Ernest Hemingway Love Quotes

I love sleep. My life has the tendency to fall apart when I'm awake, you know?

The most painful thing is losing yourself in the process of loving someone too much, and forgetting that you are special too.

Maybe...you'll fall in love with me all over again." "Hell," I said, "I love you enough now. What do you want to do? Ruin me?" "Yes. I want to ruin you." "Good," I said. "That's what I want too.

I know enough to know that no woman should ever marry a man who hated his mother.

Never to go on trips with anyone you do not love.

And you'll always love me won't you? Yes And the rain won't make any difference? No

we would be together and have our books and at night be warm in bed together with the windows open and the stars bright.

I didn't want to kiss you goodbye — that was the trouble — I wanted to kiss you good night — and there's a lot of difference.

When you love you wish to do things for. You wish to sacrifice for. You wish to serve.

If two people love each other there can be no happy end to it.

We ate well and cheaply and drank well and cheaply and slept well and warm together and loved each other.

Oh Jake," Brett said, "We could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly, pressing Brett against me. Yes," I said. "Isn't it pretty to think so?

Why, darling, I don't live at all when I'm not with you.

I am always in love.

No one you love is ever truly lost.

I loved you when I saw you today and I loved you always but I never saw you before.

After writing a story I was always empty and both sad and happy, as though I had made love, and I was sure this was a very good story although I would not know truly how good until I read it over the next day.

Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others. But we were never lonely and never afraid when we were together.

God knows I had not wanted to fall in love with her. I had not wanted to fall in love with any one. But God knows I had and I lay on the bed in the room of the hospital in Milan and all sorts of things went through my head but I felt wonderful...

His talent was as natural as the pattern that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and of their construction and he learned to think and could not fly any more because the love of flight was gone and he could only remember when it had been effortless.

You've such a lovely temperature.

You know I don't love any one but you. You shouldn't mind because some one else loved me.

I'm with you. No matter what else you have in your head I'm with you and I love you.

Never fall in love?" "Always," said the count. "I am always in love.

I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belongs to me and I belong to this notebook and this pencil.

When I saw her I was in love with her. Everything turned over inside of me. She looked toward the door, saw there was no one, then she sat on the side of the bed and leaned over and kissed me.

There isn't any me. I'm you. Don't make up a separate me.

You did not kill the fish only to keep alive and to sell for food, he thought. You killed him for pride and because you are a fisherman. You loved him when he was alive and you loved him after. If you love him, it is not a sin to kill him. Or is it more?

You’ll ache. And you’re going to love it. It will crush you. And you’re still going to love all of it. Doesn’t it sound lovely beyond belief?

Fish," he said, "I love you and respect you very much. But I will kill you dead before this day ends.

I love you and I always will and I am sorry. What a useless word.

He always thought of the sea as 'la mar' which is what people call her in Spanish when they love her. Sometimes those who love her say bad things of her but they are always said as though she were a woman. Some of the younger fishermen, those who used buoys as floats for their lines and had motorboats, bought when the shark livers had brought much money, spoke of her as 'el mar' which is masculine.They spoke of her as a contestant or a place or even an enemy. But the old man always thought of her as feminine and as something that gave or withheld great favours, and if she did wild or wicked things it was because she could not help them. The moon affects her as it does a woman, he thought.

There will always be people who say it does not exist because they cannot have it. But I tell you it is true and that you have it and that you are lucky even if you die tomorrow.

I believe that basically you write for two people; yourself to try and make it absolutely perfect; or if not that then wonderful. Then you write for who you love whether they can read or write or not and whether they are alive or dead.

I wish I had died before I ever loved anyone but her.

All cowardice comes from not truly loving, or at least, not loving well.

When I saw my wife again standing by the tracks as the train came in by the piled logs at the station, I wished I had died before I had ever loved anyone but her.

This was the price you paid for sleeping together. This was the end of the trap. This was what people got for loving each other.

I love thee and thou art so lovely and so wonderful and so beautiful and it does such things to me to be with thee that I feel as though I wanted to die when I am loving thee.

You can write any time people will leave you alone and not interrupt you. Or rather you can if you will be ruthless enough about it. But the best writing is certainly when you are in love.

You’ll ache. And you’re going to love it. It will crush you. And you’re still going to love all of it.

Love is just another dirty lie. Love is ergoapiol pills to make me come around because you were afraid to have a baby. Love is quinine and quinine and quinine until I'm deaf with it. Love is that dirty aborting horror that you took me to. Love is my insides all messed up. It's half catheters and half whirling douches. I know about love. Love always hangs up behind the bathroom door. It smells like lysol. To hell with love. Love is making me happy and then going off to sleep with your mouth open while I lie awake all night afraid to say my prayers even because I know I have no right to anymore. Love is all the dirty little tricks you taught me that you probably got out of some book. All right. I'm through with you and I'm through with love.

You roll back to me.

What you tell me about in the nights. That is not love. That is only passion and lust. When you love you wish to do things for. You wish to sacrifice for. You wish to serve.

He no longer dreamed of storms, nor of women, nor of great occurrences, nor of great fish, nor fights, nor contests of strength, nor of his wife. He only dreamed of places now and the lions on the beach. They played like young cats in the dusk and he loved them as he loved the boy. He never dreamed about the boy. He simply woke, looked out the open door at the moon and unrolled his trousers and put them on.

He had loved too much, demanded too much, and he wore it all out.

To be able to say: I loved this person, we had a hell of a nice time together, it’s over but in a way it will never be over and I do know that I for sure loved this person, to be able to say that and mean it, that’s rare, señor. That’s rare and valuable.” — Ernest Hemingway, from The Complete Short Stories 

You are everything good and straight and fine and true—and I see that so clearly now, in the way you’ve carried yourself and listened to your own heart. You’ve changed me more than you know, and will always be a part of everything I am. That’s one thing I’ve learned from this. No one you love is ever truly lost.

All men fear death. It’s a natural fear that consumes us all. We fear death because we feel that we haven’t loved well enough or loved at all, which ultimately are one and the same. However, when you make love with a truly great woman, one that deserves the utmost respect in this world and one that makes you feel truly powerful, that fear of death completely disappears. Because when you are sharing your body and heart with a great woman the world fades away. You two are the only ones in the entire universe. You conquer what most lesser men have never conquered before, you have conquered a great woman’s heart, the most vulnerable thing she can offer to another. Death no longer lingers in the mind. Fear no longer clouds your heart. Only passion for living, and for loving, become your sole reality. This is no easy task for it takes insurmountable courage. But remember this, for that moment when you are making love with a woman of true greatness you will feel immortal. I believe that love that is true and real creates a respite from death. All cowardice comes from not loving or not loving well, which is the same thing. And when the man who is brave and true looks death squarely in the face like some rhino hunters I know or Belmonte, who is truly brave, it is because they love with sufficient passion to push death out of their minds. Until it returns, as it does to all men. And then you must make really good love again. Think about it.

Please understand and love me.

I do not need to get used to your silence. I already know it. I quite possibly love all of it.

Besides, I'm not jealous. I'm just so in love with you that there isn't anything else.

I kissed her neck and shoulders. I felt faint with loving her so much.

And another thing. Don’t ever kid yourself about loving some one. It is just that most people are not lucky enough ever to have it. You never had it before and now you have it. What you have with Maria, whether it lasts just through today and a part of tomorrow, or whether it lasts for a long life is the most important thing that can happen to a human being. There will always be people who say it does not exist because they cannot have it. But I tell you it is true and that you have it and that you are lucky even if you die tomorrow.

He's so damned nice and he's so awful. He's my sort of thing.

There is nothing to writing. All you do is sit down a a typewriter and bleed. E. Hemmingway We don't write to be understood, we write to understand......... Love yourself. Dare to dream. Live on purpose!

It’s funny," I said. "It’s very funny. And it’s a lot of fun, too, to be in love." "Do you think so?" her eyes looked flat again. "I don’t mean fun that way. In a way it’s an enjoyable feeling." "No," she said. "I think it’s hell on earth.

Do you always get so hungry when you make love?” “When you love somebody.

That seemed to handle it. That was it. Send a girl off with one man. Introduce her to another to go off with him. Now go and bring her back. And sign the wire with love. That was it all right. I went in to lunch.

I am so in love with you that there isn’t anything else.

That night at the hotel, in our room with the long empty hall outside and our shoes outside the door, a thick carpet on the floor of the room, outside the windows the rain falling and in the room light and pleasant and cheerful, then the light out and it exciting with smooth sheets and the bed comfortable, feeling that we had come home, feeling no longer alone, waking in the night to find the other one there, and not gone away; all other things were unreal. We slept when we were tired and if we woke the other one woke too so one was not alone. Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others ... But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to the world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.

When you have two people who love each other, are happy and gay and really good work is being done by one or both of them, people are drawn to them as surely as migrating birds are drawn at night to a powerful beacon. If the two people were as solidly constructed as the beacon there would be little damage except to the birds. Those who attract people by their happiness and their performance are usually inexperienced. They do not know how not to be overrun and how to go away. They do not always learn about the good, the attractive, the charming, the soon-beloved, the generous, the understanding rich who have no bad qualities and who give each day the quality of a festival and who, when they have passed and taken the nourishment they needed, leave everything deader than the roots of any grass Attila's horses' hooves have ever scoured.

You never understand anybody that loves you.

He had never quarreled much with this woman, while with the women that he loved he had quarreled so much they had finally, always, with the corrosion of the quarreling, killed what they had together. He had loved too much, demanded too much, and he wore it all out.

You’re beautiful. You walk wonderfully and if I were here and saw you now for the first time I’d be in love with you. If I saw you for the first time everything would turn over inside of me and I’d ache right through my chest.

I would take anything I love and throw it off the highest cliff you ever saw and not wait to hear it bounce.

You don't have to destroy me. Do you? I'm only a woman who loves you and wants to do what you want to do. I've been destroyed two or three times already. You wouldn't want to destroy me again, would you?

Now, feel. I am thee and thou art me and all of one is the other. And feel now. Thou hast no heart but mine.

Because we would not wear any clothes because it was so hot and the windows open and the swallows flying over the roofs of the houses and when it was dark afterward and you went to the window very small bats hunting over the houses and close down over the trees and we would drink capri and the door locked and it hot and only a sheet and the whole night and we would both love each other all night in the hot night in Milan. That was how it ought to be.

Love is all the dirty little tricks you taught me that you probably got out of some book.

I loved her and I loved no one else and we had a lovely magic time while we were alone. I worked well and we made great trips, and I thought we were invulnerable again, and it wasn't until we were out of the mountains in late spring, and back in Paris, that the other thing started again.

The old man looked at him with his sun-burned, confident loving eyes.

Good. I go. And if thou dost not love me, I love thee enough for both.

- What happens to people that love each other? - I suppose they have whatever they have, and they are more fortunate than others. Then one of them gets the emptiness forever.

Blow, blow, ye western wind . . . Christ, that my love were in my arms and I in my bed again. That my love Catherine. That my sweet love Catherine down might rain. Blow her again to me.

let us sleep," he said and he felt the long light body, warm against him, comforting against him, abolishing loneliness against him, magically, by a simple touching of flanks, of shoulders and of feet, making an alliance against death with him.

When we came back to Paris it was clear and cold and lovely.

I wished I had died before I loved anyone but her.

You loved him when he was alive and you loved him after. If you love him, it is not a sin to kill him. Or is it more?

When I saw her I was in love with her. Everything turned over inside of me.

Did I know him? Did I love him? You ask me that? I knew him like you know nobody in the world, and I loved him like you love God.

It had been wonderful and they had been truly happy and he had not known that you could love anyone so much that you cared about nothing else and other things seemed inexistent.

We knew what we had and what it meant, and though so much had happened since for both of us, there was nothing like those years in Paris, after the war. Life was painfully pure and simple and good, and I believed Ernest was his best self then. I got the very best of him. We got the best of each other.

Best of all he loved the fall the leaves yellow on the cottonwoods leaves floating on the trout streams and above the hills the high blue windless skies…now he will be a part of them forever.

Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket, his small line was taken by a dolphin. He saw it first when it jumped in the air, true gold in the last of the sun and bending and flapping wildly in the air.

During the night two porpoises came around the boat and he could hear them rolling and blowing. He could tell the difference between the blowing noise the male made and the sighing blow of the female. 'They are good,' he said. 'They play and make jokes and love one another. They are our brothers like the flying fish.

I knew I did not love Catherine Barkley nor had any idea of loving her. This was a game, like bridge, in which you said things instead of playing cards. Like bridge you had to pretend you were playing for money or playing for some stakes. Nobody had mentioned what the stakes were. It was all right with me.

He told me how he had first met her during the war and then lost her and won her back, and about their marriage and then about something tragic that had happened to them at St-Raphael about a year ago. This first version that he told me of Zelda . and a French naval aviator falling in love was truly a sad story and I believe it was a true story. Later he told me other versions of it as though trying them for use in a novel, but none was as sad as this first one and I always believed the first one, although any of them might have been true. They were better told each time; but they never hurt you the same way the first one did.

Listen, we’ll come visit you. Okay? I’ll dress up as William Shakespeare, Lucent as Emily Dickinson, and beautiful ‘Ray’ as someone dashing and manly like Jules Verne or Ernest Hemingway...and we’ll write on your white-room walls. We’ll write you out of your supposed insanity. I love you, Micky Affias. -James (from "Descendants of the Eminent")

Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on. I thought I had paid for everything. Not like the woman pays and pays and pays. No idea of retribution or punishment. Just exchange of values. You gave up something and got something else. Or you worked for something. You paid some way for everything that was any good. I paid my way into enough things that I liked, so that I had a good time. Either you paid by learning about them, or by experience, or by taking chances, or by money. Enjoying living was learning to get your money’s worth. The world was a good place to buy in. It seemed like a fine philosophy. In five years, I though, it will seem just as silly as all the other fine philosophies I’ve had.

Don't you believe I love you? Don't know how I can make you believe. I didn't want to kiss you goodbye--that was the trouble--I wanted to kiss you goodnight. […] Of course I love you. I love you all the time. […] I'd like to hold you and kiss you so that you wouldn't doubt whether I wanted to or not.

This too to remember. If a man writes clearly enough any one can see if he fakes. If he mystifies to avoid a straight statement, which is very different from breaking so-called rules of syntax or grammar to make an efffect which can be obtained in no other way, the writer takes a longer time to be known as a fake and other writers who are afflicted by the same necessity will praise him in their own defense. True mysticism should not be confused with incompetence in writing which seeks to mystify where there is no mystery but is really only the necessity to fake to cover lack of knowledge or the inability to state clearly. Mysticism implies a mystery and there are many mysteries; but incompetence is not one of them; nor is overwritten journalism made literature by the injection of a false epic qulaity. Remember this too: all bad writers are in love with the epic.

Now we have done it. Now we really have done it.” Yes, he thought. Now we have really done it. And when she went to sleep suddenly like a tired young girl and lay beside him lovely in the moonlight that showed the beautiful new strange line of her head as she slept on her side he leaned over and said to her but not aloud, “I’m with you. No matter what else you have in your head I’m with you and I love you.

Look at the ugliness. Yet one has a feeling within one that blinds a man while he loves you. You, with that feeling, blind him, and blind yourself. Then, one day, for no reason, he sees you as ugly as you really are and he is not blind anymore and then you see yourself as ugly as he sees you and you lose your man and your feeling... After a while, when you are as ugly as I am, as ugly as women can be, then, as I say after a while the feeling, the idiotic feeling that you are beautiful, grows slowly in one again. It grows like a cabbage. And then, when the feeling is grown, another man sees you and thinks you are beautiful and it is all to do over.

Zelda was very beautiful and was tanned a lovely gold colour and her hair was a beautiful dark gold and she was very friendly. Her hawk's eyes were clear and calm. I knew everything was all right and was going to turn out well in the end when she leaned forward and said to me, telling me her great secret, 'Ernest, don't you think Al Jolson is greater than Jesus?' Nobody thought anything of it at the time. It was only Zelda's secret that she shared with me, as a hawk might share something with a man. But hawks do not share. Scott did not write anything any more that was good until after he knew that she was insane.

He thought about alone in Constantinople that time, having quarreled in Paris before he had gone out. He had whored the whole time and then, when that was over, and he had failed to kill his loneliness, but only made it worse, he had written her, the first one, the one who left him, a letter telling her how he had never been able to kill it . . . . How when he thought he saw her outside the Regence one time it made him go all faint and sick inside, and that he would follow a woman that looked like her in some way, along the Boulevard, afraid to see it was not she, afraid to lose the feeling it gave him. How every one he had slept with had only made him miss her more. How what she had done could never matter since he could never cure himself of loving her.

All I wanted to do was get back to Africa. We had not left it, yet, but when I would wake in the night I would lie, listening, homesick for it already. Now, looking out the tunnel of trees over the ravine at the sky with white clouds moving across in the wind, I loved the country so that I was happy as you are after you have been with a woman that you really love, when, empty, you feel it welling up again and there it is and you can never have it all and yet what there is, now, you can have, and you want more and more, to have, and be, and live in, to possess now again for always, for that long sudden-ended always; making time stand still, sometimes so very still that afterwards you wait to hear it move, and it is slow in starting. But you are not alone because if you have every really loved her happy and untragic, she loves you always; no matter whom she loves nor where she goes she loves you more.

Love was the greatest thing, wasn't it? Love was what we had that no one else had or could ever have? And you were a genius and I was your whole life. I was your partner and your little black flower. Slop. Love is just another dirty lie. Love is ergoapiol pills to make me come around because you were afraid to have a baby. Love is quinine and quinine and quinine until I'm deaf with it. Love is that aborting horror you took me to. Love is my insides all messed up. It's half catheters and half whirling douches. I know about love. Love always hangs up behind the bathroom door. It smells like lysol. To hell with love. Love is you making me happy and then going off to sleep with your mouth open while I lie awake all night afraid to say my prayers even because I know I have no right to say anymore. Love is all the dirty little tricks you taught me that you probably got out of some book. All right. I'm through with you and I'm through with love. Your kind of picknose love. You writer.

When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.

He smelled the odor of the pine boughs under him, the piney smell of the crushed needles and the sharper odor of the resinous sap from the cut limbs. ... This is the smell I love. This and fresh-cut clover, the crushed sage as you ride after cattle, wood-smoke and the burning leaves of autumn. That must be the odor of nostalgia, the smell of the smoke from the piles of raked leaves burning in the streets in the fall in Missoula. Which would you rather smell? Sweet grass the Indians used in their baskets? Smoked leather? The odor of the ground in the spring after rain? The smell of the sea as you walk through the gorse on a headland in Galicia? Or the wind from the land as you come in toward Cuba in the dark? That was the odor of cactus flowers, mimosa and the sea-grape shrubs. Or would you rather smell frying bacon in the morning when you are hungry? Or coffee in the morning? Or a Jonathan apple as you bit into it? Or a cider mill in the grinding, or bread fresh from the oven?