Euphoria Series Quotes

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That's the difference between me and the rest of the world! Happiness isn't good enough for me! I demand euphoria!
Bill Watterson (Weirdos From Another Planet: Calvin & Hobbes Series: Book Six (Calvin and Hobbes))
Love is a feeling validated by series of kind actions. When the initial euphoria of love wanes, the series of kind actions validates the love.
Vincent Okay Nwachukwu
Asleep you don’t feel pain or hunger, or loneliness, or bitterness. In sleep you can drown in false euphoria, and when you awaken, you just don’t care about anything.
V.C. Andrews (The Flowers in the Attic Series: The Dollangangers)
What endures in states of extreme suffering and euphoria? Meaning.
Aldrich Chan (Reassembling Models of Reality: Theory and Clinical Practice (Norton Series on Interpersonal Neurobiology))
(Notably, temporary loss of blood or oxygen or excess carbon dioxide in the blood can also cause a disruption in the temporoparietal region and induce out-of-body experiences, which may explain the prevalence of these sensations during accidents, emergencies, heart attacks, etc.) NEAR-DEATH EXPERIENCES But perhaps the most dramatic category of out-of-body experiences are the near-death stories of individuals who have been declared dead but then mysteriously regained consciousness. In fact, 6 to 12 percent of survivors of cardiac arrest report having near-death experiences. It’s as though they have cheated death itself. When interviewed, they have dramatic tales of the same experience: they left their body and drifted toward a bright light at the end of a long tunnel. The media have seized upon this, with numerous best sellers and TV documentaries devoted to these theatrical stories. Many bizarre theories have been proposed to explain near-death experiences. In a poll of two thousand people, fully 42 percent believed that near-death experiences were proof of contact with the spiritual world that lies beyond death. (Some believe that the body releases endorphins—natural narcotics—before death. This may explain the euphoria that people feel, but not the tunnel and the bright lights.) Carl Sagan even speculated that near-death experiences were a reliving of the trauma of birth. The fact that these individuals recount very similar experiences doesn’t necessarily corroborate their glimpses into the afterlife; in fact, it seems to indicate that there is some deep neurological event happening. Neurologists have looked into this phenomenon seriously and suspect that the key may be the decrease of blood flow to the brain that often accompanies near-death cases, and which also occurs in fainting. Dr. Thomas Lempert, a neurologist at the Castle Park Clinic in Berlin, conducted a series of experiments on forty-two healthy individuals, causing them to faint under controlled laboratory conditions. Sixty percent of them had visual hallucinations (e.g., bright lights and colored patches). Forty-seven percent of them felt that they were entering another world. Twenty percent claimed to have encountered a supernatural being. Seventeen percent saw a bright light. Eight percent saw a tunnel. So fainting can mimic all the sensations people have in near-death experiences
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
Science Fiction is a group of symptoms and not a disease,” so a medical student (failed) told me once. “It's like the old disease hydropsy that doctors treated for so long before discovering that it was only a collection of symptoms, sometimes for a heart disease, sometimes for a liver or kidney disease, or sometimes even for a septic throat.” Well, the symptoms for Science Fiction are a prowling avidity to search out and read certain occult texts; an uneasiness or excitement that permates the whole routine of life; it's the ‘itchy ears’, as mentioned in Scripture, seeking for ‘new things’. The symptoms are usually a falcon-like hunting or questing; a series of sudden tuneful encounters; a group of euphorias and buoyancies that cry in opposite directions to be hoarded like misers' treasures and simultaneously to be shared with fellow sufferers of the symptoms; feeling that the ‘World We Live In’ is somehow masked and needs to be unmasked. These and other symptoms indicate either a strange disease or diseases, or they indicate a perpetually new kind of health. Tracing the symptoms back to the ‘disease’ does indicate that the disease is multiple, that it has such names as Hard Science Fiction, Soft Science Fiction, High Fantasy, Low Fantasy, Non-Conforming Adventure Fiction. And sometimes it bears such non-consensus names as Biological Fiction, Ontological Fiction, Eschatological Fiction (did Teilhard, for instance, know that he was writing Eschatological Fiction?), Theological Fiction, or Psychological or Philosophical or Technological or Geological or Historical Fiction. These things and many others share the same complex of symptoms.
R.A. Lafferty (It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1))
Thus what strikes me today is less the partly illusory, subjective nature of the impression of general euphoria that I felt in that period than the certainty that it is gone forever.
Marc Augé (Everyone Dies Young: Time Without Age (European Perspectives: A Series in Social Thought and Cultural Criticism))
euphoria
Brandon Mull (Fablehaven: The Complete Series (Fablehaven, #1-5))
So the day after the Series ended, as players flushed out a season’s accumulation of balls and bats and gloves from their lockers, he met with his coaches to constructively delineate what had happened, why the bats had gone silent, why the pitchers couldn’t find the black of the plate. They mused over the edge that had been lost in the fast-forward rush to the World Series. They wondered if the euphoria of winning the pennant, beating no less a force than Clemens, had been too euphoric. La Russa himself wondered if maybe the team had over-prepared, affected by a comment ESPN announcer and Hall-of-Famer Joe Morgan made to him afterward that in his own World Series experience, he didn’t want a lot of information, just the bare bones of how hard a particular pitcher threw and how he used his off-speed.
Buzz Bissinger (Three Nights in August: Strategy, Heartbreak, and Joy Inside the Mind of a Manager)
fallacy promise. It’s failure by false intention. By following this tenet, you end up tackling the easy tasks first to experience the transient euphoria of accomplishment or progress.
Scott Allan (Do the Hard Things First: How to Win Over Procrastination and Master the Habit of Doing Difficult Work (Do the Hard Things First Series Book 1))