Everything Collapsed Quotes

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It's so curious: one can resist tears and 'behave' very well in the hardest hours of grief. But then someone makes you a friendly sign behind a window, or one notices that a flower that was in bud only yesterday has suddenly blossomed, or a letter slips from a drawer... and everything collapses.
Colette
There will come a time when all of us are dead. All of us. There will come a time when there are no human beings remaining to remember that anyone ever existed or that our species ever did anything. There will be no one left to remember Aristotle or Cleopatra, let alone you. Everything that we did and built and wrote and thought and discovered will be forgotten and all of this will have been for naught. Maybe that time is coming soon and maybe it is millions of years away, but even if we survive the collapse of our sun, we will not survive forever. There was time before organisms experienced consciousness, and there will be time after. And if the inevitability of human oblivion worries you, I encourage you to ignore it. God knows that’s what everyone else does.
John Green (The Fault in Our Stars)
In my mind I am eloquent; I can climb intricate scaffolds of words to reach the highest cathedral ceilings and paint my thoughts. But when I open my mouth, everything collapses.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
Together, they would watch everything that was so carefully planned collapse, and they would smile at the beauty of destruction.
Markus Zusak (The Book Thief)
That's why you did it. You wanted your world to collapse around you. You wanted everything to get as dark as possible.
Jay Asher (Thirteen Reasons Why)
Living systems are never in equilibrium. They are inherently unstable. They may seem stable, but they’re not. Everything is moving and changing. In a sense, everything is on the edge of collapse.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
When someone leaves you, apart from missing them, apart from the fact that the whole little world you've created together collapses, and that everything you see or do reminds you of them, the worst is the thought that they tried you out and, in the end, the whole sum of parts adds up to you got stamped REJECT by the one you love. How can you not be left with the personal confidence of a passed over British Rail sandwich?
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next - and disappear. That's why it's so important to change routines regularly, and take vacations to exotic locales, and have as many new experiences as possible that can serve to anchor our memories. Creating new memories stretches out psychological time, and lengthens our perception of our lives.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
It happens that the stage sets collapse. Rising, streetcar, four hours in the office or the factory, meal, streetcar, four hours of work, meal, sleep, and Monday Tuesday Wednesday Thursday Friday and Saturday according to the same rhythm – this path is easily followed most of the time. But one day the “why” arises and everything begins in that weariness tinged with amazement.
Albert Camus (The Myth of Sisyphus)
Everything might scatter. You might be right. I suppose it's something we can't easily get away from. People need to feel they belong. To a nation, to a race. Otherwise, who knows what might happen? This civilisation of ours, perhaps it'll just collapse. And everything scatter, as you put it.
Kazuo Ishiguro (When We Were Orphans)
Our economic system and our planetary system are now at war. Or, more accurately, our economy is at war with many forms of life on earth, including human life. What the climate needs to avoid collapse is a contraction in humanity’s use of resources; what our economic model demands to avoid collapse is unfettered expansion. Only one of these sets of rules can be changed, and it’s not the laws of nature.
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
Just when we think we have a system, ...the system collapses. Just when we know our way around, we get lost. Just when we think we know what's coming next, everything changes.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Life has a way of going in circles. Ideally, it would be a straight path forward––we'd always know where we were going, we'd always be able to move on and leave everything else behind. There would be nothing but the present and the future. Instead, we always find ourselves where we started. When we try to move ahead, we end up taking a step back. We carry everything with us, the weight exhausting us until we want to collapse and give up. We forget things we try to remember. We remember things we'd rather forget. The most frightening thing about memory is that it leaves no choice. It has mastered an incomprehensible art of forgetting. It erases, it smudges, it fills in blank spaces with details that don't exist. But however we remember it––or choose to remember it––the past is the foundation that holds our lives in place. Without its support, we'd have nothing for guidance. We spend so much time focused on what lies ahead, when what has fallen behind is just as important. What defines us isn't where we're going, but where we've been. Although there are places and people we will never see again, and although we move on and let them go, they remain a part of who we are. There are things that will never change, things we will carry along with us always. But as we venture into the murky future, we must find our strength by learning to leave things behind.
Brigid Gorry-Hines
It wouldn't have mattered if they were scratches or not," he says, his voice like liquid. "I was bitten during the escape from the house." My limbs go weak, everything inside me folding in collapsing on itself. "I was already dead," he says, opening his eyes.
Carrie Ryan (The Forest of Hands and Teeth (The Forest of Hands and Teeth, #1))
Years of longing collapse into this one kiss. Everything I’ve held back, everything I’ve buried, surges to the surface. My hand rests on her cheek, fingers delicately brushing skin as velvety as I remember it from my dreams.
Tricia Newlan (Echoes of One Night: Forbidden Love Romance)
After the collapse of socialism, capitalism remained without a rival. This unusual situation unleashed its greedy and - above all - its suicidal power. The belief is now that everything - and everyone - is fair game.
Günter Grass
There seems to be an inborn drive in all human beings not to live in a steady emotional state, which would suggest that such a state is not tolerable to most people. Why else would someone succumb to the attractions of romantic love more than once? Didn’t they learn their lesson the first time or the tenth time or the twentieth time? And it’s the same old lesson: everything in this life—I repeat, everything—is more trouble than it’s worth. And simply being alive is the basic trouble. This is something that is more recognized in Eastern societies than in the West. There’s a minor tradition in Greek philosophy that instructs us to seek a state of equanimity rather than one of ecstasy, but it never really caught on for obvious reasons. Buddhism advises its practitioners not to seek highs or lows but to follow a middle path to personal salvation from the painful cravings of the average sensual life, which is why it was pretty much reviled by the masses and mutated into forms more suited to human drives and desires. It seems evident that very few people can simply sit still. Children spin in circles until they collapse with dizziness.
Thomas Ligotti
WHAT WAS LOST IN THE COLLAPSE: almost everything, almost everyone, but there is still such beauty. Twilight in the altered world, a performance of A Midsummer Night’s Dream in a parking lot in the mysteriously named town of St. Deborah by the Water, Lake Michigan shining a half mile away.
Emily St. John Mandel (Station Eleven)
And the answer is not every building that shakes will collapse. The answer is not everything that chips will crumble.
Rudy Francisco (Helium (Button Poetry))
This is my admittedly graceless strategy: annihilate every center of power, so everything will collapse into chaos and people will have no choice but to obey the new most powerful thing - me.
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
And we, spectators always, everywhere, looking at, never out of, everything! It fills us. We arrange it. It collapses. We re-arrange it, and collapse ourselves. Who's turned us round like this, so that we always, do what we may, retain the attitude of someone who's departing? Just as he, on the last hill, that shows him all his valley for the last time, will turn and stop and linger, we live our lives, for ever taking leave.
Rainer Maria Rilke (Duino Elegies)
The world shifts, tilts, sometimes collapses. But sometimes, it bends toward you, and everything feels right.
Marie Lu (Rebel (Legend, #4))
I have no idea whether parents can be of help, and I do not blame mine. It was my own affair to come to terms with myself and to find my own way, and like most well-brought-up children, I managed it badly. Everyone goes through this crisis. For the average person this is the point when the demands of his own life come into the sharpest conflict with his environment, when the way forward has to be sought with the bitterest means at his command. Many people experience the dying and rebirth - which is our fate - only this once during their entire life. Their childhood becomes hollow and gradually collapses, everything they love abandons them and they suddenly feel surrounded by the loneliness and mortal cold of the universe. Very many are caught forever in this impasse, and for the rest of their lives cling painfully to an irrevocable past, the dream of the lost paradise - which is the worst and most ruthless of dreams.
Hermann Hesse (Demian: Die Geschichte von Emil Sinclairs Jugend)
You still think I’m too optimistic, don’t you?” Shallan said. “It’s not your fault,” Kaladin said. “I’d rather be like you. I’d rather not have lived the life I have. I would that the world was only full of people like you, Shallan Davar.” “People who don’t understand pain.” “Oh, all people understand pain,” Kaladin said. “That’s not what I’m talking about. It’s . . .” “The sorrow,” Shallan said softly, “of watching a life crumble? Of struggling to grab it and hold on, but feeling hope become stringy sinew and blood beneath your fingers as everything collapses?” “Yes.” “The sensation—it’s not sorrow, but something deeper—of being broken. Of being crushed so often, and so hatefully, that emotion becomes something you can only wish for. If only you could cry, because then you’d feel something. Instead, you feel nothing. Just . . . haze and smoke inside. Like you’re already dead.” He stopped in the chasm. She turned and looked to him. “The crushing guilt,” she said, “of being powerless. Of wishing they’d hurt you instead of those around you. Of screaming and scrambling and hating as those you love are ruined, popped like a boil. And you have to watch their joy seeping away while you can’t do anything. They break the ones you love, and not you. And you plead. Can’t you just beat me instead?” “Yes,” he whispered. Shallan nodded, holding his eyes. “Yes. It would be nice if nobody in the world knew of those things, Kaladin Stormblessed. I agree. With everything I have.” He saw it in her eyes. The anguish, the frustration. The terrible nothing that clawed inside and sought to smother her. She knew. It was there, inside. She had been broken. Then she smiled. Oh, storms. She smiled anyway. It was the single most beautiful thing he’d seen in his entire life. “How?” he asked.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
It's about Diana,' sobbed Anne luxuriously. 'I love Diana so, Marilla. I cannot ever live without her. But I know very well when we grow up that Diana will get married and go away and leave me. And oh, what shall I do? I hate her husband — I just hate him furiously. I've been imagining it all out — the wedding and everything — Diana dressed in snowy white garments, and a veil, and looking as beautiful and regal as a queen; and me the bridesmaid, with a lovely dress, too, and puffed sleeves, but with a breaking heart hid beneath my smiling face. And then bidding Diana good-bye-e-e—' Here Anne broke down entirely and wept with increasing bitterness. Marilla turned quickly away to hide her twitching face, but it was no use; she collapsed on the nearest chair and burst into such a hearty and unusual peal of laughter…
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
Why mortals bloomed like flowers and crumbled to nothing? Why their absence left a gnawing ache, a hollow void that could never be filled? And how everything they once were, the spark within them, could be extinguished so completely yet the world did not collapse under the weight of so much pain and grief.
Jennifer Saint (Ariadne)
The Bible Belt is collapsing. The world of nominal, cultural Christianity that took the American dream and added Jesus to it in order to say, 'you can have everything you ever wanted and Heaven too,' is soon to be gone. Good riddance.
Russell D. Moore
Perhaps I am his hope. But then she is his present. And if she is his present, I am not his present. Therefore, I am not, and I wonder why no-one has noticed I am dead and taken the trouble to bury me. For I am utterly collapsed. I lounge with glazed eyes, or weep tears of sheer weakness. All people seem criminally irrelevant. I ignore everyone and everything, and, if crossed or interrupted in my decay, hate. Nature is only the irking weather and flowers crude reminders of stale states of being.
Elizabeth Smart (By Grand Central Station I Sat Down and Wept)
Beautiful is another word we tossed around too casually, slopping it over everything from cars to nail polish until the word collapsed under the weight of all the banality. But the world is beautiful. I hope they never forget that. The world is beautiful.
Rick Yancey (The Last Star (The 5th Wave, #3))
It's like when someone says, 'How are you?' do you say, 'Well, mt head hurts and I'm lonely and depressed and I'm worried about everything and the world is collapsing and full of evil? Or do you say, I'm fine?
Sara Shepard (The Visibles)
I try to think of things to say but nothing comes, and if something did come I probably couldn’t say it. This is my great obstacle, the biggest of all the boulders littering my path. In my mind I am eloquent; I can climb intricate scaffolds of words to reach the highest cathedral ceilings and paint my thoughts. But when I open my mouth, everything collapses.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
Every species want to survive, and each takes from the others what it needs. All are basically ruthless, and the only reason everything doesn't collapse is because there are safeguards against those who demand more than their due.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
But the one great shocking occasion, when tens or hundreds or thousands will join with you, never comes. That’s the difficulty. If the last and worst act of the whole regime had come immediately after the first and smallest, thousands, yes, millions would have been sufficiently shocked—if, let us say, the gassing of the Jews in ’43 had come immediately after the ‘German Firm’ stickers on the windows of non-Jewish shops in ’33. But of course this isn’t the way it happens. In between come all the hundreds of little steps, some of them imperceptible, each of them preparing you not to be shocked by the next. Step C is not so much worse than Step B, and, if you did not make a stand at Step B, why should you at Step C? And so on to Step D. And one day, too late, your principles, if you were ever sensible of them, all rush in upon you. The burden of self-deception has grown too heavy, and some minor incident, in my case my little boy, hardly more than a baby, saying ‘Jewish swine,’ collapses it all at once, and you see that everything, everything, has changed and changed completely under your nose. The world you live in—your nation, your people—is not the world you were born in at all. The forms are all there, all untouched, all reassuring, the houses, the shops, the jobs, the mealtimes, the visits, the concerts, the cinema, the holidays. But the spirit, which you never noticed because you made the lifelong mistake of identifying it with the forms, is changed. Now you live in a world of hate and fear, and the people who hate and fear do not even know it themselves; when everyone is transformed, no one is transformed. Now you live in a system which rules without responsibility even to God. The system itself could not have intended this in the beginning, but in order to sustain itself it was compelled to go all the way.
Milton Sanford Mayer (They Thought They Were Free: The Germans 1933-45)
I have become a collapsing star, pulling everything around it, even the light, into an ever-expanding void. Once I lose all ability to communicate with the world outside myself, nothing will be left but what I remember. My memories will be like a sandbar, cut off from the shore by the incoming tide. In time they will become submerged, inaccessible to me. The prospect terrified me. For what is a person without memories? A ghost, trapped between worlds, without an identity, with no future, no past.
Tan Twan Eng (The Garden of Evening Mists)
Monotony collapses time; novelty unfolds it.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
Climate change has never received the crisis treatment from our leaders, despite the fact that it carries the risk of destroying lives on a vastly greater scale than collapsed banks or collapsed buildings.
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
Stay back,"I warned. "Stay away from him." They kept coming. "Stay back!" I yelled. They stopped. Except for one. "Rose," came a soft voice. "Drop the sword." My hands shook. I swallowed. "Get away from us." "Rose." The voice spoke again, a voice that my soul would have known anywhere. Hesitantly, I let myself finally become aware of my surroundings, let the details sink in. I let my eyes focus on the features of the man standing there. Dimitri's brown eyes, gentle and firm, looking down on me. "It's okay," he said. "Everything's going to be okay. You can let go of the sword." My hands shook even harder as I fought to hold on to the hilt. "I can't." The words hurt coming out. "I can't leave him alone. I have to protect him." " you have," said Dimitri. The sword fell out of my hands, landing with a clatter on the wooden floor. I followed, collapsing on all fours, anything to cry but unable to. Dimitri's arms wrapped around me as he helped me up. Voices swarmed around us, and one by one, I recognised people I knew and trusted.
Richelle Mead (Frostbite (Vampire Academy, #2))
It's the opposite of the collapse of the fantasy. It's what happens when the illusion pales in comparison to the truth. I'm seeing her for the first time. Not Ava Garden Wilder, the rags-to-riches granddaughter of Clyde Jones. Not a tragic, romantic heroine. Just Ava. And I am utterly in love.
Nina LaCour (Everything Leads to You)
I don't believe in twisting yourself into knots of excuses and explanations over the food you make. When one's hostess starts in with self-deprecations such as "Oh, I don't know how to cook...," or "Poor little me...," or "This may taste awful...," it is so dreadful to have to reassure her that everything is delicious and fine, whether it is or not. Besides, such admissions only draw attention to one's shortcomings (or self-perceived shortcomings), and make the other person think, "Yes, you're right, this really is an awful meal!" Maybe the cat has fallen into the stew, or the lettuce has frozen, or the cake has collapsed -- eh bien, tant pis! Usually one's cooking is better than one thinks it is. And if the food is truly vile, as my ersatz eggs Florentine surely were, then the cook must simply grit her teeth and bear it with a smile -- and learn from her mistakes.
Julia Child (My Life in France)
She tilts her head. Her black eye is a pool of ink. It is a bottomless pit. It is a collapsed star, all density and hunger and relentless gravity, pulling everything it can into its center- to be unraveled, unmade, undone, and unrecognizable. How can anyone survive that kind of love?
Kelly Barnhill (The Crane Husband)
Postmodernism has, depending upon your view, either become or given rise to one of the least tolerant and most authoritarian ideologies that the world has had to deal with since the widespread decline of communism and the collapses of white supremacy and colonialism.
Helen Pluckrose (Cynical Theories: How Activist Scholarship Made Everything about Race, Gender, and Identity—and Why This Harms Everybody)
Even in her trances, even while possessed, my sister was very shrewd about her prospects. A fantasy would collapse like a wave against the rocks of her intelligence. Madness, as I understood it from books, meant a person who was open to the high white whine of everything.
Karen Russell (Swamplandia!)
You can be strong and have moments of incredible despair, when everything feels like it’s collapsing in on you, and yes, when you feel like you want to die. Those moments are not weaknesses. They are simply moments. And they are not you.” Maile
Alisha Rai (Hate to Want You (Forbidden Hearts, #1))
I’m tired, inevitably. But it’s more than that. I’m hollowed out. I’m tetchy and irritable, constantly feeling like prey, believing that everything is urgent and that I can never do enough. And my house—my beloved home—has suffered a kind of entropy in which everything has slowly collapsed and broken and worn out, with detritus collecting on every surface and corner, and I have been helpless in the face of it.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
It is so odd how we can believe in dreams, but we wake up, and everything collapses. It is far harder to face reality after dreaming of heaven. In my dreams, I have Avery with me.
Rolf van der Wind (The illusion of forever)
Right now, even though he'd been dead for years, she wanted to collapse in her father's big arms and hear him tell her that everything would be all right. Do we ever outgrow that need?
Harlan Coben (Caught)
the most beautiful thing in this world isn’t made up of particles. it’s the strength of a person who has seen the collapse of their world, everything they held dear crashing down in a million pieces. yet every morning, they wake up and build their life, all over again. mourning their loss in a tranquil silence. i haven’t yet seen anything more astonishingly beautiful.
Noor Unnahar (Yesterday I Was the Moon)
Without poets, without artists, men would soon weary of nature's monotony. The sublime idea men have of the universe would collapse with dizzying speed. The order which we find in nature, and which is only an effect of art, would at once vanish. Everything would break up in chaos. There would be no seasons, no civilization, no thought, no humanity; even life would give way, and the impotent void would reign everywhere.
Guillaume Apollinaire
It’s no good. When someone leaves you, apart from missing them, apart from the fact that the whole little world you’ve created together collapses, and that everything you see or do reminds you of them, the worst is the thought that they tried you out and, in the end, the whole sum of parts adds up to you got stamped REJECT by the one you love.
Helen Fielding (Bridget Jones's Diary (Bridget Jones, #1))
Everything can collapse. Houses, bodies, and enemies collapse when their rhythm becomes deranged.
Miyamoto Musashi (A Book of Five Rings)
Moreover, probably owing to excessive self-consciousness, perhaps as the result of the generally unfortunate cast of my personality, there existed between my thoughts and feelings, and the expression of those feelings and thoughts, a sort of inexplicable, irrational, and utterly insuperable barrier; and whenever I made up my mind to overcome this obstacle by force, to break down this barrier, my gestures, the expression of my face, my whole being, took on an appearance of painful constraint. I not only seemed, I positively became unnatural and affected. I was conscious of this myself, and hastened to shrink back into myself. Then a terrible commotion was set up within me. I analysed myself to the last thread, compared myself with others, recalled the slightest glances, smiles, words of the people to whom I had tried to open myself out, put the worst construction on everything, laughed vindictively at my own pretensions to 'be like every one else,'—and suddenly, in the midst of my laughter, collapsed utterly into gloom, sank into absurd dejection, and then began again as before—went round and round, in fact, like a squirrel on its wheel. Whole days were spent in this harassing, fruitless exercise.
Ivan Turgenev (Diary of a Superfluous Man)
The absurd man catches sight of a burning and frigid, transparent and limited universe in which nothing is possible but everything is given, and beyond which all is collapse and nothingness. He can then decide to accept such a universe and draw from it his strength, his refusal to hope, and the unyielding evidence of a life without consolation.
Albert Camus (The Myth of Sisyphus)
Relationships begin with honesty, Nechuma once told him. This is the foundation, for to be in love means to be able to share everything—your dreams, your faults, your deepest fears. Without these truths, a relationship will collapse
Georgia Hunter (We Were the Lucky Ones)
I've always been proud of how much my daughter cared about the world. After school she’d study the news, comb the internet for disasters, wars and hate and injustice, write it all down in these color-coded journals. Once, I asked her what she was doing, and she said she was just trying to keep track of it all because it didn’t seem like anybody else noticed or cared that we kept making the same mistakes, that hate in a neighborhood or injustice in a state ran like poison through veins, until another ice shelf collapsed or another animal went extinct. Everything is connected, she’d say. And I’d tell her, You’re only one person and you only have one life.
Sequoia Nagamatsu (How High We Go in the Dark)
I once watched a natural dam break on television. I remember seeing a scenic picture of a river surrounded by trees. All of the sudden, the trees disappeared--sucked away by the collapse of the riverbank. A swell of angry water rushed around the corner wiping out everything in its path. It was sudden, and it was violent. I see the dam break in Caleb's eyes.
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
One was tired of everything, it seemed. One launched into enthusiasms only to collapse gracefully, and pick oneself up amid sympathetic laughter.
E.M. Forster (A Room with a View)
Wanna know what a bullet feels like, Warren? A real one? It’s not like in the comics…I think you need to. Feel it…It’s not going to make a neat little hole. First - it’ll obliterate your internal organs. Your lung will collapse, feels like drowning…When it finally hits your spine, it’ll blow your central nervous system-…I’m talking. The pain will be unbearable, but you won’t be able to move… A bullet usually travels faster than this, of course. But the dying? It seems like it takes forever. Something, isn’t it? One tiny piece of metal destroys everything. It ripped her insides out… It took her light away. From me. From the world… And now the one person who should be here is gone - and a waste like you gets to live. A tiny piece of metal. Can you feel it now?
Joss Whedon
Did you know that when a star implodes, for a few days, it can be brighter than an entire galaxy? I still have light in my eyes from the way that you left me; I still wait for my core to collapse like a black hole and suck everything into it when I meet someone else with your name.
Trista Mateer (Honeybee)
I realized that if one reversed the direction of time in Penrose’s theorem so that the collapse became an expansion, the conditions of his theorem would still hold, provided the universe were roughly like a Friedmann model on large scales at the present time.
Stephen W. Hawking (Illustrated Theory of Everything: The Origin and Fate of the Universe)
Everything to come was already in images: to find their soul, the ancients went into the desert. This is an image. The ancients lived their symbols, since the world had not yet become real for them. Thus they went into the solitude of the desert to teach us that the place of the soul is a lonely desert. There they found the abundance of visions, the fruits of the desert, the wondrous flowers of the soul. Think diligently about the images that the ancients have left behind. They show the way of what is to come. Look back at the collapse of empires, growth and death, of the desert and monasteries, they are the images of what is to come. Everything has been foretold. But who knows how to interpret it? When you say that the place of the soul is not, then it is not. But if you say that it is, then it is. Notice what the ancients said in images: the words is a creative act. The ancients said: in the beginning was the Word. Consider this and think upon it. The words that oscillate between nonsense and supreme meaning are the oldest and truest.
C.G. Jung (The Red Book: Liber Novus)
When he was left alone, when he had pulled out one stop after another (for the work required it), Stanley straightened himself on the seat, tightened the knot of the red necktie, and struck. The music soared around him, from the corner of his eye he caught the glitter of his wrist watch, and even as he read the music before him, and saw his thumb and last finger come down time after time with three black keys between them, wringing out fourths, the work he had copied coming over on the Conte di Brescia, wringing that chord of the devil’s interval from the full length of the thirty-foot bass pipes, he did not stop. The walls quivered, still he did not hesitate. Everything moved, and even falling, soared in atonement. He was the only person caught in the collapse, and afterward, most of his work was recovered too, and it is still spoken of, when it is noted, with high regard, though seldom played.
William Gaddis (The Recognitions)
He's gone, I thought as everything inside of me collapsed into singularity.
John Green (The Fault in Our Stars)
From everything that I'd read, End Timers were waiting for the collapse of civilization the way fans of the Twilight series awaited the trailer for Breaking Dawn.
Wendy McClure (The Wilder Life: My Adventures in the Lost World of Little House on the Prairie)
When you live in LA and work in the movies, you experience the collapse of some of that fantasy. You know that the eyes glow like that because of lights placed at a specific angle, and you see the actresses up close and, yes, they are beautiful, but they are human size and imperfect like the rest of us.
Nina LaCour (Everything Leads to You)
[A]s you will come to see, everything in life comes at a price. Nothing is free, not a single thing, tangible or intangible. There is an equilibrium at play all the time. For every gain, there is a loss of equal value. For every heart that is broken, one is sutured. It’s called balance, and it’s the only reason the universe doesn’t collapse onto itself at any given moment.
Richard Harris (A Father's Son)
The best way to see majesty is to strip away everything that pretends to be majestic so that which is fake wholly collapses in the face of that which is majestic. And God in a manger is likely the most remarkable example we have of such a monumental truth.
Craig D. Lounsbrough
Observe the difference between your attitude to illusions and mine. You have to defend the religious illusion with all your might. If it becomes discredited - and indeed the threat to it is great enough - then your world collapses. There is nothing left for you but to despair of everything, of civilization and the future of mankind. From that bondage I am, we are, free. Since we are prepared to renounce a good part of our infantile wishes, we can bear it if a few of our expectations turn out to be illusions.
Sigmund Freud (The Future of an Illusion)
STEVE CARELL IS NICE BUT IT IS SCARY It has been said many times, but it is true: Steve Carell is a very nice guy. His niceness manifests itself mostly in the fact that he never complains. You could screw up a handful of takes outside in 104-degree smog-choked Panorama City heat, and Steve Carell’s final words before collapsing of heat stroke would be a friendly and hopeful “Hey, you think you have that shot yet?” I’ve always found Steve gentlemanly and private, like a Jane Austen character. The one notable thing about Steve’s niceness is that he is also very smart, and that kind of niceness has always made me nervous. When smart people are nice, it’s always terrifying, because I know they’re taking in everything and thinking all kinds of smart and potentially judgmental things. Steve could never be as funny as he is, or as darkly observational an actor, without having an extremely acute sense of human flaws. As a result, I’m always trying to impress him, in the hope that he’ll go home and tell his wife, Nancy, “Mindy was so funny and cool on set today. She just gets it.” Getting Steve to talk shit was one of the most difficult seven-year challenges, but I was determined to do it. A circle of actors could be in a fun, excoriating conversation about, say, Dominique Strauss-Kahn, and you’d shoot Steve an encouraging look that said, “Hey, come over here; we’ve made a space for you! We’re trashing Dominique Strauss-Kahn to build cast rapport!” and the best he might offer is “Wow. If all they say about him is true, that is nuts,” and then politely excuse himself to go to his trailer. That’s it. That’s all you’d get. Can you believe that? He just would not engage. That is some willpower there. I, on the other hand, hear someone briefly mentioning Rainn, and I’ll immediately launch into “Oh my god, Rainn’s so horrible.” But Carell is just one of those infuriating, classy Jane Austen guys. Later I would privately theorize that he never involved himself in gossip because—and I am 99 percent sure of this—he is secretly Perez Hilton.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
In classical pas de deux, the man controls everything. He picks up the girl. He puts her down. He turns her, takes her weight, stops her, and she must always go where he leads. The woman submits to all this completely. But her submission is not feeble. In fact, the only reason she can submit so utterly is because she is very strong in herself. In her center. She does not collapse, or cave, or stutter-step, or flop. No, she holds herself very consciously, very confidently. She is centered within her own weight. So the man always knows where she is. He can feel her. He can absorb her strength.
Meg Howrey (The Cranes Dance)
I have to go, Jenna", he whispered, sounding shaky, like he questioned the decision himself. He released the hold and squatted to retrieve his bag, leaving me to sway in the air, ready to collapse any second, as he walked away forever. And it ate me up inside. Forever. "Evan?" "Yeah?" he answered, turning back as his hand gripped the door. "I do love you. And i never gave you anything less than everything i had to give" A solitary tear managed to break through my defenses. "And i'll always regret that it wasn't enough" "Me, too" And just as he slid out into the hallway, marking the beginning of forever, he quietly added "Because i would've spent my life with you
Devon Ashley (Falling Away (Falling, #2))
Cynicism creates a numbness toward life. Cynicism begins with a wry assurance that everyone has an angle. Behind every silver lining is a cloud. The cynic is always observing, critiquing, but never engaging, loving, and hoping. ... To be cynical is to be distant. While offering a false intimacy of being "in the know," cynicism actually destroys intimacy. It leads to bitterness that can deaden and even destroy the spirit. ... Cynicism begins, oddly enough, with too much of the wrong kind of faith, with naive optimism or foolish confidence. At first glance, genuine faith and naive optimism appear identical since both foster confidence and hope.But the similarity is only surface deep.Genuine faith comes from knowing my heavenly Father loves, enjoys, and cares for me. Naive optimism is groundless. It is childlike trust without the loving Father. ... Optimism in the goodness of people collapses when it confronts the dark side of life. ... Shattered optimism sets us up for the fall into defeated weariness and, eventually, cynicism. You'd think it would just leave us less optimistic, but we humans don't do neutral well. We go from seeing the bright side of everything to seeing the dark side of everything. We feel betrayed by life. ... The movement from naive optimism to cynicism is the new American journey. In naive optimism we don't need to pray because everything is under control. In cynicism we can't pray because everything out of control, little is possible. With the Good Shepherd no longer leading us through the valley of the shadow of death, we need something to maintain our sanity. Cynicism's ironic stance is a weak attempt to maintain a lighthearted equilibrium in a world gone mad. ... Without the Good Shepherd, we are alone in a meaningless story. Weariness and fear leave us feeling overwhelmed, unable to move. Cynicism leaves us doubting, unable to dream. The combination shuts down our hearts, and we just show up for life, going through the motions.
Paul E. Miller (A Praying Life: Connecting With God In A Distracting World)
Wait a minute, hold up. Stop everything. His name is Barry -" i started. "-Derry?" Mimi finished. We collapsed on the floor howling amid chopsticks and soy packets. "Silence, whores, silence. Besides, Reynolds, you dated a guy named James motherfucking Brown," Sophia snapped back.
Alice Clayton (Rusty Nailed (Cocktail, #2))
Nihilism appears at that point, not that the displeasure at existence has become greater than before but because one has come to mistrust any "meaning" in suffering, indeed in existence. One interpretation has collapsed; but because it was considered the interpretation it now seems as if there were no meaning at all in existence, as if everything were in vain.
Friedrich Nietzsche (Will to Power)
When left alone, quantum particles behave as multiple images of themselves (as waves, really), simultaneously moving through all possible paths in space and time. Now, again, why do we not experience this multitude around ourselves? Is it because we are probing things around us all the time? Why do all experiments that involve, say, the position of a particle make the particle suddenly be somewhere rather than everywhere? No one knows. Before you probe it, a particle is a wave of possibilities. After you've probed it, it is somewhere, and subsequently it is somewhere for ever, rather than everywhere again. Strange, that. Nothing, within the laws of quantum physics, allows for such a collapse to happen. It is an experimental mystery and a theoretical one. Quantum physics stipulates that whenever something is there, it can transform into something else, of course, but it cannot disappear. And since quantum physics allows for multiple possibilities simultaneously, these possibilities should then keep existing, even after a measurement is made. But they don't. Every possibility but one vanishes. We do not see any of the others around us. We live in a classical world, where everything is based on quantum laws but nothing resembles the quantum world.
Christophe Galfard (The Universe in Your Hand: A Journey Through Space, Time, and Beyond)
No", she wanted to say. " I don't want you to care for me, I want to be with my husband." But nothing came out. She turned beseeching her eyes to Darcy and she saw him as if from a great distance, through a distorting glass, but his words were firm and clear. “She has no taste for your company,” he said. “No?” said the gentleman. “But I have a taste for her.” Hers, thought Elizabeth. He should have said hers. “Let her go,” said Darcy warningly. “Why should I?” asked the gentleman. “Because she is mine,” said Darcy. The gentleman turned his full attention toward Darcy and Elizabeth followed his eyes. And then she saw something that made her heart thump against her rib cage and her mind collapse as she witnessed something so shocking and so terrifying that the ground came up to meet her as everything went black.
Amanda Grange (Mr. Darcy, Vampyre)
On the third play he dropped back to pass, and it was unadulterated chaos: The pocket was immediately collapsing, people were yelling, everything was happening at the same time, and it felt like he was trying to defuse a pipe bomb while learning to speak Cantonese." "He believed it was his destiny to kill faceless foreigners for complex reasons that were beyond his control, and to deeply question the meaning of those murders, and to kill despite those questions, and to eventually understand the meaning of his own life through the battlefield executions of total strangers." "Teaching history to eighth graders is like being a tour guide for people who hate their vacation." "There is no feeling that can match the emotive intensity of an attraction devoid of explanation.
Chuck Klosterman (Downtown Owl)
Syldrathi believe that people once united can never truly part.” Saedii waves the knife toward the derm patch. “Even were you to perish today, the atoms of your body would remain. Over eons, those particles would break apart and coalesce, become incorporated into other beings, other planetary bodies. Drawn into collapsing stars and scattered again by supernovae. And the last, when the great black hole at the heart of this galaxy draws everything back into its arms, all things shall be reunited. Thus, we do not say goodbye when we part. We say an’la téli saii.” “What’s that mean?” I groan. “I shall see you in the stars.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
And everything was made of paper: sentences, pardons, pleas, bad records, demerits, proof of guilt, but never, it seemed, proof of innocence. If there were no paper, Carter felt, the entire judicial system would collapse and disappear.
Patricia Highsmith (The Glass Cell)
By this point in history—after the 2008 collapse of Wall Street and in the midst of layers of ecological crises—free market fundamentalists should, by all rights, be exiled to a similarly irrelevant status, left to fondle their copies of Milton Friedman’s Free to Choose and Ayn Rand’s Atlas Shrugged in obscurity. They are saved from this ignominious fate only because their ideas about corporate liberation, no matter how demonstrably at war with reality, remain so profitable to the world’s billionaires that they are kept fed and clothed in think tanks by the likes of Charles and David Koch, owners of the diversified dirty energy giant Koch Industries, and ExxonMobil.
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
... the powerful changes that happen in the life of a disciple never come from the disciple working hard at doing anything. They come from arriving at a place where Jesus is everything, and we are simply overwhelmed with the gift. Sometimes it seems as if God loves us too much. His love goes far beyond our ability to stop being moral, religious, obedient, and victorious, and we just collapse in his arms. Out of the gospel that Jesus is the only Mediator between God and humanity comes a Christian life that looks like Jesus, a life Jesus would recognize. It's a life that looks like Jesus, because Jesus does everything, and all we do is accept his gift. And to accept his gift, we have to give up trying to be Jesus. Out of that discovery comes a Christian life that is free from the tyranny of unnecessary adjectives - even my preferred modified, Jesus-shaped - and simply follows after the One who loves us beyond words or repayment.
Michael Spencer (Mere Churchianity: Finding Your Way Back to Jesus-Shaped Spirituality)
And I understand what this is. It’s the opposite of the collapse of the fantasy. It’s what happens when the illusion pales in comparison to the truth.
Nina LaCour (Everything Leads to You)
Everything tends towards catastrophe and collapse. I am interested, geared up and happy. Is it not horrible to be built like that?
Winston S. Churchill
I have become a collapsing star, pulling everything around it, even the light, into an ever-expanding void.
Tan Twan Eng (The Garden of Evening Mists)
for to be in love means to be able to share everything—your dreams, your faults, your deepest fears. Without these truths, a relationship will collapse.
Georgia Hunter (We Were the Lucky Ones)
It was always falling down around you, everything has always been falling down around us. Only we were too alive to notice.
George Saunders (Liberation Day)
I want to slap him. Curse him. Scream at him. Slap him some more. I want to reach a hand into his chest and squeeze that life-sustaining organ until he collapses from the lack of blood flow and the agonizing pain pummeling his heart until it’s scarcely beating. I want him to hurt so badly that he can barely breathe while strips tear from his heart. I want him to feel everything I’m feeling. To hurt as much as I do. I want all that. But I can’t convince myself it’s the truth. Because I love him too much. I don’t want him to hurt like that.
Siobhan Davis (Losing Kyler (The Kennedy Boys, #2))
When everything else is collapsing, you throw yourself into the only thing you know you can control, the only place you feel you know what you're doing. Everything else hurts so much.
Fredrik Backman (Us Against You (Beartown, #2))
The literal meaning is, as you say, ‘after me comes the flood’—but the real meaning is something more profound and ambiguous. . . . It means either, ‘after I go, everything will collapse into chaos, because I have been the only person holding up the dam,’ or else something even darker.
Ruth Ware (The Death of Mrs. Westaway)
Survival might be insufficient, she’d told Dieter in late-night arguments, but on the other hand, so was Shakespeare. He’d trotted out his usual arguments, about how Shakespeare had lived in a plague-ridden society with no electricity and so did the Traveling Symphony. But look, she’d told him, the difference was that they’d seen electricity, they’d seen everything, they’d watched a civilization collapse, and Shakespeare hadn’t. In Shakespeare’s time the wonders of technology were still ahead, not behind them, and far less had been lost.
Emily St. John Mandel (Station Eleven)
If your country is governed by the most stupid people, it is vital for you to continue going up personally while your nation and your country is going down because your country will inevitably collapse and it will be in need of people like you, people who managed to improve themselves while everything else was falling and deteriorating!
Mehmet Murat ildan
In this sense, Rachel envied fictional characters. For them, everything would eventually make sense. If she were fictional, all the random, ridiculous events of her life would mold into a recognizable shape, building toward something. She would recognize signs, portents, and foreshadowing. In real life, however, no such clues were forthcoming.
Ruth Buchanan (Flexible: A Novel of Mystery, Drama, Rehabilitation, Spiders, and the Occasional Head Wound (Collapsible, #2))
We're living on the top of a pyramid,' he had said, 'supported by the massive base, rising above it, above everything that has made it possible. We're responsible for nothing, not the structure itself, not anything above us. We owe nothing to the pyramid, and are totally dependent on it. If the pyramid crumbles and returns to dust, there is nothing we can do to prevent it, or even to save ourselves. When the base goes, the top goes with it, no matter how elaborate the life is that developed there. The top will return to dust along with the base when the collapse comes. If a new structure is to rise, it must start at the ground, not on top of what has been built during the centuries past.
Kate Wilhelm
Everyone was saying that Europe, civilisation, the entire world was collapsing, that the century was destined to end in catastrophe, that everything would perish, drowned in blood. But she still hoped for a husband, a home, children, and she instinctively felt that the destruction of everything was a mirage, a lie, while she, she lived the truth.
Irène Némirovsky (The Fires of Autumn (Vintage International))
Mark Spitz had met plenty of the divine-retribution folks over the months. This was their moment; they were umbrella salesmen standing outside a subway entrance in a downpour. The human race deserved the plague, we brought it on ourselves for poisoning the planet, for the Death of God, the calculated brutalities of the global economic system, for driving primordial species to extinction: the entire collapse of values as evidenced by everything from nuclear fission to reality television to alternate side of the street parking. Mark Spitz could only endure these harangues for a minute or two before he split. It was boring.The plague was the plague. You were wearing galoshes, or you weren't.
Colson Whitehead (Zone One)
I once met a traveler who told me he would live to see the end of time. He laid out all his vitamins before me and told me he slept seven hours every night, no more or less. All the life you want, he said. It's all within the palm of your hand now. He said he would outlast all the wars and all the diseases, long enough to remember everything, and long enough to forget everything. He'd be the last man still standing when the sun decides to collapse upon itself and history ends. He said he had found the safest place on earth, where he could stay until the gateway to the beyond opened before him. A thousand generations from today. I pictured him there, atop a remote and snowy mountain. The heavens opening and God congratulating him for his perseverance. Asking him to join Him and watch as the sun burns down to a dull orange cinder and everything around it breaks is orbit and goes tumbling tumbling away, everything that once seemed permanent pulled apart so effortlessly, like a ball of yarn. A life into divinity. But I knew it was a lie. I've always known it was a lie. You can not hide from the world. It will find you. It always does. And now it has found me. My split second of immortality is over. All that's left now is the end, which is all any of us ever has.
Drew Magary (The Postmortal)
Heart as collapsed time, as a dug-up grave, as simple machine. Heart as big black bugs bleed blue blood. Heart as MI frozen as seen from airplane, everything still and white and beautiful. Heart as the Day the Music Died. Heart as love being made, as fucking, as a pleasantly haunted house. Heart as a dim memory of a dark room in which you’re molded wetasscracked into a beanbag chair, fumbling for wetness. Come hither. Heart as a cunt’s supposed to smell like tuna. Heart as the star of the sea. Heart as a pussy in permanent bloom. Heart as doxycycline. Heart as waxwings, as a fudge round, as the phone rings once and then stops. Heart as throw your hands in the air, throw your art at the stars, stutter and stare. Heart as a Stratocaster. Heart as Twin Reverb. Heart as I heart you so much. Heart as all that we thought we knew in the world disappears into vapor. Heart as the rest of your life times the weight of the world squared.
Bryan Charles (Grab On To Me Tightly As If I Knew The Way)
Kasha didn't say a word as we ate. She sat with her back to us, staring at a mountain range far in the distance. Yorn and I made small talk about the birds, but my mind was on Kasha, wondering what she was thinking. She was the Traveler from Eelong. We needed her. Eelong needed her. Heck, Halla needed her. I wished I knew how to convince her of that. When she finally did speak, I was surprised at her question. "How many territories are there?" she asked. "Ten in all," I said. "At least that's what I've been told. They're all part of Halla." "Explain to me what halla is," she said. It was an order more than a question. I didn't know why she suddenly had this interest, but if she was willing to listen, I was ready to talk. "The way it was told to me, Halla is everything. Every time, every place, every person and creature that ever existed. It all still exists." "And you understand that?" she asked. "Well, not entirely," I answered honestly. "But you're willing to risk your life and the lives of those around you to protect Halla from Saint Dane?" Good question. I'd asked myself the same question more than once. "I wasn't at first," I began. "Far from it. I didn't want any part of Travelers or flumes and especially of Saint Dane. But since then I've been to a bunch of territories and seen the evil he's capable of." Kasha scoffed and said,"Evil? You're a fool, Pendragon. A tang is evil. What possible evil could a gar cause that's worse than that?" "I'll tell you," I said. "He's killed more people than I want to count, all in the name of creating chaos. He fueled a war on Denduron and tried to poison all of Cloral. Then he nearly crushed three territories at once, my home territories of Earth. But each time the Travelers stopped him. Until Veelox. We failed on Veelox. An entire civilization is going to collapse, millions will die, all because we failed. And Saint Dane wil be there to pick up the pieces. Or step on them." "It's all mildly interesting," she said calmly. "But like I said before, it has nothing to do with me. I don't care." That's when I snapped. Okay, I admit, maybe I should have been cool, but Kasha's total lack of concern had finally gotten to me. I jumped to my feet and said, "Well, you'd better start!" "It's all right, Pendragon," Yorn said calmly. "Relax." "Relax?" I shouted, getting more amped up by the second. "Why? So I won't upset Kasha? She should be upset. People have died fighting Saint Dane. People I've loved, people she's loved." I looked right at Kasha and said, "You don't care? I'll tell you what I don't care about. I don't care that your life is a mess. Sorry, it's true. You've got way bigger problems coming, kitty cat. You want to pretend like none of this affects you? Fine. You're wrong. If we fail, Eelong will crumble and everything you care about will crash along with it. And whether you like it or not, you're a Traveler. So why don't you just grow up and accept it!
D.J. MacHale (Black Water (Pendragon, #5))
What we cannot expect is that the people least responsible for this crisis will foot all, or even most, of the bill. Because that is a recipe for catastrophic amounts of carbon ending up in our common atmosphere. Like the call to honor our treaties and other land-sharing agreements with Indigenous peoples, climate change is once again forcing us to look at how injustices that many assumed were safely buried in the past are shaping our shared vulnerability to global climate collapse.
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
Everything is political. Our wounds and our worship. We want our faith to transcend the political, but we can only do that when we exist in sameness. When barriers collapse, our wounds are revealed, and wounds are political because they involve pain.
Lyz Lenz (God Land: A Story of Faith, Loss, and Renewal in Middle America)
Having arrived at this point, he had found no direction in which to go save that of further withdrawal into a subjectivity which refused existence to any reality or law but its own. During these postwar years he had lived in solitude and carefully planned ignorance of what was happening in the world. Nothing had importance save the exquisitely isolated cosmos of his own consciousness. Then little by little he had had the impression that the light of meaning, the meaning of everything was dying. Like a flame under a glass it had dwindled, flickered and gone out, and all existence, including his own hermetic structure from which he had observed existence, had become absurd and unreal.
Paul Bowles (The Spider's House)
Meg! I love you! I want to marry you!” “That’s weird,” she said without stopping. “Only six weeks ago, you were telling me all about how Lucy broke your heart.” “I was wrong. Lucy broke my brain.” That finally stopped her. “Your brain?” She looked back at him. “That’s right,” he said more quietly. “When Lucy ran out on me, she broke my brain. But when you left . . .” To his dismay, his voice cracked. “When you left, you broke my heart.” He finally had her full attention, not that she looked at all dreamy-eyed or even close to being ready to throw herself into his arms, but at least she was listening. He collapsed the umbrella, took a step forward, then stopped himself. “Lucy and I fit together so perfectly in my head. We had everything in common, and what she did made no sense. I had the whole town lining up feeling sorry for me, and I was damned if I was going to let anybody know how miserable I was. I—I couldn’t get my bearings. And there you were in the middle of it, this beautiful thorn in my side, making me “feel like myself again. Except . . .” He hunched his shoulders, and a trickle of rainwater ran down his collar. “Sometimes logic can be an enemy. If I was so wrong about Lucy, how could I trust the way I felt about you?” She stood there, not saying a word, just listening. “I wish I could say I realized how much I loved you as soon as you left town, but I was too busy being mad at you for bailing on me. I don’t have a lot of practice being mad, so it took me a while to understand that the person I was really mad at was myself. I was so pigheaded and stupid. And afraid. Everything has always come so easy for me, but nothing about you was easy. The things you made me feel. The way you forced me to look at myself.” He could barely breathe. “I love you, Meg. I want to marry you. I want to sleep with you every night, make love with you, have kids. I want to fight together and work together and—just be together. Now are you going to keep standing there, staring at me, or could you put “me out of my misery and say you still love me, at least a little?
Susan Elizabeth Phillips (Call Me Irresistible (Wynette, Texas, #6))
When everything else is collapsing, you throw yourself into the only thing you know you can control, the only place you feel you know what you're doing. Everything else hurts too much. So you go to work and hide there, the way mountain climbers dig holes in the snow when a storm hits.
Fredrik Backman (Us Against You (Beartown, #2))
He’s like a hero come back from the war, a poor maimed bastard living out the reality of his dreams. Wherever he sits himself the chair collapses; whatever door he enters the room is empty: whatever he puts in his mouth leaves a bad taste. Everything is just the same as it was before; the elements are unchanged, the dream is no different than the reality. Only, between the time he went to sleep and the time he woke up, his body was stolen.
Henry Miller (Tropic of Cancer (Tropic, #1))
And just like that the world collapses again. My father, a closet astronomer, has tried to explain black holes to me, how they are so heavy they absorb everything, even light, right into their center. Moments like this are the same kind of vacuum; no matter what you cling to, you wind up being sucked in.
Jodi Picoult (My Sister's Keeper)
The story we taught our kids and dramatized with silly hats during the Founder’s Day pageant—that story was killing everything. There were cavities in Uz’s story that needed to be filled in, before a more permanent collapse occurred. We had to look at the real origins of this blowing soil, this degraded land.
Karen Russell (The Antidote)
But two and two do equal four. Unless you give some strange, special meaning to equal. You can count it off for yourself: one two three four. If two and two really equalled three then everything would collapse into chaos. We would be in another universe, with other physical laws. In the existing universe two and two equal four. It is a universal rule, independent of us, not man-made at all. Even if you and I were to cease to be, two and two would go on equalling four.
J.M. Coetzee (The Childhood of Jesus)
They say the universe is constantly heading towards disorder, and I believe it. Walls go up, and walls come down. Building crumble, governments fall, civilizations collapse. Stars explode. People live. People die. On and on it goes. Everything falls apart. Please don't think I'm a pessimist. These are just the facts.
Megan Miranda (Come Find Me)
Sometimes I don’t understand why my arms don’t drop from my body with fatigue, why my brain doesn’t melt away. I am leading an austere life, stripped of all external pleasure, and am sustained only by a kind of permanent frenzy, which sometimes makes me weep tears of impotence but never abates. I love my work with a love that is frantic and perverted, as an ascetic loves the hair shirt that scratches his belly. Sometimes, when I am empty, when words don’t come, when I find I haven’t written a single sentence after scribbling whole pages, I collapse on my couch and lie there dazed, bogged down in a swamp of despair, hating myself and blaming myself for this demented pride that makes me pant after a chimera. A quarter of an hour later, everything has changed; my heart is pounding with joy.
Gustave Flaubert
We have to face the quantitative nature of the challenge,” he told me one day over lunch at the NYU faculty club. “Right now, we’re going to just burn everything up; we’re going to heat the atmosphere to the temperature it was in the Cretaceous, when there were crocodiles at the poles. And then everything will collapse.
Elizabeth Kolbert (Field Notes from a Catastrophe)
Almost everything about Afghanistan was troubling Mullen. As Obama was giving intense focus on the war, Mullen was feeling more personal responsibility. Afghanistan had been marked by 'incredible neglect,' he told some of his officers. 'It's almost like you're on a hunger strike and you're on the 50th day, and all of a sudden you're going to try to feed this person. Well, they're not going to eat very quickly. I mean, every organ in the body is collapsing. The under-resourcing of Afghanistan was much deeper and wider than even I thought. It wasn't just about troops. It was intellectually, it was strategically, it was physically, culturally.
Bob Woodward (Obama's Wars)
We don’t have to experience it in order to recognise it. There’s a moment, an event, a word, a gesture, a telephone call that changes everything. And when it occurs, when it erupts, when it is spoken, it breaks the rudder we thought was guiding our lives, confronting us with reality, demolishing all our innocent plans for the future. Everything we thought was solid collapsed, all life’s worries seem absurd, because the only absolute is the chaos that forces us to surrender humbly to death’s supremacy.
Dolores Redondo (Ofrenda a la tormenta (Trilogía del Baztán, #3))
In absolute terms the biggest loser by far will be China. China sits at the end of the world’s longest supply routes for nearly everything it imports, including roughly 80 percent of its oil needs. China’s navy lacks the range necessary to secure, via trade or conquest, agricultural products—or even the inputs to grow and raise its own.
Peter Zeihan (The End of the World is Just the Beginning: Mapping the Collapse of Globalization―Irreverent Predictions from a Geopolitical Strategist)
And sometimes it all arrives at once. The anxiety, the fear, the voices that scratch your confidence like a chalkboard and somehow all the oxygen in the room suddenly becomes water and you begin to wonder if you have what it takes to grow gills. You wonder if you can blend in with the fish. You wonder if you will ever breathe again. And the answer is not every building that shakes will collapse. The answer is not everything that chips will crumble. The answer is this is temporary and yes, you will.
Rudy Francisco (Helium (Button Poetry))
The sound of thunder awake me, and when I got up, my feet sank into muddy water up to my ankles. Mother took Buster and Helen to high ground to pray, but I stayed behind with Apache and Lupe. We barricaded the door with the rug and started bailing water out the window. Mother came back and begged us to go pray with her on the hilltop. "To heck with praying!" I shouted. "Bail, dammit, bail!" Mom look mortified. I could tell she thought I'd probably doomed us all with my blasphemy, and I was a little shocked at it myself, but with the water rising so fast, the situation was dire. We had lit the kerosene lamp, and we could see the walls of the dugout were beginning to sag inward. If Mom had pitched in and helped, there was a chance we might have been able to save the dugout - not a good chance, but a fighting chance. Apache and Lupe and I couldn't do it on our own, though, and when the ceiling started to cave, we grabbed Mom's walnut headboard and pulled it through the door just as the dugout collapsed in on itself, burying everything. Afterward, I was pretty aggravated with Mom. She kept saying that the flood was God's will and we had to submit to it. But I didn't see things that way. Submitting seemed to me a lot like giving up. If God gave us the strength to bail - the gumption to try to save ourselves - isn't that what he wanted us to do?
Jeannette Walls (Half Broke Horses)
The shrieks were coming from two quite naked girls, who were pursued by a pair of apes snapping at their bottoms. [...] So he now raises his double-barrelled Spanish rifle, fires and kills both apes. 'God be praised, my dear Calambo! I have delivered these two poor creatures from grave peril; if it was a sin to kill an Inquisitor and a Jesuit, I have made ample amends by saving the lives of two girls [...]' He was about to continue, but words failed him when he saw the two girls throw their arms lovingly around the two apes and collapse in tears over their corpses, filling the air with the most pitiful lamentations. 'I was not expecting quite so much tenderness of heart,' he said at last to Cacambo, who replied: 'You've excelled yourself this time, Master; you have just despatched the two lovers of these young ladies.' '-Their lovers! Is it possible? You're making fun of me, Cacambo; how could anyone believe in such a thing?' - 'My dear Master,' retorted Cacambo, 'you are always astounished by everything; why do you find it so strange that in some countries it is apes who enjoy the favours of young ladies? After all, they are one-quarter human, just as I am one-quarter Spanish.
Voltaire (Candide)
Closer and closer, they hauled her like a bucking horse toward the open cell door. The two waiting guards sniggered, eyes on the flap of the robe that fell open as she kicked, revealing her thighs, her stomach, everything to them. Elide sobbed, even as she knew the tears would do her no good. They just laughed, devouring her with their eyes— Until a hand with glittering iron nails shoved through the throat of one of them, puncturing it wholly. The guards froze, the one at the door whirling at the spray of blood— He screamed as his eyes were slashed into ribbons by one hand, his throat shredded by another. Both guards collapsed to the ground, revealing Manon Blackbeak standing behind them. Blood ran down her hands, her forearms. And Manon’s golden eyes glowed as if they were living embers as she looked at the two guards gripping Elide. As she beheld the disheveled robe. They released Elide to grab their weapons, and she sagged to the floor. Manon just said, “You’re already dead men.” And then she moved.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
You know, sleeping outdoors isn’t all bad. You get to stare up at the stars and cool breezes ruffle your fur after a hot day. The grass smells sweet and,” he made eye contact with me, “so does your hair.” I blushed and grumbled, “Well, I’m glad someone enjoyed it.” He smiled smugly and said, “I did.” I had a quick flash of him as a man snuggled up next to me in the forest, imagined him resting his head on my lap while I stroked his hair, and decided to focus on the matter at hand. “Well, listen, Ren, you’re changing the subject. I don’t appreciate the way you manipulated me into being here. Mr. Kadam should’ve told me at the circus.” He shook his head. “We didn’t think you’d believe his story. He made up the trip to the tiger reserve to get you to India. We figured once you were here, I could change into a man and clarify everything.” I admitted, “You’re probably right. If you had changed to a man there, I don’t think I would have come” “Why did you come?” “I wanted to spend more time with…you. You know, the tiger. I would have missed him. I mean you.” I blushed. He grinned lopsidedly. “I would have missed you too.” I wrung the hem of my shirt between my hands. Misreading my thoughts, he said, “Kelsey. I’m truly sorry for the deception. If there’d been any other way-“ I looked up. He hung his head in a way that reminded me of the tiger. The frustration and awkwardness I felt about him dissipated. My instincts told me that I should believe him and help him. The strong emotional connection that drew me to the tiger tugged at my heart even more powerfully with the man. I felt pity for him and his situation. Softly, I asked, “When will you change into a tiger?” “Soon.” “Does it hurt?” “Not as much as it used to.” “Do you understand me when you are a tiger? Can I still speak to you?” “Yes, I’ll still be able to hear and understand you.” I took a deep breath. “Okay. I’ll stay here with you until the shaman comes back. I still have a lot of questions for you though.” “I know. I’ll try to answer them as best I can, but you’ll have to save them for tomorrow when I’ll be able to speak with you again. We can stay here for the night. The shaman should be back around dusk.” “Ren?” “Yes?” “The jungle frightens me, and this situation frightens me.” He let go of the apron string and looked into my eyes. “I know.” “Ren?” “Yes?” “Don’t…leave me, okay?” His face softened into a tender expression, and his mouth turned up in a sincere smile. “Asambhava. I won’t.” I felt myself responding to his smile with one of my own when a shadow fell across his face. He clenched his fists and tightened his jaw. I saw a tremor pass through his body, and the chair fell forward as he collapsed to the ground on his hands and knees. I stood to reach out to him and was amazed to see his body morph back into the tiger form I knew so well. Ren the tiger shook himself, then approached my outstretched hand and rubbed his head against it.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
You asked what changed my mind about the job earlier,” he says. “That’s what did it. Medicine. For depression.” My throat squeezes. Just one more huge thing I didn’t know about him. “From losing your dad?” He shakes his head. “I thought it was just that. But once I started taking it, I realized that had just made things worse. But it’s always been there. Making everything harder than it should be. It’s like . . .” He scratches his temple. “In high school, I had this friend on the soccer team. And one day, after a game, he collapsed. His chest hurt and he couldn’t get his shirt off, but he wanted to because he couldn’t breathe, and we all thought he was having a heart attack. Turned out it was asthma. Spent like seventeen years operating on fifty-five percent lung capacity without realizing breathing just wasn’t supposed to be that hard. Starting antidepressants was like that for me. I felt like shit all the time, and then suddenly I didn’t. And all this stuff seemed possible for the first time. My mind felt . . . quieter, maybe. Lighter.
Emily Henry (Happy Place)
Unfortunately, with the collapse of classical civilization, these philosophical discussions and debates were lost. The concept that there could be a paradigm explaining the universe was forgotten for almost a thousand years. Darkness spread over the Western world, and scientific inquiry was largely replaced by belief in superstition, magic, and sorcery.
Michio Kaku (The God Equation: The Quest for a Theory of Everything)
Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next—and disappear. That’s why it’s important to change routines regularly, and take vacations to exotic locales, and have as many new experiences as possible that can serve to anchor our memories. Creating new memories stretches out psychological time, and lengthens our perception of our lives.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
I don’t think I’d have wanted to be around during a dark age. It’s odd, though. They had interstellar flight. And data retrieval and everything.” Gabe nodded. “None of it matters if you have an unstable society and tin-pot dictators. They had several hundred years of economic collapse. Widespread poverty. A few people at the top had all the money and influence. They had terrible overpopulation, struggles over water and resources. Civil wars. And widespread illiteracy.” The thirty-second to the thirty-ninth century. “It’s a wonder we survived.
Jack McDevitt (Coming Home (Alex Benedict, #7))
That climate change demands expertise, and faith in it, at precisely the moment when public confidence in expertise is collapsing, is another of its historical ironies. That climate change touches each of these biases is not a curiosity, or a coincidence, or an anomaly. It is a mark of just how big it is, and how much about human life it touches—which is to say, nearly everything.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
and burdens of mature life, when they became aware of their own weakness, they lost their peace, they let go of their precious self-respect, and it became impossible for them to “believe.” That is to say it became impossible for them to comfort themselves, to reassure themselves, with the images and concepts that they found reassuring in childhood. Place no hope in the feeling of assurance, in spiritual comfort. You may well have to get along without this. Place no hope in the inspirational preachers of Christian sunshine, who are able to pick you up and set you back on your feet and make you feel good for three or four days—until you fold up and collapse into despair. Self-confidence is a precious natural gift, a sign of health. But it is not the same thing as faith. Faith is much deeper, and it must be deep enough to subsist when we are weak, when we are sick, when our self-confidence is gone, when our self-respect is gone. I do not mean that faith only functions when we are otherwise in a state of collapse. But true faith must be able to go on even when everything else is taken away from us. Only a humble man is able to accept faith on these terms, so completely without reservation that he is glad of it in its pure state, and welcomes it happily even when nothing else comes with it, and when everything else is taken away.
Thomas Merton (New Seeds of Contemplation)
When I was in power, I found that experts can’t be trusted. For this simple reason: unlike tyrants, they are under no delusion that a country, a people is their body. Under this delusion a tyrant takes everything personally. An expert takes nothing personally. Nothing is ever precisely his fault. If a bridge collapses, or a war miscarries, he has already walked away. He still has his expertise. Also,---people imagine that because a thing is big, it has had a great deal of intelligent thought given to it. This is not true. A big idea is even more apt to be wrong than a small one, because the scale is inorganic. The Great Wall, for instance, is extremely stupid. The two biggest phenomena in the world right now are Maoism and American television, and both are extremely stupid.
John Updike (The Coup)
Don't most astrophysicists now predict some "end of the line" - an end to it all? Not just the death of things, but the annihilation of everything. Some great contraction, or collapse. Or, perhaps, some vast dissipation into eternal emptiness. Maybe it's all swallowed up by an immense black hole, which then swallows itself. But, whatever the case, their extinction is inevitable and absolute. So complete as to erase any and all evidence that this reality - this existence - ever took place. So complete that, perhaps, for all intents and purposes, it never really did. (attrib: F.L. Vanderson)
Mort W. Lumsden (Citations: A Brief Anthology)
From everything that I've read, people before the collapse were what I would politely call "weak". I'm sure they were nice enough, smart enough, and probably thought they had everything under control, but it doesn't take much to shatter your world. Luk and I had been training for this our entire lives, preparing to enter a world of harsh realities and it's nearly been the end us both multiple times. Back in the day, when chaos reigned, it was kill or be killed, there was little middle ground. The weak definitely did not inherit the Earth. Strength is survival. Sojourn Book III - The Beastlands
B.D. Messick
The thing is, I fell in love with Luke, not Cary. Fell for the sheen and the sweat, the adrenalin of the hunt. Faltered, reeled, collapsed. There was no falling with Cary. Loving him was gradual and logical, inevitable as the path of a glacier. But Luke was a thunderclap, appearing out of a clear blue sky, soaking me to my skin, then moving on leaving everything looking different. And post-Luke nothing was the same.
Kylie Ladd (After the Fall)
The world is going under, I thought, and this notion so little surprised me, it seemed as though I had been waiting a long time for just that to happen. But now, from amid the burning and collapsing city, I saw a boy come toward me. His hands were buried in his pockets and he hopped and skipped from one leg to another, resilient and light-hearted. Then he stopped and emitted an ingenious whistle -- our signal from grade school days, and the boy was my friend who had shot himself when he was a student. Immediately I too became, like him, a boy of twelve, and the burning city and the distant thunder and the blustering storm of howling voices from all corners of the world sounded wondrously exquisite to our newly awakened ears. Now everything was good, and the dark nightmare in which I had lived for so many despairing years was gone forever.
Hermann Hesse (Pictor's Metamorphoses and Other Fantasies)
In the end—as in the beginning—it is the authentic performance of the Beatles’ peculiar, elaborate, unfettered art that matters. It is the performance that makes the text possible in the first place, that imbues it with the heartbreaking reality of our transitory existence. It is the impermanence of the moment—rendered seemingly permanent by magnetic tape and celluloid—that is so vexing in its realness that it somehow seems immutable. Take the rooftop concert, with London’s blustery, wintry winds swirling up from the streetscape as John, Paul, George, and Ringo make one last play for greatness after a month of soul-destroying misery. They climbed the stairs above 3 Savile Row and willed a final, breathtaking performance for the ages. It is the primal image of the Beatles having become lost in the pure joy of their sound, just as they had done so many years before in the Cavern and not so very long ago in Studio Two. Everything else—the gossip, the intrigue, the emotional collapse—suddenly becomes moot, irrelevant even, as Ringo keeps the backbeat strong and true on his Ludwigs, while George furrows his brow as he drives his Rosewood Telecaster home. And John and Paul, smiling at each other across the staves of memory, play their hearts out one more time. The rest is silence.
Kenneth Womack (Long and Winding Roads: The Evolving Artistry of the Beatles)
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Error regarding life necessary to life. - Every belief in the value and dignity of life rests on false thinking; it is possible only through the fact that empathy with the universal life and suffering of mankind is very feebly developed in the individual. Even those rarer men who think beyond themselves at all have an eye, not for this universal life, but for fenced-off portions of it. If one knows how to keep the exceptions principally in view, I mean the greatly gifted and pure of soul, takes their production for the goal of world-evolution and rejoices in the effects they in turn produce, one may believe in the value of life, because the one is overlooking all other men: thinking falsely, that is to say. And likewise if, though one does keep in view all mankind, one accords validity only to one species of drives, the less egoistical, and justifies them in face of all the others, then again one can hope for something of mankind as a whole and to this extent believe in the value of life: thus, in this case too, through falsity of thinking. Whichever of these attitudes one adopts, however, one is by adopting in an exception among men. The great majority endure life without complaining overmuch; they believe in the value of existence, but they do so precisely because each of them exists for himself alone, refusing to step out of himself as those exceptions do: everything outside themselves they notice not at all or at most as a dim shadow. Thus for the ordinary, everyday man the value of life rests solely on the fact that regards himself more highly than he does the world. The great lack of imagination from which he suffers means he is unable to feel his way into other beings and thus he participates as little as possible in their fortunes and sufferings. He, on the other hand, who really could participate in them would have to despair of the value of life; if he succeeded in encompassing and feeling within himself the total consciousness of mankind he would collapse with a curse on existence - for mankind has as a whole no goal, and the individual man when he regards its total course cannot derive from it any support or comfort, but must be reduced to despair. If in all he does he has before him the ultimate goallessness of man, his actions acquire in his own eyes the character of useless squandering. But to feel thus squandered, not merely as an individual fruits but as humanity as a whole, in the way we behold the individual fruits of nature squandered, is a feeling beyond all other feelings. - But who is capable of such a feeling? Certainly only a poet: and poets always know how to console themselves.
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
Consider the testimony of a well-educated but not politically minded German who experienced the rise of the Third Reich: To live in this process is absolutely not to be able to notice it—please try to believe me. . . . Each step was so small, so inconsequential, so well explained or, on occasion, “regretted,” that, unless one were detached from the whole process from the beginning, unless one understood what . . . all these “little measures” that no “patriotic German” could resent must some day lead to, one no more saw it developing from day to day than a farmer in his field sees the corn growing. . . . And one day, too late, your principles, if you were ever sensible of them, all rush in upon you. The burden of self-deception has grown too heavy, and some minor incident, in my case my little boy, hardly more than a baby, saying “Jew swine,” collapses it all at once, and you see that everything, everything, has changed and changed completely under your nose.
Madeleine K. Albright (Fascism: A Warning)
Progressive thought is blind when it suggests that there can be no anti-white racism or an anti-semitism among the formerly oppressed or the young people in the projects because they themselves have suffered from this evil. They are the victims; they are exempt from the prejudices that affect the majority of the population. But the reverse is true: racism is multiplying at exponential rates among groups and communities, taboos are collapsing, and everything is explained in terms of physical characteristics, identity, purity, and difference. and this is a racism that is all the more certain that it is right because it is regarded as a legitimate reaction on the part of the persecuted. now we see the obsession with the pedigree and the old distinctions derived from slavery being revived, and prejudices accumulating in the name of racism. This is the end of the concept of humanity as union in diversity and the triumph of human species incompatible with each other.
Pascal Bruckner (The Tyranny of Guilt: An Essay on Western Masochism)
My confidence wavered like a thin tree in a storm and then completely collapsed. I sucked in a breath and it got stuck in my throat. “You don’t want me.” Cam was in front of me within a second, so fast I hadn’t even seen him move. His hands were planted on either side of my head and he leaned down, his face inches from mine. Tension rolled off his body in waves. Air fled my lungs as my body went rigid.   “Fuck, Avery. You think I don’t want you?” His voice came out low, almost a growl. “There’s not a single part of you that I don’t want, you understand? I want to be on you and inside of you. I want you against the wall, on the couch, in your bed, in my bed, and every fucking place I can possibly think of, and trust me, I have a vast imagination when it comes to these kinds of things. Don’t ever doubt that I want you. That is not what this is about.” My eyes widened as confusion swirled through me, muddling my thoughts further, which at this point, seemed impossible. He leaned in, resting his forehead against mine. The contact sent my pulse pounding. “But not like this— never like this. You’re drunk, Avery, and when we get together— because we will get together, you’re going to be fully aware of everything that I do to you.” It took a few moments, but what he said finally sunk in through the liquor haze and confusion and made sense. Closing my eyes, I turned my head to the side, feeling the way his skin slid alongside mine. “You’re a good guy, Cam.
J. Lynn
Even were you to perish today, the atoms of your body would remain. Over eons, those particles would break apart and coalesce, become incorporated into other beings, other planetary bodies. Drawn into collapsing stars and scattered again by supernovae. And the last, when the great black hole at the heart of this galaxy draws everything back into its arms, all things shall be reunited. Thus, we do not say goodbye when we part. We say an’la téli saii.” “What’s that mean?” I groan. “I shall see you in the stars.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
Over the past fifteen years, the iconoclastic mathematician Irakli Loladze has isolated a dramatic effect of carbon dioxide on human nutrition unanticipated by plant physiologists: it can make plants bigger, but those bigger plants are less nutritious. “Every leaf and every grass blade on earth makes more and more sugars as CO2 levels keep rising,” Loladze told Politico, in a story about his work headlined “The Great Nutrient Collapse.” “We are witnessing the greatest injection of carbohydrates into the biosphere in human history—[an] injection that dilutes other nutrients in our food supply.” Since 1950, much of the good stuff in the plants we grow—protein, calcium, iron, vitamin C, to name just four—has declined by as much as one-third, a landmark 2004 study showed. Everything is becoming more like junk food. Even the protein content of bee pollen has dropped by a third. The problem has gotten worse as carbon concentrations have gotten worse. Recently, researchers estimated that by 2050 as many as 150 million people in the developing world will be at risk of protein deficiency as the result of nutrient collapse, since so many of the world’s poor depend on crops, rather than animal meat, for protein; 138 million could suffer from a deficiency of zinc, essential to healthy pregnancies; and 1.4 billion could face a dramatic decline in dietary iron—pointing to a possible epidemic of anemia. In 2018, a team led by Chunwu Zhu looked at the protein content of eighteen different strains of rice, the staple crop for more than 2 billion people, and found that more carbon dioxide in the air produced nutritional declines across the board—drops in protein content, as well as in iron, zinc, and vitamins B1, B2, B5, and B9. Really everything but vitamin E. Overall, the researchers found that, acting just through that single crop, rice, carbon emissions could imperil the health of 600 million people. In previous centuries, empires were built on that crop. Climate change promises another, an empire of hunger, erected among the world’s poor.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
Communist Romania crumbled when 80,000 people in the Bucharest central square realised they were much stronger than the old man in the fur hat on the balcony. What is truly astounding, however, is not the moment the system collapsed, but the fact that it managed to survive for decades. Why are revolutions so rare? Why do the masses sometimes clap and cheer for centuries on end, doing everything the man on the balcony commands them, even though they could in theory charge forward at any moment and tear him to pieces?
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
Sienna gave him a solemn shrug. “Robert, speaking from a purely scientific standpoint—all logic, no heart—I can tell you without a doubt that without some kind of drastic change, the end of our species is coming. And it’s coming fast. It won’t be fire, brimstone, apocalypse, or nuclear war … it will be total collapse due to the number of people on the planet. The mathematics is indisputable.” Langdon stiffened. “I’ve studied a fair amount of biology,” she said, “and it’s quite normal for a species to go extinct simply as a result of overpopulating its environment. Picture a colony of surface algae living in a tiny pond in the forest, enjoying the pond’s perfect balance of nutrients. Unchecked, they reproduce so wildly that they quickly cover the pond’s entire surface, blotting out the sun and thereby preventing the growth of the nutrients in the pond. Having sapped everything possible from their environment, the algae quickly die and disappear without a trace.” She gave a heavy sigh. “A similar fate could easily await mankind. Far sooner and faster than any of us imagine.
Dan Brown (Inferno, Illustrated Edition (Robert Langdon, #4))
Isabel never despaired, even though I think she knew everything that was going to happen, right from the beginning. There was a Walt Whitman poem she liked, especially the part that went - 'All goes onward and outward,/Nothing collapses/And to die is different from/What anyone supposes/And Luckier.' She tried to believe that, and it gave her some comfort, I know. She was very brave. Always. She hid her anguish and sadness, although I know she felt them. Because she wasn't losing only one person she loved - as we have. She was losing all of them.
Patricia Gaffney (The Saving Graces)
Because Mara, for all its faults, had still taken me in. Because the alternative is the Karensa Federation, swallowing everything and everyone in its path. Because I have witnessed the deepest horrors their soldiers could inflict on other humans, and I've survived, and the reason I've survived is because of this last free nation, one that might soon collapse. Because right now, we are all just young souls in identical sapphire coats, fighting to hold back the darkness. It has bound me together with them, whether they - or I - like it or not. It has to be the reason I stay.
Marie Lu (Skyhunter (Skyhunter, #1))
Please, let him be soft. I know you made him with gunmetal bones and wolf’s teeth. I know you made him to be a warrior a soldier a hero. But even gunmetal can warp and even wolf’s teeth can dull and I do not want to see him break the way old and worn and overused things do. I do not want to see him go up in flames the way all heroes end up martyrs. I know that you will tell me that the world needs him. The world needs his heart and his faith and his courage and his strength and his bones and his teeth and his blood and his voice and his– The world needs anything he will give them. Damn the world, and damn you too. Damn anyone that ever asked anything of him, damn anyone that ever took anything from him, damn anyone that ever prayed to his name. You know that he will give them everything until there is nothing left of him but the imprint of dust where his feet once trod. You know that he will bear the world like Atlas until his shoulders collapse and his knees buckle and he is crushed by all he used to carry. Dear God, you have already made an Atlas. You have already made an Achilles and an Icarus and a Hercules. You have already made a sacrificial lamb of your Son. You have already made so many heroes, and you can make another again. You can have your pick of heroes. So please, I beg you– he is all that I have, and you have so many heroes and the world has so many more. Let him be soft, and let him be mine.
Pencap, Tumblr
Oskan, do you really believe that I don’t understand exactly what my soldiers are going through? Do you really think I’m a stranger to burdens?” She almost laughed at the bitter absurdity of it all, but she controlled herself, knowing that if she started, she wouldn’t be able to stop. “They’re lucky, they only have to worry about a flogging if they break ranks and endanger their own lives again. But if I make a mistake, thousands could die, a country could be lost, and who knows what else could be inflicted on those unlucky enough to survive!” Her voice had slowly risen in strength as she spoke, and suddenly she let everything go in a glorious outpouring of emotion. “Don’t talk to me about burdens, I drew up the plans for them! How many fourteen-year-olds do you know who rule a kingdom at war, who command an army, who keep together an alliance of more species than she can remember, who’s killed more people than she can count, who waits desperately day in, day out, every living blessed second, for the arrival of allies she’s terrified are going to let her down? Please tell me, Oskan, tell me her name. I’d like to have a cozy chat with her and compare notes! I’d like that, it might make me feel just a little less isolated, and just a little less afraid that at any minute the whole sorry, ludicrous, deadly, hellish mess is going to collapse around me, and everyone will finally find out that I don’t know what I’m doing and that I’m making it up as I go along!
Stuart Hill (The Cry of the Icemark)
How could the world be freed from the terrible dilemma of conflict, on the one hand, and psychological and social dissolution, on the other? The answer was this: through the elevation and development of the individual, and through the willingness of everyone to shoulder the burden of Being and to take the heroic path. We must each adopt as much responsibility as possible for individual life, society and the world. We must each tell the truth and repair what is in disrepair and break down and recreate what is old and outdated. It is in this manner that we can and must reduce the suffering that poisons the world. It’s asking a lot. It’s asking for everything. But the alternative—the horror of authoritarian belief, the chaos of the collapsed state, the tragic catastrophe of the unbridled natural world, the existential angst and weakness of the purposeless individual—is clearly worse.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Directly he was alone, he was assailed by her simulacra, in all states of acute sorrow, or smiling, of complete abstraction or painful animation, of dress and undress, as he had seen her these last few days: directly he was alone, the images came to mock everything he had seen. Her sadness became shrieking grief, and her animation riotous, immodest in dress and licentious in nakedness, many-limbed as some wild avatar of the Hindu cosmology assaulting the days he spent copying his work on clean scores, and the nights he passed alone in his chair where, instantly the lights went out, everything was transformed, and the body he had seen a moment before with no more surprise than its simple lines and modest unself-conscious movement permitted, rose up on him full-breasted and vaunting the belly, limbs undistinguishable until he was brought down between them and stifled in moist collapse.
William Gaddis (The Recognitions)
I took to numbers, their definiteness, their unyielding natures: even when you chop a number down to a half or a tenth or a millionth or a billionth part of its former self it still exists, it’s still whole and pristine and incorruptible. When everything else is gone, when the universe has collapsed back in on itself and time itself has stopped, there’ll still be numbers, frozen in the singularity, waiting for existence to push itself into being again, so they can put order on the great expansion, and tell it when it’s reached its terminal mass, its ineluctable point of return to its beginning.
Donal Ryan (From a Low and Quiet Sea)
Our digital devices and the outlooks they inspired allowed us to break free of the often repressive timelines of our storytellers, turning us from creatures led about by future expectations into more fully present-oriented human beings. The actual experience of this now-ness, however, is a bit more distracted, peripheral, even schizophrenic than that of being fully present. For many, the collapse of narrative led initially to a kind of post-traumatic stress disorder—a disillusionment, and the vague unease of having no direction from above, no plan or story. But like a dose of adrenaline or a double shot of espresso, our digital technologies compensate for this goalless drifting with an onslaught of simultaneous demands. We may not know where we're going anymore, but we're going to get there a whole lot faster. Yes, we may be in the midst of some great existential crisis, but we're simply too busy to notice.
Douglas Rushkoff (Present Shock: When Everything Happens Now)
You see this in the toy business. Some owners of hot toys want to put their hot toy name on everything. The result is that it becomes an enormous fad that is bound to collapse. When everybody has a Ninja turtle, nobody wants one anymore. The Ninja turtle is a good example of a fad that collapses in a hurry because the owner of the concept got greedy. The owner fans the fad rather than dampening it. On the other hand, the Barbie doll is a trend. When Barbie was invented years ago, the doll was never heavily merchandised into other areas. As a result, the Barbie doll has become a long-term trend in the toy business.
Al Ries (The 22 Immutable Laws of Marketing)
Everything about modern China—from its industrial structure to its food sourcing to its income streams—is a direct outcome of the American-led Order. Remove the Americans and China loses energy access, income from manufactures sales, the ability to import the raw materials to make those manufactures in the first place, and the ability to either import or grow its own food. China absolutely faces deindustrialization and deurbanization on a scale that is nothing less than mythic. It almost certainly faces political disintegration and even de-civilization. And it does so against a backdrop of an already disintegrating demography.
Peter Zeihan (The End of the World is Just the Beginning: Mapping the Collapse of Globalization―Irreverent Predictions from a Geopolitical Strategist)
Make for yourself a world you can believe in. It sounds simple, I know. But it’s not. Listen, there are a million worlds you could make for yourself. Everyone you know has a completely different one—the woman in 5G, that cab driver over there, you. Sure, there are overlaps, but only in the details. Some people make their worlds around what they think reality is like. They convince themselves that they had nothing to do with their worlds’ creations or continuations. Some make their worlds without knowing it. Their universes are just sesame seeds and three-day weekends and dial tones and skinned knees and physics and driftwood and emerald earrings and books dropped in bathtubs and holes in guitars and plastic and empathy and hardwood and heavy water and high black stockings and the history of the Vikings and brass and obsolescence and burnt hair and collapsed souffles and the impossibility of not falling in love in an art museum with the person standing next to you looking at the same painting and all the other things that just happen and are. But you want to make for yourself a world that is deliberately and meticulously personalized. A theater for your life, if I could put it like that. Don’t live an accident. Don’t call a knife a knife. Live a life that has never been lived before, in which everything you experience is yours and only yours. Make accidents on purpose. Call a knife a name by which only you will recognize it. Now I’m not a very smart man, but I’m not a dumb one, either. So listen: If you can manage what I’ve told you, as I was never able to, you will give your life meaning.
Jonathan Safran Foer (A Convergence of Birds: Original Fiction and Poetry Inspired by Joseph Cornell)
My heart is going to collapse if I have to spend one more moment with Nathan while he pretends he likes me and I pretend I don’t love him. Because I do. I haven’t let myself admit it or even think it until now, but I can’t deny the emotions anymore. I love the way he accepts me for who I am, how loyal he is to his friends and the store and my dad, and that he came with me tonight despite his disdain for school functions because he wanted to make sure I was taken care of and happy. He‘s one of the best people I‘ve ever known. I want him to think the same of me. I want him to choose me over everyone and everything else because there’s nowhere he‘d rather be.
Kristy Boyce (Dungeons and Drama (Gaming and Romance, #1))
Few things are harder to visualise than that a cold snowbound landscape, so marrow-chillingly quiet and lifeless, will, within mere months, be green and lush and warm, quivering with all manner of life, from birds warbling and flying through the trees to swarms of insects hanging in scattered clusters in the air. Nothing in the winter landscape presages the scent of sun-warmed heather and moss, trees bursting with sap and thawed lakes ready for spring and summer, nothing presages the feeling of freedom that can come over you when the only white that can be seen is the clouds gliding across the blue sky above the blue water of the rivers gently flowing down to the sea, the perfect, smooth, cool surface, broken now and then by rocks, rapids and bathing bodies. It is not there, it does not exist, everything is white and still, and if the silence is broken it is by a cold wind or a lone crow caw-cawing. But it is coming ... it is coming... One evening in March the snow turns to rain, and the piles of snow collapse. One morning in April there are buds on the trees, and there is a trace of green in the yellow grass. Daffodils appear, white and blue anemones too. Then the warm air stands like a pillar among the trees on the slopes. On sunny inclines buds have burst, here and there cherry trees are in blossom. If you are sixteen years old all of this makes an impression, all of this leaves its mark, for this is the first spring you know is spring, with all your sense you know this is spring, and it is the last, for all coming springs pale in comparison with your first. If, moreover, you are in love, well, then ... then it is merely a question of holding on. Holding on to all the happiness, all the beauty, all the future that resides in everything.
Karl Ove Knausgård (Min kamp 2 (Min kamp, #2))
At the cocktail party or singles bar, you are on the lookout for the woman who materializes your girlfriend or wife fantasy. You set out to lure and settle her into your own bed, apartment, and domesticated retreat from the world, where she will be the medium for your selfrecognition in daily conversation where everything she says responds to what you say, think, and fantasize. But you do not know a woman until you find yourself blessing the universe and her because she has made you laugh and laugh at yourself, until she has made you cry, until you find yourself cursing her and yourself because she makes you weep as no hammer-blow hurled at your thumb or collapse of all your investments ever has or could.
Alphonso Lingis (Dangerous Emotions)
In a 2007 cable about Nauru, made public by WikiLeaks, an unnamed U.S. official summed up his government’s analysis of what went wrong on the island: “Nauru simply spent extravagantly, never worrying about tomorrow.” Fair enough, but that diagnosis is hardly unique to Nauru; our entire culture is extravagantly drawing down finite resources, never worrying about tomorrow. For a couple of hundred years we have been telling ourselves that we can dig the midnight black remains of other life forms out of the bowels of the earth, burn them in massive quantities, and that the airborne particles and gases released into the atmosphere - because we can’t see them - will have no effect whatsoever. Or if they do, we humans, brilliant as we are, will just invent our way out of whatever mess we have made. And we tell ourselves all kinds of similarly implausible no-consequences stories all the time, about how we can ravage the world and suffer no adverse effects. Indeed we are always surprised when it works out otherwise. We extract and do not replenish and wonder why the fish have disappeared and the soil requires ever more “inputs” (like phosphate) to stay fertile. We occupy countries and arm their militias and then wonder why they hate us. We drive down wages, ship jobs overseas, destroy worker protections, hollow out local economies, then wonder why people can’t afford to shop as much as they used to. We offer those failed shoppers subprime mortgages instead of steady jobs and then wonder why no one foresaw that a system built on bad debts would collapse. At every stage our actions are marked by a lack of respect for the powers we are unleashing - a certainty, or at least a hope, that the nature we have turned to garbage, and the people we have treated like garbage, will not come back to haunt us.
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
It was then that I began to understand that everything in the room had stopped, like the watch and the clock, a long time ago. I noticed that Miss Havisham put down the jewel exactly on the spot from which she had taken it up. As Estella dealt the cards, I glanced at the dressing-table again, and saw that the shoe upon it, once white, now yellow, had never been worn. I glanced down at the foot from which the shoe was absent, and saw that the silk stocking on it, once white, now yellow, had been trodden ragged. Without this arrest if everything, this standing still of all the pale decayed objects, not even the withered bridal dress on the collapsed form could not have looked so like grave-clothes, or the long veil so like a shroud.
Charles Dickens (Great Expectations)
It happens that the stage-sets collapse. Rising, tram, four hours in the office or factory, meal, tram, four hours of work, mean, sleep and Monday, Tuesday, Wednesday, Thursday, Friday and Saturday, according to the same rhythm—this path is easily followed most of the time. But one day the ‘why’ arises and everything begins in that weariness tinged with amazement. ‘Begins’—this is important. Weariness comes at the end of the acts of a mechanical life, but at the same time it inaugurates the impulse of consciousness. It awakens consciousness and provokes what follows. What follows is the gradual return into the chain or it is the definitive awakening. At the end of the awakening comes, in time, the consequence: suicide or recovery.
Albert Camus (The Myth of Sisyphus and Other Essays)
Imagine a cat, a vial of poison, and a radioactive source in a sealed box. If an internal sensor registers radioactivity, like an atom decaying, the vial is broken, releasing a poison that kills the cat. The atom has an equal chance of decaying or not decaying. It’s an ingenious way of linking an outcome in the classical world, our world, to a quantum-level event. The Copenhagen interpretation of quantum mechanics suggests a crazy thing: before the box is opened, before observation occurs, the atom exists in superposition—an undetermined state of both decaying and not decaying. Which means, in turn, that the cat is both alive and dead. And only when the box is opened, and an observation made, does the wave function collapse into one of two states. In other words, we only see one of the possible outcomes. For instance, a dead cat. And that becomes our reality. But then things get really weird. Is there another world, just as real as the one we know, where we opened the box and found a purring, living cat instead? The Many-Worlds interpretation of quantum mechanics says yes. That when we open the box, there’s a branch. One universe where we discover a dead cat. One where we discover a live one. And it’s the act of our observing the cat that kills it—or lets it live. And then it gets mind-fuckingly weird. Because those kinds of observations happen all the time. So if the world really splits whenever something is observed, that means there’s an unimaginably massive, infinite number of universes—a multiverse—where everything that can happen will happen.
Blake Crouch (Dark Matter)
There will come a time,” I said, “when all of us are dead. All of us. There will come a time when there are no human beings remaining to remember that anyone ever existed or that our species ever did anything. There will be no one left to remember Aristotle or Cleopatra, let alone you. Everything that we did and built and wrote and thought and discovered will be forgotten and all of this”—I gestured encompassingly—“will have been for naught. Maybe that time is coming soon and maybe it is millions of years away, but even if we survive the collapse of our sun, we will not survive forever. There was time before organisms experienced consciousness, and there will be time after. And if the inevitability of human oblivion worries you, I encourage you to ignore it. God knows that’s what everyone else does.
John Green
Five Poems" 1 Well now, hold on maybe I won't go to sleep at all and it'll be a beautiful white night or else I'll collapse completely from nerves and be calm as a rug or a bottle of pills or suddenly I'll be off Montauk swimming and loving it and not caring where 2 an invitation to lunch HOW DO YOU LIKE THAT? when I only have 16 cents and 2 packages of yoghurt there's a lesson in that, isn't there like in Chinese poetry when a leaf falls? hold off on the yoghurt till the very last, when everything may improve 3 at the Rond-Point they were eating an oyster, but here we were dropping by sculptures and seeing some paintings and the smasheroo-grates of Cadoret and music by Varese, too well Adolph Gottlieb I guess you are the hero of this day along with venison and Bill I'll sleep on the yoghurt and dream of the Persian Gulf 4 which I did it was wonderful to be in bed again and the knock on my door for once signified "hi there" and on the deafening walk through the ghettos where bombs have gone off lately left by subway violators I knew why I love taxis, yes subways are only fun when you're feeling sexy and who feels sexy after The Blue Angel well maybe a little bit 5 I seem to be defying fate, or am I avoiding it?
Frank O'Hara (Lunch Poems)
With the invention of the city and its powerful combination of economies of scale coupled to innovation and wealth creation came the great divisions of society. Our present social network structures barely existed in their present form until urban communities evolved. Hunter-gatherers were significantly less hierarchical, more egalitarian and community oriented than we are. The struggle and tension between unbridled individual self-enhancement and the care and concern for the less fortunate has been a major thread running throughout human history, especially over the past two hundred years. Nevertheless, it seems that without the motive of self-interest our entrepreneurial free market economy would collapse. The system we have evolved critically relies on people continually wanting new cars and new cell phones, new widgets and gadgets, new clothes and new washing machines, new thrills, new entertainment, and pretty much new everything, even when they already have enough of “everything.” It may not be a pretty picture and it doesn’t work for everyone, but so far, it’s worked remarkably well for most of us, and apparently most of us seem to want it to continue. Whether it can is a topic I’ll return to in the last chapter.
Geoffrey West (Scale: The Universal Laws of Growth, Innovation, Sustainability, and the Pace of Life, in Organisms, Cities, Economies, and Companies)
The TVC universe will never collapse. Never. A hundred billion years, a hundred trillion; it makes no difference, it will always be expanding. Entropy is not a problem. Actually, ‘expanding’ is the wrong word; the TVC universe grows like a crystal, it doesn’t stretch like a balloon. Think about it. Stretching ordinary space increases entropy; everything becomes more spread out, more disordered. Building more of a TVC cellular automaton just gives you more room for data, more computing power, more order. Ordinary matter would eventually decay, but these computers aren’t made out of matter. There’s nothing in the cellular automaton’s rules to prevent them from lasting forever. Durham’s universe - being made of the same “dust” as the real one, merely rearranged itself. The rearrangement was in time as well as space; Durham’s universe could take a point of space-time from just before the Big Crunch, and follow it with another from ten million years BC. And even if there was only a limited amount of “dust” to work with, there was no reason why it couldn’t be reused in different combinations, again and again. The fate of the TVC automaton would only have to make internal sense - and the thing would have no reason, ever, to come to an end.
Greg Egan (Permutation City)
He was worried about his country. Something was rotting from the inside—a slow decay of what was right and wrong. It was as if hundreds of cynical little rats were chewing at its very fiber, gnawing away year by year, until it was collapsing into a vat of gray slime and self-loathing. It had oozed under the doors of the classrooms, the newscasts, and in the movies and television shows and had slowly changed the national dialogue until it was now a travesty to be proud of your country, foolish to be patriotic, and insensitive to even suggest that people take care of themselves. History was being rewritten by the hour, heroes pulled down to please the political correctors. We were living in a country where there was freedom of speech for some, but not all. What was it going to take to get America back on track? Would everything they had fought for be forgotten? He was so glad he and Norma had grown up when they had. They had come of age in such an innocent time, when people wanted to work and better themselves. Now the land of the free meant an entirely different thing. Each generation had become a weaker version of the last, until we were fast becoming a nation of whiners and people looking for a free ride—even expecting it. Hell, kids wouldn’t even leave home anymore. He felt like everything was going downhill.
Fannie Flagg (The Whole Town's Talking)
Now, the decline of God and the imminent collapse of so many faiths seems tied directly to the rise of surveillance, and the collective enforcement of social norms through instant global shaming. God promised punishment after death. Now it’s meted out in minutes. Karma was vague; digital shaming is specific. And I would argue people prefer the reliable nature of morality-through-surveillance over the ephemeral promises of the gods/Gods of the past. Prayers to God were rarely answered, while shouts into cyberspace always receive a response, even if misspelled and hateful. Everything God offered—answers, clarity, miracles, baby names—the internet does better. Do you know how many times What is the meaning of life? was searched on your platforms last year? Twenty-one billion times. Every one of those queries got a reply. The one question that could not be answered, until now, is Am I good?
Dave Eggers (The Every)
Marielle had read a study recently that said some people didn’t have inner monologues. That their brains were free of the narrator that was so active in her own, never more so than in the quiet moments before sleep (when sleep came) and now (apparently) meditation. That they experienced emotion without coupling words with it. She wondered how they ever knew what to say out loud, if they didn’t say it in their own heads first, or how they composed an email, or decided what to order from a menu, or released the stress and anxiety that came with cussing people out silently to themselves. Letting go of thoughts only replaced them with a running commentary about how difficult it was to let go of them. A worry about empty spaces, and if her brain might collapse in on itself if it wasn’t running an endless narration about anything and everything she experienced, and what she might look like with a dented skull.
Steven Rowley (The Celebrants)
Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next—and disappear. That’s why it’s important to change routines regularly, and take vacations to exotic locales, and have as many new experiences as possible that can serve to anchor our memories. Creating new memories stretches out psychological time, and lengthens our perception of our lives. William James first wrote about the curious warping and foreshortening of psychological time in his Principles of Psychology in 1890: “In youth we may have an absolutely new experience, subjective or objective, every hour of the day. Apprehension is vivid, retentiveness strong, and our recollections of that time, like those of a time spent in rapid and interesting travel, are of something intricate, multitudinous and long-drawn-out,” he wrote. “But as each passing year converts some of this experience into automatic routine which we hardly note at all, the days and the weeks smooth themselves out in recollection to contentless units, and the years grow hollow and collapse.” Life seems to speed up as we get older because life gets less memorable as we get older. “If to remember is to be human, then remembering more means being more human,” said Ed.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
At once I understood that I had been looking at things with the right intention but from the wrong angle. My marriage was imperfect and my job lacked meaning, but I had been searching for complicated solutions instead of addressing the common denominator in both equations - me. Moreover, I'd been approaching my life as a zero-sum game. As Alex had just pointed out, meeting my own needs for a change didn't mean my family would collapse or sink into bankruptcy-level debt. There were certain parts of my marriage that might never be fixed - wasn't that what "for better or for worse" was all about? - but that wouldn't necessarily put Sanjay and me on a one-way dinghy to divorce island. And even if we did split, that wouldn't be the end of everything. It would hurt like hell, but it wouldn't erase the good times we'd had My children would still have two parents who loved them and who would not opt out of their lives just because things were hard.
Camille Pagán (I'm Fine and Neither Are You)
Speaking of the happy new year, I wonder if any year ever had less chance of being happy. It’s as though the whole race were indulging in a kind of species introversion — as though we looked inward on our neuroses. And the thing we see isn’t very pretty. Before the year is over, I think I will be looking back longingly on the Gulf of Lower California — that sea of mirages and timelessness. It is a very magical place. It is cold and clear here now - the leaves all fallen from the trees and only the frogs are very happy. Great cheering sections of frogs singing all the time. The earth is moist and water is seeping out of the ground everywhere. So we go into this happy new year, knowing that our species has learned nothing, can, as a race, learn nothing — that the experience of ten thousand years has made no impression on the instincts of the million years that preceded. Maybe you can find some vague theology that will give you hope. Not that I have lost any hope. All the goodness and the heroisms will rise up again, then be cut down again and rise up. It isn’t that the evil thing wins — it never will — but that it doesn’t die. I don’t know why we should expect it to. It seems fairly obvious that two sides of a mirror are required before one has a mirror, that two forces are necessary in man before he is man. I asked Paul de Kruif once if he would like to cure all disease and he said yes. Then I suggested that the man he loved and wanted to cure was a product of all his filth and disease and meanness, his hunger and cruelty. Cure those and you would have not man but an entirely new species you wouldn’t recognize and probably wouldn’t like. There it is — It is interesting to watch the German efficiency, which, from the logic of the machine is efficient but which (I suspect) from the mechanics of the human species is suicidal. Certainly man thrives best (or has at least) in a state of semi-anarchy. Then he has been strong, inventive, reliant, moving. But cage him with rules, feed him and make him healthy and I think he will die as surely as a caged wolf dies. I should not be surprised to see a cared for, thought for, planned for nation disintegrate, while a ragged, hungry, lustful nation survived. Surely no great all-encompassing plan has ever succeeded. And so I'll look to see this German plan collapse because they do not know enough to plan for everything.
John Steinbeck (Steinbeck: A Life in Letters)
A language that will at last say what we have to say. For our words no longer correspond to the world. When things were whole, we felt confident that our words could express them. But little by little these things have broken apart, shattered, collapsed into chaos. And yet our words have remained the same. They have not adapted themselves to the new reality. Hence, every time we try to speak of what we see, we speak falsely, distorting the very thing we are trying to represent. It's made a mess of everything. But words, as you yourself understand, are capable of change. The problem is how to demonstrate this. That is why I now work with the simplest means possible - so simple that even a child can grasp what I am saying. Consider a word that refers to a thing - "umbrella", for example. When I say the word "umbrella", you see the object in your mind. You see a kind of stick, with collapsible metal spokes on top that form an armature for a waterproof material which, when opened, will protect you from the rain. This last detail is important. Not only is an umbrella a thing, it is a thing that performs a function - in other words, expresses the will of man. When you stop to think of it, every object is similar to the umbrella, in that it serves a function. A pencil is for writing, a shoe is for wearing, a car is for driving. Now, my question is this. What happens when a thing no longer performs its function ? Is it still the thing or has it become something else ? When you rip the cloth off the umbrella, is the umbrella still an umbrella ? You open the spokes, put them over your head, walk out into the rain, and you get drenched. Is it possible to go one calling this object an umbrella ? In general, people do. At the very limit, they will say the umbrella is broken. To me this is a serious error, the source of all our troubles. Because it can no longer perform its function, the umbrella has ceased to be an umbrella. It might resemble an umbrella, it might once have been an umbrella, but now it has changed into something else. The word, however, has remained the same. Therefore, it can no longer express the thing. It is imprecise; it is false; it hides the thing it is supposed to reveal. And if we cannot even name a common, everyday object that we hold in our hands, how can we expect to speak of the things that truly concern us? Unless we can begin to embody the position of change in the words we use, we will continue to be lost.
Paul Auster (City of Glass (The New York Trilogy, #1))
[God] tells the woman that she will now bring forth children in sorrow, and desire an unworthy, sometimes resentful man, who will in consequence lord her biological fate over her, permanently. What might this mean? It could just mean that God is a patriarchal tyrant, as politically motivated interpretations of the ancient story insist. I think it’s—merely descriptive. Merely. And here is why: As human beings evolved, the brains that eventually gave rise to self-consciousness expanded tremendously. This produced an evolutionary arms race between fetal head and female pelvis.56 The female graciously widened her hips, almost to the point where running would no longer be possible. The baby, for his part, allowed himself to be born more than a year early, compared to other mammals of his size, and evolved a semi-collapsible head.57 This was and is a painful adjustment for both. The essentially fetal baby is almost completely dependent on his mother for everything during that first year. The programmability of his massive brain means that he must be trained until he is eighteen (or thirty) before being pushed out of the nest. This is to say nothing of the woman’s consequential pain in childbirth, and high risk of death for mother and infant alike. This all means that women pay a high price for pregnancy and child-rearing, particularly in the early stages, and that one of the inevitable consequences is increased dependence upon the sometimes unreliable and always problematic good graces of men.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
But your friends are fewer now. Some have drifted off somewhere or submerged themselves in their work. You no longer see as many as you did at meetings or gatherings. Informal groups become smaller; attendance drops off in little organizations, and the organizations themselves wither. Now, in small gatherings of your oldest friends, you feel that you are talking to yourselves, that you are isolated from the reality of things. This weakens your confidence still further and serves as a further deterrent to—to what? It is clearer all the time that, if you are going to do anything, you must make an occasion to do it, and then you are obviously a troublemaker. So you wait, and you wait. “But the one great shocking occasion, when tens or hundreds or thousands will join with you, never comes. That’s the difficulty. If the last and worst act of the whole regime had come immediately after the first and smallest, thousands, yes, millions would have been sufficiently shocked—if, let us say, the gassing of the Jews in ’43 had come immediately after the ‘German Firm’ stickers on the windows of non-Jewish shops in ’33. But of course this isn’t the way it happens. In between come all the hundreds of little steps, some of them imperceptible, each of them preparing you not to be shocked by the next. Step C is not so much worse than Step B, and, if you did not make a stand at Step B, why should you at Step C? And so on to Step D. “And one day, too late, your principles, if you were ever sensible of them, all rush in upon you. The burden of self-deception has grown too heavy, and some minor incident, in my case my little boy, hardly more than a baby, saying ‘Jew swine,’ collapses it all at once, and you see that everything, everything, has changed and changed completely under your nose. The world you live in—your nation, your people—is not the world you were born in at all. The forms are all there, all untouched, all reassuring, the houses, the shops, the jobs, the mealtimes, the visits, the concerts, the cinema, the holidays. But the spirit, which you never noticed because you made the lifelong mistake of identifying it with the forms, is changed. Now you live in a world of hate and fear, and the people who hate and fear do not even know it themselves; when everyone is transformed, no one is transformed. Now you live in a system which rules without responsibility even to God. The system itself could not have intended this in the beginning, but in order to sustain itself it was compelled to go all the way.
Milton Sanford Mayer (They Thought They Were Free: The Germans, 1933–45)
Is everything okay, Vi?” She swallowed, setting the rest down. “It’s perfect…” She wrapped her blanket around her and went to Jay’s chair. She leaned over him, her curls falling around hre shoulders like a dark curtain. “You’re perfect.” She smiled as she collapsed on top of him, kissing him. He groaned and pulled her closer, making room for her as the kiss deepened. She’d wanted to be in control but had too quickly lost the upper hand. Her breathing became uneven, and she pressed herself against him, squirming to get coser. The warmth between them spread through her like a fever, making her restless and impatient. He stopped her then, before there was no going back, drawing his face away to create the most microscopic fissure between them. “You taste like tacos.” Violet gasped as she tried to catch her breath. “What?” She blinked, trying to gather her thoughts. “Really, Jay? Is that a complaint or something?” He shook his head. “Of course not.” “Good. Because this is: I hate it when you stop like that.” She pushed herself away from him and sat upright, crossing her arms in front of her. “Come on, Violet, that’s not what I meant.” The dazed look in his eyes only made Violet feel slightly better. She was glad he was at least a little bit bothered. “It’s just that I wanted to talk to you…you know, before we got distracted.” “God, I really am the guy,” she glowered, but her shoulders slumped. He hauled her toward him, dragging her into his arms. “Stop it. You are not the guy.” He kissed her on the mouth, ignoring the fact that she wasn’t kissing back. But as annoyed as she was, it was hard to stay mad. Especially here…now. It truly was magical. So when he pulled out the Oreos and dangled them in front of her-a peace offering-she shook her head and sighed. “You’re impossible.” But there was no real fight in her words, and she couldn’t stop her lips from twitching when he grinned down at her. He took her reluctant smile as surrender and settled back, bringing her with him until they were curled up against each other.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
When asked about the difficulties of sculpture, Michelangelo said, “It is easy. You just chip away all the stone that isn’t David.” It’s simple to cut things out of a life. You break up with a shitty partner, quit eating bread, delete the Twitter app. You cut it out, and the shape of what’s actually killing you clarifies a little. The whole Abrahamic world invests itself in this promise: Don’t lie, don’t cheat, don’t fuck or steal or kill, and you’ll be a good person. Eight of the ten commandments are about what thou shalt not. But you can live a whole life not doing any of that stuff and still avoid doing any good. That’s the whole crisis. The rot at the root of everything. The belief that goodness is built on a constructed absence, not-doing. That belief corrupts everything, has everyone with any power sitting on their hands. A rich man goes a whole day without killing a single homeless person and so goes to sleep content in his goodness. In another world, he’s buying crates of socks and Clif bars and tents, distributing them in city centers. But for him, abstinence reigns. I want to be the chisel, not the David. What can I make of being here? And what can I make of not? Normal people think of recovery as a kind of abstinence: they imagine us sitting around white-knuckled, sweating as we count our hours trying desperately to distract ourselves enough to not relapse. This is because for normal people, drinking is an activity, like brushing their teeth or watching TV. They can reasonably imagine excising drinking, like any other activity, without collapsing their entire person. For a drunk, there’s nothing but drink. There was nothing in my life that wasn’t predicated on getting drunk—either getting fucked up itself or getting money to get fucked up by working or slinging this drug for that drug or that drug for cash. Getting sober means having to figure out how to spend twenty-four hours a day. It means building an entirely new personality, learning how to move your face, your fingers. It meant learning how to eat, how to speak among people and walk and fuck and worse than any of that, learning how to just sit still. You’re moving into a house the last tenants trashed. You spend all your time ripping up the piss-carpet, filling in the holes in the wall, and you also somehow have to remember to feed yourself and make rent and not punch every person who talks to you in the face. There’s no abstinence in it. There’s no self-will. It’s a chisel. It’s surrender to the chisel. Of course you don’t hope to come out a David. It’s miracle enough to emerge still standing on two feet. —from BOOKOFMARTYRS.docx by Cyrus Shams
Kaveh Akbar (Martyr!)
What Kant took to be the necessary schemata of reality,' says a modern Freudian, 'are really only the necessary schemata of repression.' And an experimental psychologist adds that 'a sense of time can only exist where there is submission to reality.' To see everything as out of mere succession is to behave like a man drugged or insane. Literature and history, as we know them, are not like that; they must submit, be repressed. It is characteristic of the stage we are now at, I think, that the question of how far this submission ought to go--or, to put it the other way, how far one may cultivate fictional patterns or paradigms--is one which is debated, under various forms, by existentialist philosophers, by novelists and anti-novelists, by all who condemn the myths of historiography. It is a debate of fundamental interest, I think, and I shall discuss it in my fifth talk. Certainly, it seems, there must, even when we have achieved a modern degree of clerical scepticism, be some submission to the fictive patterns. For one thing, a systematic submission of this kind is almost another way of describing what we call 'form.' 'An inter-connexion of parts all mutually implied'; a duration (rather than a space) organizing the moment in terms of the end, giving meaning to the interval between tick and tock because we humanly do not want it to be an indeterminate interval between the tick of birth and the tock of death. That is a way of speaking in temporal terms of literary form. One thinks again of the Bible: of a beginning and an end (denied by the physicist Aristotle to the world) but humanly acceptable (and allowed by him to plots). Revelation, which epitomizes the Bible, puts our fate into a book, and calls it the book of life, which is the holy city. Revelation answers the command, 'write the things which thou hast seen, and the things which are, and the things which shall be hereafter'--'what is past and passing and to come'--and the command to make these things interdependent. Our novels do likewise. Biology and cultural adaptation require it; the End is a fact of life and a fact of the imagination, working out from the middle, the human crisis. As the theologians say, we 'live from the End,' even if the world should be endless. We need ends and kairoi and the pleroma, even now when the history of the world has so terribly and so untidily expanded its endless successiveness. We re-create the horizons we have abolished, the structures that have collapsed; and we do so in terms of the old patterns, adapting them to our new worlds. Ends, for example, become a matter of images, figures for what does not exist except humanly. Our stories must recognize mere successiveness but not be merely successive; Ulysses, for example, may be said to unite the irreducible chronos of Dublin with the irreducible kairoi of Homer. In the middest, we look for a fullness of time, for beginning, middle, and end in concord. For concord or consonance really is the root of the matter, even in a world which thinks it can only be a fiction. The theologians revive typology, and are followed by the literary critics. We seek to repeat the performance of the New Testament, a book which rewrites and requites another book and achieves harmony with it rather than questioning its truth. One of the seminal remarks of modern literary thought was Eliot's observation that in the timeless order of literature this process is continued. Thus we secularize the principle which recurs from the New Testament through Alexandrian allegory and Renaissance Neo-Platonism to our own time. We achieve our secular concords of past and present and future, modifying the past and allowing for the future without falsifying our own moment of crisis. We need, and provide, fictions of concord.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
Queen Ariel held the nautilus and considered thoughtfully. But the little mermaid didn't think. She acted. Before she realized fully what she was doing Ariel had smashed the nautilus on a sharply faceted rock. It didn't break like a normal shell. It shattered like a human vessel. Shards flew in all directions equally, unhampered by gravity or luck. Ariel pitched forward. She choked, no longer breathing the air of the Dry World. Her arms flailed up like a puppet's. Her torso whipped back and forth, pummeled by unseen forces. Something flew into her mouth, up her nose, and suffused her entire body with a heat that threatened to burn. It rushed into her lungs and expanded, expelling whatever breath she had left, pushing blood to her extremities, pushing everything out that wasn't it, leaving room for nothing else. Ariel collapsed. It was over. It was like the thing, whatever it was, had been absorbed by her body and had now dissipated into her blood and flesh. She took a breath. Her heart started beating again. She hadn't been aware it had stopped. She coughed. A few grains of sand came out. And then she sang.
Liz Braswell (Part of Your World)
Wynter's Pass was a picturesque region in the north of Vohlfhein, where the Bleak Hills eventually collapsed into the Frozen Sea. From the back of Mr. Buckles, who had been on a slow trot since sunrise, Monch watched the light glisten off of the frozen branches of the evergreens. As the sun warmed the frozen ground, sending the evening's frost into retreat, Monch absorbed the splendor of it all and wondered how expensive the local real estate must be around here. He then contemplated attempting to find an agent that would represent his interests well. "This land is such a spectacular wonder," the Lion of Ahriman declared. "It would be very much sought after if they could just do something about the bears, the White Orts, the wolves, the bloodthirsty cannibals, the snow manapés, the frost wizards, the northern bandit gangs, the dire lynxes, the similarly sounding but not related pygmy bloodthirsty cannibals, the demon possessed yaks, the dead-soul animated trees, the..." Monch paused for a moment. "It just occurred to me that this land is really not safe at all. It seems almost everything in it wants to kill me," the Templar admitted.
D.F. Monk (Tales of Yhore: The Chronicles of Monch)
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
One doesn’t see exactly where or how to move. Believe me, this is true. Each act, each occasion, is worse than the last, but only a little worse… You wait for one great shocking occasion, thinking that others, when such a shock comes, will join with you in resisting somehow… But the one great shocking occasion, when tens or hundreds or thousands will join with you, never comes. That’s the difficulty. If the last and worst act of the whole regime had come immediately after the first and smallest, thousands, yes, millions would have been sufficiently shocked … But of course this isn’t the way it happens. In between comes all the hundreds of little steps, some of them imperceptible, each of them preparing you not to be shocked by the next… And one day, too late, your principles, if you were ever sensible of them, all rush in upon you. The burden of self-deception has grown too heavy, and some minor incident. . . collapses it all at once, and you see that everything – everything – has changed…Now you live in a world of hate and fear, and the people who hate and fear do not even know it themselves; when everyone is transformed, no one is transformed…
Milton Sanford Mayer
Accidental nuclear war between two superpowers may or may not happen in my lifetime, but if it does, it will obviously change everything. The climate change we're currently worrying about pales in comparison with nuclear winter, where a global dust cloud blocks sunlight for years, much like when an asteroid or supervolcano caused a mass extinction in the past. The 2008 economic turmoil was of course nothing compared to the resulting global crop failures, infrastructure collapse and mass starvation, with survivors succumbing to hungry armed gangs systematically pillaging from house to house. Do I expect to see this in my lifetime? I'd give it about 30%, putting it roughly on par with my getting cancer. Yet we devote way less attention and resources to reducing the risk of nuclear disaster than we do for cancer. And whereas humanity as a whole survives even if 30% get cancer, it's less obvious to what extent our civilization would survive a nuclear Armageddon. There are concrete and straightforward steps that can be taken to slash this risk, as spelled out in numerous reports by scientific organizations, but these never become major election issues and tend to get largely ignored.
Max Tegmark (Our Mathematical Universe: My Quest for the Ultimate Nature of Reality)
As if somehow irony,” she recaps for Maxine, “as practiced by a giggling mincing fifth column, actually brought on the events of 11 September, by keeping the country insufficiently serious — weakening its grip on ‘reality.’ So all kinds of make-believe—forget the delusional state the country’s in already—must suffer as well. Everything has to be literal now.” “Yeah, the kids are even getting it at school.” Ms. Cheung, an English teacher who if Kugelblitz were a town would be the neighborhood scold, has announced that there shall be no more fictional reading assignments. Otis is terrified, Ziggy less so. Maxine will walk in on them watching Rugrats or reruns of Rocko’s Modern Life, and they holler by reflex, “Don’t tell Ms. Cheung!” “You notice,” Heidi continues, “how ‘reality’ programming is suddenly all over the cable, like dog shit? Of course, it’s so producers shouldn’t have to pay real actors scale. But wait! There’s more! Somebody needs this nation of starers believing they’re all wised up at last, hardened and hip to the human condition, freed from the fictions that led them so astray, as if paying attention to made-up lives was some form of evil drug abuse that the collapse of the towers cured by scaring everybody straight again.
Thomas Pynchon (Bleeding Edge)
three years. My parents were my two best friends. My third best friend was an author who did not know I existed. I was a fairly shy person—not the hand-raising type. And yet, just this once, I decided to speak. I half raised my hand and Patrick, his delight evident, immediately said, “Hazel!” I was, I’m sure he assumed, opening up. Becoming Part Of The Group. I looked over at Augustus Waters, who looked back at me. You could almost see through his eyes they were so blue. “There will come a time,” I said, “when all of us are dead. All of us. There will come a time when there are no human beings remaining to remember that anyone ever existed or that our species ever did anything. There will be no one left to remember Aristotle or Cleopatra, let alone you. Everything that we did and built and wrote and thought and discovered will be forgotten and all of this”—I gestured encompassingly—“will have been for naught. Maybe that time is coming soon and maybe it is millions of years away, but even if we survive the collapse of our sun, we will not survive forever. There was time before organisms experienced consciousness, and there will be time after. And if the inevitability of human oblivion worries you, I encourage you to ignore it. God knows that’s what everyone else does.
John Green (The Fault in Our Stars)
Eventually, humans will die out. Nobody knows when,12 but nothing lives forever. Maybe we’ll spread to the stars and last for billions or trillions of years. Maybe civilization will collapse, we’ll all succumb to disease and famine, and the last of us will be eaten by cats. Maybe we’ll all be killed by nanobots hours after you read this sentence. There’s no way to know. A million years is a long time. It’s several times longer than Homo sapiens has existed, and a hundred times longer than we’ve had written language. It seems reasonable to assume that however the human story plays out, in a million years it will have exited its current stage. Without us, Earth’s geology will grind on. Winds and rain and blowing sand will dissolve and bury the artifacts of our civilization. Human-caused climate change will probably delay the start of the next glaciation, but we haven’t ended the cycle of ice ages. Eventually, the glaciers will advance again. A million years from now, few human artifacts will remain. Our most lasting relic will probably be the layer of plastic we’ve deposited across the planet. By digging up oil, processing it into durable and long-lasting polymers, and spreading it across the Earth’s surface, we’ve left a fingerprint that could outlast everything else we do.
Randall Munroe (What If? 10th Anniversary Edition: Serious Scientific Answers to Absurd Hypothetical Questions)
The flower-covered grave of the saint in the inner room could be seen dimly through the narrow doorway. In front of it was a wide vestibule where about two dozen people were seated in a circle. One of them was singing lustily some Persian verses, while others kept the time by clapping their hands; they joined in the refrain which was sung in chorus. Like rising tidal waves, the tempo of the singing was getting faster and faster, the clapping became more frantic and heads rolled from side to side, keeping time with the tempestuous melody. Eyes were closed and everyone was lost in the surging waves of emotion that seemed to flow out of the Sufistic poetry of the great Roomi. Then, to his amazement Anwar saw a man in the centre of the crowd open his eyes and stare vacantly. For a moment this man was silent, ominously silent and motionless in the midst of the emotional storm that raged around him. Then he was caught by a sudden frenzy, his whole body quivered and moved, beating time to the song which by now had reached a weird and frightening crescendo, faster and faster, louder and louder. The man's hands rose high in the air and as if clutching at an unseen rope, he raised himself and started to dance, wildly, ecstatically, tearing his clothes and pulling his hair, completely unselfconscious and unrestrained, oblivious of everything by some mysterious inner urge that demanded expression in this wild manner. And then the song died on the lips of the singer, the waves of emotion receded and in the ghostly silence that descended upon the assembly the standing figure of the man in the centre which looked inspired and hallowed a moment ago, suddenly appeared ridiculous and grotesque. For a few moments he stood as if poised for another outburst of frenzy. Then, deprived of the emotional support of the song, his knees sagged and he collapsed to the ground. For several minutes Anwar was speechless; so great had the effect of this spectacle been on him. His pulse beat faster, his mind was in a whirl and, as the song stopped, he felt a gnawing emptiness in his bowels. This then was Qawwali, the ecastatic ritual of the Persian Sufis.
Khwaja Ahmad Abbas (Inqilab)
There is one last way to break with your past and begin a new stage of your career journey, which is to take some advice that appears at the end of the 1964 film Zorba the Greek. Zorba, the great lover of life, is sitting on the beach with the repressed and bookish Basil, an Englishman who has come to a tiny Greek island with the hope of setting up a small business. The elaborate cable system that Zorba has designed and built for Basil to bring logs down the mountainside has just collapsed on its very first trial. Their whole entrepreneurial venture is in complete ruins, a failure before it has even begun. And that is the moment when Zorba unveils his philosophy of life to Basil: ZORBA: Damn it boss, I like you too much not to say it. You’ve got everything except one thing: madness! A man needs a little madness, or else… BASIL: Or else? ZORBA:…he never dares cut the rope and be free. Basil then stands up and, completely out of character, asks Zorba to teach him how to dance. The Englishman has finally learned that life is there to be lived with passion, that risks are there to be taken, the day is there to be seized. To do otherwise is a disservice to life itself. Zorba’s words are one of the great messages for the human quest in search of the good life. Most of us live bound by our fears and inhibitions. Yet if we are to move beyond them, if we are to cut the rope and be free, we need to treat life as an experiment and discover the little bit of madness that lies within us all.
Roman Krznaric (How to Find Fulfilling Work (The School of Life))
A trauma is a place where it becomes impossible to remain connected in and to the present moment. Trauma is a part of the human condition! Healing is also a part of the human condition, and we have the capacity to transform difficult experiences into a wellspring of personal and spiritual power. Trauma occurs when there is a rupture in our boundary system and our capacity to metabolize an experience is compromised. Every single human being on earth has trauma. It's an interruption of our ability to stay in the present moment, anything that lags or is not harmonized on the layers of body/mind/spirit/soul/psyche. Rachael Maddox has called it an" embodied interpersonal violation hangover." Ale Duarte called it "an open loop." Lately, many people have been telling me their stories and then telling me how they are "lucky," that "it's not that bad" compared to other people's situations. All of those statements happen in the mind, and they are largely attempts to keep ourselves from feeling the depth of our pain or sorrow. We may have white privilege, we may have class privilege, we may have had homebirth privilege—the animals of our bodies don't actually understand mental and philosophical constructs like privilege. What those constructs contribute to on an individual healing level is a lot of confusion, shame and guilt, that in spite of everything we "have," we may have still experienced helplessness, hurt, anger, or outrage or collapse, or whatever it is that our system felt. We actually cannot control those responses.
Kimberly Ann Johnson
If man is not ready to abdicate or to reconsider his case, it is because he has not yet drawn the final consequences of knowledge and of power. Convinced that his moment will come, that he will catch up with God and pass Him by, he clings—envious as he is—to the notion of evolution, as if the fact of advancing must necessarily bring him to the highest degree of perfection. Having sought to be other, he will end by being nothing; he is already nothing. Doubtless he is evolving, but against himself, to his cost, and toward a complexity which is ruining him. Becoming, progress: notions apparently tangential, actually divergent. True, everything changes, but rarely, if ever, for the better. Euphoric inflection of the original disease, of that false innocence which awakened in Adam a desire for the new, our faith in evolution, in the identity of becoming and progress, will collapse only when man, having reached the extremity of his distraction, having turned at last to the knowledge which leads to deliverance and not to power, will be in a position to offer an irrevocable no to his exploits and to his work. If he continues to clutch at them, he will doubtless enter upon the career of a ludicrous god or an obsolete animal, a solution as convenient as it is degrading, the ultimate stage of his infidelity to himself. Whatever choice he makes, and though he has not exhausted all the virtues of his failure, he has nonetheless fallen so low that it is hard to understand why he does not pray unceasingly, until his very voice and reason are extinguished.
Emil M. Cioran (The Fall into Time)
And then everything changed. Liberal democracy crawled out of history’s dustbin, cleaned itself up and conquered the world. The supermarket proved to be far stronger than the gulag. The blitzkrieg began in southern Europe, where the authoritarian regimes in Greece, Spain and Portugal collapsed, giving way to democratic governments. In 1977 Indira Gandhi ended the Emergency, re-establishing democracy in India. During the 1980s military dictatorships in East Asia and Latin America were replaced by democratic governments in countries such as Brazil, Argentina, Taiwan and South Korea. In the late 1980s and early 1990s the liberal wave turned into a veritable tsunami, sweeping away the mighty Soviet Empire, and raising expectations of the coming end of history. After decades of defeats and setbacks, liberalism won a decisive victory in the Cold War, emerging triumphant from the humanist wars of religion, albeit a bit worse for wear. As the Soviet Empire imploded, liberal democracies replaced communist regimes not only in eastern Europe, but also in many of the former Soviet republics, such as the Baltic States, Ukraine, Georgia and Armenia. Even Russia nowadays pretends to be a democracy. Victory in the Cold War gave renewed impetus for the spread of the liberal model elsewhere around the world, most notably in Latin America, South Asia and Africa. Some liberal experiments ended in abject failures, but the number of success stories is impressive. For instance, Indonesia, Nigeria and Chile have been ruled by military strongmen for decades, but all are now functioning democracies
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Bohr advanced a heavyhanded remedy: evolve probability waves according to Schrodinger's equation whenever you're not looking or performing any kind of measurement. But when you do look, Bohr continued, you should throw Schrodinger's equation aside and declare that your observation has caused the wave to collapse. Now, not only is this prescription ungainly, not only is it arbitrary, not only does it lack a mathematical underpinning, it's not even clear. For instance, it doesn't precisely define "looking" or "measuring." Must a human be involved? Or, as Einstein once asked, will a sidelong glance from a mouse suffice? How about a computer's probe, or even a nudge from a bacterium or virus? Do these "measurements" cause probability waves to collapse? Bohr announced that he was drawing a line in the sand separating small things, such as atoms and their constituents, to which Schrodinger's equation would apply, and big things, such as experimenters and their equipment, to which it wouldn't. But he never said where exactly that line would be. The reality is, he couldn't. With each passing year, experimenters confirm that Schrodinger's equation works, without modification, for increasingly large collections of particles, and there's every reason to believe that it works for collections as hefty as those making up you and me and everything else. Like floodwaters slowly rising from your basement, rushing into your living room, and threatening to engulf your attic, the mathematics of quantum mechanics has steadily spilled beyond the atomic domain and has succeeded on ever-larger scales.
Brian Greene (The Hidden Reality: Parallel Universes and the Deep Laws of the Cosmos)
had said, in effect: “Okay, if you can figure out the tilt, you can figure out any damn thing you choose. Because even light has weight, and when the note of a trainwhistle suddenly drops it’s the Doppler effect and when an airplane breaks the sound barrier that bang isn’t the applause of the angels or the flatulence of demons but only air collapsing back into place. I gave you the tilt and then I sat back about halfway up the auditorium to watch the show. I got nothing else to say, except that two and two makes four, the lights in the sky are stars, if there’s blood grownups can see it as well as kids, and dead boys stay dead.” You can live with fear, I think, Stan would have said if he could. Maybe not forever, but for a long, long time. It’s offense you maybe can’t live with, because it opens up a crack inside your thinking, and if you look down into it you see there are live things down there, and they have little yellow eyes that don’t blink, and there’s a stink down in that dark, and after awhile you think maybe there’s a whole other universe down there, a universe where a square moon rises in the sky, and the stars laugh in cold voices, and some of the triangles have four sides, and some have five, and some of them have five raised to the fifth power of sides. In this universe there might grow roses which sing. Everything leads to everything, he would have told them if he could. Go to your church and listen to your stories about Jesus walking on the water, but if I saw a guy doing that I’d scream and scream and scream. Because it wouldn’t look like a miracle to me. It would look like an offense.
Stephen King (It)
Future Europe’s problems are many, but four stand out. The first is energy: The Europeans are more dependent upon energy imports than the Asians, and no two major European countries think that problem can be solved the same way. The Germans fear that not having a deal with the Russians means war. The Poles want a deal with anyone but Russia. The Spanish know the only solution is in the Western Hemisphere. The Italians fear they must occupy Libya. The French want to force a deal on Algeria. The Brits are eyeing West Africa. Everyone is right. Everyone is wrong. The second is demographic: The European countries long ago aged past the point of even theoretical repopulation, meaning that the European Union is now functionally an export union. Without the American-led Order, the Europeans lose any possibility of exporting goods, which eliminates the possibility of maintaining European society in its current form. The third is economic preference: Perhaps it is mostly subconscious these days, but the Europeans are aware of their bloody history. A large number of conscious decisions were made by European leaders to remodel their systems with a socialist bent so their populations would be vested within their collective systems. This worked. This worked well. But only in the context of the Order with the Americans paying for the bulk of defense costs and enabling growth that the Europeans could have never fostered themselves. Deglobalize and Europe’s demographics and lack of global reach suggest that permanent recession is among the better interpretations of the geopolitical tea leaves. I do not see a path forward in which the core of the European socialist-democratic model can survive. The fourth and final problem: Not all European states are created equal. For every British heavyweight, there is a Greek basket case. For every insulated France, there is a vulnerable Latvia. Some countries are secure or rich or have a tradition of power projection. Others are vulnerable or poor or are little more than historical doormats. Perhaps worst of all, the biggest economic player (Germany) is the one with no options but to be the center weight of everything, while the two countries with the greatest capacity to go solo (France and the United Kingdom) hedged their bets and never really integrated with the rest of Europe. There’s little reason to expect the French to use their reach to benefit Europe, and there’s no reason to expect assistance from the British, who formally seceded from the European Union in 2020. History,
Peter Zeihan (The End of the World is Just the Beginning: Mapping the Collapse of Globalization―Irreverent Predictions from a Geopolitical Strategist)
As a civilization progresses, it goes through wars, pandemics, catastrophes. those that survive grow more astute, more perceptive, more advanced. Diseases are conquered, infirmity eliminated. Life spans increase. Suffering becomes largely a memory. "Meanwhile, their explorers and historians find evidence of past cultures, and cultures before that. At first it is exciting. But all they keep finding are ruins. And slowly, either through science or history, every advanced civilizations becomes aware of a disturbing possibility -- that their futures may end in ruin too. "The civilization then rushes to probe other stars, even other galaxies; it increases its research, attempting to manipulate space, time, in the hope that somewhere, someone might have found an escape, a loophole. "But eventually, the find, and solve, the mathematical equation that explains the entire universe." "I think our scientists are working on something like that too," Shizuka said. Lan shook her head. "They'll need to find the Grand Unified Theory a few more times before they can even begin to understand what 'everything' is -- sorry, I didn't mean to offend your civilization." Shizuka shrugged. "No offense taken." "Still, should your civilization survive, it will eventually find the same equation. And that will be your death sentence. For in that equation, there will be no forever, no eternity. Nothing. "And this collapse, and all its attendant despair, is the Endplague." Shizuka was puzzled. Space aliens, she could understand. Purple skin? Cute. Two elbows? Weird, but fine. Galactic warfare? Frankly, expected. Being a refugee? Of course. But how could the mere concept of mortality be enough to topple advanced civilizations? People live, people die, and so what?
Ryka Aoki (Light from Uncommon Stars)
Wheeler wasn’t the first to point out that quantum mechanics slips into paradox the minute you introduce a second observer. The Nobel Prize–winning physicist Eugene Wigner, for one, had emphasized it with a Schrödinger’s-cat-style thought experiment that became known as “Wigner’s friend.” It went something like this: Inside a lab, Wigner’s friend sets up an experiment in which an atom will randomly emit a photon, producing a flash of light that leaves a spot on a photographic plate. Before Wigner’s friend checks the plate for signs of a flash, quantum mechanics shows that the atom is in a superposition of having emitted a photon and not having emitted a photon. Once the friend looks at the plate, however, he sees a single outcome—the atom flashed or it didn’t. Somehow his looking collapses the atom’s wavefunction, transforming two possibilities into a single reality. Wigner, meanwhile, is standing outside the lab. From his point of view, quantum mechanics shows that until his friend tells him the outcome of the experiment, the atom remains in a superposition of having emitted a photon and not having emitted a photon. What’s more, his friend is now in a superposition of having seen a spot of light on the plate and not having seen a spot of light on the plate. Only Wigner, quantum theory says, can collapse the wavefunction by asking his friend what happened in there. The two stories are contradictory. According to Wigner’s friend, the atom’s wavefunction collapsed when he looked at the plate. According to Wigner, it didn’t. Instead, his friend entered a superposition correlated with the superposition of the atom, and it wasn’t until Wigner spoke to his friend that both superpositions collapsed. Which story is right? Who is the true creator of reality, Wigner or his friend?
Amanda Gefter (Trespassing on Einstein's Lawn: A Father, a Daughter, the Meaning of Nothing, and the Beginning of Everything)
He moved to the faded red chair she'd indicated. As he lowered himself into it, there was a loud crack. One of the wooden legs snapped and broke, just as Sophia and Angus had planned when they'd sawed it half-through. A normal man would have been tossed to the floor, but with a little twist, MacLean shifted his weight forward and managed to remain upright, turning to regard the chair as it collapsed. Sophia swept to her feet. "Goodness! How horrid!" She narrowed her gaze accusingly at the chair. There was nothing like a little humiliation to set a man against a location, and it was a pity MacLean hadn't been thrown to the floor as she'd planned. MacLean bent and picked up a piece of the broken chair, his expression unfathomable. "Horrid, indead." Her desire to smile fled. Did he suspect something? Could he see where Angus had cut the chair let partway through? MacLean hefted the leg in his hand, his mouth thinned. Sophia cleared her throat. "I'll call the butler to remove that." His gaze locked with hers.The chair leg still in his hand,he walked toward her. Sophia licked her suddenly dry lips. She didn't know this man, not really. What was he going to do? She gripped the arms of her chair. Should she run for help? Surely not. Nothing she'd heard had indicated MacLean was a man of violence. Of course, everything she knew of him was mere heresay- He stopped before her and stook looking down into her face with the faintest of smiles. He didn't look angry; he looked knowing. As if he understood exactly what she'd done and why. A fear of another kind gripped her. Surely, he didn't. There was no way he could- MacLean leaned forward. Sophia's heart jumped, her skin warming oddly when his arm brushed her shoulder as he leaned past her...and tossed the chair leg onto the unlit fireplace.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
As a society we are only now getting close to where Dogen was eight hundred years ago. We are watching all our most basic assumptions about life, the universe, and everything come undone, just like Dogen saw his world fall apart when his parents died. Religions don’t seem to mean much anymore, except maybe to small groups of fanatics. You can hardly get a full-time job, and even if you do, there’s no stability. A college degree means very little. The Internet has leveled things so much that the opinions of the greatest scientists in the world about global climate change are presented as being equal to those of some dude who read part of the Bible and took it literally. The news industry has collapsed so that it’s hard to tell a fake headline from a real one. Money isn’t money anymore; it’s numbers stored in computers. Everything is changing so rapidly that none of us can hope to keep up. All this uncertainty has a lot of us scrambling for something certain to hang on to. But if you think I’m gonna tell you that Dogen provides us with that certainty, think again. He actually gives us something far more useful. Dogen gives us a way to be okay with uncertainty. This isn’t just something Buddhists need; it’s something we all need. We humans can be certainty junkies. We’ll believe in the most ridiculous nonsense to avoid the suffering that comes from not knowing something. It’s like part of our brain is dedicated to compulsive dot-connecting. I think we’re wired to want to be certain. You have to know if that’s a rope or a snake, if the guy with the chains all over his chest is a gangster or a fan of bad seventies movies. Being certain means being safe. The downfall is that we humans think about a lot of stuff that’s not actually real. We crave certainty in areas where there can never be any. That’s when we start in with believing the crazy stuff. Dogen is interesting because he tries to cut right to the heart of this. He gets into what is real and what is not. Probably the main reason he’s so difficult to read is that Dogen is trying to say things that can’t actually be said. So he has to bend language to the point where it almost breaks. He’s often using language itself to show the limitations of language. Even the very first readers of his writings must have found them difficult. Dogen understood both that words always ultimately fail to describe reality and that we human beings must rely on words anyway. So he tried to use words to write about that which is beyond words. This isn’t really a discrepancy. You use words, but you remain aware of their limitations. My teacher used to say, “People like explanations.” We do. They’re comforting. When the explanation is reasonably correct, it’s useful.
Brad Warner (It Came from Beyond Zen!: More Practical Advice from Dogen, Japan's Greatest Zen Master (Treasury of the True Dharma Eye Book 2))
The whole power, beauty, and (for want of a better word) piety of the sciences lie in that fruitful narrowness of focus that I mentioned above, that austere abdication of metaphysical pretensions that permits them their potentially interminable inductive and theoretical odyssey through the physical order. It is the purity of this vocation to the particular that is the special glory of science. This means that the sciences are, by their very nature, commendably fragmentary and, in regard to many real and important questions about existence, utterly inconsequential. Not only can they not provide knowledge of everything; they cannot provide complete knowledge of anything. They can yield only knowledge of certain aspects of things as seen from one very powerful but inflexibly constricted perspective. If they attempt to go beyond their methodological commissions, they cease to be sciences and immediately become fatuous occultisms. The glory of human reason, however, is its power to exceed any particular frame of reference or any single perspective, to employ an incalculable range of intellectual faculties, and to remain open to the whole horizon of being’s potentially infinite intelligibility. A wise and reflective person will not forget this. A microscope may conduct the eye into the mysteries of a single cell, but it will not alert one to a collapsing roof overhead; happily we have more senses than one. We may even possess spiritual senses, however much we are discouraged from trusting in them at present. A scientist, as a reasoning person, has as much call as anyone else to ponder the deepest questions of existence, but should also recognize the threshold at which science itself falls silent—for the simple reason that its silence at that point is the only assurance of its intellectual and moral integrity.
David Bentley Hart (The Experience of God: Being, Consciousness, Bliss)
It's never going to stop,’ Malenfant whispered. ‘It will consume the Solar System, the stars—’ This isn't some local phenomenon, Malenfant. This is a fundamental change in the structure of the universe. It will never stop. It will sweep on, growing at light speed, a runaway feedback fueled by the collapse of the vacuum itself. The Galaxy will be gone in a hundred thousand years, Andromeda, the nearest large galaxy, in a couple of million years. It will take time, but eventually— ‘The future has gone,’ Malenfant said. ‘My God. That’s what this means, isn’t it? The downstream can’t happen now. All of it is gone. The colonization of the Galaxy; the settlement of the universe; the long, patient fight against entropy...’ That immense future had been cut off to die, like a tree chopped through at the root. ‘Why, Michael? Why have the children done this? Burned the house down, destroyed the future—’ Because it was the wrong future. Michael looked around the sky. He pointed to the lumpy, spreading edge of the unreality bubble. There. Can you see that? It's already starting... ‘What is?’ The budding... The growth of the true vacuum region is not even. There will be pockets of the false vacuum—remnants of our universe—isolated by the spreading true vacuum. The fragments of false vacuum will collapse. Like— ‘Like black holes.’ And in that instant, Malenfant understood. ‘That’s what this is for. This is just a better way of making black holes, and budding off new universes. Better than stars, even.’ Much better. The black holes created as the vacuum decay proceeds will overwhelm by many orders of magnitude the mere billion billion that our universe might have created through its stars and galaxy cores. ‘And the long, slow evolution of the universes, the branching tree of cosmoses?...’ We have changed everything, Malenfant. Mind has assumed responsibility for the evolution of the cosmos. There will be many daughter universes—universes too many to count, universes exotic beyond our imagining—and many, many of them will harbor life and mind. ‘But we were the first.’ Now he understood. This was the purpose. Not the long survival of humankind into a dismal future of decay and shadows, the final retreat into the lossless substrate, where nothing ever changed or grew. The purpose of humankind—the first intelligence of all—had been to reshape the universe in order to bud others and create a storm of mind. We got it wrong, he thought. By striving for a meaningless eternity, humans denied true infinity. But we reached back, back in time, back to the far upstream, and spoke to our last children—the maligned Blues—and we put it right. This is what it meant to be alone in the universe, to be the first. We had all of infinite time and space in our hands. We had ultimate responsibility. And we discharged it. We were parents of the universe, not its children.
Stephen Baxter (Time (Manifold #1))
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
Suetonius (The Twelve Caesars)
At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.
Johannes V. Jensen (Kongens fald)
Say what you will of religion, but draw applicable conclusions and comparisons to reach a consensus. Religion = Reli = Prefix to Relic, or an ancient item. In days of old, items were novel, and they inspired devotion to the divine, and in the divine. Now, items are hypnotizing the masses into submission. Take Christ for example. When he broke bread in the Bible, people actually ate, it was useful to their bodies. Compare that to the politics, governments and corrupt, bumbling bureacrats and lobbyists in the economic recession of today. When they "broke bread", the economy nearly collapsed, and the benefactors thereof were only a select, decadent few. There was no bread to be had, so they asked the people for more! Breaking bread went from meaning sharing food and knowledge and wealth of mind and character, to meaning break the system, being libelous, being unaccountable, and robbing the earth. So they married people's paychecks to the land for high ransoms, rents and mortgages, effectively making any renter or landowner either a slave or a slave master once more. We have higher class toys to play with, and believe we are free. The difference is, the love of profit has the potential, and has nearly already enslaved all, it isn't restriced by culture anymore. Truth is not religion. Governments are religions. Truth does not encourage you to worship things. Governments are for profit. Truth is for progress. Governments are about process. When profit goes before progress, the latter suffers. The truest measurement of the quality of progress, will be its immediate and effective results without the aid of material profit. Quality is meticulous, it leaves no stone unturned, it is thorough and detail oriented. It takes its time, but the results are always worth the investment. Profit is quick, it is ruthless, it is unforgiving, it seeks to be first, but confuses being first with being the best, it is long scale suicidal, it is illusory, it is temporary, it is vastly unfulfilling. It breaks families, and it turns friends. It is single track minded, and small minded as well. Quality, would never do that, my friends. Ironic how dealing and concerning with money, some of those who make the most money, and break other's monies are the most unaccountable. People open bank accounts, over spend, and then expect to be held "unaccountable" for their actions. They even act innocent and unaccountable. But I tell you, everything can and will be counted, and accounted for. Peace can be had, but people must first annhilate the love of items, over their own kind.
Justin Kyle McFarlane Beau
We walk around inside that house like everything is okay, but it’s not, Quinn. We’ve been broken for years and I have no idea how to fix us. I find solutions. It’s what I do. It’s what I’m good at. But I have no idea how to solve me and you. Every day I come home, hoping things will be better. But you can’t even stand to be in the same room with me. You hate it when I touch you. You hate it when I talk to you. I pretend not to notice the things you don’t want me to notice because I don’t want you to hurt more than you already do.” He releases a rush of air. “I am not blaming you for what I did. It’s my fault. I did that. I fucked up. But I didn’t fuck up because I was attracted to her. I fucked up because I miss you. Every day, I miss you. When I’m at work, I miss you. When I’m home, I miss you. When you’re next to me in bed, I miss you. When I’m inside you, I miss you.” Graham presses his mouth to mine. I can taste his tears. Or maybe they’re my tears. He pulls back and presses his forehead to mine. “I miss you, Quinn. So much. You’re right here, but you aren’t. I don’t know where you went or when you left, but I have no idea how to bring you back. I am so alone. We live together. We eat together. We sleep together. But I have never felt more alone in my entire life.” Graham releases me and falls back against his seat. He rests his elbow against the window, covering his face as he tries to compose himself. He’s more broken than I’ve ever seen him in all the years I’ve known him. And I’m the one slowly tearing him down. I’m making him unrecognizable. I’ve strung him along by allowing him to believe there’s hope that I’ll eventually change. That I’ll miraculously turn back into the woman he fell in love with. But I can’t change. We are who our circumstances turn us into. “Graham.” I wipe at my face with my shirt. He’s quiet, but he eventually looks at me with his sad, heartbroken eyes. “I haven’t gone anywhere. I’ve been here this whole time. But you can’t see me because you’re still searching for someone I used to be. I’m sorry I’m no longer who I was back then. Maybe I’ll get better. Maybe I won’t. But a good husband loves his wife through the good and the bad times. A good husband stands at his wife’s side through sickness and health, Graham. A good husband- a husband who truly loves his wife - wouldn’t cheat on her and then blame his infidelity on the fact that he’s lonely.” Graham’s expression doesn’t change. He’s as still as a statue. The only thing that moves is his jaw as he works it back and forth. And then his eyes narrow and he tilts his head. “You don’t think I love you, Quinn?” “I know you used to. But I don’t think you love the person I’ve become.” Graham sits up straight. He leans forward, looking me hard in the eye. His words are clipped as he speaks. “I have loved you every single second of every day since the moment I laid eyes on you. I love you more now than I did the day I married you. I love you, Quinn. I fucking love you!” He opens his car door, gets out and then slams it shut with all his strength. The whole car shakes. He walks toward the house, but before he makes it to the front door, he spins around and points at me angrily. “I love you, Quinn!” He’s shouting the words. He’s angry. So angry. He walks toward his car and kicks at the front bumper with his bare foot. He kicks and he kicks and he kicks and then pauses to scream it at me again. “I love you!” He slams his fist against the top of his car, over and over, until he finally collapses against the hood, his head buried in his arms. He remains in this position for an entire minute, the only thing moving is the subtle shaking of his shoulders. I don’t move. I don’t even think I breathe. Graham finally pushes off the hood and uses his shirt to wipe at his eyes. He looks at me, completely defeated. “I love you,” he says quietly, shaking his head. “I always have. No matter how much you wish I didn’t.
Colleen Hoover (All Your Perfects (Hopeless, #3))
His grip tightened and he closed the distance between us, his mouth catching mine in a kiss that made my aching heart throb with the most painful kind of hope. I gripped his shirt in my fists and dragged him closer as I kissed him like the sky might cave in if I didn’t, even though it was more likely that it would if I did. Thunder crashed like an explosion overhead, freezing cold rain pelted down on us and lightning slammed into the ground behind us. But I didn’t care. I would gladly take the rage of the heavens in payment for this moment in his arms. Darius pulled me closer, growling hungrily as his tongue pushed into my mouth and he kissed me savagely, filthily, desperately. I pushed up onto my tiptoes, my body pressing flush to his as I wound my arms round his neck and my heart pounded to a brutal beat like it wanted to force its way out ofmy chest and meet with his. Lightning struck the ground so close that a crackle of electricity danced up my spine. I flinched, but my grip on Darius only tightened. I dropped the barriers on my magic and Darius’s power flooded through me on a tide of ecstasy as we merged our essences together. We were meant to be together like this, it was painted beneath my skin and through my veins, even my magic ached for him and yearned for the caress of his power. Thunder boomed and I growled in defiance, lifting my hand to cast a shield of solid air magic around us, cutting off the storm completely. Darius’s magic flowed alongside mine into the shield, the strength of our will blocking out the will of the stars. The earth rocked savagely beneath our feet and we fell. Darius kept ahold of me as he hit the ground on his back and I tumbled aside for a moment, but I wasn’t going to let them drive us apart. I shoved myself to my knees, crawling over his legs as he pushed up on his elbows and kissed me again. His fingers slid through my wet hair and his stubble grazed my skin as he kissed me so hard it was bruising, punishing, branding and yet it wasn’t enough. My heart was aching, tears pricking the backs of my eyes as I fought to keep hold of him while the storm hammered against our magic, determined to tear us apart again. I poured magic from my body to hold the shield as rain slammed against it so hard that the air rattled around us. Darius dragged me against him and I could feel how much he wanted me in every hard line and ridge of his body. We were both drenched, covered in mud and utterly incapable of giving one shit about it. Lightning slammed into the shield and I gasped as it almost buckled, breaking our kiss as I looked up at the black sky above us. More lightning split the clouds apart, striking the ground all around us again and again, making the earth rock even more violently. As a second bolt hit our shield, I almost lost control of it and I could feel my power waning as I threw everything I had into maintaining it. We only had seconds before it was going to collapse and I reached out to catch Darius’s jaw in my grip, looking into his dark eyes with a pang of longing. “I’m sorry I did this to us,” I breathed. I might not have been sure everything between us was fixed yet, but I was beginning to believe it could be and I was starting to think I’d made the wrong choice when I’d been offered it. “It wasn’t you,” he replied, pain flickering though his gaze. “It was both of us,” I disagreed, tears mixing with the rain on my cheeks. (Tory)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
He nodded against my neck and his hands came around to cup my breasts, grinding into me again from behind. I ground back. He moaned, slipping a hand down the front of my panties. “Tell me what you like,” he whispered against my ear, moving against me. Oh my fucking God… What didn’t I like? It had been so long and I was so deprived I was afraid he was going to finish me right there. My body began to tremble at the build. I couldn’t take it anymore. He seemed to sense it because he pulled his fingers back right before I disintegrated in his hand, and he laid me down on the bed, sliding over me. He hovered on his forearms and ran a thick, muscular thigh up between my legs until it hit my core and I sucked in air against his lips. Oh my God, he was so good at this… And he fucking knew it. He smiled and kissed me, his tongue darting in my mouth, his rough hands canvassing my skin like he wanted to feel every inch of me. I did the same. It felt so good to touch him. My eyes had spent so much time learning his body, and my hands wanted to map him. I ran fingers along his chest, over the curve of his broad freckled shoulders, down the muscles of his back, along the valley of his spine. I breathed in his scent as I grabbed his firm ass and pulled him into me and he groaned, rubbing hard against my leg. I couldn’t believe this was real, that I got to touch him, that he was kissing me, that there was nothing between us but my thin G-string. His bare skin pressing into mine was the most exquisite feeling of my life, a million nerve endings connecting with his, little electrical shocks that merged into one huge surge. He sat up and kneeled between my legs, picking up my foot and putting it on his shoulder. The view was fucking spectacular. The definition of his chest continued down with a line of hair into a V muscle that pointed at his divine penis like an arrow. I reached out and took him in my hand and his breathing went ragged. My gaze came back up to his hooded eyes. He kissed my ankle and I watched him do it, biting my lip, stroking him, my need unraveling into something so starved I wanted to beg him to have mercy on me and just fuck me already. I thought of the way he’d touched me in the car, his strong hands massaging my calf, and I couldn’t help but feel like he was continuing something he started earlier. He ran his palms from my ankle, behind my knee, up my thigh, and he hooked my panties in his thumbs and pulled them down and off. Then he balled them in his hand, shut his eyes, and put them to his nose, breathing in. When his eyes opened again, they’d gone primal. He came at me like a wild animal. He lowered onto me, his jaw clenched tight, every muscle of his body tense, and I lifted my hips. He held my gaze as he eased himself in, slow and deliberate, and I wrapped my legs around his waist, feral with need, frantically urging him deeper. One… Two… I wasn’t going to last a minute and it was all overload, his naked body pressed to mine, the feel of him inside me, rhythmically thrusting against my core, deeper and deeper, his quivering breath over my collarbone, his hips grinding between my legs, his scent, his sounds, the heat of his skin, the rocking of the bed, the moaning in my throat—my back arched and I fell apart at the same time he did, clutching at everything, pulling him into me, pulsing with his release. He collapsed on top of me and I was decimated. I lay there like a rag doll, twitching with aftershocks. He gasped for breath, his face by my ear. “Holy…fucking…shit,” he panted. I just nodded. I couldn’t even speak. I’d never had sex that good. Never in my life—and I’d had my share of good sex. It was like we’d been foreplaying for weeks and I’d been sexually malnourished, starving, waiting for him to feed me.
Abby Jimenez