Europe Funny Quotes

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Nix had told Emma before she'd left for Europe that on this trip she would 'do that which you were born to do.' Apparently, Emma was born to get kidnapped by a deranged Lykae. Her fate sucked.
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
Asia is an entertainment, Europe is a dream, America is an imprisonment and Rest is a nightmare.
Santosh Kalwar
Best Recipes from Eastern Europe” is not only a guide about how to cook, but also about how to decorate dishes in beautiful and unique ways. Let’s make our breakfasts or dinners look classy, lovely, unusual or funny; it will add bright feelings of joy and amazement to our being. Big happiness consists of small pleasant things—like these!
Sahara Sanders (Best Recipes from Eastern Europe: Dainty Dishes, Delicious Drinks (Edible Excellence, #5))
I was having dinner…in London…when eventually he got, as the Europeans always do, to the part about “Your country’s never been invaded.” And so I said, “Let me tell you who those bad guys are. They’re us. WE BE BAD. We’re the baddest-assed sons of bitches that ever jogged in Reeboks. We’re three-quarters grizzly bear and two-thirds car wreck and descended from a stock market crash on our mother’s side. You take your Germany, France, and Spain, roll them all together and it wouldn’t give us room to park our cars. We’re the big boys, Jack, the original, giant, economy-sized, new and improved butt kickers of all time. When we snort coke in Houston, people lose their hats in Cap d’Antibes. And we’ve got an American Express card credit limit higher than your piss-ant metric numbers go. You say our country’s never been invaded? You’re right, little buddy. Because I’d like to see the needle-dicked foreigners who’d have the guts to try. We drink napalm to get our hearts started in the morning. A rape and a mugging is our way of saying 'Cheerio.' Hell can’t hold our sock-hops. We walk taller, talk louder, spit further, fuck longer and buy more things than you know the names of. I’d rather be a junkie in a New York City jail than king, queen, and jack of all Europeans. We eat little countries like this for breakfast and shit them out before lunch.
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny about This?")
Adolf introduces Fascism to Germany, spreads war throughout Europe, murders millions in concentration camps—but he's a strict vegetarian and loves his dog. Tossing in a touching scene with his German shepherd Blondie and a dish of lentils won't make Hitler's character 'balanced.' Hitler's character isn't balanced.
Howard Mittelmark (How Not to Write a Novel: 200 Classic Mistakes and How to Avoid Them—A Misstep-by-Misstep Guide)
SEEING THE WORLD “In the fifties, when my mother began lobbying for a trip to Europe, my father, who had been brought to Missouri from the Ukraine when he was two, said, ‘I been.’ 
Calvin Trillin (Quite Enough of Calvin Trillin: Forty Years of Funny Stuff)
But how can they make people fight if they dont want to?” “In Europe people are slaves for thousands of years. Not like ‘ere. . . . But I’ve seen war. Very funny. I tended bar in Port Arthur, nutten but a kid den. It was very funny.” “Gee I wish I could get a job as warcorrespondent.” “I might go as a Red Cross nurse.” “Correspondent very good ting. . . . Always drunk in American bar very far from battlefield.” They laughed.
John Dos Passos (Manhattan Transfer: A Novel)
It’s a funny thing because Britain was in a terrible state in those days. It limped from crisis to crisis. It was known as the Sick Man of Europe. It was in every way poorer than now. Yet there were flower beds in roundabouts, libraries and post offices in every village, cottage hospitals in abundance, council housing for all who needed it. It was a country so comfortable and enlightened that hospitals maintained cricket pitches for their staff and mental patients lived in Victorian palaces.
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
It’s a funny thing because Britain was in a terrible state in those days. It limped from crisis to crisis. It was known as the Sick Man of Europe. It was in every way poorer than now. Yet there were flower beds in roundabouts, libraries and post offices in every village, cottage hospitals in abundance, council housing for all who needed it. It was a country so comfortable and enlightened that hospitals maintained cricket pitches for their staff and mental patients lived in Victorian palaces. If we could afford it then, why not now? Someone needs to explain to me how it is that the richer Britain gets, the poorer it thinks itself.
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things." "Oh,it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want." He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that. Not that that/i> would be so bad. But I like Toph,and St. Clair has a girlfriend. And even if the situation were different, Mer still has dibs. I'd never do that to her after how nice she was my first day.And my second. And every other day this week. Besides,he's just an attractive boy. Nothing to get worked up over. I mean, the streets of Europe are filled with beautiful guys, right? Guys with grooming regimens and proper haircuts and stylish coats.Not that I've seen anyone even remotely as good-looking as Monsieur Etienne St.Clair.But still. He turns his face away from mine. Is it my imagination or does he look embarrassed? But why would he be embarrassed? I'm the one with the idiotic mouth. "Is that your boyfriend?" He points to my laptop's wallpaper, a photo of my coworkers and me goofing around. It was taken before the midnight release of the lastest fantasy-novel-to-film adaptation. Most of us were dressed like elves or wizards. "The one with his eyes closed?" "WHAT?" He thinks I'd date a guy like Hercules Hercules is an assistant manager. He's ten years older than me and,yes, that's his real name. And even though he's sweet and knows more about Japanese horror films than anyone,he also has a ponytail. A ponytail. "Anna,I'm kidding.This one. Sideburns." He points to Toph,the reason I love the picture so much.Our heads are turned into each other, and we're wearing secret smiles,as if sharing a private joke. "Oh.Uh...no.Not really.I mean, Toph was my almost-boyfriend.I moved away before..." I trail off, uncomfortable. "Before much could happen.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I really do think Britain had attained something approaching perfection just around the time of my arrival. It’s a funny thing because Britain was in a terrible state in those days. It limped from crisis to crisis. It was known as the Sick Man of Europe. It was in every way poorer than now. Yet there were flowerbeds on roundabouts, libraries and post offices in every village, cottage hospitals in abundance, council housing for all who needed it. It was a country so comfortable and enlightened that hospitals maintained cricket pitches for their staff and mental patients lived in Victorian palaces. If we could afford it then, why not now? Someone needs to explain to me how it is that the richer Britain gets the poorer it thinks itself.
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
Throughout history, there have been many wars fought for many different reasons. Some reasons are very serious, like politics, power, economics, or just revenge. Some reasons are as simple as a difference in opinion or just not liking each other. Then there are reasons that are so stupid you wonder what was going through the minds of people at the time. According to “The Vintage News,” the “War of the Bucket” was fought between two Italian city-states, Bologna and Modena, in 1325. To fully understand why two city-states went to war over a bucket, you need to understand the history behind it. From the 12th to the 14th century, the different powers of Europe fought a series of wars, which are known as the Guelph and Ghibelline Wars. During that time, the two Italian city-states of Modena and Bologna both took opposing sides. In 1325, a group of soldiers from Modena snuck into the city of Bologna and stole a bucket from the city’s central well. It wasn’t the fact that they stole the bucket that angered the people of Bologna. They were angered by the fact that their enemies were able to sneak into their city undetected and steal something. They saw it as dishonorable and demanded the return of their bucket. Modena refused to do so. At this point, both of them should have realized that a fight over a bucket was a bit silly, but they didn’t. Bologna mobilized its forces, and so did Modena. Modena was severely outnumbered during the war, and the Bolognese had the high ground. Even with these circumstances, Modena still managed to win the war and steal a second bucket from the city for good measure. This is a funny tale, but let’s not forget that 2,000 people died in this war and the Modenese soldiers destroyed most of the city of Bologna in the process. They even destroyed a sluice on the local river so that the Bolognese had no need for a bucket because they couldn’t get water anymore.
Larry Baz (The Eye-Opening Facts: The Crazy and Amazing Stories Behind the World’s Most Interesting Facts)
It’s funny that I’m the one talking about helping Bert,” Victor said, “and not the other way around. I told you my grandfather came to America from Europe for a better life. My uncle died fighting communists in Poland. My dad worked for twenty-five years in an auto plant. He carried a lunch-pail every day. My mom worked part time at the five and ten. Bert’s uncles are big shots in various industries, his dad gives money to the art institute uptown. They’ve had money and position for generations. Bert wants to throw all that out and if he gets his way, no one else will ever have a chance. I used to think that the left....” Victor’s fingers trembled. Without paying attention to what he was doing, he put a spoonful of mashed potatoes into the ash tray with his pipe. “Why does he bother you?” Juliet asked. “You know his dreams will never come to pass. So does he.” She touched his hand. “It’s still warm. Let’s go outside. I’d like to look at the moon.” They walked to Lake Otrobe. The glow from a distant steel mill reddened the southern sky. “Industry,” Victor said admiringly. “Creating wealth.” He began to sputter again on the way back when they passed the apartment building where Bert lived. They looked up at a lighted window. A dark figure with his back to the street sat in a gray armchair, still, his head down. “He’s fallen asleep reading,” Victor mumbled. “Engels no doubt or Lenin or one of those other thieves.
Richard French (Guy Ridley)
The first politicians were, in fact, the first priests. Funny how these two topics, politics and religion, are considered taboo in polite conversation. One particular group even purposely removed from their scriptures all references to reincarnation or personal spiritual empowerment in a deliberate attempt to consolidate the Truth under one authority. This led to the Dark Ages in Europe. Those who still insisted on side-stepping the official version of Truth often found themselves burned at the stake. Fear of our personal power still permeates many of our social institutions and is part of our cultural heritage. Why let it become part of yours?
David Ian Cowan (Dowsing Beyond Duality: Access Your Power to Create Positive Change)
Gothic is the genre of fear. Our fascination with it is almost always revived during times of instability and panic. In the wake of the French Revolution, the Marquis de Sade described the rise of the genre as 'the inevitable product of the revolutionary shock with which the whole of Europe resounded,' and literary critics in the late eighteenth century mocked the work of early gothic writers Anne Radcliffe and Matthew Lewis by referring to it as 'the terrorist school' of writing. As Fred Botting writes in Gothic, his lucid introduction to the genre, it expresses our unresolved feelings about 'the nature of power, law, society, family and sexuality' and yet is extremely concerned with issues of social disintegration and collapse. It's preoccupied with all that is immoral, fantastic, suspenseful, and sensational and yet prone to promoting middle-class values. It's interested in transgression, but it's ultimately more interested in restitution; it alludes to the past yet is carefully attuned to the present; it's designed to evoke excessive emotion, yet it's thoroughly ambivalent; it's the product of revolution and upheaval, yet it endeavors to contain their forces; it's terrifying, but pretty funny. And, importantly, the gothic always reflects the anxieties of its age in an appropriate package, so that by the nineteenth century, familiar tropes representing external threats like crumbling castles, aristocratic villains, and pesky ghosts had been swallowed and interiorized. In the nineteenth century, gothic horrors were more concerned with madness, disease, moral depravity, and decay than with evil aristocrats and depraved monks. Darwin's theories, the changing roles of women in society, and ethical issues raised by advances in science and technology haunted the Victorian gothic, and the repression of these fears returned again and again in the form of guilt, anxiety, and despair. 'Doubles, alter egos, mirrors, and animated representations of the disturbing parts of human identity became the stock devices,' Botting writes, 'signifying the alienation of the human subject from the culture and language in which s/he is located.' In the transition from modernity to post-modernity, the very idea of culture as something stable and real is challenged, and so postmodern gothic freaks itself out by dismantling modernist grand narratives and playing games. In the twentieth century, 'Gothic [was] everywhere and nowhere,' and 'narrative forms and devices spill[ed] over from worlds of fantasy and fiction into real and social spheres.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
What sets my photos in this book apart from other similar works is that all these images were taken during my daily life. No big glitzy photo shoots. No big camera. No heavy bag with lots of lenses. No tripod...I photographed things I thought were beautiful, funny, ironic, spectacular, sad, interesting...
Noel Marie Fletcher (Pathways in Time: Photo Journeys)
Don't you need to check on your mum, though? he asks Ali. "Nah, my brother or Holly are checking in on her tonight." Presumably she's on her own too, since Ali's father upped and offed to continental Europe. It's odd to think that we have something in common, Ali and I: we both grew up without a paternal presence. I reach for the photo of that immortalized dinner party that hasn't yet left the kitchen. "Is this your mum?" I'm pointing to a small but woman with a smile on her face who's standing next to Ali's dad. Even though I'm looking for similarities, I can't see how she turned into the shriveled old woman, with her spiteful pinched mouth, that I encoun tered in the hotel. curvy Ali takes it and squints slightly. "Aye. And my dad. Was that taken here, aye? God, she looks young then." There's a sadness around his eyes, and concern in Ben's as he looks at Ali. "Funny to think our parents all knew one another, and here we are, having a drink together," I muse. "That might be odd in London Town, but it's pretty much par for the course round here," says Ali, putting the photo down. "Very hard to escape the sins of our fathers when everybody around knows exactly what they were." He glances at me. "Shite. Sorry. Let's talk about some thing much less controversial. Like, erm, Scottish independence or something," he says, tongue in cheek.
Lexie Elliott (The Missing Years)
the white tents. 17. Two views of The Wild West in Paris, igo5. Colonel Cody, a Hawkeye by birth, is personally lionized by the Parisians, and his unique exhibition, so full of historical and dramatic interest, made a wonderful impression upon the susceptible French public. The twenty lessons I took in French, at the Berlitz School of Languages, London, only gave me a faint idea of what the language was like, but as I was required to make my lectures and announcements in French, I had my speeches translated, and was coached in their delivery by Monsieur Corthesy, editeur, le journal de Londres. Well, I got along pretty fair, considering that I did not know the meaning of half the words I was saying. Anyway it amused them, so I was satisfied. I honestly believe that more people came in the side show in Paris to hear and laugh at my "rotten" French than anything else, and when I found that a certain word or expression excited their risibilities, I never changed it. I can look back now and see where some of my own literal translations were very funny. Colonel Cody's exhibition is unique in many ways, and might justly be termed a polyglot school, no less than twelve distinct languages being spoken in the camp, viz.: Japanese, Russian, French, Arabic, Greek, Hungarian, German, Italian, Spanish, Holland, Flemish, Chinese, Sioux and English. Being in such close contact every day, we were bound to get some idea of each other's tongue, and all acquire a fair idea of English. Colonel Cody is, therefore, entitled to considerable credit for disseminating English, and thus preserving the entente cordiale between nations. 18. Entrance to the Wild West, Champs de Mars, Paris, Igo5. The first place of public interest that we visited in Paris was the Jardin des Plantes (botanical and zoological garden) and le Musee d'Histoire Naturelle. The zoological collection would suffer in comparison with several in America I might mention, but the Natural History Museum is very complete, and is, to my notion, the most artistically arranged of any museum I have visited. Le Palais du Trocadero, which was in sight of our grounds and facing the
Charles Eldridge Griffin (Four Years in Europe with Buffalo Bill)
I took a black and white photograph, which I also posted on Instagram. Her New Balance shoes and her feet crossed, hanging as she sat atop the pile of aluminum chairs, against the backdrop of the many legs of the chairs shining in the street lights in contrast to her dark shoes and leggings, were so captivating. There was a lightness in the way she sat there with her crossed legs dangling, as if she was perched on a cloud and it was the most natural thing as she was my angel. I was still unsure if she really existed or if I had only made her up with Pinto cat one night. It was all like a lucid dream. I was so glad for us and for us becoming rich soon too. I was so glad I could provide her with a future in Europe. I was so glad we would be rich and happy and we would be able to make all our dreams come true and travel the world freely together. I can show her Italy and Hungary and Europe. We can pick where do we want to live or make family. I knew all my life, all my work had led to this girl, this moment, and this future. Ours. She started to rap in Spanish in the Rioplatense dialect as I started to record her. „Loco, loco…” - she was so cute, it sounded like she had learned it on the streets of Buenos Aires, skipping school. She was amazing - so young, so true, so natural and pure and cute. I couldn't get enough of her. I wanted to make kids with her. With only her. Nobody else. By the wall of the church and the bar tables, there were a bunch of metal mobile railings with the Ajuntamiento de Barcelona logo in the middle of each of them. I told Martina to squat down to the level of the Ajuntamiento sign, and before I could finish my sentence, she was already doing it. She posed with the mobile railings, making a funny, cool and happy face while squeezing the Ajuntamiento logo between two of her fingers and pointing at it with her other hand, as if we were mocking the authorities of the Ajuntamiento. She was reading my mind. Like she knew magic. She was such a good girl. She was so pretty, smart and sexy. She was smiling, biting her lower lip, excited, turned on, and in love, I thought, looking like a bunny, or like Whitney Houston on the Brazilian live concert video, so I began to call her “Bunny”. I showed her how Whitney was smiling the same way. I was so blind to see the connection. (“The Cocaine Queen”) I was so much in love with her, so under her spell, I just really wanted her to be the One, I guess. I explained to her that the Camorra was one of my costumers and they had a club close by too and they were taking away other people's coffeeshops, menacing their lives and their families'. I explained to her that we were going to do all demolition and remodeling without any permit, without telling a word to anyone. I told her that we would lie to the residents of the building above us about what we were going to do there for months and months. I told her that she must keep it as our secret. She was nodding happily and she seemed happy that I trusted her. I explained everything to her, I told her about Rachel and Tom and I signing the founding document at Amina's office at the beginning of the same year, 2013. She seemed to understand the weight of all I told her and the reasons why I told her about it all, so she would know, so she wouldn't make a mistake saying the wrong thing in the wrong place at the wrong time. I asked her to pay attention to her surroundings in Barcelona from then on, as there were a lot of criminals, and she was a very pretty girl - not only my girlfriend. She seemed to take it as a privilege to be my girlfriend, and she seemed eternally happy, as was I. I told her that she was the only person I fully trusted. I wanted to send the video of Martina rapping on WhatsApp to Adam, but Martina told me I shouldn't because it was late and, at the end, Adam was my boss. “Yeah but he is not really my boss, in Spain, I am the boss.
Tomas Adam Nyapi
But we’re Sukie’s brother and sister,’ I protested. ‘You’re supposed to be her friend!’ Queenie looked surprised. ‘Me? I don’t know what you mean.’ ‘You’ve written to…’ I trailed off hopelessly. There was no point in arguing any more. Queenie has made up her mind. ‘Well, I don’t trust Esther Jenkins,’ I muttered, as much to myself as anyone. ‘And I bet she’ll not be as quick doing the deliveries, either.’ Queenie gave me a withering look. ‘For your information, Esther’s moved house, city and country more times than you’ve had hot dinners. I don’t think she’d manage it again. At least you two have each other.’ Glancing at Cliff, all I felt was more worry, not less. I hadn’t got the hang of this ‘big sister’ lark – you only had to look at Cliff’s split lip to see my attempt at looking after him wasn’t exactly going well. ‘All Esther’s anger, all that bluster – it’s just a front.’ Queenie went on. ‘Behind it she’s a smashing girl. You need to give her a chance.’ ‘She said horrible things about my sister!’ I insisted, though I was beginning to feel uncomfortable. Because I’d started the fight, hadn’t I? I’d been the angry one – Esther had almost tried to apologise. Queenie stopped. ‘You’ve heard of the Kindertransport, have you?’ ‘Some Jewish kids joined our school from Europe,’ I said. ‘But I don’t see what –’ ‘Esther was one of them,’ Queenie interrupted. ‘Not at your school but another one in London. She’s a Jewish refugee.’ ‘Well, she as good as called Sukie a spy!’ I pointed out. Queenie ignored my comment. ‘Esther’s had a terrible time of it. Everyone she loves has either died or disappeared, or failing that, lives in another country. Imagine what that feels like, can you?’ I swallowed miserably. The thing was I could imagine it – bits of it, anyway – and I felt ashamed, which didn’t improve my temper. ‘That doesn’t excuse what she did to Cliff’s lip,’ I mumbled, though really I was cross with myself. After what I’d overheard about kosher meat, I should have realised she was a Kindertransport child. But I didn’t think, did I? Instead, I’d grabbed her by the hair. What sort of person was I turning into to be so bitter? So angry? Queenie set off walking again. ‘That lip’ll heal in no time. Now hurry up and stop dawdling.’ Glancing sideways at Cliff, I felt a funny sensation in my chest. His lip looked horrid now but he would recover – Queenie was right. At least he was here, my living, breathing, sticky-handed brother. I was pretty lucky, all things considered.
Emma Carroll (Letters from the Lighthouse)
A few months ago, I spent a couple of days with a very wealthy gentleman in Europe, a friend of a friend. This man has more money than you and I could physically count in a lifetime. All his life he has worked very hard, and his achievements in business are admirable. One morning at breakfast, it was just the two of us and he began to speak. “There is something different about you, Matthew. I don’t know what it is, but it is special and rare. You make me ponder life.” I said nothing, and he said nothing for several minutes. Then he continued, “I will tell you this because you are young and perhaps it will be of some use to you. I am a very wealthy man. I have more houses than ten families could live in, more boats and cars than I could ever use, more money than I could ever spend. Everywhere I go I am treated like royalty…but, I have no peace. Peace…and the funny thing is, I would give everything I have, the things I have spent my whole life building, for just a little peace. As a little boy I had it, but
Matthew Kelly (The Rhythm of Life: Living Everyday With Passion and Purpose)
And as if blowing it up, flooding it, and keeping it behind the klyon wasn't enough, State Security special forces patrolled the area until 1989. Some locals say there was an additional 'live fence' of thousands of vipers specially bred for this purpose by Uzbeks along the southern Black Sea, under something called decree number 56. Why Uzbeks? Why vipers? Did decree 56 read: 'Let us fulfil the five-year snake plan in one year'?
Kapka Kassabova (Border: A Journey to the Edge of Europe)
Yo mama is so fat… when she plays hopscotch, she goes North America, South America, Europe, Asia.
Johnny B. Laughing (Yo Mama Jokes Bible: 350+ Funny & Hilarious Yo Mama Jokes)