Eric Thomas Quotes

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When you want to succeed as bad as you want to breathe, then you'll be successful.
Eric Thomas (The Secret to Success)
Pain is temporary. It may last for a minute, or an hour or a day, or even a year. But eventually, it will subside. And something else take its place. If I quit, however, it will last forever.
Eric Thomas
It’s also about Oscar. Aiyana. Trayvon. Rekia. Michael. Eric. Tamir. John. Ezell. Sandra. Freddie. Alton. Philando. It’s even about that little boy in 1955 who nobody recognized at first—Emmett.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
If you can look up, you can get up.
Eric Thomas
Don’t think about what can happen in a month. Don’t think about what can happen in a year. Just focus on the 24 hours in front of you and do what you can to get closer to where you want to be.
Eric Thomas
i use pain to push me to greatness
Eric Thomas
Some people want it to happen, some wish it would happen, others make it happen” - Michael Jordan
Eric Thomas (The Secret to Success)
It's not easy, but it's simple.
Eric Thomas
The only way to get out of mediocrity is to keep shooting for excellence.
Eric Thomas (The Secret to Success)
You can get through this. you are bigger than your pain, don't give up don't give in
Eric Thomas
I wanted to surround myself with the kind of people who could help me turn my life around; people whom I could rub up against like iron and be sharpened.
Eric Thomas (The Secret to Success)
Don't make a habit out of choosing what feels good over what's actually good for you.
Eric Thomas
When you want to succeed as bad as you want to breathe, then you'll be successful
Eric Thomas
Your relationships will either make you or break you and there is no such thing as a neutral relationship.  People either inspire you to greatness or pull you down in the gutter, it’s that simple.  No one fails alone, and no one succeeds alone.
Eric Thomas (The Secret to Success)
Done is better than perfect if perfect ain't done.
Eric Thomas
I learned that a real friendship is not about what you can get, but what you can give.  Real friendship is about making sacrifices and investing in people to help them improve their lives.
Eric Thomas (The Secret to Success)
When the fact of your being is used as a weapon against you, the process of relearning who you are and what your value is, is a long one.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Success, meaningful success, begins when we take ownership and actively take responsibility for our part in the shortcomings of our life.
Eric Thomas (Greatness Is Upon You: Laying the Foundation)
You say you want a happy ending, but neither of those words is really what you're searching for. For instance, you will not live to see a just world. But you will live to see acts of justice.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
I do not take constructive criticism from people who have never constructed anything.
Eric Thomas
Can you honestly say the environment(s) you are in will yield the kind of harvest you are expecting?
Eric Thomas (The Secret to Success)
If our religions aren't about the business of achieving justice in our time, in this world, for everyone, what are they doing?
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
I have learned over the years that the higher the level of emotion, the lower the level of reasoning. For example, if your emotions are at the highest level of 10, your ability to reason is at a 0. If it’s a 9 then your reasoning is a 1. I am not suggesting that emotions don’t have their place, but taking actions based purely on emotions is dangerous and could cost you everything.
Eric Thomas (The Secret to Success)
Only when you want to succeed as bad as you want to breathe, will you be successful.
Eric Thomas
Even from an early age, my parents imbued in us the knowledge that although life wasn't just, we could always do something about it.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Every story, whether truth or fiction, is an invitation to imagination, but even more so, it’s an invitation to empathy. The storyteller says, “I am here. Does it matter?” The words that I found in these books were a person calling out from a page, “I am worthy of being heard and you are worthy of hearing my story.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
...the thing about success is that it doesn't seem like a natural result of unsuccessfulness.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Everybody loves Elmo, right? Elmo is a closer. Elmo gets all the Glengarry leads. Elmo stares into the abyss and the abyss whispers, “Tickle me.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Be yourself” is about the worst advice you can give some people. —THOMAS L. MASSON, AMERICAN AUTHOR
Eric Grzymkowski (The Quotable A**hole: More than 1,200 Bitter Barbs, Cutting Comments, and Caustic Comebacks for Aspiring and Armchair A**holes Alike)
The thing is, the promise of church is community, salvation, and a relationship with God. If the gay music minister and the person with AIDS cannot be part of the church, where do they find God?
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Perhaps the thing that is even more overflowing with possibility than a crush, is love. In whatever form it takes, from whatever context it is drawn. With a crush after all there are sort of only two outcomes when you get down to it. It will bloom or it will whither, but love, love seems to have infiinite possible beginnings, endings, permutations, subtle shifts, and seismic changes. Love, I've learned, is different every time you look at it. Love is every possible love story all at once.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
It would be easy to quit if it was just about me, Khalil, that night, and that cop. It's about way more than that though. It's about Seven. Sekani. Kenya. DeVante. It's also about Oscar. Aiyana. Trayvon. Rekia. Michael. Eric. Tamir. John. Ezell. Sandra. Freddie. Alton. Philando. It's even about that little boy in 1955 who nobody recognized at first--Emmett. The messed-up part? There are so many more. Yet I think it'll change one day. How? I don't know. When? I definitely don't know. Why? Because there will always be someone ready to fight. Maybe it's my turn.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
Maybe, just maybe, I was pointing the finger because it was easier to make excuses than it was to make adjustments.
Eric Thomas (Greatness Is Upon You: Laying the Foundation)
Be phenomenal or be forgotten.
Eric Thomas
Information changes situations.
Eric Thomas
Every story, whether truth or fiction, is an invitation to imagination, but even more so, it’s an invitation to empathy. The storyteller says, “I am here. Does it matter?
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
As long as you're being a copycat, you will never be the best copycat.
Eric Thomas
For years, I thought that the way to keep myself from getting burned was to set myself on fire first or to snuff out my light.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
The storyteller says, 'I am here. Does it matter?' The words that I found in these books were a person calling out from a page, 'I am worthy of being heard and you are worthy of hearing my story.' It seems simple but it's a bold declaration.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
I am mouthy, and I get easily annoyed, and I don't know how to shoot a bow and arrow, so dystopias are a solid no from me. I'm basically Peeta from The Hunger Games, except gay. I am here for the baked goods and then basically I'm going to be dead weight. Cut your losses.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
When one tells a story, one has to choose where to stop. So, for every story, there’s an infinite number of endings, a library’s worth of endings, every book a new chance. Perhaps, for us, for all of us, there are so many endings that they can’t all be heartbreaking and baffling. There must be a place to stop that is just a step into a new possibility.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Thomas K. Jones, an undersecretary of defense, played down the number of casualties that a nuclear war might cause, arguing that families would survive if they dug a hole, covered it with a couple of doors, and put three feet of dirt on top. “It’s the dirt that does it,” Jones explained. “Everyone’s going to make it if there are enough shovels to go around.
Eric Schlosser (Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety)
You owe it to you to put yourself first. When you take care of yourself, take the time to see yourself, and get comfortable with being you, only then can you start to take care of other people, see other people, and be comfortable with other people.
Eric Thomas (You Owe You: Ignite Your Power, Your Purpose, and Your Why)
During the same week that Kennedy appealed for an end to the arms race at the United Nations, he met with a handful of military advisers at the White House to discuss launching a surprise attack on the Soviet Union. General Thomas Power encouraged him to do it. According to notes of the meeting, held on September 20, Power warned that the United States now faced the greatest danger, ever, of a Soviet nuclear attack.
Eric Schlosser (Command and Control)
The feeling of being alone, I’ve found, is the poison that has no taste. It seeps in slowly and easily; it never seems unusual. Isolation presents as an undesired state but nothing serious, nothing permanent, until the lonely nights become lonely months.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Desire and imagination have the potential to position a person for greatness
Eric Thomas
Be more intentional about the direction we allow our minds to go. Meaning, when you catch yourself thinking negatively, STOP. REDIRECT to something positive.
Eric Thomas (Greatness Is Upon You: Laying the Foundation)
Part of making yourself a priority is spending time alone.
Eric Thomas (You Owe You: Ignite Your Power, Your Purpose, and Your Why)
It is easy to die for what you believe. What is hard is to live for what you believe.
Thomas Bethell (Eric Hoffer: The Longshoreman Philosopher (Hoover Institution Press Publication Book 616))
I when you want to succeed as bad as you want to breathe then you will be successful
Eric Thomas
The world begins at a kitchen table. No matter what, we must eat to live.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
I think my goal was for people to read it and say, “You are very funny, and racism is bad.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
I laugh and remember that I’ll be dead before dystopia really starts to take hold.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Even in okay times, there is a subterranean river of melancholy in me, and sometimes a productive afternoon is comprised of using YouTube videos of varying qualities like divining rods.
R. Eric Thomas (Congratulations, The Best Is Over!: Essays)
If people let the government decide what foods they eat and what medicines they take, their bodies will soon be in as sorry a state as the souls who live under tyranny.” —THOMAS JEFFERSON
Eric J. Topol (The Patient Will See You Now: The Future of Medicine is in Your Hands)
When I first learned about the Dewey decimal system, I assumed it was an impartial way of defining and filing the breadth of knowable information. I came to understand that the intention of the filer and the perspective that they carry play a huge role in how Dewey, and any other system, is employed.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
How are we supposed to live without a meteor bearing down on us? How are we supposed to find the best parts of humanity without a brutal regime at the door? How are we supposed to tell the people we love that we love them if we're not five minutes from being destroyed? That's the challenge of being alive.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
The Monster at the End of This Book is a lighthearted book about anxiety—anxiety about being confronted with the kind of person you really are (LOL!), anxiety about the inevitable passage of time (LOL), anxiety about being trapped by forces beyond your control (lol), anxiety about a deep, dreadful uncertainty (…meep).
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Oh God, to return. To find a way back to yourself, the version of yourself that wanted nothing more than what you have, the version of yourself paralyzed by the fear of living through what you've lived through, the stranger in your story who had just enough hope to make a path for you. But if we could go back, we'd never move forward.
R. Eric Thomas (Congratulations, the Best is Over!)
All of us have, at some point, logged on and thought, This seems like a good idea! And sometimes that changes when you discover that the internet is actually just other people, and other people, scientists say, are terrible.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Life has taught me that you will grow through what you go through. Life has taught me that for every level there is another devil. Life has taught me that the depth of your struggle will determine the height of your success.
Eric Thomas
The library is the place where I could borrow first Grover’s philosophical tome, then a couple of Choose Your Own Adventures I could cheat at, and later a stack of mysteries I could spoil for myself, all attempts to look for some other way of understanding who I was.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Fairy tale? No. But I’m not giving up on a better ending. It would be easy to quit if it was just about me, Khalil, that night, and that cop. It’s about way more than that though. It’s about Seven. Sekani. Kenya. DeVante. It’s also about Oscar. Aiyana. Trayvon. Rekia. Michael. Eric. Tamir. John. Ezell. Sandra. Freddie. Alton. Philando. It’s even about that little boy in 1955 who nobody recognized at first—Emmett.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
SEVENTY-FIVE: You're exactly who you need to be. Each of you. It may not feel like it; it may seem like it would be much easier being anyone else. You may look back at the person you were at one point and wish that you could instead be the person you are now at that far distant, unreachable point in the past. But you had to be who you were to get to who you are. Every page in the story is successive; they're all numbered and bound like a book.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
IDENTIFY your CHALLENGE area. Describe the thoughts that you commonly have in that area. Describe the things that you commonly say concerning that area in your life. (This can be things that you say to other people or things that you say to yourself.) Describe your behavior in that area (use action words). Challenge Area
Eric Thomas (Greatness Is Upon You: Laying the Foundation)
If I'm not heading toward a place where I can feel joy, then hope in the present has nothing to hold on to.
R. Eric Thomas (Congratulations, the Best is Over!)
...you will not live to see a just world. But you will live to see acts of justice.
R Eric Thomas
I can tell something is going wrong for me when I withdraw—I stop caring as much about the things I usually care about, be it keeping up the house or maintaining social connections or even watching the shows I like. But the more insidious thing that happens is that I lose track of my story. I lose track of where I’m going. I stop wanting to go anywhere. I stop thinking about getting to my desired ending, because everything feels like an ending already.
R. Eric Thomas (Congratulations, The Best Is Over!: Essays)
The books that I found in the library, ones that I deeply understood and ones that seemed so outside of my experience they might as well have been written in Klingon, all carried the same hopes: to be seen, to be heard, to exist.
R Eric Thomas
I’m sure I’ll be an anxious old man, and I’ll probably end up lying in my grave going, “Ugh, I feel like there’s something I should be doing right now. I wonder if everyone is angry at me. Oh my God, how long is this going to take? And what happens next?
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
One of the most fascinating things about the Dewey decimal system is that while there are distinct categories for every subject imaginable, it also allows for internal referencing, acknowledging that while a book may be about one subject and exist in one place, it also has a corollary placement elsewhere. At the same time. And that’s okay. I understood that a book could be many things at once, without conflict or contradiction, long before I realized it about people. Or, at least, long before I admitted it.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
This is a party that used to embrace freedom but now they've abandoned the principles of Thomas Jefferson and adopted the tactics of Joseph Stalin.' he says. And he, (Eric O'Keefe) notes that those tactics are even aimed at fellow Democrats who don't fall in line.
Kimberly Strassel
It’s about way more than that though. It’s about Seven. Sekani. Kenya. DeVante. It’s also about Oscar. Aiyana. Trayvon. Rekia. Michael. Eric. Tamir. John. Ezell. Sandra. Freddie. Alton. Philando. It’s even about that little boy in 1955 who nobody recognized at first—Emmett.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
We are not going to band together and listen to a bunch of scientists to save humanity like Jake Gyllenhaal in a disaster movie. Sorry. You know how I know? Because a bunch of scientists are telling us how to save the world right now, and half the world isn’t listening to them.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
In every office I’ve worked, word of complimentary cake races through the ranks of the cubicle class like it’s a rumor about the Wells Fargo wagon showing up in River City, Iowa. Free break room cake is a blessing, a gift from some benevolent force that asks nothing of you in return. Free break room cake offers you an opportunity to share a portion of some other person’s joy, both literally and figuratively. In a space built on capitalist power structures, free break room cake reminds you that you don’t need to produce anything to be deserving of a little sweetness.
R. Eric Thomas (Congratulations, The Best Is Over!: Essays)
In the Occident the city has been the greatest opportunity and the worst influence; a place of creation and decay, of freedom and subjection, of riches and poverty, of splendor and misery, of communion and lonesomeness—an optimal milieu for talent, character, vice and corruption. Eric Hoffer
Thomas Sowell (Economic Facts and Fallacies)
No wonder so many philosophers walked. Socrates, of course, liked nothing more than strolling in the agora. Nietzsche regularly embarked on spirited two-hour jaunts in the Swiss Alps, convinced “all truly great thoughts are conceived by walking.” Thomas Hobbes had a walking stick custom made with a portable inkwell attached so he could record his thoughts as he ambled. Thoreau regularly took four-hour treks across the Concord countryside, his capacious pockets overflowing with nuts, seeds, flowers, Indian arrowheads, and other treasures. Immanuel Kant, naturally, maintained a highly regimented walking routine. Every day, he’d eat lunch at 12:45 p.m., then depart for a one-hour constitutional — never more, never less — on the same boulevard in Königsberg, Prussia (now Russia). So unwavering was Kant’s routine that the people of Königsberg set their watches by his perambulations.
Eric Weiner (The Socrates Express: In Search of Life Lessons from Dead Philosophers)
I felt I’d disappointed my parents. And my church. And my whole race, actually. Isn’t that the prevailing narrative for people in oppressed groups of all kinds: your ancestors suffered so you could achieve, so you better achieve. Rosa Parks didn’t sit on that bus for me to go to New York and turn gay.
R Eric Thomas
Kristen says, "I keep thinking if I go back to the beginning of the campaign and I say, 'You need to just release all of your emails right now,' it'll be fine. But then I think I should go back further, so i go back to when she's secretary of state and tell her, 'Oh, girl, a private server, no.' But then I remember, LOL, misogyny is the reason we're here, so I need to go back to whenever that didn't exist and I keep going back further and further until I'm all the way back before the Big Bang, and when I get there I whisper to the cloud of dust, 'It's not worth it.' And then I fade away like I'm Marty McFly's siblings.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Selbst neben diesen eindrucksvollen literarischen Zeugnissen (gemeint sind Werke von Arthur Schnitzlers, Franz Kafka und Thomas Mann) konnte Freuds Prosa bestehen. Sein Deutsch - für das er 1930 den Goetherpreis erhalten hatte - war einfach, wundervoll klar, humorvoll und unendlich selbstreferentiell. Das Buch hatte mir eine neue Welt eröffnet.
Eric Kandel, Auf der Suche nach dem Gedächtnis
I’m tempted to say that I have a struggle with depression, because that’s the commonly used phrase, but it’s really more of an ongoing partnership than a struggle. Depression just hangs out with me like a lax babysitter who is ambivalent about my bedtime. Depression is a text conversation that ebbs and flows; every once in a while, Depression texts, “Have you seen this meme? It’s going to psychologically wreck you for six months. Brunch soon?” Depression is like Jiminy Cricket riding around on my shoulder, but instead of acting as my conscience, it just mumbles, “You’re bad, things are bad, and nothing will improve.” And at this point I’m just like, “…Okay.” Like, we get it, girl. Thanks!
R. Eric Thomas (Congratulations, The Best Is Over!: Essays)
This regiment included some of the most famous army officers of the era, including Colonel Albert Sidney Johnston, then–Lieutenant Colonel Robert E. Lee, Major George H. Thomas, Captains Edmund Kirby Smith and Earl Van Dorn, then-Lieutenant Fitzhugh Lee, and Lieutenant John Bell Hood—all of whom became general officers during the Civil War and five of whom commanded armies.
Eric J. Wittenberg (The Union Cavalry Comes of Age: Hartwood Church to Brandy Station, 1863)
We had the easiness that comes from knowing the same stories and knowing which parts you’re supposed to say at what time. I often wonder who the audience is for those stories, the ones everyone gathered has heard every year, the ones most of us lived through. Maybe they’re not for anyone outside of the circle. Maybe the telling is the metronome by which we set the beating of our hearts.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Maybe it’s like one of those “heartwarming” race movies where a white person with suspect ideas and a black person become friends and they both learn a lesson about difference except nothing that’s learned is new to the black person, who was just going about their black business when this whole thing started. If you see it that way, please feel free to option this story for an Oscar-winning Hollywood movie.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
in some small way, is a mutual agreement to hope—to hope it will work out until it doesn’t, to hope it won’t hurt too much until it does, to hope that being together is better than being apart, to hope that something beautiful and sustaining will flourish. To make something out of the beauty and the mess. And part of that hope is the belief that the best is waiting out there for us just beyond today’s horizon.
R. Eric Thomas (Congratulations, The Best Is Over!: Essays)
Ireally loved her. Isn’t that something? Before I knew myself, before I knew that sexuality was a spectrum, before the difficulties of college and becoming and stepping out into the world, I fell in love with a young woman in high school. We had a friendship that bloomed into a prom date like the culmination of a teen romcom. It’s a simple story. And one that could end right there. Except it doesn’t. Or rather it won’t.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Every family’s story is a tale of becoming, sometimes through oppression, sometimes through achievement, and sometimes simply through the current of time. We were born grasping after freedom, in a house that could not hold us; every day we get closer and closer to our destination, until our features come into view. Soon, everyone further on down the family line can see us from their seats at the table; we’re coming home.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
There are probably few more interesting date options than lazily wandering the aisles of a library or a bookstore. Better if you’re getting paid for it. Not that we were on dates or that we were dating. That would be untrue. But if you were inclined to get to know someone, to show them a piece of yourself, to perhaps fall a little bit in love, you’d be hard-pressed to find a better way than by spending hours picking up books, flipping them open, and talking about what you find inside.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
By the time we moved back to Baltimore, the “Believe” trash cans were long gone and the benches had yet another slogan painted on them. This city has had more eras than Taylor Swift. The slogan that greeted us as we arrived was “Baltimore: the greatest city in America.” And at that point I was like, “Okay, absolutely not.” Babe. This feels like shade. The greatest city? In America?? Better than Chicago? Better than Pawnee, Indiana?! Better than the murder capital of the world, Cabot Cove, Maine? Okay…
R. Eric Thomas (Congratulations, The Best Is Over!: Essays)
Every family's story is a tale of becoming, sometimes through oppression, sometimes through achievement, and sometimes simply through the current of time. We were born grasping after freedom, in a house that could not hold us; every day we got closer and closer to our destination, until our features come into view. Soon, everyone further on down the family line can see us from their seats at the table; we're coming home. Set a place for us. We're hungry, we have so much to talk about, and we're coming home.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
I tell this story because of what knowledge it began in me—the complexity of love, the shape-shifting heaviness of grief, and the possibility of tragedy. I tell this story because she left before the end and I’m trying to find her in the darkness. And with her, a piece of myself. I tell this story because I believe that somewhere, still, two teenagers are standing outside a library, and their eyes are ringed with tears. And in this place, she hugs me, and I whisper in her ear, and anything is possible, for anyone. Forever.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Another thing I liked about the Dewey decimal system was that it could sometimes function as a secret code. Every once in a while during my high school years, I would hesitantly and cautiously type “gay” into a search bar in a card catalog. Just “gay,” as if more specificity would kill me right on the spot. Libraries were the only space I felt remotely comfortable even acknowledging the question—which didn’t yet even have words or language, just the faint outline of the punctuation. And where if not a library could I go to understand the unknown, to expand my world, to make sense out of gibberish? I would type “gay” and then survey the titles that came up and then click the window closed without ever doing any further exploring. I didn’t know what I thought I might find if I actually went to the aisle where the books were. A very quiet gay bar, perhaps? I figured it wasn’t worth the risk. But as I closed the screen, I memorized the Dewey decimal number of the section where, I presumed, a mirror ball sprinkled stardust across the aging carpet and the rows of books waiting to be opened.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Perhaps the thing that is even more overflowing with possibility than a crush is love. In whatever form it takes, from whatever context it is drawn. With a crush, after all, there are sort of only two outcomes when you get down to it: it will bloom or it will wither. But love? Love seems to have infinite possible beginnings, endings, permutations, subtle shifts, and seismic changes. Love, I’ve learned, is different every time you look at it. Love is every possible love story all at once. Love is a library. And nothing is as fat with possibility as a library.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Of all the major developments in the history of science, there may be no better example than that of the periodic system to argue against Thomas Kuhn’s thesis that scientific progress occurs through a series of sharp revolutionary stages.20 Indeed, Kuhn’s insistence on the centrality of revolutions in the development of science and his efforts to single out revolutionary contributors has probably unwittingly contributed to the retention of a Whiggish history of science, whereby only the heroes count while blind alleys and failed attempts are written out of the story.21
Eric Scerri (The Periodic Table: Its Story and Its Significance)
At every turn, while he was investigating the background for his study of Thomas Nashe, he would encounter the Church — what Chesterton called (another book title) The Thing. It was everywhere. At one point, he later told me (and he was never very specific just when that point occurred), he decided that the thing had to be sorted out or he couldn't rest. Either it ws true, or it wasn't. Either the entire matter was true, all of it, exactly as the Church claimed, or it was the biggest hoax ever perpetrated on a gullible mankind. With that choice clearly delineated, he set out to find which was the case. What came next was not more study, but testing. The matter had to be tested — on its own terms: that is, by prayer. He told me that the principal prayer that he used was not some long or complex formula, but simply, "Lord, please, send me a sign." He reported that, almost immediately, not one but a deluge of signs arrived. And they continued to arrive unabated for a long time. As to just what the signs consisted in and what happened next, well, some things must remain private. The reader may deduce the rest from the fact of his conversion. ... -- Eric McLuhan, introduction
Marshall McLuhan (The Medium and the Light: Reflections on Religion)
There was a young man who, you know, He wanted to make a lot of money And so he went to this Guru, right. And he told the Guru, “You know I wanna be on the same level you’re on.” And so The Guru said, “If you wanna be on the same level I’m on, I’ll meet tomorrow, At the beach, at 4 AM.” He’s like, “The beach? I said I wanna make money. I don’t wanna swim.” Guru said, “If you wanna make money, I’ll meet you tomorrow. 4 AM.” So the young man got there 4 AM. He all ready to rock n’ roll. Got on a suit. Should have worn shorts. The old man grabs his hand and said, “How bad do you wanna be successful?” He said, “Real bad”. [The Guru] He said, “Walk on out in the water.” So he walks out into the water. Watch this. When he walks out into the water it goes waist deep. So he’s like, “This guy crazy. I wanna make money and he got me out here swimming. I didn’t ask to be a lifeguard. I wanna make money.” So he [The Guru] said, “Come out a little further.” [He] walked out a little further. Then he had it right around this area, The shoulder area. “So this old man crazy. He making money, But he crazy.” So he [The Guru] said, “Come on out a little further.” He came out a little further, It was right at his mouth, My man like, “I’m not about to go back in. This guy out of his mind.” So the old man said, “I thought you said you wanted to be successful?” He said, “I do.” He [The Guru] said, “Walk a little further.” He came, Dropped his head in, Held him down, Hold him down, My man getting scratchy, Holding him down, He [The Guru] had him held down, Just before my man was about to pass out, He [The Guru] raised him up. He [The Guru] said, “I got a question for you.” He [The Guru] said, “When you were underwater, what did you want to do?” He said, “I wanted to breathe.” He [The Guru] told the guy; He [The Guru] said, “When you want to succeed, As bad as you want to breathe, Then you’ll be successful.
Eric Thomas (The Secret to Success)
Indigenous Poetry Conflict Resolution for Holy Beings, by Joy Harjo Ghost River (Wakpá Wanági), by Trevino L. Brings Plenty The Book of Medicines, by Linda Hogan The Smoke That Settled, by Jay Thomas Bad Heart Bull The Crooked Beak of Love, by Duane Niatum Whereas, by Layli Long Soldier Little Big Bully, by Heid E. Erdrich A Half-Life of Cardio-Pulmonary Resuscitation, by Eric Gansworth NDN Coping Mechanisms, by Billy-Ray Belcourt The Invisible Musician, by Ray A. Young Bear When the Light of the World Was Subdued, Our Songs Came Through, edited by Joy Harjo New Poets of Native Nations, edited by Heid E. Erdrich The Failure of Certain Charms, by Gordon Henry Jr.
Louise Erdrich (The Sentence)
At Tulliallan Police College DI John Rebus based at St. Leonard’s police station in Edinburgh DI James “Jazz” McCullough based in Dundee DI Francis Gray based in Glasgow DS Stu Sutherland based in Livingston DI Thomas “Tam” Barclay based in Falkirk DC Allan Ward based in Dumfries DCI Archibald Tennant the Resurrection Men’s boss Andrea Thomson career analyst The Rico Lomax Murder Case Eric “Rico” Lomax murder victim Fenella Rico’s widow “Chib” Kelly Fenella’s current lover, Glasgow bar owner and criminal Richard “Dickie” Diamond Rico’s friend Malky Dickie’s nephew, barman in Edinburgh Jenny Bell Dickie’s onetime girlfriend Bernie Johns deceased Glasgow drug baron
Ian Rankin (Resurrection Men (Inspector Rebus, #13))
Oskar Schell: My father died at 9-11. After he died I wouldn't go into his room for a year because it was too hard and it made me want to cry. But one day, I put on heavy boots and went in his room anyway. I miss doing taekwondo with him because it always made me laugh. When I went into his closet, where his clothes and stuff were, I reached up to get his old camera. It spun around and dropped about a hundred stairs, and I broke a blue vase! Inside was a key in an envelope with black written on it and I knew that dad left something somewhere for me that the key opened and I had to find. So I take it to Walt, the locksmith. I give it to Stan, the doorman, who tells me keys can open anything. He gave me the phone book for all the five boroughs. I count there are 472 people with the last name black. There are 216 addresses. Some of the blacks live together, obviously. I calculated that if I go to 2 every Saturday plus holidays, minus my hamlet school plays, my minerals, coins, and comic convention, it's going to take me 3 years to go through all of them. But that's what I'm going to do! Go to every single person named black and find out what the key fits and see what dad needed me to find. I made the very best possible plan but using the last four digits of each phone number, I divide the people by zones. I had to tell my mother another lie, because she wouldn't understand how I need to go out and find what the key fits and help me make sense of things that don't even make sense like him being killed in the building by people that didn't even know him at all! And I see some people who don't speak English, who are hiding, one black said that she spoke to God. If she spoke to god how come she didn't tell him not to kill her son or not to let people fly planes into buildings and maybe she spoke to a different god than them! And I met a man who was a woman who a man who was a woman all at the same time and he didn't want to get hurt because he/she was scared that she/he was so different. And I still wonder if she/he ever beat up himself, but what does it matter? Thomas Schell: What would this place be if everyone had the same haircut? Oskar Schell: And I see Mr. Black who hasn't heard a sound in 24 years which I can understand because I miss dad's voice that much. Like when he would say, "are you up yet?" or... Thomas Schell: Let's go do something. Oskar Schell: And I see the twin brothers who paint together and there's a shed that has to be clue, but it's just a shed! Another black drew the same drawing of the same person over and over and over again! Forest black, the doorman, was a school teacher in Russia but now says his brain is dying! Seamus black who has a coin collection, but doesn't have enough money to eat everyday! You see olive black was a gate guard but didn't have the key to it which makes him feel like he's looking at a brick wall. And I feel like I'm looking at a brick wall because I tried the key in 148 different places, but the key didn't fit. And open anything it hasn't that dad needed me to find so I know that without him everything is going to be alright. Thomas Schell: Let's leave it there then. Oskar Schell: And I still feel scared every time I go into a strange place. I'm so scared I have to hold myself around my waist or I think I'll just break all apart! But I never forget what I heard him tell mom about the sixth borough. That if things were easy to find... Thomas Schell: ...they wouldn't be worth finding. Oskar Schell: And I'm so scared every time I leave home. Every time I hear a door open. And I don't know a single thing that I didn't know when I started! It's these times I miss my dad more than ever even if this whole thing is to stop missing him at all! It hurts too much. Sometimes I'm afraid I'll do something very bad.
Eric Roth
That, for a while, seemed like life. And if I was really being honest with myself, I wasn’t into it. The only option was to sit in the pews every Sunday at church and casually wonder if I was going to go to hell because of who I was? No, thank you. Or to understand that the structures on which the country was built were engineered against me? Hard pass. What choice did I have besides constantly code-switching between identities as a means of hiding in plain sight? And wasn’t it just normal to feel like such a mistake as an adult that every time I walked over a bridge or stood on a subway platform, I had to talk myself out of stepping over the edge? I came to believe I was a monster and that I deserved to feel the way I felt. And I didn’t want to turn the page. But through it all there was a constant tethering me to the idea of a future: the library. The library is the place where I could borrow first Grover’s philosophical tome, then a couple of Choose Your Own Adventures I could cheat at, and later a stack of mysteries I could spoil for myself, all attempts to look for some other way of understanding who I was. In the book stacks, I found The Bluest Eye and The Color Purple and Giovanni’s Room and David Rakoff’s Fraud and more. I saw a new vision of Otherness in those books, and the pages kept turning. At the end of every one was a wall waiting to be broken down—a lurch toward becoming—a new paragraph in a story with an ending far different from what I’d ever dared imagine. Every story, whether truth or fiction, is an invitation to imagination, but even more so, it’s an invitation to empathy. The storyteller says, “I am here. Does it matter?” The words that I found in these books were a person calling out from a page, “I am worthy of being heard and you are worthy of hearing my story.” It seems simple but it’s a bold declaration. How many times in life do we receive the message, implicit or explicit, that what we’ve experienced or what we feel isn’t noteworthy or remarkable? The books that I found in the library, ones that I deeply understood and ones that seemed so outside of my experience they might as well have been written in Klingon, all carried the same hopes: to be seen, to be heard, to exist.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)