Equestrian Love Quotes

G took another gulp, and thought about the best way to break the equestrian news. My dear, you know those four-legged majestical beasts of the land? Well, you married one! No. That could not be the right approach. My sweet, have you ever had a difficult time deciding between man or beast? Well, now you don’t have to! Again, he thought better of this tactic. Sweet lady, there are those of us who sleep lying down, and those of us who sleep standing up. I can do both. No. You know how some men claim to have another, perhaps hairier side? Have you ever cursed the fact that your loved one has just the two legs?Did you know that horses have incredible balance? Hey! What’s that over there? And then he would gallop away.

Why do you like show jumping?" "... Beauty and excitement. The elements of trust, talent, training, love, and danger make show jumping a thrilling and aesthetic experience. It's really the ultimate test of two nervous systems--the kinetic transfer of the rider's muscle to the horse's muscle enables them to clear those jumps. And there's nothing like it--horse and rider forming an arc of beauty, efficiency, and power, like a double helix." "DNA," "Yes, DNA, the code to life.

Over time, this unspoken attration continued to blossom, refusing to dwindle or fade, though they had little opportunity to foster or nourish it. Slowly and patiently, Robert's sheer persistence in the chase had revealed his heart, and Charlotte came to realize the nameless thing between them was love.

Felix was jealous. Felix wanted him so much he’d started sabotaging his hookups. That was an amazing development. Even if it did mean people thought Avi took a love of equestrianism way too far.

The truth is that I'd gain nothing by being a saint after being dead, an artist is what I am, and the only thing I want is to be alive so I can keep going along at donkey level in this six-cylinder touring car I bought from the marines' consul, with this Trinidadian chauffeur who was a baritone in the New Orleans pirates' opera, with my genuine silk shirts, my Oriental lotions, my topaz teeth, my flat straw hat, and my bicolored buttons, sleeping without an alarm clock, dancing with beauty queens, and leaving them hallucinated with my dictionary rhetoric, and with no flutter in my spleen if some Ash Wednesday my faculties wither away, because in order to go on with this life of a minister, all I need is my idiot face, and I have more than enough with the string of shops I own from here to beyond the sunset, where the same tourists who used to go around collecting from us through the admiral, now go stumbling after my autographed pictures, almanacs with my love poetry, medals with my profile, bits of my clothing, and all of that without the glorious plague of spending all day and all night sculpted in equestrian marble and shat on by swallows like the fathers of our country.

I happily trailed behind her as she excitedly guided me from stall to stall ... I wasn't even interested in the bling on her rear pockets anymore. I was interested in her, not bedding her, but her. Her expression was pure glee. Innocent. I was already in love with her because of the way she loved her horses. She was as at home with them as I was.

But even before she got to college, Ann's thinking had become to change. She could no longer see herself working for the system. The system was corrupt through and through, she said, and you could not be a part of it without becoming corrupt yourself. So it was goodbye to that dream, as it was goodbye to "Dooley" and goodbye to horses. Oh, she would always love horses, she said, but equestrianism was on that growing list of things (along with tennis, weddings, monogamy, and cocktail parties) that she now called bourgeois affectations. (Sometimes she said, "That is such a B.A.," for short.)

Robbie said he never saw a horse take so easily to a rider, but Annis wasn't surprised. Bits always understood what she wanted, from a slow walk to a trot, from a canter to a gallop. He was as eager as she for their more daring rides, the ones they made when no one could see them. He loved to run, and they both loved jumping. He sailed effortlessly over fallen trees, mane and tail rippling. He popped over rows of shrubs as easily as a leaping deer, making Annis feel as if she could fly.

The truth is that I'd gain nothing by being a saint after being dead, an artist is what I am, and the only thing I want is to be alive so I can keep going along at donkey level in this six-cylinder touring car I bought from the marine's consul, with this Trinidadian chauffeur who was a baritone in the New Orleans pirates' opera, with my genuine silk shirts, my Oriental lotions, my topaz teeth, my flat straw hat, and my bicolored buttons, sleeping without an alarm clock, dancing with beauty queens, and leaving them hallucinated with my dictionary rhetoric, and with no flutter in my spleen if some Ash Wednesday my faculties wither away, because in order to go on with this life of a minister, all I need is my idiot face, and I have more than enough with the string of shops I own from here to beyond the sunset, where the same tourists who used to go around collecting from us through the admiral, now go stumbling after my autographed pictures, almanacs with my love poetry, medals with my profile, bits of my clothing, and all of that without the glorious plague of spending all day and all night sculpted in equestrian marble and shat on by swallows like the fathers of our country.

For two weeks every August, the normally private Charlotte Square opens its gates to admit the literary masses. Huge white tents block views of the iron railings that normally keep everyone out, and picnic tables and pastel deck chairs circle the equestrian statue of Prince Albert in the middle of the lawn, inviting readers to relax with their newest signed novel. The tents fill with crowds to see every sort of author: high-flying politicos touting bestselling memoirs; writers of fantasy, chick-lit, sci-fi, young adult (and every possible combination of those). Authors and illustrators enthrall throngs of preschoolers and parents; up-and-comers present their work for appreciative and encouraging audiences. Books are signed by the hundreds and set out for sale in the inviting bookshop tents. People bask in the sunshine, when there is any, or gather in the café tent and grumble good-naturedly about the rain. They shake hands; gush "I love your work"; add to their "to be read" lists, and leave carrying new hardbacks in handy Book Festival-branded tote bags.

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