Eros And Civilization Quotes

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The psychoanalytic liberation of memory explodes the rationality of the repressed individual. As cognition gives way to re-cognition, the forbidden images and impulses of childhood begin to tell the truth that reason denies.
Herbert Marcuse (Eros and Civilization: A Philosophical Inquiry into Freud)
I may now add that civilization is a process in the service of Eros, whose purpose is to combine single human individuals, and after that families, then races, peoples and nations, into one great unity, the unity of mankind.
Sigmund Freud (Civilization and Its Discontents)
Every sound reason is on the side of law and order in their insistence that the eternity of joy be reserved for the hereafter, and in their endeavor to subordinate the struggle against death and disease to the never-ceasing requirements of national and international security.
Herbert Marcuse (Eros and Civilization: A Philosophical Inquiry into Freud)
The Orphic symbols center on the singing god who lives to defeat death and who liberates nature, so that the constrained and constraining matter releases the beautiful and playful forms of animate and inanimate things. No longer striving and no longer desiring ‘for something still to be attained,’ they are free from fear and fetter – and thus free per se. The contemplation of Narcissus repels all other activity in the erotic surrender to beauty, inseparably uniting his own existence with nature.
Herbert Marcuse (Eros and Civilization: A Philosophical Inquiry into Freud)
Eros and Ananke [Love and Necessity] have become the parents of human civilization.
Sigmund Freud
Under conditions of a truly human existence, the difference between succumbing to disease at the age of ten, thirty, fifty, or seventy, and dying a "natural" death after a fulfilled life, may well be a difference worth fighting for with all instinctual energy. Not those who die, but those who die before they must and want to die, those who die in agony and pain, are the great indictment against civilization. They also testify to the unredeemable guilt of mankind. Their death arouses the painful awareness that it was unnecessary, that it could be otherwise. It takes all the institutions and values of a repressive order to pacify the bad conscience of this guilt. Once again, the deep connection between the death instinct and the sense of guilt becomes apparent. The silent "professional agreement" with the fact of death and disease is perhaps one of the most widespread expressions of the death instinct -- or, rather, of its social usefulness. In a repressive civilization, death itself becomes an instrument of repression. Whether death is feared as constant threat, or glorified as supreme sacrifice, or accepted as fate, the education for consent to death introduces an element of surrender into life from the beginning -- surrender and submission. It stifles "utopian" efforts. The powers that be have a deep affinity to death; death is a token of unfreedom, of defeat. Theology and philosophy today compete with each other in celebrating death as an existential category: perverting a biological fact into an ontological essence, they bestow transcendental blessing on the guilt of mankind which they help to perpetuate -- they betray the promise of utopia.
Herbert Marcuse (Eros and Civilization: A Philosophical Inquiry into Freud)
The high standard of living in the domain of the great corporations is restrictive in a concrete sociological sense: the goods and services that the individuals buy control their needs and petrify their faculties. In exchange for the commodities that enrich their life, the individuals sell not only their labor but also their free time. The better living is offset by the all-pervasive control over living. People dwell in apartment concentrations- and have private automobiles with which they can no longer escape into a different world. They have huge refrigerators filled with frozen foods. They have dozens of newspapers and magazines that espouse the same ideals. They have innumerable choices, innumerable gadgets which are all of the same sort and keep them occupied and divert their attention from the real issue- which is the awareness that they could both work less and determine their own needs and satisfactions.
Herbert Marcuse (Eros and Civilization: A Philosophical Inquiry into Freud)
Throughout world history, all freedom has been no more than repetitious abolishment of what has already been abolished. There is no end to the killing of weeds.
Warren Eyster (The Goblins of Eros)
Timelessness is the ideal of pleasure.
Herbert Marcuse (Eros and Civilization: A Philosophical Inquiry into Freud)
Feeling the inevitable claim of the this desert, he experienced a desire to throw off his civilized costume, hurl himself upon Josephina, either succumb, or return to Guadalajara, where men could only complain of having too many buttons to button or unbutton...
Warren Eyster (The Goblins of Eros)
Na construção da personalidade, o instinto de destruição manifesta-se com a maior nitidez na formação do superego . Certo, por seu papel defensivo contra os impulsos irrealistas do id, por sua função na conquista duradoura do complexo de Édipo, o superego consolida e protege a unidade do ego, garante o seu desenvolvimento sob o princípio de realidade e, assim, atua a serviço de Eros. Contudo, o superego atinge esses objetivos dirigindo o ego contra o seu id, desviando parte dos instintos de destruição contra uma parte da personalidade destruindo, fragmentando a unidade da personalidade como um todo; assim, atua a serviço do antagonista do instinto de vida. Além disso, essa destrutividade dirigida para dentro constitui o âmago moral da personalidade adulta. A consciência, a mais querida agência moral do indivíduo civilizado, surge-nos impregnada do instinto de morte; o imperativo categórico que o superego impõe continua sendo um imperativo de autodestruição, enquanto constrói a existência social da personalidade. A obra de repressão pertence tanto ao instinto de morte quanto ao instinto de vida. Normalmente, a fusão de ambos é salutar, mas a obstinada severidade do superego ameaça constantemente esse equilíbrio salutar. Quanto mais um homem controla suas tendências agressivas em relação a outros, mais tirânico, isto é, mais agressivo se torna em seu ego-ideal ... mais intensas se tornam as tendências agressivas do seu ego-ideal contra o seu ego. Levada ao extremo, na melancolia, uma pura cultura do instinto de morte pode influir no superego, convertendo este numa espécie de local de reunião para os instintos de morte. Mas esse perigo extremo tem suas raízes na situação normal do ego. Como a ação do ego resulta em uma '... libertação dos instintos agressivos no superego, a sua luta contra a libido expõe-no ao perigo de maus tratos e morte. Ao sofrer os ataques do superego ou talvez ao sucumbir a eles o ego está enfrentando um destino semelhante ao dos protozoários que são destruídos pelos produtos de desintegração que eles próprios criaram.' E Freud acrescenta que do ponto de vista econômico [mental], a moralidade que funciona no superego parece ser um produto similar de desintegração. É nesse contexto que a metapsicologia de Freud se defronta com a dialética fatal da civilização: o próprio progresso da civilização conduz à liberação de forças cada vez mais destrutivas.
Herbert Marcuse (Eros and Civilization: A Philosophical Inquiry into Freud)
Chaos came Eros (Sexual love) and Gaia (Earth). Both are personifications of the driving force behind the acts of procreation through which the Cosmos became populated. In time, Gaia would surround and engulf Chaos itself.
Adonis Kallinikos (Greek Mythology: The History, Stories and Folklore of Gods in Greek Mythology and Ancient Civilization)
From the first three (Chaos, Gaia and Eros) as well as the possible addition of a fourth, Tartarus (the world beneath the earth), came all that exists.
Adonis Kallinikos (Greek Mythology: The History, Stories and Folklore of Gods in Greek Mythology and Ancient Civilization)
Tyche, Chance; and Eros, Love, whom Hesiod made the creator of the world, whom Sappho called “a limb-dissolving, bitter-sweet, impracticable wild beast.
Will Durant (The Life of Greece (Story of Civilization, Vol 2))
At OBSS   An unexpected occurrence did come of this escapade, even though I didn’t care for the program. Andy, you may or may not be aware that Outward Bound teaches interpersonal and leadership skills, not to mention wilderness survival. The first two skillsets were not unlike our education at the Enlightened Royal Oracle Society (E.R.O.S.) or the Dale Carnegie course in which I had participated before leaving Malaya for school in England. It was the wilderness survival program I abhorred. Since I wasn’t rugged by nature (and remain that way to this day), this arduous experience was made worse by your absence. In 1970, OBSS was under the management of Singapore Ministry of Defence, and used primarily as a facility to prepare young men for compulsory ’National Service,’ commonly known as NS. All young and able 18+ Singaporean male citizens and second-generation permanent residents had to register for National Service compulsorily. They would serve either a two-year or twenty-two-month period as Full Time National Servicemen after completing the Outward Bound course. Pending on their individual physical and medical fitness, these young men would enter the Singapore Armed Forces (SAF), Singapore Police Force (SPF), or the Singapore Civil Defense Force (SCDF). Father, through his extensive contacts, enrolled me into the twenty-one-day Outward Bound summer course. There were twenty boys in my class. We were divided into small units under the guidance of an instructor. During the first few days at the base camp, we trained for outdoor recreation activities such as adventure racing, backpacking, cycling, camping, canoeing, canyoning, fishing, hiking, kayaking, mountaineering, horseback riding, photography, rock climbing, running, sailing, skiing, swimming, and a variety of sporting activities.
Young (Turpitude (A Harem Boy's Saga Book 4))
We tend to think of pragmatism and literalism as the main enemies of imagination, but another challenge is the moral antagonism that sees fantasy, dream, and image as contrary to values of work and truth or that wants to judge images as good and appropriate. Imagination doesn’t need new ideas and cleverness nearly as much as it needs freedom from persecution. If there is any cruelty inherent in the work of the artist, it is the effort needed to keep imagination unfettered. Civilization hesitates to allow imagination to roam freely.
Thomas Moore (DARK EROS: Curing the Sadomasochism in Everyday Life)
The lost paradises are the only true ones not because, in retrospect, the past joy seems more beautiful than it really was, but because remembrance alone provides the joy without the anxiety over its passing and thus gives it an otherwise impossible duration. Time loses its power when remembrance redeems the past.
Herbert Marcuse (Eros and Civilization)