Ethereal Love Quotes

Can you love my brain even when it is small? When it is malevolent? When it is violent? Can you love it even when it does not love me?

She is in all of his spaces and all of his thoughts. He contemplates formulas and degrees of rationality and they all turn into her. He thinks about time, which has only recently begun, or at least now feels different. He thinks: the Babylonians were wrong; time is made of her.

I’m in love with you,” I whisper. He tries to smile but his eyes flood instead. “Don’t love me more than your dreams, myshka. Because I love you too much to let you give them up for me.

You wouldn't make love with him, you'd make art.

When love has left us in the lurch and nothing ever strikes a chord anymore, we may come to realize a vacuum of the lost vibrations of happiness and an absence of the ethereal and exalting feel of harmony that we only become aware of, after time passes by and everything has expired. (“Amour en friche”)

Let us join the flow of ethereal vibrations when love is at our fingertips and encounter the mystery and wonder of unsuspected instants. Let us dip into the marvel of the budding and the blooming spray of our dreams brightening up our path. ("Crystallization under an umbrella")

Instead she thinks: I love him, and for a moment it doesn't matter whether he loves her back. It is enough to have known that the inside of her chest is more than a place for storage.

The world loved to take a beautiful woman and exclaim at the charm of her single imperfection

There are no perfect circles, Regan. Yes, there’s one, and it’s this one: They fall in love because they’re always in love. That’s circular, not a circle. He can believe whatever he wants; she knows it’s a perfect circle.

So this is what it is to love something you cannot control, he thought. It felt precisely like terror.

Strangeness is a necessary ingredient in beauty.

... so this is for us. This is for us who sing, write, dance, act, study, run and love and this is for doing it even if no one will ever know because the beauty is in the act of doing it. Not what it can lead to. This is for the times I lose myself while writing, singing, playing and no one is around and they will never know but I will forever remember and that shines brighter than any praise or fame or glory I will ever have, and this is for you who write or play or read or sing by yourself with the light off and door closed when the world is asleep and the stars are aligned and maybe no one will ever hear it or read your words or know your thoughts but it doesn’t make it less glorious. It makes it ethereal. Mysterious. Infinite. For it belongs to you and whatever God or spirit you believe in and only you can decide how much it meant and means and will forever mean and other people will experience it too through you. Through your spirit. Through the way you talk. Through the way you walk and love and laugh and care and I never meant to write this long but what I want to say is: Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself and let your very existence be your song, your poem, your story. Let your very identity be your book. Let the way people say your name sound like the sweetest melody. So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountain where no one will ever hear and your very existence will be the most hypnotising scar. Make your life be your art and you will never be forgotten.

The Librarian was not familiar with love, which had always struck him as a bit ethereal and soppy, but kindness, on the other hand, was practical. You knew where you were with kindness, especially if you were holding a pie it had just given you.

He looks like a poem. One of those mournfully beautiful ones with short, unfamiliar words that sound ethereal when spoken and completely nonsensical when thought.

Though you are three times more beautiful than angels, Though you are the sister of the river willows, I will kill you with my singing, Without spilling your blood on the ground. Not touching you with my hand, Not giving you one glance, I will stop loving you, But with your unimaginable groans I will finally slake my thirst. From her, who wandered the earth before me, Crueler than ice, more fiery than flame, From her, who still exists in the ether— From her you will set me free.

Grace will meet you in the valley, and her song will carry you home on the wind to another sky filled with ethereal beauty unfolding and love everlasting.

Oh draw at my heart, love, Draw till I'm gone, That, fallen asleep, I Still may love on. I feel the flow of Death's youth-giving flood To balsam and ether Transform my blood -- I live all the daytime In faith and in might And in holy fire I die every night.

Eventually she looked down at her empty hands and thought: Damn it. Damn it, I love him. Then, after the smoke cleared, she could see nothing else.

I know the resolution. I know the end of the story before it ever begins. I must choose love. And for this, I will surely die.

How very lovable her face was to him. Yet there was nothing ethereal about it; all was real vitality, real warmth, real incarnation. And it was in her mouth that this culminated. Eyes almost as deep and speaking he had seen before, and cheeks perhaps as fair; brows as arched, a chin and throat almost as shapely; her mouth he had seen nothing to equal on the face of the earth. To a young man with the least fire in him that little upward lift in the middle of her red top lip was distracting, infatuating, maddening. He had never before seen a woman’s lips and teeth which forced upon his mind with such persistent iteration the old Elizabethan simile of roses filled with snow. Perfect, he, as a lover, might have called them off-hand. But no — they were not perfect. And it was the touch of the imperfect upon the would-be perfect that gave the sweetness, because it was that which gave the humanity.

My heart was so full, I thought it might explode into the ether, creating some bizarre new solar system whose inhabitants ate only love, drank only hope, and breathed only joy. What a substantial galaxy that would be.

Falling in love is a lot like death. It chooses you. It decides the moment and the chain of events that will preclude the precise intersection of life in which it occurs. It uses you—treats you as though you were malleable in its warm pliable hands. It doesn’t bother to ask if you want it, or need it, just fills the gaping hole of destiny’s design

Ego Tripping I was born in the congo I walked to the fertile crescent and built the sphinx I designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect light I am bad I sat on the throne drinking nectar with allah I got hot and sent an ice age to europe to cool my thirst My oldest daughter is nefertiti the tears from my birth pains created the nile I am a beautiful woman I gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothes I crossed it in two hours I am a gazelle so swift so swift you can't catch me For a birthday present when he was three I gave my son hannibal an elephant He gave me rome for mother's day My strength flows ever on My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day I turned myself into myself and was jesus men intone my loving name All praises All praises I am the one who would save I sowed diamonds in my back yard My bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip north I caught a cold and blew My nose giving oil to the arab world I am so hip even my errors are correct I sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continents I am so perfect so divine so ethereal so surreal I cannot be comprehended except by my permission I mean...I...can fly like a bird in the sky...

Soul mate love transcends beyond the ethereal plane.

we love to say the digital is fleeting like a sunset but these scraps of ourselves we fling into the ether will outlive most of us, like the sun

Every time you love, pieces of you break off and get replaced by something you steal from someone else. It seems like it’s the right shape but it’s slightly different every time, so that eventually, very very quietly and over days and days and days, you are transformed into something unrecognizable, and it happens so slowly you don’t even notice, like shedding scales and making new ones.

She’s a maze with no escape. An ethereal, steady pulse. She’s there, but just barely. I love her so much I sometimes hate her. And it terrifies me, because deep down, I know what she is. An unsolvable puzzle. And I know who I am. The idiot who would try to fix her. At any cost.

For Aldo, to love something was to study it; to devote every spare thought to understanding it.

The day will come when, after harnessing the ether, the winds, the tides, gravitation, we shall harness for God the energies of love. And, on that day, for the second time in the history of the world, man will have discovered fire.

Can you love my brain even when it is small? When it is malevolent? When it's violent? Can you love it when it doesn't love me?

I want to be intoxicated by the darkened ether of midnight, running through my fingers as sparkling stardust. I crave the taste of the ocean's salty tears, as her temperamental tides crash and break against the rocks. I yearn for the sweet scent of sun on my skin and the earthy musk of dirt giving way under my bare feet. I want to lay naked in golden fields, as i gaze up at an endless sky, dreaming my dreams, as Mother Nature's love washes over me like spiritual sunshine.

Softly the breezes from the forest came, Softly they blew aside the taper's flame; Clear was the song from Philomel's far bower; Grateful the incense from the lime-tree flower; Mysterious, wild, the far-heard trumpet's tone; Lovely the moon in ether, all alone: Sweet too, the converse of these happy mortals, As that of busy spirits when the portals Are closing in the west; or that soft humming We hear around when Hesperus is coming. Sweet be their sleep.

this is when she knows- god, she knows- that she loves him so deeply and so passionately and so devastatingly that by the time she tells him, the words will inevitably feel empty and small.

Real love may be a choice, but I plan to choose someone who steals the breath from my body and haunts my very dreams. That is the only kind of love worth having.

That to love a person was to forfeit the need to place limits on them, and therefore to love was to exist in a constant, paralyzing threat.

he was gripped with terror, understanding now what it really meant to love something. That to love a person was to forfeit the need to place limits on them, and therefore lo love was to exist in a constant, paralyzing threat.

In the deeps are the violence and terror of which psychology has warned us. But if you ride these monsters deeper down, if you drop with them farther over the world's rim, you find what our sciences cannot locate or name, the substrate, the ocean or matrix or ether which buoys the rest, which gives goodness its power for good, and evil its power for evil, the unified field: our complex and inexplicable caring for each other, and for our life together here. This is given. It is not learned.

He’s made me appreciate myself more, love myself more, and as a result, I’ve come to see him as more than just a great athlete, a charismatic performer. Nikolai Kotova is the sum of his brothers and sister. And more. He is selfless, loyal, dedicated and wholly determined—the most responsible twenty-six-year-old, the most mature man. He is power and strength. But most importantly, he is love. And family. He kisses me again, his hand warming the back of my neck. “Whatever happens, just know that the parts of my life with you have been my favorite.

she wanted to bear his entire sadness for him: to hurt herself doubly, just to keep it from him, and was that illness or love? Was she really so broken that she wanted to suffer to spare him, and if that was true, then had he been right all along?

She did that, love him invasively, exploring him like the depths of the sea.

What did you learn?" he asked neutrally. That I could study you for a lifetime, carrying all of your peculiarities and discretions in the webs of my spidery palms, and still feel empty-handed.

Still perfect,” he said. “Read to me.” “This isn’t really a poem to read aloud when you are sitting next to your sleeping mother. It has, like, sodomy and angel dust in it,” I said. “You just named two of my favorite pastimes,” he said. “Okay, read me something else then?” “Um,” I said. “I don’t have anything else?” “That’s too bad. I am so in the mood for poetry. Do you have anything memorized?” “‘Let us go then, you and I,’” I started nervously, “‘When the evening is spread out against the sky / Like a patient etherized upon a table.’” “Slower,” he said. I felt bashful, like I had when I’d first told him of An Imperial Affliction. “Um, okay. Okay. ‘Let us go, through certain half-deserted streets, / The muttering retreats / Of restless nights in one-night cheap hotels / And sawdust restaurants with oyster-shells: / Streets that follow like a tedious argument / Of insidious intent / To lead you to an overwhelming question . . . / Oh, do not ask, “What is it?” / Let us go and make our visit.’” “I’m in love with you,” he said quietly. “Augustus,” I said. “I am,” he said. He was staring at me, and I could see the corners of his eyes crinkling. “I’m in love with you, and I’m not in the business of denying myself the simple pleasure of saying true things. I’m in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we’re all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we’ll ever have, and I am in love with you.” “Augustus,” I said again, not knowing what else to say. It felt like everything was rising up in me, like I was drowning in this weirdly painful joy, but I couldn’t say it back. I

So Janie waited a bloom time, and a green time and an orange time. But when the pollen again gilded the sun and sifted down on the world she began to stand around the gate and expect things. What things? She didn't know exactly. Her breath was gusty and short. She knew things that nobody had ever told her. For instance, the words of the trees and the wind. She often spoke to falling seeds and said, 'Ah hope you fall on soft ground,' because she had heard seeds saying that to each other as they passed. She knew the world was a stallion rolling in the blue pasture of ether. She knew that God tore down the old world every evening and built a new one by sun-up. It was wonderful to see it take form with the sun and emerge from the gray dust of its making. The familiar people and things had failed her so she hung over the gate and looked up the road towards way off. She knew now that marriage did not make love. Janie's first dream was dead, so she became a woman.

I send my words to you over the ether net like a message in a bottle...

My clothes are native to the rug in the center of the room, which my mother has lovingly deemed the hamper.

You wouldn't make love with him, you'd make art. Maybe that would be worth it, but still, art is tragedy.

If something earthly reminds you of something ethereal, then it must be love.

Men were the worst kid of heroes. Riddled with flaws they refused to see.

Because of everything that happened, I've learned to love myself more," she said. And is that not the best gift any trial in life can give you? The power to love yourself today better than you did the day before.

Because she could feel what he felt. And along with the gratitude, the sheer satisfaction and relief, were other emotions. Appreciation, joy, wonder, and-oh, dear God, LOVE.... Gabriel loved her. She could see herself in his mind, an image so cloaked in glamourand ethereal grace that she could scarcely recognize it. A girl with red-gold hair like a meteor trail and smokey-blue eyes with strange rings in them. An exotic creature that burned like an eager flame. More witch than human. Kaitlyn

How many boys like him were out there in the ether, holding on to their big brothers and sisters who were still alive? How many husbands were floating between life and death, clinging to their wives in this world? And how may millions and millions of people were there in the world like Charlie who wouldn't let go of their loved ones when they're gone?

My life has never felt more complicated, but this is a complication that I'd rather exist than not have at all.

The purity men love is like the mists which envelop the earth, and not like the azure ether beyond.

It isn't constancy that keeps us alive, it's the progression we use to move us.

I fucking love her - and that means nothing to everyone but me.

The moon is jealous of you tonight. Your alluring charm and intoxicating beauty have immured me as a prisoner; I didn't even glance once at the moon tonight!

We have a great deal more kindness than is ever spoken. (Despite) all the selfishness that chills like east winds the world, the whole human family is bathed with an element of love like a fine ether... The effect of the indulgence of this human affection is a certain cordial exhilaration.

He thinks of all the other versions of himself making love to all the other versions of her and resolves to pluck them out of their alternate realities, out of their alternate spaces and times, to place them in this one.

THOU wast all that to me, love, For which my soul did pine: A green isle in the sea, love, A fountain and a shrine All wreathed with fairy fruits and flowers, And all the flowers were mine. Ah, dream too bright to last! Ah, starry Hope, that didst arise But to be overcast! A voice from out the Future cries, "On! on!"—but o'er the Past (Dim gulf!) my spirit hovering lies Mute, motionless, aghast. For, alas! alas! with me The light of Life is o'er! No more—no more—no more— (Such language holds the solemn sea To the sands upon the shore) Shall bloom the thunder-blasted tree, Or the stricken eagle soar. And all my days are trances, And all my nightly dreams Are where thy gray eye glances, And where thy footstep gleams— In what ethereal dances, By what eternal streams.

Yet Clare's love was doubtless ethereal to a fault, imaginative to impracticability. With these natures, corporeal presence is sometimes less appealing than corporeal absence; the latter creating an ideal presence that conveniently drops the defects of the real.

May I? My hands were asking. May I touch you? May I devote myself to you? May I take you in my arms and mold my body to yours? May I fall in love with you even if you never do?

Can you love me truly? Can you love me even when I’m cruel and wicked and violent? Can you love me even when I’m small and fearful and tender? Can you love me when I hate myself? Can you?

I admire your courage. I know what you’ve given up to be here. I know the kind of artist it takes to land a role. I know that you won’t receive one on your own. And I imagine you, myshka, two years from now, working at Phantom with the same aspirations, the same dreams, in the same place where you are now. It’s wasted courage. And wasted love. You shouldn’t have to waste those things.” I’m speechless. And overwhelmed. When someone reaches out and gives you a hand—for no other reason than to see your success—it’s powerful. And rare. He wipes beneath my eye with his thumb. “I’d rather feed your hunger than watch you starve

Vane looked back at her one last time, knowing he would never see her again. She was so beautiful there with large, amber eyes set in the pale face of a goddess. There was something about her that reminded him of a Rubens angel. She was ethereal and lovely. And far too fragile for an animal." - Vane

Love is the true state of the human heart. When we love, we unguard our hearts. We open ourselves up to the world with- out any restraint. When passion flows, desires stir, our earthy senses become dull, and our ethereal self becomes illumined. At this stage, we are naked, totally naked, with little or no covering of ego.

He loved her fiercely for that. He didn't see the problem in loving her that way, with a savagery that felt as ancient as his sorrows, until he realized that the could no longer recall a life without her. It was as if the older versions of him had been erased and could no longer exist. He realized that his relationship whit time, whatever it was before, was now forever altered.

We were not of this world— Dancing with fireflies we lit up the night sky embracing the darkness and light within each other. We tasted of salt and earth and flesh. He dissolved in me, while I melted with him. Together, he and I became intensity, perfect insanity. Ethereal, eternal, omnipotent, limitless— We loved beyond this world.

People think live is, you know, this spiritual thing, "the lama said. "This 'feeling'. But that's not my thing. In my book, love is physical act. Love is not ethereal. Love is sticking by someone when they're in the nuthouse. Love is when you keep calling someone when they don't call you back. Love is dirty and solid. Love is, you know, earth and shit and blood and hair.

My girl,” he said, “I don’t care how long I’ll have to wait. A hundred years, a thousand years, a chance to find you in another life. Time does not apply to us. Because no matter how many times we’ll fall in love with other people, or how far apart we’ll be in the Cosmos, I know it in my soul, one day, we’ll find each other between the stars. I will be your last love. And you will be mine.

They fell into the stars in a rush of air and ether. They breathed each other’s breath. They had never been this close. It was all velocity and dream physics—no more need to stand or lean or fly, but only fall. They were both already fallen. They would never finish falling. The universe was endless, and love had its own logic. Their bodies curved together, pressed, and found their perfect fit.

Sisters forever,” Violetta declared, in her tiny, young voice. Until death, even in death, even beyond. “I love you,” Violetta says, hanging fiercely on to me even as my strength dies. I love you too. I lean against her, exhausted. “Violetta,” I murmur. I feel strange, delirious, as if a fever had wrapped me in a dream. Words emerge, faint and ethereal, from someone who reminds me of myself, but I can no longer be sure I am still here. Am I good? I am trying to ask her. Tears fall from Violetta’s eyes. She says nothing. Perhaps she can no longer hear me. I am small in this moment, turning smaller. My lips can barely move. After a lifetime of darkness, I want to leave something behind that is made of light. Both of her hands cup my face. Violetta stares at me with a look of determination, and then she brings me to her and hugs me close. “You are a light,” she replies gently. “And when you shine, you shine bright.

etherness n. the wistful feeling of looking around at a gathering of loved ones, all too aware that even though the room is filled with warmth and laughter now, it won't always be this way-that the coming years will steadily break people away into their own families, or see them pass away one by one, until there comes a time you look back and try to imagine what it feels like to have everyone together in the same place.

Most people, they are afraid to believe in ghosts. Me, i'm afraid not to believe. Because, well, what then? If there really is nothing else- nowhere to go after this, no way to linger on this plane to finish unsettled business it we must, then that means each moment, each breath, each passing second, is as ethereal as the wind. It means all we do here on earth- the going and coming, the loving and hating- it is all for naught. So, no. Ghosts don't scare me. But no ghosts- that terrifies me.

When, on their twenty-fifth wedding anniversary, Jerome had played his parents an ethereal, far more beautiful version of 'Hallelujah' by a kid called Buckley, Kiki had thought yes, that's right, our memories are getting more beautiful and less real every day. And then the kid drowned in the Mississippi, recalled Kiki now, looking up from her knees to the colourful painting that hung behind Carlene's empty chair. Jerome had wept: the tears you cry for someone whom you never met who made something beautiful that you loved. Seventeen years earlier, when Lennon died, Kiki had dragged Howard to Central Park and wept while the crowd sang 'All You Need is Love' and Howard ranted bitterly about Milgram and mass psychosis.

Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question ... Oh, do not ask, “What is it?” Let us go and make our visit.

Yes," he said - he would have said it to anything, she could have suggested a mutiny and he'd have searched tirelessly for an axe, a pitchfork, Excalibur itself - and she smiled up at him, lifting her chin to permit him full view of her approval. The prospect of it, of anything, buzzed in his veins.

You're ninety years old. What's one regret you wish you could change? That's it? That's the question, but here are the rules. You have to look for the grace of it, not the judgement, yours or anyone else's. You have to look for the answer in your passions, your art, your writing, the ocean, the faces of those you love, the ethereal things that give you joy. It has to feel light and free. If it doesn't, you're convincing yourself of the wrong decision.

Math is a difficult thing to love, he said. It’s precise and unforgiving, it’s evasive and it will never love me back, but I don’t have much of a choice, do I? It’s the thing that I can do that other people can’t, or that other people lack the patience for. Are there worthier things, more rewarding things? Yes, probably. But I don’t know what they are, they never showed themselves to me. Only math did.

You must take care to know once you enter her you are merging worlds. You are reaffirming a sacred agreement of eternal connectivity. Her energy centers will be connected with yours. Your intentions must be the purest to maintain this kind of cosmic sacred connection. You will be connected on every level seen and unseen. You both will become witness to the universe at play. The cosmic etheric dance of devotion. Two existences intermingle creating a third existence of oneness with tantric overtones and harmonics.

It is true I have not seen the earth nor men, but in your books I have drunk fragrant wine, I have sung songs, I have hunted stags and wild boars in the forests, have loved women ... Beauties as ethereal as clouds, created by the magic of your poets and geniuses, have visited me at night, and have whispered in my ears wonderful tales that have set my brain in a whirl. In your books I have climbed to the peaks of Elburz and Mont Blanc, and from there I have seen the sun rise and have watched it at evening flood the sky, the ocean, and the mountain-tops with gold and crimson. I have watched from there the lightning flashing over my head and cleaving the storm-clouds. I have seen green forests, fields, rivers, lakes, towns. I have heard the singing of the sirens, and the strains of the shepherds' pipes; I have touched the wings of comely devils who flew down to converse with me of God ... In your books I have flung myself into the bottomless pit, performed miracles, slain, burned towns, preached new religions, conquered whole kingdoms ...

As the track bends north-east, the ethereal sandstone disappears. The slopes turn black with granite, and the mountain's lower ridges break into unstable spikes and revetments. Their ribs are slashed in chiaroscuro, and their last outcrops pour towards the valley in the fluid, anthropomorphic shapes that pilgrims love. The spine and haunches of a massive stone beast, gazing at Kailas, are hailed as the Nandi bull, holy to Shiva; another rock has become the votive cake of Padmasambhava.

And finally the glass that contains and spills this stuff continually while the drinker hunches before it, while the bartender gathers up empties, gives back the drinker's own face. Who knows what it looks like; who cares whether or not it was young once, or ever lovely, who gives a shit about some drunk rising to stagger toward the bathroom, some man or woman or even lost angel who recklessly threw it all over—heaven, the ether, the celestial works—and said, Fuck it, I want to be human?

The Master's Sacred Knowledge. Love is the treasure you should seek! The greatest treasure to be found is in your heart. It is a place where you have stored your riches over the eons of time. It is a place nobody else can go, only you! BUT, you can only reach it by going into the heart centre. Not many people discover their treasure, as they are always looking outside for it in material objects, whereas it is inside and eternal and of an etheric nature. Love is that treasure! - Allan Rufus (.org)

When you uncork a bottle of mature fine wine, what you are drinking is the product of a particular culture and tradition, a particular soil, a particular climate, the weather in that year, and the love and labour of people who may since have died. The wine is still changing, still evolving, so much so that no two bottles can ever be quite the same. By now, the stuff has become incredibly complex, almost ethereal. Without seeking to blaspheme, it has become something like the smell and taste of God. Do you drink it alone? Never. The better a bottle, the more you want to share it with others ... and that is the other incredible thing about wine, that it brings people together, makes them share with one another, laugh with one another, fall in love with one another and with the world around them.

She wanted to tell him, to teach him: every time you love, pieces of you break off and get replaced by something you steal from someone else. It seems like it’s the right shape, but it’s slightly different every time, so that eventually, very very quietly and over days and days and days, you are transformed into something unrecognizable, and it happens so slowly you don’t even notice, like shedding scales and making new ones. He smiled at her like: isn’t it great? Yes, she thought, pained. Yes, it is perilously wonderful to suffer so sweetly with you.

It is a source of refreshment, laughter, joy and life—and of more power. Remove power and you cut off life, the possibility of creating something new and better in this rich and recalcitrant world. Life is power. Power is life. And flourishing power leads to flourishing life. Of course, like life itself, power is nothing—worse than nothing—without love. But love without power is less than it was meant to be. Love without the capacity to make something of the world, without the ability to respond to and make room for the beloved’s flourishing, is frustrated love. This is why the love that is the heartbeat of the Christian story—the Father’s love for the Son and, through the Son, for the world—is not simply a sentimental feeling or a distant, ethereal theological truth, but has been signed and sealed by the most audacious act of true power in the history of the world, the resurrection of the Son from the dead. Power at its best is resurrection to full life, to full humanity. Whenever human beings become what they were meant to be, when even death cannot finally hold its prisoners, then we can truly speak of power.

Algol is the name of the winking demon star, Medusa of the skies; fair but deadly to look on, even for one who is already dying. Ah, the bright stars of the night. Almost they obliterate the clear white pain. A thousand stars shining in the ether; but no dazzling newcomer. And so little time left, so little time... Yet still two-faced Medusa laughs from behind the clouds, demanding homage. Homage, Medusa, or a sword, a blade sharper than death itself. The wind stirs. Night clouds obscure the universe. A lower music now, a different kind of death. No stars tonight, my love. No Selene.

When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my "mind's eye" flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. Whene'er I wander, at the fall of night, Where woven boughs shut out the moon's bright ray, Should sad Despondency my musings fright, And frown, to drive fair Cheerfulness away, Peep with the moon-beams through the leafy roof, And keep that fiend Despondence far aloof. Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chace him away, sweet Hope, with visage bright, And fright him as the morning frightens night! Whene'er the fate of those I hold most dear Tells to my fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer; Let me awhile thy sweetest comforts borrow: Thy heaven-born radiance around me shed, And wave thy silver pinions o'er my head! Should e'er unhappy love my bosom pain, From cruel parents, or relentless fair; O let me think it is not quite in vain To sigh out sonnets to the midnight air! Sweet Hope, ethereal balm upon me shed. And wave thy silver pinions o'er my head! In the long vista of the years to roll, Let me not see our country's honour fade: O let me see our land retain her soul, Her pride, her freedom; and not freedom's shade. From thy bright eyes unusual brightness shed-- Beneath thy pinions canopy my head! Let me not see the patriot's high bequest, Great Liberty! how great in plain attire! With the base purple of a court oppress'd, Bowing her head, and ready to expire: But let me see thee stoop from heaven on wings That fill the skies with silver glitterings! And as, in sparkling majesty, a star Gilds the bright summit of some gloomy cloud; Brightening the half veil'd face of heaven afar: So, when dark thoughts my boding spirit shroud, Sweet Hope, celestial influence round me shed, Waving thy silver pinions o'er my head. - To Hope

What paralyzes life is lack of faith and lack of courage. The difficulty lies not in solving problems but in expressing them correctly; and we can now see that it is biologically undeniable that unless we harness passion to the service of spirit there can be no progress. Sooner or later, then, and in spite of all our incredulity, the world will take this step— because the greater truth always prevails and the greater good emerges in the end. The day will come when, after mastering the ether, the winds, the tides, gravity, we shall master the energies of love, for God. And then, for the second time in the history of the world, man will have made fire his servant.

Whose but his own? ingrate, he had of mee All he could have; I made him just and right, Sufficient to have stood, though free to fall. Such I created all th’ Ethereal Powers And Spirits, both them who stood and them who fail’d; Freely they stood who stood, and fell who fell. Not free, what proof could they have giv’n sincere Of true allegiance, constant Faith or Love, Where only what they needs must do, appear’d, Not what they would? what praise could they receive? What pleasure I from such obedience paid, When Will and Reason (Reason also is choice) Useless and vain, of freedom both despoil’d, Made passive both, had served necessity, Not mee. They therefore as to right belong’d, So were created, nor can justly accuse Thir maker, or thir making, or thir Fate; As if Predestination over-rul’d Thir will, dispos’d by absolute Decree Or high foreknowledge; they themselves decreed Thir own revolt, not I; if I foreknew Foreknowledge had no influence on their fault, Which had no less prov’d certain unforeknown. So without least impulse or shadow of Fate, Or aught by me immutable foreseen, They trespass, Authors to themselves in all Both what they judge and what they choose; for so I form’d them free, and free they must remain, Till they enthrall themselves: I else must change Thir nature, and revoke the high Decree Unchangeable, Eternal, which ordain’d Thir freedom: they themselves ordain’d thir fall.

For fifteen years I have been intently studying earthly life. It is true I have not seen the earth nor men, but in your books I have drunk fragrant wine, I have sung songs, I have hunted stags and wild boars in the forests, have loved women ... Beauties as ethereal as clouds, created by the magic of your poets and geniuses, have visited me at night, and have whispered in my ears wonderful tales that have set my brain in a whirl. In your books I have climbed to the peaks of Elburz and Mont Blanc, and from there I have seen the sun rise and have watched it at evening flood the sky, the ocean, and the mountain-tops with gold and crimson. I have watched from there the lightning flashing over my head and cleaving the storm-clouds. I have seen green forests, fields, rivers, lakes, towns. I have heard the singing of the sirens, and the strains of the shepherds' pipes; I have touched the wings of comely devils who flew down to converse with me of God ... In your books I have flung myself into the bottomless pit, performed miracles, slain, burned towns, preached new religions, conquered whole kingdoms ...

My Floating Sea" "Pastel colors reflect in my opening eyes and draw my gaze to a horizon where the waters both begin and end. This early in the day I can easily stare without blinking. The pale sea appears calm, but it is stormy just as often. I awe at the grandeur, how it expands beyond my sight to immeasurable depths. In every direction that I twist my neck, a beauteous blue is there to console me. Flowing, floating ribbons of mist form on these pale waters. In harmony they pirouette, creating a stretch of attractive, soft swirls. Swoosh! The wind, its strength in eddies and twisters, smears the art of dancing clouds, and the white disperses like startled fairies fleeing into the forest. Suddenly all is brilliant blue. The waters calm and clear. It warms me. Pleases me. Forces my eyes to close at such vast radiance. My day is spent surrounded by this ethereal sea, but soon enough the light in its belly subsides. Rich colors draw my gaze to the opposite horizon where the waters both begin and end. I watch the colors bleed and deepen. They fade into black. Yawning, I cast my eyes at tiny gleams of life that drift within the darkened waters. I extend my reach as if I could will my arm to stretch the expanse between me and eons. How I would love to brush a finger over a ray of living light, but I know I cannot. Distance deceives me. These little breathing lights floating in blackness would truly reduce me to the tiniest size, like a mountain stands majestic over a single wild flower. I am overwhelmed by it all and stare up, in love with the floating sea above my head.

From personal experience, I know for sure that the number one thing that saddens the dead more than our grief — is not being conscious of their existence around us. They do want you to talk to them as if they were still in a physical body. They do want you to play their favorite music, keep their pictures out, and continue living as if they never went away. However, time and "corruption" have blurred the lines between the living and the dead, between man and Nature, and between the physical and the etheric. There was a time when man could communicate with animals, plants, the ether, and the dead. To do so requires one to access higher levels of consciousness, and this knowledge has been hidden from us. Why? Because then the plants would tell us how to cure ourselves. The animals would show us their feelings, and the dead would tell us that good acts do matter. In all, we would come to know that we are all one. And most importantly, we would be alerted of threats and opportunities, good and evil, truth vs. fiction. We would have eyes working for humanity from every angle, and this threatens "the corrupt". Secret societies exist to hide these truths, and to make sure lies are preserved from generation to generation.

Every one of us has times when we need to know things will get better. Moroni spoke of it in the Book of Mormon as “hope for a better world.” (Ether 12:4) For emotional health and spiritual stamina, everyone needs to be able to look forward to some respite, to something pleasant and renewing and hopeful, whether that blessing be near at hand or still some distance ahead. It is enough just to know we can get there, that however measured or far away, there is the promise of “good things to come.” . . . [T]his is precisely what the gospel of Jesus Christ offers us . . . There is help. There is happiness. There really is light at the end of the tunnel. It is the Light of the World, the Bright and Morning Star, the “light that is endless, that can never be darkened.” (see John 8:12; Rev 22:16; Mosiah 16:9) It is the very Son of God Himself. . . . To any who may be struggling to see that light and find that hope, I say: Hold on. Keep trying. God loves you. Things will improve. Christ comes to you in His “more excellent ministry” with a future of “better promises.

In the lingering moments before you die your body releases DMT. The same drug that makes you dream. The same drug found in every living animal. It's not an evolutionary trick to make you survive. Your body is choosing to release this drug now because it believes your fate is too grim for you to comprehend. So you dream. You dream that everything will be fine. You dream that nothing happened at all. It's in this moment that your body sits across from you. It tells you 'looks like we're not gonna make it this time.' You sit around a fire and recollect the past before soon parting ways back to the atomic ether. Your body does this because it loves you. You have never met anyone like your body. Your body has been with you everyday, good and bad. It's even kept a journal of your life carved in scars. Your eyelashes always wiped the tears from your eyes.

The theological perspective of participation actually saves the appearances by exceeding them. It recognizes that materialism and spiritualism are false alternatives, since if there is only finite matter there is not even that, and that for phenomena really to be there they must be more than there. Hence, by appealing to an eternal source for bodies, their art, language, sexual and political union, one is not ethereally taking leave of their density. On the contrary, one is insisting that behind this density resides an even greater density – beyond all contrasts of density and lightness (as beyond all contrasts of definition and limitlessness). This is to say that all there is only is because it is more than it is. (...) This perspective should in many ways be seen as undercutting some of the contrasts between theological liberals and conservatives. The former tend to validate what they see as the modern embrace of our finitude – as language, and as erotic and aesthetically delighting bodies, and so forth. Conservatives, however, seem still to embrace a sort of nominal ethereal distancing from these realities and a disdain for them. Radical orthodoxy, by contrast, sees the historic root of the celebration of these things in participatory philosophy and incarnational theology, even if it can acknowledge that premodern tradition never took this celebration far enough. The modern apparent embrace of the finite it regards as, on inspection, illusory, since in order to stop the finite vanishing modernity must construe it as a spatial edifice bound by clear laws, rules and lattices. If, on the other hand, following the postmodern options, it embraces the flux of things, this is an empty flux both concealing and revealing an ultimate void. Hence, modernity has oscillated between puritanism (sexual or otherwise) and an entirely perverse eroticism, which is in love with death and therefore wills the death also of the erotic, and does not preserve the erotic as far as an eternal consummation. In a bizarre way, it seems that modernity does not really want what it thinks it wants; but on the other hand, in order to have what it thinks it wants, it would have to recover the theological. Thereby, of course, it would discover also that that which it desires is quite other than it has supposed

But first, he knew he had to apologize for hurting Dr. Larch’s feelings – it had all just slipped out of him, and it made him almost cry to think that he had cause Dr. Larch any suffering. He went straight across the hall to the dispensary, where he could see what he thought were Dr. Larch’s feet extending off the foot of the dispensary bed; the dispensary medicine cabinets blocked the rest of the bed from view. He spoke to Dr. Larch’s feet, which to Homer’s surprise were larger than he remembered them; he was also surprised that Dr. Larch – a neat man – had left his shows on and that his shoes were muddy. ‘Doctor Larch?’ Homer said. ‘I’m sorry.’ When there was no response, Homer thought crossly to himself that Dr. Larch was under an unusually ill-timed ether sedation. ‘I’m sorry, and I love you,’ Homer added, a little louder. He held his breath, listening for Larch’s breathing, which he couldn’t hear; alarmed, he stepped around the cabinets and saw the lifeless stationmaster stretched out on Larch’s bed. It did not occur to Homer that this had been the first time someone had said ‘I love you’ to the stationmaster.

In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!

A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn

The English word Atonement comes from the ancient Hebrew word kaphar, which means to cover. When Adam and Eve partook of the fruit and discovered their nakedness in the Garden of Eden, God sent Jesus to make coats of skins to cover them. Coats of skins don’t grow on trees. They had to be made from an animal, which meant an animal had to be killed. Perhaps that was the very first animal sacrifice. Because of that sacrifice, Adam and Eve were covered physically. In the same way, through Jesus’ sacrifice we are also covered emotionally and spiritually. When Adam and Eve left the garden, the only things they could take to remind them of Eden were the coats of skins. The one physical thing we take with us out of the temple to remind us of that heavenly place is a similar covering. The garment reminds us of our covenants, protects us, and even promotes modesty. However, it is also a powerful and personal symbol of the Atonement—a continuous reminder both night and day that because of Jesus’ sacrifice, we are covered. (I am indebted to Guinevere Woolstenhulme, a religion teacher at BYU, for insights about kaphar.) Jesus covers us (see Alma 7) when we feel worthless and inadequate. Christ referred to himself as “Alpha and Omega” (3 Nephi 9:18). Alpha and omega are the first and last letters of the Greek alphabet. Christ is surely the beginning and the end. Those who study statistics learn that the letter alpha is used to represent the level of significance in a research study. Jesus is also the one who gives value and significance to everything. Robert L. Millet writes, “In a world that offers flimsy and fleeting remedies for mortal despair, Jesus comes to us in our moments of need with a ‘more excellent hope’ (Ether 12:32)” (Grace Works, 62). Jesus covers us when we feel lost and discouraged. Christ referred to Himself as the “light” (3 Nephi 18:16). He doesn’t always clear the path, but He does illuminate it. Along with being the light, He also lightens our loads. “For my yoke is easy,” He said, “and my burden is light” (Matthew 11:30). He doesn’t always take burdens away from us, but He strengthens us for the task of carrying them and promises they will be for our good. Jesus covers us when we feel abused and hurt. Joseph Smith taught that because Christ met the demands of justice, all injustices will be made right for the faithful in the eternal scheme of things (see Teachings, 296). Marie K. Hafen has said, “The gospel of Jesus Christ was not given us to prevent our pain. The gospel was given us to heal our pain” (“Eve Heard All These Things,” 27). Jesus covers us when we feel defenseless and abandoned. Christ referred to Himself as our “advocate” (D&C 29:5): one who believes in us and stands up to defend us. We read, “The Lord is my rock, and my fortress, and my deliverer; my God, my strength, in whom I will trust; my buckler” (Psalm 18:2). A buckler is a shield used to divert blows. Jesus doesn’t always protect us from unpleasant consequences of illness or the choices of others, since they are all part of what we are here on earth to experience. However, He does shield us from fear in those dark times and delivers us from having to face those difficulties alone. … We’ve already learned that the Hebrew word that is translated into English as Atonement means “to cover.” In Arabic or Aramaic, the verb meaning to atone is kafat, which means “to embrace.” Not only can we be covered, helped, and comforted by the Savior, but we can be “encircled about eternally in the arms of his love” (2 Nephi 1:15). We can be “clasped in the arms of Jesus” (Mormon 5:11). In our day the Savior has said, “Be faithful and diligent in keeping the commandments of God, and I will encircle thee in the arms of my love” (D&C 6:20). (Brad Wilcox, The Continuous Atonement, pp. 47-49, 60).