Essential Piece Quotes

The essential act of war is destruction, not necessarily of human lives, but of the products of human labour. War is a way of shattering to pieces, or pouring into the stratosphere, or sinking in the depths of the sea, materials which might otherwise be used to make the masses too comfortable, and hence, in the long run, too intelligent.

The same wind that uproots trees makes the grass shine. The lordly wind loves the weakness and the lowness of grasses. Never brag of being strong. The axe doesn't worry how thick the branches are. It cuts them to pieces. But not the leaves. It leaves the leaves alone.

The mother is the most essential piece on the board, the one you must protect. Only she has the range. Only she can move in multiple directions. Once she's gone, it's a whole different game.

The whole world is, to me, very much "alive" - all the little growing things, even the rocks. I can't look at a swell bit of grass and earth, for instance, without feeling the essential life - the things going on - within them. The same goes for a mountain, or a bit of the ocean, or a magnificent piece of old wood.

So often, we want to be part of the big picture and “understand” what all the hassle is about in our lives. We feel we are missing out on the essential pieces of the puzzle, permanently struggling with the confrontation of the absence of awareness. Still, so often, we do not make the time nor have the guts to take the plunge to experience the enlightening inner transformation that gives us the insight we have longed for so badly. ("A character's hidden sides ")

You know, the most amazing thing happened to me tonight... I saw a car with the license plate ARW 357. Can you imagine? Of all the millions of license plates in the state, what was the chance that I would see that particular one tonight? Amazing!

It gave me hope: if you could make a beautiful piece of art from discarded newspapers and old matchbooks, then it meant that everything had potential. And maybe people were like collages--no matter how broken or useless we felt, we were an essential part of the whole. We mattered.

Lots of people like rainbows. Children make wishes on them, artists paint them, dreamers chase them, but the Aquarian is ahead of everybody. He lives on one. What's more, he's taken it apart and examined it, piece by piece, color by color, and he still believes in it. It isn't easy to believe in something after you know what it's really like, but the Aquarian is essentially a realist, even though his address is tomorrow, with a wild-blue-yonder zip code.

For millions of people, “wealth” amounts to little more than a few weeks’ wages in a checking account or low-interest savings account, a car, and a few pieces of furniture. The inescapable reality is this: wealth is so concentrated that a large segment of society is virtually unaware of its existence, so that some people imagine that it belongs to surreal or mysterious entities. That is why it is so essential to study capital and its distribution in a methodical, systematic way.

Things on a very small scale behave like nothing that you have any direct experience about.

If a law does not work even in one place where it ought to, it is just wrong.

Look! Look at this woman who is both the emergency and the relief. Let me be both (I have no choice). Give in. Fall apart. Look at the pieces. Reassemble. This is the essential movement of my holy flux.

You are not my Marguerite. And yet—you are. This essential thing you share—your soul—that is what I love.” Paul’s smile is sadder and more beautiful than I have ever seen before. “I would love you in any shape, in any world, with any past. Never doubt that.

You can't see yourself. You know what you look like because of mirrors and photographs, but out there in the world, as you move among your fellow human beings, whether strangers or friends or the most intimate beloveds, your own face is invisible to you. You can see other parts of yourself, arms and legs, hands and feet, shoulders and torso, but only from the front, nothing of the back except the backs of your legs if you twist them into the right position, but not your face, never your face, and in the end - at least as far as others are concerned - your face is who you are, the essential fact of your identity. Passports do not contain pictures of hands and feet. Even you, who have lived inside your body for sixty-four years now, would probably be unable to recognize your foot in an isolated photograph of that foot, not to speak of your ear, or your elbow, or one of your eyes in close-up. All so familiar to you in the context of the whole, but utterly anonymous when taken piece by piece. We are all aliens to ourselves, and if we have any sense of who we are, it is only because we live inside the eyes of others.

the only thing that can be predicted is the probability of different events.

Bridget blinked once. “Books do not have souls, sir.” “Those who write them do,” Ferus said. “They leave bits and pieces behind them when they lay down the words, some scraps and smears of their essential nature.” He sniffed. “Most untidy, really—but assemble enough scraps and one might have something approaching a whole.” “You believe that the library has a soul,” Bridget said carefully. “I do not believe it, young lady,” Ferus said rather stiffly. “I know it.

It is not for nothing that you are named Ransom,” said the Voice... The whole distinction between things accidental and things designed, like the distinction between fact and myth, was purely terrestrial. The pattern is so large that within the little frame of earthly experience there appear pieces of it between which we can see no connection, and other pieces between which we can. Hence we rightly, for our sue, distinguish the accidental from the essential. But step outside that frame and the distinction drops down into the void, fluttering useless wings. He had been forced out of the frame, caught up into the larger pattern… “My name also is Ransom,” said the Voice.

I think, however, that there isn't any solution to this problem of education other than to realize that the best teaching can be done only when there is a direct individual relationship between a student and a good teacher --- a situation in which the student discusses the ideas, thinks about the things, and talks about the things.

There is almost no country in Africa where it is not essential to know to which tribe, or which subgroup of which tribe, the president belongs. From this single piece of information you can trace the lines of patronage and allegiance that define the state.

He lay on top of me, buried deep, and fell asleep. He slept all night like that, and I did not move him, did not want to. I gasped breath in and out and closed my eyes and thought that I would never forget this feeling, of him on me and in me, of him consuming my soul and letting me go. He was too callous, too far gone to realize that I'd never be free of him, and all he'd really done was set me adrift. I never left that bed. That feeling of helpless abandonment and unendurable longing stayed inside of me, for hours, for minutes, for weeks. For years. I went through my life, through tragedy and pain, through hardship and life, and my heart, my very sould, stayed in that bed. I felt broken after that last encounter. Pieces of me had been shattered on that bed, important, essential pieces, and they would not, could not, ever find their way back together. But I kept going. Life is cruel like that.

Gossiping is essential for survival because the complex mechanics of social interactions are constantly changing, so we have to make sense of this ever-shifting social terrain. This is Level II consciousness at work. But once we hear a piece of gossip, we immediately run simulations to determine how this will affect our own standing in the community, which moves us to Level III consciousness. Thousands of years ago, in fact, gossip was the only way to obtain vital information about the tribe. One’s very life often depended on knowing the latest gossip.

...my house contains every useless thing in the world. it lacks only the one essential, a piece of sky like this one...

It’s an essential part of becoming more creative. Expand your interests in life. Seek out new, interesting experiences, no matter how mundane or inconsequential they might seem to others. Read books, watch documentaries, and discuss your ideas with others. No subject, no matter how specialized or esoteric, is off limits. You never know where your imagination will find pieces for its puzzles.

The uncertainty principle “protects” quantum mechanics. Heisenberg recognized that if it were possible to measure the momentum and the position simultaneously with a greater accuracy, the quantum mechanics would collapse. So he proposed that it must be impossible.

You know, I couldn’t do it. I couldn’t reduce it to the freshman level. That means we really don’t understand it.

How ... how fragile situations are. But not tenuous. Delicate, but not flimsy, not indulgent. Delicate, that's why they keep breaking, they must break and you must get the pieces together and show it before it breaks again, or put them aside for a moment when something else breaks and turn to that, and all this keeps going on. That's why most writing now, if you read it they go on one two three four and tell you what happened like newspaper accounts, no adjectives, no long sentences, no tricks they pretend, and they finally believe that they really believe that the way they saw it is the way it is ... it never takes your breath away, telling you things you already know, laying everything out flat, as though the terms and the time, and the nature and the movement of everything were secrets of the same magnitude. They write for people who read with the surface of their minds, people with reading habits that make the smallest demands on them, people brought up reading for facts, who know what's going to come next and want to know what's coming next, and get angry at surprises. Clarity's essential, and detail, no fake mysticism, the facts are bad enough. But we're embarrassed for people who tell too much, and tell it without surprise. How does he know what happened? unless it's one unshaven man alone in a boat, changing I to he, and how often do you get a man alone in a boat, in all this ... all this ... Listen, there are so many delicate fixtures, moving toward you, you'll see. Like a man going into a dark room, holding his hands down guarding his parts for fear of a table corner, and ... Why, all this around us is for people who can keep their balance only in the light, where they move as though nothing were fragile, nothing tempered by possibility, and all of a sudden bang! something breaks. Then you have to stop and put the pieces together again. But you never can put them back together quite the same way. You stop when you can and expose things, and leave them within reach, and others come on by themselves, and they break, and even then you may put the pieces aside just out of reach until you can bring them back and show them, put together slightly different, maybe a little more enduring, until you've broken it and picked up the pieces enough times, and you have the whole thing in all its dimensions. But the discipline, the detail, it's just ... sometimes the accumulation is too much to bear.

First figure out why you want the students to learn the subject and what you want them to know, and the method will result more or less by common sense.

When you're traumatized, your sense of self, your individuality, is beaten up. Your skin color, your background, your pain, your hope, your gender, your faith, it's all defiled. Those essential pieces of yourself are stolen. You, as a person, are emptied and flattened, and that violence, that theft, keeps you from embodying a life that feels like your own. To continue to exist, as a whole person, you need to re-create, for yourself, an identity untouched by everything that's been used against you. You need to imagine and build a self out of elements that are not tainted. You need to remake yourself on your own terms.

When things fall apart and we can’t get the pieces back together, when we lose something dear to us, when they whole thing is just not working and we don’t know what to do, this is the time when the natural warmth of tenderness, the warmth of empathy and kindness, are just waiting to be uncovered, just waiting to be embraced. This is our chance to come out of our self-protecting bubble and to realize that we are never alone. This is our chance to finally understand that wherever we go, everyone we meet is essentially just like us. Our own suffering, if we turn toward it, can open us to a loving relationship with the world.

The essential act of war is destruction, not necessarily of human lives, but of the products of human labour. War is a way of shattering to pieces, or pouring into the stratosphere, or sinking into the depths of the sea, materials which might otherwise be used to make the masses too comfortable, and hence, in the long run, too intelligent. Even when weapons of war are not actually destroyed, their manufacture is still a convenient way of expending labour power without producing anything that can be consumed.

Don’t chew your worries, your fear, or your anger. If you chew your planning and your anxiety, it’s difficult to feel grateful for each piece of food. Just chew your food.

Language is music. Written words are musical notation. The music of a piece of fiction establishes the way in which it is to be read, and, in the largest sense, what it means. It is essential to remember that characters have a music as well, a pitch and tempo, just as real people do. To make them believable, you must always be aware of what they would or would not say, where stresses would or would not fall.

Stories are a kind of thing, too. Stories and objects share something, a patina. I thought I had this clear, two years ago before I started, but I am no longer sure how this works. Perhaps a patina is a process of rubbing back so that the essential is revealed, the way that a striated stone tumbled in a river feels irreducible, the way that this netsuke of a fox has become little more than a memory of a nose and a tail. But it also seems additive, in the way that a piece of oak furniture gains over years and years of polishing, and the way the leaves of my medlar shine.

Often they descended to their grave with an ironic smile – for what was there left of them to bury! Only the dross, refuse, vanity, animality that had always weighed them down and that was now consigned to oblivion after having for long been the object of their contempt. But one thing will live, the monogram of their most essential being, a work, an act, a piece of rare enlightenment, a creation: it will live because posterity cannot do without it. In this transfigured form, fame is something more than the tastiest morsel of our egoism, as Schopenhauer called it: it is the belief in the solidarity and continuity of the greatness of all ages and a protest against the passing away of generations and the transitoriness of things.

Those who write them do,” Ferus said. “They leave bits and pieces behind them when they lay down the words, some scraps and smears of their essential nature.” He sniffed. “Most untidy, really—but assemble enough scraps and one might have something approaching a whole.

The pig is converting a tasteless piece of fruit, essentially garbage, into one of the most delicious foods known to man. The pig has to be one of the most successful recycling programs ever. When you think about it, that is more impressive than anything Steve Jobs did.

But an essentially mechanical world would be an essentially meaningless world! Suppose that one assessed the value of a piece of music according to how much of it could be counted, calculated, put into formulas; how absurd such a 'scientific' assessment of music would be! What would one have comprehended, understood, known about it? Nothing, absolutely nothing of what is really 'music' in it!

In a piece called “No More Yes. It’s Either HELL YEAH! Or No,” the popular TED speaker Derek Sivers describes a simple technique for becoming more selective in the choices we make. The key is to put the decision to an extreme test: if we feel total and utter conviction to do something, then we say yes, Derek-style. Anything less gets a thumbs down.

A bit of a blurred vision of a better world. Much of an organizer’s daily work is detail, repetitive and deadly in its monotony. In the totality of things he is engaged in one small bit. It is as though as an artist he is painting a tiny leaf. It is inevitable that sooner or later he will react with “What am I doing spending my whole life just painting one little leaf? The hell with it, I quit.” What keeps him going is a blurred vision of a great mural where other artists—organizers—are painting their bits, and each piece is essential to the total.

The mind...It's an engine essentially. That's what it is. A very delicate, intricate motor. And it's got all these pieces, all these gears and bolts and hinges. And we don't even know what half of them do. But if just one gear slips, just one...Have you thought about that? It's just like a car. No different. One gear slips, one bolt cracks, and the whole system goes haywire. Can you live knowing that?" He tapped his temple. "That it's all trapped in here and you can't get to it and you don't really control it. But it controls you, doesn't it? And if it decides one day that it doesn't feel like coming to work?" He leaned forward and they could see tendons straining in his neck. "Well, then you're pretty much good and fucked, aren't you?

Michelangelo said the best way to judge the essential elements of a sculpture is to throw it down a hill and the unimportant pieces will break away. Sometimes life is like that. It tosses us down a hill. But when we reach the bottom and only the important things are left, that's when our vision clears. That's when we hold on tight to what we know, while hope stirs inside us. It's all a matter of perspective.

The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your artwork that soars. One of the basic and difficult lessons every artist must learn is that even the failed pieces are essential. X-rays of famous paintings reveal that even master artists sometimes made basic mid-course corrections (or deleted really dumb mistakes) by overpainting the still-wet canvas. The point is that you learn how to make your work by making your work, and a great many of the pieces you make along the way will never stand out as finished art. The best you can do is make art you care about — and lots of it!

History was a subject that bored me in middle and high school, but I devoured it now. It seemed to hold some of the essential pieces to the identity questions I was asking. How could I know who I was if I didn't have a clue as to where I'd personally and collectively come from? What does it mean to be an American is all caught up in what did it mean to be one. Only some combination of those answers could lead you to what it might mean to be an American.

I think the educational and psychological studies I mentioned are examples of what I would like to call cargo cult science. In the South Seas there is a cargo cult of people. During the war they saw airplanes land with lots of good materials, and they want the same thing to happen now. So they’ve arranged to make things like runways, to put fires along the sides of the runways, to make a wooden hut for a man to sit in, with two wooden pieces on his head like headphones and bars of bamboo sticking out like antennas—he’s the controller—and they wait for the airplanes to land. They’re doing everything right. The form is perfect. It looks exactly the way it looked before. But it doesn’t work. No airplanes land. So I call these things cargo cult science, because they follow all the apparent precepts and forms of scientific investigation, but they’re missing something essential, because the planes don’t land.

So we see that what looks like a dead, uninteresting thing—a glass of water with a cover, that has been sitting there for perhaps twenty years—really contains a dynamic and interesting phenomenon which is going on all the time. To

A Given The drum we hear inside us now we may not hear tomorrow. We have such fear of what comes next. Death. These loves are like pieces of cotton. Throw them in the fire. Death will be a meeting like that flaring up, a presence you have always wanted to be with. This body and this universe keep us from being free. Those of you decorating your cells so beautifully, do you think they won't be torn down? The eventual demolishing of prisons is a given. Fire-change, disaster-change, you can trust that those will come around to you.

Ignorant: a state of not knowing what a pronoun is, or how to find the square root of 27.4, and merely knowing childish and useless things like which of the seventy almost identical-looking species of the purple sea snake are the deadly ones, how to treat the poisonous pith of the Sago-sago tree to make a nourishing gruel, how to foretell the weather by the movements of the tree-climbing Burglar Crab, how to navigate across a thousand miles of featureless ocean by means of a piece of string and a small clay model of your grandfather, how to get essential vitamins from the liver of the ferocious Ice Bear, and other such trivial matters. It’s a strange thing that when everyone becomes educated, everyone knows about the pronoun but no one knows about the Sago-sago.

Stories and objects share something, a patina...Perhaps patina is a process of rubbing back so that the essential is revealed...But it also seems additive, in the way that a piece of oak furniture gains over years and years of polishing.

If one cannot see gravitation acting here, he has no soul.

The power of instruction is seldom of much efficacy except in those happy dispositions where it is almost superfluous.” (Gibbon)

there is an expanding frontier of ignorance.

Perhaps, and perhaps not.

We do not know what the rules of the game are; all we are allowed to do is to watch the playing. Of course, if we watch long enough, we may eventually catch on to a few of the rules.

This specialty of reducing deep ideas to simple, understandable terms is evident throughout The Feynman Lectures on Physics, but nowhere more so than in his treatment of quantum mechanics.

We cannot do it in this way for two reasons. First, we do not yet know all the basic laws: there is an expanding frontier of ignorance. Second, the correct statement of the laws of physics involves some very unfamiliar ideas which require advanced mathematics for their description. Therefore,

I feel about Olenka the way I think God might. I know so much about her. Nothing has been hidden from me. It’s rare, in the real world, that I get to know someone so completely. I’ve known her in so many modes: a happy young newlywed and a lonely old lady; a rosy, beloved darling and an overlooked, neglected piece of furniture, nearly a local joke; a nurturing wife and an overbearing false mother. And look at that: the more I know about her, the less inclined I feel to pass a too-harsh or premature judgment. Some essential mercy in me has been switched on. What God has going for Him that we don’t is infinite information. Maybe that’s why He’s able to, supposedly, love us so much.

The coyly nicknamed explosive Key4 had been developed by Special Forces specifically for opening locked doors with minimal collateral damage. Consisting primarily of cyclotrimethylenetrinitramine with a diethylhexyl plasticizer, it was essentially a piece of C-4 rolled into paper-thin sheets for insertion into doorjambs. In the case of the library’s reading room, the explosive had worked perfectly.

Discomfort is a pain. Boredom is a pain. A perfect piece of music can reduce us to tears. Every one of these pains is essential to the growth of the soul. Pain is part of the beauty of life. It enriches us.

You don’t think all this weeping makes me weak?” “No. I think it makes you brave, because it also makes you soft, and sweet, and honest. And those might not be parts of yourself that you value—or other people see as valuable—but those are the real, raw, essential pieces of you. You deserve to share them with someone, and if that’s me, I’m honored to be that person. I will always, always treasure this side of you.

The many ... whom one chooses to call the people, are indeed a collection, but only as a multitude, a formless mass, whose movement and action would be elemental, irrational, savage, and terrible." "Public opinion deserves ... to be esteemed as much as to be despised; to be despised for its concrete consciousness and expression, to be esteemed for its essential fundamental principle, which only shines, more or less dimly, through its concrete expression." "The definition of the freedom of the press as freedom to say and write what one pleases, is parallel to the one of freedom in general, viz., as freedom to do what one pleases. Such a view belongs to the uneducated crudity and superficiality of naïve thinking." "In public opinion all is false and true, but to discover the truth in it is the business of the great man. The great man of his time is he who expresses the will and the meaning of that time, and then brings it to completion; he acts according to the inner spirit and essence of his time, which he realizes. And he who does not understand how to despise public opinion, as it makes itself heard here and there, will never accomplish anything great." "The laws of morality are not accidental, but are essentially Rational. It is the very object of the State that what is essential in the practical activity of men, and in their dispositions, should be duly recognized; that it should have a manifest existence, and maintain its position. It is the absolute interest of Reason that this moral Whole should exist; and herein lies the justification and merit of heroes who have founded states - however rude these may have been." "Such are all great historical men, whose own particular aims involve those large issues which are the will of the World Spirit. ... World historical men - the Heroes of an epoch - must be recognized as its clear-sighted ones; their deeds, their words are the best of that time. Great men have formed purposes to satisfy themselves, not others." "A World-Historical individual is devoted to the One Aim, regardless of all else. It is even possible that such men may treat other great, even sacred interests inconsiderately; conduct which is indeed obnoxious to moral reprehension. But so mighty a form must trample down many an innocent flower or crush to pieces many an object in its path.

If instead of arranging the atoms in some definite pattern, again and again repeated, on and on, or even forming little lumps of complexity like the odor of violets, we make an arrangement which is always different from place to place, with different kinds of atoms arranged in many ways, continually changing, not repeating, how much more marvelously is it possible that this thing might behave? Is it possible that that "thing" walking back and forth in front of you, talking to you, is a great glob of these atoms in a very complex arrangement, such that the sheer complexity of it staggers the imagination as to what it can do? When we say we are a pile of atoms, we do not mean we are merely a pile of atoms, because a pile of atoms which is not repeated from one to the other might well have the possibilities which you see before you in the mirror.

The essential act of war is destruction, not necessarily of human lives, but of the products of human labor. War is a way of shattering to pieces, or pouring into the stratosphere, or sinking in the depths of the sea, materials which might otherwise be used to make the masses too comfortable, and hence, in the long run, too intelligent.

They walked back to the chopping block, Claire carrying the crab in her hands. Helen paused. "You know, I'd like to ask you something a friend asked me once, if you don't think it's too personal." "What is it?" "What do you do that makes you happy? Just you?" Claire looked at Helen for a moment and thought, the crab resting on the block beneath her hands. "I was just wondering," Helen continued. "No one ever asked me when I was your age, and I think it's a good thing to think about." Claire nodded. Then she took the cleaver and cut the crab into ten pieces.

To our eyes, our crude eyes, nothing is changing, but if we could see it a billion times magnified, we would see that from its own point of view it is always changing: molecules are leaving the surface, molecules are coming back.

You might ask why we cannot teach physics by just giving the basic laws on page one and then showing how they work in all possible circumstances, as we do in Euclidean geometry, where we state the axioms and then make all sorts of deductions. (So,

In the years before 1920, the picture of space as a three-dimensional space, and of time as a separate thing, was changed by Einstein, first into a combination which we call space-time, and then still further into a curved space-time to represent gravitation.

...she knew that in all stories she must be left out-the life she had made for herself was a life of flight, of discarding the inessential and the essential alike, making use of the stolen pieces and memories, retreating to the lost moments of other people's lives.

Much has been written on the excellence of bats' navigation equipment. It is all false. Tropical bats spend their entire time flying into obstacles with a horrible thudding noise. They specialize in slamming into walls and falling, fluttering onto your face. As my own 'piece of equipment essential for the field' I would strongly recommend a tennis racket; it is devastatingly effective in clearing a room of bats.

By design McCandless came into the country with insufficient provisions, and he lacked certain pieces of equipment deemed essential by many Alaskans: a large-caliber rifle, map and compass, an ax. This has been regarded as evidence not just of stupidity but of the even greater sin of arrogance.

I'm often asked by my colleagues, of certain funny or strange words, "Is this a real word?" Of course it is - you just used it. It was crafted using characters that create a sound we both recognize and a meaning we both understand. It is not a hologram; we can write it on a piece of paper and hold it close to us for as long as we'd like. It will not dissolve into thin air. We are simply never going to live in a world in which new words aren't regularly emerging and shifting in use.

This is the reason why it's insufficient to respond with accusations of being 'offended,' to say that anyone who disagrees with these pieces is not obliged to read them and can take their support elsewhere. Trans people may choose not to consume transphobic media; we have no choice about living in a world shaped by the misinformation.

The essential act of war is destruction, not necessarily of human lives, but of the products of human labor. War is a way of shattering to pieces, or pouring into the stratosphere, or sinking in the depths of the sea, materials which might otherwise be used to make the masses too comfortable, and hence, in the long run, too intelligent. Even

This morning there wasn’t a cloud in the sky; the sun was in the valley and all things were rejoicing, except man. He looked at this wondrous earth and went on with his labor, his sorrow and passing pleasures. He had no time to see; he was too occupied with his problems, with his agonies, with his violence. He doesn’t see the tree and so he cannot see his own travail. When he’s forced to look, he tears to pieces what he sees, which he calls analysis, runs away from it or doesn’t want to see. In the art of seeing lies the miracle of transformation, the transformation of what is. The “what should be” never is. There’s vast mystery in the act of seeing. This needs care, attention, which is love.

And all that borrowed magic?” Des continues. “The process is called cobinding, and though Typhus made it sound cavalier and impersonal, it’s not like that,” Des says. I stare down at my fae wine. “Then how is it?” “Remember those horcruxes in Harry Potter?” I begin to smile in spite of myself. “Are you seriously dropping an HP reference right here, right now?” I ask, glancing over at Des. “I have your undivided attention, don’t I?” “And all my love.” I mean, I knew he was soulmate material before, but this pretty much just sealed the deal. Des’s face grows serious. “Essentially, when you exchange magic, you’re transferring more than raw energy. You’re moving a piece of yourself as well.” That’s massively creepy.

The essential act of war is destruction, not necessarily of human lives, but of the products of human labor. War is a way of shattering to pieces, or pouring into the stratosphere, or sinking in the depths of the sea, materials which might otherwise be used to make masses too comfortable, and hence, in the long run, too intelligent. Even when weapons of war are not actually destroyed, their manufacture is still a convenient way of expending labor power without producing anything that can be consumed. The war, therefore, if we judge it by the standards of previous wars, is merely an imposture. It is like the battles between certain ruminant animals whose horns are set at such an angle that they are incapable of hurting one another, but though it is unreal it is not meaningless. It eats up the surplus of consumable goods, and it helps to preserve the mental atmosphere that a hierarchical society needs.

Then, with all my being I felt I was wildly, desperately in love. Not only with Maya and her dark locks flying in the wind as she ran. But also with the plants that swayed as she passed, and with that grey, sad sky and the air that smelled of rain. I was even in love with that old piece of farm machinery with flat tyres, sensing that it was quite essential to the harmony that had just been created before my eyes …

And in an essential way, this was what he was most ashamed of: not his poor understanding of sex, not his traitorous racial tendencies, not his inability to separate himself from his parents or make his own money or behave like an autonomous creature. It was that, when he and his colleagues sat there at night, the group of them burrowed deep into their own ambitious dream-structures, all of them drawing and planning their improbable buildings, he was doing nothing. He had lost the ability to imagine anything. And so every evening, while the others created, he copied: he drew buildings he had seen on his travels, buildings other people had dreamed and constructed, buildings he had lived in or passed through. Again and again, he made what had already been made, not bothering to improve them, just mimicking them. He was twenty-eight; his imagination had deserted him; he was a copyist. It frightened him. JB had his series. Jude had his work, Willem had his. But what if Malcolm never again created anything? He longed for the years when it was enough to simply be in his room with his hand moving over a piece of graph paper, before the years of decisions and identities, when his parents made his choices for him, and the only thing he had to concentrate on was the clean blade stroke of a line, the ruler's perfect knife edge.

He stared fixedly at the opposite bank where an angler was fishing, his line perfectly still. All of a sudden the man jerked out of the water a little sliver fish which wriggled at the end of his line. Twisting and turning it this way and that he tried to extract his hook, but in vain. Losing patience he started pulling and, as he did so, tore out the entire bloody gullet of the fish with parts of its intestines attached. Paul shuddered, feeling himself equally torn apart. It seemed to him that the hook was like his own love and that if he were to tear it out he too would be gutted by a piece of curved wire hooked deep into his essential self at the end of a line held by Madeleine.

What are the nuclei made of, and how are they held together? It is found that the nuclei are held together by enormous forces. When these are released, the energy released is tremendous compared with chemical energy, in the same ratio as the atomic bomb explosion is to a TNT explosion, because, of course, the atomic bomb has to do with changes inside the nucleus, while the explosion of TNT has to do with the changes of the electrons on the outside of the atoms.

The wheat field needs clouds and sunshine. So in this slice of bread there is sunshine, there is cloud, there is the labor of the farmer, the joy of having flour, and the skill of the baker and then—miraculously!—there is the bread. The whole cosmos has come together so that this piece of bread can be in your hand. You don’t need to do a lot of hard work to get this insight. You only need to stop letting your mind carry you away with worrying, thinking, and planning.

Chaos theory says that even a small change in initial conditions can lead to wildly unpredictable results. A butterfly flaps her wings now and a hurricane forms in the future. Still. I think if I could just find the moment, I could take it apart piece by piece, molecule by molecule, until I got down to the atomic level, until I got to the part that was inviolate and essential. If I could take it apart and understand it then maybe I could make just exactly the right change.

Because you took advantage of a sinner because you took advantage because you took because you took advantage of my disadvantage … “That’s good, you know. That’s damned good.” … when I stood Adam-naked before a federal law and all its stinging stars “Oh, grand stuff!” … Because you took advantage of a sin when I was helpless moulting moist and tender hoping for the best dreaming of marriage in a mountain state aye of a litter of Lolitas … “Didn’t get that.” Because you took advantage of my inner essential innocence because you cheated me— “A little repetitious, what? Where was I?” Because you cheated me of my redemption because you took her at the age when lads play with erector sets “Getting smutty, eh?” a little downy girl still wearing poppies still eating popcorn in the colored gloam where tawny Indians took paid croppers because you stole her from her wax-browed and dignified protector spitting into his heavy-lidded eye ripping his flavid toga and at dawn leaving the hog to roll upon his new discomfort the awfulness of love and violets remorse despair while you took a dull doll to pieces and threw its head away because of all you did because of all I did not you have to die

They’d talked about the past in their bits-and-pieces way. Never all at once, never one big end-up-crying-and-hugging moment, but a constant brushing up of the past, reexamining actions and decisions and beliefs, offering apologies, forgiveness. All of it had brought them closer to who they were, who they’d always been. Mother and daughter. Their essential, immutable bond—fragile enough to snap at a harsh word a long time ago, durable enough to survive death itself. “Mommy! There you are,” MJ

When it comes to academic life, Lewis favours the same less-is-more approach. Get plenty of rest and relaxation, he says, and be sure to cultivate the art of doing nothing. “Empty time is not a vacuum to be filled,” writes the dean. “It is the thing that enables the other things on your mind to be creatively rearranged, like the empty square in the 4 × 4 puzzle that makes it possible to move the other fifteen pieces around.” In other words, doing nothing, being Slow, is an essential part of good thinking.

The essential act of war is destruction, not necessarily of human lives, but of the products of human labour. War is a way of shattering to pieces, or pouring into the stratosphere, or sinking in the depths of the sea, materials which might otherwise be used to make the masses too comfortable, and hence, in the long run, too intelligent. Even when weapons of war are not actually destroyed, their manufacture is still a convenient way of expending labour power without producing anything that can be consumed.

WORKSHOP 1. Read your writing aloud to a friend. Ask, “Does this sound like me?” Discuss the response. 2. After rereading your work, make a list of adjectives that define your voice, such as heavy or aggressive, ludicrous or tentative. Now try to identify the evidence in your writing that led you to these conclusions. 3. Read a draft of a story aloud. Can you hear problems in the story that you could not see? 4. Save the work of writers whose voices appeal to you. Consider why you admire the voice of a particular writer. How is it like your voice? How is it different? In a piece of freewriting, imitate that voice.

Limits on people's capacities to conduct activities that are essential to everyday life are imposed by structural and systemic barriers. These barriers are part of a social system that regards some bodies as "normal" and some as "other", rather than considering a broad range of bodies and possibilities, for example when designing a building or piece of furniture. This relegates people with disabilities to the status of lesser citizens because of their lack of access. Disability is a byproduct of a society which is organized around only certain bodies which are defined as "normal", in laws, education, institutions, and in popular culture.

Experiment is the sole judge of scientific “truth.” But what is the source of knowledge? Where do the laws that are to be tested come from? Experiment, itself, helps to produce these laws, in the sense that it gives us hints. But also needed is imagination to create from these hints the great generalizations—to guess at the wonderful, simple, but very strange patterns beneath them all, and then to experiment to check again whether we have made the right guess. This imagining process is so difficult that there is a division of labor in physics: there are theoretical physicists who imagine, deduce, and guess at new laws, but do not experiment; and then there are experimental physicists who experiment, imagine, deduce, and guess.

The problem was how to keep the wheels of industry turning without increasing the real wealth of the world. Goods must be produced, but they must not be distributed. And in practice the only way of achieving this was by continuous warfare. The essential act of war is destruction, not necessarily of human lives, but of the products of human labor. War is a way of shattering to pieces, or pouring into the stratosphere, or sinking in the depths of the sea, materials which might otherwise be used to make the masses too comfortable, and hence, in the long run, too intelligent. Even when weapons of war are not actually destroyed, their manufacture is still a convenient way of expending labor power without producing anything that can be consumed.

Mere springs and coils produced the inward movements of our clockwork man. He might be termed a Puritan. One essential dislike, formidable in its simplicity, pervaded his dull soul: he disliked injustice and deception. He disliked their union—they were always together—with a wooden passion that neither had, nor needed, words to express itself. Such a dislike should have deserved praise had it not been a by-product of the man’s hopeless stupidity. He called unjust and deceitful everything that surpassed his understanding. He worshiped general ideas and did so with pedantic aplomb. The generality was godly, the specific diabolical. If one person was poor and the other wealthy it did not matter what precisely had ruined one or made the other rich: the difference itself was unfair, and the poor man who did not denounce it was as wicked as the rich one who ignored it. People who knew too much, scientists, writers, mathematicians, crystalographers and so forth, were no better than kings or priests: they all held an unfair share of power of which others were cheated. A plain decent fellow should constantly be on the watch tor some piece of clever knavery on the part of nature and neighbor.

The many instances of forged miracles, and prophecies, and supernatural events, which, in all ages, have either been detected by contrary evidence, or which detect themselves by their absurdity, prove sufficiently the strong propensity of mankind to the extraordinary and the marvellous, and ought reasonably to beget a suspicion against all relations of this kind. This is our natural way of thinking, even with regard to the most common and most credible events. For instance: There is no kind of report which rises so easily, and spreads so quickly, especially in country places and provincial towns, as those concerning marriages; insomuch that two young persons of equal condition never see each other twice, but the whole neighbourhood immediately join them together. The pleasure of telling a piece of news so interesting, of propagating it, and of being the first reporters of it, spreads the intelligence. And this is so well known, that no man of sense gives attention to these reports, till he find them confirmed by some greater evidence. Do not the same passions, and others still stronger, incline the generality of mankind to believe and report, with the greatest vehemence and assurance, all religious miracles?

if all of this, all the life of a stream of water, can be nothing but a pile of atoms, how much more is possible? If instead of arranging the atoms in some definite pattern, again and again repeated, on and on, or even forming little lumps of complexity like the odor of violets, we make an arrangement which is always different from place to place, with different kinds of atoms arranged in many ways, continually changing, not repeating, how much more marvelously is it possible that this thing might behave? Is it possible that that “thing” walking back and forth in front of you, talking to you, is a great glob of these atoms in a very complex arrangement, such that the sheer complexity of it staggers the imagination as to what it can do? When we say we are a pile of atoms, we do not mean we are merely a pile of atoms, because a pile of atoms which is not repeated from one to the other might well have the possibilities which you see before you in the mirror.

Because you took advantage of a sinner because you took advantage because you took because you took advantage of my disadvantage when I stood Adam-naked before a federal law and all its stinging stars Because you took advantage of a sin when I was helpless moultng moist and tender hoping for the best dreaming of marriage in a mountain state aye of a litter of Lolitas Because you took advantage of my inner essential innocence because you cheated me-- Because you cheated me of my redemption because you took her at the age when lads play with erector sets a little downy girl still wearing poppies still eating popcorn in the colored gloam where tawny Indians took paid croppers because you stole her from her wax-browed and dignified protector spitting into his heavy-lidded eye ripping his flavid toga and at dawn leaving the hog to roll upon his new discomfort the awfulness of love and violets remorse despair while you took a dull doll to pieces and threw its head away because of all you did because of all I did not you have to die

Ionizing radiation takes three principal forms: alpha particles, beta particles, and gamma rays. Alpha particles are relatively large, heavy, and slow moving and cannot penetrate the skin; even a sheet of paper could block their path. But if they do manage to find their way inside the body by other means—if swallowed or inhaled—alpha particles can cause massive chromosomal damage and death. Radon 222, which gathers as a gas in unventilated basements, releases alpha particles into the lungs, where it causes cancer. Polonium 210, a powerful alpha emitter, is one of the carcinogens in cigarette smoke. It was also the poison slipped into the cup of tea that killed former FSB agent Alexander Litvinenko in London in 2006. Beta particles are smaller and faster moving than alpha particles and can penetrate more deeply into living tissue, causing visible burns on the skin and lasting genetic damage. A piece of paper won’t provide protection from beta particles, but aluminum foil—or separation by sufficient distance—will. Beyond a range of ten feet, beta particles can cause little damage, but they prove dangerous if ingested in any way. Mistaken by the body for essential elements, beta-emitting radioisotopes can become fatally concentrated in specific organs: strontium 90, a member of the same chemical family as calcium, is retained in the bones; ruthenium is absorbed by the intestine; iodine 131 lodges particularly in the thyroid of children, where it can cause cancer. Gamma rays—high-frequency electromagnetic waves traveling at the speed of light—are the most energetic of all. They can traverse large distances, penetrate anything short of thick pieces of concrete or lead, and destroy electronics. Gamma rays pass straight through a human being without slowing down, smashing through cells like a fusillade of microscopic bullets. Severe exposure to all ionizing radiation results in acute radiation syndrome (ARS), in which the fabric of the human body is unpicked, rearranged, and destroyed at the most minute levels. Symptoms include nausea, vomiting, hemorrhaging, and hair loss, followed by a collapse of the immune system, exhaustion of bone marrow, disintegration of internal organs, and, finally, death.

Studying the history of our ancestors is instructive. I understand some of my parents’ struggles and sacrifices. I am acquainted with my grandparents and great grandparents’ way of life. The common denominator that runs through their lifeblood is a hardpan of resiliency, courage, and work ethic. They also shared a phenomenal degree of competency essential to make due in an open land where the pioneering spirit meets nature under a big sky full of endless possibilities for triumph and setback. My forebears took care of their family members and tended their ancestral land before the word caretaker was a recognized term for a loving man, woman, or child. Self-reliant people who master the skills essential for survival in a harsh clime also value helping other people who are in a fix. All my predecessors were quick to lend a hand to a neighbor in need. Their ability to see life through the heart was the decisive feature of their pioneering pluck. How we start a day, presages how the day shall unfold. Each day when I awaken, I feel clobbered by the preceding day. At days end, I feel comparable to a chewed on piece of masticated beef. I devote all available personal energy reserves to simply getting by and muss over how I can engender the energy to make it through today’s pulp works. In reality, I go on because akin to every generation that preceded me and every generation that succeeds me, I must continue onward or I will expire. The one fact that keeps me going is the realization that all generations of people struggle. What we share with preceding generations is our heartaches and our willingness to struggle in order to make the world a better place for the next generation.

It could snow We don’t take care. The end of November came without coldness, with haunting and limp rains, pretty much leaves still laying anywhere on the sidewalks. It comes a morning with another grey, compact, closed, air changes its texture. Under the pharmacy green cross the thermometer sticks, in red, two degrees. The number, a bit blurred thins down in the space. We didn’t expect it, but it grows, far inside us, the little sentence. It comes to the lips like a forgotten song: “It could snow …” We should not dare to mention it in loud voice, it is still so much autumn, all could finish in a stupid freezing sudden shower, in a fog of boredom. But the idea of a possible snow came back, it’s what matters. No downhill in a sledge-trash-bag, no snowman, no children shouting,no pictures of landscape metamorphosis. Largely best then all that, because the essential snow is inside the unformulated. Before. Something we didn’t know we knew. Before snow, before love, the same lack, the same dimmed grey which days’ triteness creates pretending to suffocate. We shall cross somebody: - This time it’s almost winter! - Yes we start to be crestfallen! Workers hang pieces of tinsel. We didn’t say too much. Especially do not frighten away the slight shade of the idea. The red thermometer went down, one degree. It could snow.

In the elaborate con that is American electoral politics, the Republican voter has long been the easiest mark in the game, the biggest dope in the room. Everyone inside the Beltway knows this. The Republican voters themselves are the only ones who never saw it. Elections are about a lot of things, but at the highest level, they’re about money. The people who sponsor election campaigns, who pay the hundreds of millions of dollars to fund the candidates’ charter jets and TV ads and 25-piece marching bands, those people have concrete needs. They want tax breaks, federal contracts, regulatory relief, cheap financing, free security for shipping lanes, antitrust waivers and dozens of other things. They mostly don’t care about abortion or gay marriage or school vouchers or any of the social issues the rest of us spend our time arguing about. It’s about money for them, and as far as that goes, the CEO class has had a brilliantly winning electoral strategy for a generation. They donate heavily to both parties, essentially hiring two different sets of politicians to market their needs to the population. The Republicans give them everything that they want, while the Democrats only give them mostly everything. They get everything from the Republicans because you don’t have to make a single concession to a Republican voter. All you have to do to secure a Republican vote is show lots of pictures of gay people kissing or black kids with their pants pulled down or Mexican babies at an emergency room. Then you push forward some dingbat like Michele Bachmann or Sarah Palin to reassure everyone that the Republican Party knows who the real Americans are. Call it the “Rove 1-2.” That’s literally all it’s taken to secure decades of Republican votes, a few patriotic words and a little over-the-pants rubbing. Policywise, a typical Republican voter never even asks a politician to go to second base. While we always got free trade agreements and wars and bailouts and mass deregulation of industry and lots of other stuff the donors definitely wanted, we didn’t get Roe v. Wade overturned or prayer in schools or balanced budgets or censorship of movies and video games or any of a dozen other things Republican voters said they wanted.

here is something that is impossible for anyone to believe. The human species has been in existence as Homo sapiens for (let us not quarrel about the exact total) at least one hundred and fifty thousand years. An instant in evolutionary time, this is nonetheless a vast history when contemplated by primates with brains and imaginations of the dimensions that we can boast. In order to subscribe to monotheistic religion, one must believe that humans were born, struggled, and expired during this time, often dying in childbirth or for want of elementary nurture, and with a life-expectancy of perhaps three decades at most. Add to these factors the turf wars between discrepant groups and tribes, alarming outbreaks of disease, which had no germ theory to explain let alone palliate them, and associated natural disasters and human tragedies. And yet, for all these millennia, heaven watched with indifference and then—and only in the last six thousand years at the very least—decided that it was time to intervene as well as redeem. And heaven would only intervene and redeem in remote areas of the Middle East, thus ensuring that many more generations would expire before the news could begin to spread! Let me send a voice to Sinai and cement a pact with just one tribe of dogged and greedy yokels. Let me lend a son to be torn to pieces because he is misunderstood. . . . Let me tell the angel Gabriel to prompt an illiterate and uncultured merchant into rhetorical flights. At last the darkness that I have imposed will lift! The willingness even to entertain such elaborately mad ideas involves much more than the suspension of disbelief, or the dumb credulity that greets magic tricks. It also involves ignoring or explaining away the many religious beliefs that antedated Moses.

PEOPLE FABRICATE ANGER YOUTH: Yesterday afternoon, I was reading a book in a coffee shop when a waiter passed by and spilled coffee on my jacket. I’d just bought it and it’s my nicest piece of clothing. I couldn’t help it; I just blew my top. I yelled at him at the top of my lungs. I’m not normally the type of person who speaks loudly in public places. But yesterday, the shop was ringing with the sound of my shouting because I flew into a rage and forgot what I was doing. So, how about that? Is there any room for a goal to be involved here? No matter how you look at it, isn’t this behaviour that originates from a cause? PHILOSOPHER: So, you were stimulated by the emotion of anger, and ended up shouting. Though you are normally mild-mannered, you couldn’t resist being angry. It was an unavoidable occurrence, and you couldn’t do anything about it. Is that what you are saying? YOUTH: Yes, because it happened so suddenly. The words just came out of my mouth before I had time to think. PHILOSOPHER: Then just suppose you happened to have had a knife on you yesterday, and when you blew up you just got carried away and stabbed him. Would you still be able to justify that by saying, ‘It was an unavoidable occurrence, and I couldn’t do anything about it’? YOUTH: That … Come on, that’s an extreme argument! PHILOSOPHER: It is not an extreme argument. If we proceed with your reasoning, any offence committed in anger can be blamed on anger, and will no longer be the responsibility of the person because, essentially, you are saying that people cannot control their emotions. YOUTH: Well, how do you explain my anger then? PHILOSOPHER: That’s easy. You did not fly into a rage and then start shouting. It is solely that you got angry so that you could shout. In other words, in order to fulfil the goal of shouting, you created the emotion of anger. YOUTH: What do you mean? PHILOSOPHER: The goal of shouting came before anything else. That is to say, by shouting, you wanted to make the waiter submit to you and listen to what you had to say. As a means to do that, you fabricated the emotion of anger.

Be your own anchor, and sail along the shore of Life with a bunch of smiles. In a whirlwind of a thousand journeys, we flow through Life, as if crossing through an Ocean of an endless voyage. Sometimes we marvel at the ports we glide along, sometimes we chase the waves with our heart and soul, while sometimes we lose our way only to find a lighthouse guiding us along, always catching our breath at the majestic sunrises and sunsets. Our happy moments and connections are like those ports that cross our path while the moments of pain direct our steps to the lighthouse within our soul, as we keep growing ourselves through so many births and deaths of our soul just as the sunrises and sunsets. I want some of you to know and acknowledge the fact that it's absolutely okay to let go, to let the ship of your Life cross the port, because however beautiful that port might be, your journey shouldn't stop, it is not meant to stop. Well, the most brutal yet beautiful truth is, initially everyone stays but eventually no one does. It is brutal because it hurts, it sometimes makes you wonder why it has to end and it's beautiful because everything that ends often ends up gifting you with an invaluable experience filled with beautiful lessons and memories. Understand that it doesn't have to be chaotic, it can be a peaceful goodbye. And even when sometimes it might end in a turmoil, your soul would finally find the grace to give it a closure it demands. Understand that the pain that wrenches your heart in this, gradually tunes your soul to find an anchor, a flicker of Light that is forever guiding you Home. Understand that all of these arrivals and departures, detours and halts are Time's decision to make and we must embrace that with dignity and grace. The essential thing is to keep sailing, by letting go, by simply carrying on with the journey. Halt if you must, but while you halt, don't forget to gaze at how you have grown through each of those very experiences, just as how wonderful the journey gets along the path while you keep passing the ports one after another, steering nearer to the ultimate destination. So wave them a goodbye with a smile of gratitude for helping you in finding a piece of your soul back through a mad jest of pain, to gift you with another step closer to your destination, and sail along the shore of Life with a bunch of smiles.