Evergreen Quick Quotes

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Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in." "Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.” Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“whatever that is.” “My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him . . . I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle. “Yes, love?” "I would think,” she continued,” ‘Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
the universe began fourteen billion years ago with the emergence of elementary particles in the form of primordial plasma, which quickly morphed into atoms of hydrogen, helium, and lithium; a hundred million years later, galaxies began to appear, and in one of these, the Milky Way, minerals arranged themselves into living cells that constructed advanced life, including evergreen trees, coral reefs, and the vertebrate nervous systems that humans used to discover this entire sequence of universe development.
Brian Swimme (Cosmogenesis: An Unveiling of the Expanding Universe)
What’s the matter, love?” “I…” Amelia approached him hesitantly. “I’m afraid you won’t let me have what I want.” His slow smile robbed her of breath. “I have yet to refuse you anything. I’m not likely to start now.” Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in.” “Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.” Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“ whatever that is.” “My bride. My wife.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Let me see,” Opal said. She quickly slurped up the rest of her lunch and then took the collar. She examined it very closely. Sure enough, she could see bits of evergreen fur pinched along the buckle strap. As she looked closer, she noticed something else. Several pieces of black onyx were sewn into the back of the collar, and they started glowing. “Well look at that,” Jack said. “Somebody’s put a spider in this biscuit.
Mark Caldwell Jones (Opal Summerfield and The Battle of Fallmoon Gap (Book 1))
The kingdom of poetry" This is like light. This is light, Useful as light, as charming And enchanting… …Poetry is certainly More interesting, more valuable, and certainly more charming Than Niagara Falls, the Grand Canyon, the Atlantic Ocean And other much admired natural phenomena. It is useful as light, and as beautiful It is preposterous Precisely, making it possible to say One cannot carry a mountain, but a poem can be carried all over. It is monstrous. Pleasantly, for poetry can say, seriously or in play: “Poetry is better than hope, “For poetry is patience of hope, and all hope’s vivid pictures, “Poetry is better than excitement, it is far more delightful, “Poetry is superior to success, and victory, it endures in serene blessedness “Long after the most fabulous feat like fireworks has mounted and fallen. “Poetry is far more powerful and far more enchanting animal “Than any wood, jungle, ark, circus or zoo possesses.” For poetry magnifies and heighten reality: Poetry says of reality that if it is magnificent, it is also stupid: For poetry is, in a way, omnipotent; For reality is various and rich, powerful and vivid, but it is not enough Because it is disorderly and stupid or only at times, and erratically, intelligent: For without poetry, reality is speechless or incoherent: It is inchoate, like the pomp and the bombast of thunder: Its peroration verge upon the ceaseless oration of the ocean: For reality glows and glory, without poetry, Fake, like the red operas of sunset The blue rivers and the windows of morning. The arts of poetry makes it possible to say: Pandemonium. For poetry is gay and exact. It says: “The sunset resembles a bull-fight. “A sleeping arm feels like soda, fizzing.” Poetry resurrect the past from the sepulchre, like Lazarus. It transforms a lion into a sphinx and a girl. It gives a girl the splendor of Latin. It transforms the water into wine at each marriage in Cana of Galilee. For it is true that poetry invented the unicorn, the centaur and the phoenix. Hence it is true that poetry is an everlasting Ark. An omnibus containing, bearing and begetting all the mind’s animals. Whence it is that poetry gave and gives tongue to forgiveness Therefore a history of poetry would be a history of joy, and a history of the mystery of love For poetry provides spontaneously, abundantly and freely The petnames and the diminutives which love requires and without which the mystery of love cannot be mastered. For poetry is like light, and it is light. It shines over all, like the blue sky, with the same blue justice. For poetry is the sunlight of consciousness: It is also the soil of the fruits of knowledge In the orchards of being: It shows us the pleasures of the city. It lights up the structures of reality. It is a cause of knowledge and laughter: It sharpens the whistles of the witty: It is like morning and the flutes of morning, chanting and enchanted. It is the birth and the rebirth of the first morning forever. Poetry is quick as tigers, clever as cats, vivid as oranges, Nevertheless, it is deathless: it is evergreen and in blossom; long after the Pharaohs and the Caesars have fallen, It shines and endures more than diamonds, It is because poetry is the actuality of possibility, it is The reality of the imagination, The throat of exaltation, The processions of possessions, The motion of meaning and The meaning of morning and The mastery of meaning. The praise of poetry is like the clarity of the heights of the mountains. The heights of poetry are like the exaltation of the mountains. It is the consummation of consciousness in the country of the morning!
Delmore Schwartz
The blur of looming evergreens zipped by me so quickly it was as though they were never really there at all. Sometimes I felt just like those trees, rooted in mud with no escape, while my life sat in a car and passed me by.
Bianca Scardoni (Iniquitous (The Marked, #3))
Elias’s view of reality was distorted and that he actually believed he could talk his way out of the whole affair. He was trying to sell the court as he had sold FMC and Kerr-McGee. When the video stopped Elias’s testimony quickly deteriorated into the theater of the absurd. He rambled without prompting, his thoughts frequently disjointed and defiant. He maintained that the tank left AEI empty, and any statements attributed to him to the contrary were “fantasy.” He said the material trucked to Evergreen from AEI was actually Kerr-McGee material he had previously trucked to AEI to turn into fertilizer and not the cadmium-bearing FMC material. He blamed the workers for their own injuries. He called OSHA overzealous and said they found no violations. He blamed Bill Brugger for the Tesco American litigation. At every opportunity he elevated himself and his efforts to get AEI and Evergreen working, saying it took “fortitude.
Robert Dugoni (The Cyanide Canary: A True Story of Injustice)
She'd become accustomed to letting the garden grow uncontrolled since her father left. And that had suited both Harriet and the garden. They'd both been free to move about as they liked, to behave how it felt natural to behave. Harriet's decision not to prune was why the vines climbed so high along the house this summer, why the roses covered the garden walls and the blackberry brambles spread out as they did, decorating the bricks between the house and the railroad tracks with as many brilliant green leaves as menacing thorns. It was why the plum tree's fruit lay about the place all summer and its flowers bloomed brilliantly in the spring. It was why the bluebells stood in their own self-proliferating patches beneath the trees and rosebushes and wherever they pleased. Why her evergreen hedges were not neatly trimmed and why the hawthorn tree at the front towered over the gate. Her garden was filled with so much fierce beauty, she knew it would not take kindly to being clipped to the quick.
Chelsea Iversen (The Peculiar Garden of Harriet Hunt)