Erin Morgenstern Quotes

The finest of pleasures are always the unexpected ones.

People see what they wish to see. And in most cases, what they are told that they see.

You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows that they might do because of it, because of your words. That is your role, your gift.

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not.

Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case.

Life takes us to unexpected places sometimes. The future is never set in stone, remember that.

We lead strange lives, chasing our dreams around from place to place.

I am tired of trying to hold things together that cannot be held. Trying to control what cannot be controlled. I am tired of denying myself what I want for fear of breaking things I cannot fix. They will break no matter what we do.

But dreams have ways of turning into nightmares.

I have tried to let you go and I cannot. I cannot stop thinking of you. I cannot stop dreaming about you.

You're in the right place at the right time, and you care enough to do what needs to be done. Sometimes that's enough.

I would have written you, myself, if I could put down in words everything I want to say to you. A sea of ink would not be enough.' 'But you built me dreams instead.

We are all stardust and stories.

Strange, isn’t it? To love a book. When the words on the pages become so precious that they feel like part of your own history because they are. It’s nice to finally have someone read stories I know so intimately.

The most difficult thing to read is time. Maybe because it changes so many things.

Only the ship is made of books, its sails thousands of overlapping pages, and the sea it floats upon is dark black ink.

Like stepping into a fairy tale under a curtain of stars.

Secrets have power. And that power diminishes when they are shared, so they are best kept and kept well. Sharing secrets, real secrets, important ones, with even one other person, will change them. Writing them down is worse, because who can tell how many eyes might see them inscribed on paper, no matter how careful you might be with it. So it's really best to keep your secrets when you have them, for their own good, as well as yours.

Not all stories speak to all listeners, but all listeners can find a story that does, somewhere, sometime. In one form or another.

Good and evil are a great deal more complex than a princess and a dragon . . . is not the dragon the hero of his own story?

You think, as you walk away from Le Cirque des Rêves and into the creeping dawn, that you felt more awake within the confines of the circus. You are no longer quite certain which side of the fence is the dream.

I made a wish on this tree years ago," Marco says. "What did you wish for?" Bailey asks. Marco leans forward and whispers in Bailey's ear. "I wished for her.

People don’t pay much attention to anything unless you give them reason to

I couldn't tell the difference between what was real and what I wanted to be real.

Everyone wants the stars. Everyone wishes to grasp that which exists out of reach. To hold the extraordinary in their hands and keep the remarkable in their pockets.

To be rather than to seem.

I have been surrounded by love letters you two have built each other for years, encased in tents.

But the world is strange and endings are not truly endings no matter how the stars might wish it so.

Everything I have done, every change I have made to that circus, every impossible feat and astounding sight, I have done for her.

For those who feel homesick for a place they’ve never been to. Those who seek even if they do not know what (or where) it is that they are seeking. Those who seek will find. Their doors have been waiting for them.

The truest tales require time and familiarity to become what they are.

A boy at the beginning of a story has no way of knowing that the story has begun.

Someone needs to tell those tales. When the battles are fought and won and lost, when the pirates find their treasures and the dragons eat their foes for breakfast with a nice cup of Lapsang souchong, someone needs to tell their bits of overlapping narrative. There's magic in that. It's in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict. From the mundane to the profound. You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows what they might do because of it, because of your words. That is your role, your gift. Your sister may be able to see the future, but you yourself can shape it, boy. Do not forget that... there are many kinds of magic, after all.

I think looking forward will be better than looking back.

Do you remember all of your audiences?" Marco asks. "Not all of them," Celia says. "But I remember the people who look at me the way you do." "What way might that be?" "As though they cannot decide if they are afraid of me or they want to kiss me." " I am not afraid of you," Marco says.

Because I do not wish to know,” he says. “I prefer to remain unenlightened, to better appreciate the dark.

A reading major, that's what he wants. No response papers, no exams, no analysis, just the reading.

Be brave,’ she says. ‘Be bold. Be loud. Never change for anyone but yourself. Any soul worth their star-stuff will take the whole package as is and however it grows. Don’t waste your time on anyone who doesn’t believe you when you tell them how you feel.

We must put effort and energy into anything we wish to change.

And there are never really endings, happy or otherwise. Things keep going on, they overlap and blur, your story is part of your sister's story is part of many other stories, and there is no telling where any of them may lead.

Everyone is a part of a story, what they want is to be part of something worth recording

I am haunted by the ghost of my father, I think that should allow me to quote Hamlet as much as I please.

Having a physical reaction to a lack of book is not unusual.

There is no fixing. There is only moving forward in the brokenness.

It is easier to be in love in a room with closed doors. To have the whole world in one room. One person. The universe condensed and intensified and burning, bright and alive and electric.

But you built me dreams instead.

I don't think there's anything wrong being a dreamer.

Have you tried the cinnamon things?" Poppet asks. "They're rather new. What are they called, Widge?" "Fantastically delicious cinnamon things?

Occasionally, Fate pulls itself together again and Time is always waiting.

I mean only that I hope they find darkness or paradise without fear of it, if they can.

This is not where our story ends, he writes. This is only where it changes.

Reading a book four times in one day is perfectly normal behavior.

It is difficult to see a situation for what it is when you are in the midst of it,” Tsukiko says. “It is too familiar. Too comfortable.

I tried to explain as much as I could," Poppet says. "I think I made an analogy about cake." "Well, that must have worked," Widget says. "Who doesn't like a good cake analogy?

You need to understand your limitations so you can overcome them.

It doesn't look like anything special, like it contains an entire world, though the same could be said of any book.

You prefer not to see the gears of the clock, as to better tell time.

The past stays on you the way powdered sugar stays on your fingers. Some people can get rid of it but it’s still there, the events and things that pushed you to where you are now.

How are you feeling? Zachary asks. “Like I’m losing my mind but in a slow, achingly beautiful sort of way.

Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep overlapping and blur, your story is part of your sister’s story is part of many other stories, and there in no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.

I accepted because mysterious ladies offering bourbon under the stars is very much my aesthetic.

People are naive about such things, and they would rather write them off as evil than attempt to understand them. An unfortunate truth, but a truth nonetheless.

Trespassers Will Be Exsanguinated.

There are so many pieces to a person. So many small stories and so few opportunities to read them. 'I would like to look at you' seems like such an awkward request.

I think the best stories feel like they’re still going, somewhere, out in story space.

I do not mourn the loss of my sister because she will always be with me, in my heart," she says. "I am, however, rather annoyed that my Tara has left me to suffer you lot alone. I do not see as well without her. I do not hear as well without her. I do not feel as well without her. I would be better off without a hand or a leg than without my sister. Then at least she would be here to mock my appearance and claim to be the pretty one for a change. We have all lost our Tara, but I have lost a part of myself as well.

...it tastes older than stories. It tastes like myth.

A book is made of paper but a story is a tree.

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.

I believe you have my umbrella" he says, almost out of breath but wearing a grin that has too much wolf in it to be properly sheepish.

Prospero the Enchanter's immediate reaction upon meeting his daughter is a simple declaration of: "Well, fuck.

Better to have a single perfect diamond than a sack of flawed stones.

A girl Lost in the woods is a different sort of creature than a girl who walks purposefully through the trees even though she does not know her way. This girl in the woods is not lost. She is exploring.

He reads histories and mythologies and fairy tales, wondering why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves. It strikes him as unfair to not have the same fanciful opportunity himself. And he is not in the position to do any rescuing of his own.

You look like a ghost," Bailey says. He can think of no better way to describe it. "You appear the same way to me, so which of us is real?

You believe you could not live with the pain. Such pain is not lived with. It is only endured. I am sorry.

Marco moves to close the distance between them, kissing away her tears before catching her lip with his own. As he kisses her, the bonfire glows brighter. The acrobats catch the light perfectly as they spin. The entire circus sparkles, dazzling every patron.

Wine is bottled poetry, he thinks.

This is not magic. This is the way the world is, only very few people take the time to stop and note it.

You will be fine,' the fortune teller says. 'There may be decisions to make and surprises in store. Life takes us to unexpected places sometimes. The future is never set in stone, remember that.

But I'm not special", Bailey says, "not the way they are. I'm not anyone important." "I know", Celia said, "you are not destined or chosen. I wish I could tell you that you were if that would make it easier, but it is not true. You are in the right place, at the right time, and you care enough to do what needs to be done. Sometimes that is enough.

Esse quam videri," Celia says. "To be, rather than to seem.

I prefer to remain unenlightened, to better appreciate the dark.

It is a sanctuary for storytellers and storykeepers and storylovers. They eat and sleep and dream surrounded by chronicles and histories and myths.

For a while I was looking for a person but I didn't find them and after that I was looking for myself. Now that I've found me I'm back to exploring, which is what I was doing in the first place before I was doing anything else and I think I was supposed to be exploring all along.

And there are really never endings, happy or otherwise.

Celia, wait,” Marco says, standing but not moving closer to her. “You are breaking my heart. You told me once that I reminded you of your father. That you never wanted to suffer the way your mother did for him, but you are doing exactly that to me. You keep leaving me. You leave me longing for you again and again when I would give anything for you to stay, and it is killing me.” “It has to kill one of us,” Celia says quietly.

Timing is a sensitive thing.

This is a rabbit hole. Do you want to know the secret to surviving once you've gone down the rabbit hole?" Zachary nods and Mirabel leans forward. Her eyes are ringed with gold. "Be a rabbit," she whispers.

Spiritual but not religious,” Zachary clarifies. He doesn’t say what he is thinking, which is that his church is held-breath story listening and late-night-concert ear-ringing rapture and perfect-boss fight-button pressing. That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending.

Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act?

That's the beauty of it. Have you seen the contraptions these magicians build to accomplish the most mundane feats? They are a bunch of fish covered in feathers trying to convince the public they can fly, I am simply a bird in their midst.

These doors will sing. Silent siren songs for those who seek what lies behind them. For those who feel homesick for a place they’ve never been to. Those who seek even if they do not know what (or where) it is that they are seeking. Those who seek will find. Their doors have been waiting for them.

Is it not that bad to be trapped somewhere, then? Depending on where you're trapped?" "I suppose it depends on how much you like the place you're trapped in," Widget says. "And how much you like whoever you're stuck there with," Poppet adds, kicking his black boot with her white one.

I suggest you keep your distance from her and concentrate on your own work.” “I’m in love with her.” “I am sorry to hear that,” he says. “It will make the challenge a great deal more difficult for you.” “We have been playing at this for more than a decade, when does it end?” “It ends when there is a victor.

Is magic not enough to live for?" Widget asks. "Magic," the man in the grey suit repeats, turning the word into a laugh. "This is not magic. This is the way the world is, only very few people take the time to stop and note it. Look around you," he says, waving a hand at the surrounding tables. "Not a one of them even has an inkling of the things that are possible in this world, and what's worse is that none of them would listen if you attempted to enlighten them. They want to believe that magic is nothing but clever deception, because to think it real would keep them up at night, afraid of their own existence." "But some people can be enlightened," Widget says.

He goes directly to the ballroom, making his way to the center of the dance floor. He takes Celia’s arm, spinning her away from Herr Thiessen. Marco pulls her to him in an emerald embrace, so close that no one distinction remains between where his suite ends and her gown begins. To Celia there is suddenly no one else in the room as he holds her in his arms. But before she can vocalize her surprise, his lips close over hers and she is lost in wordless bliss. Marco kisses her as though they are the only two people in the world. The air swirls in a tempest around them, blowing open the glass doors to the garden with a tangle of billowing curtains. Every eye in the ballroom turns in their direction. And then he releases her and walks away. By the time Marco leaves the room, almost everyone has forgotten the incident entirely. It is replaced by a momentary confusion that is blamed on the heat or the excessive amounts of champagne. Herr Thiessen cannot recall why Celia has suddenly stopped dancing, or when her gown has shifted to its current deep green. “Is something wrong?” he asks, when he realizes that she is trembling.

I find I think of myself not as a writer so much as someone who provides a gateway, a tangential route for readers to reach the circus. To visit the circus again, if only in their minds, when they are unable to attend it physically. I relay it through printed words on crumpled newsprint, words that they can read again and again, returning to the circus whenever they wish, regardless of time of day or physical location. Transporting them at will. When put that way, it sounds rather like magic, doesn't it?

Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots.  The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again.  In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered.  The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion.  So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate.  The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so.  Occasionally Fate can pull itself together again.  And Time is always waiting.

The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.