“
You may turn into an archangel, a fool, or a criminal—no one will see it. But when a button is missing—everyone sees that.
”
”
Erich Maria Remarque
“
When you don't fit in, you become superhuman. You can feel everyone else's eyes on you, stuck like Velcro. You can hear a whisper about you from a mile away. You can disappear, even when it looks like you're still standing right there. You can scream, and nobody hears a sound.
You become the mutant who fell into the vat of acid, the Joker who can't remove his mask, the bionic man who's missing all his limbs and none of his heart.
You are the thing that used to be normal, but that was so long ago, you can't even remember what it was like.
”
”
Jodi Picoult (Nineteen Minutes)
“
Four lines, and the world went quiet.
I'm sorry for telling everyone about your mum, read the first line.
I miss being your friend, read the second.
Are you okay? read the third.
I see you, read the fourth, with the
I
underlined about a hundred times.
”
”
Patrick Ness (A Monster Calls)
“
And I told him, I said: "One day you're going to miss the subway because it's not going to come. One of these days, it's going to break down and it's not going to come around and everyone else will just wait for the next one or will take the bus, or walk, or run to the next station: they will go on with their lives. And you're not going to be able to go on with your life! You'll be standing there, in the subway station, staring at the tube. Why? Because you think that everything has to happen perfectly and on time and when you think it's going to happen! Well guess what! That's not how things happen! And you'll be the only one who's not going to be able to go on with life, just because your subway broke down. So you know what, you've got to let go, you've got to know that things don't happen the way you think they're going to happen, but that's okay, because there's always the bus, there's always the next station...you can always take a cab.
”
”
C. JoyBell C.
“
Everyone wants you here. We have a saying in Farsi. It translates ‘your place was empty.’ We say it when we miss somebody."
I sniffed.
"Your place was empty before. But this is your family. You belong here.
”
”
Adib Khorram (Darius the Great Is Not Okay (Darius The Great, #1))
“
it’s hard not to see. You’re the kind of pair that makes everyone around them feel as though they’re missing out on a private joke.
”
”
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
“
Hang on . . .” Harry muttered to Ron. “There’s an empty chair at the staff table. . . . Where’s Snape?”
"Maybe he's ill!" said Ron hopefully.
“Maybe he’s left,” said Harry, “because he missed out on the Defense Against the Dark Arts job again!”
“Or he might have been sacked!” said Ron enthusiastically. “I mean, everyone hates him —”
“Or maybe,” said a very cold voice right behind them, “he’s waiting to hear why you two didn’t arrive on the school train.”
Harry spun around. There, his black robes rippling in a cold breeze, stood Severus Snape.
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Why aren't you in school? I see you every day wandering around."
"Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?
”
”
Ray Bradbury (Fahrenheit 451)
“
Yes,” I whisper. The red blinking light on one of the cameras catches my eye. I know I’m being recorded. “Yes,” I say more forcefully. Everyone is drawing away from me—Gale, Cressida, the insects—giving me the stage. But I stay focused on the red light. “I want to tell the rebels that I am alive. That I’m right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women, and children. There will be no survivors.” The shock I’ve been feeling begins to give way to fury. “I want to tell people that if you think for one second the Capitol will treat us fairly if there’s a cease-fire, you’re deluding yourself. Because you know who they are and what they do.” My hands go out automatically, as if to indicate the whole horror around me. “This is what they do! And we must fight back!”
I’m moving in toward the camera now, carried forward by my rage. “President Snow says he’s sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to the ground, but do you see that?” One of the cameras follows as I point to the planes burning on the roof of the warehouse across from us. The Capitol seal on a wing glows clearly through the flames. “Fire is catching!” I am shouting now, determined that he will not miss a word. “And if we burn, you burn with us!
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
I suppose he's making a real fashion statement, but this is high school. You're not supposed to be real. You're supposed to be enough like everyone else to get through and out into the waiting world.
”
”
Elizabeth Scott (Love You Hate You Miss You)
“
Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn't that I only loved some of you. But I wondered if you could ever love more than some of me.
I knew I'd miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn't happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn't seem broken at all. I know young people look at me and think my youth seems so far away, but it's all around me, and you're all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic.
The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn't yours and mine? It does to me. and I'm sorry for it, and for a lot, and I also wouldn't change it.
It is so quiet here. Even with all the trains and the streets and the people. It's nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won't.
I like to think that one day after I die, at least one small particle of me - of all the particles that will spread everywhere - will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing's final, and that everyone gets to be together even when it looks like they don't, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I'll see you sometime again, even if it's not with any kind of eyes I know of or understand. I wouldn't be surprised if that is the way things go after all - that all things end happy. Even for you and Tik Tok. and for you and me.
Always,
Your Peter
P.S. Please give my love to Tink. She was always such a funny little bug.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
Just as there are physical monsters, can there not be mental or psychic monsters born? The face and body may be perfect, but if a twisted gene or malformed egg can produce physical monsters, may not the same process produce a malformed soul?
Monsters are variations from the accepted normal to a greater or a less degree. As a child may be born without an arm, so one may be born without kindness or the potential of conscience. A man who loses his arms in an accident has a great struggle to adjust himself to the lack, but one born without arms suffers only from people who find him strange. Having never had arms, he cannot miss them. To a monster the norm must seem monstrous, since everyone is normal to himself. To the inner monster it must be even more obscure, since he has no visible thing to compare with others. To a criminal, honesty is foolish. You must not forget that a monster is only a variation, and that to a monster the norm is monstrous.
”
”
John Steinbeck (East of Eden)
“
Be kind to everyone - you don't know what cross they're bearing and how sweet that kind word might ring.
”
”
Ann B. Ross (Miss Julia Speaks Her Mind (Miss Julia, #1))
“
Here's a secret: Everyone, if they live long enough, will lose their way at some point. You will lose your way, you will wake up one morning and find yourself lost. This is a hard, simple truth. If it hasn't happened to you yet, consider yourself lucky. When it does, when one day you look around and nothing is recognizable, when you find yourself alone in a dark wood having lost the way, you may find it easier to blame it on someone else -- an errant lover, a missing father, a bad childhood -- or it may be easier to blame the map you were given -- folded too many times, out-of-date, tiny print -- but mostly, if you are honest, you will only be able to blame yourself.
One day I'll tell my daughter a story about a dark time, the dark days before she was born, and how her coming was a ray of light. We got lost for a while, the story will begin, but then we found our way.
”
”
Nick Flynn (The Best American Nonrequired Reading 2009)
“
I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.”
“So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
You are not trying to find the answer to a question, you are simply trying to confirm something you desperately want to believe; That everyone is evil. ” Chantal
”
”
Paulo Coelho (The Devil and Miss Prym)
“
When I was with him suddenly I wasn’t this broken person anymore.
I was just me.
I was whole again.
I was just a person – like everyone else.
”
”
Ranata Suzuki
“
I’m sure you’d hate to miss everyone’s felicitations.”
David had beaten me in the final round of our sixth-grade spelling bee with that word and now, all these years later, he still tried to drop it into conversation whenever he could.
”
”
Rachel Hawkins (Rebel Belle (Rebel Belle, #1))
“
You don't become an 'artist' unless you've got something missing somewhere. Blaise Pascal called it a God-shaped hole. Everyone's got one but some are blacker and wider than others. It's a feeling of being abandoned,cut adrift in space and time-sometimes following the loss of a loved one. You can never completely fill that hole-you can try with songs,family,faith and by living a full life...but when things are silent, you can still hear the hissing of what's missing.
”
”
Bono
“
Just so you know, everyone has regrets, but it's fucked up to be continually punished for them.
”
”
Tiffany King (Miss Me Not)
“
I had hoped to hear everyone discussing how much they missed my altruistic qualities, my legendary skills as a fighter and as a lover." He leered. "Instead, you're making plans for tomorrow. Interesting how life goes on in spite of itself.
”
”
Maria V. Snyder (Fire Study (Study, #3))
“
Shame on you, Crispin. Married how long, and you haven't spanked your wife with a metal spatula yet?"
I'd gotten used to Ian's assumption that everyone was as perverted as he was, so I didn't miss a beat.
"We prefer blender beaters for our kitchen utensil kink," I said with a straight face.
Bones hid his smile behind his hand, but Ian looked intrigued.
"I haven't tried that ... oh, you're lying, aren't you?"
"Ya think?" I asked with a snort.
Ian gave a sigh of exaggerated patience and glanced at Bones.
"Being related to her through you is a real trial.
”
”
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
“
Victories and defeats form part of everyone's life - everyone, that is, except cowards, as you call them, because they never lose or win.
”
”
Paulo Coelho (The Devil and Miss Prym)
“
Would you like to dance with me?”
He laughed. “With you? No.”
She looked at the marble floor, her chest tight. “You needn’t be so cruel.”
“Cruel? Celaena, Perrington is just over there. I’m sure he’s not happy about you being here, so I wouldn’t risk drawing his attention any more than necessary.”
“Coward.”
Chaol’s eyes softened. “If he weren’t here, I would have said yes.” (...)
“Anyway,” Chaol added, jerking his chin at Dorian, “I think you have far more attractive suitors vying for your attention. I’m boring company to keep.”
“I don’t mind being here with you.”
“I’m sure you don’t,” Chaol said dryly, though he met her stare.
“I mean it. Why aren’t you dancing with anyone? Aren’t there ladies whom you like?”
“I’m the Captain of the Guard—I’m not exactly a catch for any of them.” There was some sorrow in his eyes, though it was well concealed.
“Are you mad? You’re better than everyone in here. And you’re—you’re very handsome,” she said, taking his hand in her free one. There was beauty in Chaol’s face—and strength, and honor, and loyalty. She stopped hearing the crowd, and her mouth became dry as he stared at her. How had she missed it for so long?
“You think so?” he said after a moment, looking at their clasped hands.
She tightened her grasp. “Why, if I wasn’t—
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Maybe we all walk around assuming everyone is interpreting the world the same way we are, and being surprised when they aren't, and that's the loneliness and confusion of the human experience in a nutshell.
”
”
Mary Laura Philpott (I Miss You When I Blink: Essays)
“
I miss our Would You Rather conversations and your hilarious answers. I miss your laugh. I miss the way I feel when I make you laugh. Like I just won something really important. I miss just sitting with you in perfect, silent understanding. I miss the way you never judge anyone. It’s such a rare find, Liv. And I miss watching how kind you are with everyone. I miss being able to call you and talk to you about random shit and important shit. I miss my best friend. I miss you. I love you.
”
”
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
“
THAT’S HOW MY STORY ENDS. With the loss of everyone I have ever loved. With me, in a big, beautiful Upper East Side apartment, missing everyone who ever meant anything to me. When you write the ending, Monique, make sure it’s clear that I don’t love this apartment, that I don’t care about all my money, that I couldn’t give a rat’s ass if people think I’m a legend, that the adoration of millions of people never warmed my bed. When you write the ending, Monique, tell everyone that it is the people I miss. Tell everyone that I got it wrong. That I chose the wrong things most of the time. When you write the ending, Monique, make sure the reader understands that all I was ever really looking for was family. Make sure it’s clear that I found it. Make sure they know that I am heartbroken without it. Spell it out if you have to. Say that Evelyn Hugo doesn’t care if everyone forgets her name. Evelyn Hugo doesn’t care if everyone forgets she was ever alive. Better yet, remind them that Evelyn Hugo never existed. She was a person I made up for them. So that they would love me. Tell them that I was confused, for a very long time, about what love was. Tell them that I understand it now, and I don’t need their love anymore. Say to them, “Evelyn Hugo just wants to go home. It’s time for her to go to her daughter, and her lover, and her best friend, and her mother.” Tell them Evelyn Hugo says good-bye.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
I'm the Captain of the Guard-I'm not exactly a catch for any of them." There was some sorrow in his eyes, though it was well concealed.
"Are you mad? You're better than everyone here. And you're-you're very handsome," she said, taking his hand in her free one. There was beauty in Chaol's face-and strenght, and honor, and loyalty. She stopped hearing the crowd, and her mouth became dry as he stared at her. How had she missed it for so long?
”
”
Sarah J. Maas
“
Learning
After some time, you learn the subtle difference between
holding a hand
and imprisoning a soul;
You learn that love does not equal sex,
and that company does not equal security,
and you start to learn….
That kisses are not contracts and gifts are not promises,
and you start to accept defeat with the head up high
and open eyes,
and you learn to build all roads on today,
because the terrain of tomorrow is too insecure for plans…
and the future has its own way of falling apart in half.
And you learn that if it’s too much
even the warmth of the sun can burn.
So you plant your own garden and embellish your own soul,
instead of waiting for someone to bring flowers to you.
And you learn that you can actually bear hardship,
that you are actually strong,
and you are actually worthy,
and you learn and learn…and so every day.
Over time you learn that being with someone
because they offer you a good future,
means that sooner or later you’ll want to return to your past.
Over time you comprehend that only who is capable
of loving you with your flaws, with no intention of changing you
can bring you all happiness.
Over time you learn that if you are with a person
only to accompany your own solitude,
irremediably you’ll end up wishing not to see them again.
Over time you learn that real friends are few
and whoever doesn’t fight for them, sooner or later,
will find himself surrounded only with false friendships.
Over time you learn that words spoken in moments of anger
continue hurting throughout a lifetime.
Over time you learn that everyone can apologize,
but forgiveness is an attribute solely of great souls.
Over time you comprehend that if you have hurt a friend harshly
it is very likely that your friendship will never be the same.
Over time you realize that despite being happy with your friends,
you cry for those you let go.
Over time you realize that every experience lived,
with each person, is unrepeatable.
Over time you realize that whoever humiliates
or scorns another human being, sooner or later
will suffer the same humiliations or scorn in tenfold.
Over time you learn to build your roads on today,
because the path of tomorrow doesn’t exist.
Over time you comprehend that rushing things or forcing them to happen
causes the finale to be different form expected.
Over time you realize that in fact the best was not the future,
but the moment you were living just that instant.
Over time you will see that even when you are happy with those around you,
you’ll yearn for those who walked away.
Over time you will learn to forgive or ask for forgiveness,
say you love, say you miss, say you need,
say you want to be friends, since before
a grave, it will no longer make sense.
But unfortunately, only over time…
”
”
Jorge Luis Borges
“
Good afternoon, class," he said.
I said a soft good afternoon, but no one else in the class joined me.
Dr. Green laughed. "I think my class is missing. Did no one show up today? I'll have to mark everyone as absent. I believe I said good afternoon."
The room chorused a low murmuring of 'good afternoon' in reply.
"This won't do," Dr. Green said. "I'm here to teach you Japanese. I can't very well teach you English, too.
”
”
C.L. Stone (First Days (The Ghost Bird, #2))
“
I’m sick of everyone thinking I’m Miss Goody Two-shoes, with my perfect grades, and days of the week panties. You know what? I have my Wednesdays on today—it’s Saturday—and that’s a pretty sad way of rebelling, huh?
”
”
Kendall Ryan (Hard to Love (Hard to Love, #1))
“
I’ve stopped being sorry for all my soft. I won’t apologise because I miss you, or because I said it, or because I text you first, or again. I think everyone spends too much time trying to close themselves off. I don’t want to be cool or indifferent, I want to be honest. If I love you at 5AM, I’d damn well rather that you know I felt it. If I love you two hours later, I’ll tell you then too. Listen, I won’t wait double the time it takes for you to text me back because I don’t want to. I don’t care enough to be patient with you. I’m happy, you made me feel that way, don’t you want to know? So that’s how it’s going to be. I’m going to leave myself as open as a church door. And I’m going to wake you up before the crack of dawn to tell you that I’m fucking joyful, no pretending, not from me, not ever. Would you like some coffee, would you please kiss me? Here, these are my hands, this is my mouth, it is all yours.
”
”
Azra T.
“
I know what you’re thinking. How can a whole person, a kid, disappear and no one say a word? Like if the sun just up and left one day, you’d think someone would sound an alarm, right? But Ma used to say, not everyone circles the same sun. I never knew what she meant by that until Monday went missing.
”
”
Tiffany D. Jackson (Monday's Not Coming)
“
You don't want to miss out on people. If you assume everyone is out to get you, then you're going to shut them down before they have a chance to prove you wrong.
”
”
Jessica Park (Flat-Out Celeste (Flat-Out Love, #2))
“
Keep your heart wide open and you’ll be received with open hearts — not by everyone, but to be received by one open heart is more than worth the journey.
”
”
Marnie Grundman (Missing A True Story Of A Childhood Lost)
“
You're just as much an outsider as I am. I've read your dissertations."
"You have?" She's surprised.
"Believe it or not, I can read too." I shake my head. "It's like everyone forgets I only missed one question on the Institute's slangsmarts test."
"Ew. You missed a question?" She wrinkles her nose as she picks a practice razor from a bench. "I suppose that's why you weren't in Minerva.
”
”
Pierce Brown (Golden Son (Red Rising Saga, #2))
“
Do you know when you've lost something—like your favorite T-shirt or a set of keys—and while looking for it, you come across something else you once missed but have long since forgotten? Well whatever it was, there was a point where you decided to stop searching, maybe because it was no longer required or a new replacement was found. It is almost as if it never existed in the first place—until that moment of rediscovery, a flash of recognition.
Everyone has one—an inventory of lost things waiting to be found. Yearning to be acknowledged for the worth they once held in your life.
I think this is where I belong—among all your other lost things. A crumpled note at the bottom of a drawer or an old photograph pressed between the pages of a book. I hope someday you will find me and remember what I once meant to you.
”
”
Lang Leav (Love & Misadventure)
“
Beati bellicosi. Blessed are the warriors.”
“Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.”
Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?”
Magnus’s cat eyes widened. “Alexander!”
“Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.”
Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?”
Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.”
“I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.”
“You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?”
Alec gave him a very unpleasant look. “What’s true?”
“Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.”
Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.”
“Hey, now,” said Jordan mildly.
Magnus put his head in his hands.
“Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?”
“Mermaids,” said Magnus into his fingers. “They always smell like seaweed.”
“It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
Ghost leaned across the table toward Candace and Brian. “Candace,” he said, and for a moment Macy thought he might actually say something sincere. No such luck. “I really advse against leaving him alone with me again. Two hours away from you and he was coming on to me.” Everyone else at the table broke up in laughter. It only egged him on. “I mean, I know he wants me. He’s made it clear. And I’m growing weak, I tell you. I missed him. If he does it again, I’m gonna give it to him.
”
”
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
“
Dear Max -
You looked so beautiful today. I'm going to remember what you looked like forever.
...
And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy.
But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right.
Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it.
The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray.
I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while.
...
You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet.
...
At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you.
But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock.
Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again.
Please make us only go through this once.
...
I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
...
You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without.
...
Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it.
Good-bye, my love.
Fang
P.S. Tell everyone I sure will miss them
”
”
James Patterson
“
I am tortured too. I am tortured by belly fat and magazine covers about how to please everyone but myself. I am tortured by sheep who click on anything that will guarantee a ten-pound loss in one week. Sheep who will get on their knees if it means someone will like them more. I am tortured by my inability to want to hang out with desperate sheep. I am tortured by goddamned yearbooks full of bullshit. I met you when. I’ll miss the times. I’ll keep in touch. Best friends forever. Is this okay? Are you all right? Are you tortured too?
”
”
A.S. King (Glory O Brien's History of the Future)
“
Belize: Hell or heaven?
[Roy indicates "Heaven" through a glance]
Belize: Like San Francisco.
Roy Cohn: A city. Good. I was worried... it'd be a garden. I hate that shit.
Belize: Mmmm. Big city. Overgrown with weeds, but flowering weeds. On every corner a wrecking crew and something new and crooked going up catty corner to that. Windows missing in every edifice like broken teeth, fierce gusts of gritty wind, and a gray high sky full of ravens.
Roy Cohn: Isaiah.
Belize: Prophet birds, Roy. Piles of trash, but lapidary like rubies and obsidian, and diamond-colored cowspit streamers in the wind. And voting booths.
Roy Cohn: And a dragon atop a golden horde.
Belize: And everyone in Balencia gowns with red corsages, and big dance palaces full of music and lights and racial impurity and gender confusion. And all the deities are creole, mulatto, brown as the mouths of rivers. Race, taste and history finally overcome. And you ain't there.
Roy Cohn: And Heaven?
Belize: That was Heaven, Roy.
”
”
Tony Kushner (Angels in America)
“
Miss Temminnick, you are in receipt of the highest marks we have ever given in a six-month review. Your mind seems designed for espionage.
Nevertheless, you veer away from perfect in matters of etiquette. Do not let these marks go to your head; there are many girls at this school who are better than you.
Our biggest concern is what you get up to when we are not watching. Because, if nothing else, this test has told us you are probably spying on us, as well as everyone around you.
”
”
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
“
Once, not too long ago, you were the good brother. You were careful with everyone's feelings. It was fucking ridiculous how polite and thoughtful you were. You've changed man. Cant believe I'm saying this, but I miss that guy. He was someone I always admired. I couldn't be proud of my choices, but I was always so damn proud of yours.
”
”
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
“
But finding someone who could understand me for all the shattered pieces beneath the mask? I needed that. Before you came along, something was missing. You, Rowan. You were missing. You made it safe to feel seen. Safe to play on our terms. Safe to have fun, even though our fun might not be everyone’s idea of a good time.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
You want to know what I was thinking?...I was thinking that I wished you'd been with me the last couple of days. I mean, I enjoyed getting to know everyone better. We ate lunch together, and the dinner last night was a lot of fun, but it just felt like something was wrong, like I was missing something. It wasn't until I saw you walking up the beach that I realized it was you.
”
”
Nicholas Sparks (Dear John)
“
Oh, don’t lie, Harry,” she said impatiently. “Ron and Ginny say you’ve been hiding from everyone since you got back from St. Mungo’s.”
“They do, do they?” said Harry, glaring at Ron and Ginny. Ron looked down at his feet but Ginny seemed quite unabashed.
“Well, you have!” she said. “And you won’t look at any of us!”
“It’s you lot who won’t look at me!” said Harry angrily.
“Maybe you’re taking it in turns to look and keep missing each other,” suggested Hermione, the corners of her mouth twitching.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
We gather here today,” said Robert, reaching out his arms expansively, “to honor my son, Alexander Gideon Lightwood, who has single-handedly destroyed the forces of the Endarkened and who defeated in battle the son of Valentine Morgenstern. Alec saved the life of our third son, Max. Along with his parabatai, Jace Herondale, I am proud to say that my son is one of the greatest warriors I have ever known.” He turned and smiled at Alec and Magnus. “It takes more than a strong arm to make a great warrior,” he went on. “It takes a great mind and a great heart. My son has both. He is strong in courage, and strong in love. Which is why I also wanted to share our other good news with you. As of yesterday, my son became engaged to be married to his partner, Magnus Bane—”
A chorus of cheers broke out. Magnus accepted them with a modest wave of his fork. Alec slid down in his chair, his cheeks burning. Jace looked at him meditatively.
“Congratulations,” he said. “I kind of feel like I missed an opportunity.”
“W-what?” Alec stammered.
Jace shrugged. “I always knew you had a crush on me, and I kind of had a crush on you, too. I thought you should know.”
“What?” Alec said again.
Clary sat up straight. “You know,” she said, “do you think there’s any chance that you two could ...” She gestured between Jace and Alec. “It would be kind of hot.”
“No,” Magnus said. “I am a very jealous warlock.”
“We’re parabatai,” Alec said, regaining his voice. “The Clave would—I mean—it’s illegal.”
“Oh, come on,” said Jace. “The Clave would let you do anything you wanted. Look, everyone loves you.” He gestured out at the room full of Shadowhunters. They were all cheering as Robert spoke, some of them wiping away tears. A girl at one of the smaller tables held up a sign that said, ALEC LIGHTWOOD, WE LOVE YOU.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
But it’s not true. I forget things—I know that—but I’m not mad. Not yet. And I’m sick of being treated as if I am. I’m tired of the sympathetic smiles and the little pats people give you when you get things confused, and I’m bloody fed up with everyone deferring to Helen rather than listening to what I have to say.
”
”
Emma Healey (Elizabeth Is Missing)
“
Is everyone looking for me?"
She shook her head, pulling the robe closer. Suddenly she wanted to be covered up in front of him, in front of all that familiarity and beauty and that lovely predatory smile that said he was willing to do whatever with her, to her, no matter who was waiting in the hall.
“ I was hoping they„d put up flyers like they do for lost cats",he said. “Missing, one stunningly attractive teenage boy. Answers to „Jace,‟ or „Hot Stuff.‟”
“ You did not just say that.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
I explain to him that nothing matters, and nothing lasts. Everyone forgets, and everything disappears. The things you do, the things you are; it’s all nothing. Would anyone miss you, if you went away? Would anyone look for you? Would anyone listen, or even care, if I hurt you? If I put my hands around your neck and crushed your windpipe and chopped you up, would anyone find you? And if it’s a no to any of these, did you even exist in the first place?
”
”
Eliza Clark (Boy Parts)
“
All the world blurred, a vibrating hemorrhage, and it was fine because I could finally feel how little impact I’d ever have on the world. Losing that dread that one day you’ll somehow ruin everything, for yourself and everyone else. The realization that I could simply leave and the world wouldn’t miss me.
”
”
B.R. Yeager (Negative Space)
“
When she heard the door behind her open, she spoke without turning.
"You've got a man who doesn't particularly like women as a species, considers them inferior. Well, to be fair, considers everyone inferior, but I got a definitive vibe women were lowest on his feeding chain. Called me 'miss,'" she grumbled.
"And lived?" Roarke stepped behind her and began rubbing her shoulders.
”
”
J.D. Robb (Seduction in Death (In Death, #13))
“
I don't like cleaning or dusting or cooking or doing dishes, or any of those things," I explained to her. "And I don't usually do it. I find it boring, you see."
"Everyone has to do those things," she said.
"Rich people don't," I pointed out.
Juniper laughed, as she often did at things I said in those early days, but at once became quite serious.
"They miss a lot of fun," she said. "But quite apart from that--keeping yourself clean, preparing the food you are going to eat, clearing it away afterward--that's what life's about, Wise Child. When people forget that, or lose touch with it, then they lose touch with other important things as well."
"Men don't do those things."
"Exactly. Also, as you clean the house up, it gives you time to tidy yourself up inside--you'll see.
”
”
Monica Furlong (Wise Child (Doran, #1))
“
Hey. Just to make sure I beat everyone to it, I wanted to write in this first. I hope that’s some more proof of how much I’m in love with you. I still can’t believe it. How did three years go by so fast? It feels like yesterday I was sitting on the bus behind you trying to build the courage to say something. It’s crazy to think there was a time before we knew each other. A time before “Sam and Julie.” Or “Julie and Sam”? I’ll let you decide that one. I know you can’t wait to leave this place, but I’m gonna miss it. I get it, though. Your ideas were always too big for a small town, and everyone here knows it. But I’m happy your path somehow made you stop in Ellensburg along the way. So you and I could meet each other. Maybe it was supposed to happen, you know? I feel like my life didn’t start until I met you, Julie. You’re the best thing to happen to this small town. To me. I realize it doesn’t matter where we’re going next, as long as we’re together. I’ll be honest. I used to be scared of leaving home. Now I can’t wait to move on and make new memories with you. Just don’t forget the ones we made here. Especially when you make it big. And whatever happens, promise you won’t forget me, okay? Anyway, I love you, Julie, and always will. Yours forever, Sam
”
”
Dustin Thao (You've Reached Sam)
“
But not everyone needs to be a warrior, my dear. Otherwise we’d never have poets, artists, scientists …’ ‘I disagree,’ said Defne into her wine glass. ‘There are moments in life when everyone has to become a warrior of some kind. If you are a poet, you fight with your words; if you are an artist, you fight with your paintings … But you can’t say, “Sorry, I’m a poet, I’ll pass.” You don’t say that when there’s so much suffering, inequality, injustice.
”
”
Elif Shafak (The Island of Missing Trees)
“
When something tragic has happened, you'll find that you, the tragicee, become the person that has to make everything comfortable for everyone else....
As a tragicee and future divorcee, you'll also find that people will question you on the biggest decisions you've ever made in your life as though you hadn't thought about them at all before – as though, through their twenty questions and dubious faces, they're going to shine light on something that you missed the hundredth time around during your darkest hours.
”
”
Cecelia Ahern
“
I don’t fool you, do I? Those others”—he waved a vague hand to indicate their
missing comrades—“they think I’m all that—but you know better, don’t you.”
“Know what?” she’d asked.
He leaned forward, smelling of beer and cigarettes. “You know I’m a fraud. I can
feel the beast inside me, screaming to get out. And if I loose it, it will pull me up to greatness despite myself.”
“So why not let it free?” She hadn’t been a werewolf then. The world had been a gentler place, the monsters safely in their closets, and she had been brave in her ignorance.
His eyes were old and weary, his voice slurring a bit. “Because then everyone would
see,” he told her.
“See what?”
“Me.
”
”
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
“
Everyone is afraid of you and when folk are afraid of a person it usually means the person is cruel in some way, and I think you are cruel, Miss Marquess, but please don’t punish me for saying it. I think you know you’re cruel. I think you like being cruel. I think calling you cruel is the same as calling someone else kind. And I don’t want to run errands for someone cruel.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
And we offer each other words of consolation or distraction or encouragement when we see that one or the other of us is in need of such words. We also miss each other (vaguely) when we're not together, she's one of those people (in everyone's life there are four or five such people whose loss one truly feels) to whom you're used to telling everything that happens to you, that is, one of those people you think about when something happens to you, be it funny or dramatic, and for whom you store up events and anecdotes. You accept misfortunes gladly because you know you can tell those five people about them afterwards.
”
”
Javier Marías (A Heart So White)
“
Whether you think you know exactly who you'll become or have absolutely no idea, I tell them, one this is true for everyone, for better or for worse: Life will surprise you. You'll hit dead-ends and detours. There will be times when you can't fathom what comes next. When that happens, remember yourself as you are right now. Remember yourself as you were when you were even younger. Who were you when you weren't wondering who you were?
”
”
Mary Laura Philpott (I Miss You When I Blink: Essays)
“
[...] Everyone that spring just wandered. You'd find a friend in a cafe, and even if you'd hardly known them you'd run and kiss them, and you'd exchange news about who was dead. I don't know how you could compare it to anything else. I don't know how you could."
Yale had missed a step. "Compare what?"
"Well, you! Your friends! I don't know how it's like anything other than war!
”
”
Rebecca Makkai (The Great Believers)
“
Listen, I know there were days you wanted to die
when the sky was so clear
you’d stand obnoxious underneath it
begging for stars to shoot you
just so you could feel at home.
I know about the ways you misplaced all the right words,
stockpiled every important social cue you ever missed
from the first time you learned you were wrong,
waited to make it right
once everyone stopped watching.
I know you let them beat up your beauty in bed
because redemption was still alive in you, howling relentless, gathering strength.
Felt like ecstasy when they pounded it out of you in the hard dark.
Those days of dead weather
got all strung together
and they spoke for you,
wore you down to telling everyone here it was a good life
so you could run back into the wails of your windfight.
I know the parts of your past that haunt you the most
are the days you weren’t being yourself,
and I know that’s why most of your past haunts you.
There were so many who found you out,
and they were right.
You were good.
So
un-
numb.
”
”
Buddy Wakefield
“
Because,” said the hunger artist, lifting his head a little and, with his lips pursed as if for a kiss, speaking right into the supervisor’s ear so that he wouldn’t miss anything, “because I couldn’t find a food which I enjoyed. If had found that, believe me, I would not have made a spectacle of myself and would have eaten to my heart’s content, like you and everyone else.” Those were his last words, but in his failing eyes there was the firm, if no longer proud, conviction that he was continuing to fast.
”
”
Franz Kafka (A Hunger Artist (Short Prose of Franz Kafka))
“
You must miss your father terribly, I know. Lord Eddard was a brave man, honest and loyal...but quite a hopeless player.' He brought the seed to his mouth with the knife. 'In King's Landing, there are two sorts of people The players and the pieces.'
'And I was a piece?' She dreaded the answer.
'Yes, but don't let that trouble you. You're still half a child. Every man's a piece to start with, and every maid as well. Even some who think they are players.' He at another seed. 'Cersei, for one. She thinks herself sly, but in truth she is utterly predictable. her strength rests on her beauty, birth, and riches. Only the first of those is truly her own, and it will soon desert her. I pity her then. She wants power, but has no notion what to do with it when she gets it. Everyone wants something, Alayne. And when you know what a man wants you know who he is, and how to move him.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
I feel like a waste of space. Like my whole life has been building up to the moment I failed. Like I don't have the energy to make up for what I've done, or to start again, or for anything. I feel like I want to be someone else.'
Miss Anthony moves to Margaret's old seat and puts her arm around me.
'You're not the tough little cookie everyone thinks you are, are you?
”
”
Dawn O'Porter (Paper Aeroplanes (Paper Aeroplanes, #1))
“
Do you think it would be possible for anyone to love you if they could see every single thing you do?’ And I watch them cringe as though I’ve reached out and struck them. ‘I’m serious,’ I say. ‘Imagine that everyone could see everything. Every secret, every base physical ejection, every category of porn you’ve ever looked at in a kind of coma when you’re numb to the normal stuff. Think about it all. Every moment of shame, of desperation – do you really think anyone could love you still? Anyone at all?’ 3 I remember what it was like when I first loved Ciaran, before he left me that first time at Christmas, when I’d miss him so much when he went anywhere.
”
”
Megan Nolan (Acts of Desperation)
“
Sometimes I'm jealous of people with regular problems. At school I see the self-conscious girls worrying about their hair or if their legs look fat, and I just want to scream. Someone should tell them their problems are stupid.
I get that I'm not supposed to say that. Everyone you meet is fighting a harder battle, right? But what if they're not? What if the biggest thing they have to worry about is homework and whether they get into a good college? Even if they've lost a family member or their parents are getting a divorce or they're missing someone far away. That is not worse than having to take medication to be in control of your own mind. It's just not.
”
”
Julia Walton (Words on Bathroom Walls)
“
People just have an affair, or even entire relationships, they breakup and they forget. They move on like they would have changed brand of cereals. I feel I was never able to forget anyone I've been with because each person had their own specific qualities.
You can never replace anyone what is lost is lost. I see in them little details, so specific to each of them, that move me and that I miss and will always miss. You can never replace anyone, because everyone is made of such beautiful, specific details.
”
”
Julie Delpy
“
Xie Lian whipped his head over, and a biting chill flashed before his face. He straightened and stated solemnly:
“You ask who I am? LISTEN WELL! ——I, AM THE EMINENT HIGHNESS THE CROWN PRINCE! You riotous radicals, BOW DOWN BEFORE ME!”
His voice boomed like thunder in clear skies. There were actually a few who almost dropped to their knees, and didn’t snap out of it until their companions pulled them up.
“What are you doing? Are you actually kneeling?”
“Th-that’s weird, I did it before I realized it…”
Xie Lian proclaimed sharply:
“I, AM OVER EIGHT HUNDRED. OLDER THAN ALL OF YOU COMBINED. I’VE CROSSED MORE BRIDGES THAN ALL THE ROADS YOU’VE WALKED.
“I, POSSESS SHRINES AND TEMPLES ACROSS THIS LAND; MY DEVOTEES AND WORSHIPPERS ARE SPREAD TO ALL FOUR SEAS. IF YOU DON’T KNOW MY NAME, IT’S BECAUSE YOU ARE IGNORANT AND UNLEARNED OF THE WORLD!
“I, DO NOT WORSHIP GODS.
“I, AM GOD!”
When the mob heard this speech, that was so shameless yet spoken with an incomparably impressive air, they were all stunned, and dropped their jaws.
“…HUH???”
Xie Lian made up all that nonsense because he was waiting for this very moment. He flung that plate in his hand, and all those little white meatballs shot out through the air like iron pellets, scattering in all directions. Without any misses, they were hurled right into the open mouths of all those people in shock. Then he wiped away his sweat.
“Will everyone please forget everything I just said? I’m actually only just a scrap collector!
”
”
Mò Xiāng Tóng Xiù
“
Perhaps you are not trying to whip a crowd into a frenzy; you just want to bring people over to your side. Choose your strategy and words carefully. You might think it is better to reason with people, explain your ideas. But it is hard for an audience to decide whether an argument is reasonable as they listen to you talk. They have to concentrate and listen closely, which requires great effort. People are easily distracted by other stimuli, and if they miss a part of your argument, they will feel confused, intellectually inferior, and vaguely insecure. It is more persuasive to appeal to people’s hearts than their heads. Everyone shares emotions, and no one feels inferior to a speaker who stirs up their feelings. The crowd bonds together, everyone contagiously experiencing the same emotions.
”
”
Robert Greene (The Art of Seduction)
“
THE DAY YOU READ THIS On this day, you read something that moved you and made you realise there were no more fears to fear. No tears to cry. No head to hang in shame. That every time you thought you’d offended someone, it was all just in your head and really, they love you with all their heart and nothing will ever change that. That everyone and everything lives on inside you. That that doesn’t make any of it any less real. That soft touches will change you and stay with you longer than hard ones. That being alone means you’re free. That old lovers miss you and new lovers want you and the one you’re with is the one you’re meant to be with. That the tingles running down your arms are angel feathers and they whisper in your ear, constantly, if you choose to hear them. That everything you want to happen, will happen, if you decide you want it enough. That every time you think a sad thought, you can think a happy one instead. That you control that completely. That the people who make you laugh are more beautiful than beautiful people. That you laugh more than you cry. That crying is good for you. That the people you hate wish you would stop and you do too. That your friends are reflections of the best parts of you. That you are more than the sum total of the things you know and how you react to them. That dancing is sometimes more important than listening to the music. That the most embarrassing, awkward moments of your life are only remembered by you and no one else. That no one judges you when you walk into a room and all they really want to know, is if you’re judging them. That what you make and what you do with your time is more important than you’ll ever fathom and should be treated as such. That the difference between a job and art is passion. That neither defines who you are. That talking to strangers is how you make friends. That bad days end but a smile can go around the world. That life contradicts itself, constantly. That that’s why it’s worth living. That the difference between pain and love is time. That love is only as real as you want it to be. That if you feel good, you look good but it doesn’t always work the other way around. That the sun will rise each day and it’s up to you each day if you match it. That nothing matters up until this point. That what you decide now, in this moment, will change the future. Forever. That rain is beautiful. And so are you.
”
”
pleasefindthis (I Wrote This For You)
“
I’ll teach you how to decipher all the confused faces by closing your eyes & how to cringe when someone says the words ‘your generation’. I will teach you how not to demonise your enemies & how to make yourself unappetising when the hordes turn up to eat you. I’ll teach you how to yell with your mouth closed & how to steal happiness & how the only real joy is singing yourself hoarse & nude girls & how never to eat in an empty restaurant & how not to leave the windows of your heart open when it looks like rain & how everyone has a stump where something necessary was amputated. I’ll teach you how to know what’s missing.
”
”
Steve Toltz (A Fraction of the Whole)
“
How’d you like to take a ride on my new boat this Saturday?” he asked her one evening after class. “No, thank you,” said Miss Katherine. “We’ve got a brand-new boat,” he said. “You don’t even have to row it.” “Yes, I know,” said Miss Katherine. Everyone in town had seen—and heard—the Walkers’ new boat. It made a horrible loud noise and spewed ugly black smoke over the beautiful lake. Trout had always gotten everything he ever wanted. He found it hard to believe that Miss Katherine had turned him down. He pointed his finger at her and said, “No one ever says ‘No’ to Charles Walker!” “I believe I just did,” said Katherine Barlow.
”
”
Louis Sachar (Holes)
“
And it's beyond my energy to explain why I don't think that four-letter word that everyone's so obsessed over and that gets everyone into so much trouble and pretty much makes everyone behave like an ass can live in a place like this. Somewhere during dry cleaning, details, and missed meals, it flakes away and what you're left with is married people with a tolerable affinity for each other. That little four-letter word can exist only in poetry, or movies of 2 to 3 hours in length. Maybe in a mini-series.
This place of dull details and irksome obligations is a home only to other four-letter words, which are used much more frequently.
”
”
Kendare Blake (Sleepwalk Society)
“
You are empty,” I said, my throat working, “and cruel.”
“Ah. Yes, now that is true. Would you like to know the greatest secret of fairykind?” When I didn’t answer he continued, “We prefer to pretend otherwise, but truly, we have never been the immortal ones. We may live long enough to see the world change, but we’re never the ones who changed it. When we finally reach the end, we are unloved and alone, and leave nothing behind, not even our name chiseled on a stone slab. And yet—mortals, through their works, their Craft, are remembered forever.” He turned us gracefully through the crowd without missing a step. “Oh, you cannot imagine the power your kind holds over us. How very much we envy you. There is more life in your littlest fingernail than in everyone in my court combined.
”
”
Margaret Rogerson (An Enchantment of Ravens)
“
Kaz rapped his cane on the stone floor. He was standing in the doorway to the tomb. “If everyone is done cuddling, we have a job to do.”
“Hold up,” said Jesper, arm still slung around Inej. “We’re not talking about the job until we figure out what those things were on the Stave.”
“What things?” asked Inej.
“Did you miss half the Stave blowing up?”
“We saw the bomb at the White Rose go off,” said Inej, “and then we heard another explosion.”
“At the Anvil,” said Nina.
“After that,” Inej said, “we ran.”
Jesper nodded sagely. “That was your big mistake. If you’d stuck around, you could have nearly been killed by a Shu guy with wings.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Jules: Emma? You haven't said anything since we left the church.
Emma: You're in love with me. Still.
Jules: What are you talking about?
Emma: I thought you didn't love me anymore. But that isn't true, is it?
Jules: Why are you saying that? Why now?
Emma: Because of the church. Because of what happened. We burned a church down, Julian, we melted stone.
Jules: What does that have to do with anyhing?
Emma: It has everything to do with. You don't understand. You can't.
Jules: You're right. I don't understand. I don't understand any of it, Emma. I don't understand why you suddenly decided you didn't want me, you wanted Mark, and then you decided you didn't wnat him either and you dropped him like he was nothing, in fron of everyone. What the hell were you thinking ...
Emma: What do you care? What do you care how I feel about Mark?
Jules: Because I needed you to love him. Because if you threw me away and everything we had, it had better be for something that meant more to you, it had better be for something real, but maybe none of this is ever real to you ...
Emma: Not real to me? You don't know what you're talking about, Julian Blackthron! You don't know what I've given up, what my reasons are for anything, you don't know what I'm trying to do ...
Jules: What you're trying to do? How about you did do? How about breaking my heart and breaking Cameron's and breaking Mark's? What, am I missing someone else, some other person whose life you want to wreck forever?
Emma: Your life isn't wrecked. You're still alive. You can have a good life! You kissed that faerie girl...
Jules: She was a leanansidhe! A shape-shifter! I thought se was you!
Emma: Oh. Oh.
Jules: Yes, oh. You really think I'm going to fall in love with someon else? You think I get to do that? I'm not you, I don't geet to fall in love every week with someone different. I wish it wasn't you, Emma, but it is, it'll always be you, so don't tell me life isn't wrecked when you don't know the first thing about it!
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
POCKET-SIZED FEMINISM
The only other girl at the party
is ranting about feminism. The audience:
a sea of rape jokes and snapbacks
and styrofoam cups and me. They gawk
at her mouth like it is a drain
clogged with too many opinions.
I shoot her an empathetic glance
and say nothing. This house is for
wallpaper women. What good
is wallpaper that speaks?
I want to stand up, but if I do,
whose coffee table silence
will these boys rest their feet on?
I want to stand up, but if I do,
what if someone takes my spot?
I want to stand up, but if I do,
what if everyone notices I’ve been
sitting this whole time? I am guilty
of keeping my feminism in my pocket
until it is convenient not to, like at poetry
slams or my women’s studies class.
There are days I want people to like me
more than I want to change the world.
There are days I forget we had to invent
nail polish to change color in drugged
drinks and apps to virtually walk us home
at night and mace disguised as lipstick.
Once, I told a boy I was powerful
and he told me to mind my own business.
Once, a boy accused me of practicing
misandry. You think you can take
over the world? And I said No,
I just want to see it. I just need
to know it is there for someone.
Once, my dad informed me sexism
is dead and reminded me to always
carry pepper spray in the same breath.
We accept this state of constant fear
as just another part of being a girl.
We text each other when we get home
safe and it does not occur to us that our
guy friends do not have to do the same.
You could saw a woman in half
and it would be called a magic trick.
That’s why you invited us here,
isn’t it? Because there is no show
without a beautiful assistant?
We are surrounded by boys who hang up
our naked posters and fantasize
about choking us and watch movies
we get murdered in. We are the daughters
of men who warned us about the news
and the missing girls on the milk carton
and the sharp edge of the world.
They begged us to be careful. To be safe.
Then told our brothers to go out and play.
”
”
Blythe Baird
“
Before you ever get the person you really want in your life, you will be tested with every person that was wrong for you. You will be tempted with what was easy, what was familiar, what was only physical, what was safe and what was simply a friend to pull you out of a difficult situation because you didn't want to be alone. When you finally meet the person you were meant to be with you won't have to guess, decide or choose. You will be drawn to them. They will seem to fit who you are, but at the same time have the missing pieces that makes you want to become a better person. There is no need to be guarded because this soul is like your own and talking to them about the deepest things in life are effortless. They won't be like any other you have met and you will find yourself looking for parts of them in everyone you meet.
”
”
Shannon L. Alder
“
Under-slept employees are not, therefore, going to drive your business forward with productive innovation. Like a group of people riding stationary exercise bikes, everyone looks like they are pedaling, but the scenery never changes. The irony that employees miss is that when you are not getting enough sleep, you work less productively and thus need to work longer to accomplish a goal. This means you often must work longer and later into the evening, arrive home later, go to bed later, and need to wake up earlier, creating a negative feedback loop. Why try to boil a pot of water on medium heat when you could do so in half the time on high? People often tell me that they do not have enough time to sleep because they have so much work to do. Without wanting to be combative in any way whatsoever, I respond by informing them that perhaps the reason they still have so much to do at the end of the day is precisely because they do not get enough sleep at night.
”
”
Matthew Walker (Why We Sleep: The New Science of Sleep and Dreams)
“
You will go through your life thinking there was a day in second grade that you must have missed, when the grown-ups came in and explained, everything important to other kids. they said, 'Look, you're human, you're going to feel isolated and afraid a lot of the time, nad have bad self-esteem, and feel uniquely ruined, but here is the magic phrase that will take this feeling away. It will be like a feather that will lift you out of that fear and self-consciousness every single time, all through your life.' And then they told the cildren who were there that day the magic phrase that everyone else in the world knows about and uses when feeling blue, which only you don't know, because you were home sick the day the grown-ups told the children the way the whole world works.
But there was not such a day in school. No one got the instructions. That is the secret of life. Everyone is flailing around, winging it most of the time, trying to find the way out, or through, or up, without a map. This lack of instruction manual is how most people develop compassion, and how they figure out to show up, care, help and serve, as the only way of filling up and being free. Otherwise you gorw up to be someone who needs to dominate and shame others so no one will know that you weren't there the day the instructions were passed out.
”
”
Anne Lamott
“
Anytime I talk about my work informally, I inevitably encounter someone who wants to know why addicts become addicts. They use words like “will” and “choice,” and they end by saying, “Don’t you think there’s more to it than the brain?” They are skeptical of the rhetoric of addiction as disease, something akin to high blood pressure or diabetes, and I get that. What they’re really saying is that they may have partied in high school and college but look at them now. Look how strong-willed they are, how many good choices they’ve made. They want reassurances. They want to believe that they have been loved enough and have raised their children well enough that the things that I research will never, ever touch their own lives.
I understand this impulse. I, too, have spent years creating my little moat of good deeds in an attempt to protect the castle of myself. I don’t want to be dismissed the way that Nana was once dismissed. I know that it’s easier to say Their kind does seem to have a taste for drugs, easier to write all addicts off as bad and weak-willed people, than it is to look closely at the nature of their suffering. I do it too, sometimes. I judge. I walk around with my chest puffed out, making sure hat everyone knows about my Harvard and Stanford degrees, as if those things encapsulate me, and when I do so, I give in to the same facile, lazy thinking that characterizes those who think of addicts as horrible people. It’s just that I’m standing on the other side of the moat. What I can say for certain is that there is no case study in the world that could capture the whole animal of my brother, that could show how smart and kind and generous he was, how much he wanted to get better, how much he wanted to live. Forget for a moment what he looked like on paper, and instead see him as he was in all of his glory, in all of his beauty. It’s true that for years before he died, I would look at his face and think, What a pity, what a waste. But the waste was my own, the waste was what I missed out on whenever I looked at him and saw just his addiction.
”
”
Yaa Gyasi (Transcendent Kingdom)
“
Her hand tightened around the handle of the serving spoon.
"Don't do it," he warned.
"Do what?"
"Throw the spoon."
"I wouldn't dream of it," she said tightly.
He laughed aloud. "Oh,yes you would. You're dreaming of it right now. You just wouldn't do it."
Sophie's hand was gripping the spoon so hard it shook.
Benedict was chuckling so hard his bed shook.
Sophie stood,still holding the spoon.
Benedict smiled. "Are you planning to take that with you?"
Remember your place, Sophie was screaming at herself. Remember your place.
"Whatever could you be thinking." Benedict mused, "to look so adorably ferocious? No,don't tell me," he added. "I'm sure it involves my untimely and painful demise."
Slowly and carefully, Sophie turned her back to him and put the spoon down on the table. She didn't want to risk any sudden movements. One false move and she knew she'd be hurling it at his head.
Benedict raised his brows approvingly. "That was very mature of you."
Sophie turned around slowly. "Are you this charming with everyone or only me?"
"Oh,only you." He grinned. "I shall have to make sure you take me up on my offer to find you employment with my mother.You do bring out the best in me, Miss Sophie Beckett."
"This is the best?" she asked with obvious disbelief.
"I'm afraid so.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
Of the seminal moments in my life, Careers Day in the autumn of Year 5 is my favorite. Everyone had to dress as whatever they wanted to be once they grew up. I had gone in a tweed jacket and a bow tie, and when Miss Weston asked me what I wanted to be, I told her that I wanted to be the Doctor.
'Shouldn't you be wearing a lab coat and stethoscope like Paul?' She pointed to Paul Black, who was trying to strangle everyone with the stethoscope in question.
Before I could answer, a boy I didn't know from the other class spoke up.
'Paul's *a* doctor,' he explained, giving me a look of approval. 'He wants to be *the* Doctor.'
'Who?'
'Exactly,' we said at the same time, relieved that she understood.
She didn't. We were sent to the quiet table to reflect on why cheeking teachers was wrong.
”
”
Non Pratt (Trouble)
“
Somehow I feel that an ordinary person–the man in the street if you like–is a more challenging subject for exploration than people in the heroic mold. It is the half shades, the hardly audible notes that I want to capture and explore. […] My films are about human beings, human relationships, and social problems. I think it is possible for everyone to relate to these issues. On a certain level, foreign audiences can appreciate Indian works, but many details are missed. For example, when they see a woman with a red spot on her forehead, they don’t know that this is a sign showing that she is married, or that a woman dressed in a white sari is a widow. Indian audiences understand this at once; it is self-evident for them. So, on certain level, the cultural gap is too wide. But on a psychological level, on the level of social relations, it is possible to relate. I think I have been able to cross the barrier between cultures. My films are made for an Indian audience, but I think they have bridged the gap.
”
”
Satyajit Ray
“
Isn’t everyone on the planet or at least everyone on the planet called me stuck between the two impulses of wanting to walk away like it never happened and wanting to be a good person in love, loving, being loved, making sense, just fine? I want to be that person, part of a respectable people, but I also want nothing to do with being people, because to be people is to be breakable, to know that your breaking is coming, any day now and maybe not even any day but this day, this moment, right now a plane could fall out of the sky and crush you or the building you’re in could just crumble and kill you or kill the someone you love— and to love someone is to know that one day you’ll have to watch them break unless you do first and to love someone means you will certainly lose that love to something slow like boredom or festering hate or something fast like a car wreck or a freak accident or flesh-eating bacteria— and who knows where it came from, that flesh-eating bacteria, he was such a nice-looking fellow, it is such a shame— and your wildebeest, everyone’s wildebeest, just wants to get it over with, can’t bear the tension of walking around the world as if we’re always going to be walking around the world, because we’re not, because here comes a cancer, an illness a voice in your head that wants to jump out a window, a person with a gun, a freak accident, a wild wad of flesh-eating bacteria that will start with your face.
”
”
Catherine Lacey (Nobody Is Ever Missing)
“
Relationships never provide you with everything. They provide you with some things. You take all the things you want from a person - sexual chemistry, let's say, or good conversation, or financial support, or intellectual compatibility, or niceness, or loyalty - and you get to pick three of those things. Three - that's it. Maybe four, if you're very lucky. The rest you have to look for elsewhere. It's only in the movies that you find someone who gives you all of those things. But this isn't the movies. In the real world, you have to identify which three qualities you want to spend the rest of your life with, and then you look for those qualities in another person. That's real life. Don't you see it's a trap? If you keep trying to find everything, you'll wind up with nothing.'
...At the time, he hadn't believed these words, because at the time, everything really did seem possible: he was twenty-three, and everyone was young and attractive and smart and glamorous. Everyone thought they would be friends for decades, forever. But for most people, of course, that hadn't happened. As you got older, you realized that the qualities you valued in the people you slept with or dated weren't necessarily the ones you wanted to live with, or be with, or plod through your days with. If you were smart, and if you were lucky, you learned this and accepted this. You figured out what was most important to you and you looked for it, and you learned to be realistic. They all chose differently: Roman had chosen beauty, sweetness, pliability; Malcolm, he thought, had chosen reliability, and competence...and aesthetic compatibility. And he? He had chosen friendship. Conversation. Kindness, Intelligence. When he was in his thirties, he had looked at certain people's relationships and asked the question that had (and continued to) fuel countless dinner-party conversations: What's going on there? Now, though, as an almost-forty-eight-year-old, he saw people's relationships as reflections of their keenest yet most inarticulable desires, their hopes and insecurities taking shape physically, in the form of another person. Now he looked at couples - in restaurants, on the street, at parties - and wondered: Why are you together? What did you identify as essential to you? What's missing in you that you want someone else to provide? He now viewed a successful relationship as one in which both people had recognized the best of what the other person had of offer and had chosen to value it as well.
”
”
Hanya Yanagihara (A Little Life)
“
In my restless dreams, I see that town. Silent Hill. You promised me you'd take me there again someday. But because of me, you were never able to. Well, I'm alone there now…
In our ”“special place.”
Waiting for you…
Waiting for you to come to see me. But you never do. And so I wait, wrapped in my cocoon of pain and loneliness. I know I've done a terrible thing to you. Something you'll never forgive me for. I wish I could change that, but I can't. I feel so pathetic and ugly lying here, waiting for you...
Every day I stare up at the cracks in the ceiling, and all I can think about is how unfair it all is...
The doctor came today. He told me I could go home for a short stay. It's not that I'm getting better. It's just that this may be my last chance...
I think you know what I mean...
Even so, I'm glad to be coming home. I've missed you terribly. But I'm afraid James. I'm afraid you don't really want me to come home.
Whenever you come see me, I can tell how hard it is on you...
I don't know if you hate me or pity me... Or maybe I just disgust you....
I'm sorry about that. When I first learned that I was going to die, I just didn't want to accept it. I was so angry all the time, and I struck out at everyone I loved most. Especially you, James.
That's why I understand if you do hate me. But I want you to know this, James. I'll always love you.
Even though our life together had to end like this, I still wouldn't trade it for the world. We had some wonderful years together.
Well, this letter has gone on too long, so I'll say goodbye. I told the nurse to give this to you after I'm gone. That means that when you read this, I'll already be dead.
I can't tell you to remember me, but I can't bear for you to forget me. These last few years since I became ill...I'm so sorry for what I did to you, did to us...
You've given me so much and I haven't been able to return a single thing. That's why I want you to live for yourself now. Do what's best for you, James.
James...
You made me happy.
“I love you, Mary.”
As the car began to slowly sink to the bottom of the lake, James pulled his wife close and gently held her. Their wish had finally come true. They would be together. And now they had an eternity to enjoy their happiness.
”
”
Sadamu Yamashita (Silent Hill 2: The Novel)
“
I'm happy you're saying that, because... I mean, I always feel like a freak, because I'm never able to move on like... this! You know. People just have an affair, or even entire relationships... they break up and they forget! They move on like they would have changed brand of cereals! I feel I was never able to forget anyone I've been with. Because each person have... their own, specific qualities. You can never replace anyone. What is lost is lost. Each relationship, when it ends, really damages me. I never fully recover. That's why I'm very careful with getting involved, because... It hurts too much! Even getting laid! I actually don't do that... I will miss on the other person the most mundane things. Like I'm obsessed with little things. Maybe I'm crazy, but... when I was a little girl, my mom told me that I was always late to school. One day she followed me to see why. I was looking at chestnuts falling from the trees, rolling on the sidewalk, or... ants crossing the road, the way a leaf casts a shadow on a tree trunk... Little things. I think it's the same with people. I see in them little details, so specific to each of them, that move me, and that I miss, and... will always miss. You can never replace anyone, because everyone is made of such beautiful specific details. Like I remember the way, your beard has a bit of red in it. And how the sun was making it glow, that... that morning, right before you left. I remember that, and... I missed it! I'm really crazy, right?
”
”
Céline
“
In one hallway, the floor gleaming parquet and the ceiling festooned with golden cherubs, there was a boy in a grumpy cat mask and biker boots, not involved in any sexual activity, legs crossed and leaning against the wall. As a bevy of faeries passed the boy, giggling and groping, the boy scooted away.
Alec remembered being younger, and how overwhelming large groups of people had seemed. He came over and leaned against the wall beside the boy. He saw the boy texting, PARTIES WERE INVENTED TO ANNOY ME. THEY FEATURE MY LEAST FAVORITE THING: PEOPLE, ALL INTENT ON MY LEAST FAVORITE ACTIVITY: SOCIAL INTERACTION.
“I don’t really like parties either,” Alec said sympathetically.
“No hablo italiano,” the boy mumbled without looking up.
“Er,” said Alec. “This conversation is happening in English.”
“No hablo ingles,” he said without missing a beat.
“Oh, come on. Really?”
“Worth a shot,” said the boy.
Alec considered going away. The boy wrote another text to a contact he had saved as RF. Alec could not help but notice that the conversation was entirely one-sided, the boy sending text after text with no response. The last text read VENICE SMELLS LIKE A TOILET. AS A NEW YORKER, I DO NOT SAY THIS LIGHTLY.
The weird coincidence emboldened Alec to try again.
“I get shy when there are strangers too,” Alec told the kid.
“I’m not shy,” the boy sneered. “I just hate everyone around me and everything that is happening.”
“Well.” Alec shrugged. “Those feel like similar things sometimes.”
The boy lifted his curly head, pushing the grumpy cat mask off his face, and froze. Alec froze too, at the twin shock of fangs and familiarity. This was a vampire, and Alec knew him.
“Raphael?” he asked. “Raphael Santiago?”
He wondered what the second-in-command of the New York clan was doing here. Downworlders might be flooding in from all over the world, but Raphael had never struck Alec as a party animal.
Of course, he was not exactly coming off as a party animal now.
“Oh no, it’s you,” said Raphael. “The twelve-year-old idiot.”
Alec was not keen on vampires. They were, after all, people who had died. Alec had seen too much death to want reminders of it.
He understood that they were immortal, but there was no need to show off about it.
“We just fought a war together. I was with you in the graveyard when Simon came back as a vampire. You’ve seen me multiple times since I was twelve.”
“The thought of you at twelve haunts me,” Raphael said darkly.
“Okay,” Alec said, humoring him. “So have you seen a guy called Mori Shu anywhere around here?”
“I am trying not to make eye contact with anyone here,” said Raphael. “And I’m not a snitch for Shadowhunters. Or a fan of talking to people, of any kind, in any place.”
Alec rolled his eyes.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
And What Good Will Your Vanity Be When The Rapture Comes”
says the man with a cart of empty bottles at the corner of church
and lincoln while I stare into my phone and I say
I know oh I know while trying to find the specific
filter that will make the sun’s near-flawless descent look
the way I might describe it in a poem and the man
says the moment is already right in front of you and I
say I know but everyone I love is not here and I mean
here like on this street corner with me while I turn
the sky a darker shade of red on my phone and I mean
here like everyone I love who I can still touch and not
pass my fingers through like the wind in a dream
but I look up at the man and he is a kaleidoscope
of shadows I mean his shadows have shadows
and they are small and trailing behind him and I know
then that everyone he loves is also not here and the man doesn’t ask
but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty
to go home to and the sun is still hot even in its
endless flirt with submission and the man’s palm has a small
river inside I mean he has taken my hand now and here we are
tethered and unmoving and the man says what color are you making
the sky and I say what I might say in a poem I say all surrender
ends in blood and he says what color are you making the sky and
I say something bright enough to make people wish they were here
and he squints towards the dancing shrapnel of dying
light along a rooftop and he says I love things only as they are
and I’m sure I did once too but I can’t prove it to anyone these days
and he says the end isn’t always about what dies and I know I know
or I knew once and now I write about beautiful things
like I will never touch a beautiful thing again and the man
looks me in the eyes and he points to the blue-orange vault
over heaven’s gates and he says the face of everyone you miss
is up there and I know I know I can’t see them but I know
and he turns my face to the horizon and he says
we don’t have much time left and I get that he means the time
before the sun is finally through with its daily work or I
think I get that but I still can’t stop trembling and I close
my eyes and I am sobbing on the corner of church and
lincoln and when I open my eyes the sun is plucking everyone
who has chosen to love me from the clouds and carrying them
into the light-drunk horizon and I am seeing this and I know
I am seeing this the girl who kissed me as a boy in the dairy aisle
of meijer while our parents shopped and the older boy on the
basketball team who taught me how to make a good fist and swing
it into the jaw of a bully and the friends who crawled to my porch
in the summer of any year I have been alive they were all there
I saw their faces and it was like I was given the eyes of a newborn
again and once you know what it is to be lonely it is hard to
unsee that which serves as a reminder that you were not always
empty and I am gasping into the now-dark air and I pull my shirt
up to wipe whatever tears are left and I see the man walking in the
other direction and I chase him down and tap his arm and I say did
you see it did you see it like I did and he turns and leans into the
glow of a streetlamp and he is anchored by a single shadow now
and he sneers and he says have we met and he scoffs and pushes
his cart off into the night and I can hear the glass rattling even
as I watch him become small and vanish and I look down at my
phone and the sky on the screen is still blood red.
”
”
Hanif Abdurraqib
“
Fumbling in the dark, Josie reached underneath the frame of her bed for the plastic bag she’d
stashed-her supply of sleeping pills. She was no better than any of the other stupid people in this
world who thought if they pretended hard enough, they could make it so. She’d thought that death
could be an answer, because she was too immature to realize it was the biggest question of all.
Yesterday, she hadn’t known what patterns blood could make when it sprayed on a whitewashed
wall. She hadn’t understood that life left a person’s lungs first, and their eyes last. She had pictured
suicide as a final statement, a fuck you to the people who hadn’t understood how hard it was for her
to be the Josie they wanted her to be. She’d somehow thought that if she killed herself, she’d be
able to watch everyone else’s reaction; that she’d get the last laugh. Until yesterday, she hadn’t
really understood. Dead was dead. When you died, you did not get to come back and see what you
were missing. You didn’t get to apologize. You didn’t get a second chance.
Death wasn’t something you could control. In fact, it would always have the upper hand.
”
”
Jodi Picoult (Nineteen Minutes)
“
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in.
"Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?"
I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.”
She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—”
"Wait," I interrupted. "You broke into a classroom?"
"Yeah, but that’s not the problem."
Behind me, I heard a choking laugh from Ms. Terwilliger’s desk.
"Go on," I said wearily.
"Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her."
"We?" I exclaimed.
"Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.”
I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said.
As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.”
"Oh no," she said nobly. "I didn’t want to be an inconvenience."
Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to.
I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me.
"Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy."
I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.”
"Alleged?" He sounded indignant but strolled in anyways.
I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake.
"Oh," he said, seeing Angeline. "Hi."
Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.”
The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.”
That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
Whereas the craftsman mindset focuses on what you can offer the world, the passion mindset focuses instead on what the world can offer you. This mindset is how most people approach their working lives. There are two reasons why I dislike the passion mindset (that is, two reasons beyond the fact that, as I argued in Rule #1, it’s based on a false premise). First, when you focus only on what your work offers you, it makes you hyperaware of what you don’t like about it, leading to chronic unhappiness. This is especially true for entry-level positions, which, by definition, are not going to be filled with challenging projects and autonomy—these come later. When you enter the working world with the passion mindset, the annoying tasks you’re assigned or the frustrations of corporate bureaucracy can become too much to handle. Second, and more serious, the deep questions driving the passion mindset—“Who am I?” and “What do I truly love?”—are essentially impossible to confirm. “Is this who I really am?” and “Do I love this?” rarely reduce to clear yes-or-no responses. In other words, the passion mindset is almost guaranteed to keep you perpetually unhappy and confused, which probably explains why Bronson admits, not long into his career-seeker epic What Should I Do With My Life? that “the one feeling everyone in this book has experienced is of missing out on life.
”
”
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
“
Geez, Vi, you didn’t need to break your own leg to get out of going to the dance with Grady Spencer. A simple ‘no’ would have been just fine, I’m sure.”
Apparently no one had noticed that Jay had barely let go of her hand for a second. His thumb was now tracing lazy circles around her palm, and he answered her uncle’s teasing comment without looking away from Violet for even a split second. “She’s not going to the dance with Grady,” he announced, smiling at her mischievously, and for a moment Violet forgot how to breathe. She hoped she never got used to how a simple look from him could turn her into a blithering idiot.
“Really?” her aunt Kat asked, her eyes narrowing as she glanced from Violet to Jay, and then down at their intertwined hands. Clearly she wasn’t going to let the comment pass unnoticed. “Why is that?” she asked in a voice filled with unspoken meaning.
Stephen Ambrose looked at his wife curiously, a little slow to catch on, which was sad, really, considering it was his job to seek out clues and solve mysteries.
Jay answered Kat without missing a beat. “Because she’s going with me.” He winked at violet, whose cheeks had flushed to a brilliant shade of scarlet. She wasn’t entirely sure she was ready for this.
Violet saw her mom and Aunt Kat exchange meaningful glances.
They knew, she realized. And now her uncle did too.
Uncle Stephen gave Jay his best I’m-keeping-my-eye-on-you look, but a quick “Hmm” was the only sound he made.
How much embarrassment could one person possible survive?
There was a moment of awkward silence, made even more uncomfortable by Jay’s refusal to look anywhere but at her. He reached out and brushed his finger along her cheek. Violet almost forgot to care that everyone in the room was looking at them.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
It is not the dead rather the ones who lives through war have seen the dreadful end of the war, you might have been victorious, unwounded but deep within you, you carry the mark of the war, you carry the memories of war, the time you have spend with your comrades, the times when you had to dug in to foxholes to avoid shelling, the times when you hate to see your comrade down on the ground, feeling of despair, atrocities of the war, missing families, home. They live through hell and often the most wounded, they live with the guilt, despair, of being in the war, they may be happy but deep down they are a different person. Not everyone is a hero. You live with the moments, time when you were unsuccessful, when your actions would have helped your comrades, when your actions get your comrades killed, you live with regret, joyous in the victory can never help you forget the time you have spent. You are victorious for the people you have lost, the decisions you have made, the courage you have shown but being victorious in the war has a price to pay, irrevocable.
You can't take a memory back from a person, even if you lose your memory your imagination haunts you as deep down your sub conscious mind you know who you are, who you were. Close you eyes and you can very well see your past, you cant change your past, time you have spent, you live through all and hence you are a hero not for the glorious war for the times you have faced. Decoration with medals is not going to give your life back. the more you know, more experiences doesn't make it easy rather make its worse. Arms and ammunition kills you once and free you from the misery but the experiences of war kills you everyday, makes you cherish the times everyday through the life. You may forgot that you cant walk anymore, you may forget you cant use your right hand, you may forgot the scars on your face but you can never forgot war. Life without war is never easy and only the ones how survived through it can understand. Soldiers are taught to fight but the actual combat starts after war which you are not even trained for. You rely on your weapon, leaders, comrades, god, luck in the war but here you rely on your self to beat the horrors,they have seen hell, heaven, they have felt the mixed emotions of hope, despair, courage, victory, defeat, scared.
”
”
Pushpa Rana (Just the Way I Feel)
“
HOW CAN A GOOD GOD SEND PEOPLE TO HELL? This question assumes that God sends people to hell against their will. But this is not the case. God desires everyone to be saved (see 2 Peter 3:9). Those who are not saved do not will to be saved. Jesus said, “O Jerusalem, Jerusalem, you who kill the prophets and stone those sent to you, how often I have longed to gather your children together, as a hen gathers her chicks under her wings, but you were not willing” (Matthew 23:37). As C. S. Lewis put it, “The door of hell is locked on the inside.” All who go there choose to do so. Lewis added: “There are only two kinds of people in the end: those who say to God, ‘Thy will be done,’ and those to whom God says, in the end, ‘Thy will be done.’ All that are in hell, choose it.” Lewis believed “without that self-choice there could be no hell. No soul that seriously and constantly desires joy will ever miss it. Those who seek find. To those who knock it is opened.”5 Furthermore, heaven would be hell for those who are not fitted for it. For heaven is a place of constant praise and worship of God (Revelation 4–5). But for unbelievers who do not enjoy one hour of worship a week on earth, it would be hell to force them to do this forever in heaven! Hear Lewis again: “I would pay any price to be able to say truthfully ‘All will be saved.’ But my reason retorts, ‘Without their will, or with it?’ If I say ‘Without their will,’ I at once perceive a contradiction; how can the supreme voluntary act of self-surrender be involuntary? If I say ‘With their will,’ my reason replies ‘How if they will not give in?’”6 God is just and he must punish sin (Habakkuk 1:13; Revelation 20:11–15). But he is also love (1 John 4:16), and his love cannot force others to love him. Love cannot work coercively but only persuasively. Forced love is a contradiction in terms. Hence, God’s love demands that there be a hell where persons who do not wish to love him can experience the great divorce when God says to them, “Thy will be done!
”
”
Ravi Zacharias (Who Made God?: And Answers to Over 100 Other Tough Questions of Faith)
“
What happened isn't your fault."
"Maybe. But maybe this wouldn't have happened if I'd run away with you."
"You still can."
"No, I can't." I shook my head. "I have so much I need to do here. I can't just leave it all behind. But you can stay here. I will grant you amnesty."
"Mmm, I knew it." He smiled. "You'd miss me too much if I left."
I laughed. "Hardly."
"Hardly?" Loki smirked.
He'd lowered his arm, so his hand was on my waist. Loki was incredibly near, and his muscles pressed against me. I knew that I should move away, that I had no justifiable reason to be this close to him, but I didn't move.
"Would you?" Loki asked, his voice low.
"Would I what?"
"Would you run away with me, if you didn't have all the responsibilities and the palace and all that?"
"I don't know," I said.
"I think you would."
"Of course you do." I looked away from him, but I didn't move away. "Where did you get the pajamas, by the way? You didn't bring anything with you when you came."
"I don't want to tell you."
"Why not?" I looked sharply at him.
"Because. I'll tell you, and it will ruin this whole mood," Loki said. "Can't we just sit here and look longingly into each other's eyes until we fall into each other's arms, kissing passionately?"
"No," I said and finally started to pull away from him. "Not if you don't tell me-"
"Tove," Loki said quickly, trying to hang on to me. He was much stronger than me, but he let me push him off.
"Of course." I stood up. "That's exactly the kind of thing my fiancé would do. He's always thinking of other people."
"It's just pajamas!" Loki insisted, like that would mean something. "Sure, he's a terrifically nice guy, but that doesn't matter."
"How does that not matter?" I asked.
"Because you don't love him."
"I care about him," I said, and he shrugged. "And it's not like I love you."
"Maybe not," he allowed. "But you will."
"You think so?" I asked.
"Mark my words, Princess," Loki said. "One day, you'll be madly in love with me."
"Okay." I laughed, because I didn't know how else to respond. "But I should go. If I've given you amnesty, that means I have to go about enacting it, and getting everyone to agree that it's not a suicidal decision."
"Thank you."
"You're welcome," I said and opened the door to go.
"It was worth it," Loki said suddenly.
"What was?" I turned back to him.
"Everything I went through," he said. "For you. It was worth it.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me.
'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.'
Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.'
She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build.
I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right.
I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.'
Someone knocks, I ignore it.
'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth.
'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.'
Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink.
Never again. Those eyes will never reflect hurt I've inflicted ever again.
'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.'
I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them.
'And if it's not possible?'
'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))