Epic Rap Quotes

Fat Charlie blew his nose. "I never knew I had a brother," he said. "I did," said Spider. "I always meant to look you up, but I got distracted. You know how it is." "Not really." "Things came up." "What kind of things?" "Things. They came up. That's what things do. They come up. I can't be expected to keep track of them all." "Well, give me a f'rinstance." Spider drank more wine. "Okay. The last time I decided that you and I should meet, I, well, I spent days planning it. Wanted it to go perfectly. I had to choose my wardrobe. Then I had to decide what I'd say to you when we met. I knew that the meeting of two brothers, well, it's the subject of epics, isn't it? I decided that the only way to treat it with the appropriate gravity would be to do it in verse. But what kind of verse? Am I going to rap it? Declaim it? I mean, I'm not going to greet you with a limerick. So. It had to be something dark, something powerful, rhythmic, epic. And then I had it. The perfect line: Blood calls to blood like sirens in the night. It says so much. I knew I'd be able to get everything in there - people dying in alleys, sweat and nightmares, the power of free spirits uncrushable. Everything was going to be there. And then I had to come up with a second line, and the whole thing completely fell apart. The best I could come up with was Tum-tumpty-tumpty-tumpty got a fright." Fat Charlie blinked. "Who exactly is Tum-tumpty-tumpty-tumpty?" "It's not anybody. It's just there to show you where the words ought to be. But I never really got any futher on it than that, and I couldn't turn up with just a first line, some tumpties and three words of an epic poem, could I? That would have been disrespecting you." "Well...." "Exactly. So I went to Hawaii for the week instead. Like I said, something came up.

Lost race?” The Prince studied Orayna, trying to see something inhuman in her. “Why have I never heard of these ‘Rathiuel’?” “Because,” Azaroth rapped his knuckles on the Prince’s skull, “you do not care to read.

Failure. Never before has a thing gotten such a bad rap as failure. And why wouldn't it? It's failure. In a video game, failure means to fucking die, to drop into a pit of lava while the princess remains unsaved (oh, sexist video games, when will the lady plumber save the prince instead of the other way around?). You fail a class and it's like -- *poop noise* -- you failed, you're held back, time is wasted, money is lost, you suck, you stupid person. Hell with that. Failure is brilliant. Failure is how we learn. Every great success and every kick-ass creator is the product of a hundred failures, a thousand, some epic-big, some micro-tiny. We learn the right moves by taking the wrong turns. Failure should not drag you into the pits of personal despair but rather leave you empowered. Failure is an instructional manual written in scar tissue.

As Adam and Masa drove away from WeWork’s headquarters, Masa pulled out an iPad and began sketching the terms of a deal: SoftBank and the Vision Fund would invest more than $4 billion into WeWork. The investment would be the Vision Fund’s biggest to date, and many times larger than any funding round Adam had managed thus far. Masa signed his name, drew another line next to it, and handed Neumann the stylus. Adam had gotten WeWork this far in large part by making shrewd deals—acting coy when it suited him and playing hardball when necessary. But that morning, Adam had met with a spiritual adviser, as he often did before making big decisions, and received some advice: in life, it was sometimes necessary to do “the opposite of our nature.” Adam also knew a good deal when he saw one. After Masa dropped him off, Neumann got into his white Maybach, which had been trailing Masa’s car, turned up some rap music, and drove back to WeWork headquarters. A photo of the digital napkin, with Masa’s signature in red and Adam’s in blue, was soon circulating among WeWork executives. The entire exchange, from Masa’s twelve-minute tour to signatures sealing one of the largest venture capital investments of all time, had taken less than half an hour.

For some twenty years and more, spiritualism had been gaining converts among educated people on both sides of the Atlantic. The Fox Sisters and their much-publicized “Rochester Rappings” had marked the start of it in America. And in the time since, it had become an intensely serious body of beliefs that had a strange, powerful appeal to a surprising number of intensely serious people. For those of a doubting analytical turn of mind, it seemed to offer proof of the existence of a spiritual realm. To practical men of learning, whose faith in traditional doctrine had been shaken by the revelations of science, it seemed at least an alternative. Why Roebling turned to it he never explained. But in the final years of his life he believed devoutly in a “Spirit Land” and in the possibility of mortal communication with its inhabitants. Specifically, he believed in the afterworld described by Andrew Jackson Davis, “The Poughkeepsie Seer,” a pale, nearsighted son of an alcoholic shoemaker, who in Roebling’s estimate was one of the great men of all time. Davis had become a clairvoyant, healer, and overnight sensation in 1844, at age seventeen, when he took his first “psychic flight through space” while under hypnosis in Poughkeepsie, New York. For the next several years he traveled up and down the East delivering hundreds of lectures, taking his own attendant hypnotist along with him—to “magnetize” him for each performance—as well as a New Haven preacher who took down everything he uttered while under the spell, all of which was turned into books. (One such book ran to thirty-four editions.) His preachments were a strange mixture of occult mystery, science, or what passed for science, progressive social reform, intellectual skepticism, and a vaulting imagination. For Roebling the impact of all this was momentous. It was as though he had been struck by divine revelation. He wrote at length to Horace Greeley, proposing the establishment of an orphanage in which a thousand children would be “perfectly educated, physically and mentally” according to the Davis vision of the good life. An “earthly paradise” was still possible after all. The hereafter as pictured

For some twenty years and more, spiritualism had been gaining converts among educated people on both sides of the Atlantic. The Fox Sisters and their much-publicized “Rochester Rappings” had marked the start of it in America. And in the time since, it had become an intensely serious body of beliefs that had a strange, powerful appeal to a surprising number of intensely serious people. For those of a doubting analytical turn of mind, it seemed to offer proof of the existence of a spiritual realm. To practical men of learning, whose faith in traditional doctrine had been shaken by the revelations of science, it seemed at least an alternative.

The genre is fantasy! It's meant to be unrealistic, you myopic manatee!