Evangelion Quotes

We've searched our database for all the quotes and captions related to Evangelion. Here they are! All 32 of them:

God knows I'm not perfect, either. I've made tons of stupid mistakes, and later I regretted them. And I've done it over and over again, thousands of times; a cycle of hollow joy and vicious self-hatred. But even so, every time I learned something about myself -Misato Katsuragi
Hideaki Anno (Groundwork of Evangelion Vol.1)
Anywhere can be paradise as long as you have the will to live. After all, you are alive, so you will always have the chance to be happy. As long as the Sun, the Moon, and the Earth exist, everything will be all right.
Yui Ikari
The only miracles of any value are the ones you work.
Yoshiyuki Sadamoto (Evangelion, Vol. 01)
Even on a black and empty street. If we go together, we might one day find something like the moon thats floats in the darkness.
Yoshiyuki Sadamoto (Neon Genesis Evangelion: 3-in-1 Edition, Vol. 1)
I'll lock my heart away deeper .. if I do that .. I won't have to feel pain outside or inside .. or the fear I won't have to feel anything at all !
Yoshiyuki Sadamoto (Neon Genesis Evangelion: 3-in-1 Edition, Vol. 1)
God’s in His heaven— All’s right with the world!
Robert Browning (Pippa Passes (1901))
One cannot turn back the clock but one can move it forward. (Gendo Ikari, Neon Genesis Evangelion, Ep. 22, 23:55)
Hideaki Anno (新世紀エヴァンゲリオン TVアニメーション設定資料集 2015edition [Neon Genesis Evangelion TV Animation settei shiryōshū 2015 edition])
What's wrong with running away from reality if it sucks?!
Hideaki Anno (End of Evangelion)
Those who hate themselves, cannot love or trust others.
Hideaki Anno (End of Evangelion)
Are you afraid of other people? I know that by keeping others at a distance you avoid a betrayal of your trust, but you must endure the loneliness. Man can never completely erase this sadness, because all men are fundamentally alone. Pain is something man must carry in his heart, and since the heart feels pain so easily, some believe that life is pain.
Hideaki Anno (End of Evangelion)
Who is this? This is me. Who am I? What am I? What am I? What am I? What am I?
Hideaki Anno (End of Evangelion)
Grave of the Fireflies, Revolutionary Girl Utena, Neon Genesis Evangelion, Cowboy Bebop, The Vision of Escaflowne, Rurouni Kenshin, Nausicaa of the Valley of the Wind, Trigun, The Slayers, and my personal favorite, Ghost in the Shell.
Edward Snowden (Permanent Record)
Man fears the darkness, and so he scrapes away at the edges of it with fire. He creates life by diminishing the Darkness.
Hideaki Anno (End of Evangelion)
This is roughly the worldview for Neon Genesis Evangelion. This is a worldview drenched in a vision of pessimism. A worldview where the story starts only after any traces of optimism have been removed. [...] They say, "To live is to change." I started this production with the wish that once the production complete, the world, and the heroes would change. That was my "true" desire. I tried to include everything of myself in Neon Genesis Evangelion-myself, a broken man who could do nothing for four years. A man who ran away for four years, one who was simply not dead. Then one thought. "You can't run away," came to me, and I restarted this production. It is a production where my only thought was to burn my feelings into film. I know my behavior was thoughtless, troublesome, and arrogant. But I tried. I don't know what the result will be. That is because within me, the story is not yet finished. I don't know what will happen to Shinji, Misato or Rei. I don't know where life will take them. Because I don't know where life is taking the staff of the production. I feel that I am being irresponsible. But... But it's only natural that we should synchronize ourselves with the world within the production. I've taken on a risk: "It's just an imitation." And for now I can only write this explanation. But perhaps our "original" lies somewhere within there.
Hideaki Anno
It is my destiny to live forever, though my survival will bring final destruction to the human race. However, it is possible for me to be killed, and whether I live or die makes no great difference. In truth, death may be the only absolute freedom there is.
Hideaki Anno (End of Evangelion)
Não pense em se entender comigo. Não sei porque o ser humano se esforça tanto em se entender um com o outro. Mas lembre-se. Duas pessoas Jamais se entenderão por completo. Pois o ser humano... é um bicho triste assim.
Yoshiyuki Sadamoto (Neon Genesis Evangelion, Vol. 5)
Childeren are much better at bringing out what they have imagined in their heads. İt's much more straightforward. They don't try to do a good job. İt's nice, isn't it ? Because it's pure, innocent. İt's a part of me that's been lost.
Hideaki Anno (End of Evangelion)
I'm often told that those who don't like themselves set high expectations for themselves, but ı think people who say that don't really understand how painful it is.
Hideaki Anno (End of Evangelion)
Trouble? Trouble is all there is.
Ikuto Yamashita (Neon Genesis Evangelion: ANIMA (Light Novel) Vol. 2)
Hay una parte de la Biblia que dice que los bailadores, los adivinos, los fornicarios, los mentirosos, los estafadores, los idólatras, los afeminados, se irán al lago de fuego pero, por alguna razón misteriosa y desconocida, los pastores, los evangelions que escriben libros, los canutos todos, se acuerdan siempre de los fornicarios (y los afeminados) más que de cualquier otro.
Camila Gutiérrez (Joven & alocada: La hermosa y desconocida historia de una evangeláis)
Evangelion is not so much an original as itself already a copy of popular anime elements, “an aggregate of information without a narrative” or a “grand non-narrative” (O38). This results in part from industrial changes. By the ’90s, any product can spawn all the others: a series of stickers or a company logo could bloom into a series of manga, TV or film anime, games and more. By now “the narrative is only a surplus item
McKenzie Wark (General Intellects: Twenty-One Thinkers for the 21st Century)
At school, your tests only have one right answer and you might get zero or half points if you put the wrong answer. But in what we call ''the real world'', things aren't so black and white, so you should think about things for yourself and express them in words or pictures. This is how you comminicate with people, with other people.
Hideaki Anno
[Hmmm…Do you know who I was named after?] I’d say Eva Perón. —Eva’s from Puerto Rico, Vincent, not Argentina. [I was named after a robot.] —That is interesting. —Oh yeah. You have his attention now. [I was born on the day of the parade when the EDC was created. My parents were the biggest geeks ever, huge science-fiction fans. Themis was the greatest thing they’d ever seen. They wanted to name me after her, but they somehow thought everyone would start naming their kid Themis, so they named me after another big robot.] A robot? [Yes. Eva’s a common name in Spanish, but apparently, it’s also the name of a giant robot, from a Japanese anime they really liked. It’s old. I never saw it.] —Eva is for Evangelion? That is so cool! —Of course, Vincent knows all about it. —Yeah! It’s awesome! But ours is bigger. —Eva, I think you have a fan now. —I…We have it on DVD, you know.
Sylvain Neuvel (Waking Gods (Themis Files, #2))
there was one place they could generate a field without fail—the ground beneath their feet. Otherwise, the hundred-meter-tall giants wouldn’t have been able to walk across any stretch of ground—no matter how well engineered or fortified—without sinking. That might sound too convenient to be plausible, but former Nerv executives had taken the phenomenon very seriously, and they’d left their records behind for the current staff. The limits of the human form— Humans cannot escape the ground. We are destined to crawl around in the dirt forever—to smear ourselves with it. According to them, this quirk of the A.T. Fields was proof of our fate. At the time, Asuka had said, “Duh, isn’t that obvious?
Ikuto Yamashita (Neon Genesis Evangelion: Anima, Vol. 1)
Para quem quer viver... todo lugar se torna o céu. Sempre haverá uma chance de sermos felizes. Contanto que estejamos vivos
Yoshiyuki Sadamoto (Neon Genesis Evangelion, Vol. 8)
A ciência é o poder do ser humano.
Yoshiyuki Sadamoto (Neon Genesis Evangelion, Vol. 5)
O sonho volta para dentro da realidade. A realidade, para dentro do sonho. E... a verdade... para dentro do coração. É o coração que dá forma à pessoa. Quando cada um, voluntariamente, criar a imagem de si mesmo... todos recuperarão sua forma humana.
Yoshiyuki Sadamoto (Neon Genesis Evangelion, Vol. 14 (14))
I've watched anime before too... Evangelion was it? - Igarashi
Junko (私がモテてどうすんだ 1 [Watashi ga Motete dousunda 1] (Kiss Him, Not Me!, #1))
I want you to pretend you’re a boy who’s killed his mother and write a story about it. It doesn’t have to be long, but something that’s better than what that killer Sakakibara wrote. Sprinkle in some Dostoyevsky or Nietzsche or whatever. But do a good job of incorporating those, so nobody can trace the source. Then sort of wrap it up like ‘Evangelion.’ Or maybe--it might be better to make it all avant garde-ish, know what I mean? Philosophy of life, moaning and groaning about the absurdity of it all, like that. I’m counting on you. If a story doesn’t work out, then a poem’s fine. If you make it kind of incomprehensible and look cool then a poem might just do the trick. The kind of poem that they could use as evidence in a psych evaluation, that sort of thing. Something that hides my real intentions and confuses the reader.
Natsuo Kirino (Real World)
However great the fear, I will not look away If at the end of everything, there is love
Hikaru Utada
The word gospel, from the Greek word evangelion, means “good news.” The gospel refers to the good news that God sent his Son Jesus to live a sinless life, die a substitutionary death, and rise from the dead so that sinners who repent and trust in Jesus will be forgiven and have eternal life. We can expand this or shorten it, but this is a basic summation of the message we are called to share with others.
Jared C. Wilson (The Gospel-Driven Church: Uniting Church Growth Dreams with the Metrics of Grace)
Algo debía de haber en el agua de Japón durante la década de los 90’s, para que obras del calibre argumental y filosófico de Neon Genesis Evangelion o Serial Experiments Lain viesen la luz en tan corto período histórico.
Byron Rizzo