Epic Universe Quotes

Vogon poetry is of course, the third worst in the universe. The second worst is that of the Azgoths of Kria. During a recitation by their poet master Grunthos the Flatulent of his poem "Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning" four of his audience died of internal haemorrhaging and the president of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos was reported to have been "disappointed" by the poem's reception, and was about to embark on a reading of his 12-book epic entitled "My Favourite Bathtime Gurgles" when his own major intestine, in a desperate attempt to save humanity, leapt straight up through his neck and throttled his brain. The very worst poetry of all perished along with its creator, Paul Neil Milne Johnstone of Redbridge, in the destruction of the planet Earth. Vogon poetry is mild by comparison.

Stay! Take the drink. Take my hand. Marry me.

In eternity this world will be like Troy, I believe, and all that has passed here will be the epic of the universe, the ballad they sing in the streets.

Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.

believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it. I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting. The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it. I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look. Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted. Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is. You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural. You are more than dust and bones. You are spirit and power and image of God. And you have been given Today.

I have been thinking about existence lately. In fact, I have been so full of admiration for existence that I have hardly been able to enjoy it properly . . . I feel sometimes as if I were a child who opens its eyes on the world once and sees amazing things it will never know any names for and then has to close its eyes again. I know this is all mere apparition compared to what awaits us, but it is only lovelier for that. There is a human beauty in it. And I can’t believe that, when we have all been changed and put on incorruptibility, we will forget our fantastic condition of mortality and impermanence, the great bright dream of procreating and perishing that meant the whole world to us. In eternity this world will be Troy, I believe, and all that has passed here will be the epic of the universe, the ballad they sing in the streets. Because I don’t imagine any reality putting this one in the shade entirely, and I think piety forbids me to try.

Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. ... We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either. People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox. ... But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. ... What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.

Such movies are always a danger...falling in love is something most adults have actually experienced...The theme is universal and encourages...unhealthy comparisons...why can't our lives be like that? It's a box left unopened, and its avoidance explains the continued popularity of vampire epics and martial-arts extravaganzas.

I don’t know why it’s not universally acknowledged that looking back is a terrible idea. It only makes going forward that much harder.

To him, any place could serve as home—more than that: wherever he happened to be was the universe.

He saw the white paper as the great universe of nonexistence. A single stroke would give rise to existence within it. He could evoke rain or wind at will, but whatever he drew, his heart would remain in the painting forever. If his heart was tainted, the picture would be tainted; if his heart was listless, so would the picture be. If he attempted to make a show of his craftsmanship, it could not be concealed. Men’s bodies fade away, but ink lives on. The image of his heart would continue to breathe after he himself was gone.

At every level in our inventory, nothing seems special about our Earth, our Sun, our Galaxy, our Local Group. Evidently, mediocrity reigns throughout. Such is our niche in the Universe.

I could try composing wonderful musical works, or day-long entertainment epics, but what would that do? Give people pleasure? My wiping this table gives me pleasure. And people come to a clean table, which gives them pleasure. And anyway" - the man laughed - "people die; stars die; universes die. What is any achievement, however great it was, once time itself is dead? Of course, if all I did was wipe tables, then of course it would seem a mean and despicable waste of my huge intellectual potential. But because I choose to do it, it gives me pleasure. And," the man said with a smile, "it's a good way of meeting people. So where are you from, anyway?

He faced the terror of that second ocean, the largest a man can face. He looked up at the tiny shores of other worlds and its great expanse. He was afraid of it, of the deepness despite the starry fields.

J. R. R. Tolkien, the near-universally-hailed father of modern epic fantasy, crafted his magnum opus The Lord of the Rings to explore the forces of creation as he saw them: God and country, race and class, journeying to war and returning home. I’ve heard it said that he was trying to create some kind of original British mythology using the structure of other cultures’ myths, and maybe that was true. I don’t know. What I see, when I read his work, is a man trying desperately to dream. Dreaming is impossible without myths. If we don’t have enough myths of our own, we’ll latch onto those of others — even if those myths make us believe terrible or false things about ourselves. Tolkien understood this, I think because it’s human nature. Call it the superego, call it common sense, call it pragmatism, call it learned helplessness, but the mind craves boundaries. Depending on the myths we believe in, those boundaries can be magnificently vast, or crushingly tight.

Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted. Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is. You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural. You are more than dust and bones. You are spirit and power and image of God. And you have been given Today.

We all talk a big game like the universe is actually setting us up for something epic, and then everything ends. If we were all just a little more realistic, we wouldn't keep losing people.

The creation myths of the various peoples and religions of the world pale when compared to the glory of the big bang. The three-billion-year history of life’s evolution from self-reproducing molecules to civilization contains twists and romances that cannot be matched by any myth or epic. There is also the poetic vision of space and time in relativity, the weird subatomic world of quantum mechanics … these wondrous stories of science all possess an irresistible attraction. Through the medium of science fiction, I seek only to create my own worlds using the power of imagination, and to make known the poetry of Nature in those worlds, to tell the romantic legends that have unfolded between Man and Universe.

I know, but still. Hear this now, Mina," he paused. "You are the truest of truths and in some alternate universe where people could be whatever they wanted, you would be Queen.

Though we might like to think so, humankind is not at any special, unique or privileged location in the gargantuan, perhaps infinite, Universe.

Be awesome. Do epic shit. Do it now. The clock is ticking.

[L]et us not overlook the further great fact, that not only does science underlie sculpture, painting, music, poetry, but that science is itself poetic. The current opinion that science and poetry are opposed is a delusion. ... On the contrary science opens up realms of poetry where to the unscientific all is a blank. Those engaged in scientific researches constantly show us that they realize not less vividly, but more vividly, than others, the poetry of their subjects. Whoever will dip into Hugh Miller's works on geology, or read Mr. Lewes's “Seaside Studies,” will perceive that science excites poetry rather than extinguishes it. And whoever will contemplate the life of Goethe will see that the poet and the man of science can co-exist in equal activity. Is it not, indeed, an absurd and almost a sacrilegious belief that the more a man studies Nature the less he reveres it? Think you that a drop of water, which to the vulgar eye is but a drop of water, loses anything in the eye of the physicist who knows that its elements are held together by a force which, if suddenly liberated, would produce a flash of lightning? Think you that what is carelessly looked upon by the uninitiated as a mere snow-flake, does not suggest higher associations to one who has seen through a microscope the wondrously varied and elegant forms of snow-crystals? Think you that the rounded rock marked with parallel scratches calls up as much poetry in an ignorant mind as in the mind of a geologist, who knows that over this rock a glacier slid a million years ago? The truth is, that those who have never entered upon scientific pursuits know not a tithe of the poetry by which they are surrounded. Whoever has not in youth collected plants and insects, knows not half the halo of interest which lanes and hedge-rows can assume. Whoever has not sought for fossils, has little idea of the poetical associations that surround the places where imbedded treasures were found. Whoever at the seaside has not had a microscope and aquarium, has yet to learn what the highest pleasures of the seaside are. Sad, indeed, is it to see how men occupy themselves with trivialities, and are indifferent to the grandest phenomena—care not to understand the architecture of the universe, but are deeply interested in some contemptible controversy about the intrigues of Mary Queen of Scots!—are learnedly critical over a Greek ode, and pass by without a glance that grand epic... upon the strata of the Earth!

Are there any particular majors you're interested in?" "Not really." Saying advanced breakfast with a minor in cable television would surely bring about some epic battle that Mrs. Wentworth's smile was doomed to lose.

Stop waiting for permission to be epic.

Nobody's going to give you the gift of awesome. Nobody's going to make you good, or great, or amazing, or epic. Nobody's going to make you an expert or an authority or a voice anyone should listen to. Nobody's going to level you up. If you want that next level, take it. Take it for yourself. Grab it. Become it. Claim it. Write a treatise. Create an event. Champion a cause. Build something great. Speak your mind. Make the call. Build the business. Author the book. Send the email. Do it. Do it.

[T]he idea that some of us can simply opt out of politics—the idea that politics is something one chooses as a vocation, rather than something we have whether we choose it or not; something that encompasses the inevitable material realities that shape every atom of our lives: where we live, how we work, our relationship to justice—is a fantasy of epic proportions. This kind of nonpolitical storytelling—and the stunted readership it demands—asks us to uphold the lie that certain bodies, certain characters, certain stories, remain depoliticized, neutral, and universal.

Seen like that, he was just a shadow; darkness, a nothingness, before real power. The men of this world, epics included, would pass from time. I might be a worm to him, but he was a worm himself in the grand scheme of the universe.

I have a story to tell you. It has many beginnings, and perhaps one ending. Perhaps not. Beginnings and endings are contingent things anyway; inventions, devices. Where does any story really begin? There is always context, always an encompassingly greater epic, always something before the described events, unless we are to start every story with “BANG! Expand! Sssss…,” then itemize the whole subsequent history of the universe before settling down, at last, to the particular tale in question. Similarly, no ending is final, unless it is the end of all things…

...epic, epic love is not about having someone. It's about being willing to give them up. It's sacrifice. It's my mom's theater tickets stuffed down at the bottom of her jewelry box. It's Noah and August. It's my sister and Annabelle. It's Jordan and his mom, the truth he reserves to protect her. And see, that's the thing I didn't understand. The thing no one tells you. That just because you find love doesn't mean it's yours to keep. Love never belongs to you. It belongs to the universe.

Priam and Achilles meet in the very twilight of their lives. Their extinction is certain and there will be no reward for behaving well, and yet, in the face of implacable fate and an indifferent universe, they mutually assert the highest ideals of their humanity.

Enemy," hiss the bushes all around. The rest of the Pride glided forward, surrounding Lily, Rowan, and Spike.

Space extends in every direction, mostly empty, and waiting for arrogant planet-dwellers to draw their last breaths. Space can outwait you. Always.

Now let me tell you what I know. Our God is real. Our God is coming. Our God has plans for us. Our lives are short. We must get after it. Because heaven is coming fast. And what we are about to do here is urgent. It’s more urgent than we could ever imagine. We get to play little parts in the epic story of a God who put this whole universe in motion with a word.

But most critically, sweet, never try to change the narrative structure of someone else’s story, though you will certainly be tempted to, as you watch those poor souls in school, in life, heading unwittingly down dangerous tangents, fatal digressions from which they will unlikely be able to emerge. Resist the temptation. Spend your energies on your story. Reworking it. Making it better. Increasing the scale, the depth of content, the universal themes. And I don’t care what those themes are – they’re yours to uncover and stand behind – so long as, at the very least, there is courage. Guts. Mut, in German. Those around you can have their novellas, sweet, their short stories of cliché and coincidence, occasionally spiced up with tricks of the quirky, the achingly mundane, the grotesque. A few will even cook up Greek tragedy, those born into misery, destined to die in misery. But you, my bride of quietness, you will craft nothing less than epic with your life. Out of all of them, your story will be the one to last.

Devoid of all light, the room is saturated with the anguish of Kate’s despair – a deep well of stormy emotions that seems to snake its descent into the soundless black void of the dark mother.  Down here, only silence can be heard, the heartbeat of Medusa herself.  Kate’s tears have dried on her cheeks, and she lies on her back, eyes open but unfocused as her ever-inquisitive mind desperately searches for answers.  Like the tongue of some prehistoric lizard, her brain extends itself into missiles of unfolding light, emissaries embarking on a journey of epic proportions.

Welcome true believers, this is Stan Lee. We’re about to embark the exploration of a fantastic new universe and the best part is that you are gonna create it with me. You may know me as a storyteller, but hey on this journey consider me your guide. I provide the widy and wonderful worlds and you create the sights, sounds and adventures. All you need to take part is your brain. So take a listen and think big, no bigger, we make it an epic. Remember when I created characters like the Fantastic Four and the X-Men? We were fascinated by science and awed by the mysteries of the great beyond. Today we consider a nearer deeper unknown one inside ourselves. […] we asked: What is more real? A world that we are born into or the one we create ourselves. As we begin this story, we find humanity lost within is own techno bubble. With each citizen the star of their own digital fantasy. […] But the real conundrum is, just because we have the ability to recreated ourselves, should we? […] Excelsior!” 

I am the goblin king," he said with a shrug. "Tell your people this and demand that they help us find the portal back to Mylena." Wyatt started to laugh like a frickin' hyena, which made Greta groan again.

Only the bravest souls dare to participate in the most epic of journeys, such as the story of Earth. Your struggles will be greatly rewarded with levels of consciousness beyond anything ever witnessed in the history of the universe.

The ender dragon chortled. It sounded like thunder broken across the knee of the world. I am the infinite lightning night-lizard at the end of the universe. I am the master of time and death. The fire of creation is my youngest brother. In my stomach, galaxies churn in cosmic acid and are digested into meaninglessness. ED opened one vast violet eye. You can't fool me with a pumpkin, dummy.

For the earliest Christians, the story of salvation was entirely one of rescue, all the way through: the epic of God descending into the depths of human estrangement to release his creatures from bondage to death, penetrating even into the heart of hades to set the captives free and recall his prodigal children and restore a broken creation. The sacrifice of Christ was not a “ransom” paid to the Father, but rather the “manumission fee” (λύτρον, lytron) given to purchase the release of slaves held in bondage in death’s household.

It’s not as if he’s had much of a chance until now, but somehow he has internalized the ur-cultural narrative: you grow up, go to university, get a job, meet Ms. Right, get married, settle down, have kids, grow old together . . . it’s like some sort of checklist. Or maybe a list of epic quests you’ve got to complete while level-grinding in a game you’re not allowed to quit, with no respawns and no cheat codes.

For if there were a list of cosmic things that unite us, reader and writer, visible as it scrolled up into the distance, like the introduction to some epic science-fiction film, then shining brightly on that list would be the fact that we exist in a financial universe that is subject to massive gravitational pulls from states. States tug at us. States bend us. And, tirelessly, states seek to determine our orbits.

The exuberant Husky crew gingerly hoisted Walling out of the shell and sent him off to the hospital. Astonished fans and journalists gathered around them on the dock, peppering them with questions: Was the University of Washington in the District of Columbia? Where exactly was Seattle, anyway? Were any of them really lumberjacks?

We are accelerating and extending our minds through our computers and algorithms, through our medical prowess and our accumulated knowledge. These minds of ours are the most precious things; we need to cherish all seven-plus billion of them. Walking this rocky globe somewhere today may be a human who will take us to the next level of insight. This person could be anywhere-from Africa to Asia, Oceania to Europe, or in the Americas. This person could even be you. And that journey will be as extraordinary as this one.

your shit needs to be more epic. level it up broseph

We had a physicist, Professor Peter Gorham from the University of Hawaii, come on board for the original pilot because we all agreed to make the science as real as we can.

Isaac stopped her at the bottom of the stairs with a crooked smile. "I would wish you sweet dreams, but how can they be memorable if I won't be in them?

If everything was easy, we'd never know for sure when we've achieved greatness.

Prophecy is characteristic for the epic, prediction for the novel.

He wasn’t born a warrior—but the universe doesn’t wait for readiness.” — from Echoes of the Astral War: Book One – Vatika

Vogon poetry is of course the third worst in the Universe. The second worst is that of the Azgoths of Kria. During a recitation by their Poet Master Grunthos the Flatulent of his poem “Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning” four of his audience died of internal hemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos is reported to have been “disappointed” by the poem’s reception, and was about to embark on a reading of his twelve-book epic entitled My Favorite Bathtime Gurgles when his own major intestine, in a desperate attempt to save life and civilization, leaped straight up through his neck and throttled his brain. The very worst poetry of all perished along with its creator, Paula Nancy Millstone Jennings of Greenbridge, Essex, England, in the destruction of the planet Earth.

They could not see the sprawling Sachsenhausen concentration camp under construction that summer just north of Berlin, where before long more than two hundred thousand Jews, homosexuals, Jehovah’s Witnesses, Gypsies, and eventually Soviet prisoners of war, Polish civilians, and Czech university students would be held, and where tens of thousands of them would die.

That same year DC had Superman: Doomed (“the super-event you have been waiting for”) and Futures End, which the company boasted would “forever alter the direction” of the DC universe.

I feel sometimes as if I were a child who opens its eyes on the world once and sees amazing things it will never know any names for and then has to close its eyes again. I know this is all mere apparition compared to what awaits us, but it is only lovelier for that. There is a human beauty in it. And I can't believe that, when we have all been changed and put on incorruptibility, we will forget our fantastic condition of mortality and impermanence, the great bright dream of procreating and perishing that meant the whole world to us. In eternity this world will be Troy, I believe, and all that has passed here will be the epic of the universe, the ballad they sing in the streets. Because I don't imagine any reality putting this one in the shade entirely, and I think piety forbids me to try.

Usually, this universal struggle and competition is silent and polite, and it sis so wholly accepted that one forgets that it is selfish; but it has the seeds in it of jealousy and covetousness and greed, and thence of crime.

He practiced the code of swift reprisal that was almost universally practiced by the Indians themselves: Failure to strike back, he understood, would only be interpreted as weakness and inevitably lead to an even bolder assault.

It is the thing of myth and legend and the greatest epic stories ever written. But it's not myth or legend or story, and that's why it's not even really a world religion. Christianity is just the way it is. Whether you like it or not, one man has united the tribes, overthrown the tyrant, and established Himself as the master of the universe. Sufficient proofs have been left in the historical records to convince any critic who isn't too bigoted to read the evidence on its own merits. Not believing it doesn't change it, and scoffing at it only proves you to be a fool. It's the most potent Word ever spoken because this Word hasn't been spoken by man alone, but by the very mouth of the Creator God.

The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.

On the eleventh day, it finally stopped raining. Musashi chafed to be out in the open, but it was another week before they were able to return to work under a bright sun. The field they had so arduously carved out of the wilderness had disappeared without a trace; in its place were rocks, and a river where none had been before. The water seemed to mock them just as the villagers had. Iori, seeing no way to reclaim their loss, looked up and said, “This place is beyond hope. Let’s look for better land somewhere else.” “No,” Musashi said firmly. “With the water drained off, this would make excellent farmland. I examined the location from every angle before I chose it.” “What if we have another heavy rain?” “We’ll fix it so the water doesn’t come this way. We’ll lay a dam from here all the way to that hill over there.” ‘That’s an awful lot of work.” “You seem to forget that this is our dōjō. I’m not giving up a foot of this land until I see barley growing on it.” Musashi carried on his stubborn struggle throughout the winter, into the second month of the new year. It took several weeks of strenuous labor to dig ditches, drain the water off, pile dirt for a dike and then cover it with heavy rocks. Three weeks later everything was again washed away. “Look,” Iori said, “we’re wasting our energy on something impossible. Is that the Way of the Sword?” The question struck close to the bone, but Musashi would not give in. Only a month passed before the next disaster, a heavy snowfall followed by a quick thaw. Iori, on his return from trips to the temple for food, inevitably wore a long face, for the people there rode him mercilessly about Musashi’s failure. And finally Musashi himself began to lose heart. For two full days and on into a third, he sat silently brooding and staring at his field. Then it dawned on him suddenly. Unconsciously, he had been trying to create a neat, square field like those common in other parts of the Kanto Plain, but this was not what the terrain called for. Here, despite the general flatness, there were slight variations in the lay of the land and the quality of the soil that argued for an irregular shape. “What a fool I’ve been,” he exclaimed aloud. “I tried to make the water flow where I thought it should and force the dirt to stay where I thought it ought to be. But it didn’t work. How could it? Water’s water, dirt’s dirt. I can’t change their nature. What I’ve got to do is learn to be a servant to the water and a protector of the land.” In his own way, he had submitted to the attitude of the peasants. On that day he became nature’s manservant. He ceased trying to impose his will on nature and let nature lead the way, while at the same time seeking out possibilities beyond the grasp of other inhabitants of the plain. The snow came again, and another thaw; the muddy water oozed slowly over the plain. But Musashi had had time to work out his new approach, and his field remained intact. “The same rules must apply to governing people,” he said to himself. In his notebook, he wrote: “Do not attempt to oppose the way of the universe. But first make sure you know the way of the universe.

Most people think that they need to be tapped on the shoulder by the Epic Fairy if they ever hope to be epic, or if they're ever going to have the audacity to do something truly epic. But it's not true. Want to be epic? Just do epic shit. There's nothing else to it.

Evolution, energy, and ethics are the core elements that will guide us along the challenging path toward the Life Era: the first - evolution - because a good understanding of our universal roots and of our place in the cosmic scheme of things will help us create a feasible future course; the second - energy - because our fate will bear strongly on the ways that humankind learns to use energy efficiently and safely; and the third - ethics - because global citizenship and a planetary society are crucial factors in the survival of our species.

Napoleon I., whose career had the quality of a duel against the whole of Europe, disliked duelling between the officers of his army. The great military emperor was not a washbuckler, and had little respect for tradition. Nevertheless, a story of duelling, which became a legend in the army, runs through the epic of imperial wars. To the surprise and admiration of their fellows, two officers, like insane artists trying to gild refined gold or paint the lily, pursued a private contest through the years of universal carnage. They were officers of cavalry, and their connection with the high-spirited but fanciful animal which carries men into battle seems particularly appropriate. It would be difficult to imagine for heroes of this legend two officers of infantry of the line, for example, whose fantasy is tamed by much walking exercise, and whose valour necessarily must be of a more plodding kind. As to gunners or engineers, whose heads are kept cool on a diet of mathematics, it is simply unthinkable. The names of the two officers were Feraud and D'Hubert, and they were both lieutenants in a regiment of hussars, but not in the same regiment. [The duel]

I also liked the idea of co-opting something that was already part of the culture. I remember some Nobel Prize–winning scientist once mentioned in an interview—to his horror—that when you Google “the Big Bang Theory,” the show came up first. [Laughs] Not the theory of how the universe began!

There the crowd—mostly concerned Jews, labor leaders, university professors, and Catholics—had listened to more than twenty speakers detailing what was happening in Germany, how the Nazis were concealing it, and why it would be unconscionable for the United States to participate in the games.

The basic lesson of Indian history was already established. Material power like kingdoms, and kings, including Alexander the Great, comes and goes. But spiritual power, embodied in religion and caste and spiritual unity with Brahman, the changeless essence of the universe, lasts forever. Prime

For me,’ I said, ‘sex was like reading an epic story. Kind of confusing at first, but when everything began to make sense, the world disappeared—I lost myself in something bigger than me—and when it was over, all I could think about was going back to the beginning and doing it again.’ ‘Only you could make sex sound boring.

Stop waiting for someone to give you what you want. The universe is too busy to care. It has worlds to create and galaxies to destroy. If you're worried about death and about your own end, don't. It's coming whether you like it or not. You will either arrive at the end of your life in style or you will arrive broken and beaten, but whichever way you choose, have no doubt that you WILL ARRIVE. There is only now. If you have power, it's now. If you can change anything, you have to do it now. If you want to be or to have that next great thing, be it. Have it. Take it. Own it. Do it. Become it. Be awesome. Do epic shit. Do it now. The clock is ticking.

His own life on earth was short, limited; the beauty and splendor of Mount Fuji eternal. Annoyed and a little depressed, he asked himself how he could possibly attach any importance to his accomplishments with the sword. There was an inevitability in the way nature rose majestically and sternly above him; it was in the order of things that he was doomed to remain beneath it. He fell on his knees before the mountain, hoping his presumptuousness would be forgiven, and clasped his hands in prayer—for his mother’s eternal rest and for the safety of Otsū and Jōtarō. He expressed his thanks to his country and begged to be allowed to become great, even if he could not share nature’s greatness. But even as he knelt, different thoughts came rushing into his mind. What had made him think man was small? Wasn’t nature itself big only when it was reflected in human eyes? Didn’t the gods themselves come into existence only when they communicated with the hearts of mortals? Men—living spirits, not dead rock—performed the greatest actions of all. “As a man,” he told himself, “I am not so distant from the gods and the universe. I can touch them with the three-foot sword I carry. But not so long as I feel there is a distinction between nature and humankind. Not so long as I remain distant from the realm of the true expert, the fully developed man.

Fighting for glory is a small passion. Fighting for the voiceless, powerless, ignorant and poor, will put fire in your veins and give your muscles incredible power. Then you will not be alone. The whole Universe will come to your aid. Who can stop you then? Now get up and fight like a man.” Balarama lifted his foot from Suyodhana’s chest and helped him up.

Vogon poetry is of course the third worst in the Universe. The second worst is that of the Azgoths of Kria. During a recitation by their Poet Master Grunthos the Flatulent of his poem “Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning” four of his audience died of internal hemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos is reported to have been “disappointed” by the poem’s reception, and was about to embark on a reading of his twelve-book epic entitled My Favorite Bathtime Gurgles when his own major intestine, in a desperate attempt to save life and civilization, leaped straight up through his neck and throttled his brain.

As a gas of normal matter pulls together-or, rather, falls together-it transforms gravitational potential energy into thermal energy. In other words, it heats up. That sets in motion a competition between gravity workimg to condense matter and thermal-energy pressure spreading matter apart. In the right circumstances, though, if the matter can cool off fast enough, gravity can pull it into very dense concentrations indeed.

In the humanist world following Erasmus, man is at the centre of the universe. Man becomes largely responsible for his own destiny, behaviour and future. This is the new current of thought which finds its manifestation in the writing of the 1590s and the decades which follow. The euphoria of Elizabeth's global affirmation of authority was undermined in these years by intimations of mortality: in 1590 she was 57 years old. No one could tell how much longer her golden age would last; hence, in part, Spenser's attempts to analyse and encapsulate that glory in an epic of the age. This concern about the death of a monarch who - as Gloriana, the Virgin Queen - was both symbol and totem, underscores the deeper realisation that mortality is central to life. After the Reformation, the certainties of heaven and hell were less clear, more debatable, more uncertain.

The epic of evolution that begins with the big bang provides a vision of the universe as a single reality, one long spectacular process of change and development, an unfolding drama, a universal story for humankind—our story. Like no other story it humbles us as we contemplate the complexity of the cosmic process, and it amazes us when we try to imagine its magnitude. Like no other story it evokes reverence as we feel its power, and awe and wonder as we visualize its beauty. Like no other story it gives us a scientifically based cosmology that tells us how we came to be and what we are made of. “The basic elements of our bodies—carbon, calcium, iron—were forged inside supernovas, dying stars, and are billions of years old. We are, in fact, made of stardust. We are intimately related to the universe.”34 Like no other story it teaches us that we are all members of one family sharing the same genetic code and a similar history, and it evokes gratitude for the gift of life itself and inspiration for responsible living. Like no other story it gives meaning and purpose to human beings as the agents responsible for the current and future stage of evolution, psycho-social evolution. Like no other story it provides the individual with a meaningful worldview and a sense of belonging to a larger whole.

People always say, "I wish I was amazing. I wish I was awesome." Fucking hell. Stop whining and just be it already. Be fucking awesome. Nobody's going to give you the gift of awesome. Nobody's going to make you good, or great, or amazing, or epic. Nobody's going to make you an expert or an authority or a voice anyone should listen to. Nobody's going to level you up. If you want that next level, take it. Take it for yourself. Grab it. Become it. Claim it.

But, when you were ready to sell them, you had to know there are bad people out there ready to buy them, right?” She tilted her head as she looked for a hint that he was clued in to that. Stephen sighed. “This is why we beta test. Usually it doesn’t go this badly.” Julia imagined that a little homogenous group of techies probably never pulled their heads out of their groupthink to imagine nightmare scenarios. It was an argument for having diversity in those goddamned meetings.

And Petschek had asked—because he was genuinely puzzled by this—why so many people, Americans especially, seemed to feel that happiness was an entitlement. By dint of his own experiences as a refugee and a wanderer, Petschek found the notion to be strangely naive and immature—especially here at the bottom of a chasm whose ramparts offered such irrefutable testimony not only to the smallness of human affairs but also to the universe’s implacable indifference to those hopes and longings.

And Petschek had asked—because he was genuinely puzzled by this—why so many people, Americans especially, seemed to feel that happiness was an entitlement. By dint of his own experiences as a refugee and a wanderer, Petschek found the notion to be strangely naive and immature—especially here at the bottom of a chasm whose ramparts offered such irrefutable testimony not only to the smallness of human affairs but also to the universe’s implacable indifference to those hopes and longings. Yet

I can’t believe that, when we have all been changed and put on incorruptibility, we will forget our fantastic condition of mortality and impermanence, the great bright dream of procreating and perishing that meant the whole world to us. In eternity this world will be Troy, I believe, and all that has passed here will be the epic of the universe, the ballad they sing in the streets. Because I don’t imagine any reality putting this one in the shade entirely, and I think piety forbids me to try.

We in the West regard the universe as a creation of God; like an invention or a product. After he created the universe, God set himself to oversee it and manage it. We see God as our boss. He created the universe, he is present in it, he manages every part of it, but he is still separate from it. It's like he installed video cameras all over the universe, so he can see everything that happens, and he can cause this or that to happen, but he is not a part of what happens. The Eastern view is very different. To the Hindu, for example, God didn't create the universe, but God became the universe. Then he forgot that he became the universe. Why would God do this? Basically, for entertainment. You create a universe, and that in itself is very exciting. But then what? Should you sit back and watch this universe of yours having all the fun? No, you should have all the fun yourself. To accomplish this, God transformed into the whole universe. God is the Universe, and everything in it. But the universe doesn't know that because that would ruin the suspense. The universe is God's great drama, and God is the stage, the actors, and the audience all at once. The title of this epic drama is "The Great Unknown Outcome." Throw in potent elements like passion, love, hate, good, evil, free will; and who knows what will happen? No one knows, and that is what keeps the universe interesting. But everyone will have a good time. And there is never really any danger, because everyone is really God, and God is really just playing around.

I know this is all mere apparition compared to what awaits us, but it is only lovelier for that. There is a human beauty in it. And I can’t believe that, when we have all been changed and put on incorruptibility, we will forget our fantastic condition of mortality and impermanence, the great bright dream of procreating and perishing that meant the whole world to us. In eternity this world will be Troy, I believe, and all that has passed here will be the epic of the universe, the ballad they sing in the streets.

Yet that success lay in being different from others, and was essentially at variance with the origins and early development of words. Nothing, in fact, is so strange as the glorification of the verbal arts. Seeming at first glance to strive after universality, in fact they concern themselves with subtle ways of betraying the fundamental function of words, which is to be universally applicable. The glorification of individual style in literature signifies precisely that. The epic poems of ancient times are, perhaps, an exception, but every literary work with its author's name standing at its head is no more than a beautiful "perversion of words.

Literature before the Renaissance had frequently offered ideal patterns for living which were dominated by the ethos of the church, but after the Reformation the search for individual expression and meaning took over. Institutions were questioned and re-evaluated, often while being praised at the same time. But where there had been conventional modes of expression, reflecting ideal modes of behaviour - religious, heroic, or social - Renaissance writing explored the geography of the human soul, redefining its relationship with authority, history, science, and the future. This involved experimentation with form and genre, and an enormous variety of linguistic and literary innovations in a short period of time. Reason, rather than religion, was the driving force in this search for rules to govern human behaviour in the Renaissance world. The power and mystique of religion had been overthrown in one bold stroke: where the marvellous no longer holds sway, real life has to provide explanations. Man, and the use he makes of his powers, capabilities, and free will, is thus the subject matter of Renaissance literature, from the early sonnets modelled on Petrarch to the English epic which closes the period, Paradise Lost, published after the Restoration, when the Renaissance had long finished. The Reformation gave cultural, philosophical, and ideological impetus to English Renaissance writing. The writers in the century following the Reformation had to explore and redefine all the concerns of humanity. In a world where old assumptions were no longer valid, where scientific discoveries questioned age-old hypotheses, and where man rather than God was the central interest, it was the writers who reflected and attempted to respond to the disintegration of former certainties. For it is when the universe is out of control that it is at its most frightening - and its most stimulating. There would never again be such an atmosphere of creative tension in the country. What was created was a language, a literature, and a national and international identity.

As a science fiction writer who began as a fan, I do not use my fiction as a disguised way to criticize the reality of the present. I feel that the greatest appeal of science fiction is the creation of numerous imaginary worlds outside of reality. I’ve always felt that the greatest and most beautiful stories in the history of humanity were not sung by wandering bards or written by playwrights and novelists, but told by science. The stories of science are far more magnificent, grand, involved, profound, thrilling, strange, terrifying, mysterious, and even emotional, compared to the stories told by literature. Only, these wonderful stories are locked in cold equations that most do not know how to read. The creation myths of the various peoples and religions of the world pale when compared to the glory of the big bang. The three-billion-year history of life’s evolution from self-reproducing molecules to civilization contains twists and romances that cannot be matched by any myth or epic. There is also the poetic vision of space and time in relativity, the weird subatomic world of quantum mechanics … these wondrous stories of science all possess an irresistible attraction. Through the medium of science fiction, I seek only to create my own worlds using the power of imagination, and to make known the poetry of Nature in those worlds, to tell the romantic legends that have unfolded between Man and Universe.

The Tull-Toks claim that everything in the universe can be read. Each star is a living text, where the massive convection currents of superheated gas tell an epic drama, with the starspots serving as punctuation, the coronal loops extended figures of speech, and the flares emphatic passages that ring true in the deep silence of cold space. Each planet contains a poem, written out in the bleak, jagged, staccato rhythm of bare rocky cores or the lyrical, lingering, rich rhymes—both masculine and feminine—of swirling gas giants. And then there are the planets with life, constructed like intricate jeweled clockwork, containing a multitude of self-referential literary devices that echo and re-echo without end.

Nothing is working. Nothing in my life is working. Giants of literature, philosophy, and the arts have influenced my life, but what have I done with this life? I remain a speck in a tumultuous universe that has little concern for me. I am no more than dust, a mote—dust to dust. I am a blade of grass upon which the stormtrooper’s boot stomps. I had dreams, and they were not about ending up a speck. I didn’t dream of becoming a star, but I thought I might have a small nonspeaking role in a grand epic, an epic with a touch of artistic credentials. I didn’t dream of becoming a giant—I wasn’t that delusional or arrogant—but I wanted to be more than a speck, maybe a midget. I could have been a midget. All our dreams of glory are but manure in the end.

I feel sometimes as if I were a child who opens its eyes on the world once and sees amazing things it will never know any names for and then has to close its eyes again. I know this is all mere apparition compared to what awaits us, but it is only lovelier for that. There is a human beauty in it. And I can’t believe that, when we have all been changed and put on incorruptibility, we will forget our fantastic condition of mortality and impermanence, the great bright dream of procreating and perishing that meant the whole world to us. In eternity this world will be Troy, I believe, and all that has passed here will be the epic of the universe, the ballad they sing in the streets. Because I don’t imagine any reality putting this one in the shade entirely, and I think piety forbids me to try.

In my past, there's also an opportunity I could have taken advantage of that I didn't, and that I wish I had. There's a thing I got rid of that I really wish I'd kept. But the train never backs up. Never. I missed those things, and I will never get a second chance. Do yourself a favor, right now, and realize two things: 1. You will keep getting older, and then you will die. 2. Everything that's ever entered your experience has lasted and will continue to last for only a brief moment in the life of the universe. This is game time, champ. You're in. You're in, playing, right now, and the clock is ticking. So stop wondering what it all means and how you'll possibly ever do X and what people will think, and get on with your life already. Stop being a pussy and go do something amazing. *** DO EPIC SHIT.

The cultured court singer of heroic lays disappears along with the heroic spirit of his public, but heroic poetry survives the heroic age and is more long-lived than the society to which it owes its origin. After the decline of the military aristocratic culture, it turns from an exclusive class interest into a universal art. The fact that this declension was so easily brought about, and that the same kind of poetry could be understood and enjoyed by the upper and lower classes almost simultaneously, can only be explained by assuming that the difference in cultural standards between the rulers and the ruled cannot have been anything like so great as in later ages. It is true that from the very beginning the rulers lived in a different sphere from the people, but they were not yet so conscious of the gulf that divided them from the lower classes.

Consider almost any public issue. Today’s Democratic Party and its legislators, with a few notable individual exceptions, is well to the right of counterparts from the New Deal and Great Society eras. In the time of Lyndon Johnson, the average Democrat in Congress was for single-payer national health insurance. In 1971, Congress overwhelmingly passed the Comprehensive Child Development Act, for universal, public, tax-supported, high-quality day care and prekindergarten. Nixon vetoed the bill in 1972, but even Nixon was for a guaranteed annual income, and his version of health reform, “play or pay,” in which employers would have to provide good health insurance or pay a tax to purchase it, was well to the left of either Bill or Hillary Clinton’s version, or Barack Obama’s. The Medicare and Medicaid laws of 1965 were not byzantine mash-ups of public and private like Obamacare. They were public. Infrastructure investments were also public. There was no bipartisan drive for either privatization or deregulation. The late 1960s and early 1970s (with Nixon in the White House!) were the heyday of landmark health, safety, environmental, and financial regulation. To name just three out of several dozen, Nixon signed the 1970 Clean Air Act, the 1970 Occupational Safety and Health Act, and the 1973 Consumer Product Safety Act. Why did Democrats move toward the center and Republicans to the far right? Several things occurred. Money became more important in politics. The Democratic Leadership Council, formed by business-friendly and Southern Democrats after Walter Mondale’s epic 1984 defeat, believed that in order to be more competitive electorally, Democrats had to be more centrist on both economic and social issues.

In all cases of locating reservations,” he once said, “it would be best to show some deference to the expressed wishes of the tribe.” Euro-Americans, particularly in the boom-and-bust West, were relentlessly mobile. They blew about in the wind—deracinated, it seemed, always in search of better fortune. Miners, traders, trappers, merchants, missionaries, they thought nothing of moving great distances and starting all over when new opportunity struck. The hunger to push on, particularly in a westward direction, was an attribute of the (white) American. But Carson knew enough about Indian culture to recognize that even among nomadic tribes, the familiar landmarks of one’s homeland were profoundly significant—in fact, they were sacred—and one strayed from them with great trepidation. Homeland was crucial in practical terms, but also in terms of ceremony and ritual, central to a tribe’s collective identity and its conception of the universe.

We both took some adjusting to Egyptian notions of friendliness. Stepping outside our Cairo hotel, we were greeted by a host of amiable young men saying, ‘Where you from, mis-tah? Australia? Ah, my brother, he is in Australia! From Sydney, yes? No? Ah, Adelaide! So too my brother! Adelaide is a very fine city, yes, very fine. And your name, mis-tah? Ah, San-dee! My brother, he too is called San-dee! He is an astrophysicist! Please, we are friends! Come to my shop and drink tea!’ Three out of five such invitations will surely lead straight to a carpet or perfume shop, where you will be badgered into buying wares at a very special low price, as is fitting between friends. But the other two are likely to lead to a long, gentle afternoon drinking mint tea in some tiny home, being shown the family albums, meeting the wife and five kids and, sure enough, being shown a photo of the improbable brother, San-dee, standing outside Adelaide University and waving a degree in astrophysics at the camera.

Om-nipotent, Om-nipresent, Om-niscient, Om all is wholly undivided, instructed the physicist, David Bohm the enfolded and unfolded, that of formlessness and form from the implicate unmanifest to the explicate manifest born originating from an underlying nonphysical order emerges physical reality with its illusory borders the whole of existence exists in every wee part all is here now—the cosmos' stern, bow, starboard and port the invisible portion of existence is pure potentiality awareness itself as a field of infinite possibility physical reality a holographic illusion science says so—that's its conclusion the new science is within and is up to you a simple experiment with loving prayer will do following science honestly, one is led inward too with zero biases, mind and reality are seen as not-two who cares what proofs others are uttering live it yourself or you know nothing make a cloud square shape in a oneness experiment repeat “thank you square cloud” with joyous, grateful intent the results of this being easily duplicatable shows that a unitive conscious universe is no fable Native Americans have their time-tested rain dance a prayer to the Great Spirit resulting in watered plants

H-22: Father Corby Monument 39º48.205’N, 77º14.063’W This monument honors the hundreds of chaplains present on the field in 1863. As chaplain of the Eighty-eighth New York Infantry of the famed Irish Brigade, Father William Corby, twenty-nine years old, has become as famous as many of those who actually bore arms those three fateful days. As the Irish Brigade formed up to enter the fight, Father Corby stepped onto a boulder—some historians believe the very boulder on which the monument stands—and raised his hand. Three hundred soldiers drew silent, many of them dropping to their knees, as the battle raged around them. The priest blessed them, prayed for their safety, and granted a general absolution, after which the troops marched into the fight. Corby’s admonition that the church would refuse a Christian burial for any man who failed to do his duty that day rang in their ears as they headed off. Following the war, Father Corby became president of the University of Notre Dame. A replica of this monument stands on the university’s campus, marking his grave. Years after the war, veterans of the Irish Brigade petitioned to have the Medal of Honor awarded to Corby, a request that was ultimately denied.

One UniVerse for the Living While palaces attest to the power of men, And monuments mark their wars, Little remains of the women who've been- Except for the sons that they bore. But the voices of women were baked into bread And later buttered with epics While the souls of their daughters Stitched with fine thread Became tapestries stored in attics. And all through the ages Men boasted like beasts Erecting pillars of marble and stone, But still they found themselves only to be Sculpted of flesh and bone. Philosophers pondered the nature of gods Outlawing temptations that plagued them And earning themselves, against all odds, The power to punish the pagans. By writing themselves into sacred books The clergymen sealed our fate To follow decrees that have their roots In nothing but misguided hate. So, children of Adam and invisible Eve, challenge the wisdom of sages. Don’t be so sure sacred scrolls that you read Aren't filled with human pages. Walk in the wilderness. Eat of the fruit. Don't let them buy you with wages. Plant your own garden. Drink of the wine. Learn how to be courageous. Hearts that are hardened To what is divine Have honored the dead too long. Search for the stories Baked into bread And eat until you are strong.

We wanted Penny to work somewhere that was pedestrian and wonderfully quotidian. Here are these guys who are trying to unravel the secrets of the universe, and Penny introduces herself by saying, “I work at The Cheesecake Factory.” The juxtaposition of scientists working in the quantum field, perhaps changing the world with their work, and “I work at The Cheesecake Factory” seemed to be a funny dichotomy. And the cheesecake is great! I personally really love their chocolate chip cheesecake. And the menu went on for days—it was like a book! There was a lot going for it, and the company was very gracious about letting us use their name. Surprisingly, the California Institute of Technology (abbreviated as Caltech) wasn’t as enthusiastic when it came to establishing Sheldon and Leonard’s workplace. Chuck Lorre: Caltech wasn’t keen on us using their name or likeness early on, so we obliged for a while, and then when the show took off, they communicated with us again and said something along the lines of, “Please feel free to use the word Caltech in your show,” because it was a good promotion for Caltech! [Laughs] Someone over there recognized that being associated with this burgeoning hit show was not going to damage their reputation.

Now, who and what is this minstrel in reality? Where does he come from? In what respects does he differ from his predecessors? He has been described as a cross between the early medieval court-singer and the ancient mime of classical times. The mime had never ceased to flourish since the days of classical antiquity; when even the last traces of classical culture disappeared, the descendants of the old mimes still continued to travel about the Empire, entertaining the masses with their unpretentious, unsophisticated and unliterary art. The Germanic countries were flooded out with mimes in the early Middle Ages; but until the ninth century the poets and singers at the courts kept themselves strictly apart from them. Not until they lost their cultured audience, as a result of the Carolingian Renaissance and the clericalism of the following generation, and came up against the competition of the mimes in the lower classes, did they have, to a certain extent, to become mimes themselves in order to be able to compete with their rivals. Thus both singers and comedians now move in the same circles, intermingle and influence each other so much that they soon become indistinguishable from one another. The mime and the scop both become the minstrel. The most striking characteristic of the minstrel is his versatility. The place of the cultured, highly specialized heroic ballad poet is now taken by the Jack of all trades, who is no longer merely a poet and singer, but also a musician and dancer, dramatist and actor, clown and acrobat, juggler and bear-leader, in a word, the universal jester and maître de plaisir of the age. Specialization, distinction and solemn dignity are now finished with; the court poet has become everybody’s fool and his social degradation has such a revolutionary and shattering effect on himself that he never entirely recovers from the shock. From now on he is one of the déclassés, in the same class as tramps and prostitutes, runaway clerics and sent-down students, charlatans and beggars. He has been called the ‘journalist of the age’, but he really goes in for entertainment of every kind: the dancing song as well as the satirical song, the fairy story as well as the mime, the legend of saints as well as the heroic epic. In this context, however, the epic takes on quite new features: it acquires in places a more pointed character with a new straining after effect, which was absolutely foreign to the spirit of the old heroic ballad. The minstrel no longer strikes the gloomy, solemn, tragi-heroic note of the ‘Hildebrandslied’, for he wants to make even the epic sound entertaining; he tries to provide sensations, effective climaxes and lively epigrams. Compared with the monuments of the older heroic poetry, the ‘Chanson de Roland’ never fails to reveal this popular minstrel taste for the piquant.

Even normal services such as schools were in short supply. Of the twenty largest cities in America, Philadelphia, the city of Benjamin Franklin and the University of Pennsylvania, spent less on education than all but one. In all of South Philadelphia, home to hundreds of thousands of Italians and Jews, there would be no high school until 1934.

Tronstad returned to Trondheim, where he had resumed his teaching and studies at NTH. He channeled most of his prodigious energy, however, into his activities with the underground resistance, working particularly closely with several bands of university students who were pushing back against the German hold on the country.

All you can do is to make this moment -- your moment -- better. You can affect the lives of others around you, and you can affect your own life. You can ease some suffering. You can do some epic shit. If you, yourself, only last for a nanosecond, you might expand your influence to a millisecond. And that's something.

Later, he had wandered off. The huge ship was an enchanted ocean in which you could never drown, and he threw himself into it to try to understand if not it, then the people who had built it. He walked for days, stopping at bars and restaurants whenever he felt thirsty, hungry or tired; mostly they were automatic and he was served by little floating trays, though a few were staffed by real people. They seemed less like servants and more like customers who’d taken a notion to help out for a while. “Of course I don’t have to do this,” one middle-aged man said, carefully cleaning the table with a damp cloth. He put the cloth in a little pouch, sat down beside him. “But look, this table’s clean.” He agreed that the table was clean. “Usually,” the man said. “I work on alien — no offense — alien religions; Directional Emphasis In Religious Observance; that’s my speciality . . . like when temples or graves or prayers always have to face in a certain direction; that sort of thing? Well, I catalog, evaluate, compare; I come up with theories and argue with colleagues, here and elsewhere. But . . . the job’s never finished; always new examples, and even the old ones get reevaluated, and new people come along with new ideas about what you thought was settled . . . but” — he slapped the table — “when you clean a table you clean a table. You feel you’ve done something. It’s an achievement.” “But in the end, it’s still just cleaning a table.” “And therefore does not really signify on the cosmic scale of events?” the man suggested. He smiled in response to the man’s grin, “Well, yes.” “But then, what does signify? My other work? Is that really important, either? I could try composing wonderful musical works, or day-long entertainment epics, but what would that do? Give people pleasure? My wiping this table gives me pleasure. And people come to a clean table, which gives them pleasure. And anyway” — the man laughed — “people die; stars die; universes die. What is any achievement, however great it was, once time itself is dead? Of course, if all I did was wipe tables, then of course it would seem a mean and despicable waste of my huge intellectual potential. But because I choose to do it, it gives me pleasure. And,” the man said with a smile, “it’s a good way of meeting people. So where are you from, anyway?