Europe Street Quotes

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But that's the glory of foreign travel, as far as I am concerned. I don't want to know what people are talking about. I can't think of anything that excites a greater sense of childlike wonder than to be in a country where you are ignorant of almost everything. Suddenly you are five years old again. You can't read anything, you have only the most rudimentary sense of how things work, you can't even reliably cross a street without endangering your life. Your whole existence becomes a series of interesting guesses.
Bill Bryson (Neither Here nor There: Travels in Europe)
I regained my soul through literature after those times I'd lost it to wild-eyed gypsy girls on the European streets.
Roman Payne (Rooftop Soliloquy)
I am the twentieth century. I am the ragtime and the tango; sans-serif, clean geometry. I am the virgin's-hair whip and the cunningly detailed shackles of decadent passion. I am every lonely railway station in every capital of Europe. I am the Street, the fanciless buildings of government. the cafe-dansant, the clockwork figure, the jazz saxophone, the tourist-lady's hairpiece, the fairy's rubber breasts, the travelling clock which always tells the wrong time and chimes in different keys. I am the dead palm tree, the Negro's dancing pumps, the dried fountain after tourist season. I am all the appurtenances of night.
Thomas Pynchon (V.)
Is there anything, apart from a really good chocolate cream pie and receiving a large unexpected cheque in the post, to beat finding yourself at large in a foreign city on a fair spring evening, loafing along unfamiliar streets in the long shadows of a lazy sunset, pausing to gaze in shop windows or at some church or lovely square or tranquil stretch of quayside, hesitating at street corners to decide whether that cheerful and homy restaurant you will remember fondly for years is likely to lie down this street or that one? I just love it. I could spend my life arriving each evening in a new city.
Bill Bryson (Neither Here nor There: Travels in Europe)
Yes, Marcos is gay. Marcos is gay in San Francisco, black in South Africa, an Asian in Europe, a Chicano in San Ysidro, an anarchist in Spain, a Palestinian in Israel, a Mayan Indian in the streets of San Cristobal, a Jew in Germany, a Gypsy in Poland, a Mohawk in Quebec, a pacifist in Bosnia, a single woman on the Metro at 10pm, a peasant without land, a gang member in the slums, an unemployed worker, an unhappy student and, of course, a Zapatista in the mountains. Marcos is all the exploited, marginalised, oppressed minorities resisting and saying `Enough'. He is every minority who is now beginning to speak and every majority that must shut up and listen. He is every untolerated group searching for a way to speak. Everything that makes power and the good consciences of those in power uncomfortable -- this is Marcos.
Subcomandante Marcos
I knew I should be grateful to Mrs Guinea, only I couldn't feel a thing. If Mrs Guinea had given me a ticket to Europe, or a round-the-world cruise, it wouldn't have made one scrap of difference to me, because wherever I sat - on the deck of a ship or a street cafe in Paris or Bangkok - I would be sitting under the same glass bell jar, stewing in my own sour air.
Sylvia Plath (The Bell Jar)
It's easy to fall in love among the winding cobblestone streets and snow-covered castles of Prague, but is it a good idea?
Dana Newman (Found in Prague)
In Paris the cashiers sit rather than stand. They run your goods over a scanner, tally up the price, and then ask you for exact change. The story they give is that there aren't enough euros to go around. "The entire EU is short on coins." And I say, "Really?" because there are plenty of them in Germany. I'm never asked for exact change in Spain or Holland or Italy, so I think the real problem lies with the Parisian cashiers, who are, in a word, lazy. Here in Tokyo they're not just hard working but almost violently cheerful. Down at the Peacock, the change flows like tap water. The women behind the registers bow to you, and I don't mean that they lower their heads a little, the way you might if passing someone on the street. These cashiers press their hands together and bend from the waist. Then they say what sounds to me like "We, the people of this store, worship you as we might a god.
David Sedaris (When You Are Engulfed in Flames)
What good does it do me, after all, if an ever-watchful authority keeps an eye out to ensure that my pleasures will be tranquil and races ahead of me to ward off all danger, sparing me the need even to think about such things, if that authority, even as it removes the smallest thorns from my path, is also absolute master of my liberty and my life; if it monopolizes vitality and existence to such a degree that when it languishes, everything around it must also languish; when it sleeps, everything must also sleep; and when it dies, everything must also perish? There are some nations in Europe whose inhabitants think of themselves in a sense as colonists, indifferent to the fate of the place they live in. The greatest changes occur in their country without their cooperation. They are not even aware of precisely what has taken place. They suspect it; they have heard of the event by chance. More than that, they are unconcerned with the fortunes of their village, the safety of their streets, the fate of their church and its vestry. They think that such things have nothing to do with them, that they belong to a powerful stranger called “the government.” They enjoy these goods as tenants, without a sense of ownership, and never give a thought to how they might be improved. They are so divorced from their own interests that even when their own security and that of their children is finally compromised, they do not seek to avert the danger themselves but cross their arms and wait for the nation as a whole to come to their aid. Yet as utterly as they sacrifice their own free will, they are no fonder of obedience than anyone else. They submit, it is true, to the whims of a clerk, but no sooner is force removed than they are glad to defy the law as a defeated enemy. Thus one finds them ever wavering between servitude and license. When a nation has reached this point, it must either change its laws and mores or perish, for the well of public virtue has run dry: in such a place one no longer finds citizens but only subjects.
Alexis de Tocqueville (Democracy in America)
Suppose that a man leaps out of a burning building—as my dear friend and colleague Jeff Goldberg sat and said to my face over a table at La Tomate in Washington not two years ago—and lands on a bystander in the street below. Now, make the burning building be Europe, and the luckless man underneath be the Palestinian Arabs. Is this a historical injustice? Has the man below been made a victim, with infinite cause of complaint and indefinite justification for violent retaliation? My own reply would be a provisional 'no,' but only on these conditions. The man leaping from the burning building must still make such restitution as he can to the man who broke his fall, and must not pretend that he never even landed on him. And he must base his case on the singularity and uniqueness of the original leap. It can't, in other words, be 'leap, leap, leap' for four generations and more. The people underneath cannot be expected to tolerate leaping on this scale and of this duration, if you catch my drift. In Palestine, tread softly, for you tread on their dreams. And do not tell the Palestinians that they were never fallen upon and bruised in the first place. Do not shame yourself with the cheap lie that they were told by their leaders to run away. Also, stop saying that nobody knew how to cultivate oranges in Jaffa until the Jews showed them how. 'Making the desert bloom'—one of Yvonne's stock phrases—makes desert dwellers out of people who were the agricultural superiors of the Crusaders.
Christopher Hitchens (Hitch 22: A Memoir)
The Indians are the Italians of Asia", Didier pronounced with a sage and mischievous grin. "It can be said, certainly, with equal justice, that the Italians are the Indians of Europe, but you do understand me, I think. There is so much Italian in the Indians, and so much Indians in the Italians. They are both people of the Madonna - they demand a goddess, even if the religion does not provide one. Every man in both countries is a singer when he is happy, and every woman is a dancer when she walks to the shop at the corner. For them, food is music inside the body, and music is food inside the heart. The Language of India and the language of Italy, they make every man a poet, and make something beautiful from every banalite. They are nations where love - amore, pyaar - makes a cavalier of a Borsalino on a street corner, and makes a princess of a peasant girl, if only for the second that her eyes meet yours.
Gregory David Roberts (Shantaram)
Were these boys in their right minds? Here were two boys with good intellect, one eighteen and one nineteen. They had all the prospects that life could hold out for any of the young; one a graduate of Chicago and another of Ann Arbor; one who had passed his examination for the Harvard Law School and was about to take a trip in Europe,--another who had passed at Ann Arbor, the youngest in his class, with three thousand dollars in the bank. Boys who never knew what it was to want a dollar; boys who could reach any position that was to boys of that kind to reach; boys of distinguished and honorable families, families of wealth and position, with all the world before them. And they gave it all up for nothing, for nothing! They took a little companion of one of them, on a crowded street, and killed him, for nothing, and sacrificed everything that could be of value in human life upon the crazy scheme of a couple of immature lads. Now, your Honor, you have been a boy; I have been a boy. And we have known other boys. The best way to understand somebody else is to put yourself in his place. Is it within the realm of your imagination that a boy who was right, with all the prospects of life before him, who could choose what he wanted, without the slightest reason in the world would lure a young companion to his death, and take his place in the shadow of the gallows? ...No one who has the process of reasoning could doubt that a boy who would do that is not right. How insane they are I care not, whether medically or legally. They did not reason; they could not reason; they committed the most foolish, most unprovoked, most purposeless, most causeless act that any two boys ever committed, and they put themselves where the rope is dangling above their heads.... Why did they kill little Bobby Franks? Not for money, not for spite; not for hate. They killed him as they might kill a spider or a fly, for the experience. They killed him because they were made that way. Because somewhere in the infinite processes that go to the making up of the boy or the man something slipped, and those unfortunate lads sit here hated, despised, outcasts, with the community shouting for their blood. . . . I know, Your Honor, that every atom of life in all this universe is bound up together. I know that a pebble cannot be thrown into the ocean without disturbing every drop of water in the sea. I know that every life is inextricably mixed and woven with every other life. I know that every influence, conscious and unconscious, acts and reacts on every living organism, and that no one can fix the blame. I know that all life is a series of infinite chances, which sometimes result one way and sometimes another. I have not the infinite wisdom that can fathom it, neither has any other human brain
Clarence Darrow (Attorney for the Damned: Clarence Darrow in the Courtroom)
Oh, how I longed to burst through the doors and go walking through the streets, with my hands open, like weapons!
Marcel Béalu (The Experience of the Night (Europe 1996 S))
As to whether Marcos is gay: Marcos is gay in San Francisco, black in South Africa, an Asian in Europe, a Chicano in San Ysidro, an anarchist in Spain, a Palestinian in Israel, a Mayan Indian in the streets of San Cristobal,… a Jew in Germany, a Gypsy in Poland, a Mohawk in Quebec, a pacifist in Bosnia, a single woman on the Metro at 10pm, a peasant without land, a gang member in the slums, an unemployed worker, an unhappy student and, of course, a Zapatista in the mountains.
Subcomandante Marcos
Tow best friends meeting on the street to say so many things at once: I betrayed you, I love you, I want to save you, I'm sorry. All around Europe, people are dying by the hundreds of thousands. And here, in my city, the Nazis slaughtered a family because of events that started with love and jealousy and a slip of the tongue.
Monica Hesse (Girl in the Blue Coat)
Struck by the ugliness of the German women on the streets and in restaurants and cafés. As a race they are certainly the least attractive in Europe. They have no ankles. They walk badly. They dress worse than English women used to. Off to Danzig tonight.
William L. Shirer (Berlin Diary: The Journal of a Foreign Correspondent 1934-41)
So I close this long reflection on what I hope is a not-too-quaveringly semi-Semitic note. When I am at home, I will only enter a synagogue for the bar or bat mitzvah of a friend's child, or in order to have a debate with the faithful. (When I was to be wed, I chose a rabbi named Robert Goldburg, an Einsteinian and a Shakespearean and a Spinozist, who had married Arthur Miller to Marilyn Monroe and had a copy of Marilyn’s conversion certificate. He conducted the ceremony in Victor and Annie Navasky's front room, with David Rieff and Steve Wasserman as my best of men.) I wanted to do something to acknowledge, and to knit up, the broken continuity between me and my German-Polish forebears. When I am traveling, I will stop at the shul if it is in a country where Jews are under threat, or dying out, or were once persecuted. This has taken me down queer and sad little side streets in Morocco and Tunisia and Eritrea and India, and in Damascus and Budapest and Prague and Istanbul, more than once to temples that have recently been desecrated by the new breed of racist Islamic gangster. (I have also had quite serious discussions, with Iraqi Kurdish friends, about the possibility of Jews genuinely returning in friendship to the places in northern Iraq from which they were once expelled.) I hate the idea that the dispossession of one people should be held hostage to the victimhood of another, as it is in the Middle East and as it was in Eastern Europe. But I find myself somehow assuming that Jewishness and 'normality' are in some profound way noncompatible. The most gracious thing said to me when I discovered my family secret was by Martin, who after a long evening of ironic reflection said quite simply: 'Hitch, I find that I am a little envious of you.' I choose to think that this proved, once again, his appreciation for the nuances of risk, uncertainty, ambivalence, and ambiguity. These happen to be the very things that 'security' and 'normality,' rather like the fantasy of salvation, cannot purchase.
Christopher Hitchens (Hitch 22: A Memoir)
In this he was like most Midwesterners. Directions are very important to them. They have an innate need to be oriented, even in their anecdotes. Any story related by a Midwesterner will wander off at some point into a thicket of interior monologue along the lines of "We were staying at a hotel that was eight blocks northeast of the state capital building. Come to think of it, it was northwest. And I think it was probably more like nine blocks. And this woman without any clothes on, naked as the day she was born except for a coonskin cap, came running at us from the southwest... or was it the southeast?" If there are two Midwesterns present and they both witnessed the incident, you can just about write off the anecdote because they will spend the rest of the afternoon arguing points of the compass and will never get back to the original story. You can always tell a Midwestern couple in Europe because they will be standing on a traffic island in the middle of a busy intersection looking at a windblown map and arguing over which way is west. European cities, with their wandering streets and undisciplined alleys, drive Midwesterners practically insane.
Bill Bryson (The Lost Continent: Travels in Small-Town America)
To give you an idea of the size of the Earth, I will tell you that before the invention of electricity it was necessary to maintain, over the whole of six continents, a veritable army of 462, 511 lamplighters for the street lamps. Seen from a slight distance that would make a splendid spectacle. the movements of this army would be regulated like those of the ballet in the opera. First would come the turn of the lamplighters of New Zealand and Australia. Having set their lamps alight, these would go off to sleep. Next, the lamplighters of China and Siberia would enter for their steps in the dance, and then they too would be waved back into the wings. After that would come the turn of the lamplighters of Russia and the Indies; then those of Africa and Europe; then those of South America; then those of North America. And never would they make a mistake in the order of their entry upon the stage. It would be magnificent.
Antoine de Saint-Exupéry (The Little Prince)
I love the way the Italians park. You turn any street corner in Rome and it looks as if you’ve just missed a parking competition for blind people.
Bill Bryson (Neither Here, Nor There: Travels in Europe (Bryson Book 11))
That is Baroja's world: dismal, ironic, the streets of towns where industrial life sits heavy on the neck of a race as little adapted to it as any in Europe.
John Dos Passos (Rosinante to the Road Again)
At what point had I realized that class couldn’t save you, that addiction or mental illness didn’t care whether you’d taken piano lessons or spent a summer in Europe? Which drunk or junkie or unmedicated schizophrenic was I crossing the street to avoid when I put it all together?
David Sedaris (Calypso)
Guilt was what kept you awake in the middle of the night or, if you managed to sleep, poisoned your dreams. Guilt intruded upon any happy moment, whispering in your ear that you had no right to pleasure. Guilt followed you down streets, interrupting the most mundane moments with remembrances of days and hours when you could have done something to prevent tragedy but chose to do nothing. When you chose to play with your dolls instead. Or stick pins in maps of Europe, following the armies’ progression. Or flirt with a handsome young lieutenant. That was guilt.
John Boyne (All the Broken Places)
Why, once Jakes went out to cover a revolution in one of the Balkan capitals. He overslept in his carriage, woke up at the wrong station, didn't know any different, got out, went straight to a hotel, and cabled off a thousand-word story about barricades in the streets, flaming churches, machine guns answering the rattle of his typewriter as he wrote. Well they were pretty surprised at his office, getting a story like that from the wrong country, but they trusted Jakes and splashed it in six national newspapers. That day every special in Europe got orders to rush to the new revolution. Everything seemed quiet enough, but it was as much their jobs were worth to say so, with Jakes filing a thousand words of blood and thunder a day. So they chimed in too. Government stocks dropped, financial panic, state of emergency declared, army mobilized, famine, mutiny — and in less than a week there was an honest to god revolution under way, just as jakes had said. There's the power of the press for you.
Evelyn Waugh (Scoop)
the failure and the betrayal are in the record book forever, and sum up, and condemn, forever, those descendants of a barbarous Europe who arbitrarily and arrogantly reserve the right to call themselves Americans.
James Baldwin (No Name in the Street)
I found myself back in the sepulchral city resenting the sight of people hurrying through the streets to filch a little money from each other, to devour their infamous cookery, to gulp their unwholesome beer, to dream their insignificant and silly dreams. They trespassed upon my thoughts. They were intruders whose knowledge of life was to me an irritating pretense, because I felt so sure they could not possibly know the things I knew.
Joseph Conrad (Heart of Darkness)
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
Sure, I hear about the new freedom that people are enjoying in Eastern Europe. But how do you define freedom? Millions of people in Eastern Europe are now free from employment, free from safe streets, free from health care, free from social security
Michael Parenti (Blackshirts and Reds: Rational Fascism and the Overthrow of Communism)
I can’t think of anything that excites a greater sense of childlike wonder than to be in a country where you are ignorant of almost everything. Suddenly you are five years old again. You can’t read anything, you have only the most rudimentary sense of how things work, you can’t even reliably cross a street without endangering your life. Your whole existence becomes a series of interesting guesses.
Bill Bryson (Neither Here Nor There: Travels in Europe)
Coz it’s big business, baby, and its smile is hideous. Top-down violence. Structural viciousness. Your kids are doped up on prescriptions and sedatives. But don’t worry 'bout that, man, Worry 'bout terrorists. The water level's rising! The water level's rising! The animals - the polar bears the elephants are dying. STOP CRYING START BUYING!! But what about the oil spill? Shh. No one likes a party-pooping spoilsport. Massacres massacres massacres/new shoes ghettoised children murdered in daylight by those employed to protect them. Porn live-streamed to your pre-teens bedrooms. Glass ceiling. No headroom. Half a generation live beneath the breadline - oh but it's Happy Hour on the high street! - Europe is Lost
Kae Tempest (Let Them Eat Chaos)
If Mrs. Guinea had given me a ticket to Europe, or a round-the-world cruise, it wouldn’t have made one scrap of difference to me, because wherever I sat—on the deck of a ship or at a street cafe in Paris or Bangkok—I would be sitting under the same glass bell jar, stewing in my own sour air.
Sylvia Plath (The Bell Jar)
So I dream nightly of an embarcation, captains, captains, iron passageways, cabin lights, Brooklyn across the waters, the great dull boat, visitors, farewells, the blurred vast sea-- one trip a lifetime's loss or gain : as Europe is my own imagination --many shall see her, many shall not-- though it's only the old familiar world and not some abstract mystical dream. And in a moment of previsioning sleep I see that continent in rain, black streets, old night, a fading monument . . . And a long journey unaccomplished yet, on antique seas rolling in gray barren dunes under the world’s waste of light toward ports of childish geography the rusty ship will harbor in . . .
Allen Ginsberg
These camps – with their streets and squares, their hospitals and flea markets, their crematoria and their stadiums – were the expanding cities of a new Europe.
Vasily Grossman (Life and Fate (Stalingrad, #2))
What is the age of the soul of man? As she hath the virtue of the chameleon to change her hue at every new approach, to be gay with the merry and mournful with the downcast, so too is her age changeable as her mood. No longer is Leopold, as he sits there, ruminating, chewing the cud of reminiscence, that staid agent of publicity and holder of a modest substance in the funds. He is young Leopold, as in a retrospective arrangement, a mirror within a mirror (hey, presto!), he beholdeth himself. That young figure of then is seen, precociously manly, walking on a nipping morning from the old house in Clambrassil street to the high school, his booksatchel on him bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's thought. Or it is the same figure, a year or so gone over, in his first hard hat (ah, that was a day!), already on the road, a fullfledged traveller for the family firm, equipped with an orderbook, a scented handkerchief (not for show only), his case of bright trinketware (alas, a thing now of the past!), and a quiverful of compliant smiles for this or that halfwon housewife reckoning it out upon her fingertips or for a budding virgin shyly acknowledging (but the heart? tell me!) his studied baisemoins. The scent, the smile but more than these, the dark eyes and oleaginous address brought home at duskfall many a commission to the head of the firm seated with Jacob's pipe after like labours in the paternal ingle (a meal of noodles, you may be sure, is aheating), reading through round horned spectacles some paper from the Europe of a month before. But hey, presto, the mirror is breathed on and the young knighterrant recedes, shrivels, to a tiny speck within the mist. Now he is himself paternal and these about him might be his sons. Who can say? The wise father knows his own child. He thinks of a drizzling night in Hatch street, hard by the bonded stores there, the first. Together (she is a poor waif, a child of shame, yours and mine and of all for a bare shilling and her luckpenny), together they hear the heavy tread of the watch as two raincaped shadows pass the new royal university. Bridie! Bridie Kelly! He will never forget the name, ever remember the night, first night, the bridenight. They are entwined in nethermost darkness, the willer and the willed, and in an instant (fiat!) light shall flood the world. Did heart leap to heart? Nay, fair reader. In a breath 'twas done but - hold! Back! It must not be! In terror the poor girl flees away through the murk. She is the bride of darkness, a daughter of night. She dare not bear the sunnygolden babe of day. No, Leopold! Name and memory solace thee not. That youthful illusion of thy strength was taken from thee and in vain. No son of thy loins is by thee. There is none to be for Leopold, what Leopold was for Rudolph.
James Joyce (Ulysses)
Then, once the window was open, it would have been easy to forget to close it. There was still the garlic, after all, still the holy water on the lintels. Things like this happened in Europe, in places like Belgium, where the streets teemed with vampires and the shops didn’t open until after dark. Not here. Not in Tana’s town, where there hadn’t been a single attack in more than five years.
Holly Black (The Coldest Girl in Coldtown)
What will be lost, and what saved, of our civilization probably lies beyond our powers to decide. No human group has ever figured out how to design its future. That future may be germinating today not in a boardroom in London or an office in Washington or a bank in Tokyo, but in some antic outpost or other -- a kindly British orphanage in the grim foothills of Peru, a house for the dying in a back street of Calcutta run by a fiercely single-minded Albanian nun, an easy-going French medical team at the starving edge of the Sahel, a mission to Somalia by Irish social workers who remember their own Great Hunger, a nursery program to assist convict-mothers at a New York Prison -- in some unheralded corner where a great-hearted human being is committed to loving o9utcasts in an extraordinary way.
Thomas Cahill (How the Irish Saved Civilization: The Untold Story of Ireland's Heroic Role from the Fall of Rome to the Rise of Medieval Europe)
In 1885, an American economist tried to reckon the extraordinary transformation wrought by what was now 200,000 miles of railroad, more than in all of Europe. It was possible to move one ton of freight one mile for less than seven-tenths of one cent, “a sum so small,” he wrote, “that outside of China it would be difficult to find a coin of equivalent value to give a boy as a reward for carrying an ounce package across a street.
Jill Lepore (These Truths: A History of the United States)
In this city, the victors had delusions of grandeur. It was visual. Across the street from the hotel stood City Hall, sporting an oversized Serb flag that hung from the roof to the ground, a hundred feet tall, fifty feet wide, three horizontal stripes of blue, white and red, so large that only a strong breeze could make it flap. The flag, hanging over a building where, fifty years earlier, Kurt Waldheim worked as a lieutenant in the Wehrmacht, was meant as a projection of Serb nationalism, as though size were all that mattered, rather than content. I had never thought of flags as weapons, but in Bosnia, as in the rest of Europe, they were becoming the deadliest weapons of all. p. 80
Peter Maass (Love Thy Neighbor: A Story of War)
Harry knew very little about architecture but enough to know that Lucifer’s labors here had later inspired a whole architecture of the living world and their own Gothic creations. He’d been inside some of them on his travels around Europe, in the Cathedral of the Holy Cross and Santa Eulalia in Barcelona, in Bourdeaux Cathedral, and of course in Chartres Cathedral, where he’d once taken sanctuary, having just killed in the blizzard-blinded streets a demon who had been seducing infants to their deaths with corrupt nursery rhymes.
Clive Barker (The Scarlet Gospels)
If Mrs. Guinea had given me a ticket to Europe, or a round-the-world cruise, it wouldn't have made one scrap of difference to me, because wherever I sat--on the deck of a ship or at a street cafe in Paris or Bangkok--I would be sitting under the same glass bell jar, stewing in my own sour air.
Sylvia Plath (The Bell Jar)
If Mrs. Guinea had given me a ticket to Europe, or a round-the-world cruise, it wouldn't have made one scrap of difference to me, because whenever I sat--on the deck of a ship or at a street cafe in Paris or Bangkok-- I would be sitting under the same glass bell jar, stewing in my own sour air.
Sylvia Plath (The Bell Jar)
Afro-Americans. Which is but a wedding, however, of two confusions, an arbitrary linking of two undefined and currently undefinable proper nouns. I mean that, in the case of Africa, Africa is still chained to Europe, and exploited by Europe, and Europe and America are chained together; and as long as this is so, it is hard to speak of Africa except as a cradle and a potential. Not until the many millions of people on the continent of Africa control their land and their resources will the African personality flower or genuinely African institutions flourish and reveal Africa as she is.
James Baldwin (No Name in the Street)
The story of Antifa is at least eighty years old. It goes back to the postwar days of communist revolution, organized street violence and class warfare in the cities of post-World War I Europe. It’s a story of violence, murder and intimidation, a war which has been going on for almost a century.
WND Special Report (Antifa: What Americans Need to Know about the Alt-Left)
LEBEAU: Well I’m not a philosopher, but I know my mother, and that’s why I’m here. You’re like people who look at my paintings—“What does this mean, what does that mean?” Look at it, don’t ask what it means; you’re not God, you can’t tell what anything means. I’m walking down the street before, a car pulls up beside me, a man gets out and measures my nose, my ears, my mouth, the next thing I’m sitting in a police station—or whatever the hell this is here—and in the middle of Europe, the highest peak of civilization! And you know what it means? After the Romans and the Greeks and the Renaissance, and you know what this means?
Arthur Miller (The Penguin Arthur Miller: Collected Plays)
I knew I should be grateful to Mrs. Guinea, only I couldn’t feel a thing. If Mrs. Guinea had given me a ticket to Europe, or a round-the-world cruise, it wouldn’t have made one scrap of difference to me, because wherever I sat—on the deck of a ship or at a street café in Paris or Bangkok—I would be sitting under the
Sylvia Plath (The Bell Jar)
Never coming back here, she thought. With a groan, she levered herself into a sitting position and discovered a painful crick in her neck. Never ever. She launched herself off the bed and limped over to the door and put here eye to the viewer, was treated to a fish-eye view of a small, dapper, well-dressed man holding a bunch of white roses. Okay. Man with flowers. Carey looked around the room. The windows opened on short tethers so guests couldn't throw furniture or each other out into the street, and she was too high to jump anyway. She looked around the room again, looking for possible weapons. There was a rickety-looking chair by the desk in the corner, but it would probably fall to bits even before she hit anyone with it. She looked through the viewer. The little man knocked again. Not urgently, not in an official we-have-come-to-take-you-to-the-gulag kind of way, but in the manner of a gentleman visiting his lady friend with a nice bunch of roses.
Dave Hutchinson (Europe in Winter)
So we Europeans are shocked by the blind, uncomprehending hard-heartedness that certain American government policies imply. I am thinking of the terrible tariff walls erected against Europe and the ironfisted efforts to secure payment of Europe’s war debt. As a layman, as a man in the street, I reason like this: Though America, for the moment, gains the most from its financial policy, what about the future, all the years to come, all the generations to be born? No more than any other country on the planet can America stand alone. America is not the world. America is a part of the world and must live its life together with all the other parts.
Knut Hamsun (Knut Hamsun Remembers America: Essays and Stories, 1885-1949 (Volume 1))
But I'd hate like hell to leave New York. If you must know, I hate any kind of so-called creative type who gets on any kind of ship. I don't give a goddamn what his reasons are. I was born here. I went to school here. I've been run over here—twice, and on the same damn street. I have no business acting in Europe, for God's sake.
J.D. Salinger
One of the windows was open, she noticed, curtain fluttering. The party must have gotten too warm, everyone sweating in the small house and yearning for the cool breeze just outside. Then, once the window was open, it would have been easy to forget to close it. There was still the garlic, after all, still the holy water on the lintels. Things like this happened in Europe, in places like Belgium, where the streets teemed with vampires and the shops didn't open until after dark. Not here. Not in Tana's town, where there hadn't been a single attack in more than five years. And yet it had happened. A window had been left open to the night, and a vampire had crawled through.
Holly Black (The Coldest Girl in Coldtown)
I don’t have any drug stories to tell about myself. Once somebody met me on the street when my quartet was going into Slug’s […] he said something about getting high and I said, “Yeah – on the music”. For me, it’s hard to understand why a musician needs more than the music. When I went to Europe the first time with Charles Lloyd, after the first or second set there were people coming up to Charles asking him if there was anything they could do for me!Because to them I seemed so crazy that I must be on something! “What can we do for Keith, we’d really want to help him, he looks so far gone!” But I wasn’t drinking, smoking, taking any drugs… I never have taken drugs… no interest in it”.
Ian Carr (Keith Jarrett: The Man And His Music)
Perhaps I should go back a few years earlier. My parents, who travelled from Odessa, the Russian city on the Black Sea, shortly before the 1914 war, were part of a vast migration of Jews fleeing Tsarist oppression to the dream of America that obsessed poor men all over Europe. The tailors thought of it as a place where people had, maybe, three, four different suits to wear. Glaziers grew dizzy with excitement reckoning up the number of windows in even one little skyscraper. Cobblers counted twelve million feet, a shoe on each. There was gold in the streets for all trades; a meat dinner every single day. And Freedom. That was not something to be sneezed at, either. But my parents never got to America.
Emanuel Litvinoff (Journey through a Small Planet)
Thinking back, ladies, looking back, gentlemen, thinking and looking back on my European tour, I feel a heavy sadness descend upon me. Of course, it is partly nostalgia, looking back at that younger me, bustling around Europe, having adventures and overcoming obstacles that, at the time, seemed so overwhelming, but now seem like just the building blocks of a harmless story. But here is the truth of nostalgia: we don’t feel it for who we were, but who we weren’t. We feel it for all the possibilities that were open to us, but that we didn’t take. Time is like wax, dripping from a candle flame. In the moment, it is molten and falling, with the capability to transform into any shape. Then the moment passes, and the wax hits the table top and solidifies into the shape it will always be. It becomes the past, a solid single record of what happened, still holding in its wild curves and contours the potential of every shape it could have held. It is impossible - no matter how blessed you are by luck or the government or some remote, invisible deity gently steering your life with hands made of moonlight and wind - it is impossible not to feel a little sad, looking at that bit of wax. That bit of the past. It is impossible not to think of all the wild forms that wax now will never take. The village, glimpsed from a train window, beautiful and impossible and impossibly beautiful on a mountaintop, and you wonder what it would be if you stepped off the train and walked up the trail to its quiet streets and lived there for the rest of your life. The beautiful face of that young man from Luftknarp, with his gaping mouth and ashy skin, last seen already half-turned away as you boarded the bus, already turning towards a future without you in it, where this thing between you that seemed so possible now already and forever never was. All variety of lost opportunity spied from the windows of public transportation, really. It can be overwhelming, this splattered, inert wax recording every turn not taken. ‘What’s the point?’ you ask. ’Why bother?’ you say. ’Oh, Cecil,’ you cry. ’Oh, Cecil.’ But then you remember - I remember! - that we are even now in another bit of molten wax. We are in a moment that is still falling, still volatile, and we will never be anywhere else. We will always be in that most dangerous, most exciting, most possible time of all: the Now. Where we never can know what shape the next moment will take. Stay tuned next for, well, let’s just find out together, shall we?
Cecil Baldwin
I knew I should be grateful to Mrs. Guinea, only I couldn’t feel a thing. If Mrs. Guinea had given me a ticket to Europe, or a round-the-world cruise, it wouldn’t have made one scrap of difference to me, because wherever I sat—on the deck of a ship or at a street café in Paris or Bangkok—I would be sitting under the same glass bell jar, stewing in my own sour air.
Sylvia Plath (The Bell Jar)
All of Berleburg's streets slanted away from the palace like rays of the sun, fell downhill to the Odeborn Creek, and turned into the market square. Even now, in February, the center of the stream ran free, water rushing by, smelling of greenness, past banks thick with cattails, rimed with ice. A rooster crowed as the town awakened, stoked its fires, fried its sausage.
Rose Osterman Kleidon (1836: Year of Escape)
Most Europeans like to think that American bankruptocracy is worse than its European cousin, thanks to the power of Wall Street and the infamous revolving door between the US banks and the US government. They are very, very wrong. Europe’s banks were managed so atrociously in the years preceding 2008 that the inane bankers of Wall Street almost look good by comparison. When the crisis hit, the banks of France, Germany, the Netherlands and the UK had exposure in excess of $30 trillion, more than twice the United States national income, eight times the national income of Germany, and almost three times the national incomes of Britain, Germany, France and Holland put together.8 A Greek bankruptcy in 2010 would have immediately necessitated a bank bailout by the German, French, Dutch and British governments amounting to approximately $10,000 per child, woman and man living in those four countries. By comparison, a similar market turn against Wall Street would have required a relatively tiny bailout of no more than $258 per US citizen. If Wall Street deserved the wrath of the American public, Europe’s banks deserved 38.8 times that wrath. But
Yanis Varoufakis (Adults in the Room: My Battle with Europe's Deep Establishment)
I love the way the Italians park. You turn any street corner in Rome and it looks as if you’ve just missed a parking competition for blind people. Cars are pointed in every direction, half on the sidewalks and half off, facing in, facing sideways, blocking garages and side streets and phone booths, fitted into spaces so tight that the only possible way out would be through the sun roof.
Bill Bryson (Neither Here Nor There: Travels in Europe)
The prime minister is a Labour Tory. There’s a mosque at the end of your street and a French restaurant next door. We are neither in nor out of Europe. We are famous for our beer but we drink in wine bars. We are not a colonial power but we still have a commonwealth. We are jealous of the rich but we buy into the Hello! celebrity culture. We live in a United Kingdom that’s no longer united. We are muddled.
Jeremy Clarkson (The World According to Clarkson (World According to Clarkson, #1))
his refusal to be seduced by new ideas or faraway places, but walking through the tiny twisting streets of New Delhi, Annie understood that Desmond’s world was limited by fear. He couldn’t bear to step out of the known, the familiar. In Europe he could understand the rudiments of language, the coordinates of the culture, but elsewhere he was flummoxed. The same went, she began to understand, for his absolute reliance on order and routine.
Hannah Rothschild (The Improbability of Love)
I already know a thing or two. I know it’s not clothes that make women beautiful or otherwise, nor beauty care, nor expensive creams, nor the distinction or costliness of their finery. I know the problem lies elsewhere. I don’t know where. I only know it isn’t where women think. I look at the women in the streets of Saigon, and up-country. Some of them are very beautiful, very white, they take enormous care of their beauty here, especially up-country. They don’t do anything, just save themselves up, save themselves up for Europe, for lovers, holidays in Italy, the long six-months’ leaves every three years, when at last they’ll be able to talk about what it’s like here, this peculiar colonial existence, the marvellous domestic service provided by the houseboys, the vegetation, the dances, the white villas, big enough to get lost in, occupied by officials in distant outposts. They wait, these women. They dress just for the sake of dressing. They look at themselves. In the shade of their villas, they look at themselves for later on, they dream of romance, they already have huge wardrobes full of more dresses than they know what to do with, added together one by one like time, like the long days of waiting. Some of them go mad. Some are deserted for a young maid who keeps her mouth shut. Ditched. You can hear the word hit them, hear the sound of the blow. Some kill themselves.
Marguerite Duras (The Lover)
What’s Chamberlain saying?” the president asked. “I’m afraid he’s dithering, Mr. President,” Hull replied. “Downing Street is in a panic. Churchill is pushing the PM to declare war, but Chamberlain won’t do it.” “Good heaven—the man has no spine,” Roosevelt snapped. “Is he just going to let the Nazis take over all of Europe? Is that his plan? What about the French? Will they declare war?” “Not without the British,” Welles said. “Paris doesn’t want to be out there all by themselves.
Joel C. Rosenberg (The Auschwitz Escape)
As with the first Nightmare, we shot a couple of interesting scenes that didn’t make it into the final cut, most notably one featuring a female Freddy. One of the kids in the hospital has a Freddy dream in which he’s being seduced by a sexy nurse. The nightmare evolves into a kinky S&M fantasy, but becomes less M and more S when the ropes that bind the kid to the bed become Freddy tongues, and the nurse’s face morphs into Freddy’s, but her topless torso, which features a pair of perfect Playboy breasts, remains smooth and inviting… that is, for a moment. All of a sudden, the veins in her areolas come to life and turn into Freddy-like burn scars and snake up her cleavage, past her neck, and onto her face. (I’m pretty sure Kevin enjoyed the four hours it took to apply makeup to those tits.) This troubling, erotic transformation didn’t make the final cut for some reason. Occasionally I find myself signing bootleg stills from the missing sequence. Especially in Europe. Ooh la la!
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
These days most Finns have saunas at home, but some public ones remain. They smell of old pine, tar shampoo and long tradition, with birch whisks and no-nonsense scrubdowns available as extras. Weathered Finnish faces cool down on the street outside, loins wrapped in a towel and hand wrapped around a cold beer. Helsinki and Tampere are the best places for this, while Kuopio’s old-style smoke sauna takes a day to prepare and offers a more rural experience, with a lake to jump into right alongside.
Lonely Planet Finland
Liberal feminism’s ethos converges not only with corporate mores but also with supposedly “transgressive” currents of neoliberal culture. Its love affair with individual advancement equally permeates the world of social-media celebrity, which also confuses feminism with the ascent of individual women. In that world, “feminism” risks becoming a trending hashtag and a vehicle of self-promotion, deployed less to liberate the many than to elevate the few. In general, then, liberal feminism supplies the perfect alibi for neoliberalism. Cloaking regressive policies in an aura of emancipation, it enables the forces supporting global capital to portray themselves as “progressive.” Allied with global finance in the United States, while providing cover for Islamophobia in Europe, this is the feminism of the female power-holders: the corporate gurus who preach “lean in,” the femocrats who push structural adjustment and microcredit on the global South, and the professional politicians in pant suits who collect six-figure fees for speeches to Wall Street.
Cinzia Arruzza (Feminism for the 99%: A Manifesto)
After Kristallnacht, tight U.S. immigration laws were relaxed somewhat, allowing a trickle of people who wanted to leave Europe to enter the United States. Many of those given priority in a first wave of immigration were artists, writers, composers, and scientists, but even that very circumscribed immigration caused alarm. As late as 1939, 95 percent of Americans did not want any part of a European war.15 And, with the country’s economy still fragile, many people resented those fleeing it as needy hordes who would compete for scarce jobs and dwindling government support. Anti-immigration forces in Congress used fear as an excuse to deny foreigners entry. The House Committee on Un-American Activities was established in 1938 to investigate newcomers suspected of being communists or spies.16 Alarm and insecurity in some soon hardened into paranoia and hatred. In February 1939, twenty-two thousand people marched through Manhattan, giving fascist salutes and carrying U.S. flags as well as banners with swastikas, toward a pro-Nazi rally at Madison Square Garden.
Mary Gabriel (Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art (LITTLE, BROWN A))
The color revolutions did not change the post-Soviet world, but they left a lasting legacy and the hope that it would change one day. Ukrainians reappeared on the world’s television screens in November and December 2013, when they poured onto the streets of Kyiv once again, this time in support of closer ties with the European Union. At a time when enthusiasm for the European Union was at a low ebb among its member countries, the readiness of the Ukrainians to march and stay on the streets in subzero temperatures for days, weeks, and months surprised and inspired
Serhii Plokhy (The Gates of Europe: A History of Ukraine)
It would take me all night to tell about Old Bull Lee; let's just say now, he was a teacher, and it may be said that he had every right to teach because he spent all his time learning; and the things he learned were what he considered to be and called "the facts of life," which he learned, not only out of necessity but because he wanted to. He dragged his long, thin body around the entire United States and most of Europe and North Africa in his time, only to see what was going on.... there are pictures of him with the international cocaine set of the thirties — gangs with wild hair, leaning on one another, there are other pictures of him in a Panama hat, surveying the streets of Algiers.... He was an exterminator in Chicago, a bartender in New York, a summons-server in Newark. In Paris he sat at cafe tables, watching the sullen French faces go by. In Athens he looked up from his ouzo at what he called the ugliest people in the world. In Istanbul he threaded his way through crowds of opium addicts and rug-sellers, looking for the facts. In Chicago he planned to hold up a Turkish bath, hesitated just for two minutes too long for a drink, and, wound up with two dollars and had to make a run for it. He did all these things merely for the experience....
Jack Kerouac
So why did strong, modern states not emerge in Latin America as they did in Europe? If there is a single factor that explains this outcome, it is the relative absence of interstate war in the New World. We have seen how central war and preparation for war were in the creation of modern states in China, Prussia, and France. Even in the United States, state building has been driven by national security concerns throughout the twentieth century. Though Europe has been remarkably peaceful since 1945, the prior centuries were characterized by high and endemic levels of interstate violence. Over the past two centuries, the major political acts that reconfigured the map of Europe—the French Revolution and Napoleonic Wars, and the wars of unification of Italy and Germany—all involved high levels of violence, culminating in the two world wars of the twentieth century. There has been plenty of violence in Latin America, of course: today the region is infested with drug cartels, street gangs, and a few remaining guerrilla groups, all of which inflict enormous sufferings on local populations. But in comparison with Europe, Latin America has been a peaceful place in terms of interstate war. This has been a blessing for the region, but it has also left a problematic institutional legacy.
Francis Fukuyama (Political Order and Political Decay: From the Industrial Revolution to the Globalization of Democracy)
You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things." "Oh,it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want." He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that. Not that that/i> would be so bad. But I like Toph,and St. Clair has a girlfriend. And even if the situation were different, Mer still has dibs. I'd never do that to her after how nice she was my first day.And my second. And every other day this week. Besides,he's just an attractive boy. Nothing to get worked up over. I mean, the streets of Europe are filled with beautiful guys, right? Guys with grooming regimens and proper haircuts and stylish coats.Not that I've seen anyone even remotely as good-looking as Monsieur Etienne St.Clair.But still. He turns his face away from mine. Is it my imagination or does he look embarrassed? But why would he be embarrassed? I'm the one with the idiotic mouth. "Is that your boyfriend?" He points to my laptop's wallpaper, a photo of my coworkers and me goofing around. It was taken before the midnight release of the lastest fantasy-novel-to-film adaptation. Most of us were dressed like elves or wizards. "The one with his eyes closed?" "WHAT?" He thinks I'd date a guy like Hercules Hercules is an assistant manager. He's ten years older than me and,yes, that's his real name. And even though he's sweet and knows more about Japanese horror films than anyone,he also has a ponytail. A ponytail. "Anna,I'm kidding.This one. Sideburns." He points to Toph,the reason I love the picture so much.Our heads are turned into each other, and we're wearing secret smiles,as if sharing a private joke. "Oh.Uh...no.Not really.I mean, Toph was my almost-boyfriend.I moved away before..." I trail off, uncomfortable. "Before much could happen.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The unexotic underclass are the poor in Eastern Europe, and Central Asia, who just don’t look foreign enough for our taste. Anyone who’s lived in a major European city can attest to the ubiquity of desperate Roma families, arriving from Bulgaria and Romania, panhandling in the streets and on the subways. This past April, the employees of the Louvre Museum in Paris went on strike because they were tired of being pickpocketed by hungry Roma children. But if you were to go to Bulgaria to volunteer or to start a social enterprise, how would the folks back on Facebook know you were helping ‘the poor?’ if the poor in your pictures kind of looked like you?
C.Z. Nnaemeka
There was another reason why the dollar's hegemony grew: the intentional impoverishment of America's working class. A cynic will tell you quite accurately that large quantities of money are attracted to countries where the profit rate is higher. For Wall Street to exercise fully its magnetic powers over foreign capital, profit margins in the United States had to catch up with profit rates in Germany and Japan. A quick and dirty way to do this was to suppress American wages. Cheaper labour makes for lower costs, makes for larger margins. It is no coincidence that, to this day, American working class earnings languish below their 1974 level. It is also no coincidence that union-busting became a thing in the 1970s, culminating in Ronald Reagan's dismissal of every single unionised air traffic controller. A move emulated by Margaret Thatcher in Britain who pulverised whole industries in order to eliminate the trade unions that inhabited them. And faced with the Minotaur's sucking most of the world's capital into America, the European ruling classes reckoned that they had no alternative but to do the same. Reagan had set the pace. Thatcher had shown the way. But it was in Germany and later across continental Europe that the new class war - you might call it universal austerity - was waged most effectively.
Yanis Varoufakis (Technofeudalism: What Killed Capitalism)
While the Austrian crown was dissolving like jelly in your fingers, everyone wanted Swiss francs and American dollars, and large numbers of foreigners exploited the economic situation to feed on the twitching corpse of the old Austrian currency. Austria was ‘discovered’, and became disastrously popular with foreign visitors in a parody of the society season. All the hotels in Vienna were crammed full with these vultures; they would buy anything, from toothbrushes to country estates; they cleared out private collections of antiquities and the antique dealers’ shops before the owners realised how badly they had been robbed and cheated in their time of need. Hotel receptionists from Switzerland and Dutch shorthand typists stayed in the princely apartments of the Ringstrasse hotels. Incredible as it may seem, I can vouch for it that for a long time the famous, de luxe Hotel de l’Europe in Salzburg was entirely booked by unemployed members of the English proletariat, who could live here more cheaply than in their slums at home, thanks to the generous unemployment benefit they received. Anything that was not nailed down disappeared. Word gradually spread of the cheap living and low prices in Austria. Greedy visitors came from further and further afield, from Sweden, from France, and you heard more Italian, French, Turkish and Romanian than German spoken in the streets of the city centre of Vienna.
Stefan Zweig (The World of Yesterday: Memoirs of a European)
Sex workers are the original feminists. Often seen as merely subject to others' whims, in fact, sex workers have shaped and contributed to social movements across the world. In medieval Europe, brother workers formed guilds and occasionally engaged in strikes or street protests in response to crackdowns, workplace closures, or unacceptable working conditions. Fifteenth-century prostitutes, arraigned before city councils in Bavaria, asserted that their activities constituted work rather than a sin. One prostitute (under the pseudonym Another Unfortunate) wrote to the Times of London in 1859 to state, "I conduct myself prudently, and defy you and your policemen too Why stand you there mouthing with sleek face about morality? What is morality?
Molly Smith (Revolting Prostitutes: The Fight for Sex Workers' Rights)
In our five thousand years of civilization, our history has often been the handmaid of geography. We lie exactly midway between the North Pole and the Equator. We are the gateway between the Fertile Crescent and Europe, between landlocked Central Asia and the Mediterranean world and beyond that, the Atlantic. Peoples and empires have ebbed and flowed across this land. Even today sixty per cent of Europe’s gas supply either passes down the Bosphorus or runs under our very feet through pipelines. We have always been the navel of the world. Yet our favoured location by its very nature surrounded us with historical enemies; to the north, Russia to the south, the Arabs; to the east, Persia and to the west, the Red Apple itself, Europe.’ The Red Apple, the myth of Ottoman imperialism. When Mehmet the Conqueror looked out from the parapets of his fortress of Europe at Constantinople, the Red Apple had been the golden globe in the open palm of Justinian’s statue in the Hippodrome, the symbol of Roman power and ambition. Mehmet rode through the crumbling Hippodrome, the decaying streets of dying Byzantium and the Red Apple became Rome itself. The truth of the Red Apple was that it would always be unattainable, for it was the westering spirit, the globe of the setting sun itself. ‘Now we find ourselves caught between Arab oil, Russian gas and Iranian radiation and we found that the only way we could take the Red Apple was by joining it.’ This is poor stuff, Georgios thinks. You would not insult undergraduates’ intelligence with this.
Ian McDonald (The Dervish House)
Bavaria, May 8, 1945. While civilians embraced...and took to the streets around the globe...many infantrymen in Europe, brutalized and broken, sat alone with their grief or paced their rest areas in mournful silence. "There is V-E Day without, but no peace within," wrote the war's most decorated infantryman, Audie Murphy..."People were damaged," remembered Thunderbird Guy Prestia. "It was like we'd been in a car crash. There was trauma. It takes a while to get over that."..."There was great relief," recalled [Lieutenant Colonel Felix] Sparks, "but no celebrations."....It was hard to believe, hard to accept that the killing and dying were finally over. There would be no more Anzios, Salernos, or Reipertswillers. Finally, after the death of 135,576 young Americans, Europe was free.
Alex Kershaw (The Liberator: One World War II Soldier's 500-Day Odyssey from the Beaches of Sicily to the Gates of Dachau)
I have, myself, full confidence that if all do their duty, if nothing is neglected, and if the best arrangements are made, as they are being made, we shall prove ourselves once again able to defend our island home, to ride out the storm of war, and to outlive the menace of tyranny, if necessary for years, if necessary alone. At any rate, that is what we are going to try to do. That is the resolve of His Majesty’s Government – every man of them. That is the will of Parliament and the nation. The British Empire and the French Republic, linked together in their cause and in their need, will defend to the death their native soil, aiding each other like good comrades to the utmost of their strength. Even though large tracts of Europe and many old and famous States have fallen or may fall into the grip of the Gestapo and all the odious apparatus of Nazi rule, we shall not flag or fail. We shall go on to the end. We shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our island, whatever the cost may be. We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender, and even if, which I do not for a moment believe, this island or a large part of it were subjugated and starving, then our Empire beyond the seas, armed and guarded by the British Fleet, would carry on the struggle, until, in God’s good time, the new world, with all its power and might, steps forth to the rescue and the liberation of the old.
Anthony McCarten (Darkest Hour: How Churchill Brought us Back from the Brink)
One must act radically. When one pulls out a tooth, one does it with a single tug, and the pain quickly goes away. The Jew must clear out of Europe. Otherwise no understanding will be possible between Europeans. It's the Jew who prevents everything. When I think about it, I realise that I'm extraordinarily humane. At the time of the rule of the Popes, the Jews were mistreated in Rome. Until 1830, eight Jews mounted on donkeys were led once a year through the streets of Rome. For my part, I restrict myself to telling them they must go away. If they break their pipes on the journey, I can't do anything about it. But if they refuse to go voluntarily, I see no other solution but extermination. Why should I look at a Jew through other eyes than if he were a Russian prisoner-of-war? In the p.o.w. camps, many are dying. It's not my fault. I didn't want either the war or the p.o.w. camps. Why did the Jew provoke this war? A good three hundred or four hundred years will go by before the Jews set foot again in Europe. They'll return first of all as commercial travellers, then gradually they'll become emboldened to settle here—the better to exploit us. In the next stage, they become philanthropists, they endow foundations. When a Jew does that, the thing is particularly noticed—for it's known that they're dirty dogs. As a rule, it's the most rascally of them who do that sort of thing. And then you'll hear these poor Aryan boobies telling you : "You see, there are good Jews !" Let's suppose that one day National Socialism will undergo a change, and become used by a caste of privileged persons who exploit the people and cultivate money. One must hope that in that case a new reformer will arise and clean up the stables.
Adolf Hitler (Hitler's Table Talk, 1941-1944)
Even though large tracts of Europe and many old and famous States have fallen or may fall into the grip of the Gestapo and all the odious apparatus of Nazi rule, we shall not flag or fail. We shall go on to the end, we shall fight in France, we shall fight in the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender, and even if, which I do not for a moment believe, this island or a large part of it were subjugated and starving, then our Empire beyond the seas, armed and guarded by the British Fleet, would carry on the struggle, until, in God’s good time, the New World, with all its power and might, steps forth to the rescue and the liberation of the Old.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
In reality, Jones often seemed ill-disposed toward Israel. Though he had trained with the IDF as a young Marine and, as Supreme Allied Commander in Europe, oversaw the U.S.-Israel military alliance, the State Department mission he headed to the West Bank in 2007 left him questioning Israel’s commitment to peace. He returned convinced that resolving the Israeli-Palestinian conflict would end all other Middle East disputes. “Of all the problems the administration faces globally,” he told the J Street conference, “I would recommend to the president…to solve this one. This is the epicenter.” The notion of “linkage”—all Middle Eastern disputes are tied to that between Israel and Palestinians—became doctrine in the Obama administration and Jones’s belief in it bordered on the religious. As he once confessed to an Israeli audience, “If God had appeared in front of the president and said he could do one thing on the planet it would be the two-state solution.
Michael B. Oren (Ally: My Journey Across the American-Israeli Divide)
Once, in the supermarket, I bought a little can that had a Japanese woman painted on the side. Later, at home, I opened the can and saw inside it a piece of tuna fish. The woman seemed to have changed into a piece of fish during her long voyage. This surprise came on a Sunday: I had decided not to read any writing on Sundays. Instead I observed the people I saw on the street as though they were isolated letters. Sometimes two people sat down next to each other in a café, and thus, briefly, formed a word. Then they separated, in order to go off and form other words. There must have been a moment in which the combinations of these words formed, quite by chance, several sentenced in which I might have read this foreign city like a text. But I never discovered a single sentence in this city, only letters and sometimes a few words that had no direct connection to any "cultural content". These words now and then led me to open the wrapping paper on the outside, only to find different wrapping paper below.
Yōko Tawada (Where Europe Begins)
Elsewhere that same day, sleet covered the dead grass outside a modest lavender home in the northern village of Oščadnica like bits of confetti. The piercing wind picked up, keeping afloat a host of identical LSNS flags, green cloth dancing under the murky winter sky. Within the thirty-person crowd, greetings all around. ‘At guard,’ they said to one another, saluting coyly, using a fascist phrase that was popular under Tiso’s rule. The green-clad audience former rows and stood with folded hands over their laps, as local LSNS František Drozd placed a multicolored wreath of flowers at the foot of the home where Tiso once lived. Drozd broke the momentary silence and welcomed the crowd. As the Sunday morning mass concluded across the street, churchgoers poured out of the church. A handful of them—dressed smartly in church digs—joined the procession. A gaggle of police officers stood next to their cars in the adjacent parking lot, rubbing their gloved hands together to stay warm, boredom sketched across their faces.
Patrick Strickland (Alerta! Alerta!: Snapshots of Europe's Anti-fascist Struggle)
You see in his Le pont de l’Europe a young man, well dressed in his grey overcoat and black top hat, maybe the artist, walking over the bridge along the generous pavement. He is two steps ahead of a young woman in a dress of sedate frills carrying a parasol. The sun is out. There is the glare of newly dressed stone. A dog passes by. A workman leans over the bridge. It is like the start of the world: a litany of perfect movements and shadows. Everyone, including the dog, knows what they are doing. Gustave Caillebotte, Le pont de l’Europe, 1876 The streets of Paris have a calmness to them: clean stone façades, rhythmic detailing of balconies, newly planted lime trees appear in his painting Jeune homme à sa fenêtre, shown in the second Impressionist exhibition in 1876. Here Caillebotte’s brother stands at the open window of their family apartment looking out onto the intersection of the rue de Monceau’s neighbouring streets. He stands with his hands in his pockets, well dressed and self-assured, with his life before him and a plush armchair behind him. Everything is possible.
Edmund de Waal (The Hare with Amber Eyes: A Family's Century of Art and Loss)
… But I should tell you that, come the apple festival of Transfiguration Day, when the sky begins to change from summer to autumn, it is the usual thing for our town to be overrun by an absolute plague of cicadas, so that by night, much as you might wish to sleep, you never can, what with all that interminable trilling on all sides, and the stars hanging down low over your head, and especially with the moon dangling just above the tops of the bell towers, for all the world like one of our renowned “smetana” apples, the kind that the local merchants supply to the royal court and even take to shows in Europe. If someone should ever happen to glance down at Zavolzhsk from those heavenly spheres out of which the lamps of the night pour forth their bright rays, then the picture presented to that fortunate person’s eyes would surely be one of some enchanted kingdom: the River sparkling lazily, the roofs glittering, the gas lamps flickering in the streets, and, hovering over all the shimmer and glimmer of this multifarious radiance, the tremulous silvery chiming of the cicada choir.
Boris Akunin (Sister Pelagia and the White Bulldog (Sister Pelagia Mysteries, #1))
He dragged his long, thin body around the entire United States and most of Europe and North Africa in his time, only to see what was going on; he married a White Russian countess in Yugoslavia to get her away from the Nazis in the thirties; there are pictures of him with the international cocaine set of the thirties—gangs with wild hair, leaning on one another; there are other pictures of him in a Panama hat, surveying the streets of Algiers; he never saw the White Russian countess again. He was an exterminator in Chicago, a bartender in New York, a summons-server in Newark. In Paris he sat at café tables, watching the sullen French faces go by. In Athens he looked up from his ouzo at what he called the ugliest people in the world. In Istanbul he threaded his way through crowds of opium addicts and rug-sellers, looking for the facts. In English hotels he read Spengler and the Marquis de Sade. In Chicago he planned to hold up a Turkish bath, hesitated just for two minutes too long for a drink, and wound up with two dollars and had to make a run for it. He did all these things merely for the experience.
Jack Kerouac (On the Road)
In May of 1945, only a few weeks after the fighting had ended in Europe, I was rotated back to the States, where I spent the remainder of the war with a training company at Camp Crowder, Missouri. Along with the rest of the Ninth Army, I had been racing across Germany so swiftly during the late winter and spring that when I boarded the plane, I couldn't believe its destination lay to the west. My mind might inform me otherwise, but there was an inertia of the spirit that told me we were flying to a new front, where we would disembark and continue our push eastward-eastward until we'd circled the globe, marching through villages along whose twisting, cobbled streets crowds of the enemy would watch us take possession of what, up till then, they'd considered their own. I had changed enough in two years not to mind the trembling of old people, the crying of the very young, the uncertainty and fear in the eyes of the once arrogant. I had been fortunate enough to develop an infantryman's heart, which, like his feet, at first aches and swells but finally grows horny enough for him to travel the weirdest paths without feeling a thing.
Philip Roth (Defender of the Faith)
Paris,” a Seventh Army soldier wrote his wife. “It was wonderful, but I slept on the floor because the bed was just too much like sleeping in butter.” A woman working for the OSS described fleets of vélos, odd contraptions like “canvas-covered bathtubs and drawn or propelled by motorcycles or bicycles,” carting around GIs “who little count the cost in their exuberance at being alive.” The writer Simone de Beauvoir concluded that “the easygoing manner of the young Americans incarnated liberty itself.” Troops packed movie theaters along the Champs-Élysées, and two music halls featured vaudeville shows. Post Number One of the American Legion served hamburgers and bourbon, and bars opened with names intended to entice the homesick, like The Sunny Side of the Street and New York. Army special services organized activities ranging from piano recitals to jitterbug lessons, while distributing thousands of hobby kits for sketching, clay modeling, and leather craft. The Bayeux Tapestry, long tucked away for safekeeping, reemerged in an exhibit at the Louvre, with the segment depicting the Norman defeat of the Anglo-Saxons in 1066 tactfully
Rick Atkinson (The Guns at Last Light: The War in Western Europe 1944-1945 (The Liberation Trilogy))
life in Paris was to some extent protected by the fact that I carried a green passport. This passport proclaimed that I was a free citizen of a free country, and was not, therefore, to be treated as one of Europe’s uncivilized, black possessions. This same passport, on the other side of the ocean, underwent a sea change and proclaimed that I was not an African prince, but a domestic nigger and that no foreign government would be offended if my corpse were to be found clogging up the sewers. I had never had occasion to reflect before on the brilliance of the white strategy: blacks didn’t know each other, could barely speak to each other, and, therefore, could scarcely trust each other—and therefore, wherever we turned, we found ourselves in the white man’s territory, and at the white man’s mercy. Four hundred years in the West had certainly turned me into a Westerner—there was no way around that. But four hundred years in the West had also failed to bleach me—there was no way around that, either—and my history in the West had, for its daily effect, placed me in such mortal danger that I had fled, all the way around the corner, to France.
James Baldwin (No Name in the Street)
To preserve the benefits of what is called civilized life, and to remedy at the same time the evil which it has produced ,ought to be considered as one of the first objects of reformed legislation. Whether that state that is proudly, perhaps erroneously, called civilization, has most promoted or most injured the general happiness of man is a question that may be strongly contested. On one side, the spectator is dazzled by splendid appearances; on the other, he is shocked by extremes of wretchedness; both of which it has erected. The most affluent and the most miserable of the human race are to be found in the countries that are called civilized. To understand what the state of society ought to be, it is necessary to have some idea of the natural and primitive state of man; such as it is at this day among the Indians of North America. There is not, in that state, any of those spectacles of human misery which poverty and want present to our eyes in all the towns and streets in Europe. Poverty, therefore, is a thing created by that which is called civilized life. It exists not in the natural state. On the other hand, the natural state is without those advantages which flow from agriculture, arts, sciences and manufactures. -Agrarian Justice
Thomas Paine
Dubrovnik, Croatia Dubrovnik’s old architecture, all wrapped within its ancient stone walls, have made this city a World Heritage Site. It’s an old sea port that sits above the Adriatic Sea. Its background, from medieval times was trade between the east and Europe and the city rivalled Venice for its reach and connections. Today, however, the principle economy is based on tourism. The old town is a warren of narrow, cobbled streets, sometimes steep, but pedestrianised which makes it easy to walk. However, be careful – signs do not always point to where they say they are going – many of them are old and the hotels, restaurants, bus stations have moved. The City Walls might look familiar to fans of Game of Thrones – many scenes were filmed here and there are Game of Thrones tours to visit the film’s settings. The area suffered a devastating earthquake in the 17th century, therefore much of the original architecture did not survive. The Sponza Palace, near the Bell Tower, is one of the few Gothic buildings left in the city. The Stradun is the main street in the Old Town – restaurants, shops and bars all pour out onto here. It’s lively, especially towards the end of the day. Don’t forget that the city’s location on the coast means that it also has beautiful beaches. Lapad Beach is two miles outside of town, and has a chilled atmosphere. Banje Beach is closer to the old town. It has an entrance fee and is livelier. One of the reasons Dubrovnok appeals to solo travellers is because it has a low crime rate. In addition, its cobbled streets and artistic shops all make browsing easy.
Dee Maldon (The Solo Travel Guide: Just Do It)
It was the economy that troubled most people prior to World War II. Europe, especially Germany, was dealing with a deep worldwide depression. Fascism was gaining a stronghold in Germany as well as in many other European countries. Although small and generally not popular, the Communist Party was the only organized group to stand in opposition to the Nazis. Small bands of these Communists occasionally attempted to disrupt the government by rioting in the streets. Occasionally gunfire would be heard, but very little could be done about it by a people that did not want to get involved. Hitler’s “Brown Shirts” were rapidly solidifying their position, and the Nazi Party was becoming stronger. Even though they frequently violated the National Constitution, they brought order to what had been chaos. The Treaty of Versailles, enacted after World War I, was hated by the German people, who felt that it suppressed them in a most demeaning way. However now Hitler was putting people to work building cars and an autobahn highway system that connected the larger cities. Modernization of airports and the development of a national railroad were all in violation of the imposed international regulations. Workers were again bringing paychecks home and could once more feed their families. Therefore, little thought was given to Hitler’s power grab. Germany was emerging from the dark era following World War I, and things were getting better. The Vaterland was regaining its strength, without regard to what France and other European countries thought.... After all, what could they, or would they, do about it?
Hank Bracker
5. Move toward resistance and pain A. Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.
Robert Greene (Mastery)
Many real-world Northwestern endonyms have European origins, such as “Portland,” “Victoria,” “Bellingham,” and “Richland.” To address this phenomenon while also contributing a sense of the fantastic, I chose to utilize a forgotten nineteenth century European artificial language as a source. Volapük is clumsy and awkward, but shares a relationship with English vocabulary (upon which it is based) that I was able to exploit. In my fictional universe, that relationship is swapped, and English (or rather, “Vendelabodish”) words derive from Volapük (“Valütapük”). This turns Volapük into an ancient Latin-like speech, offering texture to a fictional history of the colonizers of my fictional planets. Does one have to understand ancient Rome and medieval Europe and America’s Thirteen Colonies to understand the modern Pacific Northwest? Nah. But exploring the character and motivations of a migrating, imperial culture certainly sets the stage for explaining a modernist backlash against the atrocities that inevitably come with colonization.             The vocabulary of Volapük has also given flavor that is appropriate, I feel, to the quasi-North American setting. While high fantasy worlds seem to be built with pillars of European fairy tales, the universe of Geoduck Street is intentionally built with logs of North American tall tales. Tolkien could wax poetic about the aesthetic beauty of his Elvish words all he wanted, since aesthetic beauty fits the mold of fairies and shimmering palaces, but Geoduck Street needed a “whopper-spinning” approach to artificial language that would make a flapjack-eating Paul Bunyan proud. A prominent case in point: in this fictional universe, the word “yagalöp” forms the etymological root of “jackalope.” “Yag,” in the original nineteenth century iteration of Volapük, means “hunting,” while “löp” means “summit.” Combining them together makes them “the summit of hunting.” How could a jackalope not be a point of pride among hunting trophies?
Sylvester Olson (A Detective from Geoduck Street (The Matter of Cascadia Book 1))
But nothing is ever enough, have you noticed?” he said. “I can’t touch you enough. I can’t make you happy. I can’t say anything right to you. And you can’t take away from me a single thing I’ve fucked up along the way.” She became deflated. “You’re here, and you’re forgiven for everything,” she said quietly, sitting up and closing her eyes so she wouldn’t have to look at his tattooed arms and his scar-ribbon chest. “Tell me the truth,” Alexander said. “Don’t you sometimes think it’s harder—this—and other stuff like the magazines quizzes—harder for the two of us? That magazine quiz just points up the absurdity of us pretending we’re like normal people. Don’t you sometimes think it would be easier with your Edward Ludlow in New York? Or a Thelma? No history. No memories. Nothing to get over, nothing to claw back from.” “Would it be easier for you?” “Well, I wouldn’t hear you cry every night,” Alexander said. “I wouldn’t feel like such a failure every minute of my life.” “Oh my God! What are you talking about?” Tatiana yanked to get off him, but now it was Alexander who held her in place. “You know what I’m talking about,” he said, his eyes blazing. “I want amnesia! I want a fucking lobotomy. Could I please never think again? Look what’s happened to us, us, Tania. Don’t you remember how we used to be? Just look what’s happened.” His long winter’s night bled into Coconut Grove through all the fields and villages in three countries Alexander plundered through to get to the Bridge to Holy Cross, over the River Vistula, to get into the mountains, to escape to Germany, to save Pasha, to make his way to Tatiana. And he failed. Twenty escape attempts—two in Catowice, one ill-fated one in Colditz Castle, and seventeen desperate ones in Sachsenhausen, and he never got to her. He had somehow made all the wrong choices. Alexander knew it. Anthony knew it. With the son asleep, the parents had hours to mindlessly meander through the fields and rivers of Europe, through the streets of Leningrad. That was not to be wished upon. “Stop it,” Tatiana whispered. “Just stop it! You didn’t fail. You’re looking at it all twisted. You stayed alive, that was all, that was everything, and you know that. Why are you doing this?” “Why?” he said. “You want it out while sitting naked on top of my stomach with your hair down? Well, here it is. You don’t want it out? Then don’t ask me. Turn the light off, keep the braid in, get your”— Alexander stopped himself—“get off me, and say nothing.” Tatiana did none of those things. She didn’t want it out, what she wanted, desperately, was him to touch her. Though the aching in her heart from his words was unabated, the aching in her loins from her desire for him was also unabated.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Today I had a lively discussion with a merchant in Fez with a view to finding out what the Moors think of European civilization.... He was a fine man, about forty years old, with an honest and serious face, who had made business visits to the most important cities in Western Europe and had lived for a long time in Tangier, where he learnt Spanish.... I asked him therefore what kind of impression the large cities of Europe had made on him.... He looked hard at me and answered coldly: “Large streets, fine shops, beautiful palaces, good workshops, everything clean.” He gave the impression that with these words, he had mentioned everything in our countries that was worthy of praise. “Have you not found anything else in Europe that is beautiful and good?” I asked. He looked at me questioningly. “Is it possible,” I went on, “that an intelligent man like you, who has visited several countries so marvelously superior to your own can speak about them without astonishment, or at least without the emotion of a country boy who has seen the pasha’s palace? What can you possibly admire in the world? What sort of people are you? Who can possibly understand you?” “Perdone Usted”, he answered coldly, “it is for me to say that I cannot understand you. I have told you all the things which I consider to be better in Europe. What more can I say? Have I to say something that I do not believe to be true? I repeat that your streets are larger than ours, your shops finer, that you have workshops such as we do not have, and also rich palaces. That is all. I can only add one more thing: that you know more than we do, because you have many books, and read more.” I became impatient. “Do not lose patience, Caballero,” he said, “let us speak together calmly. Is not a man’s first duty honesty? Is it not honesty more than anything else that makes a man worthy of respect, and one country superior to another? Very well, then. As far as honesty is concerned, your countries are certainly not better than ours. That much I can say right away.” “Gently, gently!” I said, “Tell me first what you mean by honesty!” “Honesty in business, Caballero. The Moors, for example, sometimes cheat the Europeans in trade, but you Europeans cheat the Moors much more often.” “There must be a few cases,” I replied, in order to say something. “Casos raros?” he exclaimed angrily. “It happens every day! Proof: I go to Marseilles. I buy cotton. I choose a particular thread, give the exact reference number and brand-name, as well as the amount required. I ask for it to be sent, I pay, and I return home. Back in Morocco, I receive the cotton. I open the consignment, and take a look. I find the same number, the same brand-name, and a thread that is of one third the thickness! This is anything but good, and I lose thousands of francs! I rush to the consulate, but in vain. Another case: A merchant from Fez places an order in Europe for blue cloth, so many pieces, of such and such a length and breadth. He pays for it when the bargain is made. In due course he receives the cloth, opens the package, and checks the measurements. The first pieces are all right, those underneath are shorter, and those lowest down are half a meter too short! The cloth cannot be used for cloaks, and the merchant is ruined. . . . And so on and so on!
Edmondo de Amicis (Morocco: Its People & Places)
Olive,’ Mum said, stroking my fringe. ‘I need you to listen to me, and I need you to be brave.’ Opening my eyes again, I swallowed nervously. ‘What’s happened?’ ‘Your sister didn’t arrive at work today.’ Sukie was a typist for an insurance company in Clerkenwell. She said it was the dullest job ever. ‘Isn’t today Saturday, though?’ I asked. ‘She was due in to do overtime. No one’s seen her since she was with you and Cliff last night. She’s missing.’ ‘Missing?’ I didn’t understand. Mum nodded. The nurse added rather unhelpfully: ‘We’ve had casualties from all over London. It’s been chaos. All you can do is keep hoping for the best.’ It was obvious what she meant. I glanced at Mum, who always took the opposite view in any argument. But she stayed silent. Her hands, though, were trembling. ‘Missing isn’t the same as dead,’ I pointed out. Mum grimaced. ‘That’s true, and I’ve spoken to the War Office: Sukie’s name isn’t on their list of dead or injured but-’ ‘So she’s alive, then. She must be. I saw her in the street talking to a man,’ I said. ‘When she realised I’d followed her she was really furious about it.’ Mum looked at me, at the nurse, at the bump on my head. ‘Darling, you’re concussed. Don’t get overexcited now.’ ‘But you can’t think she’s dead.’ I insisted. ‘There’s no proof, is ther?’ ‘Sometimes it’s difficult to identify someone after…’ Mum faltered. I knew what she couldn’t say: sometimes if a body got blown apart there’d be nothing left to tie a name tag to. It was why we’d never buried Dad. Perhaps if there’d been a coffin and a headstone and a vicar saying nice things, it would’ve seemed more real. This felt different, though. After a big air raid the telephones were often down, letters got delayed, roads blocked. It might be a day or two before we heard from Sukie, and worried though I was, I knew she could look after herself. I wondered if it was part of Mum being ill, this painting the world black when it was grey. My head was hurting again so I lay back against the pillows. I was fed up with this stupid, horrid war. Eighteen months ago when it started, everyone said it’d be over before Christmas, but they were wrong. It was still going on, tearing great holes in people’s lives. We’d already lost Dad, and half the time these days it felt like Mum wasn’t quite here. And now Sukie – who knew where she was? I didn’t realise I was crying again until Mum touched my cheek. ‘It’s not fair,’ I said weakly. ‘War isn’t fair, I’m afraid,’ Mum replied. ‘You only have to walk through this hospital to see we’re not the only ones suffering. Though that’s just the top of the iceberg, believe me. There’s plenty worse going on in Europe.’ I remembered Sukie mentioning this too. She’d got really upset when she told me about the awful things happening to people Hitler didn’t like. She was in the kitchen chopping onions at the time so I wasn’t aware she was crying properly. ‘What sort of awful things?’ I’d asked her. ‘Food shortages, people being driven from their homes.’ Sukie took a deep breath, as if the list was really long. ‘People being attacked for no reason or sent no one knows where – Jewish people in particular. They’re made to wear yellow stars so everyone knows they’re Jews, and then barred from shops and schools and even parts of the towns where they live. It’s heartbreaking to think we can’t do anything about it.’ People threatened by soldiers. People queuing for food with stars on their coats. It was what I’d seen on last night’s newsreel at the cinema. My murky brain could just about remember those dismal scenes, and it made me even more angry. How I hated this lousy war. I didn’t know what I could do about it, a thirteen-year-old girl with a bump on her head. Yet thinking there might be something made me feel a tiny bit better.
Emma Carroll (Letters from the Lighthouse)
On my walks to the village, I got to know some of the villagers a little better. It didn’t take very long before they became friendlier and so I took the opportunity to stop and chat with them. Since I had many of their children in school we had a mutual interest but I still couldn’t get used to their immodest bathroom practices. Once while talking to a young man and his new bride, he felt the sudden urge to relieve himself. Not wanting to interrupt the conversation he simply turned his back on us and urinated directly onto the pavement, never skipping a word! I soon discovered that it wasn’t just here, but without very many public restrooms available, it was customary for people to do so in many parts of Europe, during that time.
Hank Bracker
Perhaps the only way to come close to understanding what happened is to stop trying to imagine Europe as a place populated by the dead, and to think of it instead as a place characterized by absence. Almost everyone alive when the war ended had lost friends or relatives to it. Whole villages, whole towns and even whole cities had been effectively erased, and with them their populations. Large areas of Europe that had once been home to thriving, bustling communities were now almost entirely empty of people. It was not the presence of death that defined the atmosphere of postwar Europe, but rather the absence of those who had once occupied Europe’s sitting rooms, its shops, its streets, its markets.
Keith Lowe (Savage Continent: Europe in the Aftermath of World War II)
This necessitated each village be self-supporting and self-sustaining. And, if you looked at 1100’s Europe, you would see that the types of jobs and professions the villagers took on reflected this fact. You had the butcher, the farmer, the blacksmith, the clothier, the knight, the baker, the goldsmith and of course the all-important grog maker. Everybody had a job or a task that carried their weight in the village. What you did NOT have was the professional activist, the social worker, the starving artist, the trophy wife, the socialite or the village welfare bum. Everybody had a job and everybody’s job provided vital and required services and products to the village. Now, the reason we understand this is because a village is a small enough entity for us to wrap our brains around. We see the little village with the little cows and the village people walking in the muddy streets. But ask yourself this question: How is a country any different than a village?
Aaron Clarey (Worthless)
Twenty-five thousand people paraded around the streets of New York for sixteen hours when the first cablegram was sent from America to Europe.
Samuel C. Florman (The Existential Pleasures of Engineering (Thomas Dunne Book))
Few people in Cologne would miss the symbolism of the fact that almost exactly a year later the cathedral’s lights were blazing as hundreds of local women were molested, raped and robbed by migrants in the same streets in which the cathedral authorities had objected to Pegida protesters walking, standing or congregating.
Douglas Murray (The Strange Death of Europe: Immigration, Identity, Islam)
Mexico has a level of poor that I had never experienced and could never experience in Europe. It affected me deeply and made me realize how spoiled we were in European countries. Brose Ltd., the company I worked for while living there, used to donate money and toys to an orphanage for the holidays. I went there to hand out presents for Christmas, and it was the most heartbreaking yet amazing experience, all at once. These weren’t kids who had been put into the orphanage through the system; these were children who had literally been found in the streets. Their stories were sad, but they were so happy and loved it when I would come and play football with them or pretend to fight with them. It made me want to open an orphanage one day.
Marcus Kowal (Life Is A Moment)