Essex Quotes

We've searched our database for all the quotes and captions related to Essex. Here they are! All 100 of them:

It was necessary to be afraid in order to have courage.
Sarah Perry (The Essex Serpent)
It is extraordinarily entertaining to watch the historians of the past ... entangling themselves in what they were pleased to call the "problem" of Queen Elizabeth. They invented the most complicated and astonishing reasons both for her success as a sovereign and for her tortuous matrimonial policy. She was the tool of Burleigh, she was the tool of Leicester, she was the fool of Essex; she was diseased, she was deformed, she was a man in disguise. She was a mystery, and must have some extraordinary solution. Only recently has it occrurred to a few enlightened people that the solution might be quite simple after all. She might be one of the rare people were born into the right job and put that job first.
Dorothy L. Sayers (Are Women Human? Astute and Witty Essays on the Role of Women in Society)
Not even knowledge takes all the strangeness from the world
Sarah Perry (The Essex Serpent)
We both speak of illuminating the world, but we have different sources of light,
Sarah Perry (The Essex Serpent)
There's only two ways to be completely alone in this world, lost in a crowd or in total isolation...
Jeff Lemire (Essex County, Vol. 2: Ghost Stories)
Cora, you cannot always keep yourself away from things that hurt you. We all wish we could, but we cannot: to live at all is to be bruised.
Sarah Perry (The Essex Serpent)
Time was being served behind the walls of Newgate jail, and wasted by philosophers in cafes on the Strand; it was lost by those who wished the past were present, and loathed by those who wished the present past.
Sarah Perry (The Essex Serpent)
They say the city gets in your blood, but that's crap. The city doesn't become part of you... you become part of it. It soaks you up bit by bit, year after year. Until you're just a tiny part of its system... Pumping through its veins, lost in its arteries.
Jeff Lemire (Essex County, Vol. 2: Ghost Stories)
We are cleaved together - we are cleaved apart - everything that draws me to you is everything that drives me away.
Sarah Perry (The Essex Serpent)
I gotta say, babes," he said in a nasal Essex whine, "you're giving me sutcha bedroom look." I stared down into his face, so close to mine. Babes?
Alexis Hall (Glitterland (Spires, #1))
Lovers of words have no place where honest work must be done.
Karen Essex (Stealing Athena)
Hope was all that stood between them and death.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex)
Why, in all the vastness of the world, did a sparkly idiot from Essex make me feel alive?
Alexis Hall (Glitterland (Spires, #1))
in the end it was purpose I wanted, not achievement — you see the difference?
Sarah Perry (The Essex Serpent)
The goblins have been after me ever since I helped the Coven drive them out of Essex. (They were gobbling up drunk people in club bathrooms, and the Mage was worried about losing regional slang.) I think the goblin who successfully offs me gets to be king.
Rainbow Rowell (Carry On (Simon Snow, #1))
William Ransome and Cora Seaborne, stripped of code and convention, even of speech, stood with her strong hand in his: children of the earth lost in wonder.
Sarah Perry (The Essex Serpent)
Sometimes I think I sold my soul, so that I can live as I must. Oh, I don't mean without morals or conscience- I only mean with freedom to think the thoughts that come, to send them where I want them to go, not to let them run along tracks someone else set, leading only this way or that...
Sarah Perry (The Essex Serpent)
CLEAVE. To cleave to something is to cling to it with all your heart, he said, but to cleave something apart is to break it up.
Sarah Perry (The Essex Serpent)
LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
Charles Dickens (Bleak House)
anything that was ever worth knowing began with once upon a time
Sarah Perry (The Essex Serpent)
Besides(..), it's a poor woman whose ambition is only to be loved.
Sarah Perry (The Essex Serpent)
I’ve freed myself from the obligation to try and be beautiful,” said Cora: “And I was never more happy. I can’t remember when I last looked in the mirror—” “Yesterday,” said Martha. “You were admiring your nose.
Sarah Perry (The Essex Serpent)
I believe for most of us - for me, certainly - what's below the skin is more worth looking at than what's outside it. Turn me inside out and I'd be quite a handsome man!
Sarah Perry (The Essex Serpent)
Now We Think Now we think as we fuck this nut might kill us. There might be a pin-sized hole in the condom. A lethal leak. We stop kissing tall dark strangers, sucking mustaches, putting lips tongues everywhere. We return to pictures. Telephones. Toys. Recent lovers. Private lives. Now we think as we fuck this nut might kill. this kiss could turn to stone.
Essex Hemphill
what use was it to observe the human species and try to understand it? Their rules were fathomless and no more fixed than the wind.
Sarah Perry (The Essex Serpent)
...the world we learned as children to fear---the milieu of goblins, ghosts, spirits, and magic - when it is the tangible world that is rife with unimaginable horrors. The truth is, we must fear monsters less and be warier of our own kind. -from Dracula In Love
Karen Essex
He felt his faith deeply, and above all out of doors, where the vaulted sky was his cathedral nave and the oaks its transept pillars: when faith failed, as it sometimes did, he saw the heavens declare the glory of God and heard the stones cry out.
Sarah Perry (The Essex Serpent)
This seems charmingly paradoxical: scientists seek one truth but often voice many opinions; journalists often speak of many truths while voicing a uniform view.
Christopher Essex (Taken By Storm: The Troubled Science, Policy and Politics of Global Warming)
How many times would I damn myself for you? Ask me that." "How many?" she said faintly, her eyes searching his face. She stopped breathing to hear his answer. "Till the gates of hell close," he said flatly.
Eloisa James (Kiss Me, Annabel (Essex Sisters, #2))
I am torn and I am mended - I want everything and need nothing - I love you and am content without you. Even so, come quickly!
Sarah Perry (The Essex Serpent)
You are a woman, and must begin to live like one. By which I mean: have courage.
Sarah Perry (The Essex Serpent)
We were told to never use I when writing, because eliminating this voice makes arguments legitimate. But we realize there is nothing that convinces like the self does - our life, our body & its beating, proving it's own jagged point. Tell me what is more powerful than the unerased.
Amanda Gorman (Call Us What We Carry: Poems)
It is probably always disastrous not to be a poet.
Lytton Strachey (Elizabeth and Essex)
I glared at him. “You came all the way to Essex just to spy on us?” “Yeah.” He smirked. “I crossed the street. It was really rough.
Leila Sales (Past Perfect)
The scrape of the skates on the ice. The smell of musty old equipment. The black puck stains on the boards. To the uninitiated they're nothing, but to a hockey player they're home.
Jeff Lemire (Essex County, Vol. 2: Ghost Stories)
I eat an egg for my supper and drink Guinness with it and read Brontë and Hardy, Dante and Keats, Henry James and Conan Doyle.
Sarah Perry (The Essex Serpent)
We think we know where we're aiming, and perhaps we do - but morning comes, and a change in the light, and we find out we should've been trying in a different direction after all.
Sarah Perry (The Essex Serpent)
She'd never know what to do with children: Francis had wrong-footed her so completely that she'd come to think of them as delightful but volatile species no more to be trusted than cats.
Sarah Perry (The Essex Serpent)
Everyone has a secret life. Perhaps yours is merely a gossamer web of thoughts and fantasies woven in the hidden furrows of your mind. Or furtive deeds performed on the sly or betrayals large and small that, if revealed, would change how you are perceived. -Dracula in Love by Karen Essex
Karen Essex
The sperm whales' network of female-based family unit resembled, to a remarkable extent, the community the whalemen had left back home on Nantucket. In both societies the males were itinerants. In their dedication to killing sperm whales the Nantucketers had developed a system of social relationships that mimicked those of their prey.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex)
The point of my books is to give voice to otherwise voiceless females from history and myth, to unlock what has been secreted away in women's hearts and minds for millennia. Historically, women have either been reduced to nothing but their sexuality or stripped of it entirely: the Madonna or the whore.
Karen Essex
Luke diagnosed himself to be in love, and sought no cure for the disease.
Sarah Perry (The Essex Serpent)
Must we make battlegrounds out of our children?
Sarah Perry (The Essex Serpent)
Like she knows what's inside of me, what makes me.... me.
Bridget Essex (A Wolf for Valentine's Day)
They were talking about things that didn’t matter a fig, not with the huge yawning grief burning a hole in his chest because of what had happened to her. To Josie. His Josie, now.
Eloisa James (Pleasure for Pleasure (Essex Sisters, #4))
No matter how much the inhabitants might try to hide it, there was a savagery about this island, a bloodlust and pride that bound every mother, father, and child in a clannish commitment to the hunt.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
Friendship is not crumbs—you’re not grubbing around for scraps while someone else takes the whole loaf. It’s all I’ve got to give. All right, once I might have had more—but for now, it’s all I’ve got.
Sarah Perry (The Essex Serpent)
The Black homosexual is hard pressed to gain audience among his heterosexual brothers; even if he is more talented, he is inhibited by his silence or his admissions. This is what the race has depended on in being able to erase homosexuality from our recorded history. The "chosen" history. But the sacred constructions of silence are futile exercises in denial. We will not go away with our issues of sexuality. We are coming home. It is not enough to tell us that one was a brilliant poet, scientist, educator, or rebel. Whom did he love? It makes a difference. I can't become a whole man simply on what is fed to me: watered-down versions of Black life in America. I need the ass-splitting truth to be told, so I will have something pure to emulate, a reason to remain loyal.
Essex Hemphill (Ceremonies: Prose and Poetry)
Time was being served behind the walls of Newgate jail, and wasted by philosophers in cafés on the Strand; it was lost by those who wished the past were present, and loathed by those who wished the present past.
Sarah Perry (The Essex Serpent)
Martha says I never looked odder or uglier, but you know I’ve always thought beauty a curse and am more than happy to dispense with it completely. Sometimes I forget that I’m a woman—at least—I forget to THINK OF MYSELF AS A WOMAN. All the obligations and comforts of womanhood seem to have nothing to do with me now. I’m not sure how I am supposed to behave and I’m not sure I would, if I knew.
Sarah Perry (The Essex Serpent)
She'd like to say more, and explain that her years of marriage had so degraded her expectation of happiness that to sit cradling a teacup with no thought for what waited behind the curtains...seemed little short of miraculous.
Sarah Perry (The Essex Serpent)
She'd always thought that a broken heart sounded rather romantic. But in truth it was physical. Her whole chest ached, as if she'd been struck with a knife. With all her witless calculations about how to make a man desire her, she'd never realized that the most important thing was to make him like her. Or even love her. What a fool she was.
Eloisa James (Kiss Me, Annabel (Essex Sisters, #2))
They sharpen themselves on each other; each by turn is blade and whetstone; when talk falls to faith and reason they argue readily, startling themselves by growing swiftly bad-tempered ('You don't understand!' 'How can I understand when you do not even make attempts at speaking sense?').
Sarah Perry (The Essex Serpent)
I'm afraid that the gift of visiting the past is all that we have. We can revisit it, but only as it happened.
Karen Essex (Dracula in Love)
But she’d learned the humility of scholars: that the more she knew, the more she did not know.
Sarah Perry (The Essex Serpent)
I said I'd go alone, but perhaps that's the point; perhaps we are always alone, no matter the company we keep.
Sarah Perry (The Essex Serpent)
No rational person would intentionally commit an act of evil, for everyone knows that it would bring the wrath of the community upon him. (Socrates)
Karen Essex (Stealing Athena)
The very worst poetry of all perished along with its creator, Paula Nancy Millstone Jennings of Greenbridge, Essex, England, in the destruction of the planet Earth.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
Chase’s ability to adjust his manner of leadership to the needs of his men begs comparison to one of the greatest and most revered leaders of all time, Sir Ernest Shackleton.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
The act of self-expression—through writing a journal or letters—often enables a survivor to distance himself from his fears.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
The windows in her room were open and light was fading on the wall. She said, ‘There may be blood,’ and he said, ‘Better that way – better’; and it was Cora’s mouth he kissed, and Cora’s hand she placed where she wanted it most. Each was only second best: they wore each other like hand-me-down coats.
Sarah Perry (The Essex Serpent)
It is painful to witness the death of the smallest of God’s created beings, much more, one in which life is so vigorously maintained as the Whale! And when I saw this, the largest and most terrible of all created animals bleeding, quivering, dying a victim to the cunning of man, my feelings were indeed peculiar!
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
We felt meditative, and fit for nothing but placid staring. The day was ending in a serenity of still and exquisite brilliance. The water shone pacifically; the sky, without a speck, was a benign immensity of unstained light; the very mist on the Essex marsh was like a gauzy and radiant fabric, hung from the wooded rises inland, and draping the low shores in diaphanous folds.
Joseph Conrad (Heart of Darkness)
I have no language to paint the horrors of our situation. To shed tears was indeed altogether unavailing and withal unmanly yet I was not able to deny myself the relief they served to afford me.
Owen Chase (The Loss of the Ship Essex, Sunk by a Whale)
Modern survival psychologists have determined that this “social”—as opposed to “authoritarian”—form of leadership is ill suited to the early stages of a disaster, when decisions must be made quickly and firmly. Only later, as the ordeal drags on and it is necessary to maintain morale, do social leadership skills become important.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
it is a quote from Mihri Hatun, a lady poet who wrote many centuries ago. 'A talented women is better than a thousand untalented men, and a women of understanding is better than a thousand stupid men.
Karen Essex (Stealing Athena)
at sea, things appear different.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
Do not be controlled by your fear of the future. You will only create a negative reality for yourself.
Brea Essex (Foreshadow (The Shadow Imperium, #1))
The wonderful thing about being a widow is that, really, you’re not obliged to be much of a woman anymore—
Sarah Perry (The Essex Serpent)
We've loved each other so long I've never been a man and not loved her.
Sarah Perry (The Essex Serpent)
American Wedding In america, I place my ring on your cock where it belongs. No horsemen bearing terror, no soldiers of doom will swoop in and sweep us apart. They’re too busy looting the land to watch us. They don’t know we need each other critically. They expect us to call in sick, watch television all night, die by our own hands. They don’t know we are becoming powerful. Every time we kiss we confirm the new world coming. What the rose whispers before blooming I vow to you. I give you my heart, a safe house. I give you promises other than milk, honey, liberty. I assume you will always be a free man with a dream. In america, place your ring on my cock where it belongs. Long may we live to free this dream.
Essex Hemphill (Ceremonies: Prose and Poetry)
A study by psychologists at the University of Essex found that the mere presence of a phone on the table—even if it’s silent—makes those sitting around the table feel more disconnected and disinclined to talk about anything important or meaningful, knowing if they do, they will probably be interrupted.
Kate Murphy (You're Not Listening: What You're Missing and Why It Matters)
Essex was just a shadow in the room, the shadow of a thing I wanted, which was itself a shadow of wanting. But it was unspeakably sweet to feel even that, and terrifying to know how quickly it would pass. A moment inscribed on water, a memory that would fade to grey. I was nothing but a ghost hunter, chasing the wraith of the man I used to be. A beachcomber of my own detritus.
Alexis Hall (Glitterland (Spires, #1))
I am more human than rational.
Karen Essex (Stealing Athena)
I’m dying twice as fast as any other American between eighteen and thirty-five This disturbs me, but I try not to show it in public.
Essex Hemphill
You cannot hide from the truth, Mina. Anytime you try to argue with the truth you lose. Anytime you try to evade it or run away from it, it will find you down the road.
Karen Essex (Dracula in Love)
Did you really think you could carry on like that- you never wanted friends or lovers - you wanted courtiers! What you have on your hands is a peasants' revolt.
Sarah Perry (The Essex Serpent)
But in the end it was purpose I wanted, not achievement—you see the difference?
Sarah Perry (The Essex Serpent)
Male pride, she thinks: the most tender, contemptible thing!
Sarah Perry (The Essex Serpent)
She pulled back, but not abruptly. His eyes were the darkest indigo blue that she had ever seen. She let a faint smile curl on her lips. "You inquire how many kisses of yours would be enough, and more to satisfy me," she said, and was startled to hear a husky catch in her voice. "As many as the grains of Libyan sand that lie between hot Jupiter's oracle… as many…" She paused. The look in his eye had made her forget what she was saying. What came after hot oracle! He didn't look sardonic now, but truly surprised. She had to leave. This was all entirely too intimate and uncomfortable. "Alas," she said, gathering up her skirts again and turning toward the rockslide. "I have quite forgotten the next line, so we shall have to delay this learned discussion." He was at her shoulder in a moment, helping her over the stones. "As many as the stars," he said, conversationally, as if they were talking of gardening, or Romans, or any number of polite topics. "As many as the stars, when the night is still, gazing down on secret human desires.
Eloisa James (Much Ado About You (Essex Sisters, #1))
Nickerson began to understand, as only an adolescent on the verge of adulthood can understand, that the carefree days of childhood were gone forever: “Then it was that I, for the first time, realized that I was alone upon a wide and an unfeeling world . . . without one relative or friend to bestow one kind word upon me.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
Don't write. Don't come. I don't need it. It's not why I've written. Do you think my love will starve without your crumbs? Do you think I am not capable of humility? THIS is humility - I will tell you that I love you and know that you cannot return it. I will debase myself. It's the most that I can give and cannot be enough.
Sarah Perry (The Essex Serpent)
She gave a sigh and turned to meet Rafe's sardonic glance. "He's not for you," Rafe said, leaning close to her. "I can't think what you mean," Imogen said loftily, accepting a glass of lemonade from Brinkley. "You know precisely what I mean, you little witch," Rafe said, and there wasn't even a gleam of amusement in his eyes. "You mean to have him, don't you? I've seen that look in your eyes before. That look has had you in trouble before.
Eloisa James (The Taming of the Duke (Essex Sisters, #3))
The sperm whales’ network of female-based family units resembled, to a remarkable extent, the community the whalemen had left back home on Nantucket. In both societies the males were itinerants. In their dedication to killing sperm whales the Nantucketers had developed a system of social relationships that mimicked those of their prey.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
The day was ending in a serenity of still and exquisite brilliance. The water shone pacifically; the sky, without a speck, was a benign immensity of unstained light; the very mist on the Essex marshes was like a gauzy and radiant fabric, hung from the wooded rises inland, and draping the low shores in diaphanous folds. Only the gloom to the west, brooding over the upper reaches, became more sombre every minute, as if angered by the approach of the sun.
Joseph Conrad (Heart of Darkness)
She was keen on the idea that a strong mind, enforced with a strong will, could overcome any difficulty.
Karen Essex (Stealing Athena)
There was a saying on the island: "[I]t is a pity to spoil a good mate by making him a master.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex)
I have an ally, she thought: he will never let me go. Days passed, and she felt herself split down the middle, a wound that would never heal, and which she would never regret; because of him her heart would always be exposed to wind and weather.
Sarah Perry (The Essex Serpent)
Many activities were forbidden on the Sabbath: work, play, and unnecessary travel. Even minor instances of Sabbath-breaking were punished with much severity. The Essex County Court indicted a man for carrying a burden on the Sabbath, and punished a woman for brewing on the Lord’s Day. When Ebenezer Taylor of Yarmouth, Massachusetts, fell into a forty-foot well, his rescuers stopped digging on Saturday afternoon while they debated whether it was lawful to rescue him on the Sabbath. Other
David Hackett Fischer (Albion's Seed: Four British Folkways in America (America: a cultural history Book 1))
The whaleman’s rule of thumb was that, before diving, a whale blew once for each minute it would spend underwater. Whalemen also knew that while underwater the whale continued at the same speed and in the same direction as it had been traveling before the dive. Thus, an experienced whaleman could calculate with remarkable precision where a submerged whale was likely to reappear.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
Undoubtedly I will receive letters asking about the coney's kiss. The truth is that I made it up. There are many Renaissance jokes about coneys, or rabbits. The word was associated with women, particularly with their sexual parts, and young men in plays tend to boast of their coney-catching ways. I've never read a joke about a coney's kiss: One has to hope that that doesn't reflect a lack of imagination of [sic] the part of sixteenth-century men.
Eloisa James (Kiss Me, Annabel (Essex Sisters, #2))
At some point Ewan had taken off his jacket and rolled up his sleeves. His forearms were bulging with muscle, and his shoulders appeared likely to rip through the thin linen of his shirt. Annabelle swallowed, thinking of Ewan without his shirt at their picnic. He wasn't even breathing hard. "Where do you get all these muscles?" she asked. "Lifting damsels in distress." He grinned at her, and there was a slight lurch as he leaped off the carriage and landed with a splash in the ditch.
Eloisa James (Kiss Me, Annabel (Essex Sisters, #2))
The fine purple cloaks, the holiday garments, elsewhere signs of gayety of mind, are stained with blood and bordered with black. Throughout a stern discipline, the axe ready for every suspicion of treason; “great men, bishops, a chancellor, princes, the king’s relations, queens, a protector kneeling in the straw, sprinkled the Tower with their blood; one after the other they marched past, stretched out their necks; the Duke of Buckingham, Queen Anne Boleyn, Queen Catherine Howard, the Earl of Surrey, Admiral Seymour, the Duke of Somerset, Lady Jane Grey and her husband, the Duke of Northumberland, the Earl of Essex, all on the throne, or on the steps of the throne, in the highest ranks of honor, beauty, youth, genius; of the bright procession nothing is left but senseless trunks, marred by the tender mercies of the executioner.
William Shakespeare (Complete Works of William Shakespeare)
All Renaissance drama, especially the works of Marlowe and Shakespeare, is profoundly concerned with shifting power relations within society. The individual was a new force in relation to the state. The threat of rebellion, of the overturning of established order, was forcefully brought home to the Elizabethan public by the revolt of the Earl of Essex, once the Queen's favourite. The contemporary debate questioned the relationship between individual life, the power and authority of the state, and the establishing of moral absolutes. Where mediaeval drama was largely used as a means of showing God's designs, drama in Renaissance England focuses on man, and becomes a way of exploring his weaknesses, depravities, flaws - and qualities.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
Humanity is as much lacking as decency. Blood, suffering, does not move them. The court frequents bull and bear baitings; Elizabeth beats her maids, spits upon a courtier’s fringed coat, boxes Essex’s ears; great ladies beat their children and their servants. “The sixteenth century,” he says, “is like a den of lions. Amid passions so strong as these there is not one lacking. Nature appears here in all its violence, but also in all its fullness. If nothing has been softened, nothing has been mutilated. It is the entire man who is displayed, heart, mind, body, senses, with his noblest and finest aspirations, as with his most bestial and savage appetites, without the preponderance of any dominant passion to cast him altogether in one direction, to exalt or degrade him. He has not become rigid as he will under Puritanism.
William Shakespeare (Complete Works of William Shakespeare)
Vogon poetry is of course the third worst in the Universe. The second worst is that of the Azgoths of Kria. During a recitation by their Poet Master Grunthos the Flatulent of his poem “Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning” four of his audience died of internal hemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos is reported to have been “disappointed” by the poem’s reception, and was about to embark on a reading of his twelve-book epic entitled My Favorite Bathtime Gurgles when his own major intestine, in a desperate attempt to save life and civilization, leaped straight up through his neck and throttled his brain. The very worst poetry of all perished along with its creator, Paula Nancy Millstone Jennings of Greenbridge, Essex, England, in the destruction of the planet Earth.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
Essex raised its ugly head. When i was a scholarship boy at the local grammar, son of a city-hall toiler on the make, this country was synonymous with liberty, success, and Cambridge. Now look at it. Shopping malls and housing estates pursue their creeping invasion of our ancient land. A North Sea wind snatched frilly clouds in its teeth and scarpered off to the midlands. The countryside proper began at last. My mother had a cousin out here, her family had a big house. I think they moved to Winnipeg for a better life. There! There, in the shadow of that DIY warehouse, once stood a row of walnut trees where me and Pip Oakes - a childhood chum who died aged thirteen under the wheels of an oil tanker - varnished a canoe one summer and sailed it alone the Say. Sticklebacks in jars,. There, right there, around that bend we lit a fire and cooked beans and potatoes wrapped in silver foil! Come back, oh, come back! Is one glimpse all I get?
David Mitchell (Cloud Atlas)
[...] The idea of honor in battle has been passed down for generations. It went from Greece to Rome, to the medieval world and the Crusades. It was beloved of Sir Philip Sidney, Essex and Southampton [...]. In many ways, the British Empire was founded on it [...] The idea came to a halt in the First World War [...] The poets, led by Wilfred Owen, told the truth about it "[...] The old lie : 'Dulce el decorum est pro patria mori'. [...]Henry IV Part I is a play with much "honor". Honor is its central theme. So let's examine Henry IV Part I for a moment, to understand the ingredients of "honor". [...] You will notice there are not many women in these plays [about honor]-and when they appear, they are usually whores or faifthful wives. Honor is not a woman's story[...] 'What is honour? A word', (...) a mere scutcheon" [says] Falstaff's iconoclasm and truthful vision about honor. {...]There are several things we can see in all this. The first is that war is a man´s game, it is intolerable, and the only way you can get people to do it is to make the alternative seem a hundred times worse [...] Therefore, valor must be glorified, if not deified. [...]
Tina Packer (Women of Will: Following the Feminine in Shakespeare's Plays)
POLLARD had known better, but instead of pulling rank and insisting that his officers carry out his proposal to sail for the Society Islands, he embraced a more democratic style of command. Modern survival psychologists have determined that this “social”—as opposed to “authoritarian”—form of leadership is ill suited to the early stages of a disaster, when decisions must be made quickly and firmly. Only later, as the ordeal drags on and it is necessary to maintain morale, do social leadership skills become important. Whalemen in the nineteenth century had a clear understanding of these two approaches. The captain was expected to be the authoritarian, what Nantucketers called a fishy man. A fishy man loved to kill whales and lacked the tendency toward self-doubt and self-examination that could get in the way of making a quick decision. To be called “fishy to the backbone” was the ultimate compliment a Nantucketer could receive and meant that he was destined to become, if he wasn’t already, a captain. Mates, however, were expected to temper their fishiness with a more personal, even outgoing, approach. After breaking in the green hands at the onset of the voyage—when they gained their well-deserved reputations as “spit-fires”—mates worked to instill a sense of cooperation among the men. This required them to remain sensitive to the crew’s changeable moods and to keep the lines of communication open. Nantucketers recognized that the positions of captain and first mate required contrasting personalities. Not all mates had the necessary edge to become captains, and there were many future captains who did not have the patience to be successful mates. There was a saying on the island: “[I]t is a pity to spoil a good mate by making him a master.” Pollard’s behavior, after both the knockdown and the whale attack, indicates that he lacked the resolve to overrule his two younger and less experienced officers. In his deference to others, Pollard was conducting himself less like a captain and more like the veteran mate described by the Nantucketer William H. Macy: “[H]e had no lungs to blow his own trumpet, and sometimes distrusted his own powers, though generally found equal to any emergency after it arose. This want of confidence sometimes led him to hesitate, where a more impulsive or less thoughtful man would act at once. In the course of his career he had seen many ‘fishy’ young men lifted over his head.” Shipowners hoped to combine a fishy, hard-driving captain with an approachable and steady mate. But in the labor-starved frenzy of Nantucket in 1819, the Essex had ended up with a captain who had the instincts and soul of a mate, and a mate who had the ambition and fire of a captain. Instead of giving an order and sticking with it, Pollard indulged his matelike tendency to listen to others. This provided Chase—who had no qualms about speaking up—with the opportunity to impose his own will. For better or worse, the men of the Essex were sailing toward a destiny that would be determined, in large part, not by their unassertive captain but by their forceful and fishy mate.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
About two years ago," Cymbra went on, "Wolf conceived the idea of an alliance between Norse and Saxon to stand against the Danes.He thought such an alliance would be best confirmed by a marriage between himself and me.This did he propose in a letter to my brother. With the help of a traitorous house priest, Father Elbert, Daria intercepted that letter and stole Hawk's seal as well. She sent back to Wolf a refusal in Hawk's name and mine that not merely rejected the alliance but also insulted him deeply. His repsonse was all too predictable, although it is certain Daria herself never thought of it." "What did he do?" Rycca asked,trying very hard not to sound breathless. Cymbra smiled in fond memory. "Wolf came to Essex and took me by stealth. We were married as I told you and only then did he send word to Hawk as to where I could be found. Naturally, my brother was very angry and concerned. He came to Sciringesheal, where I did my utmost to convince him that I was happily wed,which certainly was true but unfortunately he did not believe. So are men ever stubborn. One thing led to another and Hawk spirited me back to Essex. Winter set in and it was months before Wolf could follow.During that time, Hawk realized his mistake. Once Wolf arrived, all was settled amicably, which was a good thing because this little one"-she smiled at her drowsy son-"had just been norn and I was in no mood to put up with any more foolishness on the part of bull-headed men. It was while we were at Hawkforte, waiting as I regained strength to return home, that Wolf suggested Hawk and Dragon should also make marriages for the alliance." "Such suggestion I am sure they both heartily welcomed," Rycca said sardonically. Cymbra laughed. "About as much as they would being boiled in oil.Hawk was especially bad. He had been married years ago when he was very young and had no good memories of the experience. But I must say, Krysta brought him round in far shorter time than I would have thought possible." "Do you have any idea how she did it?" Rycca ventured,hoping not to sound too desperately curious. "Oh,I know exactly how." Cymbra looked at her new sister-in-law and smiled. "She loved him." "Loved him? That was all it took?" "Well,to be fair,I think she also maddened, irked, frustrated, and bewildered him. All that certainly helped.But I will leave Krysta to tell her own story,as I am sure she will when opportunity arises.
Josie Litton (Come Back to Me (Viking & Saxon, #3))