Episode Title In Quotes

You told me there wouldn’t be any Rod Serling voice-overs, yet here I am in the middle of a Twilight Zone episode. Oh, and let me guess the title of it, Night of the Terminally Stupid! (Channon)

When I am high I couldn’t worry about money if I tried. So I don’t. The money will come from somewhere; I am entitled; God will provide. Credit cards are disastrous, personal checks worse. Unfortunately, for manics anyway, mania is a natural extension of the economy. What with credit cards and bank accounts there is little beyond reach. So I bought twelve snakebite kits, with a sense of urgency and importance. I bought precious stones, elegant and unnecessary furniture, three watches within an hour of one another (in the Rolex rather than Timex class: champagne tastes bubble to the surface, are the surface, in mania), and totally inappropriate sirenlike clothes. During one spree in London I spent several hundred pounds on books having titles or covers that somehow caught my fancy: books on the natural history of the mole, twenty sundry Penguin books because I thought it could be nice if the penguins could form a colony. Once I think I shoplifted a blouse because I could not wait a minute longer for the woman-with-molasses feet in front of me in line. Or maybe I just thought about shoplifting, I don’t remember, I was totally confused. I imagine I must have spent far more than thirty thousand dollars during my two major manic episodes, and God only knows how much more during my frequent milder manias. But then back on lithium and rotating on the planet at the same pace as everyone else, you find your credit is decimated, your mortification complete: mania is not a luxury one can easily afford. It is devastating to have the illness and aggravating to have to pay for medications, blood tests, and psychotherapy. They, at least, are partially deductible. But money spent while manic doesn’t fit into the Internal Revenue Service concept of medical expense or business loss. So after mania, when most depressed, you’re given excellent reason to be even more so.

There’s a great episode of The Office in which this strategy lands Michael Scott and Dwight Schrute in a lake during a sales trip, Michael shouting, “The machine knows!” as he follows the GPS instructions and drives his SUV off the road into the water. I’ve watched a lot of good people drive their lives, their families, their churches, their communities, even their countries into a lake, shouting, “The Bible knows!” all the way down.

This is an argument I made in a podcast episode titled "Three Myths Christian Women Believe". The first myth was that you are enough. My counter was this: you're not enough, you'll never be enough, and that's okay, because God is.

David Gerrold never wrote an episode that Gene thought was shootable … then how do we account for something titled “The Trouble with Tribbles”?)

Prior to the fourth edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-IV), the diagnosis of Dissociative Identity Disorder had been referred to as Multiple Personality Disorder. The renaming of this diagnosis has caused quite a bit of confusion among professionals and those who live with DID. Because dissociation describes the process by which DID begins to develop, rather than the actual outcome of this process (the formation of various personalities), this new term may be a bit unclear. We know that the diagnosis is DID and that DID is what people say we have. We’d just like to point out that words sometimes do not describe what we live with. For people like us, DID is just a step on the way to where we live—a place with many of us inside! We just want people who have little ones and bigger ones living inside to know that the title Dissociative Identity Disorder sounds like something other than how we see ourselves—we think it is about us having different personalities. Regardless of the term, it is clear that, in general, the different personalities develop as a reaction to severe trauma. When the person dissociates, they leave their body to get away from the pain or trauma. When this defense is not strong enough to protect the person, different personalities emerge to handle the experience. These personalities allow the child to survive: when the child is being harmed or experiencing traumatic episodes, the other personalities take the pain and/ or watch the bad things. This allows these children to return to their body after the bad things have happened without any awareness of what has occurred. They do this to create different ways to make sense of the harm inflicted upon them; it is their survival mechanism.

In this short philosophical novel he completely undermined the kind of optimism about humanity and the universe that Pope and Leibniz had expressed, and he did it in such an entertaining way that the book became an instant bestseller. Wisely Voltaire left his name off the title page, otherwise its publication would have landed him in prison again for making fun of religious beliefs. Candide is the central character. His name suggests innocence and purity. At the start of the book, he is a young servant who falls hopelessly in love with his master's daughter, Cunégonde, but is chased out of her father's castle when he is caught in a compromising position with her. From then on, in a fast-moving and often fantastical tale, he travels through real and imaginary countries with his philosophy tutor Dr Pangloss, until he finally meets up with his lost love Cunégonde again, though by now she is old and ugly. In a series of comical episodes Candide and Pangloss witness terrible events and encounter a range of characters along the way, all of whom have themselves suffered terrible misfortunes. Voltaire uses the philosophy tutor, Pangloss, to spout a caricatured version of Leibniz's philosophy, which the writer then pokes fun at. Whatever happens, whether it is a natural disaster, torture, war, rape, religious persecution or slavery, Pangloss treats it as further confirmation that they live in the best of all possible worlds. Rather than causing him to rethink his beliefs, each disaster just increases his confidence that everything is for the best and this is how things had to be to produce the most perfect situation. Voltaire takes great delight in revealing Pangloss' refusal to see what is in front of him, and this is meant to mock Leibniz's optimism. But to be fair to Leibniz, his point wasn't that evil doesn't occur, but rather that the evil that does exist was needed to bring about the best possible world. It does, however, suggest that there is so much evil in the world that it is hardly likely that Leibniz was right – this can't be the minimum needed to achieve a good result. There is just too much pain and suffering in the world for that to be true. In

Hi, I’m Kirk Cameron. I know I’m late . . .” “You are,” he said. He looked at his watch. “The audition was at 4:30. It’s 5.” He started to close the door. Instinctively, I put my foot out so he couldn’t close it. “I know, I know. But my mom will kill me if I don’t do this audition. Please can I read just to tell her I did it?” He looked over his shoulder, probably to ask what the others thought, then opened the door. I had no idea what I was auditioning for except that it was a “pilot”—the first episode of a TV series that determines whether the network will put the show on its schedule. I’d gotten the script ahead of time but had really only glanced at it. I knew nothing about the show. To me, the title Growing Pains sounded dramatic and gritty. I left the audition without a sense of how things had gone. They laughed, but I wasn’t sure they were supposed to.

Hillary served as a U.S. senator from New York but did not propose a single important piece of legislation; her record is literally a blank slate. Liberal blogger Markos Moulitsas admits that she “doesn’t have a single memorable policy or legislative accomplishment to her name.”2 Despite traveling millions of miles as secretary of state, Hillary negotiated no treaties, secured no agreements, prevented no conflicts—in short, she accomplished nothing. Lack of accomplishment is one thing; deceit is quite another. Everyone who has followed her career knows that Hillary is dishonest to the core, a “congenital liar” as columnist William Safire once put it. The writer Christopher Hitchens titled his book about the Clintons No One Left to Lie To. Even Hollywood mogul David Geffen, an avid progressive, said a few years ago of the Clintons, “Everybody in politics lies but they do it with such ease, it’s troubling.”3 She said her mother named her after the famed climber Sir Edmund Hillary, until someone pointed out that Hillary was born in 1947 and her “namesake” only became famous in 1953. On the campaign trail in 2008, Hillary said she had attempted as a young woman to have applied to join the Marines but they wouldn’t take her because she was a woman and wore glasses. In fact, Hillary at this stage of life detested the Marines and would never have wanted to join. She also said a senior professor at Harvard Law School discouraged her from going there by saying, “We don’t need any more women.”4 If this incident actually occurred one might expect Hillary to have identified the professor. Certainly it would be interesting to get his side of the story. But she never has, suggesting it’s another made-up episode.

In nearly every episode of fear mongering I discussed in the previous chapters as well, people with fancy titles appeared. Hardly ever were they among the leading figures in their field. Often they were more akin to the authorities in “War of the Worlds”: gifted orators with elevated titles. Arnold Nerenberg and Marty Rimm come immediately to mind. Nerenberg (a.k.a. “America’s road-rage therapist”) is a psychologist quoted uncritically in scores of stories even though his alarming statistics and clinical descriptions have little scientific evidence behind them. Rimm, the college student whom Time glorified in its notorious “cyberporn” issue as the “Principal Investigator” of “a research team,” is almost totally devoid of legitimate credentials.

Wilson, “whose strange past is darkly troubled” (Radio Life), and Ray Brandon, a bitter ex-con on parole. By the early 1950s, the Bauer family had become the serial’s center: Bill and Bertha (Bert), their 11-year-old son, Michael, and Meta Bauer, Bill’s sister. Three decades later, the TV serial was still focused on the Bauer brothers and their careers in law and medicine. The Ruthledges and the Kranskys were fading memories, and the “guiding light” of the title was little more than symbolic. In its heyday, it was one of Phillips’s prime showpieces. She produced it independently, sold it to sponsors, and offered it to the network as a complete package. Phillips paid her own casts, announcers, production crews, and advisers (two doctors and a lawyer on retainer) and still earned $5,000 a week. She dared to depart from formula, even to the extent of occasionally turning over whole shows to Ruthledge sermons. Her organist, Bernice Yanocek, worked her other shows as well, and the music was sometimes incorporated into the storylines, as being played by Mary Ruthledge in her father’s church. A few episodes exist from the prime years. Of equal interest is an R-rated cast record, produced for Phillips when the show was moving to New York and the story was changing direction. It’s typical racy backstage stuff, full of lines like “When your bowels are in a bind, try new Duz with the hair-trigger formula.” It shows what uninhibited fun these radio people had together.

A couple of weeks before, while going over a Variety list of the most popular songs of 1935 and earlier, to use for the picture’s sound track – which was going to consist only of vintage recording played not as score but as source music – my eye stopped on a .933 standard, words by E.Y. (“Yip”) Harburg (with producer Billy Rose), music by Harold Arlen, the team responsible for “Over the Rainbow”, among many notable others, together and separately. Legend had it that the fabulous Ms. Dorothy Parker contributed a couple of lines. There were just two words that popped out at me from the title of the Arlen-Harburg song, “It’s Only a Paper Moon”. Not only did the sentiment of the song encapsulate metaphorically the main relationship in our story – Say, it’s only a paper moon Sailing over a cardboard sea But it wouldn’t be make-believe If you believed in me – the last two words of the title also seemed to me a damn good movie title. Alvin and Polly agreed, but when I tried to take it to Frank Yablans, he wasn’t at all impressed and asked me what it meant. I tried to explain. He said that he didn’t “want us to have our first argument,” so why didn’t we table this conversation until the movie was finished? Peter Bart called after a while to remind me that, after all, the title Addie Pray was associated with a bestselling novel. I asked how many copies it had sold in hardcover. Peter said over a hundred thousand. That was a lot of books but not a lot of moviegoers. I made that point a bit sarcastically and Peter laughed dryly. The next day I called Orson Welles in Rome, where he was editing a film. It was a bad connection so we had to speak slowly and yell: “Orson! What do you think of this title?!” I paused a beat or two, then said very clearly, slowly and with no particular emphasis or inflection: “Paper …Moon!” There was a silence for several moments, and then Orson said, loudly, “That title is so good, you don’t even need to make the picture! Just release the title! Armed with that reaction, I called Alvin and said, “You remember those cardboard crescent moons they have at amusement parks – you sit in the moon and have a picture taken?” (Polly had an antique photo of her parents in one of them.) We already had an amusement park sequence in the script so, I continued to Alvin, “Let’s add a scene with one of those moons, then we can call the damn picture Paper Moon!” And this led eventually to a part of the ending, in which we used the photo Addie had taken of herself as a parting gift to Moze – alone in the moon because he was too busy with Trixie to sit with his daughter – that she leaves on the truck seat when he drops her off at her aunt’s house. … After the huge popular success of the picture – four Oscar nominations (for Tatum, Madeline Kahn, the script, the sound) and Tatum won Best Supporting Actress (though she was the lead) – the studio proposed that we do a sequel, using the second half of the novel, keeping Tatum and casting Mae West as the old lady; they suggested we call the new film Harvest Moon. I declined. Later, a television series was proposed, and although I didn’t want to be involved (Alvin Sargent became story editor), I agreed to approve the final casting, which ended up being Jodie Foster and Chris Connolly, both also blondes. When Frank Yablans double-checked about my involvement, I passed again, saying I didn’t think the show would work in color – too cute – and suggested they title the series The Adventures of Addie Pray. But Frank said, “Are you kidding!? We’re calling it Paper Moon - that’s a million-dollar title!” The series ran thirteen episodes.

The NPs in Figure 7.1 have an internal constituent generally known as ‘N-bar’ (N' or ), which we have not yet mentioned. N-bars may consist solely of nouns or, as here, of nouns with qualifiers, excluding determiners (i.e. articles, demonstrative or possessive adjectives, or quantifiers such as many) and adjuncts. They need to be treated as sub-constituents of the NP by virtue of certain properties which they alone have. For example, in complex noun phrases, they can generally be replaced by the pro-form one, a property not lost on the writers of Friends in the 1990s. In each of these titles one can be replaced by, for example, ‘episode’, ‘Friends episode’, or even ‘weekly Friends episode’: •  The One with the Sonogram at the End •  The One Where Underdog Gets Away •  The One After the Ski Trip

When I am high I couldn’t worry about money if I tried. So I don’t. The money will come from somewhere; I am entitled; God will provide. Credit cards are disastrous, personal checks worse. Unfortunately, for manics anyway, mania is a natural extension of the economy. What with credit cards and bank accounts there is little beyond reach. So I bought twelve snakebite kits, with a sense of urgency and importance. I bought precious stones, elegant and unnecessary furniture, three watches within an hour of one another (in the Rolex rather than Timex class: champagne tastes bubble to the surface, are the surface, in mania), and totally inappropriate sirenlike clothes. During one spree in London I spent several hundred pounds on books having titles or covers that somehow caught my fancy: books on the natural history of the mole, twenty sundry Penguin books because I thought it could be nice if the penguins could form a colony. Once I think I shoplifted a blouse because I could not wait a minute longer for the woman-with-molasses feet in front of me in line. Or maybe I just thought about shoplifting, I don’t remember, I was totally confused. I imagine I must have spent far more than thirty thousand dollars during my two major manic episodes, and God only knows how much more during my frequent milder manias. But then back on lithium and rotating on the planet at the same pace as everyone else, you find your credit is decimated, your mortification complete: mania is not a luxury one can easily afford. It is devastating to have the illness and aggravating to have to pay for medications, blood tests, and psychotherapy. They, at least, are partially deductible. But money spent while manic doesn’t fit into the Internal Revenue Service concept of medical expense or business loss. So after mania, when most depressed, you’re given excellent reason to be even more so.

No, read it now, Tom.” The article was titled “Magnum, the Champagne of TV?” In a typical television series, the professor wrote, “Each episode stands by itself. Characters and situations develop only slightly, if at all.” But Magnum was different. “Its creators have established and refined a new television form that stands between the traditional self-contained episodic forms and the open-ended serials. Call it the ‘cumulative narrative.’ One episode’s events can greatly affect later events, but they’re seldom directly tied together. Each week’s program is distinct, yet each is grafted onto the body of the series, its characters’ pasts.” Magnum was all about memory and storytelling, according to Newcomb. He singled out the show’s voice-over narration, which he said provided “a central perspective and permit[ted] Magnum’s ongoing moral dialogue with himself.” And all of it, the professor said, was true to the post-Vietnam world that Americans found themselves living in.

The title is “I am not the sexist pig you are looking for”. He is merely attempting to state that he is not a sexist pig right? Until one understands the cultural reference to Star Wars Episode IV: A New Hope. Then his insidious plan is revealed! Muahahaha! Just kidding. But it does resemble a striking similarity to a scene on Tatooine. The scene where Master Obi-wan “Ben” Kenobi uses the force and tells the Stormtroopers “these are the not the droids you are looking for” The odd thing in this scene is that they were the droids that the Empire was looking for. After the comments Mr. Harris made and the obvious lack of scientific credibility in his statements, the writers are betting he wished he had the force and mind trick.

I haven’t read it,” Martin repeated. “If you haven’t read the book, I suppose you must have seen the BBC documentary series he made. They ran it in America on PBS.” “No, didn’t see it.” “None of it? There were four episodes.” Martin shook his head. “No, sorry.” “Did you read one of his follow-up books?” “No, I read the title, and a synopsis.” “A synopsis.” Martin shrugged. “Part of the synopsis.” “Ah, yes,” Phillip said.

The challenges we face on Earth are not theoretical either; they are all too real and they are mostly being created by people. In 2009, the BBC’s Horizon series aired an episode about how many people can live on Earth. It was called How Many People Can Live on Planet Earth? (The BBC has a gift for titles.) There are now 7.2 billion people on Earth. That’s nearly twice as many as in 1970, and we’re heading for nine billion by the middle of the century and twelve billion by the end of it. We all have the same basic needs for clean air, water, food, and fuel for the lives we lead. So how many people can the Earth sustain?

While we are in the realm of comedy, it is worth recalling that one of the best and best-known episodes of the historical sitcom Blackadder, titled ‘Ink and Incapability’, confronts this very subject. Its fidelity to history is limited (Jane Austen is Johnson’s contemporary, and apparently has ‘a beard like a rhododendron’), but its representation of the perils of lexicography is just. The

Perkins kept a folder titled “Notes on the Male Mind” and recorded this episode in it. It played a major role in her political education: “I learned from this that the way men take women in political life is to associate them with motherhood. They know and respect their mothers—99 percent of them do. It’s a primitive and primary attitude. I said to myself, ‘That’s the way to get things done. So behave, dress, and so comport yourself that you remind them subconsciously of their mothers.’ 

This all could have been so much easier,” he added with a sigh, “if you’d known sooner what was happening to Elizabeth. You have many acquaintances in English society; how is it they never mentioned it to you?” “In the first place, I was away from England for almost a year after the episode. In the second place,” Ian added with contempt, “among what is amusingly called Polite Society, matters that concern you are never discussed with you. They are discussed with everyone else, directly behind your back if possible.” Ian watched an inexplicable smile trace its way across his uncle’s face. “Putting their gossip aside, you find them an uncommonly proud, autocratic, self-assured group, is that it?” “For the most part, yes,” Ian said shortly as he turned and strode up the stairs. When his door closed the vicar spoke to the empty room. “Ian,” he said, his shoulders beginning to shake with laughter, “you may as well have the title-you were born with the traits.” After a moment, however, he sobered and lifted his eyes to the beamed ceiling, his expression one of sublime contentment. “Thank You,” he said in the direction of heaven. “It took You a rather long time to answer the first prayer,” he added, referring to the reconciliation with Ian’s grandfather, “but You were wonderfully prompt with the one for Elizabeth.

Ambrose's injured left arm, but Ambrose rammed Regal into the ring post to badly disorientate him. Then, Ambrose ruthlessly kneed Regal's head into an exposed turnbuckle, causing Regal to bleed from the ear; the match was then ruled a no contest. After the match, Regal stared down Ambrose, then applauded him and turned his head to allow Ambrose to hit him with the Knee Trembler. Afterwards, the FCW locker room stormed the ring to separate Ambrose from a fallen Regal while commentators questioned whether Regal would ever be able to wrestle again. Ambrose made his main roster debut on November 18, 2012 at the Survivor Series pay-per-view alongside Roman Reigns and Seth Rollins, where they assaulted Ryback during the triple-threat main event for the WWE Championship, leading to CM Punk pinning John Cena to retain his title. The trio declared themselves "The Shield" and vowed to rally against "injustice". They denied working for Punk, but routinely emerged from the crowd to attack Punk's adversaries, including Ryback, The Miz, Kane and Daniel Bryan, who had attempted to save Kane. This led to a Tables, Ladders, and Chairs match being set up for the TLC payper-view pitting the three men of the Shield against Ryback and Team Hell No (Kane and Bryan), which Ambrose, Reigns and Rollins won in their debut match. The Shield continued to aid Punk after TLC; during Punk and Ryback's TLC match for the WWE Championship on the January 7 episode of Raw, they attacked Ryback, which resulted in Punk retaining his title. During the Royal Rumble event where the Rock challenged for Punk's WWE Championship, match, a blackout occurred and the Rock was

attacked in the darkness by unknown assailants, directly leading to Punk pinning Rock; the announcers blamed the Shield for the attack. The match was later restarted with Rock winning. The next day on Raw, the Shield attacked and laid out John Cena; Sheamus and Ryback suffered the same fate when they attempted to save Cena. Later in the show, it was revealed through footage played by Vince McMahon that Punk and/or his manager Paul Heyman had been paying the Shield and Brad Maddox to work for them all along. This set up a six-man tag team match at Elimination Chamber, which the Shield won. At WrestleMania 29, The Shield made victims of Randy Orton, Sheamus & Big Show in what was The Show of Shows debut of "The Hounds of Justice." The following night on Raw, The Shield attempted to attack The Undertaker but were stopped by Team Hell No. This set up a six-man tag team match on the April 22 episode of Raw, where The Shield emerged victorious. Four days later on SmackDown, Ambrose made his singles debut against Undertaker but lost via submission, after which the Shield attacked Undertaker and triple-powerbombed him through the announcer's table. On the May 3 episode of SmackDown, Ambrose defeated Kane in a singles match. On May 19 at Extreme Rules, Ambrose defeated Kofi Kingston to win the WWE United States Championship, his first singles title in WWE, while Rollins and Reigns won the WWE Tag Team Championships later that night. Ambrose made his first televised title defense on the following episode of SmackDown, retaining his title when he was disqualified due to the rest of the Shield's interference. Three days later on Raw, Ambrose defeated Kingston again to retain his title. At WWE Payback, Ambrose defeated Kane via

a Cell match for the main event at the pay-per-view. Later in the week on Smackdown, on the Miz TV segment between Ambrose and Cena, the match was revealed to be a No Holds Barred Contract On A Pole Match. On the October 13 episode of Raw, Ambrose and Cena had their match that night instead in which Ambrose won and will face Seth Rollins in a Hell in a Cell match at the Hell in a Cell pay-per-view. At Hell in a Cell, Ambrose lost to Rollins after Bray Wyatt attacked Ambrose at the end of the main event match. The next few weeks saw Ambrose and Wyatt taunting and attacking each other in both backstage and in-ring segments, with Wyatt claiming that he could "fix" Ambrose, leading to a match at Survivor Series. Ambrose lost the match by disqualification after hitting Wyatt with a steel chair and then hit Wyatt through a table in which Wyatt would be buried under tables and chairs as Ambrose stood on a ladder. This would then soon after announce another match between the two in a tables, ladders and chairs match on the TLC pay-perview next month. During the match, a television monitor blew up in Ambrose's face, allowing Wyatt to win the match. Ambrose managed to beat Wyatt in a Boot Camp match yet again was defeated by Wyatt in a "Miracle on 34th Street Fight". The feud concluded when Wyatt beat Ambrose in the first Ambulance match held on Raw. At the Royal Rumble, Ambrose participated in the Royal Rumble match, but was eliminated by Kane and Big Show. On the January 19 episode of Raw, Ambrose defeated Intercontinental Champion Bad News Barrett. The following weeks, Ambrose demanded a match for Barrett's title, but Barrett declined, leading to Ambrose attacking him, tying his hands around the ring post, and forcing him to sign a contract

Defender. Despite what he may have thought, he did not challenge Joséphine’s apparent bigamy. Later some diligent reporters, having determined that there was no marriage record and that the count title was fake, learned that the whole episode was a publicity stunt. Joséphine dropped the countess title. By the time the sham was

So, the claim made by the Forbes resolution and Barton about federal funds authorizing evangelism and/or the "propagation of the gospel to the heathen" is simply false. While some might dismiss this as a minor point, we find the claim tendentious and troubling.  Those who make the claim about government-sponsored evangelism obscure the whole story of the Gnadenhutten massacre and the real purpose of the involvement of the federal government with the United Brethren and the Christian Indians. By making these bills about Jefferson and his alleged support for religion, Barton minimizes an atrocity committed against native Americans.  When one examines this episode in context, it is clear that the federal government did not simply decide to give money to the United Brethren in order for them to "propagate the gospel among the heathen." The federal government gave a trust to a group of people who organized as "The Society of the United Brethren for propagating the Gospel among the Heathen" for the purpose of helping the brutalized native people return and keep rights to their lands. If there had not been an atrocity and subsequent displacement of the Delaware converts, there would have been no need for federal legislation in this case. The narrative developed by Barton and others is misleading and obscures the situation. All Jefferson did was approve bills that had a religious society's name attached to the title. Barton’s appropriation of the story hides a cruel irony. It was the propagation of the Gospel among the Indians that led to their conversion and pacifism. They would not protect themselves or fight back against their aggressors because of the Gospel they believed. Barton wants to make this story about a government outreach to teach Indians the Gospel, when it was the actions of a state militia that led to the slaughter of men, women, and children from their community. If anything, this story provides a precedent for reparations paid to those harmed by government action. The Christian Indians were brutally murdered by a state militia and in response, the federal government attempted to deed them land.

Dennis dreamed of one day having his own Trisha episode, with the title, “My brother’s farts smell well bad

Quinn occasionally spoofed the titles of juvenile books and the one Fibber returns to the library in this episode is the raciest of the lot: The Rover Boys at Earl Carroll’s. In the tag Jim strikes a serious note as he observes what is taking place overseas: “We’re lucky to be living to a country where they have guards around the camp to keep people out.

Sanne intervened to ask the title of my book, and Isolde said, scathingly, “'Love on the Infinity Express'. That sounds like the next big brainy best-seller, doesn't it?” “Sounds like total hand-holding all the way from Samanbar to Alsalem,” said Arriana. “Dear Lea, no, that title won't do. Couldn't you come up with something more jazzy? Like 'The Dashing Soldier Boy's Ravishing Desire'? And, yes, come up with a titillating cover too, alright? Bare breasts, male and female, with a fuchsia color scheme is the way to go.

George Alfred Henty (1832–1902), who began his writing career in the 1860s. Henty – educated at Westminster and Caius, Cambridge, the son of a wealthy stockbroker – had been commissioned in the Purveyor’s Department of the army, and gone to the Crimea during the war. There he had drifted into journalism, sending back reports for the Morning Advertiser and the Morning Post before catching fever and being invalided home. He continued to work in the Purveyor’s Department until the mid-Sixties, when the life of the war correspondent and the writer of boys’ adventure stories seemed overwhelmingly more interesting and better paid. Four generations of British children grew up with Henry’s irresistible stories, beautifully produced, bound and edited, on their shelves. The Henty phenomenon – over seventy titles celebrating imperialistic derring-do – really belongs to the 1880s, but deserves a mention here not only because of his radical and political views, but because of the direction taken by his career as a writer. The Henty story, by the time he had got into his stride, followed the formula that a young English lad in his early teens, freed from the shackles of public school or home upbringing by the convenient accident of orphanhood, finds himself caught up in some thrilling historical episode. The temporal sweep is impressive, ranging from Beric at Agincourt to The Briton: a story of the Roman Invasion; but the huge majority are exercises in British imperialist myth-building: By Conduct and Courage, A Story of the Days of Nelson, By Pike and Dyke, By Sheer Pluck, A Tale of the Ashanti War, Condemned as a Nihilist, The Dash for Khartoum, For Name and Fame: or through the Afghan Passes, Jack Archer, A Tale of the Crimea, Through the Sikh War. A Tale of the Punjaub (sic); The Tiger of Mysore, With Buller in Natal, With Kitchener in the Soudan, and so on.

Paul McCartney agreed to make a cameo on the TV show The Simpsons only if Lisa Simpson became a vegetarian for the rest of the series. The show agreed and he appeared in season 7 episode titled "Lisa the Vegetarian.

Arthur Q. Bryan makes his first appearance as a man asking questions about a radio program. Quinn, who had earlier taken pot shots at the cliffhanger endings of soap operas, parodies the genre in this episode with the fictitious title David’s First Wife’s Second Husband.

The very title of the episode, The Magicks of Megas-Tu, shows the writers had clear knowledge of Satanist Aleister Crowley’s spelling of the word ‘magic’ by adding the letter “k” on the end to signify it was of a satanic kind. In fact, IMDB—the Internet Movie Database, the most popular online resource for film information, contains some interesting revelations about the man who created the Star Trek franchise. Gene Roddenberry (August 19, 1921–October 24, 1991) was raised as a Southern Baptist, but as an adult considered himself to be a humanist and agnostic. He actually viewed religion as a primary cause of many wars and rejected organized religion.528

The titles of both musical selections are in the same key as the show’s theme this week.This is another of the pun-filled episodes right up to Fibber’s closing line. Ideas come from many places, but if Charles Schulz had listened to Fibber’s mixture of disparate plotlines that never come together, the bit might have been filed away in his subconscious until awakened years later by a beagle sitting in front of a typewriter on a doghouse.

At times like this he likes to think of his life as one big piece of performance art. Not structured enough to be an actual play, it is full of irrationality and minuscule details and can only be viewed from the inside out. Once. By him. If he doesn’t black out. He titles this episode: Pinching pennies and prostitutes—frugal fucking in LA.

In a 16-episode series titled “Clan of the Fiery Cross,” the writers pitted the Man of Steel against the men in white hoods. As the storyline progressed, the shows exposed many of the KKK’s most guarded secrets. By revealing everything from code words to rituals, the program completely stripped the Klan of its mystique. Within two weeks of the broadcast, KKK recruitment was down to zero. And by 1948, people were showing up to Klan rallies just to mock them.