Entry Way Quotes

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Miriam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Miriam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate belongings.
Khaled Hosseini (A Thousand Splendid Suns)
There is an inmost center in us all, where truth abides in fullness;....and, to know, rather consists in opening out a way where the imprisoned splendor may escape, then in effecting entry for a light supposed to be without.
Robert Browning
That, I realized, is the great beauty of dreams: the devil may inevitably find a way to jerk you off, but you can always wake up before he makes you cum.
Jim Carroll (Forced Entries- The Downtown Diaries: 1971-1973)
Do you know,” he says, closing the cover of the journal only to lay his hand on top of it. Protecting it. Staring at it. “I couldn’t sleep for days after I read that entry. I kept wanting to know which people were chasing you down the street, who it was you were running from. I wanted to find them,” he says, so softly, “and I wanted to rip their limbs off, one by one. I wanted to murder them in ways that would horrify you to hear.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
When unions get higher wages for their members by restricting entry into an occupation, those higher wages are at the expense of other workers who find their opportunities reduced. When government pays its employees higher wages, those higher wages are at the expense of the taxpayer. But when workers get higher wages and better working conditions through the free market, when they get raises by firm competing with one another for the best workers, by workers competing with one another for the best jobs, those higher wages are at nobody's expense. They can only come from higher productivity, greater capital investment, more widely diffused skills. The whole pie is bigger - there's more for the worker, but there's also more for the employer, the investor, the consumer, and even the tax collector. That's the way the free market system distributes the fruits of economic progress among all people. That's the secret of the enormous improvements in the conditions of the working person over the past two centuries.
Milton Friedman (Free to Choose: A Personal Statement)
Things are finally going my way. In fact, they’re going great! I have a chance to live after all! LOG ENTRY: SOL 37 I am fucked, and I’m gonna die!
Andy Weir (The Martian)
Though there had been moments of beauty in it Mariam knew that life for most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could see Laila again, wished to hear the clangor of her laugh, to sit with her once more for a pot of chai and leftover halwa under a starlit sky. She mourned that she would never see Aziza grow up, would not see the beautiful young woman that she would one day become, would not get to paint her hands with henna and toss noqul candy at her wedding. She would never play with Aziza's children. She would have liked that very much , to be old and play with Aziza's children. Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad , Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings.
Khaled Hosseini (A Thousand Splendid Suns)
I thought I told you to stop doing that," he snapped. A thin-lipped mouth opened; the jutting chin and nose knocked together indignantly. "Do what?" "Taking on such a hideous appearance. I've just had my breakfast." A section of brow lifted, allowing an eyeball to roll forward with a squelching sound.The face looked unapologetic."Sorry, mate," it said. "It's just my job." "Your job is to destroy anyone entering my study without authority. No more, no less." The door guard considered. "True. But I seek to preempt entry by scaring trespassers away. To my way of thinking, deterrence is more aesthetically satisfying than punishment." Mr. Mandrake snorted. "Trespassers apart, you'll likely frighten Ms. Piper here to death." The face shook from side to side, a process that caused the nose to wobble alarmingly. "Not so. When she comes alone, I moderate my features. I reserve the full horror for those I consider morally vicious." "But you just looked that way to me!" "The contradiction being...?
Jonathan Stroud (Ptolemy's Gate (Bartimaeus, #3))
In the speech sound wave, one word runs into the next seamlessly; there are no little silences between spoken words the way there are white spaces between written words. We simply hallucinate word boundaries when we reach the end of a stretch of sound that matches some entry in our mental dictionary.
Steven Pinker (The Language Instinct: How the Mind Creates Language)
Under fire, trying to get a fugitive out of Honduras: “Their pilot hopped out of the cockpit to allow them entry room. Pack sent Keto [Belgian Malinois K-9] up first. Then he dragged Triandos up. The prisoner’s head pinged off every step on the way up. His head struck the bulkhead as Pack flung his bulk into the cabin. ‘I know there’s a protocol,’ Pack thought, ‘but whoever wrote it was never in this situation.
John M. Vermillion (Pack's Posse (Simon Pack, #8))
Violence is so terribly fast . . . the most perverse thing about the movies is the way they portray it in slow motion, allowing it to be something sensuous . . . the viewer's lips slightly wet as the scene plays out. Violence is nothing like that. It is lightning fast, chaotic, and totally intangible.
Jim Carroll (Forced Entries- The Downtown Diaries: 1971-1973)
I want to change things on my own terms, to show that there's no right or wrong way to change the world. There's no entry test. You don't need to suck anything up. Pay any dues. Just you and your anger and your voice is enough. If you only have the courage to use it.
Holly Bourne (What's a Girl Gotta Do? (The Spinster Club, #3))
BDSM is like visiting a kinky Amusement Park. Once you pay the entry fee, you hop on an erotic roller coaster of deviant self-discovery. Although I have the threat of pain before me, I’m not even close to wanting to get off of this ride. It’s such a fucking thrill. Or is that a thrilling fuck? Whatever. Either way, it’s as hot as hell.
Nikki Sex (Kink (Fate #2))
If the enemy can isolate us, he can influence us. And his favorite entry point of all is through our disappointments
Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)
Walking around, even on a bad day, I would see things – I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that – like I was an instrument and the world touched me and reverberated inside me. After a couple of months, I started to miss days. Sometimes I would fall asleep without remembering to write anything, but then other nights I’d open the book and not know what to write – I wouldn’t be able to think of anything at all. When I did make entries, they were increasingly verbal and abstract: song titles, or quotes from novels, or text messages from friends. By spring I couldn’t keep it up anymore. I started to put the diary away for weeks at a time – it was just a cheap black notebook I got at work – and then eventually I’d take it back out to look at the entries from the previous year. At that point, I found it impossible to imagine ever feeling again as I had apparently once felt about rain or flowers. It wasn’t just that I failed to be delighted by sensory experiences – it was that I didn’t actually seem to have them anymore. I would walk to work or go out for groceries or whatever and by the time I came home again I wouldn’t be able to remember seeing or hearing anything distinctive at all. I suppose I was seeing but not looking – the visual world just came to me flat, like a catalogue of information. I never looked at things anymore, in the way I had before.
Sally Rooney (Beautiful World, Where Are You)
She looks at her wrist, those thin scars like an entry stamp for some horrible concert. 'All the shitty stuff people do to themselves... it can all be the same thing, you know? Just a way to drown out your own voice. To kill your memories without having to kill yourself.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate belongings
Khaled Hosseini (A Thousand Splendid Suns)
Jesus, in Matthew's gospel, says, "How narrow is the gate that leads to life." Mistakenly, I think, we've come to believe that this is about restriction. The way is narrow. But really it wants us to see that narrowness is the way... It's about funneling ourselves into a central place. Our choice is not to focus on the narrow, but to narrow our focus. The gate that leads to life is not about restriction at all. it is about an entry into the expansive. There is a vastness in knowing you're a son/daughter worth having. We see our plentitude in God's own expansive view of us.
Gregory J. Boyle (Tattoos on the Heart: The Power of Boundless Compassion)
I run through the dark entry corridor toward the light on the other end, wondering if this is a birth canal or the tunnel to Heaven. Am I coming or going? Either way, it's too late to reverse. Hidden in the gloom under a red evening sky, I step into the world of the Living.
Isaac Marion
Blessed is he who keeps daily diary and compares the work of this week with that of the last, for he will realize God quickly!
Sivananda Saraswati (Sure Ways for Success in Life and God Realisation)
cultural change occurs whenever a new meme is introduced and catches on. It might be romanticism or double-entry book-keeping, chaos theory or Pokemon. So where in the world do new memes come from? sometimes they spring full-blown from the brains of artists or scientists, advertising copywriters or teenagers. often a process of mutation is involved in the creation of a new meme, in much the same way that mutations in natural environment can lead to useful new genetic traits.
Michael Pollan (The Botany of Desire: A Plant's-Eye View of the World)
Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler
Daniel Handler
Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings. Mariam's final thoughts were a few words from the Koran, which she muttered under her breath. He has created the heavens and the earth with the truth; He makes the night cover the day and makes the day overtake the night, and He has made the sun and the moon subservient; each one runs on to an assigned term; now surely He is the Mighty, the Great Forgiver. "Kneel," the Talib said. O my Lord! Forgive and have mercy, for you are the best of the merciful ones. "Kneel here, hamshira. And look down." One last time, Mariam did as she was told.
Khaled Hosseini (A Thousand Splendid Suns)
I am completely convinced that there is a wealth of information built into us, with miles of intuitive knowledge tucked away in the genetic material of every one of our cells. Something akin to a library containing uncountable reference volumes, but without any obvious route of entry. And, without some means of access, there is no way to even begin to guess at the extent and quality of what is there. The psychedelic drugs allow exploration of this interior world, and insights into its nature.
Alexander Shulgin (Pihkal: A Chemical Love Story)
We hear speech as a string of separate words, but unlike the tree falling in the forest with no one to hear it, a word boundary with no one to hear it has no sound. In the speech sound wave, one word runs into the next seamlessly; there are no little silences between spoken words the way there are white spaces between written words. We simply hallucinate word boundaries when we reach the edge of a stretch of sound that matches some entry in our mental dictionary. This becomes apparent when we listen to speech in a foreign language: it is impossible to tell where one word ends the next begins. The seamlessness of speech is also apparent in 'oro­nyms', strings of sound that can be carved into words in two different ways: The good can decay many ways / The good candy came anyways.
Steven Pinker (The Language Instinct: How the Mind Creates Language)
Forcible sodomy and illegal entry, you put them both down and you get a jury confused. They figure it’s two ways of saying the same thing.
Lawrence Block (A Ticket to the Boneyard (Matthew Scudder, #8))
I was going to up until that last entry. Reading it all just reminded me how much we felt, how much we feel, and how much a part of us it is. It doesn’t belong to anyone else and I guess I don’t want it to. It’s ours. Our history. Our story. And in a way our future too. As much as I love her, you’re right. I can’t give that to Joss. I can’t give these to her.
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
Much later, she would go back and read the entry, and think to herself that memories were that way, too. When you wanted to forget, everything would return in raw, brutal focus. When you wanted to remember, the details would slip away like a dream at dawn.
Emily Giffin (First Comes Love)
To my lovely starling, Maybe there are magical words that will make you understand, but if so, I do not know them. Words are your domain. I've always been better with pictures. I fear you think I am a monster. It's true I've disrupted many graves. The way I see it, the dead are dead. If, after their death, we can learn things from the about the human form - things that will increase the sum of human knowledge and the possibilities of art - what harm is that? After death, new life, new beauty. How can that be wrong? My friends and I have made use of some of the bodies as models. some we sell to surgeons who study them with the hopes of learning something about the frail mechanisms of the human body. I don't know exactly what Dottor de Gradi does in his workshop on the Rialto, and I was as surprised as you were to stumble on it. He couldn't - he wouldn't tell me if your friend's body ended up there. But he did assure me all of his work is focused solely on extending human life. I won't lie. I did it for the money as well. Don Loredan is holding a private exhibition in his palazzo tomorrow. The entry fee was quite steep but two of my paintings were accepted. This could be the beginning for me. I could find my own patrons. I could be more than just a peasant. Tommaso's assistant. So yes; a little for money. But mostly I did for the art. I don't expect these words to change how you feel. I simply want you not to see me as a monster. I don't want to be a monster. Not anymore. Not after meeting you. I know that we disrupted you dear friend's body, and for that I am deeply regretful. But if we had not done so, if I had not lingered in the San Domenico churchyard after standing guard for my friends, you and I might never have met. Meeting you is one thing I will never regret. I hope you like the painting. Consider tit a wedding gift. How stupid of me to let my heart go. It was a lovely fantasy while it lasted, though, wasn't it? Yours, Falco
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
If you are a millionaire beset by blackmailers or anyone else to whose comfort the best legal advice is essential, and have decided to put your affairs in the hands of the ablest and discreetest firm in London, you proceed through a dark and grimy entry and up a dark and grimy flight of stairs; and, having felt your way along a dark and grimy passage, you come at length to a dark and grimy door. There is plenty of dirt in other parts of Ridgeway's Inn, but nowhere is it so plentiful, so rich in alluvial deposits, as on the exterior of the offices of Marlowe, Thorpe, Prescott, Winslow and Appleby. As you tap on the topmost of the geological strata concealing the ground-glass of the door, a sense of relief and security floods your being. For in London grubbiness is the gauge of a lawyer's respectability.
P.G. Wodehouse (The Girl on the Boat)
In bottom-up approaches [to processing trauma], the body's sensation and movement are the entry points and changes in sensorimotor experience are used to support self-regulation, memory processing, and success in daily life. Meaning and understanding emerge from new experiences rather than the other way around. Through bottom-up interventions, a shift in the somatic sense of self in turn affects the linguistic sense of self.
Pat Ogden (Trauma and the Body: A Sensorimotor Approach to Psychotherapy (Norton Series on Interpersonal Neurobiology))
It was not her way to make a conspicuous entry into anyone’s life, but towards the end of that week Sebastian said rather sourly: “You and mummy seem very thick,” and I realized that in fact I was being drawn into intimacy by swift, imperceptible stages, for she was impatient of any human relationship that fell short of it.
Evelyn Waugh (Brideshead Revisited)
The inside of the Trace Italian, of course, does not exist. A player can get close enough to see it: it shines in the new deserts of Kansas, gleaming in the sun or starkly rising from the winter cold. The rock walls that protect it meet in points around it, one giving way to another, for days on end. But the dungeons into which you'll fall as you work through the pathways to its gates number in the low hundreds, and if you actually get into the entry hall, there are a few hundred more sub-dungeons before you'll actually reach somewhere that's truly safe. Technically, it's possible to get to the last room in the final chamber of the Trace Italian, but no one will ever do it. No one will ever live that long.
John Darnielle (Wolf in White Van)
Do not try to push your way through to the front ranks of your profession; do not run after distinctions and rewards; but do your utmost to find an entry into the world of beauty.
Sydney Smith
Totalizing and dangerous views of “American culture” and “nationhood” can be found in current attempts to portray “Christian values” or particular constructions of “family values” as constitutive of “American culture” and “the American way of life.” Views of “American culture” that picture American society as comprised of “free individuals,” and of American institutions as already fair and egalitarian, obscure the ways in which various forms of institutional discrimination impede the entry and flourishing of members of marginalized groups.
Uma Narayan (Dislocating Cultures: Identities, Traditions, and Third World Feminism (Thinking Gender))
Perhaps the best way to welcome women into churches is not to saddle them upon entry with an array of “shoulds” to add to their lists of commitments. Instead, women need to find a place of support that recognizes the value of their many hats and empowers them to live well into those roles. And right now, the data suggest women are not finding such a place at church.
Barna Group (Wonder Women (Frames Series): Navigating the Challenges of Motherhood, Career, and Identity)
Man I’m tired. Been up all night, and it’s time to sleep. But I’ll drift off to dreamland in the best mood I’ve been in since Sol 6. Things are finally going my way. In fact, they’re going great! I have a chance to live after all! LOG ENTRY: SOL 37 I am fucked, and I’m gonna die!
Andy Weir (The Martian: Stranded on Mars, one astronaut fights to survive)
The ideal entry is not to sail in and make your presence known immediately. It’s to ingress without causing a ripple. The best way to contribute to a brand-new environment is not by trying to prove what a wonderful addition you are. It’s by trying to have a neutral impact, to observe and learn from those who are already there, and to pitch in with the grunt work wherever possible.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
Fewer than one in twenty security professionals has the core competence and the foundation knowledge to take a system all the way from a completely unknown state of security through mapping, vulnerability testing, password cracking, modem testing, vulnerability patching, firewall tuning, instrumentation, virus detection at multiple entry points, and even through back-ups and configuration management.
Stephen Northcutt (Network Intrusion Detection)
But with this woman it is as if there is no interior, only a surface across which I hunt back and forth seeking entry. Is this how her torturers felt hunting their secret, whatever they thought it was? For the first time I feel a dry pity for them: how natural a mistake to believe that you can burn or tear or hack your way into the secret body of the other! The girl lies in my bed, but there is no good reason why it should be a bed. I behave in some ways like a lover—I undress her, I bathe her, I stroke her, I sleep beside her—but I might equally well tie her to a chair and beat her, it would be no less intimate.
J.M. Coetzee (Waiting for the Barbarians)
Learning to give and receive freely requires a long, laborious process of re-educating our minds, which have been conditioned by thousands of years of struggle for survival.16 The violent entry of divine revelation and the Gospel into the world is like an evolutionary ferment, intended to make our psychology “evolve” toward an attitude of free giving and free receiving—the attitude of the Kingdom because it is the attitude of love. This is a process of divinization, whose final goal is to love as God loves: “You must be perfect, as your Father in heaven is perfect.”17 And this divinization, this becoming God-like, means becoming human in the truest sense! It is a marvelous, liberating evolution: but we can only enter into the new way of being through the destruction of many of our natural behaviors, a sort of death-agony.
Jacques Philippe (Interior Freedom)
The present, we assume, is eternally before us, one of the few things in life from which we cannot be parted. It overwhelms us in the painful first moments of entry into the world, when it is still too new to be managed or negotiated, remains by our side during childhood and adolescence, in those years before the weight of memory and expectation, and so it is sad and a little unsettling to see that we become, as we grow older, much less capable of touching, grazing, or even glimpsing it, that the closest we seem to get to the present are those brief moments we stop to consider the spaces our bodies are occupying, the intimate warmth of the sheets in which we wake, the scratched surface of the window on a train taking us somewhere else, as if the only way we can hold time still is by trying physically to prevent the objects around us from moving.
Anuk Arudpragasam (A Passage North)
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
There are so many dirty names for her that one rarely learns them all, even in one’s native language. There are dirty names for every female part of her body and for every way of touching her. There are dirty words, dirty laughs, dirty noises, dirty jokes, dirty movies, and dirty things to do to her in the dark. Fucking her is the dirtiest, though it may not be as dirty as she herself is. Her genitals are dirty in the literal meaning: stink and blood and urine and mucous and slime. Her genitals are also dirty in the metaphoric sense: obscene. She is reviled as filthy, obscene, in religion, pornography, philosophy, and in most literature and art and psychology. where she is not maligned she is magnificently condescended to, as in this diary entry by Somerset Maugham written when he was in medical school: The Professor of Gynaecology: He began his course of lectures as follows: Gentlemen, woman is an animal that micturates once a day, defecates once a week, menstruates once a month, parturates once a year and copulates whenever she has the opportunity. I thought it a prettily-balanced sentence. Were she loved sufficiently, or even enough, she could not be despised so much. were she sexually loved, or even liked, she and what is done with or to her, in the dark or in the light, she would not, could not, exist rooted in the realm of dirt, the contempt for her apparently absolute and irrevocable; horrible; immovable; help us, Lord; unjust. She is not just less; she and the sex she incarnates are a species of filth. God will not help of course: "For a whore is a deep ditch; and a strange woman is a narrow pit.
Andrea Dworkin (Intercourse)
Now put your hands on the countertop, and bend over. I’m going to shove you so full of cock you won’t even remember how to spell your name for a week,” he said in his deep voice. “Oh my. Ok,” I said as I did what he asked. As I grabbed the edges of the countertop, I felt his foot kicking the insides of my shoes, spreading my legs farther apart. “You long legged, sexy little bitch. I have to get your pussy down here where I can get to it,” he said, as he slapped the right side of my butt, hard. The slap startled me, and the sting felt like fire. As soon as he stopped kicking my shoes and spreading my legs apart, I felt the head of his cock slide past my lips. His hands grabbed my waist, and he slid all the way inside of me. As soon as I felt his balls against my clit, I began to contract and felt as if I was going to cum. His cock slid out, and then back in again. He found a rhythm and began to fuck me slowly, his hips slapping lightly against my butt as he slid all the way into my wet pussy. As his hips slapped my ass, I could feel his balls against my clit. I couldn’t take it anymore. If he kept up this pace, I would explode. “Fuck me Erik, fuck me. Fuck me harder. Fuck me,” I said loudly. “Fuck me, Erik. Oh God. Fuck me.” “Fuck me.” “Harder.” I begged. “Who owns you, baby girl? Who fucking owns you?” he almost screamed. “Oh God, you do. You own me. You.” “Don’t forget it, do you hear me?” he said in a loud, stern tone. “Yes, I am yours. You own me,” I responded...I loved this. In and out he forced himself, each time it felt as I was being stretched open for the first time. Not a tremendous pain, but each stroke felt like it was the first, the entry stroke. It was a new feeling to me, and it was more than I could take. I was going to explode. “Please…Faster. Fuck me. Give me that cock. Give me that big fat….Oh my God. Give it to me.
Scott Hildreth (Baby Girl (Erik Ead Trilogy, #1))
The structural foundations of traditional manhood--economic independence, geographic mobility, domestic dominance--have all been eroding. The transformation of the workplace--the decline of the skilled worker, global corporate relocations, the malaise of the middle-class manager, the entry of women into the assembly line and the corporate office--have pressed men to confront their continued reliance on the marketplace as the way to demonstrate and prove their manhood.
Michael S. Kimmel (Manhood in America: A Cultural History)
In the leadup to the election of 1876, swing votes were tied to the issue of Chinese immigration in the same way that immigration was a hot topic during this election cycle. Rutherford Hayes endorsed Chinese exclusion and won the election. In the following election, James Garfield also carried the torch of anti-Chinese immigration into office. (From those days to now, every presidential election has fanned the flames of anti-immigration. This, Henry, shows that hate and fear are reliable, predictable, and effective political tools.) All of this led eventually to the Chinese Exclusion Act of 1882, which barred the entry of all Chinese immigrants to the United States except for those who were teachers, students, diplomats, ministers, or merchants. It also declared all Chinese totally ineligible for naturalized citizenship. This clause alone allowed the United States to join Nazi Germany and South Africa as the only nations every to withhold naturalization purely on racial grounds.
Lisa See (Radical Hope: Letters of Love and Dissent in Dangerous Times)
As Francesco Datini of Prato did a century before, Pacioli advises merchants to incorporate explicit signs of Christianity into their books as a way of legitimising their profit-seeking activities. The use of double entry itself was like the Catholic confession: if a merchant confessed—or accounted for—all his world activities before God, then perhaps his sins would be absolved. These Christian flourishes that Pacioli recommends merchants include in their books are therefore no mere ornaments.
Jane Gleeson-White (Double Entry: How the Merchants of Venice Shaped the Modern World)
Kerr found that a spinning black hole would not collapse into a pointlike star, as Schwarzschild assumed, but would collapse into a spinning ring. Anyone unfortunate enough to hit the ring would perish; but someone falling into the ring would not die, but would actually fall through. But instead of winding up on the other side of the ring, he or she would pass through the Einstein-Rosen Bridge and wind up in another universe. In other words, the spinning black hole is the rim of Alice's Looking Glass. If he or she were to move around the spinning ring a second time, he or she would enter yet another universe. In fact, repeated entry into the spinning ring would put a person in different parallel universes, much like hitting the "up" button on an elevator. In principle, there could be an infinite number of universes, each stacked on top of each other. "Pass through this magic ring and-presto!-you're in a completely different universe where radius and mass are negative!" Kerr wrote. There is an important catch, however. Black holes are examples of "nontransversable wormholes"; that is, passing through the event horizon is a one-way trip. Once you pass through the event horizon and the Kerr ring, you cannot go backward through the ring and out through the event horizon.
Michio Kaku (Physics of the Impossible)
A THOUSAND WORDS My stepfather Ralph Newman was a merry and remarkable man, a former minor league second baseman who broke his nose on a double play ball and wound up opening the Abraham Lincoln Bookshop in Chicago. He was also president of the Chicago Public Library. Ralph used to huff about that phrase, A picture is worth a thousand words and ask, "Does anyone really stop to figure out what you could do with a thousand words?" And, rather in the way that my daughters and I trade, try out, and create stories with each other, my stepfather and I spread out a napkin and came up with this: One picture is worth a thousand words? You give me a thousand words and I can give you: the Lord's Prayer, the Twenty-third Psalm, the Hippocratic Oath, a sonnet by Shakespeare, the Preamble to the Constitution, Lincoln's Gettysburg Address, the last graphs of Martin Luther King's speech to the March on Washington, and the final entry of Anne Frank's diary. You give me a thousand words, and I don't think I'd trade you for any picture on earth.
Scott Simon
An asteroid or comet traveling at cosmic velocities would enter the Earth’s atmosphere at such a speed that the air beneath it couldn’t get out of the way and would be compressed, as in a bicycle pump. As anyone who has used such a pump knows, compressed air grows swiftly hot, and the temperature below it would rise to some 60,000 Kelvin, or ten times the surface temperature of the Sun. In this instant of its arrival in our atmosphere, everything in the meteor’s path—people, houses, factories, cars—would crinkle and vanish like cellophane in a flame. One second after entering the atmosphere, the meteorite would slam into the Earth’s surface, where the people of Manson had a moment before been going about their business. The meteorite itself would vaporize instantly, but the blast would blow out a thousand cubic kilometers of rock, earth, and superheated gases. Every living thing within 150 miles that hadn’t been killed by the heat of entry would now be killed by the blast. Radiating outward at almost the speed of light would be the initial shock wave, sweeping everything before it. For those outside the zone of immediate devastation, the first inkling of catastrophe would be a flash of blinding light—the brightest ever seen by human eyes—followed an instant to a minute or two later by an apocalyptic sight of unimaginable grandeur: a roiling wall of darkness reaching high into the heavens, filling an entire field of view and traveling at thousands of miles an hour. Its approach would be eerily silent since it would be moving far beyond the speed of sound. Anyone in a tall building in Omaha or Des Moines, say, who chanced to look in the right direction would see a bewildering veil of turmoil followed by instantaneous oblivion. Within minutes, over an area stretching from Denver to Detroit and encompassing what had once been Chicago, St. Louis, Kansas City, the Twin Cities—the whole of the Midwest, in short—nearly every standing thing would be flattened or on fire, and nearly every living thing would be dead. People up to a thousand miles away would be knocked off their feet and sliced or clobbered by a blizzard of flying projectiles. Beyond a thousand miles the devastation from the blast would gradually diminish. But that’s just the initial shockwave. No one can do more than guess what the associated damage would be, other than that it would be brisk and global. The impact would almost certainly set off a chain of devastating earthquakes. Volcanoes across the globe would begin to rumble and spew. Tsunamis would rise up and head devastatingly for distant shores. Within an hour, a cloud of blackness would cover the planet, and burning rock and other debris would be pelting down everywhere, setting much of the planet ablaze. It has been estimated that at least a billion and a half people would be dead by the end of the first day. The massive disturbances to the ionosphere would knock out communications systems everywhere, so survivors would have no idea what was happening elsewhere or where to turn. It would hardly matter. As one commentator has put it, fleeing would mean “selecting a slow death over a quick one. The death toll would be very little affected by any plausible relocation effort, since Earth’s ability to support life would be universally diminished.
Bill Bryson (A Short History of Nearly Everything)
Though there had been moments of beauty in it Mariam knew that life for most part had been unkind to her. But as she walked the final twenty paces,she could not help but wish for more of it. She wished she could see Laila again , wished to hear the clangor of her laugh,... Mariam wished for so much in those final moments. Yet as she closed her eyes , it was not regret any longer but a sensation of abundant peace that wshed over her. She thought of her entry into this world , the harami child of a lowly villager , an unintended thing , a pitiable , regrettable accident. A weed , And yet she was leaving the wolrd as a woman who had loved and been loved back. She was leaving it as a friend , a companion , a guardian. A mother. A person of consequence at last. No. It was no so bad , Mariam thought , that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings.
Khaled Hosseini (A Thousand Splendid Suns)
Entering that gable-ended Spouter-Inn, you found yourself in a wide, low, straggling entry with old-fashioned wainscots, reminding one of the bulwarks of some condemned old craft. On one side hung a very large oil painting so thoroughly besmoked, and every way defaced, that in the unequal crosslights by which you viewed it, it was only by diligent study and a series of systematic visits to it, and careful inquiry of the neighbors, that you could any way arrive at an understanding of its purpose. Such unaccountable masses of shades and shadows, that at first you almost thought some ambitious young artist, in the time of the New England hags, had endeavored to delineate chaos bewitched. But by dint of much and earnest contemplation, and oft repeated ponderings, and especially by throwing open the little window towards the back of the entry, you at last come to the conclusion that such an idea, however wild, might not be altogether unwarranted.
Herman Melville (Moby-Dick)
Right there, the Jew temple of Jerusalem beneath us, I swore to myself that I would finally enter him - the boy prophet, the ultimate challenge, my obsession. I would enter him the way I entered the Emperor's gates after a campaign: invincible, majestic. But hailed by his groans rather than by the cries of banner-waving masses.
Michael Schiefelbein (Vampire Vow (Vampires, #1))
He knew he loved her in February: steam leaving the mug of coffee in her hands in thick curls; her hair a snarled mess around her shoulders; the morning on the other side of the window bitter and windswept; her face lovely, pale, and lonely in a way he didn’t understand. She sat in the chair in his bedroom, in his shirt and a pair of socks that went up to her knees, gooseflesh on her slender legs. A copy of Oliver Twist had been open across the arm of the chair. “I think it might snow today,” she’d said, and he’d been completely in love with her. He thought she might have loved him back in March: in from the rain; his clothes stuck to his skin; the umbrella showering the hardwood of her entry hall; the dinner she’d planned forgotten when he’d helped her out of her jacket and she’d been shivering with cold. That day, when she’d pushed his wet shirt back off his shoulders and stretched up on her toes to kiss him, he was sure there was something new shining deep down in her coffee-colored eyes. “You’re so cute,” she’d said, and he’d known: she loved him.
Lauren Gilley (Better Than You (Walker Family, #0.5))
Science has marched forward. But civilization’s values remain rooted in philosophies, religious traditions, and ethical frameworks devised many centuries ago. Even our economic system, capitalism, is half a millennium old. The first stock exchange opened in 1602 in Amsterdam. By 1637, tulip mania had caused the first speculation bubble and crash. And not a lot has changed. Virtually every business stills uses the double-entry bookkeeping and accounting adopted in thirteenth –century Venice. So our daily dealings are still heavily influenced by ideas that were firmly set before anyone knew the world was round. In many ways, they reflect how we understood the world when we didn’t understand the world at all.
Carl Safina (The View from Lazy Point: A Natural Year in an Unnatural World)
Victorian London. Rome in the fifth century. Egypt in the early twentieth. There must have been a hundred different places listed, all with small journal entries, like Saw the Queen as she and the Prince rode past us on their way to Buckingham Palace and The camel nearly ate Gus’s hair, ripped it from his scalp like grass and My God, if I never see another big-bellied man wrapped in a toga…
Alexandra Bracken (Passenger (Passenger, #1))
Bad feminism seems like the only way I can both embrace myself as a feminist and be myself, and so I write. I chatter away on Twitter about everything that makes me angry and all the small things that bring me joy. I write blog posts about the meals I cook as I try to take better care of myself, and with each new entry, I realize that I'm undestroying myself after years of allowing myself to stay damaged.
Roxane Gay (Bad Feminist)
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
Chuck, you stupid fuck,” Zeb said out loud. If he’d been given a brief to kidnap himself on behalf of the brainscrapers, he’d have done a way better job of it than Chuck had, the fuckwit. Too bad Chuck was dead, in a way – he must’ve had some good sides to him, maybe he liked puppies – but now there was one less asshole in the world, and wasn’t that a plus? A checkmark in the column of the forces of light. Or darkness, depending on who was doing the double-entry moral accounting.
Margaret Atwood (MaddAddam (MaddAddam, #3))
According to the gospels, Christ healed diseases, cast out devils, rebuked the sea, cured the blind, fed multitudes with five loaves and two fishes, walked on the sea, cursed a fig tree, turned water into wine and raised the dead. How is it possible to substantiate these miracles? The Jews, among whom they were said to have been performed, did not believe them. The diseased, the palsied, the leprous, the blind who were cured, did not become followers of Christ. Those that were raised from the dead were never heard of again. Can we believe that Christ raised the dead? A widow living in Nain is following the body of her son to the tomb. Christ halts the funeral procession and raises the young man from the dead and gives him back to the arms of his mother. This young man disappears. He is never heard of again. No one takes the slightest interest in the man who returned from the realm of death. Luke is the only one who tells the story. Maybe Matthew, Mark and John never heard of it, or did not believe it and so failed to record it. John says that Lazarus was raised from the dead. It was more wonderful than the raising of the widow’s son. He had not been laid in the tomb for days. He was only on his way to the grave, but Lazarus was actually dead. He had begun to decay. Lazarus did not excite the least interest. No one asked him about the other world. No one inquired of him about their dead friends. When he died the second time no one said: “He is not afraid. He has traveled that road twice and knows just where he is going.” We do not believe in the miracles of Mohammed, and yet they are as well attested as this. We have no confidence in the miracles performed by Joseph Smith, and yet the evidence is far greater, far better. If a man should go about now pretending to raise the dead, pretending to cast out devils, we would regard him as insane. What, then, can we say of Christ? If we wish to save his reputation we are compelled to say that he never pretended to raise the dead; that he never claimed to have cast out devils. We must take the ground that these ignorant and impossible things were invented by zealous disciples, who sought to deify their leader. In those ignorant days these falsehoods added to the fame of Christ. But now they put his character in peril and belittle the authors of the gospels. Christianity cannot live in peace with any other form of faith. If that religion be true, there is but one savior, one inspired book, and but one little narrow grass-grown path that leads to heaven. Why did he not again enter the temple and end the old dispute with demonstration? Why did he not confront the Roman soldiers who had taken money to falsely swear that his body had been stolen by his friends? Why did he not make another triumphal entry into Jerusalem? Why did he not say to the multitude: “Here are the wounds in my feet, and in my hands, and in my side. I am the one you endeavored to kill, but death is my slave”? Simply because the resurrection is a myth. The miracle of the resurrection I do not and cannot believe. We know nothing certainly of Jesus Christ. We know nothing of his infancy, nothing of his youth, and we are not sure that such a person ever existed. There was in all probability such a man as Jesus Christ. He may have lived in Jerusalem. He may have been crucified; but that he was the Son of God, or that he was raised from the dead, and ascended bodily to heaven, has never been, and, in the nature of things, can never be, substantiated.
Robert G. Ingersoll
From my heel to my toe is a measured space of 29.7 centimetres or 11.7 inches. This is a unit of progress and it is also a unit of thought. 'I can only meditate when I am walking,' wrote Jean-Jacques Rousseau in the fourth book of his 'Confessions', 'when I stop I cease to think; my mind only works with my legs.' Søren Kierkegaard speculated that the mind might function optimally at the pedestrian pace of three miles per hour, and in a journal entry describes going out for a wander and finding himself 'so overwhelmed with ideas' that he 'could scarcely walk'. Christopher Morley wrote of Wordsworth as 'employ[ing] his legs as an instrument of philosophy' and Wordsworth of his own 'feeling intellect'. Nietzsche was typically absolute on the subject - 'Only those thoughts which come from 'walking' have a value' - and Wallace Stevens typically tentative: 'Perhaps / The truth depends on a walk around the lake.' In all of these accounts, walking is not the action by which one arrives at knowledge; it is itself the means of knowing.
Robert Macfarlane (The Old Ways: A Journey on Foot)
Since I was a small girl, I have lived inside this cottage, shelted by its roof and walls. I have known of people suffering—I have not been blind to them in the way that privilege allows, the way my own husband and now my daughter are blind. It is a statement of fact and not a judgement to say Charlie and Ella’s minds aren’t oriented in that direction; in a way, it absolves them, whereas the unlucky have knocked on the door of my consciousness, they have emerged from the forest and knocked many times over the course of my life, and I have only occasionally allowed them entry. I’ve done more than nothing and much less than I could have. I have laid inside, beneath a quilt on a comfortable couch, in a kind of reverie, and when I heard the unlucky outside my cottage, sometimes I passed them coins or scraps of food, and sometimes I ignored them altogether; if I ignored them, they had no choice but to walk back into the woods, and when they grew weak or got lost or were circled by wolves, I pretended I couldn’t hear them calling my name.
Curtis Sittenfeld (American Wife)
The Primal Essential Movements offer a simple, entry-level way to include strength training in your lifestyle. They entail conducting pushups, pullups, squats, and planks on a regular basis, with more attention to paid to formal workouts during the intensity training phases.
Mark Sisson (Primal Endurance: Escape chronic cardio and carbohydrate dependency and become a fat burning beast!)
To summarize this pattern: when the market opens, the stock will make a new high of the day but sell off quickly. You do not want to jump into the trade yet, not until it consolidates around a trading level such as the low of the pre-market, or moving averages on a daily or 5-minute chart. As soon as the stock is coming back up with heavy volume, that is the place that you take the trade to the long side. The entry signal is to see a new 1-minute or 5-minute high after the consolidation with MASSIVE volume only. You have to remember that the volume on the way up needs to be significantly higher than previous candlesticks.
Andrew Aziz (Day Trading for a Living)
Charlie sat beside Spider on the edge of the cliff, in the moonlight, his legs dangling over the side. "You know," he said, "you used to be a part of me. When we were kids." Spider put his head on one side. "Really?" "I think so." "Well, that would explain a few things." He held out his hand: a seven-legged clay spider sat on the back of his fingers, tasting the air. "So what now? Are you going to take me back or something?" Charlie's brow crinkled. "I think you've turned out better than you would have done if you were part of me. And you've had a lot more fun." Spider said, "Rosie. Tiger knows about Rosie. We have to do something." "Of course we do," said Charlie. It was like bookkeeping, he thought: you put entries in one column, deduct them from another, and if you've done it correctly, everything should come out right at the bottom of the page. He took his brother's hand. They stood up and took a step forward, off the cliff – –and everything was bright– A cold wind blew between the worlds. Charlie said, "You're not the magical bit of me, you know." "I'm not?" Spider took another step. Stars were falling now by the dozen, streaking their way across the dark sky. Someone, somewhere, was playing high sweet music on a flute. Another step, and now distant sirens were blaring. "No," said Charlie. "You're not. Mrs. Dunwiddy thought you were, I think. She split us apart, but she never really understood what she was doing. We're more like two halves of a starfish. You grew up into a whole person. And so," he said, realizing it was true as he said it, "did I.
Neil Gaiman (Anansi Boys)
LOG ENTRY: SOL 14 I got my undergrad degree at the University of Chicago. Half the people who studied botany were hippies who thought they could return to some natural world system. Somehow feeding seven billion people through pure gathering. They spent most of their time working out better ways to grow pot. I didn’t like them. I’ve always been in it for the science, not for any New World Order bullshit. When they made compost heaps and tried to conserve every little ounce of living matter, I laughed at them. “Look at the silly hippies! Look at their pathetic attempts to simulate a complex global ecosystem in their backyard.
Andy Weir (The Martian)
This denial is bizarre. Last time Chomsky denied something I attributed to him, it was Chomsky's word against mine and there was no way to resolve this argument. This time, however, there's some fairly conclusive evidence. Look at http://blog.zmag.org/ttt/. It describes itself as 'the official weblog of Professor Noam Chomsky', and it is attached to Z Magazine, for which Chomsky has regularly written for over a decade. It claims Chomsky makes direct blog entries. Yet Chomsky claims he has 'nothing to with with it'. Are we really meant to believe this? If it is true, why does he carry on writing for a magazine that publishes a false blog in his name?
Johann Hari
Though there had been moments of beauty in it, Mariam knew that life for the most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could see Laila again, wished to hear the clamour of her laugh, to sit with her once more for a pot of chai and left over halwa under a starlit sky. She mourned that she would never see Aziza grow up, would not see the beautiful young woman that she would one day become, would not get to paint her hands with henna and toss noqul candy at her wedding. She would never play with Aziza's children. She would have liked that very much, to be old and play with Aziza's children. Near the goalpost, the man behind her asked her to stop. Mariam did. Through the crisscrossing grid of the burqa, she saw his shadow arms lift his shadow Kalashnikov. Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings. Mariam's final thoughts were a few words from the Koran, which she muttered under her breath. He has created the heavens and the earth with the truth; He makes the night cover the day and makes the day overtake the night, and He has made the sun and the moon subservient; each one runs on to an assigned term; now surely He is the Mighty, the Great Forgiver. "Kneel," the Talib said O my Lord! Forgive and have mercy, for you are the best of the merciful ones. "Kneel here, hamshira and look down." One last time, Mariam did as she was told.
Khaled Hosseini (A Thousand Splendid Suns)
The plunge was easier than the pull. The serrated edge caught the flaps of skin on the way out. It wasn’t the nature of the blade; he’d chosen specific tools for the torture and wasn’t about to skimp on the final cut. Most would have picked the sharpest. The sharpest would allow smooth entry both into and out of the body. He’d used the sharpest on the torso; four quick stabs just above the waist and one to pierce his side. No water; only blood. This final task required a specific tool and he’d chosen a bread knife. It’d been used for that too; winter soups with a rustic loaf, hearty bacon sandwiches in the family home. Use only a little pressure, move it back and forth, letting the edge do the work. That was the easy way to do it, but this wasn’t
Darryl Donaghue (A Journal of Sin (Sarah Gladstone, #1))
I am a thin layer of all those beings on [samadhi level] 3, mingling, connected with one another in a spherical surface around the whole known universe. Our "backs" are to the void. We are creating energy, matter and life at the interface between the void and all known creation. We are facing into the known universe, creating it, filling it. I am one with them; spread in a thin layer around the sphere with a small, slightly greater concentration of me in one small zone. I feel the power of the galaxy pouring through me. I am following the programme, the conversion programme of void to space, to energy, to matter, to life, to consciousness, to us, the creators. From nothing on one side to the created everything on the other. I am the creation process itself, incredibly strong, incredibly powerful. This time there is no flunking out, no withdrawal, no running away, no unconsciousness, no denial, no negation, no fighting against anything. I am "one of the boys in the engine room pumping creation from the void into the known universe; from the unknown to the known I am pumping". I am coming down from level +3. There are a billion choices of where to descend back down. I am conscious down each one of the choices simultaneously. Finally I am in my own galaxy with millions of choices left, hundreds of thousands on my own solar system, tens of thousands on my own planet, hundreds in my own country and then suddenly I am down to two, one of which is this body. In this body I look back up, see the choice-tree above me that I came down. Did I, this Essence, come all the way down to this solar system, this planet, this place, this body, or does it make any difference? May not this body be a vehicle for any Essence that came into it? Are not all Essences universal, equal, anonymous, and equally able? Instructions for this vehicle are in it for each Essence to read and absorb on entry. The new pilot-navigator reads his instructions in storage and takes over, competently operating this vehicle.
John C. Lilly (The Center of the Cyclone: Looking into Inner Space)
Susan’s and Jennifer’s job searches are likely made harder by the color of their skin. In the early 2000s, researchers in Chicago and Boston mailed out fake résumés to hundreds of employers, varying only the names of the applicants, but choosing names that would be seen as identifiably black or white. Strikingly, “Emily” and “Brendan” were 50 percent more likely to get called for an interview than “Lakisha” and “Jamal.” A few years later, a researcher at the University of Wisconsin conducted a similar study in Milwaukee, but with a unique twist. She recruited two black and two white actors (college students, posing as high school graduates) who were as similar as possible in every way. She sent these “job applicants” out in pairs, with virtually identical fake résumés, to apply for entry-level jobs. Her twist was to instruct one of the white and one of the black applicants to tell employers that they had a felony conviction and had just been released from prison the month before. Even the researcher was surprised by what she found: the white applicant with a felony conviction was more likely to get a positive response from a prospective employer than the black applicant with no criminal record. When the study was replicated in New York City a few years later, she and her colleagues saw similar results for Latino applicants relative to whites.
Kathryn J. Edin ($2.00 a Day: Living on Almost Nothing in America)
Ideas for Journal Entries You may find the following ideas useful in beginning your journal or keeping the entries varied. If you are not used to expressing your thoughts on paper, it may seem awkward at first. The longer you do it, the easier it will become. You’ll be amazed at the insight you gain into your life. -Write about your most memorable experience with social anxiety. How did you feel? What did you think? How did others react? Why do you think the event happened? -Write about situations that make you anxious every day. Record your thoughts, feelings, and actions. You may want to divide the page into columns with the headings: situation or event; negative thoughts; physical reactions; and actions. Following is an example of how this may look: Situation or Event Should I attend the first art class after school. Negative Thoughts I thought about skipping out. I was afraid of what people would think. I wanted to do a good job. Physical Reactions I felt a shortness of breath. In general, I was nervous and in a bad mood. Actions I took some deep breaths and visualized the class going well. Later, I became engrossed in my drawing. -Write about a time when you were pleased with how you acted in a social situation. -Identify times when anxiety symptoms kept you from doing something that you really wanted to do. How did you feel? What might have happened if you had not been afraid? -Write a letter to someone who made you feel bad about yourself. You aren’t going to show the letter to anyone, so feel free to write whatever you want. -Write out a conversation with your inner voice. Begin the entry with a question directed to yourself, then write your mental response. It may help to label the different voices A and B. Dialogue writing is a very effective way to get to the heart of the matter.
Heather Moehn (Social Anxiety (Coping With Series))
Asking a writer why they like to write {in the theoretical sense of the question} is like asking a person why they breathe. For me, writing is a natural reflex to the beauty, the events, and the people I see around me. As Anais Nin put it, "We write to taste life twice." I live and then I write. The one transfers to the other, for me, in a gentle, necessary way. As prosaic as it sounds, I believe I process by writing. Part of the way I deal with stressful situations, catty people, or great joy or great trials in my own life is by conjuring it onto paper in some way; a journal entry, a blog post, my writing notebook, or my latest story. While I am a fair conversationalist, my real forte is expressing myself in words on paper. If I leave it all chasing round my head like rabbits in a warren, I'm apt to become a bug-bear to live with and my family would not thank me. Some people need counselors. Some people need long, drawn-out phone-calls with a trusted friend. Some people need to go out for a run. I need to get away to a quiet, lonesome corner--preferably on the front steps at gloaming with the North Star trembling against the darkening blue. I need to set my pen fiercely against the page {for at such moments I must be writing--not typing.} and I need to convert the stress or excitement or happiness into something to be shared with another person. The beauty of the relationship between reading and writing is its give-and-take dynamic. For years I gathered and read every book in the near vicinity and absorbed tale upon tale, story upon story, adventures and sagas and dramas and classics. I fed my fancy, my tastes, and my ideas upon good books and thus those aspects of myself grew up to be none too shabby. When I began to employ my fancy, tastes, and ideas in writing my own books, the dawning of a strange and wonderful idea tinged the horizon of thought with blush-rose colors: If I persisted and worked hard and poured myself into the craft, I could create one of those books. One of the heart-books that foster a love of reading and even writing in another person somewhere. I could have a hand in forming another person's mind. A great responsibility and a great privilege that, and one I would love to be a party to. Books can change a person. I am a firm believer in that. I cannot tell you how many sentiments or noble ideas or parts of my own personality are woven from threads of things I've read over the years. I hoard quotations and shadows of quotations and general impressions of books like a tzar of Russia hoards his icy treasures. They make up a large part of who I am. I think it's worth saying again: books can change a person. For better or for worse. As a writer it's my two-edged gift to be able to slay or heal where I will. It's my responsibility to wield that weapon aright and do only good with my words. Or only purposeful cutting. I am not set against the surgeon's method of butchery--the nicking of a person's spirit, the rubbing in of a salty, stinging salve, and the ultimate healing-over of that wound that makes for a healthier person in the end. It's the bitter herbs that heal the best, so now and again you might be called upon to write something with more cayenne than honey about it. But the end must be good. We cannot let the Light fade from our words.
Rachel Heffington
SATURDAY AT THE STORE is a nightmare. We are besieged by do-it-yourselfers wanting to spruce up their homes. Mr. and Mrs. Clayton and John and Patrick—the two other part-timers—and I are besieged by customers. But there’s a lull around lunchtime, and Mrs. Clayton asks me to check on some orders while I’m sitting behind the counter at the register discreetly eating my bagel. I’m engrossed in the task, checking catalog numbers against the items we need and the items we’ve ordered, eyes flicking from the order book to the computer screen and back as I make sure the entries match. Then, for some reason, I glance up … and find myself locked in the bold gray gaze of Christian Grey, who’s standing at the counter, staring at me. Heart failure. “Miss Steele. What a pleasant surprise.” His gaze is unwavering and intense. Holy crap. What the hell is he doing here, looking all outdoorsy with his tousled hair and in his cream chunky-knit sweater, jeans, and walking boots? I think my mouth has popped open, and I can’t locate my brain or my voice. “Mr. Grey,” I whisper, because that’s all I can manage. There’s a ghost of a smile on his lips and his eyes are alight with humor, as if he’s enjoying some private joke. “I was in the area,” he says by way of explanation. “I need to stock up on a few things. It’s a pleasure to see you again, Miss Steele.” His voice is warm and husky like dark melted chocolate fudge caramel … or something.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Distraction leaches the authenticity out of our communications. When we are not emotionally present, we are gliding over the surface of our interactions and we never tangle in the depths where the nuances of our skills are tested and refined. A medical professor describes the easy familiarity with which her digital-native resident students master medical electronic records—but is troubled by the fact that they enter data with their eyes focused on their digital devices, not on the patient in the room with them. Preoccupation with technology acts as a screen between the student and the patient’s real emotion, real fear, and real concern. It may also prevent these residents from noticing physical symptoms that the patient fails to mention. The easy busyness of medical record entry is a way to sidestep the more challenging dynamics of human connection. But experienced physicians know that interpersonal skills are essential to mastering the art and science of medical diagnosis.
Marian Deegan (Relevance: Matter More)
Very few entities are powerful enough to create Patinas, and those that can guard them closely. The library is here. But Arriane’s right. We’ll need to figure out the way in.” “I heard you need an Announcer to get through one,” Arriane said. “Cosmic legend.” Annabelle shook her head. “Every Patina is different. Access is entirely up to the creator. They program the code.” “I once heard Cam tell a story at a party about how he accessed a Patina,” Rolan said. “Or was that a story about a party that he threw in a Patina?” “Luce!” Daniel said suddenly, making all of them startle in midair. “It’s you. It was always you.” Luce shrugged. “Always me what?” “You’re the one who always rang the bell. You’re the one who had entry to the library. You just need to ring the bell.” Luce looked at the empty street, the fog tinting everything around them brown. “What are you talking about? What bell?” “Close your eyes,” Daniel said. “Remember it. Pass into the past and find the bellpull-“ Luce was already there, back at the library the last time she’d been in Vienna with Daniel. Her feet were firmly on the ground. It was raining and her hair splayed all across her face. Her crimson hair ribbons were soaked, but she didn’t care. She was looking for something. There was a short path up the courtyard, then a dark alcove outside the library. It had been cold outside, and a fire blazed within. There, in the musty corner near the door, was a woven cord embroidered with white peonies hanging from a substantial silver bell. She reached into the air and pulled. The angels gasped. Luce opened her eyes. There, in the center of the north side of the street, the row of contemporary town houses was interrupted at its midpoint by a single small brown house. A curl of smoke rose from its chimney. The only light-aside from the angel’s wings-was the dim yellow glow of a lamp on the sill of the house’s front window. The angels landed softly on the empty street and Daniel’s grip around Luce softened. He kissed her hand. “You remembered. Well done.
Lauren Kate (Rapture (Fallen, #4))
Sensuality is for you, not about you. It’s for you in a sense that you are allowed to indulge all of your senses and taste the goodness of this world and beyond. It’s also for you in a sense that you’re allowed to curate and express yourself in an authentic way (i.e. in the way you dress, communicate, live, love, play, etc.). However, sensuality is not ABOUT you, it’s about those to whom you were brought here to touch and inspire. It’s about the joy and pleasure you’re here to bring. You didn’t come here for yourself nor empty-handed, but you came here bearing special gifts. You were brought here to be a vessel of sensual innovation and a conveyor of heaven’s most deepest pleasures. Your passion is an indication of the sensual gift(s) you were endowed with before you made your grand entry into this world. Your divine mandate now is to exploit every sensual gift you have to the fullest whether it’s music, photography, boudoir or fashion modeling, etc. If you have a love for fashion, always dress impeccably well like my friend Kefilwe Mabote. If you have a love for good food and wine, create culinary experiences the world has never seen before like chef Heston Blumenthal whom I consider as one of the most eminent sensual innovators in the culinary field. Chef Heston has crafted the most sensually innovative culinary experience where each sense has been considered with unparalleled rigour. He believes that eating is a truly multi-sensory experience. This approach has not only led to innovative dishes like the famous bacon and egg ice cream, but also to playing sounds to diners through headphones, and dispersing evocative aromas with dry ice. Chef Heston is indeed a vessel of sensual innovation and a conveyor of heaven’s most deepest pleasures in his own right and field. So, what sensual gift(s) are you here to use? It doesn’t have to be a big thing. For instance, you may be a great home maker. That may be an area where you’re endowed with the most sensual innovative abilities than any other area in your life. You need to occupy and shine your light in that space, no matter how small it seems.
Lebo Grand
From every direction, the place is under assault—and unlike in the past, the adversary is not concentrated in a single force, such as the Bureau of Reclamation, but takes the form of separate outfits conducting smaller attacks that are, in many ways, far more insidious. From directly above, the air-tour industry has succeeded in scuttling all efforts to dial it back, most recently through the intervention of Arizona’s senators, John Kyl and John McCain, and is continuing to destroy one of the canyon’s greatest treasures, which is its silence. From the east has come a dramatic increase in uranium-mining claims, while the once remote and untrammeled country of the North Rim now suffers from an ever-growing influx of recreational ATVs. On the South Rim, an Italian real estate company recently secured approval for a massive development whose water demands are all but guaranteed to compromise many of the canyon’s springs, along with the oases that they nourish. Worst of all, the Navajo tribe is currently planning to cooperate in constructing a monstrous tramway to the bottom of the canyon, complete with a restaurant and a resort, at the confluence of the Little Colorado and the Colorado, the very spot where John Wesley Powell made his famous journal entry in the summer of 1869 about venturing “down the Great Unknown.” As vexing as all these things are, what Litton finds even more disheartening is the country’s failure to rally to the canyon’s defense—or for that matter, to the defense of its other imperiled natural wonders. The movement that he and David Brower helped build is not only in retreat but finds itself the target of bottomless contempt. On talk radio and cable TV, environmentalists are derided as “wackos” and “extremists.” The country has swung decisively toward something smaller and more selfish than what it once was, and in addition to ushering in a disdain for the notion that wilderness might have a value that extends beyond the metrics of economics or business, much of the nation ignorantly embraces the benefits of engineering and technology while simultaneously rejecting basic science.
Kevin Fedarko (The Emerald Mile: The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon)
Those who do not harden their hearts to the pain and need of others, who do not give evil entry to their souls, but suffer under its power and so acknowledge the truth of God—they are the ones who open the windows of the world to let the light in. It is to those who mourn in this sense that great consolation is promised. The second Beatitude is thus intimately connected with the eighth: “Blessed are those who are persecuted for righteousness’ sake, for theirs is the kingdom of heaven” (Mt 5:10). The mourning of which the Lord speaks is nonconformity with evil; it is a way of resisting models of behavior that the individual is pressured to accept because “everyone does it.” The world cannot tolerate this kind of resistance; it demands conformity. It considers this mourning to be an accusation directed against the numbing of consciences. And so it is. That is why those who mourn suffer persecution for the sake of righteousness. Those who mourn are promised comfort; those who are persecuted are promised the Kingdom of God—the same promise that is made to the poor in spirit.
Pope Benedict XVI (Jesus of Nazareth: From the Baptism in the Jordan to the Transfiguration)
And as I reached the ticket attendant myself, I heard the Prince de Saxe (if this is who he really was) say with a smile: “I don’t know which number. My cousin told me I need only ask for her box.” He may well have been the Prince de Saxe; perhaps it was the Duchesse de Guermantes (and if it was, I would be able to see her living out one of the moments of her unimaginable life in her cousin’s box) that he saw in his mind’s eye when he used the words “my cousin told me I need only ask for her box,” and this feeling was so strong that his distinctive smiling gaze and the utter simplicity of his words caressed my heart (far more than any abstract reverie would have done) with the alternate intuitions of a possible happiness and a vague glamour. At least, by uttering these words to the ticket attendant, he opened up an ordinary evening in my everyday life to the possibility of entry into a new world: the corridor to which he was directed after he had mentioned the word “box” and into which he now turned was damp and cracked and seemed to lead to marine grottoes, to the mythological realm of the water nymphs.
Marcel Proust (The Guermantes Way (In Search of Lost Time, #3))
To summarize my trading strategy for VWAP False Breakouts: Once I’ve made my watchlist for the day, I monitor the price action around VWAP at the Open and during the morning session for the Stocks in Play. A good Stock in Play shows respect toward VWAP. If the Stock in Play sells off below the VWAP but bounces back and breaks out above the VWAP, it means the buyers are gaining control and short sellers perhaps had to cover. However, if it loses the VWAP again in the Late-Morning (from 10:30 a.m. to 12 p.m.), it means that this time the buyers were mostly weak or exhausted. This provides a short opportunity with a stop loss above VWAP. The profit target can be the by then low of the day, or any other important technical level. I try to go short when a Stock in Play has lost the VWAP. Sometimes I go short before the price loses the VWAP, to get a good entry while it is ticking down toward VWAP in the anticipation of a VWAP loss. However, be very careful, for the job of a trader is identification and not anticipation. Take small size and add more shares on the way down if you have truly identified a good trading setup.
Andrew Aziz (Day Trading for a Living)
On one side hung a very large oil-painting so thoroughly besmoked, and every way defaced, that in the unequal cross-lights by which you viewed it, it was only by diligent study and a series of systematic visits to it, and careful inquiry of the neighbors, that you could any way arrive at an understanding of its purpose. such unaccountable masses of shades and shadows, that at first you almost thought some ambitious young artist, in the time of the New England hags, had endeavored to delineate chaos bewitched. But by dint of much and earnest contemplation, and oft repeated ponderings, and especially by throwing open the little window towards the back of the entry, you at last come to the conclusion that such an idea, however wild, might not be altogether unwarranted. But what most puzzled and confounded you was a long, limber, portentous, black mass of something hovering in the centre of the picture over three blue, dim, perpendicular lines floating in a nameless yeast. A boggy, soggy, squitchy picture truly, enough to drive a nervous man distracted. Yet was there a sort of indefinite, half-attained, unimaginable sublimity about it that fairly froze you to it, till you involuntarily took an oath with yourself to find out what that marvellous painting meant. Ever and anon a bright, but, alas, deceptive idea would dart you through. - It's the Black Sea in a midnight gale. - It's the unnatural combat of the four primal elements. - It's a blasted heath. - It's a Hyperborean winter scene. - It's the breaking- up of the ice-bound stream of Time. But at last all these fancies yielded to that one portentous something in the picture's midst. That once found out, and all the rest were plain. But stop; does it not bear a faint resemblance to a gigantic fish? even the great Leviathan himself?
Herman Melville (Moby-Dick or, The Whale)
It was one thing to realize that the Guermantes salon was incapable of providing the special qualities I had extracted from the name, but the fact that I had been forbidden entry, by obliging me to see it as we see the salons described in a novel or pictured in a dream, made me imagine it, even when I felt sure it was just like any other, as something quite different; between myself and it stood the dividing line at which reality ends. To dine with the Guermantes was to undertake a journey long hoped for, to make a desire pass from my head and appear before my eyes, and to become acquainted with a dream.
Marcel Proust (The Guermantes Way (In Search of Lost Time, #3))
Every entry, whether revised or reviewed, goes through multiple editing passes. The definer starts the job, then it’s passed to a copy editor who cleans up the definer’s work, then to a bunch of specialty editors: cross-reference editors, who make sure the definer hasn’t used any word in the entry that isn’t entered in that dictionary; etymologists, to review or write the word history; dating editors, who research and add the dates of first written use; pronunciation editors, who handle all the pronunciations in the book. Then eventually it’s back to a copy editor (usually a different one from the first round, just to be safe), who will make any additional changes to the entry that cross-reference turned up, then to the final reader, who is, as the name suggests, the last person who can make editorial changes to the entry, and then off to the proofreader (who ends up, again, being a different editor from the definer and the two previous copy editors). After the proofreaders are done slogging through two thousand pages of four-point type, the production editors send it off to the printer or the data preparation folks, and then we get another set of dictionary pages (called page proofs) to proofread. This process happens continuously as we work through a dictionary, so a definer may be working on batches in C, cross-reference might be in W, etymology in T, dating and pronunciation in the second half of S, copy editors in P (first pass) and Q and R (second pass), while the final reader is closing out batches in N and O, proofreaders are working on M, and production has given the second set of page proofs to another set of proofreaders for the letter L. We all stagger our way through the alphabet until the last batch, which is inevitably somewhere near G, is closed. By the time a word is put in print either on the page or online, it’s generally been seen by a minimum of ten editors. Now consider that when it came to writing the Collegiate Dictionary, Eleventh Edition, we had a staff of about twenty editors working on it: twenty editors to review about 220,000 existing definitions, write about 10,000 new definitions, and make over 100,000 editorial changes (typos, new dates, revisions) for the new edition. Now remember that the 110,000-odd changes made were each reviewed about a dozen times and by a minimum of ten editors. The time given to us to complete the revision of the Tenth Edition into the Eleventh Edition so production could begin on the new book? Eighteen months.
Kory Stamper (Word by Word: The Secret Life of Dictionaries)
The Renaissance deepened the influence of medieval development with its striving towards capitalistic economic and social system only in so far as it confirms the rationalism which now dominates the whole intellectual and material life of the time. [...] They are arecreation of the same spirit which makes its way in the organization of labour, in trading methods, the credit system and double-entry book keeping, in methods of government, in diplomacy and warfare. The whole development of art becomes part of the total process of rationalization. The irrational ceases to make any deeper impression. The things that are now felt as 'beautiful' are the logical conformity of the individual parts of a whole, the arithmetically definable harmony of the relationships and the calculable rhythm of a composition, the exclusion of discords in the relation of the figures to the space they occupy and in the mutual relationship of the various parts of the space itself. And just a central perspective is space seen from a mathematical standpoint, and right proportions are only equivalent to the systematic organization of the individual forms in a picture, so in the course of time call criteria of artistic quality are subjected to rational scrutiny and all the laws of art are rationalized.
Arnold Hauser (The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque)
In good truth he had started in London with some vague idea that as his life in it would not be of long continuance, the pace at which he elected to travel would be of little consequence; but the years since his first entry into the Metropolis were now piled one on top of another, his youth was behind him, his chances of longevity, spite of the way he had striven to injure his constitution, quite as good as ever. He had come to that period of existence, to that narrow strip of tableland, whence the ascent of youth and the descent of age are equally discernible - when, simply because he has lived for so many years, it strikes a man as possible he may have to live for just as many more, with the ability for hard work gone, with the boon companions scattered, with the capacity for enjoying convivial meetings a mere memory, with small means perhaps, with no bright hopes, with the pomp and the circumstance and the fairy carriages, and the glamour which youth flings over earthly objects, faded away like the pageant of yesterday, while the dreary ceremony of living has to be gone through today and tomorrow and the morrow after, as though the gay cavalcade and the martial music, and the glittering helmets and the prancing steeds were still accompanying the wayfarer to his journey's end. Ah! my friends, there comes a moment when we must all leave the coach with its four bright bays, its pleasant outside freight, its cheery company, its guard who blows the horn so merrily through villages and along lonely country roads. Long before we reach that final stage, where the black business claims us for its own speecial property, we have to bid goodbye to all easy, thoughtless journeying and betake ourselves, with what zest we may, to traversing the common of reality. There is no royal road across it that ever I heard of. From the king on his throne to the laborer who vaguely imagines what manner of being a king is, we have all to tramp across that desert at one period of our lives, at all events; and that period is usually when, as I have said, a man starts to find the hopes, and the strength, and the buoyancy of youth left behind, while years and years of life lie stretching out before him. The coach he has travelled by drops him here. There is no appeal, there is no help; therefore, let him take off his hat and wish the new passengers good speed without either envy or repining. Behld, he has had his turn, and let whosoever will, mount on the box-seat of life again, and tip the coachman and handle the ribbons - he shall take that journey no more, no more for ever. ("The Banshee's Warning")
Charlotte Riddell
The mythology of a people is far more than a collection of pretty or terrifying fables to be retold in carefully bowdlerized form to our schoolchildren. It is the comment of the men of one particular age or civilization on the mysteries of human existence and the human mind, their model for social behaviour, and their attempt to define in stories of gods and demons their perception of the inner realities. We can learn much from the mythologies of earlier peoples if we have the humility to respect ways of thought widely differing from our own. In certain respects we may be far cleverer than they, but not necessarily wiser. We cannot return to the mythological thinking of an earlier age; it is beyond our reach, like the vanished world of childhood. Even if we feel a nostalgic longing for the past, like that of Jon Keats for Ancient Greece of William Morris for medieval England, there is now no way of entry. The Nazis tries to revive the myths of ancient Germany in their ideology, but such an attempt could only lead to sterility and moral suicide. We cannot deny the demands of our own age, but this need not prevent us turning to the faith of another age with sympathetic understanding, and recapturing imaginatively some of its vanished power. It will even help us view more clearly the assumptions and beliefs of our own time
H.R. Ellis Davidson
Although Dyatlov, Shift Foreman Akimov, and Senior Reactor Control Engineer Toptunov had violated some operating regulations, they were ignorant of the deadly failing of the RBMK-1000 that meant that insertion of the control rods, instead of shutting down the reactor at the end of the test, could initiate a runaway chain reaction. Every one of the investigators behind the report now agreed that the fatal power surge that destroyed the reactor had begun with the entry of the rods into its core. ‘Thus the Chrnobyl accident comes within the standard pattern of most severe accidents in the world. It begins with an accumulation of small breaches of the regulations. … These produce a set of undesirable properties and occurrences that, when taken separately, do not seem to be particularly dangerous, but finally an initiating event occurs that, in this particular case, was the subjective actions of the personnel that allowed the potentially destructive and dangerous qualities of the reactor to be released.’ IAEA experts revealed at last the true magnitude of the technical cover-up surrounding the causes of the disaster: the long history of previous RBMK accidents, the dangerous design of the reactor, its instability, and the way its operators had been misled about its behavior. In dense scientific detail, it described the inherent problems of the positive void coefficient and the fatal consequences of the control rod ‘tip’ effect. (pp. 347-348)
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
Our emotions always seek a foothold in what they form and shape, and always find it for a while. But Agathe and I feel an imprisoned ghostliness in our surroundings, the reverse magnetism of two connected poles, the recall in the call, the mobility of supposedly fixed walls; we see and hear it suddenly. To have stumbled 'into a time' seems to us like an adventure, and dubious company. We find ourselves in the enchanted forest. And although we cannot encompass 'our own,' differently constituted feeling, indeed hardly know what it is, we suffer anxiety about it and would like to hold it fast. But how do you hold a feeling fast? How could one linger at the highest stage of rapture, if indeed there were any way of getting there at all? Basically this is the only question that preoccupies us. We have intimations of an emotion removed from the entropy of the other emotions. It stand like a miraculous, motionless shadow in the flow before us. But would it not have to arrest the world in its course in order to exist? I arrive at the conclusion that it cannot be a feeling in the same sense as the other feelings." And suddenly Ulrich concluded: "So I come back to the question: Is love an emotion? I think not. Love is an ecstasy. And God Himself, in order to be able to lastingly love the world and, with the love of God-the-artist, also embrace what has already happened, must be in a constant state of ecstasy. This is the only form in which he may be imagined--" Here he had broken off this entry.
Robert Musil (The Man Without Qualities)
What to Make a Game About? Your dog, your cat, your child, your boyfriend, your girlfriend, your mother, your father, your grandmother, your friends, your imaginary friends, your summer vacation, your winter in the mountains, your childhood home, your current home, your future home, your first job, your worst job, the job you wish you had. Your first date, your first kiss, your first fuck, your first true love, your second true love, your relationship, your kinks, your deepest secrets, your fantasies, your guilty pleasures, your guiltless pleasures, your break-up, your make-up, your undying love, your dying love. Your hopes, your dreams, your fears, your secrets, the dream you had last night, the thing you were afraid of when you were little, the thing you’re afraid of now, the secret you think will come back and bite you, the secret you were planning to take to your grave, your hope for a better world, your hope for a better you, your hope for a better day. The passage of time, the passage of memory, the experience of forgetting, the experience of remembering, the experience of meeting a close friend from long ago on the street and not recognizing her face, the experience of meeting a close friend from long ago and not being recognized, the experience of aging, the experience of becoming more dependent on the people who love you, the experience of becoming less dependent on the people you hate. The experience of opening a business, the experience of opening the garage, the experience of opening your heart, the experience of opening someone else’s heart via risky surgery, the experience of opening the window, the experience of opening for a famous band at a concert when nobody in the audience knows who you are, the experience of opening your mind, the experience of taking drugs, the experience of your worst trip, the experience of meditation, the experience of learning a language, the experience of writing a book. A silent moment at a pond, a noisy moment in the heart of a city, a moment that caught you unprepared, a moment you spent a long time preparing for, a moment of revelation, a moment of realization, a moment when you realized the universe was not out to get you, a moment when you realized the universe was out to get you, a moment when you were totally unaware of what was going on, a moment of action, a moment of inaction, a moment of regret, a moment of victory, a slow moment, a long moment, a moment you spent in the branches of a tree. The cruelty of children, the brashness of youth, the wisdom of age, the stupidity of age, a fairy tale you heard as a child, a fairy tale you heard as an adult, the lifestyle of an imaginary creature, the lifestyle of yourself, the subtle ways in which we admit authority into our lives, the subtle ways in which we overcome authority, the subtle ways in which we become a little stronger or a little weaker each day. A trip on a boat, a trip on a plane, a trip down a vanishing path through a forest, waking up in a darkened room, waking up in a friend’s room and not knowing how you got there, waking up in a friend’s bed and not knowing how you got there, waking up after twenty years of sleep, a sunset, a sunrise, a lingering smile, a heartfelt greeting, a bittersweet goodbye. Your past lives, your future lives, lies that you’ve told, lies you plan to tell, lies, truths, grim visions, prophecy, wishes, wants, loves, hates, premonitions, warnings, fables, adages, myths, legends, stories, diary entries. Jumping over a pit, jumping into a pool, jumping into the sky and never coming down. Anything. Everything.
Anna Anthropy (Rise of the Videogame Zinesters: How Freaks, Normals, Amateurs, Artists, Dreamers, Drop-outs, Queers, Housewives, and People Like You Are Taking Back an Art Form)
Back in the twentieth century, American girls had used baseball terminology. “First base” referred to embracing and kissing; “second base” referred to groping and fondling and deep, or “French,” kissing, commonly known as “heavy petting”; “third base” referred to fellatio, usually known in polite conversation by the ambiguous term “oral sex”; and “home plate” meant conception-mode intercourse, known familiarly as “going all the way.” In the year 2000, in the era of hooking up, “first base” meant deep kissing (“tonsil hockey”), groping, and fondling; “second base” meant oral sex; “third base” meant going all the way; and “home plate” meant learning each other’s names. Getting to home plate was relatively rare, however. The typical Filofax entry in the year 2000 by a girl who had hooked up the night before would be: “Boy with black Wu-Tang T-shirt and cargo pants: O, A, 6.” Or “Stupid cock diesel”—slang for a boy who was muscular from lifting weights—“who kept saying, ‘This is a cool deal’: TTC, 3.” The letters referred to the sexual acts performed (e.g., TTC for “that thing with the cup”), and the Arabic number indicated the degree of satisfaction on a scale of 1 to 10. In the year 2000, girls used “score” as an active verb indicating sexual conquest, as in: “The whole thing was like very sketchy, but I scored that diesel who said he was gonna go home and caff up [drink coffee in order to stay awake and study] for the psych test.” In the twentieth century, only boys had used “score” in that fashion, as in: “I finally scored with Susan last night.” That girls were using such a locution points up one of the ironies of the relations between the sexes in the year 2000. The continuing vogue of feminism had made sexual life easier, even insouciant, for men. Women had been persuaded that they should be just as active as men when it came to sexual advances. Men were only too happy to accede to the new order, since it absolved them of all sense of responsibility
Tom Wolfe (Hooking Up (Ceramic Transactions Book 104))
To summarize the strategy: An Angel is a low float Stock in Play which is gapping with heavy volume in the pre-market. At the market Open, our Angel makes a new high of the day but sells off quickly. You do not want to jump into the trade yet, not until it consolidates around an important trading level such as the low of the pre-market, or moving averages on your daily or 5-minute chart. This is where our Angel will have fallen to. As soon as the stock is coming back up with heavy volume, that is the place you take the trade to the long side. The entry signal is to see a new 1-minute or 5-minute high after the consolidation with MASSIVE volume only. You must remember that the volume on the way up needs to be significantly higher than previous candlesticks. The stop loss is below the consolidation period. The profit target can be (1) VWAP, (2) the then high of the day, (3) the high of the pre-market, and (4) any other important level nearby such as Y High or Y Low. If you don’t see an obvious support level and consolidation, do not trade the stock. If you see a breakout but it does not have strong volume, do not trade the stock. Fallen Angel is generally a difficult strategy to trade, especially since it is difficult to manage the risk in. You will have seen in the above examples that most of the drops are sharp, and if you are not quick in getting out of a losing trade, you may get stuck in a very bad position and be forced to accept a heavy loss. Remember, these stocks often gapped up significantly and can lose the majority of their gap during the day, so holding them during the day may not be a good idea, especially if volume is dropping during the day. I recommend trading this strategy in the simulator for some period of time before trading it live. When you go live, make sure to take small size. I know, it is easy to take a 10,000 share on a $1 stock, but remember, every cent up and down in a $1 stock is the equivalent of a 1% swing in your position. I usually take 4,000 shares for low float stocks below $10.
Andrew Aziz (Day Trading for a Living)
Griff entered the cave, sword in hand. He had no desire to frighten Astelle, but he had to be prepared for anything. She jumped up from her fireside position with a small stifled scream at his entry, then continued to back fearfully towards the shadowed wall. She was quite alone. Griff could sense no other presence – only hers, and the wonder of it. He sheathed his sword, and gazed upon his long-lost love. Her hair had lost all trace of colour while still retaining the texture of youth, giving the appearance of white silk. There was a pulsating light of a blue-lilac shade which clung to the crown of her head, reflecting in the hair – a soul – a lost spirit – someone who had loved her. She was almost as pale as death, for Torking took far too much blood from her, too frequently. She was also much thinner than she should have been, but for all of this, she was still the most beautiful sight of his life. Her body was ravaged with Torking's bites and claw-marks. She was still wearing his old cloak which Griff instantly recognised, though it was little more than a rag, wrapped around her body and tied on one shoulder. Her beautiful dark eyes, those which had so haunted his dreams, seemed over-large in her pale face, as she stared at him with a mingling of shock, disbelief and joy. Griff took a few hesitant steps towards her, unsure of his reception. ‘Astelle?’ His voice grated with emotion. How often had she yearned to hear him speak her name exactly in that way? ‘Astelle – is it really you?’ He was just as divinely handsome as she remembered, and he looked so fine – he looked magnificent in Gremlen battledress. In the flickering torchlight, the blue krulmesh armour glittered over the black leather tunic. The emerald sheen in his raven hair was vivid as ever. Best of all, his dark forest-green eyes were shining with love, and she suddenly understood that Griff was a hundred times more beautiful than Torking, for his eyes held everything that was good, fine and noble. Astelle's heart almost stopped beating as she gazed at him. Her eyes filled with tears, and her lip trembled as she tried to whisper his name.
Bernie Morris (The Fury of the Fae)
Just as the printing press led to the appearance of a new set of possibilities for democracy, beginning five hundred years ago—and just as the emergence of electronic broadcasting reshaped those possibilities, beginning in the first quarter of the twentieth century—the Internet is presenting us with new possibilities to reestablish a healthy functioning self-government, even before it rivals television for an audience. In fact, the Internet is perhaps the greatest source of hope for reestablishing an open communications environment in which the conversation of democracy can flourish. It has extremely low entry barriers for individuals. The ideas that individuals contribute are dealt with, in the main, according to the rules of a meritocracy of ideas. It is the most interactive medium in history and the one with the greatest potential for connecting individuals to one another and to a universe of knowledge. An important distinction to make is that the Internet is not just another platform for disseminating the truth. It’s a platform for pursuing the truth, and the decentralized creation and distribution of ideas, in the same way that markets are a decentralized mechanism for the creation and distribution of goods and services. It’s a platform, in other words, for reason. But just as it is important to avoid romanticizing the printing press and the information ecosystem it created, it is also necessary to keep a clear-eyed view of the Internet’s problems and abuses. It is hard to imagine any human evil that is not somehow abundantly displayed somewhere on the Internet. Parents of young children are often horrified to learn what obscene, grotesque, and savage material is all too easily available to children whose Web-surfing habits are not supervised or electronically limited. Teen suicides, bullying, depravity, and criminal behavior of all descriptions are described and—some would argue—promoted on the Internet. As with any tool put at the disposal of humankind, it can be, and is, used for evil as well as good purposes. And as always, it is up to us—particularly those of us who live in a democracy—to make intelligent choices about how and for what we use this incredibly powerful tool.
Al Gore (The Assault on Reason)
[I]n the years that followed the persecutions, Christianity came to see itself, with great pride, as a persecuted Church. Its greatest heroes were not those who did good deeds but those who died in the most painful way. If you were willing to die an excruciating end in the arena then, whatever your previous holiness or lack thereof, you went straight to heaven: martyrdom wiped out all sins on the point of death. As well as getting there faster, martyrs enjoyed preferential terms in paradise, getting to wear the much-desired martyr’s crown. Tempting celestial terms were offered: it was said that the scripture promised ‘multiplication, even to a hundred times, of brothers, children, parents, land and homes’. Precisely how this celestial sum had been calculated is not clear but the general principle was: those who died early, publicly and painfully would be best rewarded. In many of the martyr tales the driving force is less that the Romans want to kill – and more that the Christians want to die. Why wouldn’t they? Paradoxically, martyrdom held considerable benefits for those willing to take it on. One was its egalitarian entry qualifications. As George Bernard Shaw acidly observed over a millennium later, martyrdom is the only way a man can become famous without ability. More than that, in a socially and sexually unequal era it was a way in which women and even slaves might shine. Unlike most positions of power in the highly socially stratified late Roman Empire, this was a glory that was open to all, regardless of rank, education, wealth or sex. The sociologist Rodney Stark has pointed out that – provided you believe in its promised rewards – martyrdom is a perfectly rational choice. A martyr could begin the day of their death as one of the lowliest people in the empire and end it as one of the most exalted in heaven. So tempting were these rewards that pious Christians born outside times of persecution were wont to express disappointment at being denied the opportunity of an agonizing death. When the later Emperor Julian pointedly avoided executing Christians in his reign, one Christian writer far from being grateful, sourly recorded that Julian had ‘begrudged the honour of martyrdom to our combatants’.
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
Why, he asked, do all of our policing efforts have to be so reactive, so negative, and so after the fact? What if, instead of just focusing on catching criminals—and serving up ever harsher punishments—after they committed the crime, the police devoted significant resources and effort to eliminating criminal behavior before it happens? To quote Tony Blair, what if they could be tough on crime but also tough on the causes of crime?3 Out of these questions came the novel idea for Positive Tickets, a program whereby police, instead of focusing on catching young people perpetrating crimes, would focus on catching youth doing something good—something as simple as throwing litter away in a bin rather than on the ground, wearing a helmet while riding their bike, skateboarding in the designated area, or getting to school on time—and would give them a ticket for positive behavior. The ticket, of course, wouldn’t carry a fine like a parking ticket but instead would be redeemable for some kind of small reward, like free entry to the movies or to an event at a local youth center—wholesome activities that also had the bonus of keeping the young people off the streets and out of trouble. So how well did Richmond’s unconventional effort to reimagine policing work? Amazingly well, as it turned out. It took some time, but they invested in the approach as a long-term strategy, and after a decade the Positive Tickets system had reduced recidivism from 60 percent to 8 percent. You might not think of a police department as a place where you would expect to see Essentialism at work, but in fact Ward’s system of Positive Tickets is a lesson in the practice of effortless execution. The way of the Nonessentialist is to go big on everything: to try to do it all, have it all, fit it all in. The Nonessentialist operates under the false logic that the more he strives, the more he will achieve, but the reality is, the more we reach for the stars, the harder it is to get ourselves off the ground. The way of the Essentialist is different. Instead of trying to accomplish it all—and all at once—and flaring out, the Essentialist starts small and celebrates progress. Instead of going for the big, flashy wins that don’t really matter, the Essentialist pursues small and simple wins in areas that are essential.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
Eeh, but whah’s the use, the fuckin’ use?” Dixon resting his head briefly tho’ audibly upon the Table. “It’s over . . . ? Nought left to us but Paper-work . . . ?” Their task has shifted, from Direct Traverse upon the Line to Pen-and-Paper Representation of it, in the sober Day-Light of Philadelphia, strain’d thro’ twelve-by-twelve Sash-work, as in the spectreless Light of the Candles in their Rooms, suffering but the fretful Shadows of Dixon at the Drafting Table, and Mason, seconding now, reading from Entries in the Field-Book, as Dixon once minded the Clock for him. Finally, one day, Dixon announces, “Well,— won’t thee at least have a look . . . ?” Mason eagerly rushes to inspect the Map of the Boundaries, almost instantly boggling, for there bold as a Pirate’s Flag is an eight-pointed Star, surmounted by a Fleur-de-Lis. “What’s this thing here? pointing North? Wasn’t the l’Grand flying one of these? Doth it not signify, England’s most inveterately hated Rival? France?” “All respect, Mason,— among Brother and Sister Needle-folk in ev’ry Land, ’tis known universally, as the ‘Flower-de-Luce.’ A Magnetickal Term.” “ ‘Flower of Light’? Light, hey? Sounds Encyclopedistick to me, perhaps even Masonick,” says Mason. A Surveyor’s North-Point, Dixon explains, by long Tradition, is his own, which he may draw, and embellish, in any way he pleases, so it point where North be. It becomes his Hall-Mark, personal as a Silver-Smith’s, representative of his Honesty and Good Name. Further, as with many Glyphs, ’tis important ever to keep Faith with it,— for an often enormous Investment of Faith, and Will, lies condens’d within, giving it a Potency in the World that the Agents of Reason care little for. “ ’Tis an ancient Shape, said to go back to the earliest Italian Wind-Roses,” says Dixon, “— originally, at the North, they put the Letter T, for Tramontane, the Wind that blew down from the Alps . . . ? Over the years, as ever befalls such frail Bric-a-Brack as Letters of the Alphabet, it was beaten into a kind of Spear-head,— tho’ the kinder-hearted will aver it a Lily, and clash thy Face, do tha deny it.” “Yet some, finding it upon a new Map, might also take it as a reassertion of French claims to Ohio,” Mason pretends to remind him. “Aye, tha’ve found me out, I confess,— ’tis a secret Message to all who conspire in the Dark! Eeh! The old Jesuit Canard again!
Thomas Pynchon (Mason & Dixon)
Late in the nineteenth century came the first signs of a “Politics in a New Key”: the creation of the first popular movements dedicated to reasserting the priority of the nation against all forms of internationalism or cosmopolitanism. The decade of the 1880s—with its simultaneous economic depression and broadened democratic practice—was a crucial threshold. That decade confronted Europe and the world with nothing less than the first globalization crisis. In the 1880s new steamships made it possible to bring cheap wheat and meat to Europe, bankrupting family farms and aristocratic estates and sending a flood of rural refugees into the cities. At the same time, railroads knocked the bottom out of what was left of skilled artisanal labor by delivering cheap manufactured goods to every city. At the same ill-chosen moment, unprecedented numbers of immigrants arrived in western Europe—not only the familiar workers from Spain and Italy, but also culturally exotic Jews fleeing oppression in eastern Europe. These shocks form the backdrop to some developments in the 1880s that we can now perceive as the first gropings toward fascism. The conservative French and German experiments with a manipulated manhood suffrage that I alluded to earlier were extended in the 1880s. The third British Reform Bill of 1884 nearly doubled the electorate to include almost all adult males. In all these countries, political elites found themselves in the 1880s forced to adapt to a shift in political culture that weakened the social deference that had long produced the almost automatic election of upper-class representatives to parliament, thereby opening the way to the entry of more modest social strata into politics: shopkeepers, country doctors and pharmacists, small-town lawyers—the “new layers” (nouvelles couches) famously summoned forth in 1874 by Léon Gambetta, soon to be himself, the son of an immigrant Italian grocer, the first French prime minister of modest origins. Lacking personal fortunes, this new type of elected representative lived on their parliamentarians’ salary and became the first professional politicians. Lacking the hereditary name recognition of the “notables” who had dominated European parliaments up to then, the new politicians had to invent new kinds of support networks and new kinds of appeal. Some of them built political machines based upon middle-class social clubs, such as Freemasonry (as Gambetta’s Radical Party did in France); others, in both Germany and France, discovered the drawing power of anti-Semitism and nationalism. Rising nationalism penetrated at the end of the nineteenth century even into the ranks of organized labor. I referred earlier in this chapter to the hostility between German-speaking and Czech-speaking wage earners in Bohemia, in what was then the Habsburg empire. By 1914 it was going to be possible to use nationalist sentiment to mobilize parts of the working class against other parts of it, and even more so after World War I. For all these reasons, the economic crisis of the 1880s, as the first major depression to occur in the era of mass politics, rewarded demagoguery. Henceforth a decline in the standard of living would translate quickly into electoral defeats for incumbents and victories for political outsiders ready to appeal with summary slogans to angry voters.
Robert O. Paxton (The Anatomy of Fascism)
Over the next year, he practiced every day. In his diary, he wrote as if his control over himself and his choices was never in question. He got married. He started teaching at Harvard. He began spending time with Oliver Wendell Holmes, Jr., who would go on to become a Supreme Court justice, and Charles Sanders Peirce, a pioneer in the study of semiotics, in a discussion group they called the Metaphysical Club.9.30 Two years after writing his diary entry, James sent a letter to the philosopher Charles Renouvier, who had expounded at length on free will. “I must not lose this opportunity of telling you of the admiration and gratitude which have been excited in me by the reading of your Essais,” James wrote. “Thanks to you I possess for the first time an intelligible and reasonable conception of freedom.… I can say that through that philosophy I am beginning to experience a rebirth of the moral life; and I can assure you, sir, that this is no small thing.” Later, he would famously write that the will to believe is the most important ingredient in creating belief in change. And that one of the most important methods for creating that belief was habits. Habits, he noted, are what allow us to “do a thing with difficulty the first time, but soon do it more and more easily, and finally, with sufficient practice, do it semi-mechanically, or with hardly any consciousness at all.” Once we choose who we want to be, people grow “to the way in which they have been exercised, just as a sheet of paper or a coat, once creased or folded, tends to fall forever afterward into the same identical folds.” If you believe you can change—if you make it a habit—the change becomes real. This is the real power of habit: the insight that your habits are what you choose them to be. Once that choice occurs—and becomes automatic—it’s not only real, it starts to seem inevitable, the thing, as James wrote, that bears “us irresistibly toward our destiny, whatever the latter may be.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)