Ernie Pyle Quotes

We've searched our database for all the quotes and captions related to Ernie Pyle. Here they are! All 27 of them:

There are no atheists in the foxhole.
Ernie Pyle
To me, the summer wind in the Midwest is one of the most melancholy things in all life. It comes from so far away and blows so gently and yet so relentlessly; it rustles the leaves and the branches of the maple trees in a sort of symphony of sadness, and it doesn't pass on and leave them still. It just keeps coming, like the infinite flow of Old Man River. You could -- and you do -- wear out your lifetime on the dusty plains with that wind of futility blowing in your face. And when you are worn out and gone, the wind -- still saying nothing, still so gentle and sad and timeless -- is still blowing across the prairies, and will blow in the faces of the little men who follow you, forever.
Ernie Pyle
Some day I'd like to cover a war in a country as ugly as war itself.
Ernie Pyle
To My Children, I'm dedicating my little story to you; doubtless you will be among the very few who will ever read it. It seems war stories aren't very well received at this point. I'm told they're out-dated, untimely and as might be expected - make some unpleasant reading. And, as you have no doubt already perceived, human beings don't like to remember unpleasant things. They gird themselves with the armor of wishful thinking, protect themselves with a shield of impenetrable optimism, and, with a few exceptions, seem to accomplish their "forgetting" quite admirably. But you, my children, I don't want you to be among those who choose to forget. I want you to read my stories and a lot of others like them. I want you to fill your heads with Remarque and Tolstoy and Ernie Pyle. I want you to know what shrapnel, and "88's" and mortar shells and mustard gas mean. I want you to feel, no matter how vicariously, a semblance of the feeling of a torn limb, a burnt patch of flesh, the crippling, numbing sensation of fear, the hopeless emptiness of fatigue. All these things are complimentary to the province of War and they should be taught and demonstrated in classrooms along with the more heroic aspects of uniforms, and flags, and honor and patriotism. I have no idea what your generation will be like. In mine we were to enjoy "Peace in our time". A very well meaning gentleman waved his umbrella and shouted those very words...less than a year before the whole world went to war. But this gentleman was suffering the worldly disease of insufferable optimism. He and his fellow humans kept polishing the rose colored glasses when actually they should have taken them off. They were sacrificing reason and reality for a brief and temporal peace of mind, the same peace of mind that many of my contemporaries derive by steadfastly refraining from remembering the War that came before. [excerpt from a dedication to an unpublished short story, "First Squad, First Platoon"; from Serling to his as yet unborn children]
Rod Serling
In Europe we felt that our enemies, horrible and deadly as they were, were still people. ... But out here I soon gathered that the Japanese were looked upon as something subhuman and repulsive; the way some people feel about cockroaches or mice.
Ernie Pyle
A small number of national columnists and commentators in other cities also resisted the California hysteria, among them Ernie Pyle of Scripps Howard and Chester Rowell,
Richard Reeves (Infamy: The Shocking Story of the Japanese American Internment in World War II)
It's alright to have a good opinion of yourself, but we Americans are so smug with our cockiness, we somehow feel that just because we are Americans, we can whip our weight in wildcats.
Ernie Pyle
Dead men by mass production––in one country after another––month after month and year after year. Dead men in winter and dead men in summer. Dead men in such familiar promiscuity that they become monotonous. Dead men in such monstrous infinity that you come almost to hate them. These are the things that you at home need not even try to understand.
Ernie Pyle
Yesterday a sand snake crawled by just outside my tent door, and for the first time in my life I looked upon a snake not with a creeping phobia but with a sudden and surprising feeling of compassion. Somehow I pitied him, because he was a snake instead of a man. And I don't know why I felt that way, for I feel pity for all men too, because they are men. It may be that the war has changed me, along with the rest. It is hard for anyone to analyze himself. I know that I find more and more that I wish to be alone, and yet contradictorily I believe I have a new patience with humanity that I've never had before. When you've lived with the unnatural mass cruelty that mankind is capable of inflicting upon itself, you find yourself dispossessed of the faculty for blaming one poor man for the triviality of his faults. I don't see how any survivor of war can ever be cruel to anything, ever again.
Ernie Pyle (Here is Your War)
No one was a stranger in that crowd. We had all heard FDR's "Fireside Chats" and Edward R. Murrow's "This is London," listened to H.V. Kaltenborn for the evening news, and watched the newsreels before the movies. We'd read Ernie Pyle's columns, planted victory gardens, written V mails, sent care packages, gathered phonograph records for the USO, given up nylon for parachutes, saved bacon grease for explosives, and turned in tin foil, saved from gum wrappers, for ammunition. Most of all, we'd prayed that our loved ones would be safe.
Marjorie Hart (Summer at Tiffany)
The Forty-fifth Division was originally made up largely of men from Oklahoma and West Texas. I didn’t realize how different certain parts of our country are from others until I saw those men set off in a frame, as it were, in a strange, faraway place. The men of Oklahoma are drawling and soft-spoken. They are not smart alecks. Something of the purity of the soil seems to be in them. Even their cussing is simpler and more profound than the torrential obscenities of Eastern city men. An Oklahoman of the plains is straight and direct. He is slow to criticize and hard to anger, but once he is convinced of the wrong of something, brother, watch out. Those
Ernie Pyle (Brave Men)
Among the Allied casualties was Ernie Pyle. “If I ever was brave, I ain’t any more,” he wrote a friend. “I’m so indifferent to everything I don’t even give a damn that I’m in Paris.” The war had become “a flat, black depression without highlights, a revulsion of the mind and an exhaustion of the spirit.” In a final column from Europe, he told his readers, “I have had all I can take for a while. I’ve been twenty-nine months overseas since this war started; have written around seven hundred thousand words about it.… The hurt has finally become too great.” Arriving at Bradley’s headquarters on September 2—“worn out, thin, and badly in need of a shave,” one officer reported—he said goodbye, then sailed home on the Queen Elizabeth, her decks crowded with other wounded. “I feel like I’m running out,” he confessed to another writer. Eight months later, while covering the Pacific war, he would be killed by a Japanese bullet in the head.
Rick Atkinson (The Guns at Last Light: The War in Western Europe 1944-1945 (The Liberation Trilogy))
A bombed building looks like something you have seen before — it looks as though a hurricane had struck. But the sight of thousands of poor, opportunityless people lying in weird positions against cold steel, with all their clothes on, hunched up in blankets, lights shining in their eyes, breathing fetid air — lying there far underground like rabbits, not fighting, not even angry; just helpless, scourged, weakly waiting for the release of another dawn — that, I tell you, is life without redemption.
Ernie Pyle (Ernie Pyle in England)
[O]ur segment of the picture consists only of tired and dirty soldiers who are alive and don't want to die; of long darkened convoys in the middle of the night; of shocked silent men wandering back down the hill from battle; of chow lines and atabrine tablets and foxholes and burning tanks and Arabs holding up eggs and the rustle of high-flown shells; of jeeps and petrol dumps and smelly bedding rolls and C rations and cactus patches and blown bridges and dead mules and hospital tenets and shirt collars greasy-black from months of wearing; and of laughter too, and anger and wine and lovely flowers and constant cussing. All these it is composed of; and of graves and graves and graves.
Ernie Pyle (Here is Your War)
Driving over the island, I had a feeling of far greater antiquity than I got even from looking at the Roman ruins in North Africa. Everything is very old and if only it were clean as well it would be old in a nice, gentle way. Towns sit right smack on the top of needle-point mountain peaks. They were built that way in the old days for protection. Today a motorcar can’t even get up to many of them. In the mountain towns the streets are too narrow for vehicles, the passageways are dirty, and the goat and burro are common. In the very remotest and most ancient town, we found that half the people had relatives in America, and there was always somebody popping up from behind every bush or around every corner who had lived for twelve years in Buffalo or thirty years in Chicago.
Ernie Pyle (Brave Men)
My father was a policeman who fought in World War II. When he talked about 'journalists,' he meant Ernie Pyle. As far as he was concerned, journalists had hair on their chests and wrote about wars.
Steven L. Kent (Long Live the Champion)
Ernie Pyle’s Home Country,
Molly Guptill Manning (When Books Went to War: The Stories That Helped Us Win World War II)
what became known as the “Falaise smell.” Corruption even seeped into Spitfire cockpits at fifteen hundred feet. “Everything is dead,” wrote Ernie Pyle, who had arrived on August 21. “The men, the machines, the animals—and you alone are left alive.
Rick Atkinson (The Guns at Last Light: The War in Western Europe 1944-1945 (The Liberation Trilogy))
Hemingway, pulling up to the Ritz with two truckloads of his French irregulars, told the bartender, “How about seventy-three dry martinis?” Later, after he and several companions had dined on soup, creamed spinach, raspberries in liqueur, and Perrier-Jouët champagne, the waiter added the Vichy tax to the bill, explaining, “It’s the law.” No matter: “We drank. We ate. We glowed,” one of Hemingway’s comrades reported. Private Irwin Shaw of the 12th Infantry, who later won fame as a writer, believed that August 25 was “the day the war should have ended.” To Ernie Pyle, ensconced in a hotel room with a soft bed though no hot water or electricity, “Paris seems to have all the beautiful girls we have always heard it had.… They dress in riotous colors.” The liberation, he concluded, was “the loveliest, brightest story of our time.” *
Rick Atkinson (The Guns at Last Light: The War in Western Europe 1944-1945 (The Liberation Trilogy))
In that narrow segment we would have three infantry divisions, side by side. Right behind them would be another infantry and two armored divisions. Once a hole was broken, the armored divisions would slam through several miles beyond, then turn right toward the sea behind the Germans in that sector in the hope of cutting them off and trapping them. The remainder
Ernie Pyle (Brave Men)
Pruitt always started talking as soon as he was awake. On this particular morning he said, “When the war’s over I’m gonna get me an Apache Indian to work for me. I’m gonna tell him to get me up at two o’clock in the morning, and when he comes in I’m gonna take my. 45 and kill the s.o.b.
Ernie Pyle (Brave Men)
Ernie Pyle, who was with them as usual, wrote: “They were dead weary, as a person could tell even when looking at them from behind. Every line and sag of their bodies spoke their inhuman exhaustion…. They were young men, but the grime and whiskers and exhaustion made them look middle-aged.” A sergeant wrote to his family in Iowa: “It’ll soon be five months that a pup tent has been our home. Five months since I’ve even so much as sat at a table while eating.
Rick Atkinson (An Army at Dawn: The War in Africa, 1942-1943)
While Eisenhower and his staff agonized over D-Dsy at Bushy Park, a frenzied carnival atmosphere took hold in overcrowded, clamorous London. Traffic was gridlocked, restaurants and clubs were packed, and it took days, sometimes weeks, for newcomers to the capital to find a vacant hotel room or flat. Many of the new arrivals were American journalists, flooding in from all over the globe to be on hand for the biggest story of the war. Ernie Pyle, who had come to London from Tunisia, wrote: "I decided that if the Army failed to get ashore on D-Day, there would be enough American correspondents to force through a beachhead on their own.
Lynne Olson (Citizens of London: The Americans Who Stood with Britain in Its Darkest, Finest Hour)
Unlike our scattered dead that Ernie Pyle saw on distant foreign hillsides, we are collectively seeing ours here at home. We are looking into the abyss of a new American Noir like the one in 1940s but worse. This time there will be no solemn homecoming flotillas of the dead in flag-draped coffins from overseas; they are already here with us in mass graves like New York’s Hart Island and in refrigerator trucks in hospital and funeral home parking lots.
Peter Vronsky (American Serial Killers: The Deadliest Years 1950-2000)
In an unpublished 1945 dispatch sent shortly before he was killed by machine-gun fire on Okinawa, Ernie Pyle evoked the precarious seaworthiness of the tiny vessels: “They are rough and tumble little ships. They roll and they plunge. They buck and they twist. They shudder and they fall through space. They are in the air half the time, under water half the time. Their sailors say they should have flight pay and submarine pay both.
James D. Hornfischer (The Last Stand of the Tin Can Sailors: The Extraordinary World War II Story of the U.S. Navy's Finest Hour)
Everything in this world has stopped except war and we are all men of new professions out in some strange night caring for each other.
James Tobin (Ernie Pyles War: America's Eyewitness to World War II)
Dead men in such familiar promiscuity that they become monotonous. Dead men in such monstrous infinity that you come almost to hate them. Those are the things that you at home need not even try to understand. To you at home they are columns of figures, or he is a near one who went away and just didn’t come back. You didn’t see him lying so grotesque and pasty beside the gravel road in France. We saw him, saw him by the multiple thousands. That’s the difference.
Ernie Pyle