Erich Maria Remarque Quotes

It's only terrible to have nothing to wait for.

I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another.

Life did not intend to make us perfect. Whoever is perfect belongs in a museum.

We are not youth any longer. We don’t want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces.

It is very queer that the unhappiness of the world is so often brought on by small men.

We are forlorn like children, and experienced like old men, we are crude and sorrowful and superficial—I believe we are lost.

We were all at once terribly alone; and alone we must see it through.

Strange how complicated we can make things just to avoid showing what we feel!

But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony--Forgive me, comrade; how could you be my enemy?

Keep things at arm's length... If you let anything come too near you want to hold on to it. And there is nothing a man can hold on to.

We have so much to say, and we shall never say it.

Life is a disease, brother, and death begins already at birth. Every breath, every heartbeat, is a moment of dying - a little shove toward the end.

This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war.

You may turn into an archangel, a fool, or a criminal—no one will see it. But when a button is missing—everyone sees that.

I wandered through the streets thinking of all the things I might have said and might have done had I been other than I was.

I did not want to think so much about her. I wanted to take her as an unexpected, delightful gift, that had come and would go again — nothing more. I meant not to give room to the thought that it could ever be more. I knew too well that all love has the desire for eternity and that therein lies its eternal torment. Nothing lasts. Nothing.

That is the remarkable thing about drinking: it brings people together so quickly, but between night and morning it sets an interval again of years.

To forget is the secret of eternal youth. One grows old only through memory. There's much too little forgetting.

-Why does a man live? -In order to think about it...

How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture-chambers in their hundreds of thousands. A hospital alone shows what war is.

We are little flames poorly sheltered by frail walls against the storm of dissolution and madness, in which we flicker and sometimes almost go out…we creep in upon ourselves and with big eyes stare into the night…and thus we wait for morning.

Sometimes I used to think that one day i should wake up, and all that had been would be over. forgotten, sunk, drowned. Nothing was sure - not even memory.

Bombardment, barrage, curtain-fire, mines, gas, tanks, machine-guns, hand-grenades - words, words, but they hold the horror of the world.

Ни один человек не может стать более чужим, чем тот, которого ты в прошлом любил...

Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony—Forgive me, comrade; how could you be my enemy?

Modesty and conscientiousness receive their reward only in novels. In life they are exploited and then shoved aside.

Never do anything complicated when something simple will serve as well. It's one of the most important secrets of living.

He fell in October 1918, on a day that was so quiet and still on the whole front, that the army report confined itself to the single sentence: All quiet on the Western Front. He had fallen forward and lay on the earth as though sleeping. Turning him over one saw that he could not have suffered long; his face had an expression of calm, as though almost glad the end had come.

It was a melancholy secret that reality can arouse desires but never satisfy them.

Anything you can settle with money is cheap.

We came to realise - first with astonishment, then bitterness, and finally with indifference - that intellect apparently wasn't the most important thing...not ideas, but the system; not freedom, but drill. We had joined up with enthusiasm and with good will; but they did everything to knock that out of us.

I want to think and at the same time that's the last thing in the world I want to do.

They are more to me than life, these voices, they are more than motherliness and more than fear; they are the strongest, most comforting thing there is anywhere: they are the voices of my comrades.

We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war." - All Quiet On The Western Front, Ch. 5

With blinded eyes I stared at the sky, this grey, endless sky of a crazy god, who had made life and death for his amusement.

Everyone saves someone at least once. Just as he kills someone at least once. Even though he may not know it.

It is too dangerous for me to put these things into words. I am afraid they might then become gigantic and I be no longer able to master them.

It's no shame to be born stupid. Only to die stupid.

At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood-nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs.

No soldier outlives a thousand chances. But every soldier believes in Chance and trusts his luck.

Come let me kiss you. Life was never so precious as today— when it meant so little.

What comfort there is in the skin of someone you love!

I want that quiet rapture again. I want to feel the same powerful, nameless urge that I used to feel when I turned to my books. The breath of desire that then arose from the coloured backs of the books, shall fill me again, melt the heavy, dead lump of lead that lies somewhere in me and waken again the impatience of the future, the quick joy in the world of thought, it shall bring back again the lost eagerness of my youth. I sit and wait.

Good or ill, life is life; you only realize that when you have to risk it.

غريبٌ حقاً أمرنا , نختار طرقاً ملتوية كي لا نظهر حقيقة مشاعرنا

For a moment I had a strange intuition that just this, and in a real, profound sense, is life; and perhaps happiness even - love with a mixture of sadness, reverence, and silent knowledge.

I am a modern man with a strong tendency to self-destruction.

You take it from me, we are losing the war because we can salute too well.

I've not much interest in the important things of life. Only in the beautiful things. Just this lilac here makes me happy.

Katczinsky says it is all to do with education - it softens the brain.

Sweet dreams though the guns are booming.

The things men did or felt they had to do.

То, чего не можешь заполучить, всегда кажется лучше того, что имеешь. В этом и состоит романтика и идиотизм человеческой жизни.

I don’t want to get old.” “You won’t get old. Life will pass over your face, that will be all, and it will become more beautiful. One is old only when one no longer feels.” “No. When one no longer loves.

We're no longer young men. We've lost any desire to conquer the world. We are refugees. We are fleeing from ourselves. From our lives. We were eighteen years old, and we had just begun to love the world and to love being in it; but we had to shoot at it. The first shell to land went straight for our hearts. We've been cut off from real action, from getting on, from progress. We don't believe in those things any more; we believe in the war.

- Ты хочешь знать, как быть, если сделал что-то не так? Отвечаю, детка: никогда не проси прощения. Ничего не говори. Посылай цветы. Без писем. Только цветы. Они покрывают все. Даже могилы.

Our thoughts are clay, they are moulded with the changes of the days;--when we are resting they are good; under fire, they are dead. Fields of craters within and without.

The best way to lose a woman was to show her a kind of life that one could offer her for only a few days.

Човек притежава малкото разум, за да проумее, че не може да се живее само с разум. Хората живеят с чувствата си, а за чувствата е безразлично кой е прав.

Love should not be polluted with friendship.

Someone said to me once that a cigarette at the right moment is better than all the ideals in the world.

It's all rot that they put in the war-news about the good humour of the troops, how they are arranging dances almost before they are out of the front-line. We don't act like that because we are in a good humour: we are in a good humour because otherwise we should go to pieces.

I felt the first soft glow of intoxication that makes the blood warmer and spreads an illusion of adventure over uncertainty.

We were eighteen and had begun to love life and the world; and we had to shoot it to pieces.

Then when I am sad and understand nothing anymore, I say to myself that it's better to die while you still want to live, than to die and want to die.

Some day perhaps our time will be known as the age of irony. Not the witty irony of the eighteenth century, but the stupid or malignant irony of a crude age of technological progress and cultural regression.

But probably that's the way of the world - when we have finally learned something we're too old to apply it - and so it goes, wave after wave, generation after generation. No one learns anything at all from anyone else.

The music enchanted the air. It was like the south wind, like a warm night, like swelling sails beneath the stars, completely and utterly unreal... It made everything spacious and colourful, the dark stream of life seemed pulsing in it; there were no burdens any more, no limits; there existed only glory and melody and love, so that one simply could not realize that, at the same time as this music was, outside there ruled poverty and torment and despair.

It's not much. You begin by thinking there is something extraordinary about it. But you'll find out, when you've been out in the world a while longer, unhappiness is the commonest thing there is.

For us lads of eighteen they ought to have been mediators and guides to the world of maturity, the world of work, of duty, of culture, of progress -- to the future.

The idea of authority, which they represented, was associated in our minds with a greater insight and a more humane wisdom.

... but that's what mankind is like: they only prize what they no longer possess.

To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and releases him for ten seconds to live, to run, ten seconds of life; receives him again and again and often forever.

I am no longer a shuddering speck of existence, alone in the darkness;--I belong to them and they to me; we all share the same fear and the same life...I could bury my face in them, in these voices, these words that have saved me and will stand by me.

Ligh doesn't shine in the light; it shines in the dark.

No one could become stranger than the person you once loved

Regret is the most useless thing in the world. One cannot recall anything. And one cannot rectify anything. Otherwise we would all be saints. Life did not intend to make us perfect. Whoever is perfect belongs in a museum.

A man cannot realize that above such shattered bodies there are still human faces in which life goes its daily round. And this is only one hospital, a single station; there are hundreds of thousands in Germany, hundreds of thousands in France, hundreds of thousands in Russia. How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture chambers in their hundreds of thousands. A hospital alone shows what war is.

Nothing is the mirror in which you see the world.

The coffin, it shall protect me, though Death himself lies in it

One always expects something else.

What is leave? – a pause that only makes everything after it so much worse.

Extraordinary creatures you young people are, altogether. The past you hate, the present you despise, and the future is a matter of indifference. How do you suppose that can lead to any good end?

When we love each other we are immortal and indestructible like the heartbeat and the rain and the wind.

‎"Какво представлява всъщност един по-дълъг живот? Само едно по-дълго минало. А бъдещето стига винаги до следващият дъх" - Ерих Мария Ремарк, "Живот на заем

- Никогда, Робби, не стремись знать слишком много! Чем меньше знаешь, тем проще живется. Знание делает человека свободным, но и несчастным. Давай выпьем за наивность, за глупость и все, что к ним относится - за любовь, за веру в будущее, за мечты о счастье - за божественную глупость, за потерянный рай...

Let the months and years come, they can take nothing from me, they can take nothing more. I am so alone, and so without hope that I can confront them without fear. The life that has borne me through these years is still in my hands and my eyes. Whether I have subdued it, I know not. But so long as it is there it will seek its own way out, heedless of the will that is within me." -All Quiet On The Western Front, Chapter 12

- Смятате, че не си подхождаме? Правилно. Ала хората, които са родени един за друг, по-лесно могат да се разделят. Също като тенджерата и похлупака, направени по мярка - те се отделят без трудност. Но ако капакът не отговаря на тенджерата и трябва да се набие с чук в нея, то при опит да ги отделиш - много лесно нещо може да се счупи.

The days, the weeks, the years out here shall come back again, and our dead comrades shall then stand up again and march with us, our heads shall be clear, we shall have a purpose, and so we shall march, our dead comrades beside us, the years at the Front behind us:—against whom, against whom?

Am I jealous? he thought, astonished. Jealous of the chance object to which she has attached herself? Jealous of something that does not concern me? One can be jealous of a love that has turned away, but not of that to which it has turned.

I had the feeling of slipping down a smooth bottomless pit. It had nothing to do with Breuer and the people. It had nothing to do with Pat even. It was the melancholy secret that reality can arouse desires but never satisfy them; that love begins with a human being but does not end in him; and that everything can be there: a human being, love, happiness, life — and that yet in some terrible way it is always too little, and grows ever less the more it seems.

Comrade, I did not want to kill you. . . . But you were only an idea to me before, an abstraction that lived in my mind and called forth its appropriate response. . . . I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony—Forgive me, comrade; how could you be my enemy?

And even if these scenes from our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not.

Educationalists who think they can understand the young are enthusiasts. Youth does not want to be understood; it wants only to be let alone. It preserves itself immune against the insidious bacillus of being understood. The grown-up who would approach it too importunately is as ridiculous in its eyes as if he had put on children's clothes. We may feel with our youth, but youth does not feel with us. That is its salvation.

Now we would wander around like strangers in those landscapes of our youth. We have been consumed in the fires of reality, we perceive differences only in the way tradesmen do, and we see necessities like butchers. We are free of care no longer – we are terrifying indifferent. We might be present in that world, but would we be alive in it? We are like children who have been abandoned and we are as experienced as old men, we are coarse, unhappy and superficial – I think that we are lost

I cannot really play. Either at piano or at life; never, never have I been able to. I have always been too hasty, too impatient; something always intervenes and breaks it up. But who really knows how to play, and if he does know, what good is it to him? Is the great dark less dark for that, are the unanswerable questions less inscrutable, does the pain of despair at eternal inadequacy burn less fiercely, and can life ever be explained and seized and ridden like a tamed horse or is it always a mighty sail that carries us in the storm and, when we try to seize it, sweep us into the deep? Sometimes there is a hole in me that seems to extend to the center of the earth. What could fill it? Yearning? Dispair? Happiness? What happiness? Fatigue? Resignation? Death? What am I alive for? Yes, for what am I alive?

Е да, който е сам, не може да бъде изоставен. Но понякога, вечер, изкуствената черупка се пука, животът се превръща в някаква хълцаща, натрапчива мелодия, някакъв вихър от див копнеж, от жажда, тъга и надежда да се измъкнеш от безмисления шемет, да се измъкнеш от безмисленото еднозвучно свирене на тази вечна латерна, все едно накъде ще поемеш. Ах, тази жалка потребност от малко топлота, не можеха ли да я дадат две ръце и едно сведено над теб лице? Или това бе само отказ, бягство? Имаше ли нещо друго освен самотата?

I’ll tell you the story of the wave and the rock. It’s an old story. Older than we are. Listen. Once upon a time there was a wave who loved a rock in the sea, let us say in the Bay of Capri. The wave foamed and swirled around the rock, she kissed him day and night, she embraced him with her white arms, she sighed and wept and besought him to come to her. She loved him and stormed about him and in that way slowly undermined him, and one day he yielded, completely undermined, and sank into her arms.” “And suddenly he was no longer a rock to be played with, to be loved, to be dreamed of. He was only a block of stone at the bottom of the sea, drowned in her. The wave felt disappointed and deceived and looked for another rock “What does that mean? He should have remained a rock.” “The wave always says that. But things that move are stronger than immovable things. Water is stronger than rocks.

Jetzt sehe ich erst, daß du ein Mensch bist wie ich. Ich habe gedacht an deine Handgranaten, an dein Bajonett und deine Waffen – jetzt sehe ich deine Frau und dein Gesicht und das Gemeinsame. Vergib mir, Kamerad! Wir sehen es immer zu spät. Warum sagt man uns nicht immer wieder, daß ihr ebenso arme Hunde seid wie wir, daß eure Mütter sich ebenso ängstigen wie unsere und daß wir die gleiche Furcht vor dem Tode haben und das gleiche Sterben und den gleichen Schmerz –. Vergib mir, Kamerad, wie konntest du mein Feind sein? Wenn wir diese Waffen und diese Uniform fortwerfen, könntest du ebenso mein Bruder sein wie Kat und Albert. Nimm zwanzig Jahre von mir, Kamerad, und stehe auf – nimm mehr, denn ich weiß nicht, was ich damit noch beginnen soll.

I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another. I see that the keenest brains of the world invent weapons and words to make it yet more refined and enduring. And all men of my age, here and over there, throughout the whole world see these things; all my generation is experiencing these things with me. What would our fathers do if we suddenly stood up and came before them and proffered our account? What do they expect of us if a time ever comes when the war is over? Through the years our business has been killing;—it was our first calling in life. Our knowledge of life is limited to death. What will happen afterwards? And what shall come out of us?