; it was coming too fast, after only a few shots, and it wasn't rounding out any of the sharp edges. It was somehow leaving everything ragged.
Andre Dubus III (The Cage Keeper and Other Stories)
What a mess I made of things,” Sophie sighed at last, smoothing the brush down Cisco’s side. “I practically threw Shane into Cheyenne’s arms. Why did I have to go and embarrass him in front of everybody?” “At least Shane isn’t hopelessly in love with someone else.” Liv stared straight ahead, the currycomb motionless in her hand. “Did you see the way he looked at her?” Sophie knew Liv was talking about Temo. “I saw.” Liv leaned against Cactus Jack’s warm chestnut shoulder for comfort. “It’s so hopeless. Temo would never look at me like that in a million years,” she said sadly. “And Dayna’s not good enough for him.” “I know,” said Sophie, straightening Cisco’s mane, “but I feel sort of sorry for her, too. She’s been hiding her feelings for Temo, maybe even from herself. Out there, in the cave, when he was helping her, there wasn’t any place to hide. She’s in trouble. I don’t think her father would let his daughter date a lowly cowhand.” “I know!” was Liv’s anguished cry. “But I don’t care! She’s rich and can have everything she wants. Why should she have Temo, too?
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
Their affair had been three of the most intense, reckless, terrifying, happy, alive months of his life. Like how he imagined being on heroin felt if the high never ended, if every syringe didn’t also contain the possibility of death. They’d been partners at the time, and there had been one week when they’d been on the road together in northern California. Every night, they rented two rooms. Every night, for five days, he stayed with her. They barely slept that week. Couldn’t keep their hands off each other. Couldn’t stop talking when they weren’t making love, and the daylight hours when they had to pretend to be professionals made it all the more beautifully excruciating. He had never felt such a complete lack of self-consciousness around anyone. Even Theresa. Unconditional acceptance. Not just of his body and mind, but also of something more, of something indefinably him. Ethan had never connected with anyone on this level. The most generous blessing and life-destroying curse all wrapped up in the same woman, and despite the pain of the guilt and the knowledge of how it would crush his wife, whom he still loved, the idea of turning away from Kate seemed like a betrayal of his soul. So she had done it for him. On a cold and rainy night in Capitol Hill. In a booth over glasses of Belgian beer in a loud dark bar called the Stumbling Monk. He was ready to leave Theresa. To throw everything away. He had asked Kate there to tell her that and instead she had reached across the scuffed wood of a table worn smooth by ten thousand pint glasses and broken his heart. Kate wasn’t married, had no children. She wasn’t ready to jump off the cliff with him when he had so much pulling him back from the ledge. Two weeks later, she was in Boise, pursuant to her own transfer request. One year later, she was missing in a town in Idaho in the middle of nowhere called Wayward Pines, with Ethan off to find her. Eighteen hundred years later, after almost everything they had known had turned to dust or eroded out of existence, here they stood, facing each other in a toy shop in the last town on earth. For a moment, staring into her face at close range blanked Ethan’s mind. Kate spoke first. “I was wondering if you’d ever drop in.” “I was wondering that myself.” “Congratulations.” “For?” She reached over the counter and tapped his shiny brass star. “Your promotion. Nice to see a familiar face running the show. How are you adjusting to the new job?” She was good. In this short exchange, it was obvious that Kate had mastered the superficial conversational flow that the best of Wayward Pines could achieve without straining. “It’s going well,” he said. “Good to have something steady and challenging, I bet.” Kate smiled, and Ethan couldn’t help hearing the subtext, wondered if everyone did. If it ever went silent. As opposed to running half naked through town while we all try to kill you. “The job’s a good fit,” he said. “That’s great. Really happy for you. So, to what do I owe the pleasure?” “I just wanted to pop in and say hi.” “Well, that was nice of you. How’s your son?” “Ben’s great,” Ethan said.
Blake Crouch (Wayward (Wayward Pines, #2))
Hurrying, they’ll inject more defects. Since defects take longer to fix than they do to prevent, hurrying will slow you down. Worse yet, it will slow you down when you least need it, the closer you get to the end of the project. Dirty code slows you down as well. If the code is clean, the next features go in smoothly. If it gets dirty, everything takes just a bit longer. Pressure is destructive. Avoid it.
Anonymous
The silence stretched, and she could hear him shift his feet. The lower tones of the dancing music trembled through the walls, muffled and sad, stripped of vigor and all high prancing notes. Surreal, Jane thought. That’s what you call this. “Miss Erstwhile, let me impress upon you my utmost sincerity…” “There’s no need.” She sat up straighter, smoothed her hands over her skirt. “I understand completely. But I guess I just can’t. I can’t do it anymore. I did my best, and this place was really good for me, you were really good for me. But I’ve come to the end. And it’s okay.” Something in her tone must have caught at him. He knelt beside her, taking her hand. “Are you? Are you okay?” he asked in more honest, feeling tones than she had ever heard from him. The change startled her. Despite his austere looks, he had an openness about his expression that she could only account for in his eyes. Dark eyes, focused on her, pleading with her. But it was all just a game. “I don’t know you,” she said softly. He blinked twice. He looked down. “Perhaps I spoke too soon. Forgive me. We can speak of this later.” He rose to leave. “Mr. Nobley,” she said, and he stopped. “Thank you for thinking kindly of me. I can’t accept your proposal, and I won’t ever be able to. I’m flattered by your attentions, and I have no doubt that many a fine lady will melt under such proclamations in the future.” “But not you.” He sounded beautifully sad. What an actor, she thought. “No, I guess not. I’m embarrassed that I came here at all as though begging for your tormented, lovesick proposal. Thank you for giving it to me so that I could see that it’s not what I want.” “What do you want?” His voice nearly growled with the question. “Excuse me?” “I am asking sincerely,” he said, though he still sounded angry. “What do you want?” “Something real.” He frowned. “Does this have anything to do with a certain gardener?” “Don’t argue with me about this. It’s none of your business.” He scowled but said, “I truly wish you every happiness, Miss Erstwhile, whom I will never call Jane.” “Let’s toss the pretense out the window, shall we? Go ahead and call me Jane.” He seemed saddened by that invitation, and she remembered what it meant to a Regency man to call a woman by her first name. “Except it won’t imply that we’re engaged or anything…Never mind. I’m sorry, I feel like a fool.” “I am the fool,” he said. “Then here’s to fools.” Jane smiled sadly. “I should return.” Mr. Nobley bowed. “Enjoy the ball.” She left him in the dark library, starling herself with the suddenness of yet another ending. But she’d done it. She’d said no. To Mr. Nobley, to the idea of Mr. Darcy, to everything that held her back. She felt so light, her heels barely touching the floor. I’m done, Carolyn, I know what I want, she thought as she approached the palpable strokes of dancing music.
Shannon Hale (Austenland (Austenland, #1))
Life was going along smoothly, and then in a moment everything changed. It happened to me with my mother. It happened to Lockie at the Three Day. You do everything you can to right the ship of your life again, but it always lists a little.
Barbara Morgenroth (Partial Stranger (Bittersweet Farm, #11))
When you first begin paying deliberate attention to your breath, you may be surprised and somewhat frustrated to discover that your body tenses up and your breathing becomes stiff, labored, and unnatural. Suddenly, you can’t remember how to breathe anymore, even though you’ve been doing it just fine ever since your first breath at birth. Don’t worry — you’re not doing it wrong. You just need to develop a lighter, gentler touch with your awareness so that you’re following but not controlling your breath. It’s kind of like learning to ride a bicycle — you keep falling off until one day, miraculously, you just keep going. From then on, it’s second nature. You may find it helpful to begin by exploring your breathing, without necessarily trying to track it from breath to breath. Notice what happens when you breathe — how your rib cage rises and falls, how your belly moves, how the air passes in and out of your nostrils. You may find that some breaths are longer and deeper, while others are shorter and shallower. Some may go all the way down into your belly, while others barely reach the upper part of your lungs before exiting again. Some may be rough or strong, others smooth or weak. Spend five or ten minutes exploring your breathing with the fresh curiosity of a child encountering a flower or a butterfly for the first time. What did you discover that you didn’t know before? How does each new breath differ from the last? When you feel comfortable with your breath, you can begin the practice of counting or following your breaths.
John Wiley & Sons (A Little Bit of Everything For Dummies)
Filming wildlife documentaries couldn’t have happened without John Stainton, our producer. Steve always referred to John as the genius behind the camera, and that was true. The music orchestration, the editing, the knowledge of what would make good television and what wouldn’t--these were all areas of John’s clear expertise. But on the ground, under the water, or in the bush, while we were actually filming, it was 100 percent Steve. He took care of the crew and eventually his family as well, while filming in some of the most remote, inaccessible, and dangerous areas on earth. Steve kept the cameraman alive by telling him exactly when to shoot and when to run. He orchestrated what to film and where to film, and then located the wildlife. Steve’s first rule, which he repeated to the crew over and over, was a simple one: Film everything, no matter what happens. “If something goes wrong,” he told the crew, “you are not going to be of any use to me lugging a camera and waving your other arm around trying to help. Just keep rolling. Whatever the sticky situation is, I will get out of it.” Just keep rolling. Steve’s mantra. On all of our documentary trips, Steve packed the food, set up camp, fed the crew. He knew to take the extra tires, the extra fuel, the water, the gear. He anticipated the needs of six adults and two kids on every film shoot we ever went on. As I watched him at Lakefield, the situation was no different. Our croc crew came and went, and the park rangers came and went, and Steve wound up organizing anywhere from twenty to thirty people. Everyone did their part to help. But the first night, I watched while one of the crew put up tarps to cover the kitchen area. After a day or two, the tarps slipped, the ropes came undone, and water poured off into our camp kitchen. After a full day of croc capture, Steve came back into camp that evening. He made no big deal about it. He saw what was going on. I watched him wordlessly shimmy up a tree, retie the knots, and resecure the tarps. What was once a collection of saggy, baggy tarps had been transformed into a well-secured roof. Steve had the smooth and steady movements of someone who was self-assured after years of practice. He’d get into the boat, fire up the engine, and start immediately. There was never any hesitation. His physical strength was unsurpassed. He could chop wood, gather water, and build many things with an ease that was awkwardly obvious when anybody else (myself, for example) tried to struggle with the same task. But when I think of all his bush skills, I treasured most his way of delivering up the natural world. On that croc research trip in the winter of 2006, Steve presented me with a series of memories more valuable than any piece of jewelry.
Terri Irwin (Steve & Me)
From the edge of consciousness, whispers intruded. “Are they fiancéd now?” “Engaged.” “Well, are they?” “What d’you think, runt?” Meridith pulled away, her lips curving into a smile that mirrored Jake’s. “Yeah, little man,” Jake said, not taking his eyes from Meridith. “We’re engaged.” Before he finished speaking, they were swallowed by the children’s arms. “I’m sorry,” Noelle whispered in Meridith’s ear. “I’m sorry I was so mean and that I lied to you.” “We’re all sorry,” Max said. “We acted like spoiled brats.” “It’s okay.” Everything was okay now. More than okay. “I love you, Meridith,” Max said. “Me too,” Ben said. “I love you guys too.” She wouldn’t have to leave them. Would get to see them tomorrow and every day afterward. Even while happiness flooded her soul, a lone thought dampened her spirits. “Summer Place,” she said. “After all this, we’re going to lose their home.” “Nuh-uh!” Ben said. “Tell her, Uncle J!” Meridith looked up at Jake’s handsome face. “Yeah, tell me, Uncle J.” He smoothed her hair back, tucked it behind her ear. “Talked to Mr. Goldman yesterday and explained everything. If you want to keep Summer Place, they’re willing to forfeit the property.” “But they really wanted it.” “Apparently Mrs. Goldman thinks all this is terribly romantic. And I think between the two of us, we could stay afloat. But it’s your call.” The joy that bubbled up from inside overflowed in the form of a smile. “As long as we’re together. That’s what matters.” Noelle whooped, and a group hug followed. The
Denise Hunter (Driftwood Lane (Nantucket, #4))
As soon as I was through the door, Brandon was hugging me and reaching for the pictures. “Look at him! He was asleep, but look at him sucking his thumb!” I exclaimed. Mom and Bree giggled when they passed us. Yeah, not fooling them. He dropped down to a squat and put his hands tenderly on my stomach, “Hey little man!” Brandon’s deep husky voice was warm and melodic whenever he spoke to him. “How could you sleep through the whole appointment, huh? Your momma was hoping to see you moving around today. Next time, right buddy?” I watched the one sided conversation, biting my lip to keep from grinning like an idiot. Brandon would be such a good father. Whoa. Where did that come from? Don’t go down that road Harper. Brandon stood back up and absentmindedly began tracing shapes along my stomach. “What did Dr. Lowdry say?” “She said everything’s great!” That was another thing, he always asked how I felt and how the appointments went. Even Konrad and Dad didn’t do that, “I go back in another two weeks, she said he’s still big, so there’s a possibility she’s going to put me on bedrest after my next appointment to try to keep him in there as long as possible.” “Bedrest?” His hazel eyes looked worried, “But she said everything is okay?” I smoothed out his furrowed brow, and stared at his eyes. I’d finally figured them out. They were brown if he was shirtless, or wearing a brown or white shirt. Gray if he was wearing a black or gray shirt. Green was pretty self-explanatory, he had to be wearing green, and any other color would make his eyes the perfect mix of the three. “It’s fine, don’t worry about it. If I have to, it’s just to make sure he doesn’t come too early.
Molly McAdams (Taking Chances (Taking Chances, #1))
The P.I. states that if something x has happened in certain particular circumstances n times in the past, we are justified in believing that the same circumstances will produce x on the (n + 1)th occasion. The P.I. is wholly respectable and authoritative, and it seems like a well-lit exit out of the whole problem. Until, that is, it happens to strike you (as can occur only in very abstract moods or when there’s an unusual amount of time before the alarm goes off) that the P.I. is itself merely an abstraction from experience … and so now what exactly is it that justifies our confidence in the P.I.? This latest thought may or may not be accompanied by a concrete memory of several weeks spent on a relative’s farm in childhood (long story). There were four chickens in a wire coop off the garage, the brightest of whom was called Mr. Chicken. Every morning, the farm’s hired man’s appearance in the coop area with a certain burlap sack caused Mr. Chicken to get excited and start doing warmup-pecks at the ground, because he knew it was feeding time. It was always around the same time t every morning, and Mr. Chicken had figured out that t(man + sack) = food, and thus was confidently doing his warmup-pecks on that last Sunday morning when the hired man suddenly reached out and grabbed Mr. Chicken and in one smooth motion wrung his neck and put him in the burlap sack and bore him off to the kitchen. Memories like this tend to remain quite vivid, if you have any. But with the thrust, lying here, being that Mr. Chicken appears now actually to have been correct—according to the Principle of Induction—in expecting nothing but breakfast from that (n + 1)th appearance of man + sack at t. Something about the fact that Mr. Chicken not only didn’t suspect a thing but appears to have been wholly justified in not suspecting a thing—this seems concretely creepy and upsetting. Finding some higher-level justification for your confidence in the P.I. seems much more urgent when you realize that, without this justification, our own situation is basically indistinguishable from that of Mr. Chicken. But the conclusion, abstract as it is, seems inescapable: what justifies our confidence in the Principle of Induction is that it has always worked so well in the past, at least up to now. Meaning that our only real justification for the Principle of Induction is the Principle of Induction, which seems shaky and question-begging in the extreme. The only way out of the potentially bedridden-for-life paralysis of this last conclusion is to pursue further abstract side-inquiries into what exactly ‘justification’ means and whether it’s true that the only valid justifications for certain beliefs and principles are rational and noncircular. For instance, we know that in a certain number of cases every year cars suddenly veer across the centerline into oncoming traffic and crash head-on into people who were driving along not expecting to get killed; and thus we also know, on some level, that whatever confidence lets us drive on two-way roads is not 100% rationally justified by the laws of statistical probability. And yet ‘rational justification’ might not apply here. It might be more the fact that, if you cannot believe your car won’t suddenly get crashed into out of nowhere, you just can’t drive, and thus that your need/desire to be able to drive functions as a kind of ‘justification’ of your confidence.* It would be better not to then start analyzing the various putative ‘justifications’ for your need/desire to be able to drive a car—at some point you realize that the process of abstract justification can, at least in principle, go on forever. The ability to halt a line of abstract thinking once you see it has no end is part of what usually distinguishes sane, functional people—people who when the alarm finally goes off can hit the floor without trepidation and plunge into the concrete business of the real workaday world—from the unhinged.
David Foster Wallace (Everything and More: A Compact History of Infinity)
As long as the zombie subroutines are running smoothly, the CEO can sleep. It is only when something goes wrong (say, all the departments suddenly find that their business models have catastrophically failed) that the CEO is rung up. Think about when your conscious awareness comes online: in those situations where events in the world violate your expectations. When everything is going according to the needs and skills of your zombie systems, you are not consciously aware of most of what’s in front of you; when suddenly they cannot handle the task, you become consciously aware of the problem. The CEO scrambles around, looking for fast solutions, dialing up everyone to find who can address the problem best.
David Eagleman (Incognito: The Secret Lives of the Brain)
Your Fingerprint and The Cyclone Fence Stand at the baseline. Raise your index and with your finger print about 8 to 12 inches from your face. Focus until you can see your fingerprint perfectly. Everything beyond your finger will be out of focus and most likely appear as double vision. From your fingerprint, shift your focus to the far fence, pick a small object on the fence on which to focus, preferably at the same height which you would be looking at the toss. Did you feel your focus shifting away? Take your focus back and forth from your fingerprint to the back fence until you experience your focus traveling back and forth in between these two objects you are taking turns to focus. Shift your focus as smoothly and quickly as possible between the two objects. This will exercise your eyes to smoothly shift focus. Once you begin to feel very comfortable, then experiment with focusing on the far fence all the way to your fingerprint and have your focus shift as fast as possible, as though you were following a ball in flight. Now do this faster and faster. The focus of your eyes, can shift at well over 100 MPH, but the exact number, or if any limit exists is not known by me. Now go and rally some tennis balls and try to maintain focus on the ball during an entire rally.  Of course, when you are tracking you can work to keep the ball fairly close to the center of your vision. Action Items: * Exercise above for up to 5 minutes each day for one week. * After one week, use as 30 second to 1 minute warm up. * Also use when you have been overpowered by speed of shot.
Bill Patton (Visual Training for Tennis)
Amir then showed off his moonwalk prowess as he started to walk backward toward Tara again. Tara closed her eyes and laughed. She took a sip from her glass and said, “Divaneh!” “I am crazy. Crazy for you!” Amir said with eyebrows raised and still dancing in his spot. Tara sat on the edge of the bed, glass in hand and with the other smoothed a piece of her hair behind her ear. “Did you know that Persian demons did everything backward?” she said. “Did they now?” Amir replied still dancing. “They did. The word for demons, div, comes from the Avesta language meaning ‘a spirit or deity personifying evil.’ They were creatures that wreaked havoc.” “Really?” “Yes, really,” Tara replied with a smile. “And we’ve got Ferdowsi and the old Persian language to thank for the word divaneh too.” “So are you telling me that I’m a demon?” Amir didn’t get where Tara was going as he walked back toward the dressing table.
Soroosh Shahrivar (Tajrish)
the lean startup model squares well with my advice. The contradiction arises only if you take a narrow view of the nature of planning. Planning, as I see it, is not merely sitting and thinking, much less a rule-based bureaucratic exercise of programming. It is an active process. Planning is doing: Try something, see if it works, and try something else in light of what you’ve learned. Planning is iteration and learning before you deliver at full scale, with careful, demanding, extensive testing producing a plan that increases the odds of the delivery going smoothly and swiftly.
Bent Flyvbjerg (How Big Things Get Done: The Surprising Factors That Determine the Fate of Every Project, from Home Renovations to Space Exploration and Everything In Between)
Porter’s next new Hollywood work, MGM’s High Society (1956), was second-division Porter. It hit his characteristic points—the Latin rhythm number in “Mind If I Make Love To You,” the charm song full of syncopation and “wrong” notes in “You’re Sensational.” Porter even turned himself inside out in two numbers for Louis Armstrong, “High Society Calypso” (the Afro-Caribbean anticipation of reggae had just begun to trend in America) and, in duet with Bing Crosby, “Now You Has Jazz.” And the film’s hit, “True Love,” is a waltz so simple neither the vocal nor the chorus has any syncopation whatever. This is smooth Porter, the Tin Pan Alley Porter who wants everyone to like him, even the tourists. Everything about High Society is smooth—to a fault. Armstrong gives it flair, but everyone else is so relaxed he or she might be bantering between acts on a telethon. These are pale replicas of the characters so memorably portrayed in MGM’s first go at this material, The Philadelphia Story, especially by Katharine Hepburn and Cary Grant. In their first moment, the two are in mid-fight; she breaks his golf clubs and he starts to take a swing at her, recalls himself to manly grace, and simply shoves her self-satisfied mug out of shot. This is not tough love. It’s real anger, and while Philip Barry, who wrote the Broadway Philadelphia Story, is remembered only as a boulevardier, he was in fact a deeply religious writer who interspersed romantic comedies with allegories on the human condition, much as Cole Porter moved between popular and elite composition. Underneath Barry’s Society folderol, provocative relationships undergo scrutiny as if in Christian parable; his characters are likable but worrisome—and, from First Couple Bing Crosby and Grace Kelly on down, there is nothing worrisome in this High Society.
Ethan Mordden (When Broadway Went to Hollywood)
Finally, it was our turn and my stomach churned with anxiety and nerves. As we raced out onto the stage to form our positions before the curtain went up, Sara turned to me and said, “Break a leg, Julia!” “What?” I frowned. “That’s for good luck,” she smirked and then faced the audience whose applause was deafening once again. We lunged into our routine, with Sara in the front row, doing the somersaults that she was so good at and as usual, her precision and timing were excellent. The applause erupted again and with a flick of her long ponytail, she executed a very tricky interchange with Alex and then moved to the back. Alex attacked his moves with his usual gusto and the sharp, expressive movements which made him the stand out hip-hop dancer that he was. I felt a rush of pride at being a part of such a cool routine but just as I moved to the front position, I felt my leg give way under me. It was a completely involuntary reaction and one I was powerless to prevent. I was supposed to kneel down and support the weight of one of the smaller girls on my bent knee but unfortunately, it was the leg that I had injured that morning. There was no way I could bear her weight and the sharp pain caused my knee to drop just as Abbie pressed down on it to raise herself into the air. With a gasp from the audience, she went tumbling to the ground. Bright red with embarrassment, she glared at me in horror and all I could do was help her up and try to resume the timing and movements of the routine going on around us. Fortunately, Abbie had no trouble getting back into rhythm, but I just seemed to lose my place and was not able to recover. As if in slow motion, I felt myself limping around the stage after the others and then looking down, I realized that blood was oozing from my leg and onto the floor. I tried to ignore it and focus on the moves that I knew so well, but I was simply unable to get it together. Gratefully, Millie took over my spot and I moved once again to the back row, trying to camouflage myself amongst the others. The scene around me was almost surreal and I felt as though I were a spectator watching the event unfold from afar. The swirling, twisting and turning of the dancers in front of me, along with the steady thumping beat of the latest hip-hop song that everyone knew so well, all seemed to mesh together into a whirlpool of crazy colors and sounds. Then, feeling a slight nudge in my lower back, I was pushed towards the front of the stage. An instant flash of recall had me leaping into the air. Everyone still considered this moment the highlight of our routine. It was the grand finale and my chance to relinquish my status as actually being a decent dancer and choreographer. Flinging my arms and legs forward, I came down onto the stage, one foot at a time. Then reminiscent of that morning’s episode in the school driveway, rather than gripping onto the stage in a final dramatic stomp, my foot slid forward and just kept on going until my whole body landed horizontally on the floor with a loud bang. In a blur of dizziness, I sat up and looked around then saw that I had slipped on a pool of blood; blood that had oozed from the gash in my knee and onto the stage. At that very moment, I was overcome with a sudden rush of nausea and unable to stop the sudden convulsion, I vomited all over the floor in front of me. Too terrified to open my eyes, I wished I could turn back the clock. Back to the day of our dress rehearsal when everything had gone so smoothly. My final leap had been the high point of the day, where even Miss Sheldon and also Alex our expert hip hop dancer, had congratulated me on my performance. I dared to glance fearfully out into the audience. Everyone appeared aghast and I could see the shocked expressions of my mom and dad. Then, realizing I was surrounded by worried faces peering down at me, everything suddenly went black.
Katrina Kahler (My Worst Day Ever! (Julia Jones' Diary #1))
I jolted out of my sleep or so I thought with tunneling sparking flashing light. For a second when I look around the room everything seems soft, unclear, and slightly distorted, I am in my bed naked like I am every day when I get up and hug my stuffed bunny for the last time, as I snap on the lamp on my nightstand. I have to hide my bunny when the girls come over. Ray used to just throw him off the bed onto the floor. That was not cool! I don’t think Marcel would mind my cuddly stuffed bunny, with the cute floppy ears. My alarm has been blaring and Beep- Beeping for five minutes. It's from seven-o to six am. I smash and rub my face in my soft pillow for the last time. I look around the room I am sweating. I wipe my forehead, saying wow, I have had a dream that I’m falling- but never like this. ‘Damn that was a crazy dream!’ So- I start my morning retain- you know grabbing for what inside my Pringles can buy my bed before all hell comes busting through my door. I sit up in bed slightly and I turn on my laptop, might as well live record what going to do on cam, why not. So, push the quilt away, I look down at my unclothed body with my toy in hand, and I see my toes wiggling with nail polish, and my almost smooth legs and everything in-between. Thinking I just shaved and looked at all this stubble, growing here already… don’t you hate that, I sure do? It’s like all you can see and feel. Now I’m covered with sweat even though my room is frigid cold. My throat is dry, my heart is racing, and I’m desperate for a drink, yet I am almost there, my sighing is getting loud, I can feel it building up, I can stop it feeling so good and the tips are just rolling in for the boys that tune into my show. The camera is right there, whoosh- and I feel on top of the world. Yet after I hit a low with having to start my day, running away from me away from who I am, I’ve just been running a long way. My floral sheets are stocked with everything rushing out, and so is my keyboard, yet the boys love it and love me for it, so that is good enough for me. Yet after I do that it’s like I get an embarrassing feeling, I pull it out, then close the lid of my lap, to cover up fast. It’s like I get a rush from it, and then the guilt comes after in my mind saying- ‘That was the wrong missy, yet I can’t stop. Jenny and my girls give me that same rush, always doing something that feels so good yet maybe wrong.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
I remember the time on the school bus back before anyone could drive, Jenny bet me a dollar, to put my hand down her jeans to prove she wears thong undies. Saying that I am such a baby, for not knowing, that’s how that all started, she felt like she had to teach me everything. Anyways back then I was still where Mickey Mouse Briefs and did even think about what was underneath. She beat me to feel that she was not a virgin, that she was all open and smooth, unlike me at the time. I didn’t even shave my legs yet. So, I did, I went for it. The rush here was touching a girl inappropriately, with everyone looking, and hoping the driver didn’t see. I’ll never forget Danny Hover looking over the site with Andrea Doeskin smelling, like little perv’s, and Shy saying- ‘Oh my God’- snickering at the fact, from the set accordingly. Yeah, it’s that kind of rush I get, over and over being with them. Just like Jenny got Liv fixed up with Dilco, it’s all about the rush in the end. Jenny can be a hell of a lot of fun, and it’s that fun that keeps me coming back for more, the same way Liv and Maddie do, and other girls keep trying to be like us, it’s all about the craziness. I don’t know why but when I am with them- I want to be so naughty! I remember Marcel smacking my butt, just to be cute, every time he would see me in the hallways of a school. -Yeah, he’s weird, but I couldn’t stop thinking about him as I was- well… doing me. Yet Ray’s photo was looking at me on my nightstand. ~*~ In my bed, I snap the bright light off when I hear my little sis coming down the hall, everyone goes back to being fuzzy, like I’m not looking at my room but only at a blurry photo of my room that was taken with a shaky hand incorrectly and nothing match up with the real thing. My sis went into the bathroom next door to tinkle, so I snapped on my nightlight, and then that light modifies everything, so it looks somewhat ordinary again. If my sis sees my light on from the crack at the bottom of my door, she will come bursting in. I have learned to keep it as dark as I can when I hear her coming run down the hallway. I love her, yet I want my privacy. All at once it comes back to me, like a hangover rush all my blood starts going back up into my head: the party, my sis getting laid, the argument with Ray, falling to Marcel, all the sex, all the drinking, and drugs, it’s all thumping hard in my brain, like my covered button was a few moments ago, on cam. I am still lying here uncovered, with everything still out in the open. ‘Kellie!’ My door swings open, hammering the door handle against my wall, and sis comes bolting across my room, jumping in my bed, pacing over my textbook's notebooks, love notes, and pills of dirty tops and bottoms and discarded jeans, I panic thinking my Victoria’s Secret Heritage Pink nighty way over there on the floor, where I thought it off and left it the night before. Yet it’s not liked my sis has not seen me naked before… but is wired when this happens. Something is not right, something seems very wrong and oggie; something skirts the edges of my memory, but then it is gone as my head pounds and sis is bouncing on my bed on top of me, throwing her arms and legs around my nude torso. Saying- ‘So what are you going to show me today?’ I am thinking to myself- girl you already got it down, doing what you’re doing now, I don’t need to teach you anything. Kellie- she is so hot… (Oh God not in that way, she’s- my sis.) She is like a little furnace with her worth coming from her tiny body. It’s not too long before her nighty rides up, and I can see it all in my face like she wants to be just like me, and then she starts asking her questions.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Red Sister "We’re Giljohn’s children. The thought rolled across the smoothness of her mind as the Ancestor’s song grew louder. Sisters of the cage." Hessa had not feared dying. But Nona feared living without her. “The truth is a weapon and lies are a necessary shield.” "All the world and more has rushed eternity’s length to reach this beat of your heart, screaming down the years. And if you let it, the universe, without drawing breath, will press itself through this fractured second and race to the next, on into a new eternity. Everything that is, the echoes of everything that ever was, the roots of all that will ever be, must pass through this moment that you own. Your only task is to give it pause—to make it notice." "His older two were long grown, and little Sali would always be five." "It’s harder to forgive someone else your own sins than those uniquely theirs." “Those that burn short burn bright. The shortest lives can cast the longest shadows.” "The new picture didn’t erase the old—the bump was still a hole, but now it was a bump as well; the old lady was still a young one, but now she was old too. Clera was still her friend, and now an enemy also." “People always want to know things . . . until they hear them, and then it’s too late. Knowledge is a rug of a certain size, and the world is larger. It’s not what remains uncovered at the edges that should worry you, rather what is swept beneath.” Kettle sat with her head back against the bark, her face white as death, a tear running from the corner of her eye. “I can always reach her. A thousand miles wouldn’t matter.” She raised an arm, unsteady, and beneath it a shadow blacker than the night stretched out, reaching for infinity, as if the sun had fallen behind her. “It’s done. She knows I need her. She knows the direction.” “You swear it?” “I swear it.” “By the Ancestor?” “By the Ancestor.” The faintest echo of that grin. “And by the Hope, and the Missing Gods who echo in the tunnels, and by the gods too small for names who dance in buttercups and fall with the rain. Now go. For the love of all that’s holy, go. You wear me out, Nona. And I’ve got to concentrate on being alive. It would break her heart to get here and find me dead.” She drew a shallow breath. “They’re both in that direction. If you take it until you find some sort of trail there’s a good chance you’ll find Ara and the others on it. Try to travel with Ara and Zole. Tarkax may be able to protect you if the Noi-Guin track you from here.” Another shallow breath, snatched in over her pain. “Go! Now!” Nona came forward. She set her canteen in Kettle’s lap and kissed her icy forehead. Then she ran.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
was the idea of that?” she asked angrily. “Do you think the child will read better if you break her silly heart? Tell her you missed him and get on with it.” Basta lowered his head like a boy caught doing wrong by his mother. “I did tell her, well … almost,” he growled. “Cockerell’s a terrible shot. Your father didn’t suffer so much as a scratch.” Meggie closed her eyes with relief. She felt warm and wonderful. Everything was all right, or at least what wasn’t all right soon would be. Happiness made her bold. “There’s something else,” she said. Why should she be afraid? They needed her. She was the only one who could read their wretched Shadow out of the book for them; no one else could do it—except Mo, and they hadn’t caught him yet. They would never catch him now, ever. “What is it?” The Magpie smoothed her sternly pinned-up hair. What had she looked like when she was Meggie’s age? Had her lips been so mean even then? “I will read only if I can see Dustfinger again. Before he …” She did not end the sentence. “What for?” Because I want to tell him we’re going to try to save him and because I think my mother is with him, thought Meggie, but naturally she did not say so out loud. “I want to tell him I’m sorry,” she replied instead. “After all, he helped us.” Mortola’s mouth twisted mockingly. “How touching!” she said. I only want to see her once, close-up, thought Meggie. Perhaps it isn’t her after all. Perhaps … “Suppose I say no?” The Magpie was watching her like a cat playing with a young and inexperienced mouse. But Meggie had been expecting that question. “Then I will bite my tongue!” she said. “I will bite it so hard that it swells right up and I won’t be able to read aloud this evening.” The Magpie leaned back in her chair and laughed. “Hear that, Basta? The child is no fool!” Basta only grunted. But Mortola studied Meggie, almost benevolently. “I’ll tell you something: Yes, you can have your silly little wish. But about this evening: Before you read, I want you to have a good look at my photographs.” Meggie glanced around. “Look at them closely. Do you see all those faces? Every one of those people made an enemy of Capricorn, and none of them was ever heard from again. The houses you see in the photographs are no longer standing either, not one of them,
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
Too often, we Christians expect life to be perfect and for everything to go smoothly for us. We expect success, happiness, joy, peace, and everything else. When we’re thwarted, we pout or complain. Although God does want us to have a good life, there will be times when we must be patient and endure not getting our way. These disappointments test our character and level of spiritual maturity. They actually show whether or not we truly are ready for promotion.
Joyce Meyer (Battlefield of the Mind Devotional: 100 Insights That Will Change the Way You Think)
Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
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Madeline Martin (The Last Bookshop in London)
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Meghan Quinn (So Not Meant To Be (Cane Brothers, #2))
UK professional astronomy worked differently from USA professional astronomy. When I told my UK employer I was going to work for another company, they did everything to help me transfer smoothly. When my USA employer found out I was leaving for another company, they took me into numerous surprise harassment meetings for my ‘voluntary’ resignation!
Steven Magee
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Everything happened too fast for Daisy to comprehend. She gripped the ribbons as Hubert jerked forward with a panicked whinny, the cart rattling and bouncing as if it were a child’s toy. Daisy tried in vain to keep her seat, but as the cart hit a deep rut she was thrown clear of the vehicle. Hubert continued racing pell-mell down the lane while Daisy landed on the hard-packed earth with stunning force. The breath was knocked from her, and she choked and wheezed. She had the impression of a massive creature, a monster rushing toward her, but the sound of a gunshot rent the air and caused her ears to ring. A bone-chilling animal squeal… then nothing. Daisy tried to sit up, then flopped weakly on her stomach as her lungs spasmed. Her chest felt as if it had been caught in a vise. There was a good chance she was going to cast up her crumpets, but the thought of how much that would hurt was enough to keep her gorge down. In a moment the thundering of hooves— several sets— vibrated the ground beneath Daisy’s cheek. Finally able to draw a shallow breath, she pushed up on her elbows and lifted her chin. Three riders— no, four— were galloping toward her, hooves thrasing up clouds of dust in the lane. One of the men swung off his horse before it had even stopped and rushed to her in a few ground-eating strides. Daisy blinked in surprise as he dropped to his knees and gathered her up in the same motion. Her head fell back on his arm, and she found herself staring hazily up into Matthew Swift’s dark face. “Daisy.” It was a tone she had never heard from him before, rough and urgent. Cradling her in one arm, he ran his free hand over her body in a rapid search for injuries. “Are you hurt?” Daisy tried to explain that she’d just gotten the wind knocked out of her, and he seemed to understand her incoherent sounds. “All right,” he said. “Don’t try to talk. Breathe slowly.” Feeling her stir against him, he resettled her in his arms. “Rest against me.” His hand passed over her hair, smoothing it back from her face. Tiny shivers of reaction ran through her limbs, and he gathered her closer. “Slowly, sweetheart. Easy. You’re safe now.” Daisy closed her eyes to hide her astonishment. Matthew Swift was murmuring endearments and holding her in hard, strong arms, and her bones seemed to have melted like boiling sugar. Years of uncivilized rough-and-tumble with her siblings had taught Daisy to recover quickly from a fall. In any other circumstances she would have sprung up and dusted herself off by now. But every pleasure-saturated cell in her body sought to preserve the moment for as long as possible.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Life’s work is to wake up, to let the things that enter into the circle wake you up rather than put you to sleep. The only way to do this is to open, be curious, and develop some sense of sympathy for everything that comes along, to get to know its nature and let it teach you what it will. It’s going to stick around until you learn your lesson, at any rate. You can leave your marriage, you can quit your job, you can only go where people are going to praise you, you can manipulate your world until you’re blue in the face to try to make it always smooth, but the same old demons will always come up until finally you have learned your lesson, the lesson they came to teach you.
Pema Chödrön (Awakening Loving-Kindness)
He straightened. "Are you ready?" "Yes." He nodded, his gaze traveling the length of her body, deliberately, slowly, as if to memorize her as she stood. "Then may I have a kiss?" he asked, unmoving. "For luck?" She felt her heart pick up. She felt her face grow hot. "You see? I'm asking, not demanding." He lifted his hands to her, palms up. "Even the most beastly of us can learn." Rue dropped her gaze to the ground, discomfited. "I don't think you're beastly." "Thank goodness. I was about to point out that that fellow down there has far worse breath than I do." She laughed softly, shaking her head, but by then his fingers were curling around hers. "Is that a yes, mouse?" She inhaled: heat, and animal. Him. Rue lifted her chin. "Yes." Everything happened so gently at first, so languidly, as his hands drew hers behind his back so that she had to step toward him, so that their fronts had to touch. As soon as they did his fingers released; he smoothed his palms up her back, one hand at her waist and the other rising to cradle her head. She felt her hair bunch and slide with the passage of his fingers. She felt the cool air on her skin, and the welcome warmth of his chest and stomach and hips. His eyes roamed her face with that half-lidded intensity; she brought up a hand to the slope of his shoulder, resting it there. They stood there together in the open dark, soft and hard, while her stomach tied in knots and her hair stirred with the breeze. She wet her lips, nervous. "Are...are you going to do it?" "I am." His head tilted to hers. She felt his lips against her cheek, light, thistledown, barely there. "I just..." "What?" she whispered, staring out into the shadows. "I just like looking at you." So when he kissed her she was smiling a little, her lips curved under his. Kit loved that curve. -Kit & Rue
Shana Abe (The Smoke Thief (Drakon, #1))
Meanwhile, me and Adrian will head for Atlanta, where everything will go smoothly and no one will get hurt, and everyone will have a productive time learning a great many useful things.
Cherie Priest (Hellbent (Cheshire Red Reports, #2))
In the passing of an instant everything stopped and there he stood at the bottom of the ocean in perfect stillness. He gazed into a strange and eerie light that seemed to draw closer as the fear in his heart faded. An amazing tunnel was extending towards him, smooth shiny walls in the night. Reaching his hand out to touch it he wondered, if he were to die in that moment, where would the life inside him go. His heart, bursting with unspent love and the breathtaking happiness in his soul, just disappearing into the ocean. Two more handfuls of salt dissolving in a world barely able to justify its own existence. He heard a rushing sound as the sea inhaled again just before it struck him in the chest. A wall of sand and stones that blew him off his feet and sent him back out, his last thought escaping him in a long trail of bubbles. ‘Stop fighting now Thomas—it’s over.
Kevin Keely (A Fistful of Salt)
In an instant, cold sweat coated my forehead and the back of my neck. I swallowed, and the Eraser Max in the mirror swallowed. I opened my mouth and saw the long, sharp canines. But when I touched them with my finger, they felt small, smooth, normal. I touched my face and felt smooth skin, though the mirror showed me totally morphed. I remembered how ill I had felt, hot and heart-poundy. Oh, God. What was this all about? Had I just discovered a new “skill,” like Angel reading minds, Gazzy able to imitate any voice, Iggy identifying people by feeling their fingerprints? Had I just developed the skill of turning into an Eraser, our worst enemy? I felt sick with revulsion and dread. I glanced guiltily around to make sure no one could see me like this. I didn’t even know what they would see if they woke up. I felt normal. I looked like an Eraser. Kind of a cuter, blonder, Pekingesey Eraser. Respect and honor your enemies, said my Voice. Always. Know your friends well; know your enemies even better. Oh, please, I begged silently. Please let this be just a horrible lesson and not reality. I promise, promise, promise to know my enemies better. Just let me lose the muzzle. Your greatest strength is your greatest weakness, Max. I stared at the mirror. Huh? Your hatred of Erasers gives you the power to fight to the death. But that hatred also blinds you to the big picture: the big picture of them, of you, of everything in your life. Um. Let me think about that and get back to you. Okay? Ow. I winced and pressed my fingers to my temples, trying to rub the pain away. I touched my face one last time to make sure it really was smooth, and then I went and looked at Fang. He was still breathing, sleeping. He looked better. Not so embalmed. He was going to be all right. I sighed, trying to release my pain and fear, then I curled up on my mat next to Nudge. I closed my eyes but didn’t really have any hope of sleeping. I lay quietly in the darkness. The only thing that made me feel better was listening to the even, regular, calm breathing of my sleeping flock.
James Patterson (School's Out - Forever (Maximum Ride, #2))
Everything started off smoothly enough, as everything usually does before going horribly wrong. Disasters typically come without warning. Earthquakes toss children from their beds in the dark of night. Airplanes plummet from clear blue skies. Tsunamis level entire coastlines. Buildings collapse, banks fold, economies fail, empires crumble.
Tod A (Banging the Monkey)
I take out salad ingredients, vegetables, herbs and several knives: peeler, smooth-bladed and serrated. I cut half a cucumber into cubes, then move onto the mushrooms which I slice into little slithers, I go back to the cucumber, cutting wafer-thin slices, skip to topping and tailing green beans, pop whole beetroots into the oven, I scoop the flesh out of avocados and grapefruits, and put the chard into boiling water. The whole idea is not to get bored. The theory, because I have a theory about peeling things, is to leave room for random opportunities. With cooking, as with everything else, we tend to curb our instincts. Speed and chaos allow for a slight loss of control. Cutting vegetables into different shapes and sizes encourages combinations which might not have been thought of otherwise. In a salad of mushrooms, cucumber and lamb's lettuce, the chervil needs to stay whole, in sprigs, to make a contrast because the other ingredients are so fine, almost transparent, and slippery. If its thin stems and tiny branches didn't contradict the general sense of languor- accentuated by the single cream instead of olive oil in the dressing- the whole thing would descend into melancholy.
Agnès Desarthe (Chez Moi: A Novel)
Anumber of things jump out about the Dyson story. The first is that the solution seems rather obvious in hindsight. This is often the case with innovation, and it’s something we will come back to. But now consider a couple of other aspects of the story. The first is that the creative process started with a problem, what you might even call a failure, in the existing technology. The vacuum cleaner kept blocking. It let out a screaming noise. Dyson had to keep bending down to pick up bits of trash by hand. Had everything been going smoothly Dyson would have had no motivation to change things. Moreover, he would have had no intellectual challenge to sink his teeth into. It was the very nature of the engineering problem that sparked a possible solution (a bagless vacuum cleaner). And this turns out to be an almost perfect metaphor for the creative process, whether it involves vacuum cleaners, a quest for a new brand name, or a new scientific theory. Creativity is, in many respects, a response.
Matthew Syed (Black Box Thinking: Why Some People Never Learn from Their Mistakes - But Some Do)
And what if I was a mythical vampire, little one, holding you captive in my lair?” She smiled up at his serious face, absorbing the pain in his brooding eyes. “I would trust you with my life, Mikhail, vampire or not. And I would trust you with the life of my children. You’re arrogant and sometimes overbearing, but you could never be evil. If you are a vampire, then a vampire is not the creature of the legends.” He moved away from her, not wanting her to see how much her total, unconditional acceptance meant to him. It didn’t matter to him that she didn’t know what she was saying. He felt the truth of her words. “Most people have a dark side, Raven, I more than others. I am capable of extreme violence, cruelty even, but I am not a vampire. I am a predator, first and foremost, but I am not a vampire.” His voice was husky, strangled. Raven moved to close the distance between them, to touch the edge of his mouth, smooth a deep line. “I never thought such a thing. You sound like you believe such a terrible being exists. Mikhail, if such a thing was true, I would know you could not be one of them. You always judge yourself so harshly. I can feel the good in you.” “Can you?” he asked grimly. “Drink this.” “It better not put me to sleep. I’m going back to the inn to my own bed sometime this night,” she told him firmly as she took the glass from him. Her voice teased him, but her eyes were anxious. “I do feel the good in you, Mikhail. I see it in everything you do. You put everyone else first in your life.” He closed his eyes in pain. “Is that what you think, Raven?” She studied the contents of the glass, wondering why her words were hurting him. “I know it. I have chased killers, yet I did not have to follow through and bring those killers to justice. That must eat away at you all the time.” “You give me far too much credit, little one, but I thank you for your faith in me.
Christine Feehan (Dark Prince (Dark, #1))
I have been waiting far too long for this moment." So had I. Desire rose within me and I stood, holding her, knocking the chair out of the way. I carried her to the bed and fell with her against it, our limbs wrapping around each other. Our caresses were fevered, a fire rising between us. It was everything I could do to keep from tearing her dress off her body. Together we unlaced her bodice, a deep kiss accompanying each ribbon undone. Once unclothed, our bodies moved together as one, our skin slipping on skin in the mid-May heat. "At night, when I go to sleep, I think of you," she breathed in my ear as I teased her nipple with my tongue. I lifted my head. "What do you think about, dolcezza mia?" "This. What it would feel like to be with you, to have you touching me." I ran my hand along her thigh and let my fingers explore her sex, rubbing the little spot before her opening. She moaned. "Does it feel like you imagined?" I asked. "Better than I- oh!" My fingers slid inside her folds, teasing with gentle movement. She pushed her body against me. I moved my mouth to cover hers. She tasted like cucumbers and salt. I wanted to devour her. I explored every part of her mouth, my teeth grazing her skin, the flavor of her exploding against my tongue. When I pushed myself inside her, I thought I would lose myself. She was hot and smooth, my knife to her butter. I wanted to feel this moment, to know this pleasure of the body forever. I moved inside her, the rhythm a stirring of our souls. When her soft exclamations of pleasure grew louder and louder and finally climaxed in one long sensuous moan, I could no longer contain my own enjoyment and I lost myself. For a moment, I thought the sky had opened up and all the stars fell down around me.
Crystal King (The Chef's Secret)
He extended his hands, his brow smoothing and his lips curving into a smile when Abigail placed her hands in his. His hands were warm and comforting, his smile the one she had dreamt of so often. If dreams came true, soon he would say the words she longed to hear: I love you. Ethan’s smile faded slightly as he said, “I know you dislike the West and Army life, but there’s no way around it. I owe the Army another year. Will you wait for me?” Those weren’t the words she had expected. “Wait for what?” Abigail wouldn’t make the mistake of assuming she knew what Ethan meant. Though the look in his eyes, a look that mirrored her own, spoke of love, she needed the words. Why wouldn’t he say them? Ethan rolled his eyes. “There I go again, putting the cart before the horse. It’s your fault, you know. I was never this way before I met you.” He tightened his grip on her hands. “I love you, Abigail. I love your smile, your kind heart, your impulsive nature. I love everything about you.” Ethan paused, and she sensed that the man who had faced death without flinching was afraid of her reaction. “Is it possible that you love me?” Her dream had come true. Her heart overflowing with happiness, Abigail smiled at the man she loved so dearly. She had longed for three special words, and Ethan had given them to her. Not once but three times. And if that weren’t enough, the momentary fear she’d seen had shown her the depth of his love. Ethan loved her. He loved her, and now she could tell him of her own love. “Of course I love you.” Abigail infused her words with every ounce of sincerity she possessed. Ethan must never, ever doubt how much she loved him. “I think I’ve loved you from the first time I saw you, although I didn’t recognize it at the time. I thought God brought me to Wyoming to help Charlotte, but as the weeks passed, it seemed that he had more in store for me. Now I know what it was. He brought me to you.” “And used you to show me what love is.” Ethan rose, tugging Abigail to her feet. “Will you make my life complete? Will you marry me when my time with the Army is ended?” There was only one possible answer. “No.” As Ethan’s eyes widened, Abigail saw disbelief on his face. “You won’t? I don’t understand. If you love me, why won’t you marry me? Don’t you want to?” Again, there was only one answer. “I do want to marry you, Ethan. More than anything else.” His confusion was endearing, and Abigail knew they’d speak of this moment for years to come. “Then why did you refuse me?” “It wasn’t your proposal I refused; it was the timing. Why should we wait a year?” “Because you hate Army life. I don’t want to start our marriage knowing you’re miserable.” “Oh, you silly man.” Abigail smiled to take the sting from her words. “How could I be miserable if I’m with you? The only thing that would make me miserable is being apart. I love you, Ethan. I want to spend the rest of my life as your wife . . . starting now.” Ethan’s smile threatened to split his face. “That’s the Abigail I love: headstrong and impulsive, with a heart that’s bigger than all of Wyoming. I wouldn’t have you any other way.
Amanda Cabot (Summer of Promise (Westward Winds, #1))
LuAnne looked at Liz with pity. “It never healed, Miss Liz. That’s the problem with white folks. They think if everything is going along smooth like; as long as black folks doing their work and not getting uppity, they think things are okay and then, just like that, you turn around and somebody’s killin’ someone and everything’s in a mess, and white folks open their mouths and say, ‘Why, why is this happening? We was all getting along so good. Must be the black man’s fault. He ain’t ever satisfied.’ 
Brenda Bevan Remmes (The Quaker Café (Quaker Café #1))
My threshold for being respectful to this lucky, absent bastard was evaporating. I was going to make a move on her. If I didn’t, I’d never forgive myself for not trying. If there was even the slightest chance she might be into me, I had to try. But how? Should I just try to kiss her? Would she tell me to go to hell? Probably. What if I slid my hand over hers? Would she yank it away? She would. I knew she would. I needed something else. Something less. More subtle. Something that could go either way to test the waters. Something that could lead to something else. “Hey, I give a decent foot massage if your feet hurt.” I nodded to the center console where her heels still sat after being dropped through the sunroof. To my surprise, she pivoted until her back was against the door, and she swung her legs over into my lap. She put an arm behind her head and leaned back. “Go for it. Those heels were killing me today.” I grinned inwardly that my strategy worked and put my back to the door while I took her tiny foot in my hand. “I’m a foot massage master. ‘I don’t be tickling or nothing,’” I said, giving her a Pulp Fiction line. She snorted. “I’m exfoliated and pedicured. Someone should touch them.” I thought about what Vincent Vega says in the movie, that foot massages mean something. That men act like they don’t, but they do and that’s why they’re so cool. This meant something, and I knew she knew it. She was as familiar with that movie as I was. She had to be making the connection. And she’d allowed it. I reveled in the chance to touch her and at the unspoken meaning behind her letting me do it. “So, Foot Massage Master, what other tricks do you have in your bag?” she asked, giving me a sideways smile. I pressed a thumb into her arch and circled it around with a smirk. “I’m not giving you my trade secrets.” What if I need them? She scoffed. “Your gender doesn’t have any secrets that every woman hasn’t already seen by the time they’re twenty.” I arched an eyebrow. “Ever heard of the naked man?” She rolled her eyes. “Oh God, the naked man. That one’s the worst.” I laughed. “Why? Because it works?” She scrunched up her face. “I have to admit it has worked on me in the past. I mean, the guy’s naked. Half the work is done for you already. It’s kind of hard to say no. But when it doesn’t work, it’s so cringey.” I tipped my head from side to side. “It’s risky. I’ll give you that. You have to know your audience. But big risks can reap big rewards.” “Waiting for your girlfriend to leave the room and then stripping naked to surprise her when she gets back is so unoriginal though. You men have no new material. I swear you could go back twenty thousand years and peek into a cave and find cavemen drawing penises on everything and doing the naked man and the helicopter.” I pulled her foot closer and laughed. “Hey, don’t knock the helicopter. It’s the first move we learn. It can be a good icebreaker.” “The helicopter should be banned over the age of eight. I’m just going to spare you the illusion right now. No woman is sitting around with her girlfriends going, ‘Gurl, it was the sexiest helicopter I’ve ever seen. Totally broke the ice.’” I chuckled and ran my hand up her smooth calf, rubbing the muscle. I pictured that delicate ankle on my shoulder where I could kiss it, run my palm down the outside of her thigh, pull down those light-blue lace panties…
Abby Jimenez
Suppose we wanted to transmit this knowledge, everything we had ever learned, to another world. First we would want to make the representation as compact as possible. By squeezing out redundancies we could compress the number so that it would occupy smaller and smaller spaces. In fact, if we are adept enough we can represent the number in a manner that requires almost no space whatsoever. We simply take the long string of digits and put a decimal point in front of it so that it becomes a fraction between 0 and 1, a mere point on a line. Then we choose a smooth stick and declare one end 0 and the other end 1. Measuring carefully, we make a notch in the stick -- a point on the continuum representing the number. All of our history, our philosophy, our music, our art, our science -- everything we know would be implicit in that single mark. To retrieve the world's knowledge, one would measure the distance of the notch from the end of the stick, then convert the number back into the books, the music, the images. The success of the scheme would depend on the fineness of the mark and the exactness of the measurement. The slightest imprecision would cause whole Libraries of Alexandria to burn. [...] Suppose the medicine men of Otowi had discovered this trick. Suppose, contrary to all evidence, that they had developed a written language, a number system, and tools of enough precision to encode a single book of sacred knowledge into the notch of a prayer stick -- the very book, perhaps, that explains what the symbols on the rock walls mean. And suppose a hiker, exploring one day in the caves above Otowi, found the stick. Could the knowledge be recovered? [...] Aliens trying to decode our records might recognize what seemed to be deliberate patterns in the markings of ink on pages or the fluctuating magnetic fields of computer disks (though, again, if the information had been highly compressed, it would be harder and harder to distinguish from randomness). If they persisted, would they find truths to marvel at, signs of kindred minds? Or would they even recognize the books and tapes as things that might be worth analyzing? One can't go around measuring every notch on every stick.
George Johnson (Fire in the Mind: Science, Faith, and the Search for Order)
Being constantly active made time fly, and so it didn’t take long before the day of departure came. With the last of everything aboard, we set sail just as many did before us. We were among those that continued the tradition of... “they that go down to the sea in ships” and we were very aware that this tradition rested on our shoulders. On January 4, 1953, with the sound of three short blasts on the ship’s whistle, we backed away from the pier. This ship was unlike most ships and we all noticed a definite difference in her sounds and vibrations. At that time, most American vessels were driven by steam propulsion that relied on superheating the water. The reciprocating steam engines, with their large pistons, were the loudest as they hissed and wheezed, turning a huge crankshaft. Steam turbines were relatively vibration free, but live steam was always visible as it powered the many pumps, winches, etc. Steam is powerful and efficient, but can be dangerous and even deadly. Diesel engines were seldom used on the larger American ships of that era, and were not considered cost or energy efficient. The TS Empire State was a relatively quiet ship since she only used steam power to drive the turbines, which then spun the generators that made the electricity needed to energize the powerful electric motors, which were directly geared to turn the propeller shafts. All in all, the ship was nearly vibration free, making for a smooth ride.
Hank Bracker
It’s all right, baby, it’s over. You’re safe now. Everything’s going to be fine.” She could feel his heartbeat, his pulse racing nearly as fast as her own. She swallowed, fought back tears of relief. “Will they…will they be able to find us?” “They know where we are. They’ll send a search plane or a chopper. I’ve got flares in my emergency gear.” She nodded, pressed herself tighter against him, felt his arms tighten in return. “Call?” He eased back a little, cradled her cheek in one of his big, tanned hands. “What is it, baby?” “I think I’m going to cry but I don’t want you to think I’m a sissy.” He smoothed back her hair, looped it over her ear. “I won’t think you’re a sissy. You were great up there. Terrific. I wouldn’t want to crash my plane with anyone else.” She did start crying then and Call just held her, letting her cry against his shoulder. His wool shirt felt rough and warm beneath her cheek and the smell of smoke seeped up from the fabric. It felt good just to be standing there in the circle of his arms. She cried herself out in a couple of minutes, sniffed a little, and wiped her eyes on the tail of his shirt. “Thanks for the shoulder.” “Considering I’m the guy who got you here, it’s the least I could do.” She managed a wobbly smile. “You were great, Call. I think you saved our lives.” He shrugged, looked a little embarrassed. “I just did what I’ve been taught to do.” She didn’t argue, but she thought that under the same circumstances someone else might not have done half so good a job. And less than half wouldn’t have been nearly enough.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
My idea of everything going smoothly on an airplane is (a) that I not die in a slow-motion fiery crash or get stabbed to death by terrorists and (b) that none of the other passengers try to talk to me. All conversation should end at the moment the wheels leave the ground.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
She was on a roll and everybody knew it. It was what cops and prosecutors called being in the tube. It was a surfing reference. It meant they had ridden the case into the water tunnel where everything was going smoothly and perfectly and was surrounding them in glorious balance.
Michael Connelly (A Darkness More Than Night (Harry Bosch, #7; Harry Bosch Universe, #10))
Okonomiyaki, meanwhile, is to American pancakes what Japanese wrestling is to American wrestling. The basic batter contains flour and water, grated nagaimo (that big slimy yam again), eggs, and diced cabbage. You then augment this base by ordering little bits and nibbles a la carte to be added to the batter. We could not figure out the ordering system, but we listed off ingredients we liked and ended up with two pancakes' worth of batter teeming with squid, octopus, sliced negi, and pickled ginger. The waiter dropped off a big bowl of unmixed pancake fixings and a couple of spatulas and assumed we would know how to do the rest. Every time we did something wrong, he sucked in his breath (a very common sound in Japan, at least in my presence) and intervened. Every time we did something right, he gave the thumbs-up and a Fonzie-like grunt of approval. Now that I've cooked two okonomiyaki and am certified by the Vera Okonomiyaki Napoletana Association, I can tell you how it's done. If your okonomiyaki has a large featured ingredient like strips of pork belly, set it aside to go on top; don't mix it in. Stir everything else together really well. Pour some oil onto the griddle and smooth it out into a thin film with a spatula. Dump the batter onto the griddle and shape it into a pancake about 1/2 to 3/4 inch thick. If you have pork strips, lay them over the top now like you're making bacon-wrapped meatloaf. Now wait. And wait. And wait. If little bits of egg seep out around the edge of your pancake, coax them back in. It takes at least five minutes to cook the first side of an okonomiyaki. Maybe ten. Maybe thirty. If you're not hungry enough to drink a tureen of raw batter, it's not ready. Finally, when it's brown on the bottom, slide two spatulas underneath and flip with confidence. Now wait again. When the center is set and the meat is crispy, cut it into wedges and serve with okonomiyaki sauce, mayo, nori, and fish flakes. If you haven't had okonomiyaki sauce, it's a lot like takoyaki sauce. Sorry, just kidding around. It's a lot like tonkatsu sauce.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
A Moran tugboat now had a line out to our stern and on the orders of the Docking Master gently but decidedly pulled the SS African Sun away from the dock, as the last of our lines were hauled in. Once out into the stream and aimed towards the channel the Docking Master went down a long wooden ladder onto the tug. Although things can differ depending on circumstances, most frequently the Tug captain is also the Docking Master. Once free of the tug the Pilot ordered half ahead and aimed the heavily laden ship down the Bay Ridge Channel and into the Upper Bay. As the Third Mate I had the responsibility to keep everything going smoothly on the bridge. It was the Captain’s ship and I had the watch but it was the Harbor Pilot who gave the orders.
Hank Bracker
If I thought, all through those freezing months I spent alone in a house whose owner had abandoned us, that I did not grieve, then it was because I had been expecting something else -- something both larger and lesser, a monument or a mountain, simple, scaleable, and not this seeping in of space to undermine the smooth continuance of things. I had thought that loss would be dramatic, that it would be a kind of exercise, when instead it was the emptiness of everything going on before and nothing working as it ought.
Jessie Greengrass (Sight)
Beyond, he could glimpse high, tumescent hills of unnaturally perfect smoothness, each crowned with an ivory-coloured column of stone. Between the hills ran valleys dense with pallid vegetation. Bank upon bank of cloud hung frozen in a still, pale sky. Though his vantage point commanded great distance, some curious distortion of perspective rendered everything - near and far - equally sharp to the eye. And nowhere could he see a shadow. It was as if he had stepped over the border of a wonderful and subtly disturbing illustration in some long-forgotten, childhood book. The land lay before him like a vast and awful glyph, waiting to be read, and he knew at once that he must go on, just a little further, or regret it all the days of his life. "The White Road
Ron Weighell (The White Road)
He was in love with his best friend and it was new and scary and perfect and so fucking beautiful that half the time he felt like he was just going to take off flying at any moment. “Jess, what’s wrong? You don’t want me to touch you?” Please say it’s okay. I’m dying… “I just thought you wouldn’t want to…because, well, you know.” Shane slipped his hands beneath Jesse’s T-shirt, wedging them between Jesse’s back and the bed. Jesse arched to give him more room. The skin on his back was smooth and a little damp from the heat. Shane wanted more. He had to feel more. “Jess, do you have any idea how sexy you are right now?” And he was. His spiky hair was all askew, glasses long lost to the carpet, those big gray eyes were shining up at Shane and his mouth was parted and wet, begging for more kisses. Shane wanted to show Jesse everything. Wanted to be his first. “I want whatever is okay with you.” “R-really?” Ah, shit, he’s nervous. He never stutters like that anymore. “It’s okay. Only if you want to. We can just kiss.” Shane ran his fingers through Jesse’s silky spikes and kissed him again, soft and romantic like they usually did. “N-no. I want you to do it. I do.” With trembling hands, Jesse unbuttoned his cargo shorts and loosened the zipper. Shane couldn’t help grinning at him. He’d wanted to touch Jesse for so long.
Piper Vaughn (More than Moonlight (Lucky Moon, #0.5))
When I hit the bitumen and get that smooth grey rumble going under me everything’s hell different. Like I’m in a fresh new world all slick and flat and easy. Even with the engine working up a howl and the wind flogging in the window the sounds are real soft and pillowy. Civilized I mean. Like you’re still on the earth but you don’t hardly notice it anymore. And that’s hectic. You’d think I never got in a car before. But when you’ve hoofed it like a dirty goat all these weeks and months, when you’ve had the stony slow prickle-up hard country right in your face that long it’s bloody sudden. Some crazy shit, I tell you. Brings on this angel feeling. Like you’re just one arrow of light.
Tim Winton (The Shepherd's Hut)
Women have always had control of the purse strings and had responsibility for running everything smoothly. Japanese men have been incredibly reliant on the female of the species, no knowing where anything is, not knowing how to dress. Without women they would have to go around naked. There has always been a depth to Japanese women behind the silk screen. There was never that much of an idea of being the protected, pampered species put on a pedestal in the sort of “ladies are gods” culture that predominated in medieval Europe or in Victorian times.
David Pilling (Bending Adversity: Japan and the Art of Survival)
Our family’s collective nonpanic at my father’s condition might have been shocking and even disturbing to many. The Silver Eagle, true patriot, lies at death’s door and his wife and offspring will get to it when they get to it. There’s a history here, one carefully covered and silenced. There’s a facade, curated over years, smoothed out by endless practice pretending everything is all right. As children, my brother and I learned that it was best to just avoid our father. If avoidance wasn’t possible, one could hope that he was in one of his shining moods. His everything-is-dandy-let’s-go-get-an-ice-cream-cone-and-toss-the-ball-around moods. Though these moods were shiny and glistening at first glance, it took very little to tarnish them: a drip of melted ice cream on the upholstery in the backseat, an easy grounder missed, unexpected traffic from a funeral procession
Rebecca L. Brown (Flying at Night)
For a second, I’m too shocked to react. I don’t know why; this thing has been lurking between us for weeks, never dormant, always present. But she’s been wary, pushing me away, and I didn’t expect this. My surprise lasts almost no time at all. Just a second’s worth of her lips against mine, her hands, warm against the cool, bare skin of my shoulders. My last intelligent thought is that I’m not letting this go to waste, and then I’m kissing her back. Wrapping my arm around her, bringing her close so that her body lies flush against mine. My free hand tangles in her dark hair, wrapping it around my fingers, following it up to her scalp, the line of her ear. She tastes so good—sweet, like an apple. Her hands slide down my chest, leaving a trail of heat, coming to rest on my hips. Tina shifts her weight and then straddles me. My nerves light up at that, sparking with desire. Fuck, I want her. She’s wearing jeans. I’m wearing jeans. Doesn’t matter that there’s layers of thick denim between us; my body still recognizes the feel of hips pressing against my pelvis. The friction of fabric is rough against my cock, but it’s everything I could have asked for. Her hands rise again, sliding up my chest to rest against my shoulders. She kisses me like she’s been thinking of this as long as I have, like this kiss has been building from the first day we saw each other. She kisses me like there’s no space between us. And there isn’t—not much. I’m not trying to escalate things. I’m not even really thinking about it. But when she smoothes her palm down my chest, my hand creeps up by her side, sliding up until I find the fabric of her bra. Under other circumstances, I might rip it off. But I don’t want to freak her out. I cup her breast in the palm of my hand. She gasps instantly. I was already hard; with that, I find myself turning to stone. Needing, wanting, stone. If I’m stone, she’s fire. Her hips grind into me as my thumb finds her nipple. My lips graze her neck. My tongue darts out and traces down her collarbone. I can’t even remember why I ever thought it was cold in here. It’s a fucking furnace. I pull her close. She’s so fucking responsive. It’s hot beyond belief to watch her go up in flames on top of me, to watch how the smallest touch, the slightest pressure in the right place, gets her going. I don’t have much of a thought process, but it goes something like yes, yes, more now. And she must be thinking the same thing—thank God—because she takes her shirt off. She’s wearing a simple white cotton bra, no padding, and her nipples poke through. I lean forward and catch one in my mouth. She likes it. She grinds against me. Her fingers clench on my shoulders, gripping tight, so fucking tight. I find her other breast—small enough that I can palm it with one hand, so that my fingers can explore every last inch. She’s letting out little moans that seem to go straight to my dick. “You,” I growl out, “have awesome tits.” She freezes on top of me. And then, seconds later, she pulls away. “Don’t.” She reaches for her shirt. “Don’t lie to me. I have nonexistent boobs.” I run my finger over her nipple. “Yeah? What’s this, then?” She shivers. “You have awesome tits,” I repeat. “I love touching them. Licking. Sucking. It makes me fucking wild to be able to drive you crazy like this. Tits are a fucking gift for sexual pleasure. So never tell me you have nonexistent boobs again. I think I just proved otherwise.” She draws in a deep breath. Her eyes meet mine. She looks almost shattered.
Courtney Milan (Trade Me (Cyclone, #1))
For a second, I’m too shocked to react. I don’t know why; this thing has been lurking between us for weeks, never dormant, always present. But she’s been wary, pushing me away, and I didn’t expect this. My surprise lasts almost no time at all. Just a second’s worth of her lips against mine, her hands, warm against the cool, bare skin of my shoulders. My last intelligent thought is that I’m not letting this go to waste, and then I’m kissing her back. Wrapping my arm around her, bringing her close so that her body lies flush against mine. My free hand tangles in her dark hair, wrapping it around my fingers, following it up to her scalp, the line of her ear. She tastes so good—sweet, like an apple. Her hands slide down my chest, leaving a trail of heat, coming to rest on my hips. Tina shifts her weight and then straddles me. My nerves light up at that, sparking with desire. Fuck, I want her. She’s wearing jeans. I’m wearing jeans. Doesn’t matter that there’s layers of thick denim between us; my body still recognizes the feel of hips pressing against my pelvis. The friction of fabric is rough against my cock, but it’s everything I could have asked for. Her hands rise again, sliding up my chest to rest against my shoulders. She kisses me like she’s been thinking of this as long as I have, like this kiss has been building from the first day we saw each other. She kisses me like there’s no space between us. And there isn’t—not much. I’m not trying to escalate things. I’m not even really thinking about it. But when she smoothes her palm down my chest, my hand creeps up by her side, sliding up until I find the fabric of her bra. Under other circumstances, I might rip it off. But I don’t want to freak her out. I cup her breast in the palm of my hand. She gasps instantly. I was already hard; with that, I find myself turning to stone. Needing, wanting, stone. If I’m stone, she’s fire. Her hips grind into me as my thumb finds her nipple. My lips graze her neck. My tongue darts out and traces down her collarbone. I can’t even remember why I ever thought it was cold in here. It’s a fucking furnace. I pull her close. She’s so fucking responsive. It’s hot beyond belief to watch her go up in flames on top of me, to watch how the smallest touch, the slightest pressure in the right place, gets her going. I don’t have much of a thought process, but it goes something like yes, yes, more now. And she must be thinking the same thing—thank God—because she takes her shirt off. She’s wearing a simple white cotton bra, no padding, and her nipples poke through. I lean forward and catch one in my mouth. She likes it. She grinds against me. Her fingers clench on my shoulders, gripping tight, so fucking tight. I find her other breast—small enough that I can palm it with one hand, so that my fingers can explore every last inch. She’s letting out little moans that seem to go straight to my dick. “You,” I growl out, “have awesome tits.” She freezes on top of me. And then, seconds later, she pulls away. “Don’t.” She reaches for her shirt. “Don’t lie to me. I have nonexistent boobs.” I run my finger over her nipple. “Yeah? What’s this, then?” She shivers. “You have awesome tits,” I repeat. “I love touching them. Licking. Sucking. It makes me fucking wild to be able to drive you crazy like this. Tits are a fucking gift for sexual pleasure. So never tell me you have nonexistent boobs again. I think I just proved otherwise.” She draws in a deep breath. Her eyes meet mine. She looks almost shattered.
Courtney Milan (Trade Me (Cyclone, #1))
In October, Dad’s mother, my Nanny, got very sick. She had been fighting breast cancer, and now it had gone into her lymph nodes. She had been a nurse, and she knew her hour was near. She wanted to go on her terms, and a wonderful hospice team came to her home. Nick came with me to see her one last time, and he was my rock. My father couldn’t bear to go into her room, but Nick came in with me. She was beautiful, so sick but still radiating the grace she brought to the demands of being a pastor’s wife. I realized that everything that was good in my life, I had because of her. Nanny had paid to press my first album. She was the reason I had a career at all and the reason I met Nick. I smoothed her hair back as I told her I was there. She squeezed my hand. “Nick is here, too, Nanny,” I whispered. “I want you to know we’re back together. I’m gonna marry him, Nanny. Just like you wanted.” She squeezed my hand again. “We’re going to have a beautiful wedding,” I said, “and you’ll always be with me. You’ll be right there.” She had asked to have my version of “His Eye Is on the Sparrow,” the last song off my second album, on repeat as she passed. As she took her last breath, surrounded by love and her family, my voice filled the room, saying, “His eye is on the sparrow, and I know He watches me.” It’s a celebration of faith and gratitude that no matter how insignificant we may feel, God is looking out for us. At her funeral at First Baptist Church of Leander, Nick was a pallbearer and helped to carry her home. I will always be grateful to him for that. She was reunited in heaven with my late grandfather, to whom she had been married for forty-one years. I wanted that forever love for Nick and me, too.
Jessica Simpson (Open Book)
In the afternoon, Eli suggests we take a nap so we can be rested for later, but I stay awake watching his blank sleeping face, his hand tucked restfully beneath the pillow. The doorbell rings and I pad out into the living room to press the intercom button. It’s Chaya, and I press the buzzer to let her in. “I heard what happened,” she says, after she is seated at my new dining room table, stocking feet crossed neatly under her chair. I wait for her to come to my defense, to say something soothing. Her face is hard when she continues. “If there’s one thing that makes a marriage work,” she says, “it’s that a man must be king in the bedroom. If he is king in the bedroom, then he feels like a king everywhere else, no matter what happens.” She pauses, looking intently at me, her hands clutching the handles of her black bucket purse. “You understand me?” she asks, waiting for confirmation. I nod, too flabbergasted to say anything. “Good,” she says, firmly, standing up and smoothing her skirt. “Then everything will be taken care of. I’m not even going to tell Bubby and Zeidy about this; why give them more bad news in their old age and fragile condition?” I hear the implications of that statement and feel immediately guilty. Still, as the door shuts behind her, I wait for it to hit me. How exactly will everything be taken care of? I wonder. Does she have a plan? Because I don’t.
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
I understand you, Marco Antonio Guerra said to him. I mean, if I’m right, I think I understand you. You’re like me and I’m like you. We aren’t happy. The atmosphere around us is stifling. We pretend there’s nothing wrong, but there is. What’s wrong? We’re being fucking stifled. You let off steam your own way. I beat the shit out of people or let them beat the shit out of me. But the fights I get into aren’t just any fights, they’re fucking apocalyptic mayhem. I’m going to tell you a secret. Sometimes I go out at night, to bars you can’t even imagine. And I pretend to be a faggot. But not just any kind of faggot: smooth, stuck-up, sarcastic, a daisy in the filthiest pigsty in Sonora. Of course, I don’t have a gay bone in me, I can swear that on the grave of my dead mother. But I pretend that’s what I am. An arrogant little faggot with money who looks down on everyone. And then the inevitable happens. Two or three vultures ask me to step outside. And then the shit kicking begins. I know it and I don’t care. Sometimes they’re the ones who get the worst of it, especially when I have my gun. Other times it’s me. I don’t give a fuck. I need the fucking release. Sometimes my friends, the few friends I have, guys my age who are lawyers now, tell me I should be careful, I’m a time bomb, I’m a masochist. One of them, someone I was really close to, told me that only somebody like me could get away with what I did because I had my father to bail me out. Pure coincidence, that’s all. I’ve never asked my father for a thing. The truth is, I don’t have friends. I don’t want any. At least, I’d rather not have friends who’re Mexicans. Mexicans are rotten inside, did you know? Every last one of them. No one escapes. From the president of the republic to that clown Subcomandante Marcos. If I were Subcomandante Marcos, you know what I’d do? I’d launch an attack with my whole army on any city in Chiapas, so long as it had a strong military garrison. And there I’d sacrifice my poor Indians. And then I’d probably go live in Miami. What kind of music do you like? asked Amalfitano. Classical music, Professor, Vivaldi, Cimarosa, Bach. And what books do you read? I used to read everything, Professor, I read all the time. Now all I read is poetry. Poetry is the one thing that isn’t contaminated, the one thing that isn’t part of the game. I don’t know if you follow me, Professor. Only poetry—and let me be clear, only some of it—is good for you, only poetry isn’t shit.
Roberto Bolaño (2666)
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