Eventually Everyone Leaves Quotes

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Once upon a time, each of us was somebody's kid. Everyone had a father, even if he never provided anything more than his seed. Everyone had a mother, even if she had to leave us on a stranger's doorstep. No matter how we're eventually raised, all of our stories begin the exact same way. They all end the same, too.
Brian K. Vaughan (Saga, Volume 1)
Did you know we were leaving for Idris?" "Catarina told me she'd been summoned to make a portal. I guessed," Magnus said wryly. "I was a little surprised you hadn't called or texted to tell me you were going away." "You never answer my calls or texts," said Alec. "That hasn't stopped you before." "Everyone gives up eventually," Alec said. "Besides, Jace broke my phone." Magnus huffed a laughter. "Oh, Alexander." "What?" alec asked, honestly puzzled. "you're just--You're so--I really want to kiss you," Magnus said abruptly, and then shook his head. "See this is why I haven't been willing to see you.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Everyone plays a purpose, even fathers who lie to you or leave you behind. Time takes care of all that pain so if someone derails you, it'll be okay eventually.
Adam Silvera (More Happy Than Not)
Sometimes we get a little bit of a facade. We think we have people. Family, friends... but in the end, it's just you and the darkness. Everyone leaves eventually, my young friend. It's better, really, to learn early. This way, you can save yourself some disappointment.
Morgan Matson (The Unexpected Everything)
After all, history proved that eventually, everyone leaves me. Why would you be any different? Now I know that you were. Are.
Leisa Rayven (Bad Romeo (Starcrossed, #1))
Sometimes I’m afraid to love other people. Everyone I care about eventually leaves me, whether it’s death, or war or simply because they don’t want me. They go places I can’t find, places I can’t reach. And I’m not afraid to be alone, but I’m tired of being the one left behind. I’m tired of having to rearrange my life after the people within it depart, as if I’m a puzzle and I’m now missing pieces and I will never feel that pure sense of completion again.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Almost everyone is dying to leave home, eventually; and almost everyone needs to.
John Irving (A Prayer for Owen Meany)
It's very peaceful. Like perhaps the life of a ghost. Carefree and without worry. I naturally let the wind take me forwards when it blows. Exactly where I'm headed to... is of no real concern to me. But eventually, when it's my time to leave, I'd like to vanish like an insignificant bubble, and fade away from everyone's memories as well.
Inio Asano (Goodnight Punpun Omnibus, Vol. 7)
Cynicism creates a numbness toward life. Cynicism begins with a wry assurance that everyone has an angle. Behind every silver lining is a cloud. The cynic is always observing, critiquing, but never engaging, loving, and hoping. ... To be cynical is to be distant. While offering a false intimacy of being "in the know," cynicism actually destroys intimacy. It leads to bitterness that can deaden and even destroy the spirit. ... Cynicism begins, oddly enough, with too much of the wrong kind of faith, with naive optimism or foolish confidence. At first glance, genuine faith and naive optimism appear identical since both foster confidence and hope.But the similarity is only surface deep.Genuine faith comes from knowing my heavenly Father loves, enjoys, and cares for me. Naive optimism is groundless. It is childlike trust without the loving Father. ... Optimism in the goodness of people collapses when it confronts the dark side of life. ... Shattered optimism sets us up for the fall into defeated weariness and, eventually, cynicism. You'd think it would just leave us less optimistic, but we humans don't do neutral well. We go from seeing the bright side of everything to seeing the dark side of everything. We feel betrayed by life. ... The movement from naive optimism to cynicism is the new American journey. In naive optimism we don't need to pray because everything is under control. In cynicism we can't pray because everything out of control, little is possible. With the Good Shepherd no longer leading us through the valley of the shadow of death, we need something to maintain our sanity. Cynicism's ironic stance is a weak attempt to maintain a lighthearted equilibrium in a world gone mad. ... Without the Good Shepherd, we are alone in a meaningless story. Weariness and fear leave us feeling overwhelmed, unable to move. Cynicism leaves us doubting, unable to dream. The combination shuts down our hearts, and we just show up for life, going through the motions.
Paul E. Miller (A Praying Life: Connecting With God In A Distracting World)
One thing I’ve learned about myself over the years is that I’m no good at dealing with people dying. It’s not that I’m afraid of it – I know that everyone’s gotta go eventually – but I can’t help thinking that there are only one or two ways of being brought into this world, but there are so many f**ked-up ways of leaving it.
Ozzy Osbourne (I Am Ozzy)
Because I was not superhuman, I was just a human, and my attempts to be this superman, this Telon star, someone infallible who everyone could look at as the perfect man, were eventually my downfall. Of course, I still write down my goals, I still see the value in being fit and doing my job well. But trying to be perfect will leave you empty-handed, whereas trying to do your best will keep you fulfilled. The best you can do is always good. I realized you don't have to be perfect, you just have to be faithful in your attempts.
Terry Crews (Manhood: How to Be a Better Man - or Just Live with One)
And I wished I could believe him. I wished with all that I had. And when you're eleven, you're on the cusp between still believing wishing worked if you wanted something hard enough and understanding the world is teeth and sharp edges. I wished. I did. I promise you with all that I have that I did. But I knew the teeth. The sharp edges. And they were bigger than wishing. I was only eleven, but I was the product of my upbringing too. Maybe that's why I was able to be the one to leave. Maybe I'd been looking for a reason and latched on to the first one that came, no matter how hard it was. If there's one thing I've learned in my life, it's that it's easier to leave someone before they leave you. Because eventually, everyone leaves. It's inevitable.
T.J. Klune (The Art of Breathing (Bear, Otter, and the Kid, #3))
We’re always all alone,” he said, his voice cracked and worn. Tamsin shook her head. She knew that wasn’t true. She had years of proof to the contrary. “No,” she said. “Not always. Not even often.” “Oh,” the old man said, with a sigh that seemed to come from the depths of his being. “I forget you’re still young yet.” He coughed then, a dry, rattling sound. “Sometimes we get a little bit of a facade. We think we have people. Family, friends . . . but in the end, it’s just you and the darkness. Everyone leaves eventually, my young friend. It’s better, really, to learn it early. This way, you can save yourself some disappointment.” He sighed then and slumped back against the wall once more. “Because believing you’re not alone is the cruelest trick of all.
Morgan Matson (The Unexpected Everything)
Everyone always says that time heals and you'll eventually forget and move on. But the bad memories never leave. The good ones do, but the ones that hurt you most cling to every bit of your memory bank. Not to merely torment you for years to come, but to remind you that this world isn't butterflies and rainbows.
Avery Song (The Tracker Hive Academy: Year One (Jade Storm Tracker #1))
As we get ready to leave, Georgina announces that she wants to keep the kitten. But of course she can't. We walk up and down looking for its mother, calling for its siblings. But the nearby kraals are deserted, of both people and animals. And eventually we have to leave it at the gate of an empty kraal, the closest one to where it found us, hoping that this might be its home. As we start to drive away, the kitten totters down the dirt road after us, a furry ball of khaki with irregular black spots, and Georgina bursts into tears. 'Over the kitten? Really?' I ask, gesturing around the ruins of the torture base and the mass graves. 'With all of this?' 'No,' she sniffs. 'It's not just the kitten. It's everyone here. They've all been abandoned. No one gives a **** about what happened to them. They're completely alone.
Peter Godwin (The Fear: Robert Mugabe and the Martyrdom of Zimbabwe)
Eventually everyone came out of the water and for hours and hours and hours we lay under the tree and talked and read and occasionally someone got up to throw a stick for the dogs and Piper played with Ding and made tiny woven wreaths of poppies and daisies to decorate his baby horns and Isaac whistled back and forth to a robin and Edmond just lay there smoking and telling me he loved me without saying anything out loud and if there ever was a more perfect day in the history of time it isn't one I've heard about. The sun waited to go down longer than usual that day so we kept putting off the moment we had to leave and the boys and dogs swam in the river again and eventually we all headed back practically in the dark, dog-tired and too happy to talk much. I guess there was a war going on somewhere in the world that night but it wasn't one that could touch us.
Meg Rosoff
Our bodies are just what hold us together, you know. They’re not who we really are. Everyone leaves them behind, eventually.
Jodi Picoult (The Book of Two Ways)
She'll leave eventually, like everyone does, and I'll still be here.
Emma Berquist
In a world that changes so quickly, and where everyone eventually leaves, our stuff is the one thing we can trust. It testifies, through the mute medium of Things, that we were part of something greater than ourselves.
Sarah Krasnostein (The Trauma Cleaner: One Woman's Extraordinary Life in the Business of Death, Decay, and Disaster)
A small portion of our population, over the past two decades, has been chanting incessantly for increased privatization of the material resources of the community, and some of them even doubt whether the goals of equality and social justice are capable of being addressed directly. They argue that economic growth will eventually trickle down and lift everyone up. For those at the bottom of the economic and social pyramid, it appears that the nation has forsaken those goals as unattainable at best and unworthy at worst. The neo-liberal agenda has increasingly eviscerated the state of stature and power, bringing vast benefits to the few, modest benefits for some, while leaving everybody else, the majority, behind… .
Paranjoy Guha Thakurta (Gas Wars: Crony Capitalism and the Ambanis)
FOR SOME TIME, I have believed that everyone should be allowed to have, say, ten things that they dislike without having to justify or explain to anyone why they don’t like them. Reflex loathings, I call them. Mine are: Power walkers. Those vibrating things restaurants give you to let you know when a table is ready. Television programs in which people bid on the contents of locked garages. All pigeons everywhere, at all times. Lawyers, too. Douglas Brinkley, a minor academic and sometime book reviewer whose powers of observation and generosity of spirit would fit comfortably into a proton and still leave room for an echo. Color names like taupe and teal that don’t mean anything. Saying that you are going to “reach out” to someone when what you mean is that you are going to call or get in touch with them. People who give their telephone number so rapidly at the end of long phone messages that you have to listen over and over and eventually go and get someone else to come and listen with you, and even then you still can’t get it. Nebraska. Mispronouncing “buoy.” The thing that floats in a navigation channel is not a “boo-ee.” It’s a “boy.” Think about it. Would you call something that floats “boo-ee-ant”? Also, in a similar vein, pronouncing Brett Favre’s last name as if the “r” comes before the “v.” It doesn’t, so stop it. Hotel showers that don’t give any indication of which way is hot and which cold. All the sneaky taxes, like “visitor tax” and “hospitality tax” and “fuck you because you’re from out of town tax,” that are added to hotel bills. Baseball commentators who get bored with the game by about the third inning and start talking about their golf game or where they ate last night. Brett Favre. I know that is more than ten, but this is my concept, so I get some bonus ones.
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
But there is a tension between the respect for diversity or individuality and the recognition of natural right. When liberals became impatient of the absolute limits to diversity or individuality that are imposed even by the most liberal version of natural right, they had to make a choice between natural right and the uninhibited cultivation of individuality. They chose the latter. Once this step was taken, tolerance appeared as one value or ideal among many, and not intrinsically superior to its opposite. In other words, intolerance appeared as a value equal in dignity to tolerance. But it is practically impossible to leave it at the equality of all preferences or choices. If the unequal rank of choices cannot be traced to the unequal rank of their objectives, it must be traced to the unequal rank of the acts of choosing; and this means eventually that genuine choice, as distinguished from spurious or despicable choice, is nothing but resolute or deadly serious decision. Such a decision, however, is akin to intolerance rather than to tolerance. Liberal relativism has its roots in the natural right tradition of tolerance or in the notion that everyone has a natural right to the pursuit of happiness as he understands happiness; but in itself it is a seminary of intolerance.
Leo Strauss (Natural Right and History (Walgreen Foundation Lectures))
As they talked, West reflected privately that he knew exactly why people confided in Tom Severin, who never muddled an issue with moralizing or judgements, and never tried to change your opinions or talk you out of wanting something. Severin was never shocked by anything. And although he could be frequently disloyal or dishonorable, he was never dishonest. "I'll tell you what your problem is," Severin eventually said. "It's feelings." West paused with a crystal glass of brandy close to his lips. "Do you mean that unlike you, I have them?" "I have feelings too, but I never let them turn into obstacles. If I were in your situation, for example, I would marry the woman I wanted and not worry about what was best for her. And if the children you raise turn out badly, that's their business, isn't it? They'll decide for themselves whether or not they want to be good. Personally, I've always seen more advantage in being bad. Everyone knows the meek won't really inherit the earth. That's why I don't hire meek people." "I hope you're never going to be a father," West said sincerely. "Oh, I will," Severin said. "I have to leave my fortune to someone, after all. I'd rather it be my own offspring- it's the next best thing to leaving it to myself.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Music is a form that tends to give shape to rules, social mores, social attitudes, feelings—it does this in a very beautiful, fluid way. To me the issue of form and formlessness is most strong in the theme of mortality versus a human wish for immortality of a sort. Take, for example, the definition of beauty in fashion. Remember what Alison says at the beginning? She says when she was young she didn’t know what beautiful was. She looked at this woman who everyone was saying was beautiful and she didn’t even know what they were talking about. I experienced that when I was a child. If I loved someone I thought they were really beautiful. And then eventually, I began to get it, the social concept of beauty. Not that I think beautiful is completely imaginary, but beauty is so wide ranging and fluid. Yet there’s a need to say: “This is what it is, and it’s not changing; we’re taking a picture of it to hold it still.” It’s like an impulse to put up a building meant to last forever. An urge to grab and hold something in place when nothing human can be grabbed and held in place. We come into these physical bodies . . . whatever we are takes this shape that is so particular and distinct—eyes, nose, mouth—and then it gradually begins to disintegrate. Eventually it’s going to dissolve completely. It’s a huge problem for people; we can understand it, but it breaks our hearts. And so we’re constantly trying to pin something down or leave a trace that will last forever. “And this is the only immortality you and I may share, my Lolita . . .” What other immortality will anyone share?
Mary Gaitskill
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
Stephanie Garber (Legendary (Caraval, #2))
Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.
Donna Tartt (The Secret History)
Sometimes we get a little bit of a facade. We think we have people. Family, friends ... but in the end, it's just you and the darkness. Everyone leaves eventually, my young friend. It's better, really, to learn it early. This way, you can save yourself some disappointment." He sighed then and slumped back against the wall once more. "Because believing you're not alone is the cruelest trick of all.
Morgan Matson
By Mendel’s time, plant breeding had progressed to a point where every region boasted dozens of local varieties of peas, not to mention beans, lettuce, strawberries, carrots, wheat, tomatoes, and scores of other crops. People may not have known about genetics, but everyone understood that plants (and animals) could be changed dramatically through selective breeding. A single species of weedy coastal mustard, for example, eventually gave rise to more than half a dozen familiar European vegetables. Farmers interested in tasty leaves turned it into cabbages, collard greens, and kale. Selecting plants with edible side buds and flower shoots produced Brussels sprouts, cauliflower, and broccoli, while nurturing a fattened stem produced kohlrabi. In some cases, improving a crop was as simple as saving the largest seeds, but other situations required real sophistication. Assyrians began meticulously hand-pollinating date palms more than 4,000 years ago, and as early as the Shang Dynasty (1766–1122 BC), Chinese winemakers had perfected a strain of millet that required protection from cross-pollination. Perhaps no culture better expresses the instinctive link between growing plants and studying them than the Mende people of Sierra Leone, whose verb for “experiment” comes from the phrase “trying out new rice.
Thor Hanson (The Triumph of Seeds: How Grains, Nuts, Kernels, Pulses, and Pips Conquered the Plant Kingdom and Shaped Human History)
Do you know what I think?"she asked, rearranging the blanket to wear around her shoulders like a shawl. "Not this again." "I think there's more to you than you let people believe. I think you actually do care what people think. Oh sure, it's fun having everyone think you're dangerous and cold, but inside, where it matters, you're just warm pudding." "Warm pudding?" "Quite," she uttered confidently, with a firm nod. The things that came out of that woman's mouth never failed to astound him. "Well, I'm going to... to leave now," he said slowly, as if he thought her the strangest creature on earth- just to tease her. When she laughed at herself, he smiled and muttered, "Good night, my sweet Charlotte." Fists on the edge of the couch, he made to push himself up. "Wait," she said. And he froze. Slowly, she sat up more fully, swinging her legs down. Which put her knees between his planted fists. He couldn't help but give a low chuckle. "Charlotte, if I didn't know you better, I would venture to say that you are deliberately tempting me." "Tempting you to what?" she asked, her tone utterly oblivious. He had had enough. "Remember that little problem I forewarned you about? The one about a man and a woman never being able to become friends because lust gets in the way? That eventually, one or both of us would end up wanting something very intimate from the other?" She nodded jerkily. "Well, I'm there. I've been there. For years.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Has he invited you to dinner, dear? Gifts, flowers, the usual?” I had to put my cup down, because my hand was shaking too much. When I stopped laughing, I said, “Curran? He isn’t exactly Mr. Smooth. He handed me a bowl of soup, that’s as far as we got.” “He fed you?” Raphael stopped rubbing Andrea. “How did this happen?” Aunt B stared at me. “Be very specific, this is important.” “He didn’t actually feed me. I was injured and he handed me a bowl of chicken soup. Actually I think he handed me two or three. And he called me an idiot.” “Did you accept?” Aunt B asked. “Yes, I was starving. Why are the three of you looking at me like that?” “For crying out loud.” Andrea set her cup down, spilling some tea. “The Beast Lord’s feeding you soup. Think about that for a second.” Raphael coughed. Aunt B leaned forward. “Was there anybody else in the room?” “No. He chased everyone out.” Raphael nodded. “At least he hasn’t gone public yet.” “He might never,” Andrea said. “It would jeopardize her position with the Order.” Aunt B’s face was grave. “It doesn’t go past this room. You hear me, Raphael? No gossip, no pillow talk, not a word. We don’t want any trouble with Curran.” “If you don’t explain it all to me, I will strangle somebody.” Of course, Raphael might like that . . . “Food has a special significance,” Aunt D said. I nodded. “Food indicates hierarchy. Nobody eats before the alpha, unless permission is given, and no alpha eats in Curran’s presence until Curran takes a bite.” “There is more,” Aunt B said. “Animals express love through food. When a cat loves you, he’ll leave dead mice on your porch, because you’re a lousy hunter and he wants to take care of you. When a shapeshifter boy likes a girl, he’ll bring her food and if she likes him back, she might make him lunch. When Curran wants to show interest in a woman, he buys her dinner.” “In public,” Raphael added, “the shapeshifter fathers always put the first bite on the plates of their wives and children. It signals that if someone wants to challenge the wife or the child, they would have to challenge the male first.” “If you put all of Curran’s girls together, you could have a parade,” Aunt B said. “But I’ve never seen him physically put food into a woman’s hands. He’s a very private man, so he might have done it in an intimate moment, but I would’ve found out eventually. Something like that doesn’t stay hidden in the Keep. Do you understand now? That’s a sign of a very serious interest, dear.” “But I didn’t know what it meant!” Aunt B frowned. “Doesn’t matter. You need to be very careful right now. When Curran wants something, he doesn’t become distracted. He goes after it and he doesn’t stop until he obtains his goal no matter what it takes. That tenacity is what makes him an alpha.” “You’re scaring me.” “Scared might be too strong a word, but in your place, I would definitely be concerned.” I wished I were back home, where I could get to my bottle of sangria. This clearly counted as a dire emergency. As if reading my thoughts, Aunt B rose, took a small bottle from a cabinet, and poured me a shot. I took it, and drained it in one gulp, letting tequila slide down my throat like liquid fire. “Feel better?” “It helped.” Curran had driven me to drinking. At least I wasn’t contemplating suicide.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
During packout, someone had forgotten to load one of the large plastic milk crates, leaving ten, one-gallon jugs of milk, packaged in a hard plastic compartmentalized container on the ground behind the vehicle. The crate was crushed under the truck’s frame and gallons of milk gushed down the street in a white frothy torrent. Our top sergeant was furious. Red faced and apoplectic, he began cussing and yelling at everyone until PJ Brian Berg calmly said, “ Sergeant Wagner, no sense crying over spilt milk!” Everyone cracked up and all semblance of discipline vanished as everyone laughed uncontrollably. Wagner eventually threw up his arms, acknowledging the hopelessness of trying to be serious in the face of a perfect retort and slunk sheepishly back into the truck.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
The same mis-location of the body explains many other intractable problems now facing much of our world: the sexualization of practically everything, abortion, eating disorders, and racial and other discriminations. All of these are rooted in taking the body-our own or that of others-to be the person and thereby depriving ourselves of the spiritual perspective on the person, which alone can enable us to cherish the body and its central role in our life. Body hatred also comes from disappointment about our future with it, even from outright fear of the body-of what it is going to do to us. Not accepting God as God puts us in his place, I have noted, and leaves us with nothing to trust and worship but our body and its natural powers. The frenzy over physical attractiveness that we see all around us today and the despair over its loss-eventually, in aging and death, for everyone-are the main characteristics of the contemporary climate of life.
Dallas Willard (Renovation of the Heart: Putting On the Character of Christ (Designed for Influence))
In a dream I sometimes have, I am frantically trying to save as much as I can from my childhood home before I am forced to leave forever because of some disaster. In this dream, from which I awake with my jaw clenched like a fist, I grab whatever I can reach, take whatever I can carry. Always my childhood books and our family photo albums, but sometimes also the silver candlesticks, the things on my father's desk, the paintings on the walls. Maybe it comes from the speed with which my family changed shape one day, maybe it comes from moving, maybe it comes from my grandmother's hinted horror of losing everything in the Holocaust, but I cannot part with a dented pot that I remember my mother putting on the stove each week. Or the sofa my father bought with his first pay cheque, which was never comfortable when I was growing up and is not comfortable now. I cannot part with the lipstick I found softly rolling in an empty drawer months after my mother left. Or a shopping list on an envelope in her handwriting. In a world that changes so quickly, and where everyone eventually leaves, our stuff is the one thing we can trust. It testifies, through the mute medium of Things, that we were part of something greater than ourselves.
Sarah Krasnostein (The Trauma Cleaner: One Woman's Extraordinary Life in the Business of Death, Decay, and Disaster)
Neoliberal ideology has radically altered our working lives, leaving us isolated and exposed. The ‘freedom and independence’ of the gig economy it celebrates, in which regular jobs are replaced by an illusion of self-employment, often translates into no job security, no unions, no health benefits, no overtime compensation, no safety net and no sense of community. In 1987, Margaret Thatcher said the following in a magazine interview: I think we have gone through a period when too many children and people have been given to understand ‘I have a problem, it is the Government’s job to cope with it!’ or ‘I have a problem, I will go and get a grant to cope with it!’, ‘I am homeless, the Government must house me!’ And so they are casting their problems on society, and who is society? There is no such thing! There are individual men and women and there are families, and no government can do anything except through people and people look to themselves first.8 As always, Thatcher was faithfully repeating the snake-oil remedies of neoliberalism. Precious few of the ideas attributed to her were her own. They were formulated by men like Hayek and Friedman, then spun by the think tanks and academic departments of the Neoliberal International. In this short quote, we see three of the ideology’s core tenets distilled: First, everyone is responsible for their own destiny, and if you fall through the cracks, the fault is yours and yours alone. Second, the state has no responsibility for those in economic distress, even those without a home. Third, there is no legitimate form of social organization beyond the individual and the family. There is genuine belief here. There is a long philosophical tradition, dating back to Thomas Hobbes,9 which sees humankind as engaged in a war of ‘every man against every man’. Hayek believed that this frantic competition delivered social benefits, generating the wealth which would eventually enrich us all. But there is also political calculation. Together we are powerful, alone we are powerless. As individual consumers, we can do almost nothing to change social or environmental outcomes. But as citizens, combining effectively with others to form political movements, there is almost nothing we cannot do. Those who govern on behalf of the rich have an incentive to persuade us we are alone in our struggle for survival, and that any attempts to solve our problems collectively – through trade unions, protest movements or even the mutual obligations of society – are illegitimate or even immoral. The strategy of political leaders such as Thatcher
George Monbiot (The Invisible Doctrine: The Secret History of Neoliberalism (& How It Came to Control Your Life))
I have questions," she said. "Ask away." Poppy decided to be blunt. "Are you dangerous? Everyone says you are." "To you? No." "To others?" Harry shrugged innocently. "I'm a hotelier. How dangerous could I be?" Poppy gave him a dubious glance, not at all deceived. "I may be gullible, Harry, but I'm not brainless. You know the rumors... you're well aware of your reputation. Are you as unscrupulous as you're made out to be?" Harry was quiet for a long moment, his gaze fixed on a distant cluster of blossoms. The sun threw its light into the filter of branches, scattering leaf shadows over the pair in the arbor. Eventually he lifted his head and looked at her directly, his eyes greener than the sun struck rose leaves. "I'm not a gentleman," he said. "Not by birth, and not by character. Very few men can afford to be honorable while trying to make a success of themselves. I don't lie, but I rarely tell everything I know. I'm not a religious man, nor a spiritual one. I act in my own interests, and I make no secret of it. However, I always keep my side of a bargain, I don't cheat, and I pay my debts." Pausing, Harry fished in his coat pocket, pulled out a penknife, and reached up to cut a rose in full bloom. After neatly severing the stem, he occupied himself with stripping the thorns with the sharp little blade. "I would never use physical force against a woman, or anyone weaker than myself. I don't smoke, take snuff, or chew tobacco. I always hold my liquor. I don't sleep well. And I can make a clock from scratch." Removing the last thorn, he handed the rose to her, and slipped the knife back into his pocket. Poppy concentrated on the satiny pink rose, running her fingers along the top edges of the petals.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Strasberg. But during the spring and throughout the summer Lee lived in L.A., and for those months it was the master himself who taught at this little neighborhood residence. The lights went down and the first scene was up. I wasn’t familiar with A Moon for the Misbegotten, but even if I’d known it well, I wouldn’t have completely understood what was happening because whatever the two actors were working on, being heard wasn’t one of them. It didn’t matter. Their focus made it worth holding my breath to catch whatever words I could, as if we, the audience, were eavesdropping on something personal happening between these two people, something that they would hide if our presence were known. After the scene, the actors gathered their things and adjusted their clothes, never looking out at the watchers, talking only to each other, as if allowing themselves the few moments it takes to leave the privacy of concentration. Tucking their emotions out of sight, just as they tucked in their shirts and tied their shoes. Eventually they sat on the edge of the stage with varying degrees of awkward composure until the moderator (I’m sorry to say I don’t remember who it was that night) asked them what they’d been working on. After the actors explained their tasks, the moderator gave comments and finally asked for comments from the audience—all actors and members or, like me, invited observers. When the short break ended, everyone took their seats again and quieted as a tall, striking woman, a character actor I vaguely recognized, moved to center stage, keeping her eyes down. She stood still for what seemed to be a long time, then began
Sally Field (In Pieces)
From everyone’s. You will probably defeat us. But not all of us. And then what will you do? Leave a garrison? For ever? And eventually a new generation will retaliate. Why you did this won’t mean anything to them. You’ll be the oppressors. They’ll fight. They might even win. And there’ll be another war. And one day people will say: why didn’t they sort it all out, back then? On the beach. Before it all started. Before all those people died. Now we have that chance. Aren’t we lucky?
Terry Pratchett (Small Gods (Discworld, #13))
...Death often likes to arrive unnoticed. Unheralded. Like a guest who is unfashionably early for a party, Death likes to slip in among the other visitors before anyone has a chance to notice he is present. Seldom is he invited., he simply assumes that, eventually, everyone will want him there. Such is his prowess. When the other guests see Death--guests like Pain, who is doubled over in the corner; Grief, the puddle in the middle of the room; and Sadness, hiding pathetically within the shadow of the door--they all look away for fear that they might make eye contact with him. Although Death shows up without an escort, he never leaves the party alone.
Kathy E. Magliato
Death often likes to arrive unnoticed. Unheralded. Like a guest who is unfashionably early for a party, Death likes to slip in among the other visitors before anyone has a chance to notice he is present. Seldom is he invited, he simply assumes that, eventually, everyone will want him there. Such is his prowess. When the other guests see Death--guests like Pain, who is doubled over in the corner; Grief, the puddle in the middle of the room; and Sadness, hiding pathetically within the shadow of the door--they all look away for fear that they might make eye contact with him. Although Death shows up without an escort, he never leaves the party alone. He always takes Life with him, clinging to his arm, when he departs.
Kathy E. Magliato
Imagine this: summer leaves are blanketing the park under a cloudless sky and a gentle breeze is lifting along the shouts and laughter of children. Some children are running around tirelessly while others are just hanging around talking or engaged in some activity that only other children fully understand. Amidst this typical scenario, one can almost always find a parent chasing a child who is seemingly full of boundless energy, as he races around, going up and down the slide over and over, climbing the monkey bars, and clowning around with almost everyone despite the repeated warnings and reminders from the exhausted parent. But the child appears to not even hear the warnings and reminders, or chooses to ignore them. Eventually, the poor parent cannot keep up anymore, as she has run around until she has gotten so tired, that she feels like smacking her head against a tree or brick wall.
Wells Emery (ADHD in Children - An Essential Guide for Parents)
there is a man who is mentioned in the Book of Exodus who is named “Nahshon.” And when Moses calls on God to part the Red Sea, as this version of the story goes, it doesn’t automatically part. Instead, everyone stands there wondering why nothing is happening. But then Nahshon steps out into the water. First one step. Then another. The water gets up to his ankles, up to his knees, up to his hips and shoulders. And finally, when it is up to his nose, the water finally parts. I like that telling of the story because I believe that God could have parted those waters in one fell swoop. I believe that the Israelites could have seen the shore and known that they were going to be safe from the get-go. But I believe that sometimes God asks us to show a little bit of faith, and a little bit of commitment. Sometimes God wants us to be a Nahshon, and so God lets us get nose-deep in the waters. That’s not because God is toying with us, or being sadistic. Instead, that’s because God is preparing us for something better. God is using our faith and our hope to shape us and to teach us that our actions, our responses, matter too. The name “Nahshon” is sometimes used to mean “an initiator.” That’s what he did that day. He took the initiative and started the crossing. And there are some who push this text even further and say that even after he got nose deep, and even after the sea started to part, it was a gradual process. The people took one step, and a little more of the sea parted. And then another, and it parted more. And another, and another, trusting that if they just took the next right step, God would show them the next place after that. And eventually, God would lead them to dry ground. When you think about it, that’s what the journey of faith is like. We don’t get to see the end. We don’t get to see dry land on our first step. But sometimes we get to see just enough to know where to take the next right step. And then we step out in faith believing that God won’t leave us stranded, and that the waters will not overpower us. We step out believing that God will make a way.
Emily C. Heath (Glorify: Reclaiming the Heart of Progressive Christianity)
This is the lesson: Great cities are like any other living things, being born and maturing and wearying and dying in their turn. Duh, right? Everyone who’s visited a real city feels that, one way or another. All those rural people who hate cities are afraid of something legit; cities really are different. They make a weight on the world, a tear in the fabric of reality, like… like black holes, maybe. Yeah. (I go to museums sometimes. They’re cool inside, and Neil deGrasse Tyson is hot.) As more and more people come in and deposit their strangeness and leave and get replaced by others, the tear widens. Eventually it gets so deep that it forms a pocket, connected only by the thinnest thread of… something to… something. Whatever cities are made of.
N.K. Jemisin (The City We Became (Great Cities, #1))
Sometimes I’m afraid to love other people. Everyone I care about eventually leaves me, whether it’s death or war or simply because they don’t want me. They go places I can’t find, places I can’t reach. And I’m not afraid to be alone, but I’m tired of being the one left behind. I’m tired of having to rearrange my life after the people within it depart, as if I’m a puzzle and I’m now missing pieces and I will never feel that pure sense of completion again.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
A guy once asked me to go with him to Indonesia to help people after the latest tsunami hit. I said yes. I had no idea what I was doing. We arrived in Banda Aceh two weeks after the destruction. (Indonesia alone lost a mind-bending two hundred thousand lives.) We weren’t welcomed by everyone. Most people love the help, sure. But I felt unwelcome when a group of Muslim separatists threatened to kill us. (I have a sixth sense about this kind of thing.) They were opposed to Western interference in Aceh and didn’t want us saying anything about Jesus. I just wanted to help some people. I also wanted a hotel. I wanted a safer place. I didn’t want to die. I had no idea what I was getting into. We took supplies to what was, before the tsunami, a fishing village. It was now a group of people living on the ground, some in tents. I just followed what the rest of our little group was doing. They had more experience. We distributed the food, housewares, cooking oil, that sort of thing, and stayed on the ground with them. That’s how our little disaster-response group operated, even though I wanted a hotel. They stayed among the victims and lived with them. After the militant group threatened to slit our throats, I felt kind of vulnerable out there, lying on the ground. As a dad with two little kids, I didn’t sign up for the martyr thing. I took the threat seriously and wanted to leave. The local imam resisted our presence, too, and this bugged me. “Well, if you hate us, maybe we should leave. It’s a thousand degrees, we’ve got no AC or running water or electricity, and your co-religionists are threatening us. So, yeah. Maybe let’s call it off.” But it wasn’t up to me, and I didn’t have a flight back. As we helped distribute supplies to nearby villages, people repeatedly asked the same question: “Why are you here?” They simply couldn’t understand why we would be there with them. They told us they thought we were enemies. One of the members of our group spent time working in a truck with locals, driving slowly through the devastation, in the sticky humidity, picking up the bodies of their neighbors. They piled them in the back of a truck. It was horrific work. They wore masks, of course, but there’s no covering the smell of death. The locals paused and asked him too: “Why? Why are you here?” He told them it was because he worshiped Jesus, and he was convinced that Jesus would be right there, in the back of the truck with them. He loves them. “But you are our enemy.” “Jesus told us to love our enemies.” The imam eventually warmed up to us, and before we left, he even invited our little group to his home for dinner! We sat in his home, one of the few in the area still standing. He explained through an interpreter that he didn’t trust us at first, because we were Christians. But while other “aid” groups would drive by, throw a box out of a car, and get their pictures taken with the people of his village, our group was different. We slept on the ground. He knew we’d been threatened, he knew we weren’t comfortable, and he knew we didn’t have to be there. But there we were, his supposed enemies, and we would not be offended. We would not be alienated. We were on the ground with his people. His wives peered in from the kitchen, in tears. He passed around a trophy with the photo of a twelve-year-old boy, one of his children. He told us the boy had been lost in the tsunami, and could we please continue to search for him? Was there anything we could do? We were crying too.
Brant Hansen (Unoffendable: How Just One Change Can Make All of Life Better)
The world into which we are born is imagined as a stage full of actors but with no script, or director. Everyone assumes they are the hero, but discover they are not the protagonists of the ongoing play. We are forced to play certain roles and speak certain dialogues. But we revolt. We want our own script to be performed and our own dialogues to be heard. So we negotiate with fellow actors. Some succeed in getting heard with some people, others fail with most people, no one succeeds with everybody. We cling to our scripts, submit to other people’s scripts, speak dialogues we do not want to, only to stay relevant and connected to the larger narrative, or at least to a subplot. Heroes emerge. Villains emerge. Heroes of one plot turn out to be villains of other plots. Eventually, all leave the stage but the play continues. Who knows what is actually going on? Vishnu,
Devdutt Pattanaik (My Gita)
I turned to leave him, but he caught my wrist again and gently tugged me to his side.  He brought my hand to his mouth, kissed the back of it, then my knuckles.  I felt a tug in my stomach.  That stupid, annoying, kinda-growing-on-me-a-lot pull which tied us together.  My annoyance at him evaporated.  Unable to help myself, I brushed my fingers through his hair.  I liked the feel of it. “I’ve lost everyone that’s ever really mattered to me.  I thought caring about a werewolf would be safer,” I admitted softly. He raised his head to look at me for a long moment then pulled me into his arms. Normally, I wouldn’t like someone hugging me like that.  But with Clay, it felt safe.  I hugged him back gently, not wanting to hurt him more, and hoped the safety I felt wasn’t because I’d already lost too much of my heart to him.  I’d never fully recovered from losing my mom or grandma.  I doubted I could lose much more and remain the same person.  Losing Clay, even now, might break me. Eventually,
Melissa Haag (Hope(less) (Judgement of the Six #1))
In general, repression had been good to Luka. As he’d discovered through talking with the copy of Ellie he’d brought with him from the San Francisco, repression had enabled him to function in circumstances where others might have given up. But repression was only one tool, and Luka now knew that the structures one built were often defined—or at least profoundly influenced—by the tools one used to build them. Repression was like constantly building upward in order to avoid the work of building out a more stable foundation, but eventually the instability compounded to the point where your life had no choice but to topple. Another problem with the past was that every year, it came back around. The cycle of the Gregorian calendar was like the constant rotation of a cylinder with 365 chambers, and the longer you lived, the more rounds filled those holes. Except these bullets were never fully spent, and rather than proving lethal, the wounds they left were a gradual accumulation of debilitating injury. A much better calendrical system would have been one where days never repeated; where lives were marked with infinitely incrementing integers, constantly leaving the things everyone wanted to forget further and further behind; where every second of every day was a chance to completely reinvent oneself out of newly created time that had no inherent knowledge whatsoever of the past. In the one year since Luka and Ayla had been alone together aboard the Hawk, they had each experienced a lot of anniversaries: the days they’d left their home pod systems as children; the times each had lost people they loved; the moments they’d been forced right up to the very edge of death—in fact, well past the point of peace and acceptance—only to be unexpectedly pulled back into the worlds they thought they were finally leaving behind. And the day that was
Christian Cantrell (Equinox (Containment, #2))
Lass, I know that ye have been searching for the ring so that ye can go home. While, we were away, Arran found it.” “He did?” Shocked, I tried to normalize my expression as he continued.  “Aye,” he paused to retrieve it and held it out to me, eventually setting it in between us when I didn’t reach out for it.  “I almost threw it in the ocean.” “You what?” The pitch of my voice was oddly high and screechy, making me sound angry rather than shocked.  “Aye, lass. I’m verra sorry, but I dinna want to give ye the ring. I know that I canna keep it from ye, but I’d like to ask ye something before I let ye have it.” “Of course.” My heart restarted as hope began to crawl through the fear rooted in my stomach.  “Doona go, lass.” He squeezed my hands tightly in between his own, and I was sure my heart was going to burst with happiness. “I’ve fallen in love with ye, Bri, and I doona wish to be parted from ye. If ye doona love me, I shall give ye the ring, but I could no let ye leave without telling ye.” My voice cracked as I spoke to him, and a tear broke free from my left eye. “No.” He didn’t give me a chance to finish. “I’m so verra sorry for keeping the ring from ye, lass. I just wasna ready to let ye go.” I pried my hands loose and reached up to grab hold of his face. “No, listen. Let me finish.” He stopped talking, pursing his lips awkwardly like a fish, and I couldn’t help but laugh. “Its no so funny, lass. Ye’re breaking my heart. I only ask that ye do it swiftly.” “Hush. It is funny. Your face looks ridiculous. I meant, ‘no,’ I’m not mad at you. I had something to tell you tonight as well.” “Aye?” “I was going to tell you that I wanted to stop looking for the ring. I can’t leave here. This is my home now and I’ve fallen in love with everyone. Mary, Kip, Arran, Griffin, even you.” I winked at him before continuing, “Before, I only thought I had to go back because of my mother and Blaire. She deserved the chance to return to her home, but she doesn’t want it. “How do ye know, lass?” “It’s the spell book. We can write messages to one another that cross over through time. My mother knows I’m safe here, and as long as she knows that, she’ll be okay with my decision. And Blaire, she said she wants to stay. That means I’m free, Eoin. I’m free to stay with you. If you’ll have me?” “Have ye, lass? Did ye no just hear what I said to ye? I’ll have ye and ye alone.
Bethany Claire (Love Beyond Time (Morna's Legacy, #1))
At the beginning of an address to an audience of 150 employees at their annual company retreat, I asked everyone to stand up. Then I asked everyone who did not have goals to sit down. A handful of people sat. I then asked everyone who did not have written goals to sit down. Unfortunately, but not surprisingly, all but about twenty people sat. Next, I asked those remaining to sit down unless they had written goals for more than just their career or financial life. That eliminated another twelve, leaving only eight of 150 people who had written goals targeting more than finances or career. I asked the remaining eight to sit down unless they had a written plan that accompanied their goals. That question filtered out five more, leaving three of 150 who had written goals and a plan in more than just the financial area. I asked the remaining three (all senior management, including the company president) to sit down unless they reviewed their goals on a daily basis. Only one person remained standing (a vice president of sales). Only one in 150 had written goals in more areas than just financial, had a plan for accomplishing them, and reviewed the goals daily. This is consistently what I’ve found over the years as I’ve surveyed the attendees in my public events. Invariably, less than 3 percent have written goals, and even those who have written down their goals have often done so only regarding finances or career. You may have heard of the 1953 study of Yale graduates. The subjects were periodically interviewed and followed by researchers for more than twenty years. Eventually the graduates were again interviewed, tested, and surveyed. Results showed that 3 percent of the Yale graduates earned more money than all the other 97 percent put together! The only difference between them was the top 3 percent had written goals and a plan of action for those goals, which they reviewed daily. Harvard University later did a study of business-school graduates from the class of 1979. They found that, other than to “enjoy themselves,” 84 percent of the class had no goals at all. Thirteen percent had goals and plans but had not written them down. Only 3 percent of the Harvard class had written goals accompanied by a plan of action. In 1989, the class was resurveyed. The results showed that the 13 percent who at least had mental goals were earning twice as much as the 84 percent with no goals. However, the 3 percent who had written down their goals and drafted a plan of action were earning ten times as much as the other 97 percent combined! The point is clear: Having written goals will make you more successful, and having written, well-planned goals that you review daily will make you super successful.
Tommy Newberry (Success Is Not an Accident: Change Your Choices; Change Your Life)
Many people today have an irrational—almost phobic—fear of hunger. We live in a society that teaches us that it isn’t ever good to be hungry, and that hunger can even be dangerous. Of course, this is partly true since everyone needs to eat, and when you’re hungry it triggers the reactive part of the survival instinct (which says “I must eat in order to survive”). Nonetheless, when you know how to manipulate hunger correctly, it will serve you in many positive ways. Hunger will trigger the active part of the survival instinct—that which makes you more alert, ambitious, competitive, and creative. Throughout history, humans have had to contend with hunger, and not just because they were unable to afford food or suffered from drought and famine. Learning to deal with hunger was also practiced intentionally, to make people tougher and stronger, thereby more resilient to life’s hardships. The historical correlation between hunger and freedom is quite evident. During the period when the Bible was written, and later, during the Roman Empire, hunger and fasting were considered an integral part of life for free people, warriors, and those who wandered. Slaves, on the other hand, were fed frequently throughout the day. The Israelite slaves’ first complaint after leaving Egypt was of hunger, and they wandered in the desert for forty years, adapting and eventually becoming a free nation. Only the second generation of those escaped from Egypt reached the Promised Land. I firmly believe that hunger triggers the Warrior Instinct, and if it’s under control it will give you a “sense of freedom.” I also believe that frequently feeding—due to a fear of hunger—may, to put it strongly, create a “slave mentality,” because when fed continually, people tend to become more lethargic and submissive—and thus easily controlled. One could almost consider food abundance a less drastic or obvious form of “opiates for the masses.” How
Ori Hofmekler (The Warrior Diet: Switch on Your Biological Powerhouse For High Energy, Explosive Strength, and a Leaner, Harder Body)
One random Friday, the president announced that an asteroid was on a collision course for Earth. My world and everyone else’s—the entire planet—fell into chaos. Everything that was capable of collapsing eventually did. My grandfather showed up the next day as stores were being ransacked and riots were erupting in the streets. He begged us to run. Escape to his survival-adapted cabin in the middle of nowhere where he’d stored up years’ worth of food and provisions. My parents finally agreed, but they insisted on taking the time to pack all their favorite possessions while Grandpa and I waited impatiently in his old truck. The delay was a mistake. Large groups of violent looters were already hitting the wealthy neighborhoods in town, plundering houses and killing anyone who resisted. My mom and dad didn’t resist. Neither of them had ever thrown a punch or loaded a gun in their lives. But they were killed anyway, and Grandpa and I barely made it out of there alive. By then the interstates and highways were impossible, clogged with cars and roadblocked by aggressive militia groups whose day had finally arrived. Grandpa took us on smaller back roads, shooting at or running over anyone who tried to stop us, until we reached his remote cabin and left the remains of civilization behind. We stayed there—living off everything he’d stored up and using the self-sustaining energy and plumbing systems he’d installed—for more than eight years. A couple of years ago, as our supplies were running low, we realized we’d finally have to leave the safe isolation of our home long enough to scavenge for food and provisions. This region of the Ozarks was abandoned a long time ago as the protected forests and uncultivated wildland overtook the former pockets of residents, but there are still plenty of abandoned buildings remaining.
Claire Kent (Homestead (Kindled, #7))
The Path of the 99% Purely, statistically speaking (and nothing personal intended), it is almost certain you won’t make an investment in a franchise either. You will probably complain about the way things are, dream about what could be, take a brief stand for yourself by declaring, “I am tired placing my future in the hands of others. Now it’s my turn!” Then you’ll Google franchise opportunities, visit franchisor homepages, gather stacks of franchisor brochures, research companies, talk to people and professionals you trust, and have conversations with franchisors. You’ll feel proactive. You’ll tell your friends you’re considering buying a business. Chances are they thought about it, too. Some will be happy for you, some will be jealous, some will be afraid for you. Virtually everyone will share their strong opinions with you. You’ll dream about what it would be like to be your own boss. You’ll think about your customers and employees. You’ll make clever little charts such as the T Bar, where you neatly list all the pros on the left side of the page, balanced by the cons on the right side. Then the time will come to make a decision. Fear, doubt, and negative self-chatter (yours, your spouse’s, your kids’, your parents,’ your friends’, and your hired professionals’) will kick into high gear. Eventually, you probably will make a fear-based “no” decision, backed by the logic of your neatly listed cons. “The business has fatal flaws,” you think, “Employee turnover is too high. Competition is too fierce. The business is too risky. Sure, it may work in some areas, but everyone knows our town is different.” And with everything going on in your life, the timing couldn’t be worse. Yes, you are being completely responsible with your resources. You didn’t work this hard and long and sacrifice this much to lose what you’ve earned and saved. Moving forward with a franchise would put your family in danger. If you leave your company, you will lose your insurance benefits and 401(k). What if someone in your family had to go to hospital? How would you survive without insurance? Plus, your industry is changing so fast, in a few years your expertise would be obsolete and it would be impossible for you to regain entry if your business didn’t make it. Certainly almost every reasonable person armed with the same research and faced with the same personal challenges you have would naturally come to the same conclusion. And you are right. 99 percent do.
Joe Mathews (Street Smart Franchising)
It is a huge slab of dark stone, square and rough, like the rocks at the bottom of the chasm. A large crack runs through the middle of it, and there are streaks of lighter rock near the edges. Suspended above the slab is a glass tank of the same dimensions, full of water. A light placed above the center of the tank shines through the water, refracting as it ripples. I hear a faint noise, a drop of water hitting the stone. It comes from a small tube running through the center of the tank. At first I think the tank is just leaking, but another drop falls, then a third, and a fourth, at the same interval. A few drops collect, and then disappear down a narrow channel in the stone. They must be intentional. “Hello.” Zoe stands on the other side of the sculpture. “I’m sorry, I was about to go to the dormitory for you, then saw you heading this way and wondered if you were lost.” “No, I’m not lost,” I say. “This is where I meant to go.” “Ah.” She stands beside me and crosses her arms. She is about as tall as I am, but she stands straighter, so she seems taller. “Yeah, it’s pretty weird, right?” As she talks I watch the freckles on her cheeks, dappled like sunlight through dense leaves. “Does it mean something?” “It’s the symbol of the Bureau of Genetic Welfare,” she says. “The slab of stone is the problem we’re facing. The tank of water is our potential for changing that problem. And the drop of water is what we’re actually able to do, at any given time.” I can’t help it—I laugh. “Not very encouraging, is it?” She smiles. “That’s one way of looking at it. I prefer to look at it another way—which is that if they are persistent enough, even tiny drops of water, over time, can change the rock forever. And it will never change back.” She points to the center of the slab, where there is a small impression, like a shallow bowl carved into the stone. “That, for example, wasn’t there when they installed this thing.” I nod, and watch the next drop fall. Even though I’m wary of the Bureau and everyone in it, I can feel the quiet hope of the sculpture working its way through me. It’s a practical symbol, communicating the patient attitude that has allowed the people here to stay for so long, watching and waiting. But I have to ask. “Wouldn’t it be more effective to unleash the whole tank at once?” I imagine the wave of water colliding with the rock and spilling over the tile floor, collecting around my shoes. Doing a little at once can fix something, eventually, but I feel like when you believe that something is truly a problem, you throw everything you have at it, because you just can’t help yourself.
Veronica Roth (The Divergent Library: Divergent; Insurgent; Allegiant; Four)
Overcrowding works in a different way for creators than for viewers. For creators, the problem becomes—how do you stand out? How do you get your videos watched? This is particularly acute for new creators, who face a “rich get richer” phenomenon. Across many categories of networked products, when early users join a network and start producing value, algorithms naturally reward them—and this is a good thing. When they do a good job, perhaps they earn five-star ratings, or they quickly gain lots of followers. Perhaps they get featured, or are ranked highly in popularity lists. This helps consumers find what they want, quickly, but the downside is that the already popular just get more popular. Eventually, the problem becomes, how does a new member of the network break in? If everyone else has millions of followers, or thousands of five-star reviews, it can be hard. Eugene Wei, former CTO of Hulu and noted product thinker, writes about the “Old Money” in the context of social networks, arguing that established networks are harder for new users to break into: Some networks reward those who gain a lot of followers early on with so much added exposure that they continue to gain more followers than other users, regardless of whether they’ve earned it through the quality of their posts. One hypothesis on why social networks tend to lose heat at scale is that this type of old money can’t be cleared out, and new money loses the incentive to play the game. It’s not that the existence of old money or old social capital dooms a social network to inevitable stagnation, but a social network should continue to prioritize distribution for the best content, whatever the definition of quality, regardless of the vintage of user producing it. Otherwise a form of social capital inequality sets in, and in the virtual world, where exit costs are much lower than in the real world, new users can easily leave for a new network where their work is more properly rewarded and where status mobility is higher.75 This is true for social networks and also true for marketplaces, app stores, and other networked products as well. Ratings systems, reviews, followers, advertising systems all reinforce this, giving the most established members of a network dominance over everyone else. High-quality users hogging all of the attention is the good version of the problem, but the bad version is much more problematic: What happens, particularly for social products, when the most controversial and opinionated users are rewarded with positive feedback loops? Or when purveyors of low-quality apps in a developer platform—like the Apple AppStore’s initial proliferation of fart apps—are downloaded by users and ranked highly in charts? Ultimately, these loops need to be broken; otherwise your network may go in a direction you don’t want.
Andrew Chen (The Cold Start Problem: How to Start and Scale Network Effects)
Sometimes I'm afraid to love other people. Everyone I care eventually leaves me, whether it's death or war or simply because they don't want me. They go places I can't find, places I can't reach. And I'm not afraid to be alone, but I'm tired of being the one left behind. I'm tired of having to rearrange my life after the people within it depart, as if I'm a puzzle and I'm now missing pieces and I will never feel the pure sense of completion again.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
After a chronic illness is diagnosed, everyone comes around the sick person. But years later it is easy to forget or say surely it is not that bad; it must be in his head. But over time he will watch his life eroded by the disease as it eats away at his body and his capacities. He will struggle with depression. His grief will be relentless. He will grieve his inability to do what his heart longs to do. He may eventually go from a full-orbed life to a bed. If he takes medication, he will suffer from side effects that will debilitate him in additional ways. His sleep will suffer, he will endure pain, and the daily care of his body will absorb more and more of his energy. This could last for decades. What will such a man need from you? How will you handle all of his emotions? Can you allow him to grieve, weep, and ask questions? Can you endure with him what he has no choice to endure? You will get tired of his illness and his limitations—so will he. You can leave; he cannot. Many will leave or forget. Grief does not come in neat packages.
Diane Langberg (Suffering and the Heart of God: How Trauma Destroys and Christ Restores)
Everyone I care about eventually leaves me, whether it’s death or war or simply because they don’t want me. They go places I can’t find, places I can’t reach. And I’m not afraid to be alone, but I’m tired of being the one left behind. I’m tired of having to rearrange my life after the people within it depart, as if I’m a puzzle and I’m now missing pieces and I will never feel that pure sense of completion again.
Rebecca Ross
Everyone I care about eventually leaves me, whether it’s death or war or simply because they don’t want me. They go places I can’t find, places I can’t reach. And I’m not afraid to be alone, but I’m tired of being the one left behind. I’m tired of having to rearrange my life after the people within it depart, as if I’m a puzzle and I’m now missing pieces and I will never feel that pure sense of completion again.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Your kids abandon you, your husband leaves you, your best friend hates you, and eventually everyone dies. Trust me on this: at the end of the day, all you have is yourself.
Shubnum Khan (The Djinn Waits a Hundred Years)
Sometimes I’m afraid to love other people. Everyone I care about eventually leaves me, whether it’s death or war or simply because they don’t want me. They go places I can’t find, places I can’t reach. And I’m not afraid to be alone, but I’m tired of being the one left behind. I’m tired of having to rearrange my life after the people within it depart, as if I’m a puzzle and I’m now missing pieces and I will never feel that pure sense of completion again. I lost someone close to me, yesterday. It doesn’t feel real yet.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
It is the learned behavior of the daughter to put everyone else first out of fear of losing the relationship. This often leads to a lot of resentment, which eventually leaves the daughter feeling conflicted: while she needs the social connection, she resents the familiar feeling of being devalued.
Brenda Stephens (Recovering from Narcissistic Mothers: A Daughter's Guide)
Sometimes I’m afraid to love other people. Everyone I care about eventually leaves me, whether it’s death or war or simply because they don’t want me. They go places I can’t find, places I can’t reach. And I’m not afraid to be alone, but I’m tired of being the one left behind. I’m tired of having to rearrange my life after the people within it depart, as if I’m a puzzle and I’m now missing pieces and I will never feel that pure sense of completion again. I lost someone close to me, yesterday. It doesn’t feel real yet. And I’m not sure who you are, where you are. If you are breathing the same hour, the same minute as me, or if you are decades before or years to come. I don’t know what is connecting us—if it’s magical thresholds or conquered god bones or something else we’ve yet to discover. Most of all, I don’t know why I’m writing to you now. But here I am, reaching out to you. A stranger and yet a friend. All those letters of mine you received for several months … I thought I was writing to Forest. I wrote with the unfaltering, teeth-clenched hope that they would reach him despite the kilometers between us. That my brother would read my words, even if they were minced with pain and fury, and he would come home and fill the void I feel and fix the messiness of my life. But I realize that people are just people, and they carry their own set of fears, dreams, desires, pains, and mistakes. I can’t expect someone else to make me feel complete; I must find it on my own. And I think I was always writing for myself, to sort through my loss and worry and tangled ambitions. Even now, I think about how effortless it is to lose oneself in words, and yet also find who you are. I hope I’m making sense. I’m probably not, because I’m writing to you but I’m also writing for me. And I don’t expect you to respond, but it helps to know someone is hearing me. Someone is reading what I pour onto a page. It helps to know that I’m not alone tonight, even as I sit in quiet darkness.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Everyone dies. Everyone leaves, somehow. Everyone lets you down, eventually.
Clare Sager (Against Dark Tides (Beneath Black Sails, #2))
After a tearful parting from Elizabeth and her family, we climbed into the back of the postal van. Adventurous Brigitte climbed onto the armoire that was tied down, however Ursula and I found room sitting on a mattress. I had to console poor Ursula since we had to leave her Mama doll behind; it was far too dangerous to take it along. At the bridge there would be officials, soldiers and throngs of people. It was a chance we just couldn’t take! The drive was uneventful and the mattress even made the ride relatively comfortable. We approached the river and as expected we were stopped at the bridge. Although I couldn’t see anything in the darkness of the van I could hear Fritz talking to some officials in a remarkably relaxed and friendly way. They apparently were satisfied with the story concerning his furniture. It seemed that everyone was using official vehicles for their own use, since private vehicles were almost non-existent. With this they slapped the side of the van and let us pass. We continued across the bridge without incident and at last I was back in a part of Germany that I felt I knew. We were no sooner in the city of Mannheim than Fritz stopped the truck. He threw open the doors and told us to get out. “I don’t have time, I have to get rid of my furniture and return this van,” he said. I think the realization of what could have happened, had we been detected unsettled him, and he didn’t want to take any more chances. I looked around but had no idea of where I was. There was refuse on the streets and heaps of rubble that hadn’t been cleared away yet. Most of the street signs were missing but eventually we managed to get our luggage to a corner that I recognized.
Hank Bracker
After six months of hardship and going to therapy three times a week, Sandy’s now elated. She realized—as has almost everyone I know who has been left or broken up with—that, by divorcing her, her husband relieved her of the job of eventually leaving him. As my mom has said, when one person is unhappy, it usually means two people are unhappy but that one has not come to terms with it yet. Sandy hadn’t realized how unhappy she was until he was gone.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Dear Goodreads diary, Thanks for receiving me all this time with hands wide open… Thanks for being patient to listen to all my gibberish. Still, I gotta go now. I’ll be absent for some time… But I want to tell you one last story… 2 years ago, a little boy came to me and asked for my help. He was desperate and tired of his life. He asked for my friendship and I was reluctant to accept his offer. I’ve always denied his emails or text messages. I know that boys are BASTARDS, though he looked like a little bird, lost and without wings…The way he talks in missing and dreams, oh GOD I wanna forget about all… it disgusts me each time to remember that he didn’t respect that I’m a conservative girl and tried his ways on me even though I’ve always asked him to stop it…. I mean, I’m 5 years older than him…. His father got sick. They reaaaaaaaally needed help. Though I’ve always known he was a “bastard” like everybody else, I couldn’t possibly leave his mom’s calls unanswered when she always asked for my help. I’ve been through all they’ve been through. I couldn’t give up on them while I knew how much it means to stand for someone who’s been tested for his father. I’m an orphan. How could I possibly walk away? + Our dear Prophet (PBUH) would never treat a misdeed with a misdeed…I’m a girl who loves GOD…I wouldn’t be as mean as him… Still, each time he was acting like bastards act. That meanness I can read in his text messages. That DISRESPECT…. I knew he used every possible memory for his ulterior motives. I kept silent for two years…I knew he was making a show… I mean even if he wasn’t making it because he saw something in me (that everybody saw, not only him), he would be making a show for his friends … Still, I’m not the one who would leave a friend in the middle of the dark…at one point in time, I called him brother…. hhh…. Thought maybe if he knows that I’m his older sister, he’ll think that the way he talked or the things he asked are things you only ask from a girlfriend and not me… he persisted…. I tested him once and he like a fool fell into the trap… I knew I should walk away even if I’d hear that his father would die… I spent whole night throwing in my disbelief…. How could people be so tricky…I’m 5 years older…. Eventually, he made his show… Thank GOD, a colleague… a mouthy colleague… started talking about everyone at school including me and him…that was heaven’s door wide open for me. Though 14 years ago, my friends started talking about me and another boy, I wouldn’t leave him for the world because I knew he was a decent boy… This time, I dived in… One month later, he came into my class not caring what my colleagues would talk…That made me sure that he wants to carry his show over… You know diary, what kills a person the most is not death. Hurt can kill…deception can kill…not apologizing can kill… Bad memories can kill…and I didn’t want to leave him with bad memories…I sent my last text message, told him to fulfill all his dreams and said goodbye…. Still I’ve never felt relieved… I texted him again, faced him with the facts, he thought he fooled me again….I said sorry and goodbye… forever…I waited for some time and then I quit my job so they don’t understand a thing about my motives… I spent two amazing months home; that I would always remember because they’ve changed me a lot…They brought me back to life again…But when I came back, all the bad memories came back again… Dear diary, I know you’ve got tired of my complaints, but I have nobody else to talk to the way I talk to you… I need to forget all the bad memories he left me with… I know I CAN, but I need some time away from you…Even though he’s like a “tafcha” in my life now… still, I have to forgive him… I’m not someone who would spend her time hating people…People like me talk in books and ideas in their social networks… Wait for me diary…I’ll be back…
Goodbye Bro
I have observed that in the small town, the need to get along favors the passive aggressives, those for whom honest differences and disagreements pose such a threat that they are quickly submerged, left to fester in a complex web of resentments. This is why, when the tempests erupt in the small-town teapot, they are so violently destructive. This is why, when the comfortable fiction that we’re all the same under the skin, is exposed as a lie, those who are genuinely different so often feel ostracized and eventually leave. The monasteries I am familiar with in Dakota also have their problems, the small-town problems of personality clashes at close quarters, of gossip, of pigeonholing people or taking them for granted. But overall they seem healthier than the towns. Benedictines live in such close proximity, and in his Rule Saint Benedict so clearly takes into account the different personalities and needs of individuals that one doesn’t get far by pretending that everyone is the same; the monastery is far less likely than the small town to end up with conformity at the expense of community.
Kathleen Norris (Dakota: A Spiritual Geography (Dakotas))
In the way of a reflection of my family and friends I mused at the number of people that I encountered during the past 85 years. Everyone here has played an important part but there have been others, many of whom have now passed across the horizon of life, however the purpose of my reminiscing is to share happy thoughts while at the same time take a peek into the future. I can look back to those first few glimpses of my life and find my grandmother Ohme, Gertrude Thieme standing at what I perceived to be a high kitchen counter making sandwiches using a slice of almost not eatable German black bread they called schwartsbrod. With great care she laden it with lard, blootwurst or sometimes liberwurst, topped with the half of a crusty Keiser roll. I always got the heel of the roll, with a quarter lengthwise slice of a crunchy dill pickle. It was the first and last time I remember seeing her before she returned to Germany and the war. My sister Trudy had died a few years prior leaving a collective hole in my family. Her short life and subsequent death was devastating to my mother and father and I constantly felt the sorrow it brought into our home. My father unsuccessfully tried to make a success of a small delicatessen at 11 Nelson Avenue in Jersey City and we moved to 25 Nelson Avenue when my father started working as a chef at Lindy’s Restaurant on Broadway in Manhattan. At home we exclusively spoke German which was a hindrance during World War II. My mother and father never lost their German accent and the only one of my family that made a real effort to speak English without an accent was my Onkle Willie. My parents refused to associate with my Onkle Walter and his wife Tante Wilma although they always treated me kindly and I sometimes talked with my cousins Klein Walter und Norma. The neighborhood treated us as NAZI outcasts until Italy entered the war on the Axis side and suddenly we all had to prove that we were patriotic. Eventually I joined the tin can army and learned enough English to be accepted. As my accent faded I truly became an American.
Hank Bracker
Because I’m not,” I sob. “I just mess everything up. I don’t deserve you. You think I’m so great now, but you’ll realize eventually that I’m not good enough, and you’ll leave me. Like everyone does.
Sara Cate (Praise (Salacious Players Club, #1))
Some of us know that looks aren't everything, Con Man." Because that's what he was--- a perfect con, tricking others into believing he should be adored. "Beauty fades, and the ugliness inside you will eventually show." He straightened then, looming over me with a sneer. "I suppose you're one those people who sees past beauty and only loves someone for their personality?" I felt the setup. I just didn't know where it was going or how to avoid it. I thrust my chin high and played it cool. "I am." He nodded as if confirming something only he knew before leaning in close. When most boys back then smelled of an overabundance of supermarket body spray, Macon smelled of cedar soap and do-me pheromones. "Tell me, Tater Tot, is it a beautiful soul you're looking at when you moon over the half-naked-firefighters calendar you have pinned in your room?" All the blood rushed from my face, leaving painful prickles in its wake. Macon's smile was cutting. "I don't believe for a second that you like Hayes for his riveting personality. You act all high and mighty while you're as susceptible to good looks as the rest of us. At least I have the guts to admit it.
Kristen Callihan (Dear Enemy)