Entertaining Other Woman Quotes

Never judge someone's character based on the words of another. Instead, study the motives behind the words of the person casting the bad judgment. An honest woman can sell tangerines all day and remain a good person until she dies, but there will always be naysayers who will try to convince you otherwise. Perhaps this woman did not give them something for free, or at a discount. Perhaps too, that she refused to stand with them when they were wrong — or just stood up for something she felt was right. And also, it could be that some bitter women are envious of her, or that she rejected the advances of some very proud men. Always trust your heart. If the Creator stood before a million men with the light of a million lamps, only a few would truly see him because truth is already alive in their hearts. Truth can only be seen by those with truth in them. He who does not have Truth in his heart, will always be blind to her.

My mother and father were married this way and are quite happy. I hope to find happiness, too. To find a woman that all of Illea can love, someone to be my companion and to help entertain the leaders of other nations. Someone who will befriend my friends and be my confidante. I'm ready to find my wife." Something in his voice struck me. There wasn't a trace of sarcasm. This thing that seemed like little more than a game show to me was his only chance for happiness. He couldn't try with a second round of girls. Well, maybe he could, but how embarrassing. He was so desperate, so hopeful. I felt my distaste for him lessen. Marginally.

She’s an original! She doesn’t need to compete, copy, or envy other women. The confidence that’s within her won’t allow her to stoop that low. She’s a Queen! And jealousy isn’t something that she cares to entertain. Insecurity isn’t in her DNA. She shines! She succeeds! She’s a quality woman with purpose! She empowers, inspires, motivates, and celebrates other women. But depending on how you feel about yourself, you’ll either admire and respect her or hate on her. Listen, it’s okay to acknowledge other Queens! Don’t be an undercover hater. Have self-confidence and allow YOUR light to shine.

You think I am so wicked, don't you? A monster. Unnatural. How cruel of me to keep you here and rattle on about my dead grandmother whom you care nothing about. To hold back the doom I keep in store for you and tease you about your mother. I am telling you all this for a reason, you curdle-brained child. Didn't you ever have a tutor? I am teaching dead, dull history—so that you will understand why your feet carried you here instead of towards some other broken old woman's hut, and what you ended when you snapped my daughter's neck. Don't keep looking at me with that same idiot stare. Listen, or you will comprehend nothing, not even your mother. Shall I just kill you now and have my revenge? It would certainly save breath, and at my age every breath is named and numbered. I entertain you at the expense of not a few figures in that scroll of sighs, boy; do not test me." She paused, grimacing as if she truly were tallying the accounts of her lungs. "And never assume that a woman is wicked simply because she is ugly and behaves unfavorably towards you. It is unbecoming behavior for a Prince.

We were not put here on this earth to barely squeak by and settle for a lukewarm, watered-down version of life, or to live in fear of what other people will think. Our lives can’t rise any higher than our standards. Rise above settling in life or in love. And next time someone tells you your standards are too high, don’t apologize. Tell them, “Thank you.” The standards you set determine the life you get. And those who know their worth don’t even entertain the lesser things. They hold out for the best things.

#TeamLightSkin vs. #TeamDarkSkin… REALLY, are you serious? To the black females that participate in this garbage, shame on you! Yes, I said it and I won’t take it back. After all that we’ve been through as a race regarding the light-skinned niggers versus the dark-skinned niggers, you’re actually keeping this garbage up? It’s time to wake up my Beautiful Black Queens! Educate yourself and know your history. This shouldn’t be something that we’re entertaining. WE are #TeamMelanin! Period. Enough of the foolishness! Respect yourself. Respect our race. We should be building one another up, not tearing each other down. Melanin is Exquisite Beauty in EVERY shade. Together, WE are strong, unstoppable, and powerful. Enough is enough! I encourage you to stop participating in things that keep us divided. Real Talk!

Many people are without vital interests and are hungry to hear what other people are doing. They are usually the ones who keep the radio turned on from early morning till late at night. They must be entertained every minute. Their own affairs do not hold enough interest. A woman once said to me: “I love other people’s affairs.” She lived on gossip. Her conversation consisted of, “I was told,” “I was given to understand,” or “I heard.” It is needless to say she is now paying her Karmic debt. A great unhappiness has overtaken her and everyone knows about her affairs. It is dangerous to neglect your own affairs and to take an idle curiosity in what others are doing. We should all be busily engaged in perfecting ourselves, but take a kindly interest in others.

List any ten speeds for time: summer morning, winter dusk, boring lecture, first time making love with woman you actually really love, drunkenness, moment of death, car crash, heart attack, any and all meetings of more than seven people, childhood, and not one happens at the same speed as the others, some are blindingly fast and over instantly and others drone and moan on until you contemplate removing your spleen with a pepper shaker just for entertainment’s sake.

The fact is that men encounter more complicity in their woman companions than the oppressor usually finds in the oppressed; and in bad faith they use it as a pretext to declare that woman wanted the destiny they imposed on her. We have seen that in reality her whole education conspires to bar her from paths of revolt and adventure; all of society - beginning with her respected parents - lies to her in extolling the high value of love, devotion, and the gift of self and in concealing the fact that neither lover, husband nor children will be disposed to bear the burdensome responsibility of it. She cheerfully accepts these lies because they invite her to take the easy slope: and that is the worst of the crimes committed against her; from her childhood and throughout her life, she is spoiled, she is corrupted by the fact that this resignation, tempting to any existent anxious about her freedom, is mean to be her vocation; if one encourages a child to be lazy by entertaining him all day, without giving him the occasion to study, without showing him its value, no one will say when he reaches the age of man that he chose to be incapable and ignorant; this is how the woman is raised, without ever being taught the necessity of assuming her own existence; she readily lets herself count on the protection, love, help and guidance of others; she lets herself be fascinated by the hope of being able to realise her being without doing anything. She is wrong to yield to this temptation; but the man is ill advised to reproach her for it since it is he himself who tempted her.

The world of shadows and superstition that was Victorian England, so well depicted in this 1871 tale, was unique. While the foundations of so much of our present knowledge of subjects like medicine, public health, electricity, chemistry and agriculture, were being, if not laid, at least mapped out, people could still believe in the existence of devils and demons. And why not? A good ghost story is pure entertainment. It was not until well into the twentieth century that ghost stories began to have a deeper significance and to become allegorical; in fact, to lose their charm. No mental effort is required to read 'The Weird Woman', no seeking for hidden meanings; there are no complexities of plot, no allegory on the state of the world. And so it should be. At what other point in literary history could a man, standing over the body of his fiancee, say such a line as this: 'Speak, hound! Or, by heaven, this night shall witness two murders instead of one!' Those were the days. (introduction to "The Weird Woman")

Leo stared back at her with a mixture of wary amusement and growing heat. He could no longer deny that he found nothing in the world more entertaining than talking to her. Or just being near her. Cantankerous, stubborn fascinating creature... completely unlike his past lovers. And at times like this, she had all the cuddlesome appeal of a feral hedgehog. But she challenged him, met him as an equal, in a way that no other woman ever had. He wanted her beyond reason.

He was incredibly and unbearably beautiful. There was no other way for her to adequately describe it to herself. It was beyond being just handsome. Handsome was a common masculine adjective, limited in its scope. This man was honestly beautiful. His facial features were so very elegant, taking the term noble to the extreme. Dark brows winged up over dark eyes, both of indeterminate color in the shadows of the night. So dramatic, but then so belied by the ridiculous childlike length of lush lashes. His magnificent eyes were lit with a soft, smoldering light of amusement as his sensual mouth was lifting up at the corner in a smile she could only call sinful. “How did you . . . but that’s . . . you couldn’t possibly!” she spluttered, her hands opening and closing reflexively on his lapels. “I did. It is not. And apparently, I could.” He was smiling broadly now, and Isabella was certain she was the cause of some unseen bit of amusement. She glowered at him, completely forgetting he’d just saved her neck. Literally. “I’m so glad you find this so entertaining!” Jacob couldn’t help his growing smile. She was so focused on him that she hadn’t realized they were still a good ten feet off the ground and floating at the exact spot where he’d met her precipitous fall. That was for the best, he thought, sinking down to the pavement while she was distracted by the taunt of his amusement. He was going to have enough trouble as it was explaining how he’d managed to catch a woman hurtling to her death from five stories up.

Let us take a limited example and compare the war machine and the state apparatus in the context of the theory of games. Let us take chess and Go, from the standpoint of game pieces, the relations between the pieces and the space involved. Chess is a game of the State, or of the court: the emperor of China played it. Chess pieces are coded; they have an internal nature and intrinsic properties from which their movements, situations, and confrontations derive. They have qualities; a knight remains a knight, a pawn a pawn, a bishop a bishop. Each is like a subject of the statement endowed with relative power, and these relative powers combine in a subject of enunciation, that is, the chess player or the game’s form of interiority. Go pieces, I contrast, are pellets, disks, simple arithmetic units, and have only an anonymous, collective, or third-person function: “It” makes a move. “It” could be a man, a woman, a louse, an elephant. Go pieces are elements of a nonsubjectified machine assemblage with no intrinsic properties, only situational ones. Thus the relations are very different in the two cases. Within their milieu of interiority, chess pieces entertain biunivocal relations with one another, and with the adversary’s pieces: their functioning is structural. One the other hand, a Go piece has only a milieu of exteriority, or extrinsic relations with nebulas or constellations, according to which it fulfills functions of insertion or situation, such as bordering, encircling, shattering. All by itself, a Go piece can destroy an entire constellation synchronically; a chess piece cannot (or can do so diachronically only). Chess is indeed a war, but an institutionalized, regulated, coded war with a front, a rear, battles. But what is proper to Go is war without battle lines, with neither confrontation nor retreat, without battles even: pure strategy, whereas chess is a semiology. Finally, the space is not at all the same: in chess, it is a question of arranging a closed space for oneself, thus going from one point to another, of occupying the maximum number of squares with the minimum number of pieces. In Go, it is a question of arraying oneself in an open space, of holding space, of maintaining the possibility of springing up at any point: the movement is not from one point to another, but becomes perpetual, without aim or destination, without departure or arrival. The “smooth” space of Go, as against the “striated” space of chess. The nomos of Go against the State of chess, nomos against polis. The difference is that chess codes and decodes space, whereas Go proceeds altogether differently, territorializing and deterritorializing it (make the outside a territory in space; consolidate that territory by the construction of a second, adjacent territory; deterritorialize the enemy by shattering his territory from within; deterritorialize oneself by renouncing, by going elsewhere…) Another justice, another movement, another space-time.

continued. “The solution to almost every problem imaginable can be found in the outcome of a fairy tale. Fairy tales are life lessons disguised with colorful characters and situations. “‘The Boy Who Cried Wolf ’ teaches us the value of a good reputation and the power of honesty. ‘Cinderella’ shows us the rewards of having a good heart. ‘The Ugly Duckling’ teaches us the meaning of inner beauty.” Alex’s eyes were wide, and she nodded in agreement. She was a pretty girl with bright blue eyes and short strawberry-blonde hair that was always kept neatly out of her face with a headband. The way the other students stared at their teacher, as if the lesson being taught were in another language, was something Mrs. Peters had never grown accustomed to. So, Mrs. Peters would often direct entire lessons to the front row, where Alex sat. Mrs. Peters was a tall, thin woman who always wore dresses that resembled old, patterned sofas. Her hair was dark and curly and sat perfectly on the top of her head like a hat (and her students often thought it was). Through a pair of thick glasses, her eyes were permanently squinted from all the judgmental looks she had given her classes over the years. “Sadly, these timeless tales are no longer relevant in our society,” Mrs. Peters said. “We have traded their brilliant teachings for small-minded entertainment like television and video games. Parents now let obnoxious cartoons and violent movies influence their children. “The only exposure to the tales some children acquire are versions bastardized by film companies. Fairy

One proof of the excellence of this amiable woman’s character is that all who loved her loved each other, even jealousy and rivalry submitting to the more powerful sentiment with which she inspired them; and I never saw any of those who surrounded her entertain the least ill will among themselves. Let the reader pause a moment in this encomium, and if he can recollect any other woman who deserves it, let him attach himself to her if he would obtain happiness.

He can even talk about nonsense as long as he does it in a confident manner and flirts whenever the opportunity presents itself. A male runs the risk of losing far more women because he does not say anything at all than he does because he is saying the wrong things. You can even talk about sex, and usually should, as long as you do not make the woman feel like a slut by asking her foolish things like whether she goes all the way on the first date or intimate questions that other people may overhear, for instance. Sex is nothing to be embarrassed about; it is part of whatever relationship you are looking for, and bringing the topic up is the easiest way to make a woman think about having sex with you. Therefore, it would not make sense to avoid it, but you do have to treat the subject as the no big deal that it is. Be serious and candid instead of joking about it. People who joke about sex all the time do so because they are uncomfortable with the topic, and women prefer such a male as their entertainer rather than their lover.

In all ages woman has been the source of all that is pure, unselfish, and heroic in the spirit and life of man.....poetry and fiction are based upon woman's love, and the movements of history are mainly due to the sentiments or ambitions she has inspired......there is no aspiration which any man here to-night entertains, no achievement he seeks to accomplish, no great and honorable ambition he desires to gratify, which is not directly related to either or both a mother or a wife. From the hearth-stone around which linger the recollections of our mother, from the fireside where our wife awaits us, come all the purity, all the hope, and all the courage with which we fight the battle of life. The man who is not thus inspired, who labors not so much to secure the applause of the world as the solid and more precious approval of his home, accomplishes little of good for others or of honor for himself. I close with the hope that each of us may always have near us: 'A perfect woman, nobly planned, To warn, to comfort, and command, And yet a spirit still, and bright With something of an angel light.

These simple words reveal Rahab’s amazing destiny: Salmon the father of Boaz, whose mother was Rahab (Matthew 1:5). In other words, Salmone and Rahab were married and had a son. The Bible gives us a glimpse into Salmone’s background through several genealogies (1 Chronicles 2:11; Ruth 4:20–21). Clearly, he comes from a highly distinguished family in the house of Judah; his father Nahshon is the leader of the people of Judah, and his father’s sister is wife to Aaron (Numbers 2:3–4). Of Salmone’s own specific accomplishments and activities nothing is known. But the verse in Matthew is still shocking. How could a man who is practically a Jewish aristocrat, significant enough to get his name recorded in the Scriptures, marry a Canaanite woman who has earned her living entertaining gentlemen? Much of this novel deals with that question. Needless to say, this aspect of the story is purely fictional. We only know that Salmone married Rahab and had a son by her, and that Jesus Himself counts this Canaanite harlot as one of His ancestors. On how such a marriage came about or what obstacles it faced, the Bible is silent.

The little which she could understand, however, appeared to contradict the very few notions she had entertained on the matter before. It seemed as if a good view were no longer to be taken from the top of an high hill, and that a clear blue sky was no longer a proof of a fine day. She was heartily ashamed of her ignorance. A misplaced shame. Where people wish to attach, they should always be ignorant. To come with a well-informed mind is to come with an inability of administering to the vanity of others, which a sensible person would always wish to avoid. A woman especially, if she have the misfortune of knowing anything, should conceal it as well as she can.

I'm going to throw some suggestions at you now in rapid succession, assuming you are a father of one or more boys. Here we go: If you speak disparagingly of the opposite sex, or if you refer to females as sex objects, those attitudes will translate directly into dating and marital relationships later on. Remember that your goal is to prepare a boy to lead a family when he's grown and to show him how to earn the respect of those he serves. Tell him it is great to laugh and have fun with his friends, but advise him not to be "goofy." Guys who are goofy are not respected, and people, especially girls and women, do not follow boys and men whom they disrespect. Also, tell your son that he is never to hit a girl under any circumstances. Remind him that she is not as strong as he is and that she is deserving of his respect. Not only should he not hurt her, but he should protect her if she is threatened. When he is strolling along with a girl on the street, he should walk on the outside, nearer the cars. That is symbolic of his responsibility to take care of her. When he is on a date, he should pay for her food and entertainment. Also (and this is simply my opinion), girls should not call boys on the telephone-at least not until a committed relationship has developed. Guys must be the initiators, planning the dates and asking for the girl's company. Teach your son to open doors for girls and to help them with their coats or their chairs in a restaurant. When a guy goes to her house to pick up his date, tell him to get out of the car and knock on the door. Never honk. Teach him to stand, in formal situations, when a woman leaves the room or a table or when she returns. This is a way of showing respect for her. If he treats her like a lady, she will treat him like a man. It's a great plan. Make a concerted effort to teach sexual abstinence to your teenagers, just as you teach them to abstain from drug and alcohol usage and other harmful behavior. Of course you can do it! Young people are fully capable of understanding that irresponsible sex is not in their best interest and that it leads to disease, unwanted pregnancy, rejection, etc. In many cases today, no one is sharing this truth with teenagers. Parents are embarrassed to talk about sex, and, it disturbs me to say, churches are often unwilling to address the issue. That creates a vacuum into which liberal sex counselors have intruded to say, "We know you're going to have sex anyway, so why not do it right?" What a damning message that is. It is why herpes and other sexually transmitted diseases are spreading exponentially through the population and why unwanted pregnancies stalk school campuses. Despite these terrible social consequences, very little support is provided even for young people who are desperately looking for a valid reason to say no. They're told that "safe sex" is fine if they just use the right equipment. You as a father must counterbalance those messages at home. Tell your sons that there is no safety-no place to hide-when one lives in contradiction to the laws of God! Remind them repeatedly and emphatically of the biblical teaching about sexual immorality-and why someone who violates those laws not only hurts himself, but also wounds the girl and cheats the man she will eventually marry. Tell them not to take anything that doesn't belong to them-especially the moral purity of a woman.

their footfalls? Finally some combination thereof, or these many things as permutations of each other—as alternative vocabularies? However it was, by January I was winnowed, and soon dispensed with pills and analysis (the pills I was weaned from gradually), and took up my unfinished novel again, Our Lady of the Forest, about a girl who sees the Virgin Mary, a man who wants a miracle, a priest who suffers spiritual anxiety, and a woman in thrall to cynicism. It seems to me now that the sum of those figures mirrors the shape of my psyche before depression, and that the territory of the novel forms a map of my psyche in the throes of gathering disarray. The work as code for the inner life, and as fodder for my own biographical speculations. Depression, in this conceit, might be grand mal writer’s block. Rather than permitting its disintegration at the hands of assorted unburied truths risen into light as narrative, the ego incites a tempest in the brain, leaving the novelist to wander in a whiteout with his half-finished manuscript awry in his arms, where the wind might blow it away. I don’t find this facile. It seems true—or true for me—that writing fiction is partly psychoanalysis, a self-induced and largely unconscious version. This may be why stories threaten readers with the prospect of everything from the merest dart wound to a serious breach in the superstructure. To put it another way, a good story addresses the psyche directly, while the gatekeeper ego, aware of this trespass—of a message sent so daringly past its gate, a compelling dream insinuating inward—can only quaver through a story’s reading and hope its ploys remains unilluminated. Against a story of penetrating virtuosity—The Metamorphosis, or Lear on the heath—this gatekeeper can only futilely despair, and comes away both revealed and provoked, and even, at times, shattered. In lesser fiction—fiction as entertainment, narcissism, product, moral tract, or fad—there is also some element of the unconscious finding utterance, chiefly because it has the opportunity, but in these cases its clarity and force are diluted by an ill-conceived motive, and so it must yield control of the story to the transparently self-serving ego, to that ostensible self with its own small agenda in art as well as in life. * * * Like

This short story was originally published in 1831 in Balzac’s collection Contes Bruns. The tale begins at the same dinner party as Another Study of Woman, with Dr Bianchon agreeing to tell one of his ‘appalling’ stories to entertain the other guests. The evening has grown late and it seems an apt time, he says, for this particular story. In contrast to Another Study of Woman Bianchon is the only narrator, and he is uninterrupted throughout the tale. It begins in a ruined château outside Vendome, where Bianchon was staying while attending a rich patient. He portrays himself as a rather romantic person, who liked to enter the estate through gaps in the walls and remain there in contemplation. But it is his discovery of a secret garden which provides the mystery of this tale.

The old God, wholly “spirit,” wholly the high-priest, wholly perfect, is promenading his garden: he is bored and trying to kill time. Against boredom even gods struggle in vain.[21] What does he do? He creates man—man is entertaining.... But then he notices that man is also bored. God’s pity for the only form of distress that invades all paradises knows no bounds: so he forthwith creates other animals. God’s first mistake: to man these other animals were not entertaining—he sought dominion over them; he did not want to be an “animal” himself.—So God created woman. In the act he brought boredom to an end—and also many other things! Woman was the second mistake of God.—“Woman, at bottom, is a serpent, Heva”—every priest knows that; “from woman comes every evil in the world”— every priest knows that, too. Ergo, she is also to blame for science.... It was through woman that man learned to taste of the tree of knowledge.—What happened? The old God was seized by mortal terror. Man himself had been his greatest blunder; he had created a rival to himself; science makes men godlike—it is all up with priests and gods when man becomes scientific!—Moral: science is the forbidden per se; it alone is forbidden. Science is the first of sins, the germ of all sins, the original sin. This is all there is of morality.—“Thou shall not know”:—the rest follows from that.—God’s mortal terror, however, did not hinder him from being shrewd. How is one to protect one’s self against science? For a long while this was the capital problem. Answer: Out of paradise with man! Happiness, leisure, foster thought—and all thoughts are bad thoughts!—Man must not think.—And so the priest invents distress, death, the mortal dangers of childbirth, all sorts of misery, old age, decrepitude, above all, sickness—nothing but devices for making war on science! The troubles of man don’t allow him to think.... Nevertheless—how terrible!—, the edifice of knowledge begins to tower aloft, invading heaven, shadowing the gods—what is to be done?—The old God invents war; he separates the peoples; he makes men destroy one another (—the priests have always had need of war....). War—among other things, a great disturber of science!—Incredible! Knowledge, deliverance from the priests, prospers in spite of war.—So the old God comes to his final resolution: “Man has become scientific—there is no help for it: he must be drowned!”...

Had Elizabeth’s opinion been all drawn from her own family, she could not have formed a very pleasing opinion of conjugal felicity or domestic comfort. Her father, captivated by youth and beauty, and that appearance of good humour which youth and beauty generally give, had married a woman whose weak understanding and illiberal mind had very early in their marriage put an end to all real affection for her. Respect, esteem, and confidence had vanished for ever; and all his views of domestic happiness were overthrown. But Mr. Bennet was not of a disposition to seek comfort for the disappointment which his own imprudence had brought on, in any of those pleasures which too often console the unfortunate for their folly of their vice. He was fond of the country and of books; and from these tastes had arisen his principal enjoyments. To his wife he was very little otherwise indebted, than as her ignorance and folly had contributed to his amusement. This is not the sort of happiness which a man would in general wish to owe to his wife; but where other powers of entertainment are wanting, the true philosopher will derive benefit from such as are given. Elizabeth, however, had never been blind to the impropriety of her father’s behaviour as a husband. She had always seen it with pain; but respecting his abilities, and grateful for his affectionate treatment of herself, she endeavoured to forget what she could not overlook, and and to banish from her thoughts that continual breach of conjugal obligation and decorum which, in exposing his wife to the contempt of her own children, was so highly reprehensible. But she had never felt so strongly as now the disadvantages which must attend the children of so unsuitable a marriage, nor ever been so fully aware of the evils arising from so ill-judged a direction of talents; talents, which, rightly used, might at least have preserved the respectability of his daughters, even if incapable of enlarging the mind of his wife.

With the nausea gone, evenings with Marlboro Man slowly began resembling the way they’d been before. We watched movies on the couch together--his head on one end, my head on the other, our legs in a tangled mess of coziness. He’d play with my toes. I’d rub his calves, which were rock hard and tough from day after day on horseback. After the purgatory of the previous weeks, things were officially delicious again. Marlboro Man was delicious again. After a love-drenched honeymoon in Australia, we’d returned home to a bitter reality that had put a screeching halt to what should have been the most romantic days of our lives together. Since my nausea had been so bad that the mere smell of skin made me sick, it had been difficult for me to lie in bed with him some nights--let alone entertain any other thoughts. It had been a cold, frigid autumn in more ways than one. If Marlboro Man hadn’t been so happy about his child developing in my body, I imagined he might have taken me back for a refund. I was so glad that this time had finally passed.

Had Elizabeth's opinion been all drawn from her own family, she could not have formed a very pleasing opinion of conjugal felicity or domestic comfort. Her father, captivated by youth and beauty, and that appearance of good humour which youth and beauty generally give, had married a woman whose weak understanding and illiberal mind had very early in their marriage put an end to all real affection for her. Respect, esteem, and confidence had vanished for ever; and all his views of domestic happiness were overthrown. But Mr. Bennet was not of a disposition to seek comfort for the disappointment which his own imprudence had brought on, in any of those pleasures which too often console the unfortunate for their folly or their vice. He was fond of the country and of books; and from these tastes had arisen his principal enjoyments. To his wife he was very little otherwise indebted, than as her ignorance and folly had contributed to his amusement. This is not the sort of happiness which a man would in general wish to owe to his wife; but where other powers of entertainment are wanting, the true philosopher will derive benefit from such as are given.

Extract from 'Quixotic Ambitions': The crowd stared at Katy expectantly. She looked at them - old women in black, exhausted young women with pasty-faced children, youths in jeans and leather blousons chewing gum. She tried to speak but the words wouldn’t come. Then, with a sudden burst of energy, she blurted out her short speech, thanking the people of Shkrapova for their welcome and promising that if she won the referendum she would work for the good of Maloslavia. There was some half-hearted applause and an old lady hobbled up to her, knelt down with difficulty, and kissed the hem of her skirt. She looked at Katy with tears rolling down her face and gabbled something excitedly. Dimitar translated: ‘She says that she remembers the reign of your grandfather and that God has sent you to Maloslavia.’ Katy was embarrassed but she smiled at the woman and helped her to her feet. At this moment the People’s Struggle Pioneers appeared on the scene, waving their banners and shouting ‘Doloy Manaheeyoo! Popnikov President!’ Police had been stationed at strategic points and quickly dispersed the demonstrators without any display of violence, but the angry cries of ‘Down with the monarchy!’ had a depressing effect on the entertainment that had been planned; only a few people remained to watch it. A group of children aged between ten and twelve ran into the square and performed a series of dances accompanied by an accordian. They stamped their feet and clapped their hands frequently and occasionally collided with one another when they forgot their next move. The girls wore embroidered blouses, stiffly pleated skirts and scarlet boots and the boys were in baggy linen shirts and trousers, the legs of which were bound with leather thongs. Their enthusiasm compensated for their mistakes and they were loudly applauded. The male voice choir which followed consisted of twelve young men who sang complicated polyphonic melodies with a high, curiously nasal tenor line accompanied by an unusually deep droning bass. Some of their songs were the cries of despair of a people who had suffered under Turkish occupation; others were lively dance tunes for feast days and festivals. They were definitely an acquired taste and Katy, who was beginning to feel hungry, longed for them to come to an end. At last, at two o’clock, the performance finished and trestle tables were set up in the square. Dishes of various salads, hors-d’oeuvres and oriental pastries appeared, along with casks of beer and bottles of the local red wine. The people who had disappeared during the brief demonstration came back and started piling food on to paper plates. A few of the People’s Struggle Pioneers also showed up again and mingled with the crowd, greedily eating anything that took their fancy.

Matthew closed the door and turned toward her. He seemed very large in the small room, his broad frame dwarfing their civilized surroundings. Daisy’s mouth went dry as she stared at him. She wanted to be close to him… she wanted to feel all his skin against hers. “What is there between you and Llandrindon?” he demanded. “Nothing. Only friendship. On my side, that is.” “And on his side?” “I suspect— well, he seemed to indicate that he would not be averse to— you know.” “Yes, I know,” he said thickly. “And even though I can’t stand the bastard, I also can’t blame him for wanting you. Not after the way you’ve teased and tempted him all week.” “If you’re trying to imply that I’ve been acting like some femme fatale—” “Don’t try to deny it. I saw the way you flirted with him. The way you leaned close when you talked… the smiles, the provocative dresses…” “Provocative dresses?” Daisy asked in bemusement. “Like that one.” Daisy looked down at her demure white gown, which covered her entire chest and most of her arms. A nun couldn’t have found fault with it. She glanced at him sardonically. “I’ve been trying for days to make you jealous. You would have saved me a lot of effort if you’d just admitted it straight off.” “You were deliberately trying to make me jealous?” he exploded. “What in God’s name did you think that would accomplish? Or is turning me inside out your latest idea of an entertaining hobby?” A sudden blush covered her face. “I thought you might feel something for me… and I hoped to make you admit it.” Matthew’s mouth opened and closed, but he couldn’t seem to speak. Daisy wondered uneasily what emotion was working on him. After a few moments he shook his head and leaned against the dresser as if he needed physical support. “Are you angry?” she asked apprehensively. His voice sounded odd and ragged. “Ten percent of me is angry.” “What about the other ninety percent?” “That part is just a hairsbreadth away from throwing you on that bed and—” Matthew broke off and swallowed hard. “Daisy, you’re too damned innocent to understand the danger you’re in. It’s taking all the self-control I’ve got to keep my hands off you. Don’t play games with me, sweetheart. It’s too easy for you to torture me, and I’m at my limit. To put to rest any doubts you might have… I’m jealous of every man who comes within ten feet of you. I’m jealous of the clothes on your skin and the air you breathe. I’m jealous of every moment you spend out of my sight.” Stunned, Daisy whispered, “You… you certainly haven’t shown any sign of it.” “Over the years I’ve collected a thousand memories of you, every glimpse, every word you’ve ever said to me. All those visits to your family’s home, those dinners and holidays— I could hardly wait to walk through the front door and see you.” The corners of his mouth quirked with reminiscent amusement. “You, in the middle of that brash, bull-headed lot… I love watching you deal with your family. You’ve always been everything I thought a woman should be. And I have wanted you every second of my life since we first met.

He could not look at her, be near her, think of her, and keep the Kestrel afloat at the same time. No red-blooded man could. “Go back to your cabin.” “No.” She crossed her arms over her chest. “I’ll go mad if I spend another day in that cabin, with no one to talk to and nothing to do.” “Well, I’m sorry we’re not entertaining you sufficiently, but this isn’t a pleasure cruise. Find some other way to amuse yourself. Can’t you find something to occupy your mind?” he made an open-handed sweep through the steam. “Read a book.” “I’ve only got one book. I’ve already read it.” “Don’t tell me it’s the Bible.” The corner of her mouth twitched. “It isn’t.” He averted his gaze to the ceiling, blowing out an impatient breath. “Only one book,” he muttered. “What sort of lady makes an ocean crossing with only one book?” “Not a governess.” Her voice held a challenge. Gray refused the bait, electing for silence. Silence was all he could manage, with this anger slicing through him. It hurt. He kept his eyes trained on a cracked board above her head, working to keep his expression blank. What a fool he’d been, to believe her. To believe that something essential in him had changed, that he could find more than fleeting pleasure with a woman. That this perfect, delicate blossom of a lady, who knew all his deeds and misdeeds, would offer herself to him without hesitation. Deep inside, in some uncharted territory of his soul, he’d built a world on that moment when she came to him willingly, trustingly. Giving not just her body, but her heart. Ha. She hadn’t even given him her name.

One early terracotta statuette from Catal Huyuk in Anatolia depicts an enthroned female in the act of giving birth, supported by two cat-like animals that form her seat (Plate 1). This figure has been identified as a 'birth goddess' and it is this type of early image that has led a number of feminist scholars to posit a 'reign of the goddess' in ancient Near Eastern prehistory. Maria Gimbutas, for whom such images are proof of a perfect matriarchal society in 'Old Europe' , presents an ideal vision in which a socially egalitarian matriarchal culture was overthrown by a destructive patriarchy (Gimbutas 1991). Gerda Lerner has argued for a similar situation in the ancient Near East; however, she does not discuss nude figurines at any length (Lerner 1986a: 147). More recently, critiques of the matriarchal model of prehistory have pointed out the flaws in this methodology (e.g. Conkey and Tringham 1995; Meskell 1995; Goodison and Morris 1998). In all these critiques the identification of such figures as goddesses is rejected as a modern myth. There is no archaeological evidence that these ancient communities were in fact matriarchal, nor is there any evidence that female deities were worshipped exclusively. Male gods may have worshipped simultaneously with the 'mother goddesses' if such images are indeed representations of deities. Nor do such female figures glorify or show admiration for the female body; rather they essentialise it, reducing it to nothing more nor less than a reproductive vessel. The reduction of the head and the diminution of the extremities seem to stress the female form as potentially reproductive, but to what extent this condition was seen as sexual, erotic or matriarchal is unclear. ....Despite the correct rejection of the 'Mother Goddess' and utopian matriarchy myths by recent scholarship, we should not loose track of the overwhelming evidence that the image of female nudity was indeed one of power in ancient Mesopotamia. The goddess Ishtar/Inanna was but one of several goddesses whose erotic allure was represented as a powerful attribute in the literature of the ancient Near East. In contact to the naked male body which was the focus of a variety of meanings in the visual arts, female nudity was always associated with sexuality, and in particular with powerful sexual attraction, Akkadian *kuzbu*. This sexuality was not limited to Ishtar and her cult. As a literary topos, sensuousness is a defining quality for both mortal women and goddesses. In representational art, the nude woman is portrayed in a provocative pose, as the essence of the feminine. For femininity, sexual allure, *kuzbu*, the ideal of the feminine, was thus expressed as nudity in both visual and verbal imagery. While several iconographic types of unclothed females appear in Mesopotamian representations of the historical period - nursing mothers, women in acts of sexual intercourse, entertainers such as dancers and musicians, and isolated frontally represented nudes with or without other attributes - and while these nude female images may have different iconographic functions, the ideal of femininity and female sexuality portrayed in them is similar. -Zainab Bahrani, Women of Babylon: Gender and Representation in Mesopotamia

It could be said that Borluut was in love with the town. But we only have one heart for all our loves, consequently his love was somewhat like the affection one feels for a woman, the devotion one entertains for a work of art, for a religion. He loved Bruges for its beauty and, like a lover, he would have loved it the more, the more beautiful it was. His passion had nothing to do with the local patriotism which unites those living in a town through habits, shared tastes, alliances, parochial pride. On the contrary, Borluut was almost solitary, kept himself apart, mingled little with the slow-witted inhabitants. Even out in the streets he scarcely saw the passers-by. As a solitary wanderer, he began to favour the canals, the weeping trees, the tunnel bridges, the bells he could sense in the air, the old walls of the old districts. Instead of living beings, his interest focused on things. The town took on a personality, became almost human. He loved It, wished to embellish it, to adorn its beauty, a beauty mysterious in its sadness. And, above all, so unostentatious. Other towns are showy, amassing palaces, terraced gardens, fine geometrical monuments. Here everything was muted, nuanced. Storiated architecture, facades like reliquaries, stepped gables, trefoil doors and windows, ridges crowned with finials, mouldings, gargoyles, bas-reliefs - incessant surprises making the town into a kind of complex landscape of stone. It was a mixture of Gothic and Renaissance, that sinuous transition which suddenly draws out forms that are too rigid and too bare in supple, flowing lines. It was if an unexpected spring had sprouted on the walls, as if they had been transubstantiated by a dream - all at once there were faces and bunches of flowers on them. This blossoming on the facades had lasted until the present, blackened by the ravages of time, abiding but already blurred.

I can only imagine the sort of havoc Oliver must have wreaked as a boy.” Oliver handed Minerva in, then climbed in to sit beside her. “We weren’t that bad.” “Don’t listen to him,” Minerva exclaimed, her eyes twinkling. “One dull evening, he and his friends went to a ball dressed in the livery of the hired footmen. Then they proceeded to drink up the liquor, flirt and wink at the elderly ladies until they were all blushing, and make loud criticisms of the entertainment. After the lady of the house caught on to their scheme and rounded up some stout young men to throw them out, they stole a small stone cupid she had in her garden and sent her a ransom note for it.” “How the devil do you know that?” Oliver asked. “You were, what, eleven?” “Twelve,” Minerva said. “And it was all Gran’s servants could talk about. Made quite a stir in society, as I recall. What was the ransom? A kiss for each of you from the lady’s daughter?” A faint smile touched Oliver’s lips. “And she never did pay it. Apparently her suitors took issue with it. Not to mention her parents.” “Good heavens,” Maria said. “Come to think of it,” Oliver mused aloud, “I believe Kirkwood still has that cupid somewhere. I should ask him.” “You’re as bad as Freddy and my cousins,” Maria chided. “They put soap on all the windows of the mayor’s carriage on the very day he was supposed to lead a procession through Dartmouth. You should have seen him blustering when he discovered it.” “Was he a pompous idiot?” Oliver asked. “A lecher, actually. He tried to force a kiss on my aunt. And him a married man, too!” “Then I hope they did more than soap his windows,” Oliver drawled. The comment caught Maria by surprise. “And you, of course, have never kissed a married woman?” “Not if they didn’t ask to be kissed,” he said, a strange tension in his voice. “But we weren’t speaking of me, we were speaking of Dartmouth’s dastardly mayor. Did soaping his windows teach him a lesson?” “No, but the gift they left for him in the coach did the trick. They got it from the town’s largest cow.” Oliver and Minerva both laughed. Mrs. Plumtree did not. She was as silent as death beside Maria, clearly scandalized by the entire conversation. “Why do boys always feel an urgent need to create a mess others are forced to clean up?” Minerva asked. “Because they know how it irritates us,” Maria said.

He'd found a sweet-water stream that I drank from, and for dinner we found winkles that we ate baked on stones. We watched the sun set like a peach on the sea, making plans on how we might live till a ship called by. Next we made a better camp beside a river and had ourselves a pretty bathing pool all bordered with ferns; lovely it was, with marvelous red parrots chasing through the trees. Our home was a hut made of branches thatched with flat leaves, a right cozy place to sleep in. We had fat birds that Jack snared for our dinner, and made fire using a shard of looking glass I found in my pocket. We had lost the compass in the water, but didn't lament it. I roasted fish and winkles in the embers. For entertainment we even had Jack's penny whistle. It was a paradise, it was." "You loved him," her mistress said softly, as her pencil resumed its hissing across the paper. Peg fought a choking feeling in her chest. Aye, she had loved him- a damned sight more than this woman could ever know. "He loved me like his own breath," she said, in a voice that was dangerously plaintive. "He said he thanked God for the day he met me." Peg's eyes brimmed full; she was as weak as water. The rest of her tale stuck in her throat like a fishbone. Mrs. Croxon murmured that Peg might be released from her pose. Peg stared into space, again seeing Jack's face, so fierce and true. He had looked down so gently on her pitiful self; on her bruises and her bony body dressed in salt-hard rags. His blue eyes had met hers like a beacon shining on her naked soul. "I see past your always acting the tough girl," he insisted with boyish stubbornness. "I'll be taking care of you now. So that's settled." And she'd thought to herself, so this is it, girl. All them love stories, all them ballads that you always thought were a load of old tripe- love has found you out, and here you are. Mrs. Croxon returned with a glass of water, and Peg drank greedily. She forced herself to continue with self-mocking gusto. "When we lay down together in our grass house we whispered vows to stay true for ever and a day. We took pleasure from each other's bodies, and I can tell you, mistress, he were no green youth, but all grown man. So we were man and wife before God- and that's the truth." She faced out Mrs. Croxon with a bold stare. "You probably think such as me don't love so strong and tender, but I loved Jack Pierce like we was both put on earth just to find each other. And that night I made a wish," Peg said, raising herself as if from a trance, "a foolish wish it were- that me and Jack might never be rescued. That the rotten world would just leave us be.

his…demands?” And then she had held her breath as if seriously expecting Isabel to answer. And last night as Isabel passed a half-open bedroom door, she had overheard a fellow guest speaking to her maid. “I do so admire Lady Isabel for not feeling the need to bow to the demands of fashion,” the woman had said. “She dresses instead in what is comfortable even if it is not in the first stare. Though I find it no wonder her husband has strayed.” Isabel had gritted her teeth and gone on down to dinner, where she smiled and flirted and silently dared anyone to comment to her face that her dress was at least two years old. If only her early departure wouldn’t cause so much comment, she would call for her carriage and go home right now. But that was impossible. For one thing, she didn’t have a carriage, for she had come up from London with a fellow guest. Too short of funds to afford a post-chaise, she was equally dependent on her friend for transport back to the city when the hunting party broke up. And secondly, of course, there were only two places she could go—Maxton Abbey, or the London house—and her husband might be at either one. Unless, with her safely stashed at the Beckhams’, he had accepted yet another of the many invitations he received. But she couldn’t take the chance. After little more than a year of marriage, the pattern was ingrained—wherever one of the Maxwells went, the other took pains not to go. She could not burst in on her husband; what if he were entertaining his mistress? Better not to know. She might go to the village of Barton Bristow, descending on her sister. But Emily’s tiny cottage was scarcely large enough for her and her companion, with no room for a guest—and Mrs. Dalrymple’s constant chatter and menial deference was enough to set Isabel’s teeth on edge. In fact, the only nice thing Isabel could say about being married was that at least she wasn’t required to drag a spinster companion around the countryside with her to preserve her reputation, as Emily had to do. Isabel turned her borrowed mount over to the stable boys and strode across to the house, where the butler intercepted her in the front hall. “A letter has just been delivered for you, Lady Isabel, by a special messenger. He said a post-chaise will call for you tomorrow.” She took the folded sheet with trepidation. Who could be summoning her? Not her husband, that was certain. Her father, possibly, for yet another lecture on the duties of a young wife? She broke the seal and unfolded the page. My dearest Isabel, You will remember from happier days that I will soon celebrate my seventieth birthday… Uncle Josiah. But her moment of relief soon

She'd always despised the whole other woman thing, but here she was, entertaining the possibility.

Dear Children, I am your dad. The father of all five of you pale creatures. Given how attractive and fertile your mother is, there may be more of you by the time you read this book. If you are reading this, I am probably dead. I would assume this because I can honestly foresee no other situation where you’d be interested in anything I’ve done. Right now, you are actually more interested in preventing me from doing things like working, sleeping, and smiling. I’m kidding, of course. Kind of. I love you with all of my heart, but you are probably the reason I’m dead. All right, you didn’t kill me. Your mother did. She kept getting pregnant! I don’t know how. Don’t think about it. It will give you the willies. At one point, I was afraid she got pregnant while she was pregnant. She was so fertile I didn’t even let her hold avocados. Anyway, this is a book all about what I observed being your dad when you were very young and I had some hair back in good old 2013. So why a book? Well, since you’ve come into my life, you’ve been a constant source of entertainment while simultaneously driving me insane. I felt I had to write down my observations about you in a book. And also for money, so you could eat and continue to break things. By the way, I’m sorry I yelled so much and did that loud clapping thing with my hands. I hated when my dad would do the loud clapping thing with his hands, so every time I do the loud clapping thing, it pains me in many ways. Most of the pain is because that loud clapping thing actually hurts my hands. You may be wondering how I wrote this book. From a very early age, you all instinctively knew I wasn’t that bright of a guy. Probably from all the times you had to correct me when I couldn’t read all the words in The Cat in the Hat. Hell, I find writing e-mails a chore. (Thank you, spell-check!) I wrote this book with the help of many people, but mostly your mother. Your mother is not only the only woman I’ve ever loved, but also the funniest person I know. When your mom was not in labor yelling at me, she made me laugh so hard. Love, Dad P.S. How did you get that hula hoop into that restaurant Easter 2011? Who’s Who in the Cast Jim Gaffigan (Dad).

My God! How could you allow this woman to get worse, when she is doing all she can to get better? What in the world is going on? Have you ever wondered the same in your sin predicament as you make valiant efforts to overcome temptation? Have you gone to teacher-after-teacher, and pastor-after-pastor, searching for a remedy to your addiction to drugs, stealing, illicit sex, liquor, gambling, or evil entertainments? Did you get better, or did you get progressively worse over the years? Well, this woman, now an outcast from Jewish society due to the fact that her vaginal bleeding made her ceremonially unclean, and excluded from attendance of temple services and many other regular activities, knew that the Master was nearby. With all the faith she had, she crawled through the crowd so she…could…just…touch, the blue hem/tassel of His garment. She believed that if she could simply touch the border of His garment. Which represented the Throne of God, and His holy Ten Commandment Law (Exodus 24:9-10; Ezekiel 1:26; Numbers 15:37-41), she would be whole. So, that she did!

By our seventh anniversary, we had five kids and weren’t done yet. Raven was blessed with easy pregnancies and could run around until the moment of delivery. Oh, and did those deliveries become legend. When River was born, the whole crew was laughing their asses off in the waiting room because of Raven’s profanity-laced rants. Our twins came two years later. During their deliveries, a drinking game started with the crew and club guys. Every time Raven screamed a cuss word, Tucker told the guys at the bar and they’d take a shot of whiskey. Half of the guys were wasted by the time Savannah was born. As Avery joined her sister, the other half of the bar was just as drunk off their asses. The obstetrician nearly begged Raven to use pain meds. She refused of course. No one was telling her what to do. For Maverick’s birth, the hospital moved Raven to a room at the end of the hall and kept the other laboring mothers as far away as possible. Another change the third time around was how Raven refused to allow the club guys free fun based on her laboring pains. To play the drinking game, they had to donate a hundred dollars into the kids’ college fund. We figured at least one of our kids would want to do the education thing. The guys donated the money and got ready for Raven to let loose. In her laboring room, she even allowed a mic connected to overhead speakers at the bar. Despite knowing they were all listening, my woman didn’t disappoint. One particular favorite was motherfucking crustacean cunt. When Maverick’s head crowded, she also sounded a little bit like a graboid from Tremors. Hell, I think she did that on purpose because we’d watched the movie the night before. Raven was a born entertainer. That night, we added a few thousand dollars to the kids’ college fund, the guys had a blast getting wasted to Raven’s profanity, and I welcomed my second son. Unlike his angelic brother, Maverick peed on me an hour after birth. I knew that boy was going to be a handful.

Dollmann was fond of Braun, and a sweet and simple young woman who confided her sad life to him. She was known throughout the world as the German strongman's mistress, but, as she confessed to Dollmann, there was no sexual intimacy between her and the Führer. 'He says to me that his only love is Germany and to forget it, even for a moment, would shatter the mystical forces of his mission.' ¶ Dollmann strongly suspected that the Führer had other passions besides Germany. On Christmas Eve 1923, when he was a university student in Munich, Dollman had been invited to an extravagant, candelit party at the house of General Otto von Lossow, who had helped put down Hitler's Beer Hall putsch in November 1923. During the evening, Lossow took Dollmann and some of his other guests into his parlor, where he entertained them by reading selections from Hitler's thick police dossier. 'In a café near the university on the evening of, Herr Hitler was observed . . . " Lossow's voice was matter-of-fact as he read through the depositions and eyewitness reports about Germany's future leader. The general's small audience listened in rapt silence, transfixed by the portrait of a Hitler who was more interested in boyish men than in national politics.

Dollmann was fond of Braun, and a sweet and simple young woman who confided her sad life to him. She was known throughout the world as the German strongman's mistress, but, as she confessed to Dollmann, there was no sexual intimacy between her and the Führer. 'He says to me that his only love is Germany and to forget it, even for a moment, would shatter the mystical forces of his mission.' ¶ Dollmann strongly suspected that the Führer had other passions besides Germany. On Christmas Eve 1923, when he was a university student in Munich, Dollman had been invited to an extravagant, candelit party at the house of General Otto von Lossow, who had helped put down Hitler's Beer Hall putsch in November 1923. During the evening, Lossow took Dollmann and some of his other guests into his parlor, where he entertained them by reading selections from Hitler's thick police dossier. 'In a café near the university on the evening of, Herr Hitler was observed . . . ' Lossow's voice was matter-of-fact as he read through the depositions and eyewitness reports about Germany's future leader. The general's small audience listened in rapt silence, transfixed by the portrait of a Hitler who was more interested in boyish men than in national politics.

TOOTSIE (by Larry Gelbart and Murray Schisgal, story by Don McGuire and Larry Gelbart, 1982) • Premise When an actor can’t get work, he disguises himself as a woman and gets a role in a TV series, only to fall in love with one of the female members of the cast. • Possibilities You could take a funny look at the modern dating dance, but also dissect the deep immorality that underlies how men and women act toward each other in the most intimate part of their lives. • Story Challenges How do you show the effect of men’s immoral actions against women without seeming to attack one entire gender while making the other gender look innocent? • Problems How do you make a man believable as a woman, weave several man-woman plots together and make them one, end each plotline successfully, and make an emotionally satisfying love story while using a number of farce techniques that place the audience in a superior position? • Designing Principle Force a male chauvinist to live as a woman. Place the story in the entertainment world to make the disguise more believable. • Best Character Michael’s split between dressing as both a man and a woman can be a physical and comical expression of the extreme contradiction within his own character. • Conflict Michael fights Julie, Ron, Les, and Sandy about love and honesty. • Basic Action Male hero impersonates a woman. • Character Change W—Michael is arrogant, a liar, and a womanizer. C—By pretending to be a woman, Michael learns to become a better man and capable of real love. • Moral Choice Michael sacrifices his lucrative acting job and apologizes to Julie for lying to her.

Our bodies have been created not only by God but also for God..We are driven today by whatever can bring our bodies the most pleasure. What can we eat, touch, watch, do listen to, or engage in to satisfy the cravings of our bodies?..in his love, gives us boundaries for our bodies: he loves us and knows what is best for us..[there are] clear and critical distinctions between different types of laws in Leviticus. Some of the laws are civil in nature, and they specifically pertain to the government of ancient Israel..Other laws are ceremonial..However, various moral laws..are explicitly reiterated in the New Testament..Jesus himself teaches that the only God-honoring alternative to marriage between a man and a woman is singleness..the Bible also prohibits all sexual looking and thinking outside of marriage between a husband and a wife..it is sinful even to look at someone who is not your husband or wife and entertain sexual thoughts about that person..it is also wrong to provoke sexual desires in others outside of marriage..God prohibits any kind of crude speech, humor, or entertainment that remotely revolves around sexual immorality..often watch movies and shows, read books and articles, and visit Internet sites that highlight, display, promote, or make light of sexual immorality..God prohibits sexual worship-- the idolization of sex and infatuation with sexual activity as a fundamental means to personal fulfillment..Don't rationalize it, and don't reason with it-- run from it. Flee it as fast as you can..We all have a sinful tendency to turn aside from God's ways to our wants. This tendency has an inevitable effect on our sexuality..every one of us is born with a bent toward sexual sin. But just because we have that bent doesn't mean we must act upon it. We live in a culture that assumes a natural explanation implies a moral obligation. If you were born with a desire, then it's essential to your nature to carry it out. This is one reason why our contemporary discussion of sexuality is wrongly framed as an issue of civil rights..Ethnic identity is a morally neutral attribute..Sexual activity is a morally chosen behavior..our sexual behavior is a moral decision, and just because we are inclined to certain behaviors does not make such behaviors right. His disposition toward a behavior does not mean justification for that behavior. "That's the way he is" doesn't mean "that's how he should act." Adultery isn't inevitable; it's immoral. This applies to all sexual behavior that deviates from God's design..We do not always choose our temptations. But we do choose our reactions to those temptations..the assumption that God's Word is subject to human judgement..Instead of obeying what God has said, we question whether God has said it..as soon as we advocate homosexual activity, we undercut biblical authority..we are undermining the integrity of the entire gospel..We take this created gift called sex and use it to question the Creator God, who gave us the gift in the first place..[Jesus] was the most fully human, fully complete person who ever lived, and he was never married. He never indulged in any sort of sexual immorality..This was not a resurrection merely of Jesus' spirit or soul but of his body..Repentance like this doesn't mean total perfection, but it does mean a new direction..in a culture that virtually equates identity with sexuality..Naturally this becomes our perception of ourselves, and we subsequently view everything in our lives through this grid..When you turn to Christ, your entire identity is changed. You are in Christ, and Christ is in you. Your identity is no longer as a heterosexual or a homosexual, an addict or an adulterer.

But there was happiness elsewhere which no description can reach. Let no one presume to give the feelings of a young woman on receiving the assurance of that affection of which she has scarcely allowed herself to entertain a hope.

From what I could see, he already wants to cooperate with you.” Her ready response stalled. She wasn’t sure if she’d heard Ridley correctly, but at the ensuing sparkle in his eyes, she shook her head and stepped inside hoping her friend couldn’t see the flush that was surely creeping into her cheeks. “He’s a widower and completely devoted to his work. That’s all.” She tugged at the fingertips of her gloves. “I suppose that’s why he decided to have you accompany him rather than assigning you to another group?” She slipped off the glove heedless of the fact that two fingers were rolled in. She dropped it onto the silver tray that graced the pedestal table, then began to pluck at the other glove. “I’m sure he meant nothing by his actions.” Ridley was silent as she finished divesting her fingers of the tight leather and carefully began to remove her hatpins and drop them in the silver tray with a clink. She could feel him watching her, waiting. Finally, after she had her hat off and couldn’t avoid him any longer, she turned and met his gaze. “You are not giving yourself enough credit,” he said gently. “You’re a delightful young woman.” “I’m old and unappealing.” “Thirty isn’t old. And you’re very pretty.” “Of course you would say so.” “I may be ancient and slightly biased,” Ridley said with a return smile, “but my eyesight is still quite proficient. And I had no trouble seeing that Reverend Bedell had a hard time keeping his attention off of you.” Christine shook her head in disbelief. “Thank you for attempting to cheer me with your nonsense. But I’ve had many years to resign myself to my singleness and have no interest in entertaining thoughts of heartache.

The most famous child survivor of the Holocaust in the 1950s was not Anne Frank—after all, she didn’t survive—but a young woman named Hannah Bloch Kohner. NBC television’s This Is Your Life was one of television’s first reality shows, in which host Ralph Edwards surprised a guest, often a celebrity, by reuniting him or her with friends and family members the guest hadn’t heard from in years. The program didn’t shy away from either political controversy or questionable sentimentality, as when guest Reverend Kiyoshi Tanimoto, who had survived the atomic bombing of Hirsohima in 1945, was introduced to the copilot of the Enola Gay. On May 27, 1953, This Is Your Life ambushed a beautiful young woman in the audience, escorted her to the stage, and proceeded, in a matter of minutes, to package, sanitize, and trivialize the Holocaust for a national television audience. Hannah Bloch Kohner’s claim to fame was that she had survived Auschwitz before emigrating, marrying, and settling in Los Angeles. She was the first Holocaust survivor to appear on a national television entertainment program. “Looking at you, it’s hard to believe that during seven short years of a still short life, you lived a lifetime of fear, terror, and tragedy,” host Edwards said to Kohner in his singsong baritone. “You look like a young American girl just out of college, not at all like a survivor of Hitler’s cruel purge of German Jews.” He then reunited a stunned Kohner with Eva, a girl with whom she’d spent eight months in Auschwitz, intoning, “You were each given a cake of soap and a towel, weren’t you, Hannah? You were sent to the so-called showers, and even this was a doubtful procedure, because some of the showers had regular water and some had liquid gas, and you never knew which one you were being sent to. You and Eva were fortunate. Others were not so fortunate, including your father and mother, your husband Carl Benjamin. They all lost their lives in Auschwitz.” It was an extraordinary lapse of sympathy, good taste, and historical accuracy—history that, if not common knowledge, had at least been documented on film. It would be hard to explain how Kohner ever made it on This Is Your Life to be the Holocaust’s beautiful poster girl if you didn’t happen to know that her husband—a childhood sweetheart who had emigrated to the United States in 1938—was host Ralph Edwards’s agent. Hannah Bloch’s appearance was a small, if crass, oasis of public recognition for Holocaust survivors—and child survivors especially—in a vast desert of indifference. It would be decades before the media showed them this much interest again.

For two decades, our escape defined me. It dominated my personality and compelled my every decision. By college, half my life had led up to our escape and the other half was spent reliving it, in churches and retreats where my mother made it a hagiograpihc journey, on college applications where it was a plea, at sleepovers where it was entertainment, and in discussion groups after public viewings of xenophobic melodrama like China Cry and Not Without my Daughter, films about Christian women facing death and escaping to America. Our story was a sacred thread woven into my identity. Sometimes people asked, But don't a lot of Christians live there? or Couldn't your mother just say she was Muslim? It would take me a long time to get over those kinds of questions. They felt like a bad grade, like a criticism of my face and body...Once in an Oklahoma church, a woman said, "Well, I sure do get it. You came for a better life." I thought I'd pass out -- a better life? In Isfahan, we had yellow spray roses, a pool. A glass enclosure shot up through our living room, and inside that was a tree. I had a tree inside my house; I had the papery hand of Morvarid, my friend nanny, a ninety-year-old village woman; I had my grandmother's fruit leather and Hotel Koorosh schnitzels and sour cherries and orchards and a farm - life in Iran was a fairytale. In Oklahoma, we lived in an apartment complex for the destitute and disenfranchised. Life was a big gray parking lot with cigarette butts baking in oil puddles, slick children idling in the beating sun, teachers who couldn't do math. I dedicated my youth and every ounce of my magic to get out of there. A better life? The words lodged in my ear like grit. Gradually, all those retellings felt like pandering. The skeptics drew their conclusions based on details that I had provided them: my childhood dreams of Kit Kats and flawless bananas. My academic ambitions. I thought of how my first retelling was in an asylum office in Italy: how merciless that with the sweat and dust of escape still on our brows, we had to turn our ordeal into a good, persuasive story or risk being sent back. Then, after asylum was secured, we had to relive that story again and again, to earn our place, to calm casual skeptics. Every day of her new life, the refugee is asked to differentiate herself from the opportunist, the economic migrant... Why do the native-born perpetuate this distinction? Why harm the vulnerable with the threat of this stigma? ...To draw a line around a birthright, a privilege. Unlike economic migrants, refugees have no agency; they are no threat. Often, they are so broken, they beg to be remade into the image of the native. As recipients of magnanimity, they can be pitied. But if you are born in the Third World, and you dare to make a move before you are shattered, your dreams are suspicious. You are a carpetbagger, an opportunist, a thief. You are reaching above your station.

Do you have any regrets?” Still, I looked at the sea. Regrets. Who hasn’t looked back and considered the road not taken? We’re not handed an itinerary when we start out. Most of us get where we’re going by accident. A kind word from a math teacher, and the student aims, knowingly or not, toward engineering. A thoughtless rebuke and the young violinist surrenders his dream. If we’re lucky, we take a path where we can do some good along the way. My first career had little social utility, other than providing televised entertainment interrupted by sixty-second accolades to the glory of various beers, cars, and insurance companies. My second career has even less. Now, I’m one of the players in a game where justice is dispensed nearly as often as the Red Sea is parted. Regrets. I wish I’d been faster then, smarter now. I wish I could paint a picture or build a bridge. I wish there was a woman—just one— who had lasted. A best friend and only lover, a soulmate, not a cellmate. After a moment, I said, “We all have our regrets.

WISDOM KEEPER: My Extraordinary Journey to Unlock the Sacred Within “Chloe’s heartfelt journey is the real deal here to inspire us all. She takes the reader on a journey of darkness to light, struggle to freedom, fear to love. Thank you, Chloe, for this incredible ride. A must read for all who want true transformation.”— Dr. Shannon South, Award-Winning Therapist, Best-Selling Author, and Founder of the Ignite Your Life and business programs “There is a healing purpose in every experience written by Chloe in this spiritual memoir. She shares processes for healing in the physical, emotional and spiritual realms, showing us our ability to use all levels of energy to achieve deep and lasting healing. Chloe reveals to us the importance of connection—with the spiritual and physical world, and our past lives to the present. She reminds us we are essential in the Universe; when we heal, our loved ones, people around us, and the Earth also heals. Chloe inspires us to do the same thing. Well done. I appreciate it very much. This book is truly for everyone. — Eduardo Morales, Shamanic Curandero, Tepoztlán, Mexico “WISDOM KEEPER is filled with wonderful personal experiences on the power of healing, visualizations, dreams, and listening to our inner voices. Chloe Kemp describes encounters with others on a multitude of levels, including sacred beings, shamans, and other deep-souled humans. This book inspires the reader to go deep within themselves and invite their own personal self-healer to emerge. Chloe helps us to understand that anything is possible.”—River Guerguerian, Sound Immersion Healer, Musician, Composer, and Educator  “Having met and worked with Chloe personally, I know she is a genuine woman with a mission and clear determination to fulfill her purpose in this life. She has followed the call from Spirit to share stories from her life and wisdom she has gained, weaving energies and expressing a frequency of consciousness that has a way of bringing readers to a deeper state of awareness and potency upon their own unique journey. Chloe's book shines a light on our ability to reconnect with the origin of what makes us each a special part of the Divine plan, and she does it in a very humble and approachable way."—Michael Brasunas, Holistic Energy Healer and Bodyworker “Your inspiring memoir is engaging and thought-provoking throughout. It brings together the highest spiritual insights and practical frameworks that everyone can understand and apply.”—Louise, Australia  “A fascinating read!”—Caleb, USA  “The narrative is immensely raw and deeply personal. It engaged all of my emotions completely.”—Abantika, India   “A remarkable story.”—Michael, USA “The writing style is amazing.Your life experiences are so unique.”—Taibaya, Pakistan  “You have a gift for spiritual healing and telling a story. You created a hopeful, sincere, compelling, interesting, and important story.”—Jessica, USA “You tell events, dreams, and moments in your life in a very engaging and thought-provoking way.”—Josh, USA  “Very entertaining, awakening, and engaging; as well as informative, practical, motivating and inspiring.”—Susan, USA      

Shame is an emotion that many rape survivors struggle with for reasons that can be more complicated than we might think. It is a distinctly insidious form of humiliation, the result of a serious injury to our self-esteem, which can be exacerbated by the feeling that we’ve done something wrong. Humiliation is par for the course when your body is used sexually against your will—that part of the aftermath of sexual violence is pretty well understood. Less well appreciated is why rape survivors may end up feeling responsible for what has happened to them. A common assumption is that women blame themselves because of low self-esteem: if only I had dressed differently, if only I had not looked at him that way, if only I had made better decisions for myself. While a woman’s self-image may play a role in how she comes to understand what has happened to her, the sense of responsibility held by many rape survivors is at least partly driven by a dominant worldview regarding personal safety and harm. Although this picture is slowly changing, historically, at least in the West, girls have been taught from a young age that the world is basically a safe place and that so long as you are sufficiently careful and intelligent, you can protect yourself from any serious harm. Underscoring this narrative is the fact that in our entertainment-saturated media culture, the everydayness of sexual violence against women is overlooked in favour of sensationalized stories of extreme violence. And because rape is typically experienced in private, unlike other traumatic experiences, like combat fighting in war, for instance, the clear evidence of its pervasiveness is obscured from our collective vision. This further reinforces the mistaken notion that the world is a benign place for women—and worse, it makes incidents of sexual violence against women look like a series of unrelated, isolated events when in fact they are the systematic consequence of patriarchal social structures. So how does the rape survivor reconcile this dominant worldview with what has happened to her? After all, it cannot be true both that the world is a safe place and that you were raped, unless, of course, the rape was your fault. The other alternative is to reject the dominant worldview, but this means accepting the fact that we live in a world where women, by virtue of being women, are at risk. For a variety of reasons, it can be easier and less painful to believe instead that being raped was a result of your own poor choices.

How many times we hear or read of reflections upon the abnormal condition of women, and upon what they ought to be. But these are only vain words. The education of women results from the real and not imaginary view which the world entertains of women’s vocation. According to this view, the condition of women consists in procuring pleasure and it is to that end that her education is directed. From her infancy she is taught only those things that are calculated to increase her charm. Every young girl is accustomed to think only of that. As the serfs were brought up solely to please their masters, so woman is brought up to attract men. It cannot be otherwise. But you will say, perhaps, that that applies only to young girls who are badly brought up, but that there is another education, an education that is serious, in the schools, an education in the dead languages, an education in the institutions of midwifery, an education in medical courses, and in other courses. It is false. Every sort of feminine education has for its sole object the attraction of men.

In the lands where my feet are firmly planted. Although a lot of attention has been paid to the question of whether ancient European cultures honored a “Great Mother” goddess, in these islands we were actually honoring a Great Grandmother. Her name in the Gaelic languages of Scotland and Ireland is the Cailleach: literally, the Old Woman. There are traces of other divine old women scattered throughout the rest of the British Isles and Europe; they’re probably the oldest deities of all. How thoroughly we’ve been taught to forget. Today, we don’t see these narratives as remnants of ancient belief systems — rather, they’re presented to us as folktales intended merely to entertain, as oddities of primitive history, the vaguely amusing relics of more superstitious times or bedtime stories for children.

But, frustratingly, this clarity dissipates on closer consideration. There are nine Avon rivers in Britain. Another problem: monarchs did not attend plays in the public theaters. The “flights upon the Thames / That so did take Eliza and our James” cannot refer to performances at the Globe, Rose, or other theaters on the Thames. Elizabeth and James enjoyed their entertainment at court, where Shakespeare’s plays were often staged. (“ These dramas, the most treasured jewels of our literary heritage, were not composed for the gawkish groundlings of the Globe,” writes the scholar Richard Levin, “but for theatres and audiences far more worthy of them.”)

today. In the lands where my feet are firmly planted. Although a lot of attention has been paid to the question of whether ancient European cultures honored a “Great Mother” goddess, in these islands we were actually honoring a Great Grandmother. Her name in the Gaelic languages of Scotland and Ireland is the Cailleach: literally, the Old Woman. There are traces of other divine old women scattered throughout the rest of the British Isles and Europe; they’re probably the oldest deities of all. How thoroughly we’ve been taught to forget. Today, we don’t see these narratives as remnants of ancient belief systems — rather, they’re presented to us as folktales intended merely to entertain, as oddities of primitive history, the vaguely amusing relics of more superstitious times or bedtime stories for children.

He could no longer deny that he found nothing in the world more entertaining than talking to her. Or just being near her. Cantankerous, stubborn, fascinating creature … completely unlike his past lovers. And at times like this, she had all the cuddlesome appeal of a feral hedgehog. But she challenged him, met him as an equal, in a way that no other woman ever had. He wanted her beyond reason.

Where does the word cocktail come from? There are many answers to that question, and none is really satisfactory. One particular favorite story of mine, though, comes from The Booze Reader: A Soggy Saga of a Man in His Cups, by George Bishop: “The word itself stems from the English cock-tail which, in the middle 1800s, referred to a woman of easy virtue who was considered desirable but impure. The word was imported by expatriate Englishmen and applied derogatorily to the newly acquired American habit of bastardizing good British Gin with foreign matter, including ice. The disappearance of the hyphen coincided with the general acceptance of the word and its re-exportation back to England in its present meaning.” Of course, this can’t be true since the word was applied to a drink before the middle 1800s, but it’s entertaining nonetheless, and the definition of “desirable but impure” fits cocktails to a tee. A delightful story, published in 1936 in the Bartender, a British publication, details how English sailors of “many years ago” were served mixed drinks in a Mexican tavern. The drinks were stirred with “the fine, slender and smooth root of a plant which owing to its shape was called Cola de Gallo, which in English means ‘Cock’s tail.’ ” The story goes on to say that the sailors made the name popular in England, and from there the word made its way to America. Another Mexican tale about the etymology of cocktail—again, dated “many years ago”—concerns Xoc-tl (transliterated as Xochitl and Coctel in different accounts), the daughter of a Mexican king, who served drinks to visiting American officers. The Americans honored her by calling the drinks cocktails—the closest they could come to pronouncing her name. And one more south-of-the-border explanation for the word can be found in Made in America, by Bill Bryson, who explains that in the Krio language, spoken in Sierra Leone, a scorpion is called a kaktel. Could it be that the sting in the cocktail is related to the sting in the scorpion’s tail? It’s doubtful at best. One of the most popular tales told about the first drinks known as cocktails concerns a tavernkeeper by the name of Betsy Flanagan, who in 1779 served French soldiers drinks garnished with feathers she had plucked from a neighbor’s roosters. The soldiers toasted her by shouting, “Vive le cocktail!” William Grimes, however, points out in his book Straight Up or On the Rocks: A Cultural History of American Drink that Flanagan was a fictional character who appeared in The Spy, by James Fenimore Cooper. He also notes that the book “relied on oral testimony of Revolutionary War veterans,” so although it’s possible that the tale has some merit, it’s a very unsatisfactory explanation. A fairly plausible narrative on this subject can be found in Famous New Orleans Drinks & How to Mix ’em, by Stanley Clisby Arthur, first published in 1937. Arthur tells the story of Antoine Amedie Peychaud, a French refugee from San Domingo who settled in New Orleans in 1793. Peychaud was an apothecary who opened his own business, where, among other things, he made his own bitters, Peychaud’s, a concoction still available today. He created a stomach remedy by mixing his bitters with brandy in an eggcup—a vessel known to him in his native tongue as a coquetier. Presumably not all Peychaud’s customers spoke French, and it’s quite possible that the word, pronounced coh-KET-yay, could have been corrupted into cocktail. However, according to the Sazerac Company, the present-day producers of Peychaud’s bitters, the apothecary didn’t open until 1838, so there’s yet another explanation that doesn’t work.

He straightened up, brushed himself down with his hat, and looked at her again. She still paid him no attention. Was there something wrong with her? Perhaps she was ill. Women, generally, did not ignore James Hartley. With one hand to his mouth, he cleared his throat loudly. Still nothing. Perfect, because the last thing he wanted was to entertain a strange woman and cheer her out of a bad mood or tears or a headache. He’d tolerated enough sobbing females exclaiming over the great love they had for some other man, while smearing their tears, their confessions, and their runny noses all over his shoulder. Lately, for some reason, James had gone from being the problem itself to being the one with whom they shared their problems. Then, once they’d had reassurance from him, they ran off with another fellow. When James recently complained to Grieves about becoming a combination confessional and advising father to these young women, the valet had remarked, “This is what happens, sir, to aging rakes. Women begin to view them as harmless and one of their own.” It was a thought so distressing he didn’t leave his house for two days.

As he had predicted, he loved Catherine like a madman. And as she had once claimed, she was entirely able to manage him. They were different in so many ways, and yet somehow it made them exactly right for each other. The result had been a remarkably harmonious marriage. They entertained each other with furious, funny bickering and long, thoughtful conversations. When they were alone, they often spoke in a kind of shorthand that no one else would have been able to interpret. They were a physical pair, passionate and affectionate. Playful. But the real surprise of the marriage was the kindness they showed each other... they, who had once fought so bitterly. Leo had never expected that the woman who had formerly brought out the worst in him would now bring out the best in him. And he had never dreamed that his love for her would deepen to such proportions that there was no hope of controlling or restraining it. In the face of a love this vast, a man could only surrender.

Then he spotted her. She was sitting in a wicker chair with a lacy parasol over her head, wearing a dark crimson dress and matching hat that brought out the auburn highlights in her hair. She was listening to her companion, Lady Radley, who was gesturing expressively with her hands as she spoke. Evelyn glanced in Martin's direction, and their eyes met. She leaned forward slightly and smiled at him. I was not a broad smile, but it was clever and knowing and faintly teasing, as if she found the obvious spectacle of giddy young girls both entertaining and ridiculous. For a split second, he was immobilized with both relief and adoration. She was not the same woman she had been the other day when he'd first met her on the lawn with Breckenridge and the Radleys. She had been aloof and almost contemptuous that day, but this afternoon she was meeting his gaze directly and nodding with an open, mischievous countenance. She was practically glowing, outshining every other woman in view. All at once, he felt a stirring of emotion from deep inside himself, as if he were looking at a flower that had just opened to the sun.