Eternity's Gate Quotes

Trust in dreams, for in them is the hidden gate to eternity.

Then out spake brave Horatius, The Captain of the gate: ‘To every man upon this earth Death cometh soon or late. And how can man die better Than facing fearful odds, For the ashes of his fathers, And the temples of his Gods, ‘And for the tender mother Who dandled him to rest, And for the wife who nurses His baby at her breast, And for the holy maidens Who feed the eternal flame, To save them from false Sextus That wrought the deed of shame? ‘Hew down the bridge, Sir Consul, With all the speed ye may; I, with two more to help me, Will hold the foe in play. In yon strait path a thousand May well be stopped by three. Now who will stand on either hand, And keep the bridge with me? Then out spake Spurius Lartius; A Ramnian proud was he: ‘Lo, I will stand at thy right hand, And keep the bridge with thee.’ And out spake strong Herminius; Of Titian blood was he: ‘I will abide on thy left side, And keep the bridge with thee.’ ‘Horatius,’ quoth the Consul, ‘As thou sayest, so let it be.’ And straight against that great array Forth went the dauntless Three. For Romans in Rome’s quarrel Spared neither land nor gold, Nor son nor wife, nor limb nor life, In the brave days of old. Then none was for a party; Then all were for the state; Then the great man helped the poor, And the poor man loved the great: Then lands were fairly portioned; Then spoils were fairly sold: The Romans were like brothers In the brave days of old. Now Roman is to Roman More hateful than a foe, And the Tribunes beard the high, And the Fathers grind the low. As we wax hot in faction, In battle we wax cold: Wherefore men fight not as they fought In the brave days of old.

Cauldron save you. Mother hold you. Pass through the gates, and smell that immortal land of milk and honey. Fear no evil. Feel no pain. Go, and enter eternity.

Islam and Christianity promise eternal paradise to the faithful. And that is a powerful opiate, certainly, the hope of a better life to come. But there's a Sufi story that challenges the notion that people believe only because they need an opiate. Rabe'a al-Adiwiyah, a great woman saint of Sufism, was seem running through the streets of her hometown, Basra, carrying a torch in one hand and a bucket of water in the other. When someone asked her what she was doing, she answered, 'I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven of fear of hell, but because He is God.

The Tao that can be told is not the eternal Tao. The name that can be named is not the eternal name. The nameless is the beginning of heaven and earth. The named is the mother of ten thousand things. Ever desireless, one can see the mystery. Ever desiring, one can see the manifestations. These two spring from the same source but differ in name; this appears as darkness. Darkness within darkness. The gate to all mystery.

The law of attraction is synonymous to the law of sacrifice, in which you get in return what you are decisively choose to give up. The universe in all her infinity beauty generously opens up gates that you had no idea existed when you close others, but she requires you to walk through the gates solely on your own will and strength, with the other doors that you have left behind often times being forever locked and eternally inaccessible.

After a cup of tea (two spoonsful for each cup, and don't let it stand more than three minutes,) it says to the brain, "Now, rise, and show your strength. Be eloquent, and deep, and tender; see, with a clear eye, into Nature and into life; spread your white wings of quivering thought, and soar, a god-like spirit, over the whirling world beneath you, up through long lanes of flaming stars to the gates of eternity!

In the depths of your hopes and desires lies your silent knowledge of the beyond; And like seeds dreaming beneath the snow your heart dreams of spring. Trust the dreams, for in them is hidden the gate to eternity.

It is very strange, this domination of our intellect by our digestive organs. We cannot work, we cannot think, unless our stomach wills so. It dictates to us our emotions, our passions. After eggs and bacon it says, "Work!" After beefsteak and porter, it says, "Sleep!" After a cup of tea (two spoonfuls for each cup, and don't let it stand for more than three minutes), it says to the brain, "Now rise, and show your strength. Be eloquent, and deep, and tender; see, with a clear eye, into Nature, and into life: spread your white wings of quivering thought, and soar, a god-like spirit, over the whirling world beneath you, up through long lanes of flaming stars to the gates of eternity!

Are you there, God? It's me, Layla. I know I just jerked off some guy who is not even my boyfriend in the bathroom of this crappy, brown house. But if you could find a way to kill me quickly and painlessly within the next ten seconds, I promise to never touch another penis again. Well, I'll be dead, so, I guess I promise not to whore it up in heaven. Which, of course is where you'll be sending me, right? I mean I'd hate to think you'd deny me an eternity behind your pearly gates just because of one impetuous handjob. Thank you. Sincerely, Layla Warren. Amen.

A message came from my youth of vanished days, saying, 'I wait for you among the quivering of unborn May, where smiles ripen for tears and hours ache with songs unsung.' It says, 'Come to me across the worn-out track of age, through the gates of death. For dreams fade, hopes fail, the fathered fruits of the year decay, but I am the eternal truth, and you shall meet me again and again in your voyage of life from shore to shore.

The gates of Hell are terrible to behold, are they not?

We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time. Through the unknown, remembered gate When the last of earth left to discover Is that which was the beginning; At the source of the longest river The voice of the hidden waterfall And the children in the apple-tree Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. Quick now, here, now, always— A condition of complete simplicity (Costing not less than everything) And all shall be well and All manner of thing shall be well When the tongues of flames are in-folded Into the crowned knot of fire And the fire and the rose are one.

I think I might miss you, too. So few things left in this world to terrorize me and look pretty while doing it. Now get out of here and enjoy your eternity.” He glanced calculatingly at the gate once again, and I raised my hand in warning. “I can drain faster than you can run.

The very quality of your life, whether you love it or hate it, is based upon how thankful you are toward God. It is one's attitude that determines whether life unfolds into a place of blessedness or wretchedness. Indeed, looking at the same rose bush, some people complain that the roses have thorns while others rejoice that some thorns come with roses. It all depends on your perspective. This is the only life you will have before you enter eternity. If you want to find joy, you must first find thankfulness. Indeed, the one who is thankful for even a little enjoys much. But the unappreciative soul is always miserable, always complaining. He lives outside the shelter of the Most High God. Perhaps the worst enemy we have is not the devil but our own tongue. James tells us, "The tongue is set among our members as that which . . . sets on fire the course of our life" (James 3:6). He goes on to say this fire is ignited by hell. Consider: with our own words we can enter the spirit of heaven or the agonies of hell! It is hell with its punishments, torments and misery that controls the life of the grumbler and complainer! Paul expands this thought in 1 Corinthians 10:10, where he reminds us of the Jews who "grumble[d] . . . and were destroyed by the destroyer." The fact is, every time we open up to grumbling and complaining, the quality of our life is reduced proportionally -- a destroyer is bringing our life to ruin! People often ask me, "What is the ruling demon over our church or city?" They expect me to answer with the ancient Aramaic or Phoenician name of a fallen angel. What I usually tell them is a lot more practical: one of the most pervasive evil influences over our nation is ingratitude! Do not minimize the strength and cunning of this enemy! Paul said that the Jews who grumbled and complained during their difficult circumstances were "destroyed by the destroyer." Who was this destroyer? If you insist on discerning an ancient world ruler, one of the most powerful spirits mentioned in the Bible is Abaddon, whose Greek name is Apollyon. It means "destroyer" (Rev. 9:11). Paul said the Jews were destroyed by this spirit. In other words, when we are complaining or unthankful, we open the door to the destroyer, Abaddon, the demon king over the abyss of hell! In the Presence of God Multitudes in our nation have become specialists in the "science of misery." They are experts -- moral accountants who can, in a moment, tally all the wrongs society has ever done to them or their group. I have never talked with one of these people who was happy, blessed or content about anything. They expect an imperfect world to treat them perfectly. Truly, there are people in this wounded country of ours who need special attention. However, most of us simply need to repent of ingratitude, for it is ingratitude itself that is keeping wounds alive! We simply need to forgive the wrongs of the past and become thankful for what we have in the present. The moment we become grateful, we actually begin to ascend spiritually into the presence of God. The psalmist wrote, "Serve the Lord with gladness; come before Him with joyful singing. . . . Enter His gates with thanksgiving and His courts with praise. Give thanks to Him, bless His name. For the Lord is good; His lovingkindness is everlasting and His faithfulness to all generations" (Psalm 100:2, 4-5). It does not matter what your circumstances are; the instant you begin to thank God, even though your situation has not changed, you begin to change. The key that unlocks the gates of heaven is a thankful heart. Entrance into the courts of God comes as you simply begin to praise the Lord.

INELUCTABLE MODALITY OF THE VISIBLE: AT LEAST THAT IF NO MORE, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, maestro di color che sanno. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it, it is a gate, if not a door. Shut your eyes and see. Stephen closed his eyes to hear his boots crush crackling wrack and shells. You are walking through it howsomever. I am, a stride at a time. A very short space of time through very short times of space. Five, six: the nacheinander. Exactly: and that is the ineluctable modality of the audible. Open your eyes. No. Jesus! If I fell over a cliff that beetles o'er his base, fell through the nebeneinander ineluctably. I am getting on nicely in the dark. My ash sword hangs at my side. Tap with it: they do. My two feet in his boots are at the end of his legs, nebeneinander. Sounds solid: made by the mallet of Los Demiurgos. Am I walking into eternity along Sandymount strand? Crush, crack, crick, crick. Wild sea money. Dominie Deasy kens them a'. Won't you come to Sandymount, Madeline the mare? Rhythm begins, you see. I hear. A catalectic tetrameter of iambs marching. No, agallop: deline the mare. Open your eyes now. I will. One moment. Has all vanished since? If I open and am for ever in the black adiaphane. Basta! I will see if I can see. See now. There all the time without you: and ever shall be, world without end.

<spoiler>Azrael... In a flash, they disappeared. The path, the gate, the demon, and the Silver Blood. Kingsley was gone. Trapped in Hell for eternity. Mimi collapsed to the ground, as if her heart had imploded in her chest.</spoiler>

A sense of great masses moving at visionary speeds, of giants dancing, of eternal sorrows consoled, of he knew not what and yet he had always known, awoke in him with the very first bass of the deep-mouthed dirge, and bowed down his spirit as if the gate of heaven had opened before him.

To His Coy Mistress Had we but world enough and time, This coyness, lady, were no crime. We would sit down, and think which way To walk, and pass our long love’s day. Thou by the Indian Ganges’ side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires and more slow; An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time’s wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long-preserved virginity, And your quaint honour turn to dust, And into ashes all my lust; The grave’s a fine and private place, But none, I think, do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapped power. Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life: Thus, though we cannot make our sun Stand still, yet we will make him run.

A full and powerful soul not only copes with painful even terrible losses, deprivations, robberies, insults; it emerges from such hells with a greater fullness and powerfulness, and most essential of all with a new increase in the bliss-Fulness of love. I believe that he who has divined something of the most basic conditions for his growth in love will understand what Dante meant when he wrote over the gate of his inferno: 'I, too, was created by eternal love.

. . . in the gates of eternity, the black hand and the white hold each other with an equal clasp.

My wings," the faerie whispered. "You'll get them back." The Faerie struggled to open his eyes. "You swear?" "Yes," I breathed. The faerie managed a slight smile and closed his eyes again. My mouth trembled. I wished for something else to say, something more to offer him than my empty promises. The first false vow I'd ever sworn. But Tamlin began speaking, and I glanced up to see him take the faerie's other hand. "Cauldron save you," he said, reciting the words of a prayer that was probably older than the moral realm. "Mother hold you. Pass through the gates, and smell that immortal land of milk and honey. Fear no evil. Feel no pain." Tamlin's voice wavered, but he finished. "Go, and enter eternity.

Life doesn’t always go our way. But one thing we know and can stand upon. Jesus has burst open the gates of LIFE. So we look ahead with great joy. The Story of God is one of hope, promise and life eternal.

My wings," the faerie whispered. "You'll get them back." The Faerie struggled to open his eyes. "You swear?" "Yes," I breathed. The faerie managed a slight smile and closed his eyes again. My mouth trembled. I wished for something else to say, something more to offer him than my empty promises. The first false vow I'd ever sworn. But Tamlin began speaking, and I glanced up to see him take the faerie's other hand. "Cauldron save you," he said, reciting the words of a prayer that was probably older than the mortal realm. "Mother hold you. Pass through the gates, and smell that immortal land of milk and honey. Fear no evil. Feel no pain." Tamlin's voice wavered, but he finished. "Go, and enter eternity.

Karl Marx famously called religion 'the opiate of the masses'. Buddhism, particularly as it is popularly practiced, promises improvement through karma. Islam and Christianity promise eternal life to the faithful. And that is a powerful opiate, certainly, the hope of a better life to come. But there's a Sufi story that challenges the notion that people believe only because they need an opiate. Rabe'a al-Adiwiyah, a great woman saint of Sufism, was seen running through the streets of her hometown, Basra, carrying a torch in one hand and a bucket of water in the other. When someone asked her what she was doing, she answered, 'I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven or fear of hell, but because He is God.

Religion called – Angels beckoned – God commanded – life rolled together like a scroll – death's gates opening showed eternity beyond.

Maybe. We're all equals at the dark gate, no? The sands run for us all. Life is but a flicker shouting into the jaws of eternity. But it seems so damned unfair!

To love one’s neighbour in the immovable depths means to love in others that which is eternal; for one’s neighbour, in the truest sense of the term, is that which approaches the nearest to God; in other words, all that is best and purest in man; and it is only by ever lingering near the gates I spoke of, that you can discover the divine in the soul.

Thou knowest all; I seek in vain What lands to till or sow with seed - The land is black with briar and weed, Nor cares for falling tears or rain. Thou knowest all; I sit and wait With blinded eyes and hands that fail, Till the last lifting of the veil And the first opening of the gate. Thou knowest all; I cannot see. I trust I shall not live in vain, I know that we shall meet again In some divine eternity.

A writer reports on the universe. When he presents his credentials, the gates of heaven and hell are equally opened to him. He can hear the devil’s defense and god’s accusations. The guards at the king’s heart let him in. The writer can be anything and any one he wants. When he writes he is a god, he creates.

There was always something yet unseen. The ground itself was daily renewed, kicked up and muddled by passing travelers, such that it was impossible to repeat the same journey twice. Alif thought of all the times he had left the duplex in Baqara District bent on some mundane errand: the courtyard gate closing behind him with a rattle, rattling again when he returned the same way; to him, ordinary and frustrating, to the world, a process full of tiny variations, all existing, as Sheikh Bilal had said, simultaneously and without contradiction. He had been given eternity in modest increments, and had thought nothing of it.

Be eloquent, and deep, and tender; see, with a clear eye, into Nature and into life; spread your white wings of quivering thought, and soar, a god-like spirit, over the whirling world beneath you, up through long lanes of flaming stars to the gates of eternity!

Human beings sleep: some can sleep peacefully, others have tense faces as though in hard training for eternity. They don't dare to let go even in sleep. They wait like lowered gates while the mystery rolls past.

Oh, Hell's gates!" Annia cried, borrowing Vix's favorite curse.

HERE AT THE GOLDEN GATE IS THE ETERNAL RAINBOW THAT HE CONCEIVED AND SET TO FORM. A PROMISE INDEED THAT THE RACE OF MAN SHALL ENDURE INTO THE AGES. Like

Great numbers of persons have no concern about eternal things. They care more about their cats and dogs than about their souls.

Are you willing to forget what you have done for other people and to remember what other people have done for you; to ignore what the world owes you and to think what you owe the world; to put your rights in the background and your duties in the middle distance and your chances to do a little more than your duty in the foreground; to see that your fellow men are just as real as you are, and try to look behind their faces to their hearts, hungry for joy; to own that probably the only good reason for your existence is not waht you are going to get out of life, but what you are going to give life; to close your book of complaints against the management of the universe and look around you for a place where you can sow a few seeds of happiness - are you willing to do these things for even a day? Are you willing to stoop down and consider the needs and the desires of little children; to remember the weakness and loneliness of people who are growing old; to stop asking how much your friends love you and ask yourself whether you love them enough; to bear in mind the things that other people have to bear on their hearts; to try to understand what those who live in the same house with you really want, without waiting for them to tell you; to trim your lamp so that it will give more light and less smoke, and to carry it in front of you so that your shadow will fall behind you; to make a grave for your ugly thoughts and a garden for your kindly feelings, with the gate open - are you willing to do these things for even a day? Are you willing to believe that love is the strongest thing in the world, - stronger than hate, stronger than evil, stronger than death, - and that the blessed life which began in Bethlehem nineteen hundred years ago is the image and brightness of the Eternal Love? Then you can keep Christmas. And if you keep it for a day, why not always? But you can never keep it alone.

The incorruptible things are all within the narrow gate. The peace of God which passed all understanding - the bright hope of good things to come - the sense of the Spirit dwelling in us - the consciousness that we are forgiven, safe, insured, provided for in time and eternity, whatever may happen - these are true gold, and lasting riches.

Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey." Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself. I couldn't do this-couldn't lift that dagger again. "Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain." A sob broke from my lips. "I'm sorry," I moaned. "Let me enter eternity," She breathed. I wept as I understood. >i/i< she was saying. >ii/< Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her. I couldn't do it. But she held my gaze-held my gaze and nodded.

This is the context in which the story must be understood—as one incident in human history, an incident in certain ways and to certain people important, but only one incident. God is the God of human history, and He is at work continuously, mysteriously, accomplishing His eternal purposes in us, through us, for us, and in spite of us.

Play with reason and doubt will close all the gates

It has long been held that both treasure and the Eternity Gate survived together, or nothing did at all.

Trust in dreams, for in them is hidden the gate to eternity.

The other one, the one called Borges, is the one things happen to. I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate. I know of Borges from the mail and see his name on a list of professors or in a biographical dictionary. I like hourglasses, maps, eighteenth-century typography, the taste of coffee and the prose of Stevenson; he shares these preferences, but in a vain way that turns them into the attributes of an actor. It would be an exaggeration to say that ours is a hostile relationship. I live, let myself go on living, so that Borges may contrive his literature, and this literature justifies me. It is no effort for me to confess that he has achieved some valid pages, but those pages cannot save me, perhaps because what is good belongs to no one, not even to him, but rather to the language and to tradition. Besides I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him, though I am quite aware of his perverse custom of falsifying and magnifying things. Spinoza knew that all things long to persist in their being; the stone eternally wants to be a stone, and the tiger a tiger. I shall remain in Borges, not in myself (if it is true that I am someone), but I recognize myself less in his books than in many others or in the laborious strumming of a guitar. Years ago I tried to free myself from him and went from the mythologies of the suburbs to the games with time and infinity, but those games belong to Borges now and I shall have to imagine other things. Thus my life is a flight and I lose everything and everything belongs to oblivion, or to him. I do not know which of us has written this page.

Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey." Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself. I couldn't do this-couldn't lift that dagger again. "Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain." A sob broke from my lips. "I'm sorry," I moaned. "Let me enter eternity," She breathed. I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now. Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her. I couldn't do it. But she held my gaze-held my gaze and nodded. As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.” As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face. More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie. It would be more honorable to refuse-to die, rather than murder innocents. But... but... "Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain." I gripped her delicate, bony shoulder and drove the dagger into her heart. She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move. I went somewhere far, far away from myself.

His crucifixion is the key; His resurrection is the door... it is only by his death that we have the mandate to enter into the gates of eternal life. His doors are open always. Christ is king!

For what are in reality the things we call ‘Wisdom,’ ‘Virtue,’ ‘Heroism,’ ‘sublime hours,’ and ‘great moments of life,’ but the moments when we have more or less issued forth from ourselves, and have been able to halt, be it only for an instant, on the step of one of the eternal gates whence we see that the faintest cry, the most colourless thought, and most nerveless gestures do not drop into nothingness; …

For there was nothing here, no angels, no harps, no gates, no fires singeing the sins back into the sinner, no hungry spirits wandering the land and standing in the cold outside the firelight of the living. There was only wind drawing itself endlessly over the dark crowns of the pines, over the face of the water, over the mountains' icy peaks, over the great wide golden stretches of the teeming land. The wind passed, even as it is passing now, over all the people who find themselves so dulled by the concerns of their own bodies and their own hungers that they cannot stop for a moment to feel its goodness as it brushes against them. And feel it now, so soft, so eternal, this wind against your good and living skin.

I am only a shadow, sitting by the gates of Hades beside that arrogant Ulysses telling stories of my grievances to my father’s indifferent ghost who, from time to time, gusts an ash wind at me and whispers son, for the nonsense you talk pour me even a drop of life this shit hole of eternity suffocates terribly

We crept along, following the line of new arrivals that snaked from the main gates toward a black-tented pavilion with a banner that read:   JUDGMENTS FOR ELYSIUM AND ETERNAL DAMNATION Welcome, Newly Deceased!

One cannot always tell what it is that keeps us shut in, confines us, seems to bury us, but still one feels certain barriers, certain gates, certain walls. Is all this imagination, fantasy? I do not think so. And then one asks: My God! Is it for long, is it for ever, is it for eternity? Do you know what frees one from this captivity? It is very deep serious affection. Being friends, being brothers, love, that is what opens the prison by supreme power, by some magic force. —Vincent van Gogh, letter to his brother, July 1880

Speaking about time’s relentless passage, Powell’s narrator compares certain stages of experience to the game of Russian Billiards as once he used to play it with a long vanished girlfriend. A game in which, he says, “...at the termination of a given passage of time...the hidden gate goes down...and all scoring is doubled. This is perhaps an image of how we live. For reasons not always at the time explicable, there are specific occasions when events begin suddenly to take on a significance previously unsuspected; so that before we really know where we are, life seems to have begun in earnest at last, and we ourselves, scarcely aware that any change has taken place, are careering uncontrollably down the slippery avenues of eternity."

When tomorrow starts without me, And I’m not there to see, If the sun should rise and find your eyes All filled with tears for me; I wish so much you wouldn’t cry The way you did today, While thinking of the many things, We didn’t get to say. I know how much you love me, As much as I love you, And each time you think of me, I know you’ll miss me too; But when tomorrow starts without me, Please try to understand, That an angel came and called my name, And took me by the hand, And said my place was ready, In heaven far above And that I’d have to leave behind All those I dearly love. But as I turned to walk away, A tear fell from my eye For all my life, I’d always thought, I didn’t want to die. I had so much to live for, So much left yet to do, It seemed almost impossible, That I was leaving you. I thought of all the yesterdays, The good ones and the bad, The thought of all the love we shared, And all the fun we had. If I could relive yesterday Just even for a while, I’d say good-bye and kiss you And maybe see you smile. But then I fully realized That this could never be, For emptiness and memories, Would take the place of me. And when I thought of worldly things I might miss come tomorrow, I thought of you, and when I did My heart was filled with sorrow. But when I walked through heaven’s gates I felt so much at home When God looked down and smiled at me, From His great golden throne, He said, “This is eternity, And all I’ve promised you. Today your life on earth is past But here it starts anew. I promise no tomorrow, But today will always last, And since each day’s the same way, There’s no longing for the past. You have been so faithful, So trusting and so true. Though there were times You did some things You knew you shouldn’t do. But you have been forgiven And now at last you’re free. So won’t you come and take my hand And share my life with me?” So when tomorrow starts without me, Don’t think we’re far apart, For every time you think of me, I’m right here, in your heart.

If he was, in fact, God, he knew there was no such thing as death. He knew that what we called death was but the eternal opening of the golden gates of everlasting joy; and it took no heroism to face a death that was eternal life.

The moment I saw the gate I had a strong thought to turn around and throw myself headfirst down the steep stone steps or just let myself free-fall backward into the pillowy softness of eternity, and it wouldn't matter if I bumped and bounced like a cabbage all the way down until I hit the bottom and then rolled out to sea, because at least I'd be safe and dead.

Every person encounters the open door here and there in the course of life, and it occurs to everyone at one time or another that everything visible is symbolic and that spirit and eternal life are living behind the symbol. Of course, very few people go through the gate and abandon the beautiful phenomenon of the outside world for the interior reality that they intuit.

Religion called--Angels beckoned--God commanded--life rolled together like a scroll--death's gates opening, showed eternity beyond: it seemed, that for safety and bliss there, all here might be sacrificed in a second. The dim room was full of visions.

...And don’t tell me you don’t wish to fight; for the moment you tell me that, you are already fighting; nor that you don’t know which side to join, for while you are saying that, you have already joined a side; nor that you wish to remain neutral; for while you are thinking to be so, you are so no longer; nor that you want to be indifferent; for I will laugh at you, because on pronouncing that word you have chosen your party. Don’t tire yourself in seeking a place of security against the chances of war, for you tire yourself in vain; that war is extended as far as space, and prolonged through all time. In eternity alone, the country of the just, can you find rest, because there alone there is no combat. But do not imagine, however, that the gates of eternity shall be opened for you, unless you first show the wounds you bear; those gates are only opened for those who gloriously fought here the battles of the Lord, and were, like the Lord, crucified. Essays on Catholicism, Liberalism, and Socialism, 1879.

The thought of the Gita is not pure Monism although it sees in one unchanging, pure, eternal Self the foundation of all cosmic existence, nor Mayavada although it speaks of the Maya of the three modes of Prakriti omnipresent in the created world; nor is it qualified Monism although it places in the One his eternal supreme Prakriti manifested in the form of the Jiva and lays most stress on dwelling in God rather than dissolution as the supreme state of spiritual consciousness; nor is it Sankhya although it explains the created world by the double principle of Purusha and Prakriti; nor is it Vaishnava Theism although it presents to us Krishna, who is the Avatara of Vishnu according to the Puranas, as the supreme Deity and allows no essential difference nor any actual superiority of the status of the indefinable relationless Brahman over that of this Lord of beings who is the Master of the universe and the Friend of all creatures. Like the earlier spiritual synthesis of the Upanishads this later synthesis at once spiritual and intellectual avoids naturally every such rigid determination as would injure its universal comprehensiveness. Its aim is precisely the opposite to that of the polemist commentators who found this Scripture established as one of the three highest Vedantic authorities and attempted to turn it into a weapon of offence and defence against other schools and systems. The Gita is not a weapon for dialectical warfare; it is a gate opening on the whole world of spiritual truth and experience and the view it gives us embraces all the provinces of that supreme region. It maps out, but it does not cut up or build walls or hedges to confine our vision.

Why do I know I exist if I also know I will not? Why was I given access to logical space and the mathematical structure of the world? Just to lose them when my body is destroyed? Why do I wake up in the night with the thought that I will die, why do I sit up, drenched in sweat, and scream and slap myself and try to suppress the thought that I will disappear for all eternity, that I will never be again, to the end of time? Why will the world end with me? We age: we stand quietly in line with those condemned to death. We are executed one after the other in a sinister extermination camp. We are first stripped of our beauty, youth, and hope. We are next wrapped in the penitential robe of illness, weariness, and decay. Our grandparents die, our parents are executed in front of us, and suddenly time gets short, you suddenly see your reflection in the axeblade. And only then do you realize you are living in a slaughterhouse, that generations are butchered and swallowed by the earth, that billions are pushed down the throat of hell, that no one, absolutely no one escapes. That not one person that you see coming out of the factory gates in a Mélies film is still alive. That absolutely everyone in an eighty-year-old sepia photograph is dead. That we all come into this world from a frightening abyss without our memories, that we suffer unimaginably on a speck of dust, and that we then perish, all in a nanosecond, as though we had never lived, as though we had never been.

I was born a Spade brother, but I will die a husband and a father. And when I am buried in our cemetery and arrive at the gates of hell, I’ll smile because I’ll already know what to expect from the devil. A very short life with my family is worth an eternity of damnation.

Loren was the air I needed to breathe; her words were the bricks that kept me pieced together. Her body was the temple where I wanted to worship. I didn’t know if I believed in God and eternity but, with her, I felt like I was knocking on heaven’s gates. —Andrew, High School Lover

In the politics of eternity, the seduction by a mythicized past prevents us from thinking about possible futures. The habit of dwelling on victimhood dulls the impulse of self-correction. Since the nation is defined by its inherent virtue rather than by its future potential, politics becomes a discussion of good and evil rather than a discussion of possible solutions to real problems. Since the crisis is permanent, the sense of emergency is always present; planning for the future seems impossible or even disloyal. How can we even think of reform when the enemy is always at the gate? If

In the great war, there is no room for the faint-hearted, the cowardly. A criminal or an anarchist will be better conditioned than a bourgeois, indecisive or cowardly man. They only need a push in the right direction. Only one who is born a hero has a place in our order. Only the Lord of Pure Will can march toward the end, breaking in the gates of the city of eternal life. Because will, through its perseverance, creates the thing it contemplates. Only the wild hordes of Odin and Parsifal will achieve the Grail.

The inside of the Trace Italian, of course, does not exist. A player can get close enough to see it: it shines in the new deserts of Kansas, gleaming in the sun or starkly rising from the winter cold. The rock walls that protect it meet in points around it, one giving way to another, for days on end. But the dungeons into which you'll fall as you work through the pathways to its gates number in the low hundreds, and if you actually get into the entry hall, there are a few hundred more sub-dungeons before you'll actually reach somewhere that's truly safe. Technically, it's possible to get to the last room in the final chamber of the Trace Italian, but no one will ever do it. No one will ever live that long.

He closed his eyes, but still retained his hold; for, in the gates of eternity, the black hand and the white hold each other with an equal clasp.

Oh, Hell’s gates!” Annia cried, borrowing Vix’s favorite curse.

The other wives and I talked together one night about the possibility of becoming widows. What would we do? God gave us peace of heart, and confidence that whatever might happen, His Word would hold. We knew that 'when He Putteth forth His sheep, He goeth before them.' God's leading was unmistakable up to this point. Each of us knew when we married our husbands that there would never be any question about who came first -- God and His work held held first place in each life. It was the condition of true discipleship; it became devastatingly meaningful now. It was a time for soul-searching, a time for counting the possible cost. Was it the thrill of adventure that drew our husbands on? No. Their letters and journals make it abundantly clear that these men did not go out as some men go out to shoot a lion or climb a mountain. Their compulsion was from a different source. Each had made a personal transaction with God, recognising that he belonged to God, first of all by creation, and secondly by redemption through the death of His Son, Jesus Christ. This double claim on his life settled once and for all the question of allegiance. It was not a matter of striving to follow the example of a great Teacher. To conform to the perfect life of Jesus was impossible for a human being. To these men, Jesus Christ was God, and had actually taken upon Himself human form, in order that He might die, and, by His death, provide not only escape from the punishment which their sin merited, but also a new kind of life, eternal both in length and in quality. This meant simply that Christ was to be obeyed, and more than that, that. He would provide the power to obey

Eternal Friend, I hereby forgive anyone who hurt, upset, or offended me; damaging my body, my property, my reputation, or people whom I love; whether done accidentally or willfully, carelessly or purposely; whether done with words, deeds, thoughts, or attitudes; whether in this lifetime or another incarnation. I forgive every person; may no one be punished because of me. After

There was a garden at the back, a delight to the children, and a green gate in the wall that led to a private avenue, all tangled undergrowth and mystery. And away behind this was the Bois itself, the enchanted forest, stretching surely to eternity, thought the children; a paradise with no beginning and no end. It was these years in Passy, between 1842 and 1847, that Kicky was to describe nearly fifty years later in Peter Ibbetson.

Only those elements time cannot wear: The Angels, the Empyrean, and the First Matter are the elements time cannot wear, for they will last to all time. Man, however, in his mortal state, is not eternal. The Gate of Hell, therefore, was created before man. The theological point is worth attention. The doctrine of Original Sin is, of course, one familiar to many creeds. Here, however, it would seem that the preparation for damnation predates Original Sin. True, in one interpretation. Hell was created for the punishment of the Rebellious Angels and not for man. Had man not sinned, he would never have known Hell. But on the other hand, Dante’s God was one who knew all, and knew therefore that man would indeed sin. The theological problem is an extremely delicate one.

Time present and time past Are both perhaps present in time future And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. But to what purpose Disturbing the dust on a bowl of rose-leaves I do not know. Other echoes Inhabit the garden. Shall we follow? Quick, said the bird, find them, find them, Round the corner. Through the first gate, Into our first world, shall we follow The deception of the thrush? Into our first world. There they were, dignified, invisible, Moving without pressure, over the dead leaves, In the autumn heat, through the vibrant air, And the bird called, in response to The unheard music hidden in the shrubbery, And the unseen eyebeam crossed, for the roses Had the look of flowers that are looked at. There they were as our guests, accepted and accepting. So we moved, and they, in a formal pattern, Along the empty alley, into the box circle, To look down into the drained pool. Dry the pool, dry concrete, brown edged, And the pool was filled with water out of sunlight, And the lotos rose, quietly, quietly, The surface glittered out of heart of light, And they were behind us, reflected in the pool. Then a cloud passed, and the pool was empty. Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present.

Sometimes I dream of revolution, a bloody coup d’etat by the second rank—troupes of actors slaughtered by their understudies, magicians sawn in half by indefatigably smiling glamour girls, cricket teams wiped out by marauding bands of twelfth men—I dream of champions chopped down by rabbit-punching sparring partners while eternal bridesmaids turn and rape the bridegrooms over the sausage rolls and parliamentary private secretaries plant bombs in the Minister’s Humber—comedians die on provincial stages, robbed of their feeds by mutely triumphant stooges— —and—march— —an army of assistants and deputies, the seconds-in-command, the runners-up, the right-handmen—storming the palace gates wherein the second son has already mounted the throne having committed regicide with a croquet-mallet—stand-ins of the world stand up!—

Something wet touched my feet, and I didn’t need to look down to see that his blood had pooled around me. “My wings,” the faerie whispered. “You’ll get them back.” The faerie struggled to open his eyes. “You swear?” “Yes,” I breathed. The faerie managed a slight smile and closed his eyes again. My mouth trembled. I wished for something else to say, something more to offer him than my empty promises. The first false vow I’d ever sworn. But Tamlin began speaking, and I glanced up to see him take the faerie’s other hand. “Cauldron save you,” he said, reciting the words of a prayer that was probably older than the mortal realm. “Mother hold you. Pass through the gates, and smell that immortal land of milk and honey. Fear no evil. Feel no pain.” Tamlin’s voice wavered, but he finished. “Go, and enter eternity.” The faerie heaved one final sigh, and his hand went limp in mine. I didn’t let go, though, and kept stroking his hair, even when Tamlin released him and took a few steps from the table. I could feel Tamlin’s eyes on me, but I wouldn’t let go. I didn’t know how long it took for a soul to fade from the body. I stood in the puddle of blood until it grew cold, holding the faerie’s spindly hand and stroking his hair, wondering if he knew I’d lied when I’d sworn he would get his wings back, wondering if, wherever he had now gone, he had gotten them back.

He has seen and felt how solemn a thing it was to approach the gate of death, to enter the presence of God; and from that awful point of vision, he has contemplated the world, and life, and human responsibility, as they are; and he has come back like a spirit from another sphere, clothed with all the solemnities of eternity; to live now as one soon in reality to be there.

Stand. Stand against this threat. Stand with your heads held high—for you are the true possessors of this world’s future. Stand proud. And I will stand with you. This is our world to rebuild. Not theirs. Ours. So, let’s not fuck it up. - The post-apocalyptic nomadic warrior from a speech given at the gates of Eternal Hope, Colorado, moments before the Massacre of Eternal Hope, Colorado.

I have always found it odd and even comical when the Christian vision of eternal life is described as “a crutch” or “cheap solace.” After all, according to Christian belief the first thing awaiting us beyond the gates of death is God’s judgment. On the contrary, isn’t “cheap solace” precisely the notion that death is the end of everything and we don’t have to answer to anyone for our lives?

How good one feels when one is full—how satisfied with ourselves and with the world!  People who have tried it, tell me that a clear conscience makes you very happy and contented; but a full stomach does the business quite as well, and is cheaper, and more easily obtained.  One feels so forgiving and generous after a substantial and well-digested meal—so noble-minded, so kindly-hearted. It is very strange, this domination of our intellect by our digestive organs.  We cannot work, we cannot think, unless our stomach wills so.  It dictates to us our emotions, our passions.  After eggs and bacon, it says, “Work!”  After beefsteak and porter, it says, “Sleep!”  After a cup of tea (two spoonsful for each cup, and don’t let it stand more than three minutes), it says to the brain, “Now, rise, and show your strength.  Be eloquent, and deep, and tender; see, with a clear eye, into Nature and into life; spread your white wings of quivering thought, and soar, a god-like spirit, over the whirling world beneath you, up through long lanes of flaming stars to the gates of eternity!” After hot muffins, it says, “Be dull and soulless, like a beast of the field—a brainless animal, with listless eye, unlit by any ray of fancy, or of hope, or fear, or love, or life.”  And after brandy, taken in sufficient quantity, it says, “Now, come, fool, grin and tumble, that your fellow-men may laugh—drivel in folly, and splutter in senseless sounds, and show what a helpless ninny is poor man whose wit and will are drowned, like kittens, side by side, in half an inch of alcohol.” We

A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn

The day before I stepped down as secretary, I sent a message to every man and woman wearing the American military uniform because I knew I could not speak to or about them at my farewell ceremony without breaking down. I repeated my now-familiar words: “Your countrymen owe you their freedom and their security. They sleep safely at night and pursue their dreams during the day because you stand the watch and protect them.… You are the best America has to offer. My admiration and affection for you is without limit, and I will think about you and your families and pray for you every day for the rest of my life. God bless you.” I am eligible to be buried at Arlington National Cemetery. I have asked to be buried in Section 60, where so many of the fallen from Iraq and Afghanistan have been laid to rest. The greatest honor possible would be to rest among my heroes for all eternity.

The awfulness of sudden death and the glory of heaven stunned me! The thing that had been mystery at twilight, lay clear, pure, open in the rosy hue of dawn. Out of the gates of the morning poured a light which glorified the palaces and pyramids, purged and purified the afternoon's inscrutable clefts, swept away the shadows of the mesas, and bathed that broad, deep world of mighty mountains, stately spars of rock, sculptured cathedrals and alabaster terraces in an artist's dream of color. A pearl from heaven had burst, flinging its heart of fire into this chasm. A stream of opal flowed out of the sun, to touch each peak, mesa, dome, parapet, temple and tower, cliff and cleft into the new-born life of another day. I sat there for a long time and knew that every second the scene changed, yet I could not tell how. I knew I sat high over a hole of broken, splintered, barren mountains; I knew I could see a hundred miles of the length of it, and eighteen miles of the width of it, and a mile of the depth of it, and the shafts and rays of rose light on a million glancing, many-hued surfaces at once; but that knowledge was no help to me. I repeated a lot of meaningless superlatives to myself, and I found words inadequate and superfluous. The spectacle was too elusive and too great. It was life and death, heaven and hell.

In modern street-English, we use “hell” as a catchall term to describe the bad place (usually red hot) where sinful people are condemned to punishment and torment after they die. This simplistic, selective, and horrifying perception of hell is due in large part to nearly 400 years of the King James Version’s monopoly in English-speaking congregations (not to mention centuries of imaginative religious art). Rather than acknowledge the variety of terms, images, and concepts that the Bible uses for divine judgment, the KJV translators opted to combine them all under the single term “hell.” In truth, the array of biblical pictures and meanings that this one word is expected to convey is so vast that they appear contradictory. For example, is hell a lake of fire or a place of utter darkness? Is it a purifying forge or a torture chamber? Is it exclusion from God’s presence or the consuming fire of God’s glory? While modern scholarship acknowledges the mis- or over-translation of Sheol, Hades, and Gehenna as “hell” - especially if by “hell” we refer automatically to the eternal punishment of the wicked in conscious torment in a lake of fire - the thoroughly discussed limitations of hell language and imagery have been slow to permeate the theology of pulpits and pews in much of the church. Why the reluctance? Do we resist out of ignorance? Or are we afraid that abandoning infernalism implies abandoning faithfulness to Scripture and sound doctrine? After all, for so long we were taught that to be a Christian - especially an evangelical - is to be an infernalist. And yet, not a few of my friends have confessed that they have given up on being “good Christians” because they can no longer assent to the kind of God that creates and sends people to hell as they imagine it.

We ought to also note the irony and incongruence of the Church utilizing the very place where God became violently offended by the literal burning of children as our primary metaphor for a final and eternal burning of God’s wayward people in literal flames. Thus, God becomes the very Molech who decrees that the angels must deliver his children to the flames, even though this was the very reason he ordered Hinnom to be desecrated in the first place!

I saw a group of women standing by a station wagon. There were seven of them, pushing cartons and shopping bags over the open tailgate into the rear of the car. Celery stalks and boxes of Gleem stuck out of the bags. I took the camera from my lap, raised it to my eye, leaned out the window a bit, and trained it on the ladies as if I were shooting. One of them saw me and immediately nudged her companion but without taking her eyes off the camera. They waved. One by one the others reacted. They all smiled and waved. They seemed supremely happy. Maybe they sensed that they were waving at themselves, waving in the hope that someday if evidence is demanded of their passage through time, demanded by their own doubts, a moment might be recalled when they stood in a dazzling plaza in the sun and were registered on the transparent plastic ribbon; and thirty years away, on that day when proof is needed, it could be hoped that their film is being projected on a screen somewhere, and there they stand, verified, in chemical reincarnation, waving at their own old age, smiling their reassurance to the decades, a race of eternal pilgrims in a marketplace in the dusty sunlight, seven arms extended in a fabulous salute to the forgetfulness of being. What better proof (if proof is ever needed) that they have truly been alive? Their happiness, I think, was made of this, the anticipation of incontestable evidence, and had nothing to do with the present moment, which would pass with all the others into whatever is the opposite of eternity. I pretended to keep shooting, gathering their wasted light, letting their smiles enter the lens and wander the camera-body seeking the magic spool, the gelatin which captures the image, the film which threads through the waiting gate. Sullivan came out of the supermarket and I lowered the camera. I could not help feeling that what I was discovering here was power of a sort.

It is the pomegranate that gives 'fesenjoon' its healing capabilities. The original apple of sin, the fruit of a long gone Eden, the pomegranate shields itself in a leathery crimson shell, which in Roman times was used as a form of protective hide. Once the pomegranate's bitter skin is peeled back, though, a juicy garnet flesh is revealed to the lucky eater, popping and bursting in the mouth like the final succumber of lovemaking. Long ago, when the earth remained still, content with the fecundity of perpetual spring, and Demeter was the mother of all that was natural and flowering, it was this tempting fruit that finally set the seasons spinning. Having eaten six pomegranate seeds in the underworld, Persephone, the Goddess of Spring's high-spirited daughter, had been forced to spend six months of the year in the eternal halls of death. Without her beautiful daughter by her side, a mournful Demeter retreated to the dark corners of the universe, allowing for the icy gates of winter to finally creak open. A round crimson herald of frost, the pomegranate comes to harvest in October and November, so 'fesenjoon' is best made with its concentrate during other times of the year.

Calf-deep in the soothing water I indulge myself in the wishful vision. I am not unaware of what such daydreams signify, dreams of becoming an unthinking savage, of taking the cold road back to the capital, of groping my way out to the ruins in the desert, of returning to the confinement of my cell, of seeking out the barbarians and offering myself to them to use as they wish. Without exception they are dreams of ends: dreams not of how to live but of how to die. And everyone, I know, in that walled town sinking now into darkness (I hear the two thin trumpet calls that announce the closing of the gates) is similarly preoccupied. What has made it impossible for us to live in time like fish in the water, like birds in air, like children? It is the fault of Empire! Empire has created the time of history. Empire has located its existence not in the smooth recurrent spinning time of the cycle of the seasons but in the jagged time of rise and fall, of beginning and end, of catastrophe. Empire dooms itself to live in history and plot against history. One thought alone preoccupies the submerged mind of Empire: how not to end, how not to die, how to prolong its era. By day it pursues its enemies. It is cunning and ruthless, it sends its bloodhounds everywhere. By night it feeds on images of disaster: the sack of cities, the rape of populations, pyramids of bones, acres of desolation. A mad vision yet a virulent one: I, wading in the ooze, am no less infected with it than the faithful Colonel Joll as he tracks the enemies of Empire through the boundless desert, sword unsheathed to cut down barbarian after barbarian until at last he finds and slays the one whose destiny it should be (or if not his then his son's or unborn grandson's) to climb the bronze gateway to the Summer Palace and topple the globe surmounted by the tiger rampant that symbolizes eternal domination, while his comrades below cheer and fire their muskets in the air.

Then Almitra spoke, saying, "We would ask now of Death." And he said: You would know the secret of death. But how shall you find it unless you seek it in the heart of life? The owl whose night-bound eyes are blind unto the day cannot unveil the mystery of light. If you would indeed behold the spirit of death, open your heart wide unto the body of life. For life and death are one, even as the river and the sea are one. In the depth of your hopes and desires lies your silent knowledge of the beyond; And like seeds dreaming beneath the snow your heart dreams of spring. Trust the dreams, for in them is hidden the gate to eternity. Your fear of death is but the trembling of the shepherd when he stands before the king whose hand is to be laid upon him in honour. Is the sheered not joyful beneath his trembling, that he shall wear the mark of the king? Yet is he not more mindful of his trembling? For what is it to die but to stand naked in the wind and to melt into the sun? And what is to cease breathing, but to free the breath from its restless tides, that it may rise and expand and seek God unencumbered? Only when you drink from the river of silence shall you indeed sing. And when you have reached the mountain top, then you shall begin to climb. And when the earth shall claim your limbs, then shall you truly dance.

The Dying Man" in memoriam W.B. Yeats 1. His words I heard a dying man Say to his gathered kin, “My soul’s hung out to dry, Like a fresh salted skin; I doubt I’ll use it again. “What’s done is yet to come; The flesh deserts the bone, But a kiss widens the rose I know, as the dying know Eternity is Now. “A man sees, as he dies, Death’s possibilities; My heart sways with the world. I am that final thing, A man learning to sing. 2. What Now? Caught in the dying light, I thought myself reborn. My hand turn into hooves. I wear the leaden weight Of what I did not do. Places great with their dead, The mire, the sodden wood, Remind me to stay alive. I am the clumsy man The instant ages on. I burned the flesh away, In love, in lively May. I turn my look upon Another shape than hers Now, as the casement blurs. In the worst night of my will, I dared to question all, And would the same again. What’s beating at the gate? Who’s come can wait. 3. The Wall A ghost comes out of the unconscious mind To grope my sill: It moans to be reborn! The figure at my back is not my friend; The hand upon my shoulder turns to horn. I found my father when I did my work, Only to lose myself in this small dark. Though it reject dry borders of the seen, What sensual eye can keep and image pure, Leaning across a sill to greet the dawn? A slow growth is a hard thing to endure. When figures our of obscure shadow rave, All sensual love’s but dancing on a grave. The wall has entered: I must love the wall, A madman staring at perpetual night, A spirit raging at the visible. I breathe alone until my dark is bright. Dawn’s where the white is. Who would know the dawn When there’s a dazzling dark behind the sun. 4. The Exulting Once I delighted in a single tree; The loose air sent me running like a child– I love the world; I want more than the world, Or after image of the inner eye. Flesh cries to flesh, and bone cries out to bone; I die into this life, alone yet not alone. Was it a god his suffering renewed?– I saw my father shrinking in his skin; He turned his face: there was another man, Walking the edge, loquacious, unafraid. He quivered like a bird in birdless air, Yet dared to fix his vision anywhere. Fish feed on fish, according to their need: My enemies renew me, and my blood Beats slower in my careless solitude. I bare a wound, and dare myself to bleed. I think a bird, and it begins to fly. By dying daily, I have come to be. All exultation is a dangerous thing. I see you, love, I see you in a dream; I hear a noise of bees, a trellis hum, And that slow humming rises into song. A breath is but a breath: I have the earth; I shall undo all dying with my death. 5. They Sing, They Sing All women loved dance in a dying light– The moon’s my mother: how I love the moon! Out of her place she comes, a dolphin one, Then settles back to shade and the long night. A beast cries out as if its flesh were torn, And that cry takes me back where I was born. Who thought love but a motion in the mind? Am I but nothing, leaning towards a thing? I scare myself with sighing, or I’ll sing; Descend O gentlest light, descend, descend. I sweet field far ahead, I hear your birds, They sing, they sing, but still in minor thirds. I’ve the lark’s word for it, who sings alone: What’s seen recededs; Forever’s what we know!– Eternity defined, and strewn with straw, The fury of the slug beneath the stone. The vision moves, and yet remains the same. In heaven’s praise, I dread the thing I am. The edges of the summit still appall When we brood on the dead or the beloved; Nor can imagination do it all In this last place of light: he dares to live Who stops being a bird, yet beats his wings Against the immense immeasurable emptiness of things.

Sometimes I dream of revolution, a bloody coup d’etat by the second rank—troupes of actors slaughtered by their understudies, magicians sawn in half by indefatigably smiling glamour girls, cricket teams wiped out by marauding bands of twelfth men—I dream of champions chopped down by rabbit-punching sparring partners while eternal bridesmaids turn and rape the bridegrooms over the sausage rolls and parliamentary private secretaries plant bombs in the Minister’s Humber—comedians die on provincial stages, robbed of their feeds by mutely triumphant stooges— —and—march— —an army of assistants and deputies, the seconds-in-command, the runners-up, the right-handmen—storming the palace gates wherein the second son has already mounted the throne having committed regicide with a croquet-mallet—stand-ins

The other one, the one called Borges, is the one things happen to. I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate; I know of Borges from the mail and see his name on a list of professors or in a biographical dictionary. I like hourglasses, maps, eighteenth-century typography, the taste of coffee and the prose of Stevenson; he shares these preferences, but in a vain way that turns them into the attributes of an actor. It would be an exaggeration to say that ours is a hostile relationship; I live, let myself go on living, so that Borges may contrive his literature, and this literature justifies me. It is no effort for me to confess that he has achieved some valid pages, but those pages cannot save me, perhaps because what is good belongs to no one, not even to him, but rather to the language and to tradition. Besides, I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him, though I am quite aware of his perverse custom of falsifying and magnifying things. Spinoza knew that all things long to persist in their being; the stone eternally wants to be a stone and the tiger a tiger. I shall remain in Borges, not in myself (if it is true that I am someone), but I recognize myself less in his books than in many others or in the laborious strumming of a guitar. Years ago I tried to free myself from him and went from the mythologies of the suburbs to the games with time and infinity, but those games belong to Borges now and I shall have to imagine other things. Thus my life is a flight and I lose everything and everything belongs to oblivion, or to him. I do not know which of us has written this page.

The other one, the one called Borges, is the one things happen to. I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate; I know of Borges from the mail and see his name on a list of professors or in a biographical dictionary. I like hourglasses, maps, eighteenth-century typography, the taste of coffee and the prose of Stevenson; he shares these preferences, but in a vain way that turns them into the attributes of an actor. It would be an exaggeration to say that ours is a hostile relationship; I live, let myself go on living, so that Borges may contrive his literature, and this literature justifies me. It is no effort for me to confess that he has achieved some valid pages, but those pages cannot save me, perhaps because what is good belongs to no one, not even to him, but rather to the language and to tradition. Besides, I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him, though I am quite aware of his perverse custom of falsifying and magnifying things. Spinoza knew that all things long to persist in their being; the stone eternally wants to be a stone and the tiger a tiger. I shall remain in Borges, not in myself (if it is true that I am someone), but I recognize myself less in his books than in many others or in the laborious strumming of a guitar. Years ago I tried to free myself from him and went from the mythologies of the suburbs to the games with time and infinity, but those games belong to Borges now and I shall have to imagine other things. Thus my life is a flight and I lose everything and everything belongs to oblivion, or to him. I do not know which of us has written this page.

All I can offer is this (without a single remembrance or image, or even incoherent wisp of correspondence), even so I knew, in those eradicated moments, and I know still: That there, there outside the gates of any physical state or world we may inhabit, something is—which, being so unlike, so beautiful and radiant and eternal—can never be transported into living life, not even by a word. Brighter than fires, more soft than fur, better than the best—nameless, non-communicable, absolute. And, without a bookmark in our hearts or brains to enable us to find it while here, yet there—there it nevertheless is, and will be ever. There is nothing to fear or to regret. There is no end. Only always a Beginning—that not even the most lucid scripture, or most transcendent art (even that of the Scarlet Lily, Cremisia Ranaldi) can recreate. We touch upon it, yes, I believe we do, in our greatest poets (which is why, if only as a ghost, she could undo the door). In the best of love or joy, that too—but all of this is a shadow. The shadow of the Nothing which is Everything.

On this side of eternity, Christmas is still a promise. Yes, the Savior has come, and with him peace on earth, but the story is not finished. Yes, there is peace in our hearts, but we long for peace in our world. Every Christmas is still a “turning of the page” until Jesus returns. Every December 25 marks another year that draws us closer to the fulfillment of the ages, that draws us closer to . . . home. When we realize that Jesus is the answer to our deepest longing, even Christmas longings, each Advent brings us closer to his glorious return to earth. When we see him as he is, King of kings and Lord of lords, that will be “Christmas” indeed! Talk about giving Christmas gifts! Just think of this abundance . . . You do not lack any spiritual gift as you eagerly wait for our Lord Jesus Christ to be revealed. (1 Cor. 1:7) And carols? You’re about to hear singing like you’ve never heard before. Listen . . . Then I heard something like the voice of a great multitude and like the sound of many waters and like the sound of mighty peals of thunder, saying, “Hallelujah! For the Lord our God, the Almighty, reigns.” (Rev. 19:6, nasb) Christmas choirs? Never was there a choir like the one about to be assembled . . . They held harps given them by God and sang . . . the song of the Lamb: “Great and marvelous are your deeds, Lord God Almighty. Just and true are your ways, King of the ages.” (Rev. 15:2–3) True, Main Street in your town may be beautifully decorated for the season, but picture this . . . The twelve gates [of the city] were twelve pearls, each gate made of a single pearl. The great street of the city was of pure gold, like transparent glass. (Rev. 21:21) Oh, and yes, we love the glow of candles on a cold winter’s night and the twinkling of Christmas lights in the dark, but can you imagine this? There will be no more night. They will not need the light of a lamp or the light of the sun, for the Lord God will give them light. And they will reign for ever and ever. (Rev. 22:5) Heaven is about to happen. The celebration is about to burst on the scene. We stand tiptoe at the edge of eternity, ready to step into the new heaven and the new earth. And I can hardly wait.

Our freedom does not lie outside us, but within us. One can be bound outside, and yet one will still feel free since one has burst inner bonds. One can certainly gain outer freedom through powerful actions, but one creates inner freedom only through the symbol. The symbol is the word that goes out of the mouth, that one does not simply speak, but that rises out of the depths of the self as a word of power and great need and places itself unexpectedly on the tongue. It is an astonishing and perhaps seemingly irrational word, but one recognizes it as a symbol since it is alien to the conscious mind. If one accepts the symbol, it is as if a door opens leading into a new room whose existence one previously did not know. But if one does not accept the symbol, it is as if one carelessly went past this door; and since this was the only door leading to the inner chambers, one must pass outside into the streets again, exposed to everything external. But the soul suffers great need, since outer freedom is of no use to it. Salvation is a long road that leads through many gates. These gates are symbols. Each new gate is at first invisible; indeed, it seems at first that it must be created, for it exists only if one has dug up the spring’s root. To find the mandrake, one needs the black dog, since good and bad must always be united first if the symbol is to be created. The symbol can be neither thought up nor found: it becomes. Its becoming is like the becoming of human life in the womb. Pregnancy comes about through voluntary copulation. It goes on through willing attention. But if the depths have conceived, then the symbol grows out of itself and is born from the mind, as befits a God. But in the same way a mother would like to throw herself on the child like a monster and devour it again. In the morning, when the new sun rises, the word steps out of my mouth, but is murdered lovelessly, since I did not know that it was the saviour. The newborn child grows quickly, if I accept it. And immediately it becomes my charioteer. The word is the guide, the middle way which easily oscillates like the needle on the scales. The word is the God that rises out of the waters each morning and proclaims the guiding law to the people. Outer laws and outer wisdom are eternally insufficient, since there is only one law and one wisdom, namely my daily law, my daily wisdom. The God renews himself each night.

Oh doors of your body There are nine and I have opened them all Oh doors of your body There are nine and for me they have all closed again At the first door Clear Reason has died It was do you remember? the first day in Nice Your left eye like a snake slides Even my heart And let the door of your left gaze open again At the second door All my strength has died It was do you remember? in a hostel in Cagnes Your right eye was beating like my heart Your eyelids throbbed like flowers beat in the breeze And let the door of your right gaze open again At the third door Hear the aorta beat And all my arteries swollen from your only love And let the door of your left ear be reopened At the fourth gate They escort me every spring And listening listening to the beautiful forest Upload this song of love and nests So sad for the soldiers who are at war And let the door of your right ear reopen At the fifth gate It is my life that I bring you It was do you remember? on the train returning from Grasse And in the shade, very close, very short Your mouth told me Words of damnation so wicked and so tender What do I ask of my wounded soul How could I hear them without dying Oh words so sweet so strong that when I think about it I seem to touch them And let the door of your mouth open again At the sixth gate Your gestation of putrefaction oh War is aborting Behold all the springs with their flowers Here are the cathedrals with their incense Here are your armpits with their divine smell And your perfumed letters that I smell During hours And let the door on the left side of your nose be reopened At the seventh gate Oh perfumes of the past that the current of air carries away The saline effluvia gave your lips the taste of the sea Marine smell smell of love under our windows the sea was dying And the smell of the orange trees enveloped you with love While in my arms you cuddled Still and quiet And let the door on the right side of your nose be reopened At the eighth gate Two chubby angels care for the trembling roses they bear The exquisite sky of your elastic waist And here I am armed with a whip made of moonbeams Hyacinth-crowned loves arrive in droves. And let the door of your soul open again With the ninth gate Love itself must come out Life of my life I join you for eternity And for the perfect love without anger We will come to pure and wicked passion According to what we want To know everything to see everything to hear I gave up in the deep secret of your love Oh shady gate oh living coral gate Between two columns of perfection And let the door open again that your hands know how to open so well

Okay,” I said, looking up to find the gate in the stars. I lifted a hand, only to have it jerked violently down. “What are you doing?” Reth hissed. “I’m making the gate!” “Not that one.” His eyes were wide with—fear? “Why are you so scared of that gate?” He looked to the side, deliberately avoiding staring at the stars. “Because that is . . . that is another part of eternity. It’s not ours.” I frowned. “But I sent the other souls there.” “Yes, and without bodies they were ready to go there. But I am not, nor will I ever be.” I couldn’t help smiling. “Ooh, poor little Reth, are you scared of what happens after you die?” His voice and face were shockingly sincere, his skin pallid and his lips nearly blue. “More than anything. I have no desire to discover that realm of eternity. None of us do, which is why we need that gate. Myself most desperately. Now, please.” I looked back up at the stars, trying to figure out if I was scared of that gate or not. And, strangely enough, I discovered I wasn’t. It was like Lend and I had talked about—no one could say when they were going to die. You did the best with the time you had, filled it with people and things you loved, and hoped that whatever came after was as good or better. I was finally okay with this whole finite mortality thing. “Alright, you big pansy. I’ll figure out the other one.

She took my wings,' he whispered. Tamlin's green eyes flickered and I knew right then, that the faerie was going to die. Death wasn't just hovering in this hall; it was counting down the faerie's remaining heartbeats. I took one of the faerie's hands in mine. The skin there was almost leathery, and, perhaps more of a reflex than anything, his long fingers wrapped around mine, covering them completely. 'She took my wings,' he said again, his shaking subsiding a bit. I brushed the long, damp hair from the faerie's half-turned face, revealing a pointed nose and a mouth full of sharp teeth. His dark eyes shifted to mine, beseeching, pleading. 'It will be all right,' I said, and hoped he couldn't smell the lies the way the Suriel was able to. I stroked his limp hair, its texture like liquid night- another I would never be able to paint but would try to, perhaps forever. 'It will be all right.' The faerie closed his eyes, and I tightened my grip on his hand. Something wet touched my feet, and I didn't need to look down to see that his blood had pooled around me. 'My wings,' the faerie whispered. 'You'll get them back.' The faerie struggled to open his eyes. 'You swear?' 'Yes,' I breathed. The faerie managed a slight smile and closed his eyes again. My mouth trembled. I wished for something else to say, something more to offer him than my empty promises. The first false vow I'd ever sworn. But Tamlin began speaking, and I glanced up to see him take the faerie's other hand. 'Cauldron save you,' he said, reciting the words of a prayer that was probably older than the mortal realm. 'Mother hold you. Pass through the gates, and smell that immortal land of milk and honey. Fear no evil. Feel no pain.' Tamlin's voice wavered, but he finished. 'Go, and enter eternity.' The faerie heaved one final sigh, and his hand went limp in mine. I didn't let go, though, and kept stroking his hair, even when Tamlin released him and took a few steps from the table. I could feel Tamlin's eyes on me, but I wouldn't let go. I didn't know how long it took for a soul to fade from the body. I stood in the puddle of blood until it grew cold, holding the faerie's spindly hand and stroking his hair, wondering if he knew I'd lied when I'd sworn he would get his wings back, wondering if, wherever he had now gone, he had gotten them back. A clock chimed somewhere in the house, and Tamlin gripped my shoulder. I hadn't realised how cold I'd become until the heat of his hand warmed me through my nightgown. 'He's gone. Let him go.' I studied the faerie's face- so unearthly, so inhuman. Who could be so cruel to hurt him like that? 'Feyre,' Tamlin said, squeezing my shoulder. I brushed the faerie's hair behind his long, pointed ear, wishing I'd known his name, and let go.

Reth narrowed his eyes and looked from me to the gate and back again. “Don’t even think about it,” I said, suddenly scared. “If you so much as take a step to drag me through, I will drain your soul and send it through the gate in the stars you’re so scared of. And you know you can’t fight me right now.” His lips jutted out petulantly, then he sighed. “I really will miss you, my love. If nothing else you were always entertaining.” I smiled. “I think I might miss you, too. So few things left in this world to terrorize me and look pretty while doing it. Now get out of here and enjoy your eternity.” He glanced calculatingly at the gate once again, and I raised my hand in warning. “I can drain faster than you can run.” He looked torn, then leaned forward and pressed his smooth lips against mine in a whisper of a kiss. I staggered back, putting my fingers to my lips and still feeling his heat there. “Perhaps if I had done that earlier you would be coming with me now.” He smiled at me, that enigmatic faerie smile that I realized with a pang I really would miss, then turned and walked, stooped and unsteady, through the gate. “Good-bye, Reth,” I whispered, letting the wind carry my words through the gate and wondering if he heard them on the other side. Something tight around my heart released as he grew taller and brighter, healed, his features smoothing until they were so much less human than they had ever been. He turned his head ever so briefly in my direction, smiled, and then ran on dancing feet to join the rest of his brothers and sisters.

I nodded and nodded and nodded again, like the motion could buoy me up for what had to be done. “Okay. We’ll be okay. I’ll go through and use . . . use my own soul to close the agte.” “You can’t!” Lend said. I shrugged, putting on a brave smile. “I’ll be okay. They can probably fix me. I mean, Reth was able to put soul into me on this side. He should be able to do it on the other side, right?” I looked from Vivian to Lend for reassurance, but neither of them had any to give. I needed them to be brave for me, to tell me it was going to work out. I’d come so far to get this bright, happy soul of my own, to figure out who I was and how to love and let myself be loved. I didn’t want to give it up, and I needed to know it would be okay. “Lie to me!” I shouted. “Tell me it’s going to be okay!” Lend shook his head. “There’s no way I’m letting you use your own soul to close the gate.” He stood straighter. “Use mine.” “What?” “Take mine! I have more than you do anyway, right? It only makes sense.” “But who knows what that would do to you on the other side! You would be mortal! We’d have no idea how long you’d live, how it would change you.” He smiled bravely, shrugging. “I never asked to last forever. I’m not interested in immortality; you are the life I chose.” “Oh, will you two shut up?” Vivian stomped over to us, her white-blond hair whipped up into a bizarre halo around her head and her cotton gown barely staying on. “’Let me sacrifice myself!’ ‘No, let me sacrifice myself!’ ‘I love you more than the eternities!’ ‘No, I love you more than the eternities!’” She was pale, her huge, manic eyes wide. Maybe having and then losing the Dark Queen’s soul really had tipped her over the edge. “This one’s all me.

Burbank's power of love, reported Hall, "greater than any other, was a subtle kind of nourishment that made everything grow better and bear fruit more abundantly. Burbank explained to me that in all his experimentation he took plants into his confidence, asked them to help, and assured them that he held their small lives in deepest regard and affection." Helen Keller, deaf and blind, after a visit to Burbank, wrote in Out­ look for the Blind: "He has the rarest of gifts, the receptive spirit of a child. When plants talk to him, he listens. Only a wise child can understand the language of flowers and trees." Her observation was particularly apt since all his life Burbank loved children. In his essay "Training of the Human Plant," later published as a book, he an­ticipated the more humane attitudes of a later day and shocked authori­tarian parents by saying, "It is more important for a child to have a good nervous system than to try to 'force' it along the line of book knowledge at the expense of its spontaneity, its play. A child should learn through a medium of pleasure, not of pain. Most of the things that are really useful in later life come to the children through play and through association with nature." Burbank, like other geniuses, realized that his successes came from having conserved the exuberance of a small boy and his wonder for everything around him. He told one of his biographers: 'Tm almost seventy-seven, and I can still go over a gate or run a foot race or kick the chandelier. That's because my body is no older than my mind-and my mind is adolescent. It has never grown up and I hope it never will." It was this quality which so puzzled the dour scientists who looked askance at his power of creation and bedeviled audiences who expected him to be explicit as to how he produced so many horticultural wonders. Most of them were as disappointed as the members of the American Pomological Society, gathered to hear Burbank tell "all" during a lecture entitled "How to Produce New Fruits and Flowers," who sat agape as they heard him say: In pursuing the study of any of the universal and everlasting laws of nature, whether relating to the life, growth, structure and movements of a giant planet, the tiniest plant or of the psychological movements of the human brain, some conditions are necessary before we can become one of nature's interpreters or the creator of any valuable work for the world. Preconceived notions, dogmas and all personal prejudice and bias must be laid aside. Listen patiently, quietly and reverently to the lessons, one by one, which Mother Nature has to teach, shedding light on that which was before a mystery, so that all who will, may see and know. She conveys her truths only to those who are passive and receptive. Accepting these truths as suggested, wherever they may lead, then we have the whole universe in harmony with us. At last man has found a solid foundation for science, having discovered that he is part of a universe which is eternally unstable in form, eternally immutable in substance.