Erotism Death And Sensuality Quotes

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Beauty is desired in order that it may be befouled; not for its own sake, but for the joy brought by the certainty of profaining it.
Georges Bataille (Erotism: Death and Sensuality)
Our only real pleasure is to squander our resources to no purpose, just as if a wound were bleeding away inside us; we always want to be sure of the uselessness or the ruinousness of our extravagance.
Georges Bataille (Erotism: Death and Sensuality)
Poetry leads to the same place as all forms of eroticism — to the blending and fusion of separate objects. It leads us to eternity, it leads us to death, and through death to continuity. Poetry is eternity; the sun matched with the sea.
Georges Bataille (Erotism: Death and Sensuality)
To put it more precisely, since language is by definition the expression of civilised man, violence is silent. Civilisation and language grew as though violence was something outside. But silence cannot do away with things that language cannot state. Violence is as stubbornly there just as much as death, and if language cheats to conceal universal annihilation, the placid work of time, language alone suffers, language is the poorer, not time and not violence.
Georges Bataille (Erotism: Death and Sensuality)
Let me stress that in this work flights of Christian religious experience and bursts of erotic impulses are seen to be part and parcel of the same movement.
Georges Bataille (Erotism: Death and Sensuality)
Consider the capacity of the human body for pleasure. Sometimes, it is pleasant to eat, to drink, to see, to touch, to smell, to hear, to make love. The mouth. The eyes. The fingertips, The nose. The ears. The genitals. Our voluptific faculties (if you will forgive me the coinage) are not exclusively concentrated here. The whole body is susceptible to pleasure, but in places there are wells from which it may be drawn up in greater quantity. But not inexhaustibly. How long is it possible to know pleasure? Rich Romans ate to satiety, and then purged their overburdened bellies and ate again. But they could not eat for ever. A rose is sweet, but the nose becomes habituated to its scent. And what of the most intense pleasures, the personality-annihilating ecstasies of sex? I am no longer a young man; even if I chose to discard my celibacy I would surely have lost my stamina, re-erecting in half-hours where once it was minutes. And yet if youth were restored to me fully, and I engaged again in what was once my greatest delight – to be fellated at stool by nymphet with mouth still blood-heavy from the necessary precautions – what then? What if my supply of anodontic premenstruals were never-ending, what then? Surely, in time, I should sicken of it. “Even if I were a woman, and could string orgasm on orgasm like beads on a necklace, in time I should sicken of it. Do you think Messalina, in that competition of hers with a courtesan, knew pleasure as much on the first occasion as the last? Impossible. “Yet consider. “Consider pain. “Give me a cubic centimeter of your flesh and I could give you pain that would swallow you as the ocean swallows a grain of salt. And you would always be ripe for it, from before the time of your birth to the moment of your death, we are always in season for the embrace of pain. To experience pain requires no intelligence, no maturity, no wisdom, no slow working of the hormones in the moist midnight of our innards. We are always ripe for it. All life is ripe for it. Always.
Jesus I. Aldapuerta (The Eyes: Emetic Fables from the Andalusian De Sade)
The taboo does not banish the transgression but, on the contrary, depends upon it, just as the transgression depends on the existence of the taboo: “The transgression does not deny the taboo but transcends it and completes it
Georges Bataille (Erotism: Death and Sensuality)
In essence, love raises the feeling of one being for another to such a pitch that the threatened loss of the beloved or the loss of his love is felt no less keenly than the threat of death. Hence love is based on a desire to live in anguish in the presence of an object of such high worth that the heart cannot bear to contemplate losing it. The fever of the senses is not a desire to die. Nor is love the desire to lose but the desire to live in fear of possible loss, with the beloved holding the lover on the very threshold of a swoon. At that price alone can we feel the violence of rapture before the beloved.
Georges Bataille (Erotism: Death and Sensuality)
От само себе си се разбира, че развитието на еротизма с нищо не е външно за областта на религията, но тъкмо християнството, противопоставяйки се на еротизма, е осъдило повечето религии. В някакъв смисъл християнската религия е може би най-нерелигиозната.
Georges Bataille (Erotism: Death and Sensuality)
The lover strips the beloved of her identity no less than the blood-stained priest his human or animal victim.
Georges Bataille (Erotism: Death and Sensuality)
Nous nous approchons du vide, mais ce n'est pas pour y tomber. Nous voulons nous griser de vertige et l'image de la chute y suffit.
Georges Bataille (Erotism: Death and Sensuality)
Our only real pleasure is to squander our resources to no purpose, just as if a wound were bleeding away inside us; we always want to be sure of the uselessness or the ruinousness of our extravagance. We want to feel as remote from the world as we can. As remote as we can: that is hardly strong enough; we want a world turned upside down and inside out. The truth of eroticism is treason. De Sade’s system is the ruinous form of eroticism. Moral isolation means that all breaks are off; it shows what spending can really mean. The man who admits the value of other people necessarily imposes limits upon himself. The respect of man to man leads to a cycle of servitude that allows only for minor moments of disorder and finally ends the respect that their attitude is based on since we are denying the sovereign moment to man in general.
Georges Bataille (Erotism: Death and Sensuality)
Tutku, onu hisseden için bedenlerin arzusundan daha şiddetli bir anlam taşıyabilir. Beraberinde mutluluk umutlarını getirmesine rağmen tutkunun kargaşa ve rahatsızlığa neden olduğunu hiçbir zaman unutmamalıyız. Mutlu tutku bile o kadar şiddetli bir karışıklığa neden olur ki mutluluk haz duyulmasını sağlamadan önce çok büyük olduğu için karşıtına, yani acıya benzer. Tutkunun özü, iki varlığın süreksizliğini mükemmel sürekliliğe dönüştürmektir.
Georges Bataille (Erotism: Death and Sensuality)
Anguish is what makes humankind, it seems; not anguish alone, but anguish transcended and the act of transcending it.
Georges Bataille (Erotism: Death and Sensuality)
If I were to be asked what we are, I should answer: 'We are the door to everything that can be, we are the expectation that no material response can satisfy, no trick with words deceive. We seek the heights. Each one of us can ignore this search if he has a mind to, but mankind as a whole aspires to these heights; they are the only definition of his nature, his only justification and significance.
Georges Bataille (Erotism: Death and Sensuality)
Though a little frightened, she let him have his way, and the reckless, shameless sensuality shook her to her foundations, stripped her to the very last, and made a different woman of her. It was not really love. It was not voluptuousness. It was sensuality sharp and searing as fire, burning the soul to tinder. Burning out the shames, the deepest, oldest shames, in the most secret places. It cost her an effort to let him have his way and his will of her. She had to be a passive, consenting thing, like a slave, a physical slave. Yet the passion licked around her, consuming, and when the sensual flame of it pressed through her bowels and breast, she really thought she was dying: yet a poignant, marvellous death.
D.H. Lawrence (Lady Chatterley's Lover)
Goddess religion was earth-centered, not heaven-centered, of this world not otherworldly, body affirming not body-denying, holistic not dualistic. The Goddess was imminent, within every human being, not transcendent, and humanity was viewed as part of nature, death as part of life. Her worship was sensual, celebrating the erotic, embracing all that was alive.
Elinor Gadon
He preferido ser poco inteligible antes que inexacto
Georges Bataille (Erotism: Death and Sensuality)
No soy un hombre de ciencia en el sentido de que hablo de experiencia interior, no de objetos; pero, en el momento en que hablo de objetos, lo hago como los hombres de ciencia, con el rigor que es inevitable.
Georges Bataille (Erotism: Death and Sensuality)
I know I should never have taken your blood--it was wrong--but it was wrong because I did not tell you what could happen. I knew you were my true lifemate, and my existence could not continue without you. I should have had more control. For that I will pay through all eternity, but it is done. We cannot undo what has already been wrought.” Mikhail finished new poultices, placed them precisely over the wounds to seal them. Her fear, her revulsion, her sense of betrayal, beat at his insides, making him want to weep for her, for both of them. “What I did with you was not the same thing as using a human woman for sex. We did not just have sex; my body recognized you as my lifemate. There was no way I could ignore the call. I would have had to choose to end my life. The ritual demands the exchange of blood. It is not feeding hunger, it is purely a sensual exchange, a beautiful, erotic affirmation of love and trust. The first time I took your blood, I inadvertently took too much because I felt such ecstasy. I was out of control. I was wrong to tie you to me without your understanding of exactly what it all meant. But I allowed you to make the choice. You cannot deny it.” Raven stared up at his face, reading the sorrow in his dark eyes, the fear for her. She wanted to touch him, to ease those lines of strain, to reassure him that she could handle what he was asking of her, but her brain could not accept what he was saying. “I would have chosen death, if you had allowed me to go with you.” He pushed the hair from her face with gentle, caressing fingers. “The only way I could save you was to make you one of us. You chose life.
Christine Feehan (Dark Prince (Dark, #1))