Entrance Inspirational Quotes

Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out on themselves. Whoever survives the country wins. That would be much simpler and more than just this arrangement, where the wrong people do the fighting

The blessing hands of Christ are like a roof that protects us. But at the same time, they are a gesture of opening up, tearing the world open so that heaven my enter in, may become "present" within it.

Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestibility he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd.

…he is unlike the other customers. They sense it too, and look at him with hard eyes, eyes like little metal studs pinned into the white faces of young men [...] In the hush his entrance creates, the excessive courtesy the weary woman behind the counter shows him amplifies his strangeness. He orders coffee quietly and studies the rim of the cup to steady the sliding in his stomach. He had thought, he had read, that from shore to shore all America was the same. He wonders, Is it just these people I’m outside or is it all America?

No one should ever despair because the entrance to his or her chosen career path is clogged. There is an ancient saying: "The persistent drip wears through stone.

There is no entrance that joy cannot enter, no door that faith cannot open, no bridge that patience cannot cross, and no wall that love cannot breach.

Men,you say you want a strong, intelligent, truly independent woman who wants you rather than needs you, who inspires you, who pushes you towards being yourself, who can stick by you through the hardest times, and who can be your rock through life's obstacles. But you need to know that a truly strong, independent woman does not walk through life with her heart wide open. She has had to put up walls to block toxicity to obtain her strength. She is skeptical and always on alert from a lifetime of defense against predators. She is going to be a bit jaded, a little cynical, and a little scary because those qualities come with the struggle of obtaining that strength that gravitates you. She is going to doubt and question your good intentions because it has become her adaptability instincts that have allowed her to thrive. She is not a ball of sunshine. She has flaws. She has a past. She has her demons. She knows better than to just let down her barriers for you simply because you voice a desire to enter. You have to prove your right of entrance. She will assume the worst of you because the worst has happened. If you want her to see otherwise, prove her wrong.

Everyone whirled around her, entranced by the stories in which they recognized themselves, but in the stories they were also more than themselves and it always felt at the end fulfilled, not meaningless and empty like life can sometimes feel.

The story that you wanted to write will never be pen down that way, The chapters of incidences will variate, The entrance and exit of characters will alter, The starting of pages might be different, The ending of pages might be unclear, The attractive introduction, The charming ending, Considering the facts in your mind, Concluding with ideas in your heart, The end product will be something else, The same goes with your life, This person is going to be my lover, friend, helper, and well-wisher, or in case some of you decide an enemy, We’re breathing humans, Our thoughts, our minds, our hearts, and our souls, everything works according to our moods, likes, dislikes, etc., There’s a problem with us, There’s a fault in ourselves, When we think that they’ll be there for us, No, they wouldn’t be, Why should they be? They have a different story to live, It’s not their duty to make your story happening, So be delighted with your tale, And enjoy whatever comes your way.

Religion is the entrance to your mind, faith is the doorway to your heart, and love is the hallway to your soul.

Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and, above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso -- who subsequently kept African art objects in his studio until his death. Cubism was new only for Europeans, for it was partly inspired by specific pieces of African art, some of them from the Pende and Songye peoples, who live in the basin of the Kasai River, one of the Congo's major tributaries. It was easy to see the distinctive brilliance that so entranced Picasso and his colleagues at their first encounter with this art at an exhibit in Paris in 1907. In these central African sculptures some body parts are exaggerated, some shrunken; eyes project, cheeks sink, mouths disappear, torsos become elongated; eye sockets expand to cover almost the entire face; the human face and figure are broken apart and formed again in new ways and proportions that had previously lain beyond sight of traditional European realism. The art sprang from cultures that had, among other things, a looser sense than Islam or Christianity of the boundaries between our world and the next, as well as those between the world of humans and the world of beasts. Among the Bolia people of the Congo, for example, a king was chosen by a council of elders; by ancestors, who appeared to him in a dream; and finally by wild animals, who signaled their assent by roaring during a night when the royal candidate was left at a particular spot in the rain forest. Perhaps it was the fluidity of these boundaries that granted central Africa's artists a freedom those in Europe had not yet discovered.

Language is a door. Words en-trance and are an entrance; they draw you in. When you read, the book you cradle disappears and the tales within unfold in your mind. Writing is a shelter of words and reading an interior adventure.

water pacifies the mind, the spirit, and the body...it soothes us, cleans us, refreshes us...we need it to survive, and there is something so calming and beautiful in the entrancing dance of water as it falls down a cascade, it is pure falling peace for our soul

… Bird’s waking dream was harsh, the reverse face of the innocent dream that had ushered him into sleep, a thing armored in burrs that inspired anguish. Sleep for Bird was a funnel which he entered through the wide and easy entrance and had to leave by the narrow exit.

And who talks of error now? I scarcely think the notion that flittered across my brain was an error. I believe it was an inspiration rather than a temptation: it was very genial, very soothing—I know that. Here it comes again! It is no devil, I assure you; or if it be, it has put on the robes of an angel of light. I think I must admit so fair a guest when it asks entrance to my heart.” “Distrust it, sir; it is not a true angel.” “Once more, how do you know? By what instinct do you pretend to distinguish between a fallen seraph of the abyss and a messenger from the eternal throne—between a guide and a seducer?” “I judged by your countenance, sir, which was troubled when you said the suggestion had returned upon you. I feel sure it will work you more misery if you listen to it.” “Not at all—it bears the most gracious message in the world: for the rest, you are not my conscience-keeper, so don’t make yourself uneasy. Here, come in, bonny wanderer!” He said this as if he spoke to a vision, viewless to any eye but his own; then, folding his arms, which he had half extended, on his chest, he seemed to enclose in their embrace the invisible being. “Now,” he continued, again addressing me, “I have received the pilgrim—a disguised deity, as I verily believe. Already it has done me good: my heart was a sort of charnel; it will now be a shrine.

Those of you who are convinced that you missed your calling, open all doors keep the entrance way clear. This way you will not miss that next call.

The most difficult door to open is the entrance to an ignorant mind.

Fichte, Schelling, and Hegel are in my opinion not philosophers; for they lack the first requirement of a philosopher, namely a seriousness and honesty of inquiry. They are merely sophists who wanted to appear to be rather than to be something. They sought not truth, but their own interest and advancement in the world. Appointments from governments, fees and royalties from students and publishers, and, as a means to this end, the greatest possible show and sensation in their sham philosophy-such were the guiding stars and inspiring genii of those disciples of wisdom. And so they have not passed the entrance examination and cannot be admitted into the venerable company of thinkers for the human race. Nevertheless they have excelled in one thing, in the art of beguiling the public and of passing themselves off for what they are not; and this undoubtedly requires talent, yet not philosophical.

All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?” He gave a half smile and then turned back to the path. “We don’t need to be weird,” he said. “These past few days, since the thing with Elodie, I’ve been thinking.” He took a deep breath, and I knew that this was one of those rare occasions when Cal was about to say a lot of words at once. “I like you, Sophie. A lot. For a while, I thought it might be more than that. But you love Cross.” He said it matter-of-factly, but I still caught the way his ears reddened. “I know I’ve said some pretty awful stuff about him, but…I was wrong. He’s a good guy. So, I guess what I’m saying is that as the guy who’s betrothed to you, I wish we could be more than friends.” He stopped, turning around to face me. “But as your friend, I want you to be happy. And if Cross is who you want, then I’m not gonna stand in the way of that.” “I’m the worst fiancé ever, aren’t I?” Cal lifted one shoulder. “Nah. This one warlock I knew, his betrothed set him on fire.” Laughing so I wouldn’t cry, I tentatively lifted my arms to hug him. He folded me against his chest, and there was no awkwardness between us, and I knew the warmth in the pit of my stomach was love. Just a different kind. Sniffling, I pulled back and rubbed at my nose. “Okay, now that the hard part’s over, let’s go tackle the Underworld.” “Got room for two more?” Startled, I turned to see Jenna and Archer standing on the path, Jenna’s hand clutching Archer’s sleeve as she tried to stay on her feet. “What?” was all I could say. Archer took a few careful steps forward. “Hey, this has been a group effort so far. No reason to stop now.” “You guys can’t go into the Underworld with me,” I told them. “You heard Dad, I’m the only one with-“ “With powers strong enough. Yeah, we got that,” Jenna said. “But how are you supposed to carry a whole bunch of demonglass out of that place? It’ll burn you. And hey, maybe your powers will be strong enough to get all of us in, too.” She gestured to herself and the boys. “Plus it’s not like we don’t have powers of our own.” I knew I should tell them to go back. But having the three of them there made me feel a whole lot better and whole lot less terrified. So in the end, I gave an exaggerated sign and said, “Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.” “Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand. “Cal, any role you want?” I asked him, and he looked ruefully at the craggy rock looming over us. As he did, there was the grinding sound of stone against stone. We all stared at the opening that appeared. “I’m just hoping to be the Not Dead Guy,” Cal muttered. We faced the entrance. “Between the four of us, we fought ghouls, survived attacks by demons and L’Occhio di Dio, and practically raised the dead,” I said. “We can do this.” “See, inspiring speeches like that are why you get to be the leader,” Archer said, and he squeezed my hand. And then, moving almost as one, we stepped into the rock.

What we have to learn, and do learn gradually, is the practice of obedience to new and ever-increasing commands. But as to the principle, Christ wants us from the very entrance into His life to vow complete obedience. This is the reason why there are so many unanswered prayers with regard to God making His will known. Jesus said, “If anyone chooses to do God’s will, he will find out whether my teaching comes from God or whether I speak on my own” (John 7:17). If a man’s will is truly set on doing God’s will—if his heart is surrendered to do it and as a result he does it as far as he knows it—then he will know what God has further to teach him.

Books are admitted to the canon by a compact which confesses their greatness in consideration of abrogating their meaning; so that the reverend rector can agree with the prophet Micah as to his inspired style without being committed to any complicity in Micah's furiously Radical opinions. Why, even I, as I force myself; pen in hand, into recognition and civility, find all the force of my onslaught destroyed by a simple policy of non-resistance. In vain do I redouble the violence of the language in which I proclaim my heterodoxies. I rail at the theistic credulity of Voltaire, the amoristic superstition of Shelley, the revival of tribal soothsaying and idolatrous rites which Huxley called Science and mistook for an advance on the Pentateuch, no less than at the welter of ecclesiastical and professional humbug which saves the face of the stupid system of violence and robbery which we call Law and Industry. Even atheists reproach me with infidelity and anarchists with nihilism because I cannot endure their moral tirades. And yet, instead of exclaiming "Send this inconceivable Satanist to the stake," the respectable newspapers pith me by announcing "another book by this brilliant and thoughtful writer." And the ordinary citizen, knowing that an author who is well spoken of by a respectable newspaper must be all right, reads me, as he reads Micah, with undisturbed edification from his own point of view. It is narrated that in the eighteen-seventies an old lady, a very devout Methodist, moved from Colchester to a house in the neighborhood of the City Road, in London, where, mistaking the Hall of Science for a chapel, she sat at the feet of Charles Bradlaugh for many years, entranced by his eloquence, without questioning his orthodoxy or moulting a feather of her faith. I fear I small be defrauded of my just martyrdom in the same way.

These people so entranced by dictionaries were outside the bounds of Nishioka’s understanding. He couldn’t even be sure they thought of their work as work. They spent huge sums of their own money on materials, ignoring the limitations of their salaries. Sometimes they stayed in the office looking up things and never even realized they had missed the last train home. They seemed filled with a mad fever. And yet you couldn’t really say they loved dictionaries, either—not given the way they studied and analyzed them with such stunning concentration. There was something almost vindictive in their obsession, as if they were going after an enemy, getting the goods on him. How could they be so wrapped up in making dictionaries? He found their obsession mysterious, with even a whiff of bad taste. And yet—if only Nishioka had something that meant as much to him as dictionaries did to Majime and the rest. Then surely he would see everything differently. He would see a world of such dazzling brightness it would hurt.

When it came to the frying of chicken, they took pity on the captors and incorporated the seasonings and spices of Africa- garlic, melegueta pepper, cloves, black peppercorns, cardamom, nutmeg, turmeric and even curry powder. They forgave them their cruelty and presented them with what can only be described as a gift born in sorrow. Food has the ability to move people in this manner. It can inspire bravery. These kitchen slaves could have been beaten for this insolence, or perhaps even killed for such an act, but they served their fried fowl anyway. Not surprisingly, their captors were entranced by it. Soon southern fried chicken became a delicacy enjoyed by both cultures- it was the one point where both captors and captive found pleasure, although the Africans were only allowed to fry the discarded wings of the bird for their own meals. Despite the continued injustice, it was an inspired and blessed act of subversion. Although born in slavery, this dish has not only brought together an entire region of people, it has transformed them. It is, as the Americans say, "democratic," and is now enjoyed by people of all walks of life and all parts of the country.

Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestibility he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd. And, to our mind, this was the very reason his friend cherished him.

A reply dated 13 May finally arrived from the town clerk. Mr Mottershead could open the zoo subject to: 1) the type of animals being limited to those already described in previous correspondence; 2) the estate should not be used as an amusement park, racing track or public dance hall; and 3) no animals were to be kept within a distance of a hundred feet from the existing road. This necessitated the purchase of an additional strip of land between the road and the estate, which would have to be securely enclosed, but which couldn't be used for animals. (First it was used as a children's playground and later became a self-service cafe.) Somehow my dad managed to get a further mortgage of £350 to pay for the land and fencing. Of all the conditions, the most damaging in the long term was the last: the zoo was allowed 'no advertisement, sign or noticeboard which can be seen from the road above-mentioned'. Only a small sign at the entrance to the estate would be permitted, which meant the lodge, which was a good twenty-five yards from the road was completely invisible to any passing car. This would remain a problem for a very long time. For many years, the night before bank holidays, Dad and his friends would have to go out and hang temporary posters under the official road signs on the Chester bypass. The police turned a blind eye as long as they were taken down shortly afterwards.

One does not only wish to be understood when one writes; one wishes just as surely not to be understood. It is by no means necessarily an objection to a book when anyone finds it incomprehensible. Perhaps that was part of the author's intention — he didn't want to be understood by just 'anybody'. Every nobler spirit and taste selects his audience when he wants to communicate; in selecting it, he simultaneously erects barriers against 'the others'. All subtler laws of a style originated therein: they simultaneously keep away, create a distance, forbid 'entrance', understanding, as said above — while they open the ears of those whose ears are related to ours. And let me say this amongst ourselves and about my own case: I want neither the inexperience nor the liveliness of my temperament to keep me from being understandable to you, my friends — not the liveliness, as much as it forces me to deal with a matter swiftly in order to deal with it at all. For I approach deep problems such as I do cold baths: fast in, fast out. That this is no way to get to the depths, to get deep enough, is the superstition of those who fear water, the enemies of cold water; they speak without experience. Oh, the great cold makes one fast! And incidentally: does a matter stay unrecognized, not understood, merely because it has been touched in flight; is only glanced at, seen in a flash? Does one absolutely have to sit firmly on it first? At least there are truths that are especially shy and ticklish and can't be caught except suddenly — that one must surprise or leave alone. Finally, my brevity has yet another value: given the questions that occupy me, I must say many things briefly so that they will be heard even more briefly. For, as an immoralist, one needs to avoid corrupting innocents — I mean, asses and old maids of both sexes to whom life offers nothing but their innocence; even more, my writing should inspire, elevate, and encourage them to be virtuous.

He was a good, even a shining light as a Castalian to the extent that he had a many-sided mind, tirelessly active in scholarship as well as in the art of the Glass Bead Game, and enormously hard-working; but in character, in his attitude toward the hierarchy and the morality of the Order he was a very mediocre, not to say bad Castalian. The greatest of his vices was a persistent neglect of meditation, which he refused to take seriously. The purpose of meditation, after all, is adaptation of the individual to the hierarchy, and application in it might very well have cured him of his neurasthenia. For it infallibly helped him whenever, after a period of bad conduct, excessive excitement, or melancholia, his superiors disciplined him by prescribing strict meditation exercises under supervision. Even Knecht, kindly disposed and forgiving though he was, frequently had to resort to this measure. There was no question about it: Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestiblity he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd. And, to our mind, this was the very reason his friend cherished him.

With his Don Juan Mozart enters the little immortal circle of those whose names, whose works, time will not forget, because eternity remembers them. And though it is a matter of indifference, when one has found entrance there, whether one stands highest or lowest, because in a certain sense all stand equally high, since all stand infinitely high, and though it is childish to dispute over the first and the last place here, as it is when children quarrel about the order assigned to them in the church at confirmation, I am still too much of a child, or rather I am like a young girl in love with Mozart, and I must have him in first place, cost what it may. And I will appeal to the parish clerk and to the priest and to the dean and to the bishop and to the whole consistory, and I will implore and adjure them to hear my prayer, and I will invoke the whole congregation on this matter, and if they refuse to hear me, if they refuse to grant my childish wish, I excommunicate myself, and renounce all fellowship with their modes of thought; and I will form a sect which not only gives Mozart first place, but which absolutely refuses to recognize any artist other than Mozart; and I shall beg Mozart to forgive me, because his music did not inspire me to great deeds, but turned me into a fool, who lost through him the little reason I had, and spent most of my time in quiet sadness humming what I do not understand, haunting like a specter day and night what I am not permitted to enter. Immortal Mozart! Thou, to whom I owe everything; to whom I owe the loss of my reason, the wonder that caused my soul to tremble, the fear that gripped my inmost being; thou, to whom I owe it that I did not pass through life without having been stirred by something. Thou, to whom I offer thanks that I did not die without having loved, even though my love became unhappy. Is it strange then that I should be more concerned for Mozart's glorification than for the happiest moment of my life, more jealous for his immortality than for my own existence? Aye, if he were taken away, if his name were erased from the memory of men, then would the last pillar be overthrown, which for me has kept everything from being hurled together into boundless chaos, into fearful nothingness.

With his Don Juan Mozart enters the little immortal circle of those whose names, whose works, time will not forget, because eternity remembers them. And though it is a matter of indifference, when one has found entrance there, whether one stands highest or lowest, because in a certain sense all stand equally high, since all stand infinitely high, and though it is childish to dispute over the first and the last place here, as it is when children quarrel about the order assigned to them in the church at confirmation, I am still too much of a child, or rather I am like a young girl in love with Mozart, and I must have him in first place, cost what it may. And I will appeal to the parish clerk and to the priest and to the dean and to the bishop and to the whole consistory, and I will implore and adjure them to hear my prayer, and I will invoke the whole congregation on this matter, and if they refuse to hear me, if they refuse to grant my childish wish, I excommunicate myself, and renounce all fellowship with their modes of thought; and I will form a sect which not only gives Mozart first place, but which absolutely refuses to recognize any artist other than Mozart; and I shall beg Mozart to forgive me, because his music did not inspire me to great deeds, but turned me into a fool, who lost through him the little reason I had, and spent most of my time in quiet sadness humming what I do not understand, haunting like a specter day and night what I am not permitted to enter. Immortal Mozart! Thou, to whom I owe everything; to whom I owe the loss of my reason, the wonder that caused my soul to tremble, the fear that gripped my inmost being; thou, to whom I owe it that I did not pass through life without having been stirred by something. Thou, to whom I offer thanks that I did not die without having loved, even though my love became unhappy. Is it strange then that I should be more concerned for Mozart's glorification than for the happiest moment of my life, more jealous for his immortality than for my own existence? Aye, if he were taken away, if his name were erased from the memory of men, then would the last pillar be overthrown, which for me has kept everything from being hurled together into boundless chaos, into fearful nothningness.

Life is just a ride. You have two choices, fear or love. Enjoy it and leave your fears at the entrance.

Asked why he is sitting, Belaqua responds in the words SB much admired: "Frate, l'andrate in su che porta?" ("Oh brother, what is the use of going up?"). An angel would only bar his entrance, so he will stay where he is. This inspired SB's response when, asked what he wanted out of his life, he said, to do nothing but to sit on his arse and fart and read Dante.

He wanted a single entrance to the building so that we saw each other as we entered. We had meeting rooms, restrooms, a mailroom, three theaters, a game area, and an eating area all at the center in our atrium (where to this day, everyone gathers to eat, play ping pong, or be briefed by Pixar’s leaders on the company’s goings on). This all resulted in cross-traffic—people encountered each other all day long, inadvertently, which meant a better flow of communication and increased the possibility of chance encounters. You felt the energy in the building. Steve had thought all this through with the metalogic of a philosopher and the meticulousness of a craftsman. He believed in simple materials, masterfully constructed. He wanted all the steel exposed, not painted. He wanted glass doors to be flush with the walls.

First of all, it takes thought to pray. The intellect teaches us we ought to pray. By serious thinking beforehand the mind prepares itself for approaching a throne of grace. Thought goes before entrance into the closet and prepares the way for true praying. It considers what will be asked for in the closet hour. True praying does not leave to the inspiration of the hour what will be the requests of that hour. As praying is asking for something definite of God, so, beforehand, the thought arises—“What shall I ask for at this hour?” All vain and evil and frivolous thoughts are eliminated, and the mind is given over entirely to God, thinking of him, of what is needed, and what has been received in the past. By every token, prayer, in taking hold of the entire man, does not leave out the mind. The very first step in prayer is a mental one. The disciples took that first step when they said unto Jesus at one time, “Lord, teach us to pray.

The Temple of Righteousness is built and its four walls are the four Principles— Purity, Wisdom, Compassion, Love. Peace is its roof; its floor Steadfastness, its entrance-door is Selfless Duty, its atmosphere is Inspiration, and its music is the Joy of the perfect.

...even the greatest heroes known to legend have made their entrance into the world as children.

I have occupied this idle, empty winter with writing a story. It has been written to please myself, without thought of my own vanity or modesty, without regard for other people's feelings, without considering whether I shock or hurt the living, without scrupling to speak of the dead. The world, I know, is changing. I am not indifferent to the revolution that has caught us in its mighty skirts, to the enormity of the flood that is threatening to submerge us. But what could I do? In the welter of the surrounding storm, I have taken refuge for a moment on this little raft, constructed with the salvage of my memory. I have tried to steer it into that calm haven of art in which I still believe. I have tried to avoid some of the rocks and sandbanks that guard its entrance. [from the introduction]

The Universe had no obligation to create anything at all, yet life managed to make a grand entrance on at least one tiny pale blue dot in a truly spectacular way.

The Color of Romance   Pink is a flirtatious someone for whose embrace you are willing to take a chance. Lavender is a soothing person whom you’d like to know more of under a different circumstance. Orange is a fire that you cannot put out, it makes you scream, from within and without. Yellow is the golden hair of the one who got away. We know we’ll love them longer than just today. But, we know we are done for when we see Red. It inspires us to do more than take a chance. It goes beyond entrancing us with a single glance. Red is the color that passionate souls see when they dance, for red, my dear, is the color of romance.   I

Entrancing beauty falls nothing short of absolute magnificent creation.

homosexuality a curable perversion. She professed to disdain men and insisted women had been “enslaved by the institution of marriage.” Yet she loved many men and married twice: she treated her first husband abominably, and was physically and emotionally abused by her second. She considered sex degrading, but was an enthusiastic advocate, and energetic exponent, of free love. “Out here I’ve had chances to sleep with all colours and shapes,” she wrote to a friend, shortly before meeting Ursula. “One French gunrunner, short and round and bumpy; one fifty-year-old monarchist German who believes in the dominating role of the penis in influencing women; one high Chinese official whose actions I’m ashamed to describe, one round left-wing Kuomintang man who was soft and slobbery.” She was a communist who never joined the party; a violent revolutionary and romantic dreamer; a feminist in thrall to a succession of men; a woman who inspired intense loyalty, yet inflicted enormous damage on many of her friends; she supported communism without considering what communist rule involved in reality. She was passionate, prejudiced, charismatic, narcissistic, reckless, volatile, lovable, hypercritical, emotionally fragile, and uncompromising. “I may not be innocent, but I’m right,” she declared. Ursula was entranced. Agnes Smedley seemed to embody political passion and energy, the very antithesis of the smug complacency she found in the bourgeois boudoirs of Shanghai. “Your very existence is not worth anything at all if you live passively in the midst of injustice,” Smedley insisted. Agnes was everything Ursula admired: feminist, anti-fascist, an enemy of imperialism and defender of the oppressed against the forces of capitalism, and a natural revolutionary. She was also a spy.

I close my eyes and inhale gently. Entranced, yet acutely aware of my role here, an indelible, wonderful part of something inestimably greater than myself.

Next thing she knew, Portia hurried into the Fairway Market on Broadway. The grocery store was unlike anything she had seen in Texas. Bins of fruit and vegetables lined the sidewalk, forming narrow entrances into the market. Inside, the aisles were crowded, no inch of space wasted. In the fresh vegetables and fruit section she was surrounded by piles of romaine and red-leaf lettuce, velvety thick green kale that gave away to fuzzy kiwi and mounds of apples. Standing with her eyes closed, Portia waited a second, trying not to panic. Then, realizing there was no help for it, she gave in to the knowing, not to the fluke meal inspired by Gabriel Kane, but to the chocolate cake and roast that had hit her earlier. She started picking out vegetables. Cauliflower that she would top with Gruyere and cheddar cheeses; spinach she would flash fry with garlic and olive oil. In the meat department, she asked for a standing rib roast to serve eight. Then she stopped. "No," she said to the butcher, her eyes half-closed in concentration, "just give me enough for four." Portia made it through the store in record time. Herbs, spices. Eggs, flour. Baking soda. A laundry of staples. At the last second, she realized she needed to make a chowder. Crab and corn with a dash of cayenne pepper. Hot, spicy.

Because of the many casualties that had happened in homemade bunkers, we were warned to no longer use them. We were told that the homemade shelter we had laboriously constructed in the basement of our building was useless and now could not even give us the illusion of being a safe haven. Instead a massive new suburban air raid shelter had been built of reinforced concrete, which was eleven feet thick in places. The structure was near the tram stop where the Feudenheimer Strasse became the Haupt Strasse or Main Street. Even with a war going on with lives at stake, Nazi style commercialism was alive and well, as we rented a room in this nearby bunker for six Reichmarks a night. At the time $1 = RM 2.50. The small room had four beds and we were told to be there prior to 18:00 hours or six o’clock in the evening. Concussions from the bombs were of primary concern and everything was designed to minimize their effect. The pathway to the entrance of this bunker was a zigzagged concrete walk protected by sandbags, as this helped to reduce the concussion from an air blast. Tall bushes and grass as well as riverweed, were planted strategically to absorb the bomb bursts from across the river.

The incidental camouflage provided by his ashen coat against the tile flooring ‒ likewise denoted as being a series of twelve inch gray slate squares by all of them again ‒ save for Nate’s mother ‒ in concert with his current focus on the mixer and its hypnotic, simultaneous whir; which drew his visual attention to the blue pearl granite countertop directly in front of him and induced his total disregard for the feline's entrance. He therefore failed to observe that it was marked by an inordinately determined gait ‒ itself relatively less peculiar than the paradoxical lack of conviction in his clenched jaws, out of which a visibly dispirited common brown rat was loosely dangling by the nape of its neck. Upon shutting off the mixer and sensing a presence, Nate glanced intuitively downward ‒ just as Zero had raised his head sharply and looked up with eager, widened eyes ‒ then becoming struck by a sense that it appeared in the moment as if the incongruous mouser had been instead transporting an itsy-bitsy newborn kitten. Then in the next, he casually dropped the rodent at his owner's feet. Being sufficiently emboldened by its youthful size and appearance to first crouch and then kneel to the floor for a closer look, Nate endeavored to roust the lethargic rodent with a toothpick. He was taken aback to discover a set of tiny ‒ though notably bulging ‒ coal black eyes returning his gaze. Their vacant helplessness inspired him toward an appreciably more sober contemplation of its plight than he’d undertaken upon witnessing Zero capture and kill a field mouse behind his apple tree the previous spring. An instance whereby he had caught but a fleeting glimpse of its limp body as his typically passive, then suddenly feral tomcat clamped down on its entire neck just prior to seeking a more private spot in which to consume his prey. Nate realized that if he'd intended to eat this latest catch, his since neutered pet would have remained outside and carried it in a similar manner; so being the softhearted sort, while possessing a firm understanding that upon his mother's imminent arrival in a chic skirt with matching heels, the tragic scene of a dying and worse yet ‒ possibly bleeding ‒ brown Norway rat on her Montauk Blue tile flooring would be ill-received, he suffered the burden of understanding that this rodent's fate might be in his hands.

People don’t know what to do when they encounter someone different. History hides a whole world of talented people we have never known because bright minds surrendered to the advice of small thinkers. “You got a great voice, kid—now go check on the cattle and don’t forget to lock the entrance.” And you spent so much time trying to convince everyone to appreciate some small idea or gift. They won’t know. They will never understand ideas until they happen. They don’t believe in start-ups, but love success stories. They won’t encourage your singing career, but love the radio. We ought to fly away from everyone and everything and right when we’ve launched far enough in space to risk no return, we can then come back to earth as us.

Dear Maze, My mind is a maze, and I do not know what to do. Apparently, I entered this maze before I was born. There was no way I had control over it because this was not a path that I would have chosen. Each level is mind- boggling because the number of paths is more challenging. The levels are uneven. When I try to climb up a hill, you unfairly tilt the maze, and I am right back at the entrance. I am not lost because I am finding my way, but when I am one step away from the end, you close the door, and another door appears—it opens, and it is another maze that I have to figure out. This time the puzzle is trickier than the last fourteen that were inconsiderately given to me. You know that Kace will be in deep trouble if my mother gets custody of him. He is too young. He cannot handle the tides. He wouldn’t know how to ease the currents. He would be a dead soul floating lifeless in the turbulent waters. Mr. & Mrs. Maze, I will gladly make you a deal. I am willing to sacrifice whatever you all need from me to save Kace. My sacrifice will solve each and every problem that Kace may encounter. I will gladly take on every route for Kace, and I will endure every challenge he will have to face. May you grant me mercy? I promise I will keep my word.

Dear Maze, My mind is a maze, and I do not know what to do. Apparently, I entered this maze before I was born. There was no way I had control over it because this was not a path that I would have chosen. Each level is mind- boggling because the number of paths is more challenging. The levels are uneven. When I try to climb up a hill, you unfairly tilt the maze, and I am right back at the entrance. I am not lost because I am finding my way, but when I am one step away from the end, you close the door, and another door appears—it opens, and it is another maze that I have to figure out. This time the puzzle is trickier than the past years that they were inconsiderately given to me.

He placed a cardboard placard above the entrance of his bunker with five words, scrawled with a red marker, that appeared to answer his CO's question: I RUST WHEN I REST.

Death is not an entrance into nothingness—rather, it is the birth canal we must travel through to be born into eternal life. Similar to how we wake up from a dream by opening our eyes, when we die we do not disappear, we simply open our eyes to another reality.

They think they can keep me out, but it does not matter how many locks they hang at the entrance. There is always another door. — The Thief Who Stole the Stars, by Tristan Chirsley

Later, when I thought about this story, it occurred to me that almost all long-distance races take place outdoors. Other than the occasional fundraiser, people don’t run ultramarathons on a treadmill. They roam wild terrain, follow the path of rivers, climb mountains, and descend through canyons. What separates even the most punishing ultra-endurance events from masochism is context. The events are not about suffering for suffering’s sake, but suffering in a natural environment that invites, almost guarantees, moments of self-transcendence. If endurance training is in part about learning how to suffer well, it helps to put yourself in surroundings that inspire awe or gratitude. Outdoors, you can be stunned by a sudden change in landscape or enthralled by the appearance of wildlife. You can find yourself entranced by the stars at night or heartened by the first light of dawn. These transcendent emotions put personal pain and fatigue in a different context. It is impossible to understand what ultra-endurance athletes are doing without taking this into account. Experiencing a state of elevation during a moment of deep exhaustion provides a reminder that flashes of pure happiness can take you by surprise even when things seem the most bleak. Knowing this is possible is how we survive our worst pain. Finding a way for suffering and joy to coexist—that is how humans endure the seemingly unendurable.

That door that "they" blocked you from entering, God is about to kick it in. I hope you're prepared to make your grand entrance.

You will have days That you will be disillusioned by power That you will be entranced by a flower That you will proudly sing in the shower That you will climb to the top of a tower

Are we all not knights and ladies of the road? For all the world's our territory, We have our exits and entrances, Experiencing both rejection and acceptance, And each in his time Must joust with one To advance to the other.

Annas responded quickly, “My colleague Joseph is taking Scripture out of context. David was speaking metaphorically, and Isaiah’s Suffering Servant is Israel, not Messiah.” A voice interrupted their debate. “I can see my tardiness has inspired you to discuss the matter of Messiah in my absence.” Pilate paused at the entrance of the chamber, with his personal guard. Everyone stood in respect.

The entrance to the world is inside your mind; the entrance to the universe is inside your soul.

Driving through the “Túnel de la Bahía,” which was started two years after I was in Havana last, was completed in 1958 by the French company “French Societé des Grand Travaux de Marseille.” The 2,405 foot long tunnel takes you to the eastern side of the entrance of Havana harbor, on the “Via Monumental highway” located just behind the famous Morro Castle. Continuing east along Cuba’s northern coast through the rather grim Pan Americana, a Russian style housing development, on the Carretera Del Morro, brings you to “Cojimar,” one of the most charming Cuban towns near Havana. This picturesque fishing village is where Hemingway docked his boat “El Pilar” and was the inspiration for one of his most famous books, “The Old Man and the Sea.” It is said that the old man referred to in his book, was Gregorio Fuentes, a resident of Cojimar.

We see the uniquitarian view of our existence manifested in the fact that we each hold unique entrances into this world and unique exits out of it.

Inside, Barkin moved a mop and pulled a chain to turn on the light. There was another mop in the way. He moved that mop too and sat down on a bucket. There, he began to write. Barkin, inspired, lost track of time as he wrote his speech. It took an hour. At 7:38 he emerged from the supply closet clutching perhaps the greatest first-day power speech in the history of Yawnee Valley Science and Letters Academy, at which point a student in the hallway told him his car was parked in front of the school entrance.

there is something so peaceful and daintily beautiful in the entrancing movements of the waterfall, embracing gravity in a dance of love

Problems are like large buildings which have ENTRANCE AND EXIT doors. If there’s a way into them, there must be a way out of them.

Keep learning, keep growing, and keep striving for success. Do whatever it takes to make the ultimate grand entrance into the door of greatness. Let that motivate you to espouse excellence.