Enter The Dragon Quotes

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Life and death, they're equal to this cosmos. We enter the material world and we go away again, reincarnated into something better.
R.F. Kuang (The Dragon Republic (The Poppy War, #2))
Fearghus entered what he now considered her chamber, but immediately ducked the book flung at his head. Clearly she’d been waiting for him. And she was not happy. “He’s the one supposed to be helping me,” she roared at him. “Did you just throw a book at me? In my own den?” “Yes. And I’d throw it again!” Fearghus scratched his head in confusion. He’d never met a human brave enough—or stupid enough, depending on your point of view—to challenge him. “But,” he croaked out, amazed, “I’m a dragon.” “And I have tits. It means nothing to me!
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
Enter my lair, said the dragon. I have shiny treasure for you to play with, I’ll keep you warm and safe, and if it suits my purpose, I’ll chain you to the floor and kill your client by throwing quarters at him with my magic. Been there, done that.
Ilona Andrews (White Hot (Hidden Legacy, #2))
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
China Miéville
The tinkle of wind chimes announcing the return of our fairy guests made us both look up. Our chance to be alone was going to be shorter than either of us had hoped. I sighed and brushed an errant dragon scale from Eadric’s tunic. “Someday when we have lots of time, remind me to tell you what you mean to me.” Eadric tilted my head back so he could gaze into my eyes. “I can tell you what you mean to me with just one word.” Let me guess,” I said, smiling up at him. “Maybe I make you happy because you no longer have to enter kissing contests to find the best kisser? Do I bring excitement into your life because I can wisk you away to exotic lands on my magic carpet? Or do you find me delightful because I can conjure food whenever you’re hungry?” No, that’s not. . . Wait, what was that last one?” I laughed and shook my head. “Never mind. So tell me in one word, what do I mean to you?” That’s easy,” said Eadric. “Everything!
E.D. Baker (No Place for Magic (The Tales of the Frog Princess, #4))
You are not entering this world in the usual manner, for you are setting forth to be a Dungeon Master. Certainly there are stout fighters, mighty magic-users, wily thieves, and courageous clerics who will make their mark in the magical lands of D&D adventure. You however, are above even the greatest of these, for as DM you are to become the Shaper of the Cosmos. It is you who will give form and content to the all the universe. You will breathe life into the stillness, giving meaning and purpose to all the actions which are to follow.
E. Gary Gygax
Do not enter with defeat in your heart for that is the first victory of evil.
Margaret Weis (Dragons of Winter Night (Dragonlance: Chronicles, #2))
I would fight dragons, I would walk over flaming coals, I would enter the Valley of the Dead, if I thought I might have a chance of your heart.
Julian Fellowes (Belgravia)
Her hand gripped his, and even amid the fear and danger he marveled at the feeling that came with the contact. If we die holding hands in this way, will we enter the next dream together?
Jack Campbell (The Dragons of Dorcastle (The Pillars of Reality, #1))
The zazen I speak of is not learning meditation. It is simply the Dharma gate of repose and bliss, the practice-realization of totally culminated enlightenment. It is the manifestation of ultimate reality. Traps and snares can never reach it. Once its heart is grasped, you are like the dragon when he gains the water, like the tiger when she enters the mountain. For you must know that just there (in zazen) the right Dharma is manifesting itself and that, from the first, dullness and distraction are struck aside.
Dōgen
I invite you to enter the world of my Dragon Kin—where the dragons are much saner than the humans surrounding them could ever hope to be. —G.A. Aiken
G.A. Aiken (What a Dragon Should Know (Dragon Kin, #3))
He shuffled up to the stake and examined the impaled, naked, dead man. The stake entered his anus and protruded through his gaping mouth, his death mask frozen in a look of horror.
Anthony Hulse (Scent of the Dragon)
Enter my lair, said the dragon. I have shiny treasure for you to play with, I’ll keep you warm and safe, and if it suits my purpose, I’ll chain you to the floor and kill your client by throwing quarters at him with my magic. Been there, done that. “I
Ilona Andrews (White Hot (Hidden Legacy, #2))
I wish I'd been accepted sooner and better. When I was younger, not being accepted made me enraged, but now, I am not inclined to dismantle my history. If you banish the dragons, you banish the heroes--and we become attached to the heroic strain in our personal history. We choose our own lives. It is not simply that we decide on the behaviors that construct our experience; when given our druthers, we elect to be ourselves. Most of us would like to be more successful or more beautiful or wealthier, and most people endure episodes of low self-esteem or even self-hatred. We despair a hundred times a day. But we retain the startling evolutionary imperative for the fact of ourselves, and with that splinter of grandiosity we redeem our flaws. These parents have, by and large, chosen to love their children, and many of them have chosen to value their own lives, even though they carry what much of the world considers an intolerable burden. Children with horizontal identities alter your self painfully; they also illuminate it. They are receptacles for rage and joy-even for salvation. When we love them, we achieve above all else the rapture of privileging what exists over what we have merely imagined. A follower of the Dalai Lama who had been imprisoned by the Chinese for decades was asked if he had ever been afraid in jail, and he said his fear was that he would lose compassion for his captors. Parents often think that they've captured something small and vulnerable, but the parents I've profiled here have been captured, locked up with their children's madness or genius or deformity, and the quest is never to lose compassion. A Buddhist scholar once explained to me that most Westerners mistakenly think that nirvana is what you arrive at when your suffering is over and only an eternity of happiness stretches ahead. But such bliss would always be shadowed by the sorrow of the past and would therefore be imperfect. Nirvana occurs when you not only look forward to rapture, but also gaze back into the times of anguish and find in them the seeds of your joy. You may not have felt that happiness at the time, but in retrospect it is incontrovertible. For some parents of children with horizontal identities, acceptance reaches its apogee when parents conclude that while they supposed that they were pinioned by a great and catastrophic loss of hope, they were in fact falling in love with someone they didn't yet know enough to want. As such parents look back, they see how every stage of loving their child has enriched them in ways they never would have conceived, ways that ar incalculably precious. Rumi said that light enters you at the bandaged place. This book's conundrum is that most of the families described here have ended up grateful for experiences they would have done anything to avoid.
Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
Now there was nothing but awful, terrible silence. Sight is a sense outside and apart from the body, an image on the surface of the eye. But sound enters the ears, the head, it lives inside. In sound's absence, silence echoes.
Margaret Weis (Dragon Wing (The Death Gate Cycle, #1))
I'm going to photograph every single person to enter and leave this tattoo parlour." Finbar rolled his eyes. "And they'll hate that, because people who get dragons drawn on their backs are normally so shy about other people noticing them.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
You should know a weapon doesn't make the man.
Akira Toriyama (Dragon Ball Z, Vol. 12: Enter Trunks (Dragon Ball, #28))
If there was magic in this world, it happened within sight of the three bases and home plate. All the gems in my world that decorated the walls and floors of dragons' lairs, the sword hilts of privileged princes, and crowns worn by emperors and kings, were nothing compared to the beauty and splendor of the diamond in Wrigley Stadium. It wasn't just a yard with dirt, chalk lines, bases, and a small hill in its center. Wrigley was a field of dreams. Dreams of eternal glory for the men who ran to the outfield, who took their respective bases, and prepared for battle against those who would dare enter their hallowed realm. Dreams for the kids in the stands, all wanting to don a uniform, kiss their moms goodbye, and wield their bats as enchanted weapons destined to knock the cover off the ball. And for the adults who had already selected their lot in life, Wrigley made the dreams of past innocence, lost wonder, and the promise that there was something inherently good still left in the world, come true. Yeah, corny as hell. But all true.
Tee Morris (The Case of the Pitcher's Pendant: A Billibub Baddings Myster)
Black holes are the seductive dragons of the universe, outwardly quiescent yet violent at the heart, uncanny, hostile, primeval, emitting a negative radiance that draws all toward them, gobbling up all who come too close. Once having entered the tumultuous orbit of a black hole, nothing can break away from its passionate but fatal embrace. Though cons of teasing play may be granted the doomed, ultimately play turns to prey and all are sucked haplessly―brilliantly aglow, true, but oh so briefly so―into the fire-breathing maw of oblivion. Black holes, which have no memory, are said to contain the earliest memories of the universe, and the most recent, too, while at the same time obliterating all memory by obliterating all its embodiments. Such paradoxes characterize these strange galactic monsters, for whom creation is destruction, death life, chaos order. And darkness illumination: for, as dragons are also called worms, so black hole are known as wormholes, offering a mystical and intimate pathway to the farthest reaches of the cosmos, thus bring light as they consume it.
Robert Coover (A Child Again)
Wide gape the gates of yellowed bone. A tongue of plank is our path between the teeth as we walk toward the gullet. Here I will be devoured. This is a true thing, near unavoidable on any path. I must enter those jaws.
Robin Hobb (Fool's Quest (The Fitz and The Fool, #2))
I believe in magic. Writing is my magic wand, and through my magic I create my own secret world, away from all these worries and responsibilities. Love, honesty and humanity is essential to enter this beautiful world of magic. I dwell among White magical peacocks, glowing unicorns, fire breathing turquoise dragons, talking trees, flying horses, talking wise jackals and wolves, crystal water falls, secret pathways hidden in urban gardens and books with doorways to secret worlds. You need to believe in magic to experience it.
Ama H. Vanniarachchy
To enter a room is to move from one environment to another and that, for the teenager, can be traumatic. There be dragons, daily horrors from acne to zit.
Frank McCourt (Teacher Man (Frank McCourt, #3))
The hero tales, the epic myths, the tales of quests and dragons, knights and journeys can enter the pain and confusion of a child’s mind with a healing clarity.
Sarah Clarkson (Caught Up in a Story: Fostering a Storyformed Life of Great Books & Imagination with Your Children)
I relied on him to find answers I couldn’t, to blaze a path when I found myself lost. David saw things no one else did. He saw through the world to the mysteries on the other side. I know that he’s gone on to solve those mysteries.” A faint smile touched Nikolai’s lips. “I can see him in some great library, already lost in his work, head bent to some new problem, making the unknown known. When I enter the laboratory, when I wake in the night with a new idea, I will miss him…” His voice broke. “I miss him now. May the Saints receive him on a brighter shore.” “May the Saints receive him,” the crowd murmured. But David hadn’t believed in Saints. He’d believed in the Small Science. He’d believed in a world ordered by facts and logic. What do you believe? Zoya didn’t know. She believed in Ravka, in her king, in the chance that she could be a part of something better than herself. But maybe she didn’t deserve that. All eyes had turned to Genya now. She was David’s wife, his friend, his compatriot. She was expected to speak. Genya stood straighter, lifted her chin. “I loved him,” she said, her body still trembling as if it had been torn apart and hastily stitched back together. “I loved him and he loved me. When I was … when no one could reach me … he saw me. He…” Genya turned her head to Zoya’s shoulder and sobbed. “I loved him and he loved me.” Was there any greater gift than that? Any more unlikely discovery in this world? “I know,” said Zoya. “He loved you more than anything.” The dragon’s eye had opened and Zoya felt that love, the enormity of what Genya had lost. It was too much to endure knowing she could do nothing to erase that pain
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
It is difficult to associate these horrors with the proud civilizations that created them: Sparta, Rome, The Knights of Europe, the Samurai... They worshipped strength, because it is strength that makes all other values possible. Nothing survives without it. Who knows what delicate wonders have died out of the world, for want of the strength to survive.
Han from Enter the Dragon
Dragons and all other creatures that serve the Devil only seem big as long as we harbor fear within ourselves. But if a person seeks God with such earnestness and desire that he enters into His power, then the power of the Devil at once suffers such a great defeat that his instruments become small and impotent. Dragons and evil spirits shrink until they are no bigger than goblins and cats and crows.
Sigrid Undset (Kristin Lavransdatter)
The Four are here. They just requested permission to enter the perimeter. I need to spell Jessa now.” I let out a large sigh. “Those assholes could not wait until after breakfast, seriously.” My parents’ horror-filled eyes locked on me. “What? A girl’s got to eat. It’s just rude.
Jaymin Eve (Dragon Marked (Supernatural Prison, #1))
Amazement could go no further. If Phryne had ridden in on a unicorn he would merely have remarked on its elegant hocks and golden horn and suggested that she enter it weight for age at Felmington. Well, no, not a unicorn. Not Phryne. A dragon, perhaps. He was sure that she could tame a dragon.
Kerry Greenwood (Murder and Mendelssohn (Phryne Fisher, #20))
Besides the Hawk's own men, the men of the Wolf and the Dragon kept watch as well. Night and day,hour to hour, never eased for a oment,three warlord husbands kept guard over their beloved wives.Out beyond the harbor, boats patrolled. In the hills beyond Hawkforte, sentries stood their posts. No one entered the town without being indentified. No one came near the stronghold without being approved. At this rate,they would never catch Wolscroft.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Even through his terror, Hiccup was blown away with excitement at seeing so many books in one place at one time. He had scribbled away in notebooks himself, of course, but because books were banned by order of The Thing, the only proper book he had ever really held was that copy of 'How to Train Your Dragon', which Toothless had incinerated. And he hadn't been very impressed by that particular book. Not enough words, in his opinion. But here, it was like entering a cave full of treasure. "WOW," breathed Hiccup, "if you stayed here long enough you really could find the answer to everything...
Cressida Cowell (A Hero's Guide to Deadly Dragons (How to Train Your Dragon, #6))
He rose up over her, intending to enter he when she suddenly sat up and shoved at his shoulders. He fell onto his back with a grunt. Shara was on all fours, her hair tousled, as she crawled toward him. In all his millennia of life, he had never seen anything so sexy. His cock twitched, and her gaze lowered to his engorged arousal.
Donna Grant (Burning Desire (Dark Kings, #3))
January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.
Anne Sexton
one of the true tests to tell if a man’s been raised right and is a gentleman is whether he stands when a lady enters the room—or
Lisa Shearin (The Dragon Conspiracy (SPI Files, #2))
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
My cell buzzed midstorm with a text from Soul that said, We are here. See lights in house. No answer at door. NO DOOR. Please advise. Are wet. I chuckled and texted back, Side gate. Enter through window. To the guys, I said, “Soul’s back and she must be human because she can text. And she’s not alone, and she’s wet. Oh. And she noted that we have no front door.” “She’s clearly got mad powers of observation even when she’s a dragon,” Alex said.
Faith Hunter (Broken Soul (Jane Yellowrock, #8))
Six of the young cupbearers were playing some child’s game as he entered, sitting in a circle on the floor as they took turns spinning a dagger. When it wobbled to a stop they cut a lock of hair off whichever of them the blade was pointing at.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
A chill penetrating wail of outrage screamed up from the depts of the Abyss. So loud and horrifying was it that all the citizens of Palanthas woke shruddering from even the deepest sleep and lay in their beds, paralyzed by fear, waiting for the end of the world. The guards on the the city walls could move neither hand nor foot. Shutting their eyes, they cowered in shadows, awaiting death. Babies wimpered in fear, dogs cringed and slunk beneath beds, cat's eyes gleamed. The shriek sounded again, and a pale hand reached out from the Tower gates. A ghastly face, twisted in fury, floated in the dank air. Raistlin did not move. The hand drew near, the face promised him tortures of the Abyss, where he would be dragged for his great folly in daring the curse of the Tower. The skeletal hand touched Raistlin's heart. Then, trembling, it halted. 'Know this,' said Raistlin calmly, looking up at the Tower, pitching his voice so that it could be heard by those within. 'I am the master of the past and the present! My coming was foretold. For me, the gates will open.' The skeletal hand shrank back and, with a slow sweeping motion of invitation, parted the darkness. The gates swung open upon silent hinges. Raistlin passed through them without a glance at the hand or the pale visage that was lowered in reverence. As he entered, all the black and shapeless, dark and shadowy things dwelling within the Tower bowed in homage. Then Raistlin stopped and looked around him. 'I am home,' he said.
Margaret Weis (Dragons of Spring Dawning (Dragonlance: Chronicles, #3))
Turning toward our pain is about bringing into our heart all that we have rejected in ourselves, all that we have ostracized, disowned, neglected, bypassed, shunned, excommunicated, or otherwise deemed as unworthy in ourselves. Our heart somehow has room for it all.
Robert Augustus Masters (Meeting the Dragon: Ending Our Suffering By Entering Our Pain)
As it recurred again and again, it set me thinking of what my architect's books say about the custom in early times to consecrate the choir as soon as it was built, and that the nave, being finished sometimes half a century later, often did not get any blessing at all: I wondered idly if that had been the case at St. Barnabe, and whether something not usually supposed to be at home in a Christian church, might have entered undetected, and taken possession of the west gallery. I had read of such things happening too, but not in works on architecture. ("In The Court Of The Dragon")
Robert W. Chambers (The King in Yellow and Other Horror Stories)
Many of us draw lines which we intend never to cross. But life tests our resolve, mercilessly at times, and a foot budges, nudged past that thinly-drawn line. So we draw another, resolving never to cross this one. Days grow dark and fog creeps in to blind our view, clouding the reason for the line’s existence from our minds. We draw another mark, ashamed that the last was crossed with less coaxing than we imagined it would require. Shadows and doubts give further need to draw a new line, and then another and another. Lines, I think, are too slim and obscure to be dependable deterrents for behavior. Too often, too easily, people stumble into places they later regret entering. What, then, keeps some individuals from crossing those narrow lines? It is the power of values. For if a person possessing values were to step one foot outside their line, they would be forced to release hands with those inflexible values and consciously abandon them. But their values are persuasive, keeping a tight grip, warding off the luring temptations beckoning one to test the line. Thus values maintained keep a person safely away from areas they dare not travel, steering a life between the lines, enhancing willpower and shaping mighty strength of character.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
I have yet to see the sauna," Rycca said. She was a damn distracting woman. He could scarcely remember what he'd been thinking about a few moments before, except that it had been ridiculous. "You can't actually see much in there," he said absently, studying how the rays of sun played in her hair. "It's dark." "Really? I guess we'll just have to go by touch then." Anticipation rippled through him and with it his merry fellow surged happily. Dragon sighed. A day begun hurtling over a horse's head might as well include a little relaxation. "Is it very hot?" Rycca asked as she ducked her head to enter the low stone building cut into the side of the hill. Vividly aware that the deep bruising he had felt only a short time before was eclipsed by far more urgent sensations, Dragon smiled. "Extremely." She looked at him over her shoulder. "I won't get burned,will I?" "Quite probably," he said and came up close behind her,urging her into the chamber.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
It was there she had conceived the extraordinary notion of learing to read,for so long her proudest accomplishment. But no longer. Now it had to give way before her pride in being the wife of the Dragon. They entered Winchester on horseback and rode along the broad, straight avenue that led to the palace. People pressed in all around the, staring at the stern-faced warriors rank on rank behind the mighty lords whose names ran like quicksilver through the crowds.The Hawk was known in Winchester and his banner drew cheers, but Viking warlords in the king's city were something new. Heavy silence descended in the wake of the jarls of Sciringesheal and Landsende.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true.
Matthew Gregory Lewis (The Monk)
He rose up over her, intending to enter her when she suddenly sat up and shoved at his shoulders. He fell onto his back with a grunt. Shara was on all fours, her hair tousled, as she crawled toward him. In all his millennia of life, he had never seen anything so sexy. His cock twitched, and her gaze lowered to his engorged arousal.” ― Donna Grant, Burning Desire
Donna Grant (Burning Desire (Dark Kings, #3))
Florence lives alone in the great dreary house, and day succeeded day, and still she lived alone; and the blank walls looked down upon her with a vacant stare, as if they had a Gorgon-like mind to stare her youth and beauty into stone. No magic dwelling-place in magic story, shut up in the heart of a thick wood, was ever more solitary and deserted to the fancy, than was her father's mansion in its grim reality, as it stood lowering on the street: always by night, when lightd were shining from neighbouring windows, a blot upon its scanty brightness; always by day, a frown upon its never-smiling face. There were not two dragon sentries keeping ward before the gate of this above, as in magic legend are usually found on duty over the wronged innocence imprisoned; but besides a glowering visage, with its thin lips parted wickedly, that surveyed all comers from above the archway of the door, there was a monstrous fantasy of rusty iron, curling and twisting like a petrification of an arbour over threshold, budding in spikes and corkscrew points, and bearing, one on either side, two ominous extinguishers, that seemed to say, 'Who enter here, leave light behind!
Charles Dickens (Dombey and Son)
Libraries are medieval forests masking opportunity and danger; every aisle is a path, every catalog reference a clue to the location of the Holy Grail. It is here that I become privy to the sacred songs of kings and the ballads of rogues. Here are tales of life-and-death struggles of other wayfarers as they battle personal dragons and woo fair maidens. Walking down this hallway, I am a knight entering the forest in search of the truth...
Jack Cavanaugh (A Hideous Beauty (Kingdom Wars Series #1))
Certain of the engineers now entered what West called “the first off-the-wall period.” A few quit. Others went on vacation immediately. Still others spent the next couple of weeks playing a game called Adventure, in which you travel by computer into an underground world, wandering through strange, awful labyrinths, searching for treasure that’s guarded and sometimes snatched away by dragons, dwarfs, trolls and a rapacious pirate who mutters: “Har. Har.
Tracy Kidder (The Soul of a New Machine)
Brastias, general of the Dark Plains rebellion and Annwyl’s second in command, leaned back into the hard wood chair and rubbed his tired eyes. She must be dead. She had to be dead. Annwyl would never disappear this long without word sent. He’d already sent trackers out to find her, but they came back empty-handed, losing her trail somewhere near Dark Glen, a haunted place most men dare not enter. Of course, Annwyl was not most men. She often dared where others fled. She remained the bravest warrior Brastias knew and he’d met many men over the years who he considered brave. But Annwyl could be foolhardy and her anger . . . formidable. And yet every day for two years Brastias thanked the gods for his good fortune. On a whim they had attacked a heavily armed caravan coming from Garbhán Isle. Its cargo had been Annwyl. Dressed in white bridal clothes and chained to the horse she rode, her destiny to be the unwilling bride for some noble in Madron. And based on how heavily armed her procession was, dangerously unhappy about it as well. Once the attack began, one of his men released Annwyl and told her to escape. She didn’t. Instead she took up a sword and fought. Fought, in fact, like a demon sent from the gods of hate and revenge. Her rage a mighty sight to behold. By the time the girl finished, she stood among the headless remains of those she killed. Her white gown completely covered in blood. On that day the men had given her the name Annwyl the Bloody and, as much as she hated it, the name stuck.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
She had three days to ponder what that truth might be.Three days during which Dragon scarcely let her out of his sight. He went so far as to try to accompany her to the queen's solar, only to be shooed away by Ealhswith even as she smiled and took pains to reassure him. "I promise you, my lord,the Lady Rycca will be as safe here as a babe in arms. Believe me, the quarters of the queen are not entered into by miscreants." "That is all well and fine, majesty, but-" "Should you not be aware,my lord, we had an incident here last year when the Lady Krysta was taken from Winchester by stealth. Since then, my lord husband has spared no effort to assure nothing of the sort can ever happen again." She gestured toward the grim-faced guards on watch in the corridor. "You will find the same beneath my windows, Lord of Landsende,and even above us on the roof. Not even an errant bird can enter here." Even as she spoke, through the open door where she stood Dragon saw a raven alight on the sill of one of the solar's windows. Rather oddly, he thought, Krysta walked over and began talking to it. "There are four new books in the scriptorium, my lord," the queen said, unaware of what was going on behind her, "and a young priest-a friend of Father Desmond, who is now at Hawkforte-who is responsible for one of them. By the way,he has a yen to travel." That said,she shut the door not quite in his face but as close to it as that gently lady could ever come. Dragon hesitated. He eyed the guards,who eyed him back,reminded himself that he was in the house of the king,and finally decided to go look at the new books. While he was at it,he just might have a word with the priest.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Zed pursed his lips and grabbed a nearby book. He placed Jillian’s hand on it and raised his hand. “Jillian Ramsay, I hereby deputize you as a law enforcement official in the Mystic Parish. Do you swear to follow Sheriff Bael Boone’s orders and uphold the law to the best of your ability?” “This is a copy of The Da Vinci Code,” she noted. “Do you swear?” “Define ‘follow orders,’ because I don’t want to accidentally enter into some sort of sex contract with Bael.” She jerked her thumb toward the sheriff, who bobbled the measuring tape he was holding and dropped it on Ted’s chest. Zed frowned. “You OK, buddy?
Molly Harper (How to Date Your Dragon (Mystic Bayou, #1))
Wings. Ryker had fucking wings. Big leathery wings like a bat but with a deep gray-green coloring. I fell backwards onto the floor of the loft, my ass hitting the wood but my eyes staying locked on Ryker. A comment from my second day here surfaced. Something about not wearing shirts because they got in the way. No fucking wonder they got in the way if he could pop out a pair of wings. The thin membrane that stretched to allow light through it was a lighter, paler gray than the rest, snagging on whatever breeze the morning brought with it and tempting Ryker to open them up wider to catch the wind. They were big enough to that he'd have to duck down quite a bit to even attempt entering the doorway of the cabin, even if he had them tucked in tight to his back.
Sabrina Blackburry (Dirty Lying Dragons (The Enchanted Fates, #2))
Chapter One: The Dawn and the Dread Heartbeat, heartbeat comes from Valhallan way, To meet down in judgment, to ply its trade. Two →swords← to join in worthy cross, Actions to be rendered, one to be lost. She did come now from ’yond northern slope, A day of reckoning did she again once hope. A devout meeting was her qwesterly bane, To stay her hand was to go insane. St. Kari of the Blade to meet her past, A wicked enemy, peerless of match. Rode Kari she her charger on down, Past the Dead Land where Gaul sat crowned. A killing job, yea, she desired to lastly kill, To set things right so her heart might lie still. Upon the mist and roaring plain, She entered in, a soul uncontained. A fierce wind in deed, and forever freed, Enemies she annihilhates (’tis hur’ creed). Her own advanced guard of a sort, Multitudes to follow in her report. Know this Valkyrie from on cold, An ancient maiden soft and bold. A warrior spirit from Ages past, A fragmented mind like broken glass. Solid in stature this eternal framed being, Yet crippled within from internaled bleedings. A sword saint so refined in the poetic art, A noble character yet with a banshee’s heart. Rhythmed horse now to the beats, Kari emboldened amid the sleet. Beyond the mountain she does come, Unto southern fields wherein rules hot sun. Far from that murderous Deadlands ground, The land up swells; the dead still abound. Traverses she those bygones of leprous civilizations Those cities crumbled by the exhalted of oblivions. Stark traces etched now bare in the land, That are no more again, save dust in the hand. A cool stream now in desert sans (Does more good when one is damned). Stopped she her mount to admire the flow, A lovely stream with skeletons packed below. Blue air whisps; dragon flied motion. Flintsteel striking!!! Sparked of commotion. Cold water chortles rushtish with tint, Told of past carnage, it whetted her glint. Fallen warriors, they are no more, Swirls and eddies mark their discord. Gurgled shouts slung and gathered, Faces glazed while steel lathered. Refreshing though it was to her mouth, She smelled an air; she flared about. Came up that ridge of loud, sanded hill, Below a man and his half-score of kills. Kari’s eyes waxed in smug contempt, Possibilities ran deep with no repent . . . On Kari, Valkyrie, Cold Steel Eternity Vol. II
Douglas M. Laurent
The woman [Cadsuane] looked at the battered tea things as if she had all the time in the world. “Now you know,” she said at last, calm as ever, “that I know your future, and your present. The Light’s mercy fades to nothing for a man who can channel. Some see that and believe the Light denies those men. I do not. Have you begun to hear voices, yet?” “What do you mean?” he asked slowly. He could feel Lews Therin listening. [...] “Some men who can channel begin to hear voices.” She spoke almost absently, frowning at the flattened sphere of silver and gold. “It is a part of the madness. Voices conversing with them, telling them what to do.” The teapot drifted gently to the floor by her feet. “Have you heard any?” [...] “I will ask the questions,” Rand said firmly. “You seem to forget. I am the Dragon Reborn.” You are real, aren’t you? he wondered. There was no answer. Lews Therin? Sometimes the man did not answer, but Aes Sedai always drew him. Lews Therin? He was not mad; the voice was real, not imagination. Not madness. A sudden desire to laugh did not help. Cadsuane sighed. “You are a young man who has little idea where he is going or why, or what lies ahead. You seem overwrought. Perhaps we can speak when you are more settled. Have you any objection to my taking Merana and Annoura away for a little while? I’ve seen neither in quite some time.” Rand gaped at her. She swooped in, insulted him, threatened him, casually announced she knew about the voice in his head, and with that she wanted to leave and talk with Merana and Annoura? Is she mad? Still no answer from Lews Therin. The man was real. He was! “Go away,” he said. “Go away, and...” He was not mad. “All of you, get out! Get out!” [...] Finally they were all gone, and he was alone. Alone. Convulsively he hurled the Dragon Scepter. The spear-point stuck quivering in the back of one the chairs, the tassels swaying. “I am not mad,” he said to the empty room. Lews Therin had told him things; he would never have escaped Galina’s chest without the dead man’s voice. But he had used the Power before he ever heard the voice; he had figured out how to call lightning and hurl fire and form a construct that had killed hundreds of Trollocs. But then, maybe that had been Lews Therin, like those memories of climbing trees in a plum orchard, and entering the Hall of the Servants, and a dozen more that crept up on him unawares. And maybe those memories were all fancies, mad dreams of a mad mind, just like the voice.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
The bonds of family can be wonderful but there is a time to know when to stand apart." She held out a hand to Rycca on the nearby bench. "Besides, we are your family now, all of us, and we know your worth." Deeply touched, Rycca had to blink several times before she could respond. She knew both women spoke pure truth and loved them for it.After a lifetime of emotional solitude unbroken but for Thurlow, it was still difficult for her to comprehend that she was no longer alone. Yet was she beginning to understand it. Softly,she said, "I worry over Dragon. He refuses to talk of my father or of what will happen now that we are here, but I fear he is planning to take matters into his own hands." Cymbra and Krysta exchanged a glance. Quietly,Cymbra said, "Your instinct is not wrong. Dragon simmers with rage at the harm attempted to you. In Landsende I caught a mere glimpse of it,and it was like peering into one of those mountains that belch fire." Despite the heat of the sauna, Rycca shivered. "He came close to losing his life once because of me.I cannot bear for it to happen again." There was silence for a moment,broken only by the crackling of the fire and the hiss of steam.Finally, Cymbra said, "We are each of us married to an extraordinary man. There is something about them...even now I don't really know how to explain it." She looked at Krysta. "Have you told Rycca about Thorgold and Raven?" Krysta shook her head. "There was no time before." She turned on her side on the bench,facing the other two. "Thorgold and Raven are my...friends. They are somewhat unusual." Cymbra laughed at that,prompting a chiding look from Krysta,who went on to say, "I'm not sure how but I think somehow I called them to me when I was a child and needed them very much." "Krysta has the gift of calling," Cymbra said, "as I do of feeling and you do of truthsaying. Doesn't it strike you as odd that three very unusual women, all bearing special gifts, ccame to be married to three extraordinary men who are united by a common purpose,to bring peace to their peoples?" "I had not really thought about it," said Rycca, who also had not known of Krysta's gift and was looking at her with some surprise. All three of them? That was odd. "I believe," said Cymbra, who clearly had been thinking about it, "that there is a reason for it beyond mere coincidence. I think we are meant to be at their sides, to help them as best we can, the better to transform peace from dream to reality." "It is a good thought," Krysta said. Rycca nodded. Very quietly, she said, "Blessed are the peacemakers." Cymbra grinned. "And poor things, we appear to be their blessings. So worry not for Dragon, Rycca. He will prevail. We will all see to it." They laughed then,the trio of them, ancient and feminine laughter hidden in a chamber held in the palm of the earth. The steam rose around them, half obscuringm half revealing them. In time,when the heat had become too intense,they rose, wrapped themselves in billowing cloths,and ran through the gathering darkness to the river, where they frolicked in cool water and laughed again beneath the stars. The torches had been lit by the time they returned to the stronghold high on the hill. They dressed and hastened to the hall,where they greeted their husbands, who stood as one when they entered,silent and watchful men before beauty and strength, and took their seats at table. Wine was poured, food brought,music played. They lingered over the evening,taking it into night. The moon was high when they found the sweet,languid sanctuary of their beds. Day came too swiftly.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Kendra rubbed her eyes. She had slept in her clothes. “Come in, then.” The door opened and Cody entered with a tray. “Scrambled eggs, sausage, bacon, toast, yogurt, and juice,” he announced, setting the tray on the desk. “You barge down the stairs, infuriate Torina, and end up with a first-rate breakfast. Maybe I should start acting a little less compliant!” “Don’t get too jealous. This may be my last meal.” Cody shrugged. “They’re expecting visitors. They told me to deliver this. I’m supposed to suggest that you be on your best behavior. So I’ve suggested it.” “You want some bacon or something?” He hesitated. “I couldn’t take your food.” “Have a strip. And some sausage, too. How am I supposed to eat all that?” “Personally, I’d use the toast to make a breakfast sandwich. If you’re willing to part with a strip and a link, I’ll call it my tip.” Cody placed some bacon and sausage on a napkin and exited the room. She heard the lock reengage. Kendra sat at the desk. Molten cheese glued chunks of ham to the fluffy eggs. The sausages glistened with grease but tasted good, and the bacon had a pleasant crunch. As she was sipping some juice, the door unlocked and Torina entered, wearing a flirtatious sundress and sandals. “He’s here,” she announced, girlishly flustered. “Did
Brandon Mull (Secrets of the Dragon Sanctuary (Fablehaven, #4))
To understand Bashō’s place in Japanese poetry, it’s useful to have some sense of the literary culture he entered. The practice of the fine arts had been central to Japanese life from at least the seventh century, and virtually all educated people painted, played musical instruments, and wrote poems. In 17th century Japan, linked-verse writing was as widespread and popular as card games or Scrabble in mid-20th-century America. A certain amount of rice wine was often involved, and so another useful comparison might be made to playing pool or darts at a local bar. The closest analogy, though, can be found in certain areas of online life today. As with Dungeons and Dragons a few years ago, or Worlds of War and Second Life today, linked verse brought its practitioners into an interactive community that was continually and rapidly evolving. Hovering somewhere between art-form and competition, renga writing provided both a party and a playing field in which intelligence, knowledge, and ingenuity might be put to the test. Add to this mix some of street rap’s boundary-pushing language, and, finally, the video images of You-Tube. Now imagine the possibility that a “high art” form of very brief films might emerge from You-Tube, primarily out of one extraordinarily talented young film-maker’s creations and influence. In the realm of 17th-century Japanese haiku, that person was Basho.
Jane Hirshfield (The Heart of Haiku)
According to folk belief that is reflected in the stories and poems, a being who is petrified man and he can revive. In fairy tales, the blind destructiveness of demonic beings can, through humanization psychological demons, transformed into affection and love of the water and freeing petrified beings. In the fairy tale " The Three Sisters " Mezei de-stone petrified people when the hero , which she liked it , obtain them free . In the second story , the hero finding fairy , be petrified to the knee , but since Fairy wish to marry him , she kissed him and freed . When entering a demonic time and space hero can be saved if it behaves in a manner that protects it from the effects of demonic forces . And the tales of fortune Council hero to not turn around and near the terrifying challenges that will find him in the demon area . These recommendations can be tracked ancient prohibited acts in magical behavior . In one short story Penina ( evil mother in law ) , an old man , with demonic qualities , sheds , first of two brothers and their sister who then asks them , iron Balot the place where it should be zero as chorus, which sings wood and green water . When the ball hits the ground resulting clamor and tumult of a thousand voices, but no one sees - the brothers turned , despite warnings that it should not , and was petrified . The old man has contradictory properties assistants and demons . Warning of an old man in a related one variant is more developed - the old man tells the hero to be the place where the ball falls to the reputation of stones and hear thousands of voices around him to cry Get him, go kill him, swang with his sword , stick go ! . The young man did not listen to warnings that reveals the danger : the body does not stones , during the site heroes - like you, and was petrified . The initiation rite in which the suffering of a binding part of the ritual of testing allows the understanding of the magical essence of the prohibition looking back . MAGICAL logic respectful direction of movement is particularly strong in relation to the conduct of the world of demons and the dead . From hero - boys are required to be deaf to the daunting threats of death and temporarily overcome evil by not allowing him to touch his terrible content . The temptation in the case of the two brothers shows failed , while the third attempt brothers usually releases the youngest brother or sister . In fairy tales elements of a rite of passage blended with elements of Remembrance lapot . Silence is one way of preventing the evil demon in a series of ritual acts , thoughts Penina Mezei . Violation of the prohibition of speech allows the communication of man with a demon , and abolishes protection from him . In fairy tales , this ritual obligations lost connection with specific rituals and turned into a motive of testing . The duration of the ban is extended in the spirit of poetic genre in years . Dvanadestorica brothers , to twelve for saving haunted girls , silent for almost seven years, but eleven does not take an oath and petrified ; twelfth brother died three times , defeat the dragon , throw an egg at a crystal mountain , and save the brothers ( Penina Mezei : 115 ) . Petrify in fairy tales is not necessarily caused by fear , or impatience uneducated hero . Self-sacrificing hero resolves accident of his friend's seemingly irrational moves, but he knows that he will be petrified if it is to warn them in advance , he avoids talking . As his friend persuaded him to explain his actions , he is petrified ( Penina Mezei : 129 ) . Petrified friends can save only the blood of a child , and his " borrower " Strikes sacrifice their own child and revives his rescuers . A child is a sacrificial object that provides its innocence and purity of the sacrificial gift of power that allows the return of the forces of life.
Penina Mezei (Penina Mezei West Bank Fairy Tales)
A sparkle entered Lucy’s eye. “Do you like squirrels?
Chris d'Lacey (The Fire Within (The Last Dragon Chronicles, #1))
The focus is on my ability, my creativity, and my potential. These become the pistons driving the engine of self (resulting, Jesus tells us, in the eternal loss of self). No place for weakness exists in this view of reality. More important, no place exists for God. We don’t reject God outright, but we retain the god of Deism, who once did some powerful things but is generally detached from our day-to-day lives. So instead of abiding, we pray for God to give us some of his power. Instead of growing into him who is our head (Eph. 4:15), we ask him to give us some magic (“Just make me stop sinning,” “Just make these temptations go away,” and so on). Instead of entering into the way of weakness, we try to use God to become something powerful.
Jamin Goggin (The Way of the Dragon or the Way of the Lamb: Searching for Jesus’ Path of Power in a Church that Has Abandoned It)
Jesse and Daisy were just entering the Deep Woods when Jesse noticed a stirring in the ferns growing near the base of the Douglas fir.
Kate Klimo (The Dragon in the Driveway (Dragon Keepers, #2))
Promise to watch the House. Dragon not dead, would die unsatisfied. Even in agony with burns, goes out to try his luck one more time and dies in second fight? Injuries how serious? He switched from his notes to the Internet browser, entered ‘burn injuries’ in the search engine and forty-five minutes later, had seen enough images to give him a very detailed idea of Jayden’s wounds. And earn himself a queasy stomach.
Krista Walsh (Evensong (Meratis Trilogy, #1))
Um," I point at his cape and gadgets. "You know you'll stand out, right?" He frowns at me. "You're none better," he says. I look down at my very medieval looking white gown and the two swords I carry. At least Yami is hidden as a dragon necklace. "You're right. I won't blend in either." He freezes. "Right, well, I'll just say it's Halloween." "But it's not." He raises an eyebrow.  "What do you mean?" "You can't just say it's Halloween. It has to be the actual day." "Really? Your human customs are so strange." He turns to the sink to wash his hands. I sigh. "Okay, we can say we're part of a fantasy game reenactment. Cosplay. That should give us a good cover." "Cosplay?" he says, holding the word in his mouth like a foreign thing he's afraid to taste. "Yeah, it's when humans dress up like characters from their favorite… " Ace's eyes are vacant and he looks bored. I sigh again. "Nevermind. Just let me do the talking if anyone questions our choice of clothing." He washes his hands, then gestures at the door. "After you." I lead, entering a place I once called a second home. Everything is familiar, everything makes me feel welcome. Jesus eyeing the naked sculptures. The Neon signs. The baby bottles filled with milk for customers' coffee. "Oh, Ari, sweetie. I didn't see you come in." Sheri runs up to me, wrapping me in a hug. "It's been so long. How have you been? And who's this dashing young man?" Ace raises his cape in front of his eyes. "It's Halloween." "No… no…" I shake my head and pull his cape down. "He's a friend. I'm just showing him the sights.
Karpov Kinrade (Moonlight Prince (Vampire Girl, #4))
Beginning thein Book 1 0. 1. In thee beginning, creation Godded the Heavens ere thee. 2. And thou wert without form and void, knowing neither darkness nor light, having no I by which to divine them. And the spilling of your Father moved amidst the waters that came to make you come. 3. And Dad said, Let there be my firmament in the midst of Her waters, and let it divide Her waters as a sword should its sheath. And 20,000 legions of sireofhim were thrust unto the breach by the bidding of their master. 4. And in the Heavens of their heads, in the limbic marchlands of their intimacy, angels roared and dragons sang, and hippogriffs commissurated across fields of blood-filled furrows. 5. ”.are parents our Myths“ 6. Not knowing that they do sow, they sing thee into being. 7. Blind light blazes - a lamp in an empty grave - an O-void shrine. Its name until you came was No, or Un, and there was naught else: no person, place, or thing. And yet - it was as though a thousand million tiny fingers beaconed you out of the dark. 8. Brightnest of paraspectral radiance, unrememeasurable, ununderstandable, that a snake-shaped You came swimming to. So many of you came, writhing, flagellating, so that this shrine became like a shining sun, and one - only one - was chosen to enter the Codesh of Codes. It brought creative agony, the pain of Somethingness, the sudden searing mystortury of Being, since when we have called it Limited. 9. But how could you not have helped but see the tiny hidden singing Unlimited Light, your Own Sopht Aura? Sire of sirens and sunrise and serapheim? 10. This is what you aur - a sarcophagus of secreted light! 11. Thistory is You.
Avalon Brantley (And the Whore is This Temple)
3Strengthen those who are discouraged.g Energize those who feel defeated.h 4Say to the anxious and fearful, “Be strong and never afraid. Look, here comes your God! He is breaking through to give you victory! He comes to avenge your enemies. With divine retribution he comes to save you!”i 5Then blind eyes will open and deaf ears will hear. 6Then the lame will leapj like playful deer and the tongue-tied will sing songs of triumph. Gushing water will spring up in the wilderness and streams will flow through the desert.k 7The burning sand will become a refreshing oasis, the parched ground bubbling springs, and the dragon’sl lair a meadow with grass, reeds, and papyrus. 8There will be a highway of holiness called the Sacred Way. The impure will not be permitted on this road, but it will be accessible to God’s people.m And not even fools will lose their way.n 9The liono will not be found there; no wild beast will travel on it— they will not be found there. But the redeemed will find a pathway on it. 10Yahweh’s ransomed ones will return with glee to Zion. They will enter with a song of rejoicing and be crowned with everlasting joy. Ecstatic joy will overwhelm them; weariness and grief will disappear!
Brian Simmons (The Book of Isaiah: The Vision (The Passion Translation (TPT)))
Coffee's in the cabinet over the sink. I won't take long." "Good. You want a cup?" "No, I'm good. I had some at the airport." They entered the apartment and Eleanor split off to go to her bedroom while Bosch found the kitchen and went to work on the coffee. He found a mug that said World's Best Mom on its side and used that. It had been hand-painted a long time before and the words had faded with each cycle the mug had gone through in the dishwasher.
Michael Connelly (Nine Dragons (Harry Bosch, #14; Harry Bosch Universe, #21))
Nevertheless, the Icelandic language remains a source of pride and identity. Famously, rather than adopt foreign terms for new technologies and concepts, various committees establish new Icelandic words to enter the lexicon: tölva (a mixture of “number” and “prophetess”) for computer, friðþjófur (“thief of peace”) for a pager, and skriðdreki (“crawling dragon”) for an armored tank.
Eliza Reid (Secrets of the Sprakkar: Iceland's Extraordinary Women and How They Are Changing the World)
Images of a pale dragon caged and raging, locked within a chamber among the roots of a great tree. A wolf upon a plain, a thick chain binding him, small figures swarming, stabbing, the wolf’s jaws wide as it howled. “Ulfrir, wolf-god,” Kráka breathed. “It’s the Guðfalla,” Biórr whispered. “The gods-fall.” So many images, Elvar struggled to take it all in: figures hanging from the boughs of trees, many of them, skeletal wings spiking from their backs. “The Gallows Wood,” Elvar said. She remembered that tale, of how the gods Orna and Ulfrir had found their firstborn daughter slain, her wings hacked from her back. Lik-Rifa had done it, the dragon, Orna’s sister. As vengeance Orna and Ulfrir had hunted Lik-Rifa’s god-touched offspring and slaughtered them. Ripped their backs open and hacked their ribs apart, pulling them out in a parody of wings and hanging the corpses from trees. The blood-eagle, it was now called. The first blood feud, Elvar thought. The images went on and on, telling the tale of the gods at war: Berser the bear, Orna the eagle, Hundur the hound, Rotta the rat, many, many more; and Snaka, father, maker, coiling about them all, glowing venom dripping from his fangs as he entered the blood-fray and consumed his children. “I thought all of the oath stones had been destroyed,” Sighvat said. “We are on the arse-end of the world,” Agnar said. “This one has survived.” He was still staring up at the huge slab, eyes following the glowing lines as they traced the images. “So, that is where your bloodline comes from,” Agnar said to Berak in his chains. He pointed to an image of a giant bear, jaws wide, spittle spraying. Berak said nothing, just glowered at the image. “They are the fathers and mothers of all us Tainted,” Kráka said. “Snaka loved his creations, when he was not feasting on them, and so did his children.” She stared at the serpent-coils that spiralled across the granite. “Why did they fight?” Sighvat muttered. “What started this war, led to the near-destruction of all?” “Jealousy and murder,” Uspa said. “Blood feud. Lik-Rifa the dragon thought her sister was plotting her death, and Rotta the rat fuelled her paranoia. She murdered Orna and Ulfrir’s daughter, created the vaesen in secret, would have used them to destroy Orna and all those who supported her. But Orna found out and lured Lik-Rifa into the caverns and chambers deep within the roots of Oskutreð, the great Ash Tree, and with her siblings bound Lik-Rifa there. That is what caused the war.
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
there is no test in getting what you want when you want it; the true test of character transpires in the waiting. Dwell on this in moments of despair.’ Mathu vanished an instant before the doctor and the constable entered the Abbey ruins, and I had an inkling that this was not the last I would see of my Fey brother.
Traci Harding (The Dragon Queens (Mystique Trilogy, #2))
We don’t want your stupid birth right,” Roxy muttered bitterly before trying to jerk her hand out of my grip. But she was going to have to try harder than that if she expected to break free of a Dragon's strength and I smirked at her before tugging her right back. She gasped as I knocked her off balance in her towering heels and in the next moment, her ass landed in my lap and the beast in me raised its head in contentment as I claimed the treasure I'd been aching for. Mine. Caleb met my gaze with an irritated scowl and I gave him a taunting grin as I wound an arm around her waist and repositioned her so that her ass was firmly seated on my crotch and her side pressed to my chest. I laughed as she gripped my thigh in an attempt to balance herself better and her back arched against me at the sound, giving me even more ideas I shouldn't have been indulging in over her. But that was damn hard with her round ass currently grinding against my cock and giving it plenty of encouragement. “Drink with us,” I insisted, moving my mouth to her ear and feeling her shiver as my stubble grazed her neck. I waved at the bartender through the glass window beside us and the girl who had assigned herself as our personal bartender for the night nodded to show she'd seen me. “I swear we won’t lay a finger on you unless you want us to," I added to Roxy in a low voice, letting my mouth graze against her ear for the briefest moment and loving the way I felt her body react to that despite her trying to hide it. “Well I didn’t want you to drag me into your lap but that didn’t seem to stop you,” she muttered, but she wasn't going anywhere and I wasn't holding her tight enough to force her to stay if she didn't want to. I laughed again and she glanced up at me from beneath dark lashes like she wasn't sure what to make of me when I wasn't scowling and working to intimidate her. I could feel Caleb's attention still on us and I suppressed a growl as he moved closer to us, reaching out to brush his fingers against her arm, despite the fact that I'd clearly beat him to claiming her tonight. Asshole. “I’ll even promise not to bite you tonight if you want?” he offered and I scowled at him while he flipped me off behind her back where no one else could see. I was going to punch him for that later. Roxy looked across the table to her sister, the two of them entering into some kind of silent twin communication and I took the opportunity to slip my Atlas from my pocket and shoot Lance a quick message. Darius: The Vegas just showed up here looking terrified and saying something was chasing them. They said they heard a rattle too. Lance: Stay with them. Keep them safe and I'll scout the area with Francesca. I wasn't going to complain about staying as close as I needed to to the girl currently perched on my ever more solid cock, so I slipped my Atlas back in my pocket and turned my attention back to the girls. “I guess we could stay for one drink,” Gwen said hesitantly as Max stroked her arm, his gifts pushing against all of us as he worked to make them feel amenable to the idea. I shifted Roxy on my lap before she got a really clear idea about how much I wanted her to stay from the feeling of my cock trying to punch a hole in the ass of her jeans and she released a shaky breath as my skin brushed against hers. “One drink then,” she agreed finally and I relaxed as I got what I wanted just as easily as that. The bartender appeared with a smile and a notepad ready to take our order and Seth perked up with a look in his eyes which promised he would be getting utterly shit faced tonight. “Better make it a big one then if you’ll only stay for one,” Seth said as he ordered for all of us. I leaned back in my chair, pulling Roxy closer so that I could steal a moment with her for myself and brushing her hair away from her ear so that I could speak to her alone.(Darius POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
My right hand was locked so tightly in a fist, it was starting to shake. My gaze was riveted to two people on the dancefloor, and it was taking every ounce of willpower I had to remain standing there in favour of destroying the man touching Darcy Vega. Seth Capella’s hands were roaming all over her as they danced like there was no one else here but them. They were staring at each other, exchanging flirtatious smiles and their mouths were getting all too close all too many times. Through the thump of the music and clamour of voices, it was difficult to focus on the words that passed between them, but I managed to catch a couple of sentences. “Fuck being enemies, I wanna be your friend tonight,” Seth purred in her ear, his fingers twisting into the blue ends of her hair and making me spit a snarl. Darcy laughed, clearly drunk as her fingers slid down his arm while his other hand dropped onto her ass, drawing her even closer and squeezing hard. No. “What kind of friends act like this?” she laughed again and he nuzzled the side of her head, a carnal look entering his eyes that made my canines sharpen. All rational thought was exiting my mind until I was nothing but an animal about to attack. I knew in that second I was going to do it. I was going to shoot over there, tear Seth Capella off of her and make him bleed for touching her like that. She was my gir- Source. “The best of friends,” he answered with a wolfish grin and I took a step forward, but suddenly Darius was there with a scowl the size of a Dragon’s tail, blocking my line of sight. “Well?” he demanded irritably like I’d just punched him in the cock. “Well what?” I sniped back and he frowned. “Oh right, yeah. We need to go hunting.” I gritted my teeth, crushing them to dust in my mouth as I forced my feet to move towards the exit, refusing to let myself look back. Darius walked stiffly at my side, seeming as pissed off as I did to be leaving and judging by how hard he’d been grinding himself against Tory Vega, I had to wonder if she was the reason. I glanced at my friend and caught him looking back. “What?” he snapped and I looked away again. “Nothing,” I grunted. “I’m just in the mood to kill something.” “Same. Let’s find the fucking Nymph and make it suffer.” His eyes turned to reptilian slits and a group of guys in our way scarpered aside as they saw us coming. I uncurled my still clenched right hand, my knuckles white as I flexed them and brought magic to my fingertips. Is she gonna go home with him? Is she gonna fuck him? She can’t. He’s a fucking Heir. The worst fucking Heir. The urge to go back was rising in me and I had to force my legs to keep moving away from that nightclub. There was a Nymph out here somewhere, that was my priority. Not whether or not Darcy Vega chose to fuck an Heir. My heart thumped a painful tune in my chest, continuing its plea with me to go back. To stop her from making the most stupid decision of her life. She was too good for that Wolf asshole. Too sweet. He didn’t deserve to get his hands on her flesh. I pictured her pinned beneath him and stopped dead in the street. (Orion POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
Who are you? Go back with the others until you are judged.” He met Hest’s stare eye to eye. Hest responded with wide-eyed shock. “But… but I’m Hest Finbok! I’ve come all this way to find my wife, Alise! I hired passage on the newest and swiftest ships I could find to come in search of her. When treachery by the captain let it fall to Chalcedean pirates, I thought all was lost. But here I am! Sweet Sa, your miracles never cease! I am here, and alive, and so is my darling wife! Alise, don’t you know me? Has your mind been turned by this harsh place? I am here now, and you need no other protector than your loving husband.” His words, she thought, danced all through the truth, never touching it. Reyn, startled, stayed as he was as Hest stepped around him. “No.” It was the only word she could manage. Her throat was dry, her heart pounding. She could not find breath to say more than that, but she clung to Leftrin’s arm as if it were her only lifeline in a wild sea storm. And he did not let go of her. He stood firm at her side. Leftrin spoke in a low growl. “The lady says no.” “Take your hands off my wife!” Hest ignored Reyn’s challenge of him as he stepped around the Elderling to glare menacingly at Leftrin. “She is obviously not right in her mind! Look how she stares! She does not recognize me, poor thing! And you, you scoundrel, have taken advantage of her! Oh, my Alise, my darling, what has he done to you? How can you not recognize your own loving husband?” She felt a low rumbling from Leftrin as if he snarled like a beast. His arm in her clutch had become hard as iron. He would protect her, he would save her. All she had to do was let him. “No,” she said again, this time to Leftrin. She squeezed his arm reassuringly and then stepped out of his shelter. She stood free of him, and the wind off the river blew past her. Her unbound hair lifted in wild red snakes, and she knew a moment of dismay as she wondered how ridiculous she looked, her skin weathered, her woman’s body garbed in the bright colors of an Elderling as if she did not know her age or place in the world. Her place in the world. She squared her shoulders. As she walked forward, Reyn stepped toward her as if to offer his arm and support. She waved him off without meeting his eyes. She advanced on Hest, hoping to see some flicker of doubt in his eyes. Instead his smile only widened as if he were truly welcoming her. He actually believed that she would resume that role, would pretend to be his loving, dutiful wife. That thought touched fire in her soul. She halted before him and looked up at him. “Oh, my dear! How harshly the world has treated you!” he exclaimed. He tried to put his arms around her. She set both hands to his chest and pushed him firmly away. As he staggered backward, it pleased her that he had not expected her to be so strong. “You are not my husband,” she said in a low voice. He teetered a moment, then caught his balance. He tried to recover his aplomb. But she had seen the sparks of anger flare in his dark eyes. He tipped his head, solicitous, his voice striken. “My dear, you are so confused!” he began. She lifted her voice, pitched it for all to hear. “I am NOT confused. You are NOT my husband. You broke the terms of our marriage contract, rendering it void. From the earliest days of our marriage, you were unfaithful to me. You entered into the contract with no intent of keeping yourself to me. You have deceived me and made me an object of mockery. You are not my husband, and by the terms of our marriage contract, all that is mine comes back to me. You are not my husband, and I am not your wife. You are nothing to me.
Robin Hobb (Blood of Dragons (Rain Wild Chronicles, #4))
Another ensign entered my row and started working alongside me. I smiled cautiously at him. He was broadly built, and I recognized him as one of the sleeping cadets from Bunk 2. Once upon a time, he had bunked with my brother.
Yoon Ha Lee (Dragon Pearl (Thousand Worlds, #1))
I’ve been entered into the next Magic Games.
Ella Summers (Mercenary Magic (Dragon Born Serafina, #1))
I’d read up on this issue a little bit since the retreat. According to the school of Buddhism to which Joseph belonged (there were many, I’d learned), there were four stages of enlightenment. The schema sounded like something out of Dungeons & Dragons. Someone who’d achieved the first stage of enlightenment was a “stream-enterer.” This was followed by a “once-returner,” a “non-returner,” and then a fully enlightened being, known as an “arhant.” Each stage had sixteen sublevels.
Dan Harris (10% Happier)
After several long hours preparing the eighteen rune tablets needed for the two portals, Talis cast the first spell and together with Mara, Nikulo, Charna, and Goleth, they entered the swirling portal. They found themselves back on Chandrix on that desolate, rocky hill, the air smelling sweet of smoke and cinnamon, the sky thick with fog. But for some reason this time the world was colder and darker, and Talis had the eerie sensation that they were being watched. He bent down and dusted off the gold-capped stone marker he’d found when they’d first entered Chandrix. Indeed they were close to home. “Just
John Forrester (Dragon Mage (Blacklight Chronicles, #4))
When you enter the lair of a dragon you must expect to get a little burnt.
Adele Clee (To Save a Sinner)
He is dangerous," Alton said, his voice rough. She parted her lips to refute his claim. His heated gaze studied her mouth. For a moment, she thought he wanted to kiss her. At the dining table. In front of her brother. Cook, who had just entered the dining hall with a tray full of fresh sourdough rolls. And one human prisoner. For one insane moment, she wanted him to. Kiss her.
Terry Spear (Dragon Fae (The World of Fae, #5))
He rose up over her, intending to enter her when she suddenly sat up and shoved at his shoulders. He fell onto his back with a grunt. Shara was on all fours, her hair tousled, as she crawled toward him. In all his millennia of life, he had never seen anything so sexy. His cock twitched, and her gaze lowered to his engorged arousal.
Donna Grant (Burning Desire: Part 1 (Dark Kings Novels))
While I realize that there are a lot of different angles on this, I’m going to set all of these speculations aside for now and try focusing entirely on trends in fantasy from the perspective of tabletop gaming alone. The first thing you need to know is that the men who laid the groundwork for the role-playing hobby had an incredible appetite for books. You may have been in a comic book shop on a Wednesday when the new shipment came in and the most dedicated fans in your town are right there to get the latest installment of everything they’re into. Well, Gary Gygax and James M. Ward were like that with books: One fateful Tuesday, I was poring through the racks, picking up the newest Conan and Arthur C. Clarke novels. When I reached the end of the racks, I had seven books in my hand. There was a gentleman doing the very same thing beside me. When he got done, he and I had the exact same books in our hands. We laughed at the coincidence and he started talking about a game he had just invented where a person could play Conan fighting Set. I was instantly hooked on the idea. A few weeks later I was regularly going over to Gary Gygax’s house to learn the game of Dungeons & Dragons.1 Note that the main selling point of the game at its inception was that it was not merely an adaption of their favorite stories to game form. No, the “lightning in the bottle” that Gary Gygax had gotten hold of was, in fact, the apex of genre fiction.2 He was opening up an entirely new method for creating worlds and allowing people to enter them. We take it for granted today, but J. Eric Holmes was not exaggerating when he declared that it was a “truly unique invention, probably as remarkable as the die, or the deck of cards, or the chessboard.”3
Jeffro Johnson (Appendix N: The Literary History of Dungeons & Dragons)
WoW offers a vivid, alternative world, one where you can slay an army of zombies with a magic spell or tame a dragon and fly around on its back. And more importantly, it’s a world that you enter in character.
Ali Abdaal (Feel-Good Productivity: How to Do More of What Matters to You)
With Enter the Dragon, Lee introduced Western audiences to strong Chinese lead characters proud of their Asian heritage.
Hourly History (Bruce Lee: A Life From Beginning to End (Biographies of Actors))
When you lift your voices up to pray with this sacred pipe, your prayers will be supported by all the peoples of your Mother Earth praying along with you, as well as everything within this universe that is also praying with you. Believe that this is so and you will always receive direct knowledge from the Great Spirit. Chanunpa is a manifestation of the covenant that you have entered into with life: to pray for and with everything for the glory of Wakan Tanka’s creation to increase in all ways.
Kaia Ra (The Sophia Code: A Living Transmission from The Sophia Dragon Tribe)
2001 was the year of the kettlebell. Dragon Door published The Russian Kettlebell Challenge and forged the first US made Russian style cast iron kettlebell. RKC, the first kettlebell instructor course on American soil, also kicked off in 2001. Given the kettlebell’s harsh reputation, most of my early students looked like they came from the federal witness protection program. People often ask if Steve Maxwell and I are brothers. Steve, I love you, man, but I don’t think it’s a compliment for either of us.
Pavel Tsatsouline (Enter the Kettlebell!: Strength Secret of the Soviet Supermen)
is now vulnerable to diabolical influence.  If a demon comes in at that moment, he can corrupt the whole family, since he entered through the head of the family.[378]  The demon can also remain and be passed down through successive generations.
Charles D. Fraune (Slaying Dragons: What Exorcists See & What We Should Know)
The declaration of Belgian neutrality had been one of Hitler’s great diplomatic successes, very-little appreciated by the outside world. It left France with the northern part of her border exposed; the French armies could enter Belgium only after the German armies had done so, and would thus have no time to prepare positions.
Upton Sinclair (Dragon Harvest (The Lanny Budd Novels))
The chamber was possibly the grandest she'd ever entered. The ceilings were impossibly high, held up by slender red pillars with gilded dragons snaking along the sides. On every wall hung tenets from every emperor in the dynasty in the most elegant calligraphy, and statues of China's greatest sages stood in long lines, a reminder of the room's commitment to loyalty, justice, harmony, and peace.
Elizabeth Lim (A Twisted Tale Anthology)
Do you like horses?" "Truth be told, the only thing I love more is dragons." Wren whistles, and a whinny resounds throughout the air. I spin around, marveling as a horse gallops through the field of jasmine. She's like a bolt of obsidian in a blanket of white, her breaths like little gusts of wind. She rears several times once she's next to Wren, stomping her front hooves until he reaches out to pet her. "This is Nerra. She will take us where we must go." Like an acrobat performing a trick for the umpteenth time, Wren hops onto Nerra's back effortlessly. He reaches a hand out to me, and I climb on. He places my hands around his waist, and I swallow hard. "Hold on tight. You're in for a treat," he says. On the count of three, he kicks Nerra into a gallop. The horse is like a dragon bound to the earth. Her gait is smooth, her gallop so strong it practically feels like she's trying to take flight with each stride. I hold on tightly to Wren. We head north. Dressed in bright garments that appear to be dipped in a ray of sunlight, Emerald flitters around as we enter a field of daisies. "Hi," Wren says. "We're on our way to see Omniscius." Emerald gives a graceful nod, following behind Nerra with several other fairies. Much to my delight, as we exit the field of daisies and encroach on a field of red roses, the fairies' beautiful yellow garments turn red. Wren's shirt and my dress do the same.
Khalia Moreau (The Princess of Thornwood Drive)
Lulu peered around the corner of the parlor in her mistress’ home, reluctant to enter. Being a two-foot-tall, multi-colored dragon who could no longer fly, Lulu’s main job in the elegant house was to light the fires in the hearths.
Jennifer Vandenberg (Den of Dragons)
Never enter into negotiations with a dragon. That had to be written in some handbook somewhere.
Ella Summers (Magic Nights (Dragon Born Serafina, #3))
So how does one go about accepting Shadow figures in dreams? There are many approaches, all of which involve entering into a more harmonious relationship with the darker aspects of oneself. One direct and effective approach is to engage Shadow figures in friendly dialogues.[8] This will make a difference with most people you encounter in dreams (or waking life) and might have surprising effects when you try it on threatening figures. do not slay your dream dragons; make friends with them.
Stephen LaBerge (Lucid Dreaming: A Concise Guide to Awakening in Your Dreams and in Your Life)
Jillian Ramsay, PhD, was driving a panel van without air-conditioning through an area known as the Devil’s Armpit. She wished that was an exaggeration, or a misprint on the map. But there it was, in bold print on the highway sign, “You are entering the Devil’s Armpit.
Molly Harper (How to Date Your Dragon (Mystic Bayou, #1))
You are to imagine a Realworld room with three light bulbs in it. Outside the room are three electric switches. You may only enter the room once, and you may only have one switch on when you enter the room. How can you work out which switch operates which light?
Scarlett Thomas (Dragon's Green (Worldquake Sequence, #1))
The boys were going to a place that none had ever been before, to serve an order that had been the enemy of their kith and kin for thousands of years, yet Jon saw no tears, heard no wailing mothers. These are winter’s people, he reminded himself. Tears freeze upon your cheeks where they come from. Not a single hostage balked or tried to slink away when his turn came to enter that gloomy tunnel.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
The second one will be persistent after the first one: .fade-enter-active { transition: opacity .5s; } Finally, we wrap the solution in a transition: I am a Dragon
Andrea Passaglia (Vue.js 2 Cookbook: Build modern, interactive web applications with Vue.js)
Garden of the Dragons (Vol. Three, 'The 'Halla') Epilogue (abridged 'Tis an immortaled foreverness we go to, On that wind shorn and storm torrid plain, Where hopes, dreams and life never dies - As we encounter ourselves, and in our love The victory do we gain. Even so, there are more forgotten fables of This eternaled lass, She exists in our dreams forever, that shadow land Where true hearts do last. She is our story, the legends and myths as are we, A tale to be told to the child within, who forevermore is free. Rides she everlasting in our quietest stores, And summons up the courage to live of what we Have royally into been born. Yea, once more she rules the Forgottenland, She has learned to love, but forever Alone, she stands. But we should know, deep down inside, Kari doth smiles for she is one of her kind (For if nothing else, she appreciates her all, Who she is and in this, knowing she will never fall). Thus it is written perhaps with our dissent, That those in Hell are of the unrepent. A place of one's own choosing so it would seem, Moment by moment we enter therein with our false dreams. Yet those who are there know one truth above all, The strength of iron hopelessness - Of realities not false. A prison to some, a Heaven to others, Freedom reigns when earthen illusions are shattered asunder. And Kari, does she know her secret? Surely she does, That to love and to be oneself are blessings from Above.
Douglas M. Laurent
The moon was a crescent, thin and sharp as the blade of a knife. A pale sun rose and set and rose again. Red leaves whispered in the wind. Dark clouds filled the skies and turned to storms. Lightning flashed and thunder rumbled, and dead men with black hands and bright blue eyes shuffled round a cleft in the hillside but could not enter. Under the hill, the broken. boy sat upon a weirwood throne, listening to whispers in the dark as ravens walked up and down his arms.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
The great cavern that opened on the abyss was as black as pitch, black as tar, blacker than the feathers of a crow. Light entered as a trespasser, unwanted and unwelcome, and soon was gone again; cookfires, candles, and rushes burned for a little while, then guttered out again, their brief lives at an end.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
His stomach growled as he sought out the kitchens, nodding to a passing guard. The smell of baking hit him as he rounded the long corridor to the kitchens. Closing his eyes, Duncan inhaled the aroma. “Damson tarts.” The plum and currant tarts were a favorite of his and he smiled inwardly knowing Moira had not only prepared them for the feast of Samhain, but for him, too. His stomach rumbled, and he quickened his pace. Duncan’s heart slammed inside his chest at the vision before his eyes when he entered the kitchens. One of the tables was laden with many tarts, yet it was the scene in the corner by the fire which undid him. He leaned against the wall for support and gazed upon the beauty. Brigid was slumped in a chair with plum juice staining her hands and mouth. In her lap curled up against her was Nell—both sound asleep. A slight snore escaped from Brigid, and Duncan smiled.
Mary Morgan (Dragon Knight's Sword (Order of the Dragon Knights, #1))
Just hope he’s still fine after he’s faced this lot,” said Charlie grimly, looking out over the dragons’ enclosure. “I didn’t dare tell Mum what he’s got to do for the first task; she’s already having kittens about him. . . .” Charlie imitated his mother’s anxious voice. “‘How could they let him enter that tournament, he’s much too young! I thought they were all safe, I thought there was going to be an age limit!’ She was in floods after that Daily Prophet article about him. ‘He still cries about his parents! Oh bless him, I never knew!
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
As a child, she had hated the room. Back then, Alexandra had known for a fact that ghostly, spectral monsters lurked in the corners ready to pounce on unsuspecting children. It took many years before she would enter the room again. Even the name …muniment room … held ethereal and haunted overtones.
Ellen Read (Den of Dragons)