Every Drop Counts Quotes

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Every drop in the ocean counts.
Yoko Ono
Every time it rains, the soil counts every drop to know exactly how many times to thank to God!
Mehmet Murat ildan
A certain king had a beautiful garden, and in the garden stood a tree which bore golden apples. These apples were always counted, and about the time when they began to grow ripe it was found that every night one of them was gone. The king became very angry at this, and ordered the gardener to keep watch all night under the tree. The gardener set his eldest son to watch; but about twelve o'clock he fell asleep, and in the morning another of the apples was missing. Then the second son was ordered to watch; and at midnight he too fell asleep, and in the morning another apple was gone. Then the third son offered to keep watch; but the gardener at first would not let him, for fear some harm should come to him: however, at last he consented, and the young man laid himself under the tree to watch. As the clock struck twelve he heard a rustling noise in the air, and a bird came flying that was of pure gold; and as it was snapping at one of the apples with its beak, the gardener's son jumped up and shot an arrow at it. But the arrow did the bird no harm; only it dropped a golden feather from its tail, and then flew away. The golden feather was brought to the king in the morning, and all the council was called together. Everyone agreed that it was worth more than all the wealth of the kingdom: but the king said, 'One feather is of no use to me, I must have the whole bird.
Jacob Grimm (The Complete Brothers Grimm Fairy Tales)
I listen to the clock striking out each determined tick. If only I could rewind, go back in time and ask my mother every question about every tiny thing. How crucial those little fragments are now; how great their absence. I should have saved them up, gathering them like drops of water in a desert. I'd always counted on having an oasis.
Emily X.R. Pan (The Astonishing Color of After)
If only I could rewind, go back in time and ask my mother every question about every tiny thing. How crucial those little fragments are now; how great their absence. I should have saved them up, gathered them like drops of water in a desert. I’d always counted on having an oasis.
Emily X.R. Pan (The Astonishing Color of After)
You've always stood it out again' me: now, I'll conquer ye, or kill ye!—one or t' other. I'll count every drop of blood there is in you, and take 'em, one by one, till ye give up!" Tom looked up to his master, and answered, "Mas'r, if you was sick, or in trouble, or dying, and I could save ye, I'd give ye my heart's blood; and, if taking every drop of blood in this poor old body would save your precious soul, I'd give 'em freely, as the Lord gave his for me. O, Mas'r! don't bring this great sin on your soul! It will hurt you more than 't will me! Do the worst you can, my troubles'll be over soon; but, if ye don't repent, yours won't never end!
Harriet Beecher Stowe (Uncle Tom’s Cabin)
In one study, researchers asked athletes to eat about a cup and a half of blueberries every day for six weeks to see if the berries could reduce the oxidative stress caused by long-distance running.42 The blueberries succeeded, unsurprisingly, but a more important finding was their effect on natural killer cells. Normally, these cells decrease in number after a bout of prolonged endurance exercise, dropping by half to about one billion. But the athletes consuming blueberries actually doubled their killer cell counts, to more than four billion.
Michael Greger (How Not to Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease)
I sometimes wish my childhood had been less obsessed with the question of why we are here. But that must be the question of any childhood. To write about your mother and father is to tell the story of your own close call, to count all the ways you never should have existed. To write about home is to write about how you dropped from space, dragging ellipses behind you like a comet, and how you entered your country and state and city, and finally your four-cornered house, and finally your mother's body and finally your own. From the galaxy to the grain and back again. From the fingerprint to the grand design. Despite all the conspiracies of the universe, we are here; every moment we are here we arrive.
Patricia Lockwood (Priestdaddy)
Count Ayakura’s abstraction persisted. He believed that only a vulgar mentality was willing to acknowledge the possibility of catastrophe. He felt that taking naps was much more beneficial than confronting catastrophes. However precipitous the future might seem, he learned from the game of kemari that the ball must always come down. There was no call for consternation. Grief and rage, along with other outbursts of passion, were mistakes easily committed by a mind lacking in refinement. And the Count was certainly not a man who lacked refinement. Just let matters slide. How much better to accept each sweet drop of the honey that was Time, than to stoop to the vulgarity latent in every decision. However grave the matter at hand might be, if one neglected it for long enough, the act of neglect itself would begin to affect the situation, and someone else would emerge as an ally. Such was Count Ayakura’s version of political theory.
Yukio Mishima (Spring Snow (The Sea of Fertility, #1))
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
I suddenly saw how each life's joy and pain were made just exactly right for that life so that they fit that life perfectly like its own skin. And so no other body could possibly get in and try it on for itself because every other body had its own perfect skin too. And the more you could stand the more you'd be given, so you were always filled right up to your own personal limit where one more drop, which you could count on, would push it over the edge. And so you would somehow have to find the way to contain it too, that one drop too many, and maybe just to see how much you could actually bear. And whether your capacity be a thimbleful or the whole damn ocean, the well of your precious collected humor be it tears today or your life's blood tomorrow will surely drown the fragile flame of your existence given the addition of that inevitable next drop. Unless you grow. Unless you become big enough to still hold it all. And so like it or not, you would learn what you were given the breath of life to learn. You would learn what you unknowingly came here to learn. And your sorrow and grief and your joys and pleasures too would teach you your lessons in a curriculum devised just precisely for you.
Joe Henry (Lime Creek)
We reach the trailer and Shane digs through the pockets of the cargo pants slung over his arm until he finds the key. He pushes open the door and waits for me to pass through. Maybe later I’ll tell myself I should have thought long and hard about what I was going to do, that I should have counted to ten and waited until I regained my sanity before stepping over the threshold, evaluated the pros and cons like a thoughtful, rational adult. But I do no such thing. Shane’s eyes are on mine as I step out of my wet sneakers, drop my damp clothes in a ball on the porch, and walk inside. He follows right behind me, and even through my wet shirt I can feel the heat radiating off his bare chest. The man is a furnace. Every warning about playing with fire zings through my mind, but I dismiss them. I want this. I’m not playing games, and neither is Shane as he grips my shoulders and turns us so my back is to the door and he’s pressed up against me. He lowers his head so our eyes are inches apart and looks at me more closely and thoughtfully than anyone ever has. He’s checking to make sure I’m okay, that my expectations are in line with what today is about. And they are. Just once, we agreed. And that will be enough.
Julianna Keyes (Just Once)
For every day a little of our life is taken from us; even when we are growing, our life is on the wane. We lose our childhood, then our boyhood, and then our youth. Counting even yesterday, all past time is lost time; the very day which we are now spending is shared between ourselves and death. It is not the last drop that empties the water-clock, but all that which previously has flowed out; similarly, the final hour when we cease to exist does not of itself bring death; it merely of itself completes the death-process.
Seneca (Letters from a Stoic)
Here freedom was not entertainment, like a carnival or a hoedown that you can count on once a year. Nor was it the table droppings from the entitled. Here freedom was a test administered by the natural world that a man had to take for himself every day. And if he passed enough tests long enough, he was king.
Toni Morrison (Paradise (Beloved Trilogy, #3))
we do not suddenly fall on death, but advance towards it by slight degrees; we die every day. For every day a little of our life is taken from us; even when we are growing, our life is on the wane. We lose our childhood, then our boyhood, and then our youth. Counting even yesterday, all past time is lost time; the very day which we are now spending is shared between ourselves and death. It is not the last drop that empties the water-clock, but all that which previously has flowed out; similarly, the final hour when we cease to exist does not of itself bring death; it merely of itself completes the death-process.
Seneca (Letters from a Stoic)
Some things are worth that kind of fight, Myra, and you are worth every fight.” “Are you sure?” My voice warbles dangerously close to sobs. He tosses his hat aside and gathers my fingers in both of his hands. “You make me happier being me than I’ve ever been in my life. I can’t tell you how freeing it is to be seen.” He pauses, offering me a tentative smile. “I can’t promise you I won’t mess up. I can’t promise that there won’t be hard times, times where the battle might be too much to bear. There will be many anxious moments to come, because that’s part of who I am and the reality of what going against my parents will be like, but I’m willing to take the harder road if that means I get to keep you in my life.” His voice drops to a bear whisper. “I’ll be honest, there are so many unknowns about the future I’m choosing here that I can’t bank on, and that terrifies the hell out of me. But there is one thing I can promise you.” He brings my hands up to his mouth and brushes his lips along my fingertips one by one. “You will never have to face anything alone again. I will do whatever it takes to be the person you can count on when everyone and everything else fails you.
Jessica S. Olson (A Forgery of Roses)
It's true that the audience gasped when Nina did her thirty-two fouettees. They began applauding when she was just half way through, so loudly that she couldn't hear the music and had to hope the conductor would simply follow her. With each whip of her leg she spun faster, beads of sweat flying, stinging her eyes - and yet she finished cleanly, precisely, and counted calmly to five before releasing the pose. Secretly, though, Nina finds it cheap, these technical feats. A cheap way to impress, nothing subtle or artful - just virtuostic display, demanding of applause and dropped jaws. Nina wants to do more than fancy tricks; she wants her body to sing, her eyes and her hands and the very angle of her head to convey every nuance of the music, and each facet of whichever character she is called on to play.
Daphne Kalotay (Russian Winter)
Dantès in his cell heard the noise of preparation,—sounds that at the depth where he lay would have been inaudible to any but the ear of a prisoner, who could hear the splash of the drop of water that every hour fell from the roof of his dungeon. He guessed something uncommon was passing among the living; but he had so long ceased to have any intercourse with the world, that he looked upon himself as dead.
Alexandre Dumas (The Count of Monte Cristo)
Don't count on me to take you in because I'm angry. I'm angry at you for leading us on such a song and dance all these years, not just these few years but all the years, skipping all those holidays and staying away from beach trips and missing Mom and Dad's thirtieth anniversary and their thirty-fifth and Jeannie's baby and not attending my wedding that time or even sending a card or calling to wish me well. But most of all Denny, most of all: I will never forgive you for consuming every last little drop of our parents' attention and leaving nothing for the rest of us.
Anne Tyler
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
He had lived a man's life, and now it was at an end, and what had he to show for it? Two horses and a few fixin's and a letter of credit for three hundred and forty-three dollars. That was all, unless you counted the way he had felt about living and the fun he had had while time ran along unnoticed. It had been rich doings, except that he wondered at the last, seeing everything behind him and nothing ahead. It was strange about time: it slipped under a man like quiet water, soft and unheeded but taking a part of him with every drop - a little quickness of the muscles, a little sharpness of the eye, a little of his youngness, until by and by he found it had taken the best of him almost unbeknownst. He wanted to fight it then, to hold it back, to catch what had been borne away. It wasn't that he minded going under, it wasn't that he was afraid to die and rot and forget and be forgotten; it was that things were lost to him more and more - the happy feeling, the strong doing, the fresh taste for things like drink and women and danger, the friends he had fought and funned with, the notion that each new day would be better than the last, good as the last one was. A man's later life was all a long losing, of friends and fun and hope, until at last time took the mite that was left of him and so closed the score.
A.B. Guthrie Jr. (The Big Sky (The Big Sky, #1))
She rose to her feet, lining her body up with his and closing the gap between them. "What if I need help in a different way?" "Darlin', I'm a full-service kind of helper." His hand dropped to her left hips, sending a jolt of awareness straight to her clit. "You tell me what ache is building and I'll relieve it." His other hand fell to her right hip and he pulled her close. "Tell me where it itches and I'll scratch it." His cock, hard and thick, pressed against her, letting lose a wave of desire that threatened to overwhelm her. "Show me where it hurts and I'll kiss it better." "You make a lot of promises," she managed to get out... "And I'll deliver on every single one." He dipped his head lower, letting his lips brush across hers. "You can count on it.
Avery Flynn (Bang (B-Squad, #2))
Oskar Schell: My father died at 9-11. After he died I wouldn't go into his room for a year because it was too hard and it made me want to cry. But one day, I put on heavy boots and went in his room anyway. I miss doing taekwondo with him because it always made me laugh. When I went into his closet, where his clothes and stuff were, I reached up to get his old camera. It spun around and dropped about a hundred stairs, and I broke a blue vase! Inside was a key in an envelope with black written on it and I knew that dad left something somewhere for me that the key opened and I had to find. So I take it to Walt, the locksmith. I give it to Stan, the doorman, who tells me keys can open anything. He gave me the phone book for all the five boroughs. I count there are 472 people with the last name black. There are 216 addresses. Some of the blacks live together, obviously. I calculated that if I go to 2 every Saturday plus holidays, minus my hamlet school plays, my minerals, coins, and comic convention, it's going to take me 3 years to go through all of them. But that's what I'm going to do! Go to every single person named black and find out what the key fits and see what dad needed me to find. I made the very best possible plan but using the last four digits of each phone number, I divide the people by zones. I had to tell my mother another lie, because she wouldn't understand how I need to go out and find what the key fits and help me make sense of things that don't even make sense like him being killed in the building by people that didn't even know him at all! And I see some people who don't speak English, who are hiding, one black said that she spoke to God. If she spoke to god how come she didn't tell him not to kill her son or not to let people fly planes into buildings and maybe she spoke to a different god than them! And I met a man who was a woman who a man who was a woman all at the same time and he didn't want to get hurt because he/she was scared that she/he was so different. And I still wonder if she/he ever beat up himself, but what does it matter? Thomas Schell: What would this place be if everyone had the same haircut? Oskar Schell: And I see Mr. Black who hasn't heard a sound in 24 years which I can understand because I miss dad's voice that much. Like when he would say, "are you up yet?" or... Thomas Schell: Let's go do something. Oskar Schell: And I see the twin brothers who paint together and there's a shed that has to be clue, but it's just a shed! Another black drew the same drawing of the same person over and over and over again! Forest black, the doorman, was a school teacher in Russia but now says his brain is dying! Seamus black who has a coin collection, but doesn't have enough money to eat everyday! You see olive black was a gate guard but didn't have the key to it which makes him feel like he's looking at a brick wall. And I feel like I'm looking at a brick wall because I tried the key in 148 different places, but the key didn't fit. And open anything it hasn't that dad needed me to find so I know that without him everything is going to be alright. Thomas Schell: Let's leave it there then. Oskar Schell: And I still feel scared every time I go into a strange place. I'm so scared I have to hold myself around my waist or I think I'll just break all apart! But I never forget what I heard him tell mom about the sixth borough. That if things were easy to find... Thomas Schell: ...they wouldn't be worth finding. Oskar Schell: And I'm so scared every time I leave home. Every time I hear a door open. And I don't know a single thing that I didn't know when I started! It's these times I miss my dad more than ever even if this whole thing is to stop missing him at all! It hurts too much. Sometimes I'm afraid I'll do something very bad.
Eric Roth
She hadn't gotten his expression quite right in her imagination, because the stunned, vacant expression on Shane's face when she started down the stairs was even better than fantasy. His mouth actually dropped open. Next to him, Michael turned around, and although she hadn't counted on it, there was a warm fuzzy to making a hot golden-angel vampire blink and give her a quick, involuntary once-over. Claire stopped on the steps above them and did a tentative hip-shimmy. "Okay?" she asked. Shane's mouth shut with a snap, and Michael actually cleared his throat. "Fine," Michael said. "Fine?" That was Eve, coming down the stairs behind Claire. She moved around the roadblock and punched Michael in the arm. "She looks amazing. I'm not half g*y and I think she's hot." Shane wasn't saying anything. Claire felt warm and a little dizzy, the way he was looking at her. She resisted the urge to check to see if her skirt was straight -- she'd done it a dozen times already --and forced herself to meet his gaze and smile. "You sure this is smart?" Shane asked, which was not what she'd expected, not at all. "You look fantastic." "Thanks -- " He interrupted her. "Fantastic in this town pops you to the top of the take-out menu." She held up her left hand and pointed to her wrist. The gold bracelet was clearly visible. "I'll be okay," she said. "The vamps won't bother me." "Not even talking about the vamps. You're going to be drawing every guy there who's looking to get off.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
Mr. Sulu,” Jim said, “I can’t avoid the impression that you’re counting all the asteroids in this neighborhood.” “Not counting them as such, Captain. We’re building a recognition database, tagging the asteroids with nominal IDs, and noting their masses for future reference. If you know an asteroid’s mass within a couple of significant figures, you can very quickly calculate what kind of forces would need to be applied to it to make it move. Once Khiy and I get them all tagged, or all the ones in this area, we can get the ship’s computer to alert us when an enemy vessel is getting close enough for one of the asteroids to be a threat. Then either Bloodwing or Enterprise gives the necessary rock a pull with a tractor or a push with a pressor …” Jim grinned. In slower-than-light combat, the lightspeedor-faster weapons came into their own, as long as you kept away from the higher, near-relativistic impulse speeds. “You’re concentrating on the asteroids nearer to the processing facility, I see.” “Yes, sir—a sphere about a hundred thousand kilometers in diameter, including almost the entire breadth of the belt in this area. Any ship outside that diameter isn’t going to be a threat to us at subwarp speeds. If they want to engage with us, they’ve got to drop their speed and come inside the sphere.” “‘Come into my parlor, said the spider to the fly…’” Jim said. “Get on with it, Mr. Sulu. In a situation like this, every little bit helps. Are you going to be able to have this ready by the time the ‘flies’ arrive?” “We’ll do our best, Captain. There are some inconsistencies between the ways Bloodwing’s computer handles large amounts of data like this, and the way ours does. We’ve got to solve them on the fly.” And Sulu chuckled.
Diane Duane (The Empty Chair)
[What to do with] Unwanted Gifts This can be a very sensitive issue for many people. However, here’s my very best advice on what to do with unwanted presents: get rid of them. Here’s why. Things you really love have a strong, vibrant energy field around them, whereas unwanted presents have uneasy, conflicting energies attached to them that drain you rather than energize you. They actually create an energetic gloom in your home. The very thought of giving them the elbow is horrifying to some people. “But what about when Aunt Jane comes to visit and that expensive decoration she gave us isn’t on the mantelpiece?“ Whose mantlepiece is it anyway? If you love the item, fine, but if you keep it in your home out of fear and obligation, you were giving your power away. Every time you walk into the room and see that object, your energy levels drop. And don’t think that out of sight, out of mind will work. You can’t keep that gift in the cupboard and just bring it out when Aunt Jane is due to visit. Your subconscious mind still knows you have it on the premises. If you have enough of these unwanted presents around you, your energy network looks like a sieve, with vitality running out all over the place. Remember, it’s the thought that counts. You can appreciate being given the gift without necessarily having to keep it. Try adopting a whole different philosophy about presents. When you give something to someone, give it with love and let it go. Allow the recipient complete freedom to do whatever he wants with it. If the thing he can most useful he do is put it straight in the trash or give it to someone else, fine (you wouldn’t want him to clutter up his space with unwanted presents would you?). Give others this freedom and you will begin to experience more freedom in your own life too.
Karen Kingston (Clear Your Clutter with Feng Shui)
It takes some getting used to,' Mr. Forkle said. 'But what you're seeing is a visual representation of each other's moods.' 'So that means if I do this...' Keefe tickled Sophie's neck. 'GAH--everything just went supersonic!' Fitz said. Sophie snatched Keefe's wrist as he reached to tickle her again. 'Don't. You. Dare.' 'Whoa, now everything's red and ripply,' Fitz said. 'Is that because she's angry?' 'Precisely, Mr. Vacker. Every time her emotions shift, the patterns and colors will change. And with practice, you'll learn to interpret what you see.' 'Okay, but...can't they just say, "Hey, I'm feeling this?"' Keefe asked. 'People aren't always honest about their feelings--even with themselves,' Mr. Forkle told him. 'Plus, many telepathic missions involve stealth and secrecy. So for this exercise I'm going to need both of you to forget everything around you. Let the world drop away, leaving only you two.' Keefe sighed. 'Just tell them to stare into each other's eyes and they'll be good.' 'None of that, Mr. Sencen. From this moment on, you have one job and one job only: to judge their translations of the various emotions I'll be triggering.' 'Triggering how?' Sophie asked. 'You'll see soon enough. And you'll go first, Miss Foster. For this to work, Mr. Vacker, it's crucial that you not react externally. No yelling or thrashing or screaming or--' 'Uhhh, what are you going to do to me?' Fitz asked. 'Nothing you won't survive. Consider it an exercise in self-control. And try not to listen to his thoughts, Miss Foster. Study only the changes in his emotional center and make your deduction. We begin now.' Sophie closed her eyes and focus on the colors weaving around Fitz's mind. She was about to ask if she was missing something when the pattern exploded into a swirl of pale blue tendrils. The color felt to bright to be sad, but also too wild to be peaceful. 'Tension?' she guessed. 'Kinda close,' Keefe told her. The laughter in his voice made her wonder what had happened to poor Fitz. She tried to think of other emotions as his mind turned electric blue. 'Shock?' she guessed. 'That counts,' Keefe said. 'Though the best answer would've been "surprise."' 'Is that an emotion?' she asked. 'Indeed it is,' Mr. Forkle said. 'One of the most common emotions you'll experience as you navigate someone's mind--hence why I chose it as our starting point.' 'Can I talk now?' Fitz asked. 'Because that was seriously disgusting!' Sophie opened her eyes and tried not to laugh when she saw red fruit smashed all over Fitz's face. He wiped his cheeks on his sleeves, but that only smeared the pulp. 'I think I'm going to like this assignment,' Keefe said. 'What else can we fling at Fitz?' 'Nothing for the moment,' Mr. Forkle told him. 'It's his turn to interpret. Everyone close your eyes. And remember, no cues of any kind, Miss Foster.' Sophie counted the seconds, bracing for the worst--and when nothing chaned, she opened her eyes and found Mr. Forkle with his finger over his lips in a 'shhh' sign. 'Um...confusion,' Fitz guessed. 'That works,' Keefe said. 'It started as anticipation, but then it shifted.' 'Very good,' Mr. Forkle said. 'And well done, Mr. Sencen. I wasn't sure you'd recognize confusion. It's one of the more challenging emotions for Empaths.' 'Maybe on other people,' Keefe said. 'But on Foster it's easy. Why are her emotions so much stronger?' 'Honestly, I'm not sure,' Mr. Forkle admitted. 'I suspect it stems from the combination of her inflicting ability and her human upbringing. But it was one of the surprises of her development. Much like her teleporting. Okay, Miss Foster, it's your turn to guess again.' She closed her eyes and watched as the lines of color in Fitz's mind blossomed to a snowflake of purple. 'Pride?' she guessed. Keefe laughed. 'Wow, add more fail points to Sophitz.' 'Quiet,' Mr. Forkle told him.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
The most poignant lesson, which proved to be the last, was held a few days before the wedding. Diana’s thoughts were on the profound changes ahead. Miss Snipp noted: “Lady Diana rather tired--too many late nights. I delivered silver salt-cellars--present from West Heath school--very beautiful and much admired. Lady Diana counting how many days of freedom are left to her. Rather sad. Masses of people outside of Palace. We hope to resume lessons in October. Lady Diana said: “In 12 days time I shall no longer be me.’” Even as she spoke those words Diana must have known that she had left behind her bachelor persona as soon as she had entered the Palace portals. In the weeks following the engagement she had grown in confidence and self-assurance, her sense of humour frequently bubbling to the surface. Lucinda Craig Harvey saw her former cleaning lady on several occasions during her engagement, once at the 30th birthday party of her brother-in-law, Neil McCorquodale. “She had a distance to her and everyone was in awe of her,” she recalls. It was a quality also noticed by James Gilbey. “She has always been seen as a typical Sloane Ranger. That’s not true. She was always removed, always had a determination about her and was very matter-of-fact, almost dogmatic. That quality has now developed into a tremendous presence.” While she was in awe of Prince Charles, deferring to his every decision, she didn’t appear to be overcome by her surroundings. Inwardly she may have been nervous, outwardly she appeared calm, relaxed and ready to have fun. At Prince Andrew’s 21st birthday party which was held at Windsor Castle she was at her ease among friends. When her future brother-in-law asked where he could find the Duchess of Westminster, the wife of Britain’s richest aristocrat, she joked: “Oh Andrew, do stop name dropping.” Her ready repartee, cutting but not vicious, was reminiscent of her eldest sister Sarah when she was the queen bee of the Society circuit. “Don’t look so serious it’s not working,” joked Diana as she introduced Adam Russell to the Queen, Prince Charles and other members of the royal family in the receiving line at the ball held at Buckingham Palace two days before her wedding. Once again she seemed good humoured and relaxed in her grand surroundings. There wasn’t the slightest sign that a few hours earlier she had collapsed in paroxysms of tears and seriously considered calling the whole thing off.
Andrew Morton (Diana: Her True Story in Her Own Words)
Sophia counted six clangs of the bell before Mr. Grayson jolted fully awake. He looked up at her, startled and flushed. As though he’d been caught doing something he shouldn’t. She smiled. Rubbing his eyes, he rose to his feet. “Will I shock you, Miss Turner, if I remove my coat?” Sophia felt a twinge of disappointment. When would he stop treating her with this forced politesse, maintaining this distance between them? How many tales of passionate encounters must she spin before he finally understood that she was no less wicked than he, only less experienced? Perhaps it was time to take more aggressive measures. “By all means, remove your coat.” She tilted her eyes to cast him a saucy look. “Mr. Grayson, I’m not an innocent schoolgirl. You will have to try harder than that to shock me.” His lips curved in a subtle smile. “I’ll take that under advisement.” She watched as he shook the heavy topcoat from his shoulders and peeled it down his arms. He draped the coat over the back of a chair before sitting back down. The damp lawn of his shirt clung to his shoulders and arms. A pleasant shiver rippled down to Sophia’s toes. “It doesn’t suit you anyway,” she said, loading her brush with paint. He gave her a bemused look as he unknotted his cravat and pulled it loose. She inwardly rejoiced. Now, if only she could convince him to do away with his waistcoat…” “The coat,” she explained, when his eyebrows remained raised. “It doesn’t suit you.” “Why not? Is the color wrong?” The sudden seriousness in his tone surprised her. “No, the color is perfectly fine. It’s the cut that’s unflattering. That style is tailored to gentlemen of leisure, lean and slender. But as you are so fond of telling me, Mr. Grayson, you are no gentleman. Your shoulders are too broad for fashion.” “Is that so?” He chuckled as he undid his cuffs. Sophia stared as he turned up his sleeves, baring one tanned muscled forearm, then the other. “What style of garments would best suit me, then?” “Other than a toga?” He rewarded her jest with an easy smile. Sophia dabbed at her canvas, pleased to be making progress at last. “I think you need something less restrictive. Something like a sailor’s garb. Or perhaps a captain’s.” “Truly?” His gaze became thoughtful, then searching. “And even dressed in plain seaman’s clothes, would you still find me handsome enough? In my own way?” “No.” She allowed his brow to crease a moment before continuing. “I should find you surpassingly handsome. In every way.” She mixed paint slowly on her palette and gave him a coy look. “And what of my attire? If you had your way, how would you dress me?” “If I had my way…I wouldn’t.” A thrill raced through Sophia’s body. Her cheeks burned, and her eyes dropped to her lap. She forced her gave back up to meet his. Now was not the moment to lose courage. Nothing held sway over a man’s intentions like jealousy. “Gervais once kept me naked for an entire day so he could paint me.” He blinked. “He painted a nude study of you?” “No. He painted me. I took off my clothes and stretched out on the bed while he dressed me in pigment. Gervais called me his perfect, blank canvas. He painted lavender orchids here”-she traced a small circle just above her breast-“and little vines twining down…” She slid her hand down and noted with delight how his eyes followed its path. “I feigned the grippe and refused to bathe for a week.” Desire and jealous rage warred in his countenance, yet he remained as immobile as one of Lord Elgin’s marble sculptures. What would it take to spur the man into action?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Into all our lives, in many simple, familiar, homely ways, God infuses this element of joy from the surprises of life, which unexpectedly brighten our days, and fill our eyes with light. He drops this added sweetness into His children's cup, and makes it to run over. The success we were not counting on, the blessing we were not trying after, the strain of music, in the midst of drudgery, the beautiful morning picture or sunset glory thrown in as we pass to or from our daily business, the unsought word of encouragement or expression of sympathy, the sentence that meant for us more than the writer or speaker thought,--these and a hundred others that every one's experience can supply are instances of what I mean. You may call it accident or chance--it often is; you may call it human goodness--it often is; but always, always call it God's love, for that is always in it. These are the overflowing riches of His grace, these are His free gifts. S. LONGFELLOW.
Mary W. Tileston (Daily Strength for Daily Needs)
Who giveth us richly all things to enjoy." 1 Timothy 6:17 Our Lord Jesus is ever giving, and does not for a solitary instant withdraw his hand. As long as there is a vessel of grace not yet full to the brim, the oil shall not be stayed. He is a sun ever-shining; he is manna always falling round the camp; he is a rock in the desert, ever sending out streams of life from his smitten side; the rain of his grace is always dropping; the river of his bounty is ever-flowing, and the well-spring of his love is constantly overflowing. As the King can never die, so his grace can never fail. Daily we pluck his fruit, and daily his branches bend down to our hand with a fresh store of mercy. There are seven feast-days in his weeks, and as many as are the days, so many are the banquets in his years. Who has ever returned from his door unblessed? Who has ever risen from his table unsatisfied, or from his bosom un-emparadised? His mercies are new every morning and fresh every evening. Who can know the number of his benefits, or recount the list of his bounties? Every sand which drops from the glass of time is but the tardy follower of a myriad of mercies. The wings of our hours are covered with the silver of his kindness, and with the yellow gold of his affection. The river of time bears from the mountains of eternity the golden sands of his favour. The countless stars are but as the standard bearers of a more innumerable host of blessings. Who can count the dust of the benefits which he bestows on Jacob, or tell the number of the fourth part of his mercies towards Israel? How shall my soul extol him who daily loadeth us with benefits, and who crowneth us with loving-kindness? O that my praise could be as ceaseless as his bounty! O miserable tongue, how canst thou be silent? Wake up, I pray thee, lest I call thee no more my glory, but my shame. "Awake, psaltery and harp: I myself will awake right early.
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
Official unemployment rates today are impressively low, but they don’t count people like Kevin who dropped out of the labor force: for every man aged twenty-five to fifty-four who counts as unemployed, three more don’t have jobs but aren’t looking for work.
Nicholas D. Kristof (Tightrope: Americans Reaching for Hope)
Everyone needs a skilled mechanic or plumber or electrician they can count on. Over in Germany, they respect blue-collar jobs and sixty percent of their high school graduates choose vocational training. But here in America, our public high schools continue to cut vocational training from curriculums. We look down on blue collar work and push every high school student toward college. One third of all college students drop out entirely without a degree and burdened with student loan debt. Yet there is a growing shortage of skilled labor and millions of jobs going unfilled. Who are you going to call if a pipe bursts in your house or your daughter’s car breaks down on the side of the road? That’s why I believe vocational training is important.
M.L. Collins (The Tomboy & The Movie Star (Jackson High #3))
her rest. If she had lived in the Middle Ages, she would surely have been a witch and flown a broomstick Saturday night to keep a date with the devil. But the Bronx is one place where the devil would have died of boredom. Her mother is also a witch in her own way, but a good witch: half rebbetzin, half fortuneteller. Every female sits in her own net weaving like a spider. When a fly happens to come along, it’s caught. If you don’t run away, they’ll suck the last drop of life out of you.” “I’ll manage to run away. Goodbye.” “We can be friends. The rabbi is a savage, but he loves people. He has unlimited connections and he can be of use to you. He’s angry at me because I won’t read electronics and television into the first chapter of Genesis. But he’ll find someone who will. Basically he’s a Yankee, although I think he was born in Poland. His real name isn’t Milton but Melech. He writes a check for everything. When he arrives in the next world and has to give an accounting, he’ll take out his checkbook. But, as my grandmother Reitze used to say, ‘Shrouds don’t have pockets.’ ” 3 The telephone rang, but Herman didn’t answer it. He counted the rings and went back to the Gemara. He sat at the table, which was covered with a holiday cloth, studying and intoning as he used to do in the study house in Tzivkev. Mishnah: “And these are the duties the wife performs for the husband. She grinds, bakes, washes, cooks, nurses her child, makes the bed, and spins wool. If she has brought one servant with her, she doesn’t grind, bake, or wash. If
Isaac Bashevis Singer (Enemies, A Love Story (Isaac Bashevis Singer: Classic Editions))
For want of "counting the cost," the children of religious parents often turn out ill, and bring disgrace on Christianity. Familiar from their earliest years with the form and theory of the Gospel--taught even from infancy to repeat great leading texts--accustomed every week to be instructed in the Gospel, or to instruct others in Sunday schools--they often grow up professing a religion without knowing why, or without ever having thought seriously about k. And then when the realities of grown-up life begin to press upon them, they often astound every one by dropping all their religion, and plunging right into the world. And why? They had never thoroughly understood the sacrifices which Christianity entails. They had never been taught to "count the cost.
J.C. Ryle (Holiness: Its Nature, Hindrances, Difficulties, and Roots)
Let me tell you what the Wilds have shown me, way out beyond civilization and its web of lies.’ He held up his hands, palm tilted to catch the last of the day’s light. ‘No good and evil, no right and wrong. The real scales upon which we are all judged are much simpler, Rant. Take a life, no matter how short or long. What’s it made up of? Well: choices, deeds, promises, beliefs, mysteries, fears, a whole list of things – whatever you care to think of, in fact. That’s what makes a life. Want to see it in terms of good and evil, of right and wrong? That’s not the way of the Wilds, because those words are really about people judging other people and the problem with that is, you can’t find truth studying the scales if your own eye’s skewed. And everyone’s eyes are skewed, whether they admit it or not.’ Damisk studied his upturned palms. ‘A soul collects marks, Rant. Like you’d find on a factor’s ledger. Some are burned into the surface. Some are placed there with a kiss. Forget good and evil, right and wrong. Think instead in terms of suffering and blessing.’ He paused, studying the half-breed’s heavy-boned face. ‘That’s the only ledger that counts. Take a life, like I said before, and now look back on it. Choices, deeds, promises. Which ones made for suffering, and which ones blessed?’ He lifted his hands higher and then let them drop. ‘Every mortal soul lives a thousand lives, even more, but that don’t mean a thousand ledgers for each soul. No, it’s just one ledger, the same ledger. The soul brings it with it every time it lands in a body, and that body plays out its life, adding one mark at a time. Suffering. Blessing. And there’s no escaping it, no cheating, no hiding it all away. What I call the Wilds is just raw nature, the universe itself, and it misses nothing and never blinks. And that’s how souls pay for every choice, every decision, every promise, broken or kept.’ ‘Pay how?’ Rant asked. ‘Whatever you put in, you get back. Spend a lifetime making others hurt and suffer, your next lifetime delivers the same upon you. No escaping it. Those scales of justice, Rant, they ain’t out there somewhere. Those are just flawed reflections.’ He jabbed his own chest. ‘They’re in here. Justice doesn’t exist in the Wilds, you see. I spent a lifetime looking for it out there, never found it. No, justice resides in each soul. So, when you cheat and think you got away with it, you didn’t. When you cause suffering in someone, either directly or with your own indifference, the ledger inside records it. And the scales tip, and that suffering will return to you, and your soul will one day know the anguish you delivered.’ He
Steven Erikson (The God is Not Willing (Witness #1))
Frame control creates power and power attracts. BY JOSH (JETSET) KING MADRID WHAT DO KANYE WEST AND ELON MUSK HAVE IN COMMON? When you put the two together, there may be few similarities, but I believe one trait they share is the ability to control their frame, also known as frame control. Frame control is a little-known underlying phenomenon that may be one of the reasons they are so influential and successful despite the controversy. Nonetheless, they maintain their status as some of our culture's most powerful figures. The power of how we frame our personal realities is referred to as frame control. A frame is a tool that you can use to package your power, authority, strength, information, and status. Standing firm in your beliefs can persuade and influence. I first discovered frame control in 2016 after coming across the book Pitch Anything by Oren Klaff. I was hooked instantly. I was a freshman in college at UC Irvine at the time and was earning a few thousand dollars a month in my online business. In just a few short months after applying the concept of frame control in my life and business, everything changed — I started dating the girl of my dreams, cleared my first $27,000 in one month and dropped out of college to go all in on my business. Since then, I've read every book, watched every video, and studied every expert-written blog I can find on the subject. This eventually led me to obtain NLP and neuro-marketing certifications, both of which explain the underlying psychology of how our brains frame social interactions and provide techniques for controlling these frames in oneself and others in order to become more likable, influential, and lead a better life overall. Frame control is about establishing your own authority, but it isn't just some self-help nonsense. It is about true and verified beliefs. The glass half-empty or half-full frame is a popular analogy. If you believe the glass is half-empty, that is exactly what it will be. But someone with a half-full frame can come in and convince you to change your belief, simply by backing it up with the logic of “an empty glass of water would always be empty, but having water in an empty glass makes it half-full.” Positioning your view as the one that counts does take some practice because you first have to believe in yourself. You won’t be able to convince anyone of your authority if you are not authentic or if you don’t actually believe in what you’re trying to sell. Whether they realize it or not, public figures are likely to engage in frame control. When you're in the spotlight, you have to stay focused on the type of person you want the rest of the world to see you as. Tom Cruise, for example, is an example of frame control because of his ability to maintain dominance in media situations. In a well-known BBC interview, Tom Cruise assertively puts the interviewer in his place when he steps out of line and begins probing into his personal life. Cruise doesn't do it disrespectfully, which is how he maintains his own dominance, but he does it in such a way that the interviewer is held accountable. How Frame Control Positions the User as Influential or Powerful Turning toward someone who is dominant or who seems to know what they are doing is a natural occurrence. Generally speaking, we are hard-wired to trust people who believe in themselves and when they are put on a world stage, the effects of it can be almost bewildering. We often view comedians as mere entertainers, but in fact, many of them are experts in frame control. They challenge your views by making you laugh. Whether you want to accept their frame or not, the moment you laugh, your own frame has been shaken and theirs have taken over.
JetSet (Josh King Madrid, JetSetFly) (The Art of Frame Control: The Art of Frame Control: How To Effortlessly Get People To Readily Agree With You & See The World Your Way)
During the meal I consume every last bite of my shrimp and grits, relishing the uniquely Southern combinations: tart lemon juice, savory scallions, crisp bacon, and a dash of paprika all mixed in with freshly grated Parmesan and creamy white cheddar. It's been tossed with sautéed wild mushrooms and minced garlic, cayenne pepper, and Gulf shrimp, all atop a bowl of steaming Mississippi Delta stone-cut grits. My belly sings a psalm of thanks with every flavor-punched drop, and that doesn't even count the homemade biscuits baked big as fists and the silver-dollar pickles fried deep with salt. Drown it all together with a swig of syrup-sweet tea, and the name of this country song would be "Welcome Home.
Julie Cantrell (Perennials)
Prestos jogged back to the edge of the pit, lifting a whistle to her lips. A huge timer appeared high up above, glittering with magic as it readied to count down from five minutes- was that all? Before I could ask Sofia for more information, Prestos's whistle screeched and Darius swung a fist right into the Starlight Captain's face. As he lurched sideways I saw the name Quentin on the back of his shirt alongside the position of Earthraider. “Oh my god,” I gasped as Darius lunged to pick up the ball, only to receive a knee right to his chin. Darius was ready, lurching back and throwing a kick while the entire stadium bellowed in encouragement. Quentin took the blow to the stomach, stumbling away and Darius grabbed the ball which looked pretty damn heavy. The second he had it, the two teams charged forward. Geraldine roared like she was going into battle, magically tearing up the ground beneath the feet of the Starlight team so they stumbled wildly, unable to get their hands on Darius. He made a beeline for the Pit as the four Keepers grouped in around it. “Go on!” Orion roared from my right, rising to his feet as more and more people stood up all around us. ... Max tried to knock her aside with a blast of water, but stumbled to a halt before he could cast it well enough, clasping onto his neck and rubbing like mad. “Ahhh it burns!” Tory and I fell apart into laughter as I noticed his skin was turning blotchy with violent purple patches. “Ahhhh!” “Rigel! What the fuck is going on?” Orion bellowed just as a blaring BUZZZZZZZZ announced Starlight getting the ball into the Pit. A scoreboard lit up above the stands, showing Starlight had scored one point but then words in red flashed beside it. ... “Now it's round two. Every round lasts five minutes. After an hour, it'll be half time then they play for a final hour. Just watch, it's about to get seriously intense.” She pointed to the four corners of the pitch. “There's only one ball in play per round, it'll be fired into the pitch randomly from the four Elemental Quarters. A Fireball is scorching hot, an Earthball is seriously heavy, an Airball is light and will be shot far up toward the roof and a Waterball is freezing to touch. If no one gets the ball in the Pit before the five minutes are up – boom!” She mimed an explosion with her hands and my mouth fell open. “Holy shit,” Tory breathed and I nodded in absolute agreement of that. “If the ball is dropped at any point in the game, including just before it explodes, the team loses five points. So everyone on that pitch is prepared for the injuries they'll get if it goes off,” Sofia explained. “That's insane,” I breathed. “Nope.” Diego leaned forward from his chair with a manic gleam in his eyes. “That's Pitball.” (darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
The Irish, passionate island people, are willing to die for every inch of their land but can’t decide where their land starts and where it ends. They remind me of the Israelis, who have a similar problem. They should marry one another, the Irish and the Israelis, I think; it will be so much fun to watch. The Scots, this island’s habitual complainers, will never forgive the English for making them drop the kilt. They should marry the Palestinians, and together they could breed as many complainers as possible, leading a life of perpetual tragedies, which is exactly what they want. The English, the mightiest of the four nations on this island, are the biggest actors on the planet, though not necessarily onstage, and you can count on them to fool you. They are doing well, thank you, and don’t have to marry anyone. They will find a way to make children from the trees; don’t you worry about them. The Welsh? Well, they are the friendliest, warmest of the bunch, and the best kissers to boot. Yeah!
Tuvia Tenenbom (The Taming of the Jew (JUDAISM Book 2))
In the economy of life, time is the truest currency, lavishly spent by those less fortunate but carefully budgeted by the affluent. For the poor, it is a river flowing unchecked; for the wealthy, every drop counts in the ocean of thriving
Dr. Lucas D. Shallua
High schools routinely classified students who quit high school as transferring to another school, returning to their native country, or leaving to pursue a General Equivalency Diploma (GED)—none of which count as dropping out in the official statistics. Houston reported a citywide dropout rate of 1.5 percent in the year that was examined; 60 Minutes calculated that the true dropout rate was between 25 and 50 percent. The statistical chicanery with test scores was every bit as impressive. One way to improve test scores (in Houston or anywhere else) is to improve the quality of education so that students learn more and test better. This is a good thing. Another (less virtuous) way to improve test scores is to prevent the worst students from taking the test. If the scores of the lowest-performing students are eliminated, the average test score for the school or district will go up, even if all the rest of the students show no improvement at all. In Texas, the statewide achievement test is given in tenth grade. There was evidence that Houston schools were trying to keep the weakest students from reaching tenth grade. In one particularly egregious example, a student spent three years in ninth grade and then was promoted straight to eleventh grade—a deviously clever way of keeping a weak student from taking a tenth-grade benchmark exam without forcing him to drop out (which would have showed up on a different statistic).
Charles Wheelan (Naked Statistics: Stripping the Dread from the Data)
reaches for her purse, but I stretch out and catch her hand in mine. “Please don’t go,” I say. “Please.” She nods, biting her lower lip between her teeth. “Okay,” she breathes. She sits down beside me and fidgets. I lean over and place Kit in her arms and then press a kiss to her temple. “Let me love you,” I say softly. Then I sit back and I watch her as she arranges Kit in her lap so that she can look into the baby’s face. Silence sinks over the room like a wet, heavy blanket. “He was perfect,” she says quietly. “He looked like me. He had dark-blue eyes and freckles and he wasn’t but a minute old. Then I never got to see him again. Not close up. They took him from me, and I didn’t even get to hold him.” “Where is he now?” My throat clogs so tight with emotion that I have to cough past it. “He’s with a wonderful family that adopted him when he was a day old.” She finally looks up at me, and her eyes shimmer with tears. One drops down her cheek, and she doesn’t brush it away. “They send me pictures every six months. He’s beautiful. He plays baseball, and he loves trains.” “We all do what we have to do to survive,” I say. She snorts. I pass her a tissue because it almost comes out like a sob. “I was fifteen and completely alone.” She unwraps Kit and counts her toes and fingers. “She’s going to play guitar like her mom,” she says. “Look at these fingers.” Kit grips Friday’s finger in her sleep, and Friday wraps her back up. I don’t say anything because I don’t think she wants me to. “His name is Jacob,” she says. She smiles. “I have his footprints and his date of birth on my inner thigh. Pete did it for me.” Fucking Pete. He knew all this time and didn’t tell me. “Little fucker,” I grumble. “Pete knows the value of a well-placed secret.” I’m glad she had someone to tell her secrets to. I hope someday, it’ll be me. “I treasure your secrets. I’ll hold them close to my heart and keep them between us and only us, always.” She smiles. “I know.” She takes a deep breath, and I feel like she’s just relieved some of her burden. “You’ve never seen him?” “No. I’m allowed to. It was an open adoption. But I never have.” “Why not?” “I’m afraid that if I ever get my hands on him I won’t be able to let him go.” Her voice breaks again. “Or worse—what if I see him and he hates me? I wouldn’t be able to stand myself. It’s hard enough knowing that he doesn’t know who I am. If he hates me, too, I won’t be able to take it.” “Thank you for telling me,” I say softly.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Friday reaches for her purse, but I stretch out and catch her hand in mine. “Please don’t go,” I say. “Please.” She nods, biting her lower lip between her teeth. “Okay,” she breathes. She sits down beside me and fidgets. I lean over and place Kit in her arms and then press a kiss to her temple. “Let me love you,” I say softly. Then I sit back and I watch her as she arranges Kit in her lap so that she can look into the baby’s face. Silence sinks over the room like a wet, heavy blanket. “He was perfect,” she says quietly. “He looked like me. He had dark-blue eyes and freckles and he wasn’t but a minute old. Then I never got to see him again. Not close up. They took him from me, and I didn’t even get to hold him.” “Where is he now?” My throat clogs so tight with emotion that I have to cough past it. “He’s with a wonderful family that adopted him when he was a day old.” She finally looks up at me, and her eyes shimmer with tears. One drops down her cheek, and she doesn’t brush it away. “They send me pictures every six months. He’s beautiful. He plays baseball, and he loves trains.” “We all do what we have to do to survive,” I say. She snorts. I pass her a tissue because it almost comes out like a sob. “I was fifteen and completely alone.” She unwraps Kit and counts her toes and fingers. “She’s going to play guitar like her mom,” she says. “Look at these fingers.” Kit grips Friday’s finger in her sleep, and Friday wraps her back up. I don’t say anything because I don’t think she wants me to. “His name is Jacob,” she says. She smiles. “I have his footprints and his date of birth on my inner thigh. Pete did it for me.” Fucking Pete. He knew all this time and didn’t tell me. “Little fucker,” I grumble. “Pete knows the value of a well-placed secret.” I’m glad she had someone to tell her secrets to. I hope someday, it’ll be me. “I treasure your secrets. I’ll hold them close to my heart and keep them between us and only us, always.” She smiles. “I know.” She takes a deep breath, and I feel like she’s just relieved some of her burden. “You’ve never seen him?” “No. I’m allowed to. It was an open adoption. But I never have.” “Why not?” “I’m afraid that if I ever get my hands on him I won’t be able to let him go.” Her voice breaks again. “Or worse—what if I see him and he hates me? I wouldn’t be able to stand myself. It’s hard enough knowing that he doesn’t know who I am. If he hates me, too, I won’t be able to take it.” “Thank you for telling me,” I say softly.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
The Connecticut River March 2, 1704 Temperature 10 degrees “Oh, Eben!” breathed Mercy, thrilled and astonished. “Guess what?” The glare off the ice was bothering him, and as the temperature rose, the snow on the frozen river was turning to slush. His moccasins were soaked and his feet were so cold he could hardly bear the pressure of each step. “What?” “I can figure out Mohawk words, Eben!” she said excitedly. “Sun was one of the first words Tannhahorens taught us. And we learned to count, so I know the number two. Thorakwaneken means ‘Two Suns.’ Your master’s name is Two Suns! And cold--that’s the word we use most. Eunice’s master is Cold Sun.” She turned her own sunny smile on him. Eben was unsettled by how proud she was. He did not want to compliment her. Uneasily, he said, “What does Tannhahorens mean?” “I haven’t figured that out. He’s told me, but I can’t piece together whatever he’s saying. I don’t know what Munnonock means either.” Mercy darted across the slush to her Indian master, and although they were too far away for Eben to hear, he knew she was asking Tannhahorens to explain again the meaning of his name and hers. He knew, everyone on the frontier knew, how quickly captive English children slid into being Indians, but he had not thought he would witness it in a week. He had thought it would be three-year-olds, like Daniel, or seven-year-olds, like Eunice. But it was Mercy. Ruth walked next to Eben. For once their horror was equal. A mile or so of silence, and then Ruth spoke. “The Indians have a sacred leader. Their powwow. He has a ceremony by which all white blood is removed. They say it is a wondrous thing and never fails.” They walked on. The temperature had dropped again and each of Eben’s moccasins was solid with ice. Every time he set his foot down, he stuck to the congealing slick of the river and had to tear himself free. Soon the moccasins would be destroyed and he would be barefoot. “I know now why it never fails,” said Ruth. “The children arrive at the ceremony ready to be Indian.
Caroline B. Cooney (The Ransom of Mercy Carter)
One of the best conversations I ever had with Betsy happened when I asked why she thought I was good for her. I’d been wondering about it for a long time but I’d never brought it up. I could count the ways she was good for me, but had no idea why I was good for her. We were walking Lucy up near the Capitol when I asked. She laughed for a second. “Are you serious?” she asked. “You really don’t know?” “I don’t think I know,” I said. I’m glad I finally asked the question. Betsy’s answer changed me. She helped me believe I wasn’t just good for people, I was great for them. She said I had a way of not getting rattled when things were tense and that brought peace to her life. She said I loved adventure and without me her life wouldn’t be half as exciting. She said ever since we’d started dating she’d stopped doubting whether she was beautiful because I told her she was beautiful every day. She went on and on and talked about all the ways I was making her a better person. Not long after that conversation I found I enjoyed getting together with people a great deal more. Whereas before I’d endure having to get coffee with people, I began to enjoy sharing a bit of our stories. I realized that one of the reasons I’d been so isolated was because I’d subconsciously believed I wasn’t all that good for people. It’s true what I’m saying. If our identity gets broken, it affects our ability to connect. And I wonder if we’re not all a lot better for each other than we previously thought. I know we’re not perfect, but I wonder how many people are withholding the love they could provide because they secretly believe they have fatal flaws.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
It is difficult to convey the sheer deluded depravity of such 'alternative facts.' Though an imperfect analogy, imagine that President Bush, sarcastically or not, had taken up the bullhorn on September 14, 2001, and told the first responders at the pile of Ground Zero to 'slow down' their search for survivors, because the more they searched, the higher the body count rose, and 'in many ways, it makes us look bad.' (I call this analogy imperfect, since more than 230,000 Americans have now been killed by SARS-CoV-2 under Trump’s watch, nearly eighty times those murdered on September 11, so Trump’s self-serving denial would in fact be quantifiably worse.) […] Perhaps not every drop of this fresh American blood can be placed on his hands. But much of it surely could, if only his hands weren’t planted squarely over his eyes.
Shmuel Pernicone (Why We Resist: Letter From a Young Patriot in the Age of Trump)
I believe as I did as a child, that life has meaning, direction and value; that no suffering is lost; that each drop of blood and every tear counts; and that the secret of the world is to be found in St. John’s “Veus Caritas est”—“God is love.” —FRANÇOIS MAURIAC
Mary Jo Putney (One Perfect Rose (Fallen Angels #7))
I’d say that of the two choices, Helen will be safest if she finds her own way back.” “A girl traveling alone on a voyage that long?” Castor protested. “I’ve done it before,” I reminded him. “Not as a girl.” “Yes, well, er, a few things have changed about you since then.” His face turned a little red. “I know how to count days and watch the changing of the moon,” I replied. “I won’t be taken by surprise again, even if I have to spend every day of the voyage wearing a--” “All right, all right, I believe you!” Poor Castor couldn’t wait to drop the subject. “You’ll travel as a boy again. Fine.” “And Milo will come with me, so I won’t be making the journey alone,” I said. My brothers exchanged a doubtful look. “She does insist that they’re only friends,” Polydeuces said. “So far,” Castor remarked. “The boy’s young, but not that young. Have you looked at him lately? I wager that by the time he reaches Sparta, he’ll have a thicker beard than Father’s.” “Why are you talking about Milo and me as if I weren’t here?” I asked angrily. “What are you afraid will happen between us? Half the Argonauts believe it already did, but that doesn’t make it so.” “Not yet,” Castor said. “People change, especially on a long voyage.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
I’d say that of the two choices, Helen will be safest if she finds her own way back.” “A girl traveling alone on a voyage that long?” Castor protested. “I’ve done it before,” I reminded him. “Not as a girl.” “Yes, well, er, a few things have changed about you since then.” His face turned a little red. “I know how to count days and watch the changing of the moon,” I replied. “I won’t be taken by surprise again, even if I have to spend every day of the voyage wearing a--” “All right, all right, I believe you!” Poor Castor couldn’t wait to drop the subject. “You’ll travel as a boy again. Fine.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
The Gondola Experience When the performance ended, we returned to the comfort of the Count's gondola, and celebrated the beauty of the evening with more champagne. By now, I was head over heels in love, bewildered by beauty. What had been an enchanted day turned into an unfathomable evening. The organza curtains were drawn, shielding us from the departing theatre crowds. Romantic candles burned as we began, again, the love dance left incomplete, on Lido. Mario’s expert hands blissfully caressed every inch of my smooth body as Andy lowered his expert mouth on my growing organ. I wanted both the Count and Andy, together, at the same moment. As the gondola sailed out into the wide expanse of the Grand Canal, both lovers were inside me, moving in tandem with the rhythmic sounds of waves lapping against the Love-Boat. I surrendered myself wholly to indescribable sexual ecstasy, rocking to the motion of their sliding cocks filling me to the brim. I wanted them and I desired every drop of their precious seed to feed my deepest center. I was awakened by the chirping sounds of two love birds perched on the gondola's window. My lovers lay in deep slumber, their arms draped around my naked body. I gently lifted their arms, and sat up. I saw the majestic steeples of Saint Mark's Cathedral. The singing larks turned long enough to look at me with knowing smiles. I had been to heaven; I did not want my night's pleasures to end.
Young (Initiation (A Harem Boy's Saga Book 1))
Alyosha heard Shukhov’s whispered prayer, and, turning to him: “There you are, Ivan Denisovich, your soul is begging to pray. Why don’t you give it it’s freedom?” Shukhov stole a look at him. Alyosha’s eyes glowed like two candles. “Well, Alyosha,” he said with a sigh, “it’s this way. Prayers are like those appeals of ours. Either they don’t get through or they’re returned with ‘rejected’ scrawled across ’em.” Outside the staff quarters were four sealed boxes–they were cleared by a security officer once a month. Many were the appeals that were dropped into them. The writers waited, counting the weeks: there’ll be a reply in two months, in one month. . . . But the reply doesn’t come. Or if it does it’s only “rejected.” “But, Ivan Denisovich, it’s because you pray too rarely, and badly at that. Without really trying. That’s why your prayers stay unanswered. One must never stop praying. If you have real faith you tell a mountain to move and it will move. . . .” Shukhov grinned and rolled another cigarette. He took a light from the Estonian. “Don’t talk nonsense, Alyosha. I’ve never seen a mountain move. Well, to tell the truth, I’ve never seen a mountain at all. But you, now, you prayed in the Caucasus with all that Baptist society of yours–did you make a single mountain move?” They were an unlucky group too. What harm did they do anyone by praying to God? Every damn one of them had been given twenty-five years. Nowadays they cut all cloth to the same measure–twenty-five years. “Oh, we didn’t pray for that, Ivan Denisovich,” Alyosha said earnestly. Bible in hand, he drew nearer to Shukhov till they lay face to face. “Of all earthly and mortal things Our Lord commanded us to pray only for our daily bread. ‘Give us this day our daily bread.'” “Our ration, you mean?” asked Shukhov. But Alyosha didn’t give up. Arguing more with his eyes than his tongue, he plucked at Shukhov’s sleeve, stroked his arm, and said: “Ivan Denisovich, you shouldn’t pray to get parcels or for extra stew, not for that. Things that man puts a high price on are vile in the eyes of Our Lord. We must pray about things of the spirit–that the Lord Jesus should remove the scum of anger from out hearts. . . .” Page 156: “Alyosha,” he said, withdrawing his arm and blowing smoke into his face. “I’m not against God, understand that. I do believe in God. But I don’t believe in paradise or in hell. Why do you take us for fools and stuff us with your paradise and hell stories? That’s what I don’t like.” He lay back, dropping his cigarette ash with care between the bunk frame and the window, so as to singe nothing of the captain’s below. He sank into his own thoughts. He didn’t hear Alyosha’s mumbling. “Well,” he said conclusively, “however much you pray it doesn’t shorten your stretch. You’ll sit it out from beginning to end anyhow.” “Oh, you mustn’t pray for that either,” said Alyosha, horrified. “Why do you want freedom? In freedom your last grain of faith will be choked with weeds. You should rejoice that you’re in prison. Here you have time to think about your soul. As the Apostle Paul wrote: ‘Why all these tears? Why are you trying to weaken my resolution? For my part I am ready not merely to be bound but even to die for the name of the Lord Jesus.
Alexander Solzhenitsyn
To write about your mother and father is to tell the story of your own close call, to count all the ways you never should have existed. To write about home is to write about how you dropped from space, dragging ellipses behind you like a comet, and how you entered your country and state and city, and finally your four-cornered house, and finally your mother’s body and finally your own. From the galaxy to the grain and back again. From the fingerprint to the grand design. Despite all the conspiracies of the universe, we are here; every moment we are here we arrive.
Patricia Lockwood (Priestdaddy: A Memoir)
Creamy Zucchini Soup Velouté de Courgettes Jean was right, and zucchini is still among my son’s favorite foods. Creamy here refers to texture, rather than ingredients, since there’s not a drop of dairy. Good olive oil gives the soup a rich quality without diluting the bright flavor of the vegetables. As with all recipes that count on one ingredient, buy the best zucchini you can find. ⅓ cup fruity olive oil 1 large onion, coarsely chopped 2½ pounds zucchini, preferably organic, unpeeled 1 chicken or vegetable bouillon cube 3 cups water ¾ cup dry white wine In a stockpot, heat the olive oil, add the onion, and sauté over medium-low heat for 10 minutes, until translucent and just beginning to color. Meanwhile, wash the zucchini (leave the skin on) and cut in half lengthwise. Cut the halves into ¼-inch slices. Add the zucchini to the onions. Stir to coat. Cover the pot, but leave the lid slightly ajar—about an inch or so. Reduce the heat a bit and sauté for 20 minutes, stirring occasionally. Dissolve the bouillon cube in ½ cup boiling water. When the zucchini is tender, add wine, stir, then add the ½ cup of bouillon and the remaining 2½ cups water to the pot. Let simmer for 2 to 3 minutes. Using a hand blender, puree the soup. Leave the flavors to blend for a few minutes before serving. Serves 4 Tip: Every once in a while I get a batch of very bitter zucchini and end up having to throw my whole pot of soup away—very disappointing indeed. It’s rare in commercially produced vegetables, but if you are using zucchini from the garden or the farm stand, always taste an unpeeled slice before you start. If the skin tastes unusually bitter, peel all your zucchini before you proceed with the recipe.
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
But when the doors slid open, there was the one-eyed cat. “Kutuzov!” he exclaimed in surprise. Taking in every detail of the Count’s appearance, the cat responded exactly as the Grand Duke had responded under similar circumstances many years before—that is, with a stern look and a disappointed silence. “Ahem,” said the Count, as he stepped onto the elevator while trying to tuck in his shirt without dropping his shoes.
Amor Towles (A Gentleman in Moscow)
I sometimes wish my childhood had been less obsessed with the question of why we are here. But that must be the question of any childhood. To write about your mother and father is to tell the story of your own close call, to count all the ways you never should have existed. To write about home is to write about how you dropped from space, dragging ellipses behind you like a comet, and how you entered your country and state and city, and finally your four-cornered house, and finally your mother’s body and finally your own. From the galaxy to the grain and back again. From the fingerprint to the grand design. Despite all the conspiracies of the universe, we are here; every moment we are here we arrive.
Patricia Lockwood (Priestdaddy: A Memoir)
There was much to be seen, though it was a small place, for the ends of the earth's iniquity had gathered in Ogalalla. We wandered through the various gambling houses, drinking moderately, meeting an occasional acquaintance from Texas, and in the course of our rounds landed in the Dew-Drop-In dance hall. Here might be seen the frailty of women in every grade and condition. From girls in their teens, launching out on a life of shame, to the adventuress who had once had youth and beauty in her favor, but was now discarded and ready for the final dose of opium and the coroner's verdict,—all were there in tinsel and paint, practicing a careless exposure of their charms. In a town which has no night, the hours pass rapidly; and before we were aware, midnight was upon us. Returning to the gambling house where we had left Priest, we found him over a hundred dollars winner, and, calling his attention to the hour, persuaded him to cash in and join us. We felt positively rich, as he counted out to each partner his share of the winnings! Straw was missing to receive his, but we knew he could be found on the morrow, and after a round of drinks, we forded the river.
Andy Adams (10 Masterpieces of Western Stories)