Eon Electricity Quotes

After what seemed like eons of heartache, the pain slowly dissipated. I was able to make sense of it and see myself as the protagonist in the story, not as the stupid, foolish love interest. I stopped looking for him in crowds, stopped dreaming of running into him, stopped imagining some magic bolt of electricity hitting his brain, causing him to realize the error of his ways and beg for me to take him back.

Young has a personal relationship with electricity. In Europe, where the electrical current is sixty cycles, not fifty, he can pinpoint the fluctuation --- by degrees. It dumbfounded Cragg. "He'll say, 'Larry, there's a hundred volts coming out of the wall, isn't there?' I'll go measure it, and yeah, sure --- he can hear the difference." Shakey's innovations are everywhere. Intent on controlling amp volume from his guitar instead of the amp, Young had a remote device designed called the Whizzer. Guitarists marvel at the stomp box that lies onstage at Young's feet: a byzantine gang of effects that can be utilized without any degradation to the original signal. Just constructing the box's angular red wooden housing to Young's extreme specifications had craftsmen pulling their hair out. Cradled in a stand in front of the amps is the fuse for the dynamite, Young's trademark ax--Old Black, a '53 Gold Top Les Paul some knot-head daubed with black paint eons ago. Old Black's features include a Bigsby wang bar, which pulls strings and bends notes, and Firebird picking so sensitive you can talk through it. It's a demonic instrument. "Old black doesn't sound like any other guitar," said Cragg, shaking his head. For Cragg, Old Black is a nightmare. Young won't permit the ancient frets to be changed, likes his strings old and used, and the Bigsby causes the guitar to go out of tune constantly. "At Sound check, everything will work great. Neil picks up the guitar, and for some reason that's when things go wrong.

Thetans, Hubbard explained, existed long before the beginning of time and had drifted through the eons, picking up and then discarding physical bodies as if they were temporary shells. Bored, they created the universe. But after a while, they got trapped in that creation. During the lengthy course of their history, which Hubbard called the “whole track,” they had been implanted, through electric shock, pain, or hypnotic suggestion, with a host of ideas, some positive, like love, and others contradictory or negative—such as the ideas of God, Satan, Jesus Christ, and political or bureaucratic government. Eventually they came to believe themselves to be no more than the bodies they inhabited—Hubbard called them “theta beings”—and their original power was lost.