Ether Element Quotes

You do not consist of the elements - earth, water, fire, air or even ether. To be liberated, know yourself as consisting of consciousness, the witness of these.

MUSIC OF THE UNIVERSE Without the orchestra of the universe, There would be no ether. And without its instrumentation By the ether, There would be no waves. And without any waves, There would be no sound. And without sound, There would be no music. And without music, There would be no life. And without a life force, There would be no matter. But it does not matter - Because what is matter, If there is no light?

From 'Periodic Table of Elements': A girl ago, a girlhood gone like a phial of ether | Thrown on fire--just | A little jump of flame, like grief, or | Like a penicillin that has lost its skill at killing | Off, it then is gone.

We have a great deal more kindness than is ever spoken. (Despite) all the selfishness that chills like east winds the world, the whole human family is bathed with an element of love like a fine ether... The effect of the indulgence of this human affection is a certain cordial exhilaration.

I endured all our hardships as if they had been luxuries: I made light of scurvy, banqueted off train-oil, and met that cold for which there is no language framed, and which might be a new element; or which, rather, had seemed in that long night like the vast void of ether beyond the uttermost star, where was neither air nor light nor heat, but only bitter negation and emptiness. I was hardly conscious of my body; I was only a concentrated search in myself.

We have been speaking of ether as an avenue of forces , a word which conveys no meaning to the average mind, because force is invisible. But to an occult investigator the forces are not merely names such as steam, electricity, etc. He finds them to be intelligent beings of varying grades, both sub and superhuman. What we call “laws of nature,” are great intelligences which guide more elemental beings in accordance with certain rules designed to further their evolution.

Such was, and is, and will be the nature of the universe, and it isn’t possible that things should come into being in any other way than they do at present; and not only have human beings participated in the process of change and transformation along with all the other creatures that live on the earth, but also those beings that are divine, and, by Zeus, even the four elements, which are changed and transformed upwards and downwards, as earth becomes water, and water air, and air is transformed in turn into ether. If someone endeavours to turn his mind towards these things, and to persuade himself to accept of his own free will what must necessarily come about, he will live a very balanced and harmonious life.

We’d be a love out of time and space, ethereal, destined, and her dreams would take shape around my song. I’d teach the hills to say her name, and the winds and the trees and water, too, so that the elements would love her, so that everywhere she went, no matter where, she’d hear the world crying out for, calling over and over: “Liv Stone, Liv Stone, Liv Stone!

There was nothing ethereal about Adam Radcliff. He was far more connected to the land than to heaven--elemental, primitive…virile. No, she thought firmly, forget about that last one.

Water is healing. It is one of the main elements of life. We are more than 70% water, so we respond to it readily. It doesn’t just clean our bodies. That’s the least of it. It cleans our etheric body. That’s why almost everyone feels better after a long shower.

Know, O man, that Light is thine heritage. Know that darkness is only a veil. Sealed in thine heart is brightness eternal, waiting the moment of freedom to conquer, waiting to rend the veil of the night. Some I found who had conquered the ether. Free of space were they while yet they were men. Using the force that is the foundation of ALL things, far in space constructed they a planet, drawn by the force that flows through the ALL; condensing, coalescing the ether into forms, that grew as they willed. Outstripping in science, they, all of the races, mighty in wisdom, sons of the stars. Long time I paused, watching their wisdom. Saw them create from out of the ether cities gigantic of rose and gold. Formed forth from the primal element, base of all matter, the ether far flung. Far in the past, they had conquered the ether, freed themselves from the bondage of toil; formed in heir mind only a picture and swiftly created, it grew. Forth then, my soul sped, throughout the Cosmos, seeing ever, new things and old; learning that man is truly space-born, a Sun of the Sun, a child of the stars.

So: What is the world made of? Subject, as ever, to addition and correction, here is the multifaceted answer that modern physics provides: 1) The primary ingredient of physical reality, from which all else is formed, fills space and time. 2) Every fragment, each space-time element, has the same basic properties as every other fragment. 3) The primary ingredient of reality is alive with quantum activity. Quantum activity has special characteristics. It is spontaneous and unpredictable. And to observe quantum activity, you must disturb it. 4) The primary ingredient of reality also contains enduring material components. These make the cosmos a multilayered, multicolored superconductor. 5) The primary ingredient of reality contains a metric field that gives space-time rigidity and causes gravity. 6) The primary ingredient of reality weighs, with a universal density.

I feel as though dispossessed from the semblances of some crystalline reality to which I’d grown accustomed, and to some degree, had engaged in as a participant, but to which I had, nevertheless, grown inexplicably irrelevant. But the elements of this phenomenon are now quickly dissolving from memory and being replaced by reverse-engineered Random Access actualizations of junk code/DNA consciousness, the retro-coded catalysts of rogue cellular activity. The steel meshing titters musically and in its song, I hear a forgotten tale of the Interstitial gaps that form pinpoint vortexes at which fibers (quanta, as it were) of Reason come to a standstill, like light on the edge of a Singularity. The gaps, along their ridges, seasonally infected by the incidental wildfires in the collective unconscious substrata. Heat flanks passageways down the Interstices. Wildfires cluster—spread down the base trunk Axon in a definitive roar: hitting branches, flaring out to Dendrites to give rise to this release of the very chemical seeds through which sentience is begotten. Float about the ether, gliding a gentle current, before skimming down, to a skip over the surface of a sea of deep black with glimmering waves. And then, come to a stop, still inanimate and naked before any trespass into the Field, with all its layers that serve to veil. Plunge downward into the trenches. Swim backwards, upstream, and down through these spiraling jets of bubbles. Plummet past the threshold to trace the living history of shadows back to their source virus. And acquire this sense that the viruses as a sample, all of the outlying populations withstanding: they have their own sense of self-importance, too. Their own religion. And they mine their hosts barren with the utilitarian wherewithal that can only be expected of beings with self-preservationist motives.

She used to dream like that, in nothing but lines and patterns and textures. Art was a language of both limitless vocabulary and limited syntax; endless concepts to express with boundless opportunities to express them, but only a finite number of ways to do it. Color, line, shape, space, texture, and value, six elements in total, which was newly revelatory to her until she realized why, running her finger along the edge of the key. Bees.

That also which before was from the earth, passes back into the earth, and that which was sent from the borders of ether, is carried back and taken in again by the quarters of heaven. Death does not extinguish things in such a way as to destroy the bodies of matter, but only breaks up the union amongst them, and then joins anew the different elements with others; and thus it comes to pass that all things change their shapes and alter their colors and receive sensations and in a moment yield them up...

I do believe that we have more than five senses. Apart from the basic five, we also have the gut and the third eye. The gut being the seat of all feeling, and the third eye being the seat of intuition (foresight). But what can we expect from science, which is incomplete and flawed? How can science be called the study of nature without it acknowledging the soul? Or the ether? If science did study both these two crucial elements, which I feel are at the very heart of nature, then it would be forced to also acknowledge organized design in nature – which would then lead one to discover the heart of the universe. The core of all existence, of all vibrations, of all matter. By doing so, would ultimately bring one to acknowledge cause and effect, and ultimately - the conscience. But never mind this “esoteric” ideology that could bring about world peace and the unity of all mankind. If man knew how connected he was to all things and how the effect of his every action has an impact on all things, then we would no longer be able to convince him that some life on earth is meaningless to justify war.

Recapitulation At the beginning of this chapter, I advertised key properties of the Grid, that ur-stuff that underlies physical reality: The grid fills space and time. Every fragment of Grid-each space-time element-has the same basic properties as every other fragment. The Grid is alive with quantum activity. Quantum activity has special characteristics. It is spontaneous and unpredictable. And to observe quantum activity, you must disturb it. The Grid also contains enduring , material components. The cosmos is a multilayered, multicolored superconductor. The Grid contains a metric field that gives space-time rigidity and causes gravity. The Grid weighs, with a universal density.

The Stoics believed that the Universe itself was a divine being, a living thing endowed with soul and reason. All conventional gods were merely names for different powers of the cosmic God. Everything in the earth and heavens was the actual substance of God. The Stoics were physicalists, and yet they saw this God as a being with intelligence and purpose, a "designing fire" pervading every part of the universe. "God is the common nature of things, also the force of fate and the necessity of future events," wrote Zeno's follower Chrysippus. "In addition he is fire, and the ether . . Also things in a natural state of flux and mobility, like water, earth, air, sun, moon and stars; and he is the all-embracing whole.

If Ave say " Plato loves Socrates," the word " loves" which occurs between the word " Plato " and the word "Socrates" establishes a certain relation between these two words, and it is owing to this fact that our sentence is able to assert a relation between the person's name by the words " Plato " and " Socrates." " We must not say, the complex sign ' a R b' says 'a stands in a certain relation R to b' ; but we must say, that ' a' stands in a certain relation to 'b' says that a R b" (3.1432)• Mr Wittgenstein begins his theory of Symbolism with the statement (2. r) : " We make to ourselves pictures of facts." A picture, lie says, is a model of the reality, and to the objects in the reality correspond the elements of the picture : the picture itself is a fact. The fact that things have a certain relation to each ether is represented by the fact that in the picture its elements have a certain relation to one another.

The men who had inhabited prehistoric Egypt, who had carved the Sphinx and founded the world‘s oldest civilization, were men who had made their exodus from Atlantis to settle on this strip of land that bordered the Nile. And they had left before their ill-fated continent sank to the bottom of the Atlantic Ocean, a catastrophe which had drained the Sahara and turned it into a desert. The shells which to-day litter the surface of the Sahara in places, as well as the fossil fish which are found among its sands, prove that it was once covered by the waters of a vast ocean. It was a tremendous and astonishing thought that the Sphinx provided a solid, visible and enduring link between the people of to-day and the people of a lost world, the unknown Atlanteans. This great symbol has lost its meaning for the modern world, for whom it is now but an object of local curiosity. What did it mean to the Atlanteans? We must look for some hint of an answer in the few remnants of culture still surviving from peoples whose own histories claimed Atlantean origin. We must probe behind the degenerate rituals of races like the Incas and the Mayas, mounting to the purer worship of their distant ancestors, and we shall find that the loftiest object of their worship was Light, represented by the Sun. Hence they build pyramidal Temples of the Sun throughout ancient America. Such temples were either variants or slightly distorted copies of similar temples which had existed in Atlantis. After Plato went to Egypt and settled for a while in the ancient School of Heliopolis, where he lived and studied during thirteen years, the priest-teachers, usually very guarded with foreigners, favoured the earnest young Greek enquirer with information drawn from their well-preserved secret records. Among other things they told him that a great flat-topped pyramid had stood in the centre of the island of Atlantis, and that on this top there had been build the chief temple of the continent – a sun temple. […] The Sphinx was the revered emblem in stone of a race which looked upon Light as the nearest thing to God in this dense material world. Light is the subtlest, most intangible of things which man can register by means of one of his five senses. It is the most ethereal kind of matter which he knows. It is the most ethereal element science can handle, and even the various kind of invisible rays are but variants of light which vibrate beyond the power of our retinas to grasp. So in the Book of Genesis the first created element was Light, without which nothing else could be created. „The Spirit of God moved upon the face of the Deep,“ wrote Egyptian-trained Moses. „And God said, Let there be Light: and there was Light.“ Not only that, it is also a perfect symbol of that heavenly Light which dawns within the deep places of man‘s soul when he yields heart and mind to God; it is a magnificent memorial to that divine illumination which awaits him secretly even amid the blackest despairs. Man, in turning instinctively to the face and presence of the Sun, turns to the body of his Creator. And from the sun, light is born: from the sun it comes streaming into our world. Without the sun we should remain perpetually in horrible darkness; crops would not grow: mankind would starve, die, and disappear from the face of this planet. If this reverence for Light and for its agent, the sun, was the central tenet of Atlantean religion, so also was it the central tenet of early Egyptian religion. Ra, the sun-god, was first, the father and creator of all the other gods, the Maker of all things, the One, the self-born [...] If the Sphinx were connected with this religion of Light, it would surely have some relationship with the sun.

6-30. “I will now tell you the truth of the objective world, as it is. What is seen is absolutely nothing but sight. I shall now give you the proof of this statement. Listen with attention. All that is seen has an origin and there must therefore be an antecedent cause for it. What is origin except that the thing newly appears? The world is changing every moment and its appearance is new every moment and so it is born every moment. Some say that the birth of the universe is infinite and eternal each moment. Some may contest the point saying that the statement is true of a specific object or objects but not of the world which is the aggregate of all that is seen. The scholiasts of Vijnana answer them thus: The external phenomena are only momentary projections of the anamnesis of the continuous link, namely, the subject and the worldly actions which are based on them. But the intellect which collates time, space and phenomena is infinite and eternal at each moment of their appearance and it is called Vijnana by them. Others say that the universe is the aggregate of matter—mobile and immobile. (The atomists maintain that the universe is made up of five elements, earth, air, fire, water and ether which are permanent and of things like a pot, a cloth, etc., which are transient. They are still unable to prove the external existence of the world, because they admit that happenings in life imply their conceptual nature. It follows that the objects not so involved are useless.)

By having no affiliation with “coin” in its name, Ethereum was moving beyond the idea of currency into the realm of cryptocommodities. While Bitcoin is mostly used to send monetary value between people, Ethereum could be used to send information between programs. It would do so by building a decentralized world computer with a Turing complete programming language.11 Developers could write programs, or applications, that would run on top of this decentralized world computer. Just as Apple builds the hardware and operating system that allows developers to build applications on top, Ethereum was promising to do the same in a distributed and global system. Ether, the native unit, would come into play as follows: Ether is a necessary element—a fuel—for operating the distributed application platform Ethereum. It is a form of payment made by the clients of the platform to the machines executing the requested operations. To put it another way, ether is the incentive ensuring that developers write quality applications (wasteful code costs more), and that the network remains healthy (people are compensated for their contributed resources).

As the physical body becomes less dense, there is an increasing sensibility and awareness to the subtle elements of the ether which were once unknown to the perceptive senses. The being then becomes knowledgeable of things that to others are not yet part of their reality. This new elevated state leads him to be seen by those others as crazy and out of touch with common sense. For the one who reaches such stage, however, there is an overwhelming sensation of lone wonder, where beauty is found in nothing but an empty garden of extraordinary flowers with different fragrances and colors. To this individual, the world has ceased to exist in its meanings for it is a world of brute ignorance and dark unconsciousness, guided by self-deceptive impulses. He is like a traveler in time stuck in the past. He has evolved but cannot escape the time-line in which he is in. He is blessed while led to think by fools that he is cursed. And the only thing he needs to do, in order to close the gap between his new self and the physical world, consists in looking inwards and appreciate the decadence around him from the perspective of the Observer. Once he can do that, he can be one with the Great Architect and start thinking like a god. In that precise moment, he is freed from any time-line and all the secrets are revealed unto him. His soul becomes boundless and his personality as fluid as water. He can be anything with a burning fire, and nothing like air, at the exact same time; he can love everyone like fertile soil for growth, and no one, as if he was just air; he can be everywhere and nowhere, like darkness, but also attach and detach at will, like light. And he can also have the power to unroot himself from any will produced by any thought that he might or not have chosen to have.

Our bodies are made of water, earth, wind, fire, and ether (emptiness). If the elements are organised and managed well, there will be health and balance. The body will not complain and will be a valuable tool for the hopefully hundred years we are here.

The elements are related to your major energy points, so they are earth, wind, fire, water, air, ether, light, and vibration.

Om Namah Shivaya ‘I bow to Shiva’ is the translation. Shiva is the ultimate transformational God who serves the highest self. It is one of the most famous Hindu mantras. The Shiva Panchakshara is called, or literally Panchakshara. The Mantra of Five Syllables. Om' is excluded.) The mantra originates in the Hindu Yajurveda, where the first syllable occurs many times. The five syllables-'' Na'' Ma'' Si'' Va' and' Ya' are supposed to represent five environmental elements-' Na' represents' earth.' Ma' stands for' wind' Si' stands for' fire' Va is the' Pranic breeze' and' Ya tone is the heaven or ether. Om Namah Shivaya' is believed to bring you closer to Shiva's god, and to all that it reflects in nature.

Life is a cycle that repeats over the same patterns previously established. What you allow, you accept; what you ignore, you tolerate; what you project, you reflect; and what you see, you become. All is well and all is as it should in the cycles that you create, consciously and unconsciously, for although the unconscious part of you is not visible within you, it is always visible outside of you. Both the undesired and the desired compose the elements of the ether from which the particles of reality emerge.

Sadly, the original manuscript of Gorin-no-sho no longer exists. According to Terao Magonojō, it was destroyed in a castle fire, possibly the Edo Castle fire of 1657 or the Yashiro Castle fire in Kyushu in 1672. Musashi never titled the five scrolls Gorin-no-sho. He named each individual scroll as one of the five elements. It was Nagaoka Naoyuki and Toyota Masakata who conceived Gorin-no-sho as a shorthand title in their notes, and this designation stuck. As for the use of the “five elements” (gorin), it was not Musashi’s intention to appropriate the idea from Buddhist philosophy. In Heihō Sanjūgo-kajō, he had already referred to the heart or mind of the warrior as being comparable to the properties of “Water.” He also wrote briefly of the “Ether” as a state of high attainment and clarity, but not in the Buddhist sense of Nirvana. It was more like figuratively piercing through the clouds of confusion and being exposed to the boundless clear sky.46 Moreover, he had discussed the “Wind” of other schools in previous texts. Wind is a term in Japanese indicating “type” or “appearance.” Adopting “Earth” to explain the basis of his school, and “Fire” to represent what happens in the heat of battle and dueling, probably seemed convenient and oddly prophetic.

Through the aid of his imaginative faculty, man has discovered, and harnessed, more of Nature's forces during the past fifty years than during the entire history of the human race, previous to that time. He has conquered the air so completely, that the birds are a poor match for him in flying. He has harnessed the ether, and made it serve as a means of instantaneous communication with any part of the world. He has analyzed, and weighed the sun at a distance of millions of miles, and has determined, through the aid of IMAGINATION, the elements of which it consists.

In the universe are recognized ether or spirit, force or intelligence, and matter. Matter may act upon the ether and the ether upon matter; but ether acts most effectively upon ether, and matter upon matter. The original man, in whom intelligence and other forces acted through a purely spiritual or ether body, could impress matter and be impressed by it only in part. The man was imperfect because he did not touch directly the world of matter, and could know only in part the phenomena of the material world, which forms an integral part of the universe. In the words of Joseph Smith, "Spirit and element inseparably connected, receiveth a fullness of joy, and when separated, man can not receive a fullness of joy."[A] [Footnote

Another aspect of our multidimensional selves and communication is with the Earth and Earth energies. We each have a unique relationship with the Earth Mother whose planet we live on. We each communicate multidimensionally with nature. We communicate subtly and sometimes not so subtly with nature spirits, the Devas or Angels of plants, with tree spirits and the elementals. The elementals I speak of here are the Gnomes, Sylphs, Salamanders, and Undines. We also have the ability to communicate directly with the four elements: fire, air, earth, and water. This is how high level initiates and Masters have been able to control the weather. Every aspect of nature, in truth, contains a spiritual essence or being that embodies that particular form. We also have the ability to multidimensionally communicate with crystals and gemstones, and the elemental beings that create the form and physical substance itself. We also each can communicate multidimensionally with animals. There are many on this plane that can talk to animals and they will telepathically talk back in words and images. Many of us have multidimensional communication with pets that have passed over to the other side and are functioning as spirit guides and helpers. There are also spirit animals such as the eagle, jaguar, owl, bear, lion, and tiger, which come as guides and helpers as well on a physical and/or etheric level.

Scientists have offered the illustration of a rapidly moving wheel, top, or cylinder, to show the effects of increasing rates of vibration. The illustration supposes a wheel, top, or revolving cylinder, running at a low rate of speed — we will call this revolving thing "the object" in following out the illustration. Let us suppose the object moving slowly. It may be seen readily, but no sound of its movement reaches the ear. The speed is gradually increased. In a few moments its movement becomes so rapid that a deep growl or low note may be heard. Then as the rate is increased the note rises one in the musical scale. Then, the motion being still further increased, the next highest note is distinguished. Then, one after another, all the notes of the musical scale appear, rising higher and higher as the motion is increased. Finally when the motions have reached a certain rate the final note perceptible to human ears is reached and the shrill, piercing shriek dies away, and silence follows. No sound is heard from the revolving object, the rate of motion being so high that the human ear cannot register the vibrations. Then comes the perception of rising degrees of Heat. Then after quite a time the eye catches a glimpse of the object becoming a dull dark reddish color. As the rate increases, the red becomes brighter. Then as the speed is increased, the red melts into an orange. Then the orange melts into a yellow. Then follow, successively, the shades of green, blue, indigo, and finally violet, as the rate of speed increases. Then the violet shades away, and all color disappears, the human eye not being able to register them. But there are invisible rays emanating from the revolving object, the rays that are used in photographing, and other subtle rays of light. Then begin to manifest the peculiar rays known as the "X Rays," etc., as the constitution of the object changes. Electricity and Magnetism are emitted when tile appropriate rate of vibration is attained. When the object reaches a certain rate of vibration its molecules disintegrate, and resolve themselves into the original elements or atoms. Then the atoms, following the Principle of Vibration, are separated into the countless corpuscles of which they are composed. And finally, even the corpuscles disappear and the object may be said to be composed of The Ethereal Substance. Science does not dare to follow the illustration further, but the Hermetists teach that if the vibrations be continually increased the object would mount up the successive states of manifestation and would in turn manifest the various mental stages, and then on Spiritward, until it would finally re-enter THE ALL, which is Absolute Spirit. The "object," however, would have ceased to be an "object" long before the stage of Ethereal Substance was reached, but otherwise the illustration is correct inasmuch as it shows the effect of constantly increased rates and modes of vibration. It must be remembered, in the above illustration, that at the stages at which the "object" throws off vibrations of light, heat, etc., it is not actually "resolved" into those forms of energy (which are much higher in the scale), but simply that it reaches a degree of vibration in which those forms of energy are liberated, in a degree, from the confining influences of its molecules, atoms and corpuscles, as the case may be. These forms of energy, although much higher in the scale than matter, are imprisoned and confined in the material combinations, by reason of the energies manifesting through, and using material forms, but thus becoming entangled and confined in their creations of material forms, which, to an extent, is true of all creations, the creating force becoming involved in its creation.

The radical unravelling of character is a consequence of Joyce’s rewriting procedures. Initially, Joyce drafted particular characters that are peculiar in being dehistoricized, their social contexts unspecified, as a rule absurd, with an inconsistent mixing of historical allusion. They are carriers of Joyce’s exercises in style, rather than self-consistent entities. They have neither clear origins nor destinies, and float out of the scriptural ether like the ventriloquized voices that issue from the medium Yawn. Over time, rather than becoming more specific, they proliferate, change name, sex, nation, class, period. Any clue to a naturalistic context that might be provided—such as their form of employment, for instance (writer, alchemist, postman, Madame of a brothel, striptease artist, mercenary, innkeeper, General, tailor, policeman) — is quickly qualified and elaborated rapidly in revision, by incorporating some element from another conflicting historical framework. The consequent multiplication of temporal and spatial contexts means that the delineating limits of character blur. It is through revision that character is refracted and multiplied, stretched across incompatible and incongruous realms. Characters begin to overlap. The incongruities produce the comic surrealism of the text, its fast-moving encyclopedism and, by reaching across and embracing wide fields of reference, provide the base to interpret Finnegans Wake as an all-encompassing ‘universal’ myth. But the effects of Joyce’s revisions and the characterization of his revisions also undo this universal myth and explode universality.

The single most important Hatha-Yoga technique of purification is a particular type of breath control that is performed by breathing alternately through the left and the right nostril. This practice is intended to remove all obstructions from the network of subtle channels through which the life force circulates, thus making proper breath control and deep concentration possible. In the ordinary person, state the scriptures of Hatha-Yoga, the circulation of the life force is obstructed. The technique of alternate breathing is known as nādī-shodhana. When the subtle conduits (nādī)—or arcs of the life energy—are completely purified, the life force can circulate freely in the body, and it becomes amenable to voluntary control. Already Patanjali noted in his Yoga-Sūtra (2.52) that breath control has the effect of removing the “covering” (āvarana) that prevents one’s inner light to manifest clearly. The objective of Hatha-Yoga is to conduct the life force along the body’s central axis to the crown of the head. This flow of prāna through the central conduit—called sushumnā-nādī—is thought to awaken the full psychospiritual potential of the body. This potential is better known as the “serpent power” (kundalinī-shakti). When the kundalinī is awakened from its dormant state in the lowest center (cakra) at the base of the spine, it rushes up to the crown center. This ascent is accompanied by a variety of psychic and somatic phenomena. These include visionary states and, when the kundalinī reaches the top center, ecstatic transcendence into the formless Reality, which is inherently inconceivable and blissful. As the kundalinī force is active in the crown center, the rest of the body is gradually depleted of energy. This curious effect is explained as the progressive purification of the five elements (bhūta) constituting the physical body—earth, water, fire, air, and ether. The Sanskrit term for this process is bhūta-shuddhi. Purification of the body not only leads to health and inner balance but also affects the way in which a person perceives the world. This is clearly indicated in Patanjali’s Yoga-Sūtra (2.40), which states: Through purity [the yogin gains] a desire to protect his own limbs [and a desire for] noncontamination by others. The decisive phrase sva-anga-jugupsā has often been translated as “disgust toward one’s own body,” but this is not at all in the spirit of Yoga. Jugupsā is more appropriately rendered as “desire to protect.” The adept is eager to protect his body against contamination by others. This is combined with an inner distance from one’s own physical vehicle through sustained witnessing.

Since it is destined to be destroyed, there is nothing that can give permanent happiness to a body which is composed of five gross elements (earth, water, fire, air and ether) and three subtle elements (mind, intelligence and false ego). Only the soul that resides within the body is permanent, unchangeable and blissful by nature.

There is a point of convergence in your energetic body that stretches beyond the physical body. It is approximately seventeen to nineteen inches from the point between your eyebrows. You must search for the point where the vision meets at an acute angle of eleven degrees. Finding that point of convergence boosts the akasha, or etheric element, within you. The moment the element of akasha is dominant, you will find the clarity of your perception hugely enhanced.

Resurrection is about the whole of creation, it is about history, it is about every human who has ever been conceived, sinned, suffered, and died, every animal that has lived and died a tortured death, every element that has changed from solid, to liquid, to ether, over great expanses of time. It is about you and it is about me. It is about everything. The “Christ journey” is indeed another name for every thing.

If Lady Beatrice left the ring for her descendant... she would need proof, a way of knowing for certain who that person is. I reach my arms out to my sides and brush my hands against the hedge walls, just as I did two weeks ago with Sebastian. The hedges once again change color, my hands painting them a vivid periwinkle. But this time the dirt path beneath my feet also begins to glow with an ethereal yellow light. I gasp as the light beneath my feet winds forward... leading me. I pick up speed, keeping my hands on either side of the hedge walls as I run, following the twists and turns of the glowing path before me. And at last I am in a place I've never been---a curving corner of the Maze highlighted by a bed of hydrangeas, the only flowers I've encountered within. Dad's words from years ago return to me. "...remember the hydrangeas. When you see them, that means you're close." My breath catches. This must be the Maze's center.

The word nature has many senses; but if we preserve the one which etymology justifies, and which is the most philosophical as well, nature should mean the principle of birth or genesis, the universal mother, the great cause, or system of causes, that brings phenomena to light. If we take the word nature in this sense, it may be said that Lucretius, more than any other man, is the poet of nature. Of course, being an ancient, he is not particularly a poet of landscape. He runs deeper than that; he is a poet of the source of landscape, a poet of matter. A poet of landscape might try to suggest, by well-chosen words, the sensations of light, movement, and form which nature arouses in us; but in this attempt he would encounter the insuperable difficulty which Lessing long ago pointed out, and warned poets of: I mean the unfitness of language to render what is spatial and material; its fitness to render only what, like language itself, is bodiless and flowing,—action, feeling, and thought. It is noticeable, accordingly, that poets who are fascinated by pure sense and seek to write poems about it are called not impressionists, but symbolists; for in trying to render some absolute sensation they render rather the field of association in which that sensation lies, or the emotions and half-thoughts that shoot and play about it in their fancy. They become—against their will, perhaps—psychological poets, ringers of mental chimes, and listeners for the chance overtones of consciousness. Hence we call them symbolists, mixing perhaps some shade of disparagement in the term, as if they were symbolists of an empty, super-subtle, or fatuous sort. For they play with things luxuriously, making them symbols for their thoughts, instead of mending their thoughts intelligently, to render them symbols for things. A poet might be a symbolist in another sense,—if he broke up nature, the object suggested by landscape to the mind, and reverted to the elements of landscape, not in order to associate these sensations lazily together, but in order to build out of them in fancy a different nature, a better world, than that which they reveal to reason. The elements of landscape, chosen, emphasized, and recombined for this purpose, would then be symbols for the ideal world they were made to suggest, and for the ideal life that might be led in that paradise. Shelley is a symbolic landscape poet in this sense. To Shelley, as Francis Thompson has said, nature was a toy-shop; his fancy took the materials of the landscape and wove them into a gossamer world, a bright ethereal habitation for new-born irresponsible spirits. Shelley was the musician of landscape; he traced out its unrealized suggestions; transformed the things he saw into the things he would fain have seen. In this idealization it was spirit that guided him, the bent of his wild and exquisite imagination, and he fancied sometimes that the grosser landscapes of earth were likewise the work of some half-spiritual stress, of some restlessly dreaming power. In this sense, earthly landscape seemed to him the symbol of the earth spirit, as the starlit crystal landscapes of his verse, with their pensive flowers, were symbols in which his own fevered spirit was expressed, images in which his passion rested.

Ether. “What is that?” I asked. “This is the power we gave up when the stars began Awakening our kind. Not the power they gifted us. Not the power they can control. This is wild, free, and untouched by them or their ideas of fate. It’s the true fifth Element and they hold no dominion over it. And this is what I will use to destroy everyone and everything who has tried to take so very much from me.” I almost reached for the book, but something deep within me warned against it, some intuition or knowledge lodged in the depths of my bones. “I thought the shadows were the fifth Element?” I asked, eyeing her warily as I took in the certainty in her, the promise carved into her hand. “No,” she scoffed. “More lies passed down through time, either intentionally or through poor translation. The shadows were never meant to be a part of this world, our realm and the shadow realm divided just as we are from the humans you named mortal – another half-truth that alludes to immortality in Fae kind and was only used to scare the humans when the first rifts were created between our realm and theirs, before we used magic to make them forget about us or cast us as characters in fairy tales which they no longer believe in. So if that’s the case, then I’m thinking the shadows never were the fifth element at all and this-” she tapped the title of the book, “-was the true name for it. This was what they used to capture the shadows and bind them to whatever desire they wanted, this was the power that make wielding them possible in the first place.

Be still the unimaginable lodge For solitary thinkings; such as dodge Conception to the very bourne of heaven, Then leave the naked brain: be still the leaven That spreading in this dull and clodded earth Gives it a touch ethereal—a new birth: Be still a symbol of immensity; A firmament reflected in a sea; An element filling the space between; An unknown …

Digital technology is now elemental in our landscape, as much a part of the ether as the wind and falling rain.

In particular, if consciousness is an ontological fundamental-that is, a primary element of reality-then it may have the power to achieve what is both the best-documented and at the same time the spookiest effect of the m ind on the material world: the ability of consciousness to transform the infinite possibilities for, say, the position of a subatomic particle as described by quantum mechanics into the single reality for that position as detected by an observer. If that sounds both mysterious and spooky, it is a spookiness that has been a part of science since almost the beginning of the twentieth century. It was physics that first felt the breath of this ghost, with the discoveries of quantum mechanics, and it is in the field of neuroscience and the problem of mind and matter that its ethereal presence is felt most markedly today.

While many say Schrager’s work is about design, it isn’t—it’s about ideas and experiences. Ian uses the power of his ideas to tap into what he calls the “collective unconsciousness, the ethereal, elusive, and hard-to-define magic and energy.” He understands the power of this intangible, emotional place and uses it to connect deeply with his customers. He knows that “the way a product makes you feel is more important than how it looks. The goal is to create experiences that people will remember, to touch them in emotional and visceral ways, to lift their spirits, to assault their senses, and to wow them in tasteful ways.” But just as important, Schrager under- stands that an amazing experience can’t be created from ideas alone, knowing that “good execution is just as important as a good idea.” And he has consistently manifested his creative potential because he has regularly married the four key elements that create value in our new age: purpose, creativity, execution, and emotion.

Individuality is a false concept. We are not individuals. We are just a little piece of the chain that is life. Your human body is made by billions of cells. Every little cell is a living being that can exist outside of your body. It can even reproduce outside of your body. You are that cell also. The cell itself has many inner elements and each of them is alive. The cell is part of a chain. With billions of cells we make a human body. You can say, "I am the body." Meanwhile, each cell can say, "I am a cell." The cell lacks awareness that many cells together make an organ. The liver, the heart, the intestines, the brain, the eyes-all the organs together form a human body, which is a unity. Each of us is a human being. Yet, just like a cell, we think we are separate and we are not. All humans on the planet create another organ for a larger living being, which is the earth. Planet Earth is a living being. We are the Planet Earth. A single cell is human. A single person is the planet. All humans form only one of earth's organs. There are many others. The trees, the atmosphere, the ocean, rocks and animals are all organs of the earth. The earth has etheric energy just like humans do. It has a soul. It has a mind. It is alive. It is a living being. It has a metabolism through which it receives energy from the outside. It transforms energy that it takes in and sends out its own form of energy. Planets receive energy from the sun and transform it. On earth, animals eat plants and transform the energy they receive. Humans eat plants and animals and transform the energy they receive from them.

Ether. “The fifth Element,” I breathed, my eyes moving over dark and twisted runes, the likes of which I hadn’t even seen before.

But Plato and Aristotle taught there was a fifth, ethereal element

Daivi Astra: Daivi = Divine; Astra = Weapon. A term used in ancient Hindu epics to describe weapons of mass destruction Dandakaranya: Aranya = forest. Dandak is the ancient name for modern Maharashtra and parts of Andhra Pradesh, Karnataka, Chhattisgarh and Madhya Pradesh. So Dandakaranya means the forests of Dandak Deva: God Dharma: Dharma literally translates as religion. But in traditional Hindu belief, it means far more than that. The word encompasses holy, right knowledge, right living, tradition, natural order of the universe and duty. Essentially, dharma refers to everything that can be classified as ‘good’ in the universe. It is the Law of Life Dharmayudh: The holy war Dhobi: Washerman Divyadrishti: Divine sight Dumru: A small, hand-held, hour-glass shaped percussion instrument Egyptian women: Historians believe that ancient Egyptians, just like ancient Indians, treated their women with respect. The anti-women attitude attributed to Swuth and the assassins of Aten is fictional. Having said that, like most societies, ancient Egyptians also had some patriarchal segments in their society, which did, regrettably, have an appalling attitude towards women Fire song: This is a song sung by Guna warriors to agni (fire). They also had songs dedicated to the other elements viz: bhūmi (earth), jal (water), pavan (air or wind), vyom or shunya or akash (ether or void or sky) Fravashi: Is the guardian spirit mentioned in the Avesta, the sacred writings of the Zoroastrian religion. Although, according to most researchers, there is no physical description of Fravashi, the language grammar of Avesta clearly shows it to be feminine. Considering the importance given to fire in ancient Hinduism and Zoroastrianism, I’ve assumed the Fravashi to be represented by fire. This is, of course, a fictional representation Ganesh-Kartik relationship: In northern India, traditional myths hold Lord Kartik as older than Lord Ganesh; in large parts of southern India, Lord Ganesh is considered elder. In my story, Ganesh is older than Kartik. What is the truth? Only Lord Shiva knows Guruji: Teacher; ji is a term of respect, added to a name or title Gurukul: The family of the guru or the family of the teacher. In ancient times, also used to denote a school Har Har Mahadev: This is the rallying cry of Lord Shiva’s devotees. I believe it means ‘All of us are Mahadevs’ Hariyupa: This city is currently known as Harappa. A note on the cities of Meluha (or as we call it in modern times, the Indus Valley Civilisation): historians and researchers have consistently marvelled at the fixation that the Indus Valley Civilisation seemed to have for water and hygiene. In fact historian M Jansen used the term ‘wasserluxus’ (obsession with water) to describe their magnificent obsession with the physical and symbolic aspects of water, a term Gregory Possehl builds upon in his brilliant book, The Indus Civilisation — A Contemporary Perspective. In the book, The Immortals

The Weight of Falling Leaves Winter swept onto my doorstep quite easily,
Like it overtook every part of my heart,
The moment you left my autumn to fall. So I kept things as you left them – frozen,
Showing no sign of any emotion or feeling,
Like the leaves that wither and die in the ice. Never fulfilling the purpose for which they fell,
Yet crumbling under shoes heavier than the burden
The tree gave them by letting them go. They long to be carried away by the wind or the elements,
Not trapped forever in this frozen expanse of white,
Beneath starry skies that gaze upon each December night. I can no longer bear to look upon them,
So I set them free with a kiss to keep;
Filled with the fire of your lips, finally redeemed –
See how they gleam with beauty, long before spring.

Thought, however, with Buddha is not a simply physiological function, but a form of energy like light, electricity or ether; it is an element. Thought and radiations of currents of thought are like the elements.

Pubu had an ethereal quality that mortals lacked--- no blemishes, perfect features, a sparkling aura meant to bewitch and enchant, and perfume reminiscent of mist-covered tea roses against a refreshing waterfall, her namesake. The goldfish on her elaborate robes jumped into the air and dove back into the aquamarine silk with a splashing plop.

Based on their location in the body, the chakras have become associated with various states of consciousness, archetypal elements, and philosophical constructs. The lower chakras, for example, which are physically closer to the earth, are related to the more practical matters of our lives—survival, movement, action. They are ruled by physical and social law. The upper chakras represent mental realms and work on a symbolic level through words, images, and concepts. Each of the seven chakras has also come to represent a major area of human psychological health, which can be briefly summarized as follows: (1) survival, (2) sexuality, (3) power, (4) love, (5) communication, (6) intuition, and (7) consciousness itself (see Figure 0.2). Metaphorically, the chakras relate to the following archetypal elements: (1) earth, (2) water, (3) fire, (4) air, (5) sound, (6) light, and (7) thought. (This is my own interpretation; classic texts only list the five elements earth, water, fire, air, and ether.) These elements, in turn, represent the universal principles of gravitation, polarity, combustion, equilibrium, vibration, luminescence, and consciousness itself, respectively (see Figure 0.2). Understanding these formative principles and the essence of the associated elements gives us a key to understanding the unique nature of each chakra. Earth is solid and dense; water is formless and fluid; fire is radiating and transforming; air is soft and spacious; sound is rhythmic pulsation; light is illuminating; while thought is the medium of consciousness. Meditating on the elements gives us a profound sense of the distinct flavor of each chakra.