Engineering T Shirt Quotes

We've searched our database for all the quotes and captions related to Engineering T Shirt. Here they are! All 55 of them:

Hey!” he said. “That’s one of my best shirts!” “So?” she replied without looking up. “It’s one of my best legs.
Philip Reeve (Mortal Engines (The Hungry City Chronicles, #1))
So the captain, the first officer and the ship's doctor and sometimes the engineer all beam down to a planet. Together." "The entire complement of the senior officers?" Billy nodded "And who has the command of the ship?" "I don't know. Junior officers I guess." "If they worked for me I would have them court-martialed. That sounds like a dereliction of duty." "I know. I know. I always thought it odd myself. But that's not the point." "What is the point?" "They're usually accompanied by a guy in the red shirt. Always a crew member you've never seen before. And as soon as you see the shirt, you know he's going to die.
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
She twisted her hair as if the question made her uncomfortable. “Seeing the past is simple magic. Seeing the present or the future—that is not.” “Yeah, well,” Leo said. “Watch and learn, Sunshine. I just connect these last two wires, and—” The bronze plate sparked. Smoke billowed from the sphere. A flash of fire raced up Leo’s sleeve. He pulled off his shirt, threw it down, and stomped on it. He could tell Calypso was trying not to laugh, but she was shaking with the effort. “Not a word,” Leo warned. She glanced at his bare chest, which was sweaty, bony, and streaked with old scars from weapon-making accidents. “Nothing worth commenting on,” she assured him. “If you want that device to work, perhaps you should try a musical invocation.” “Right,” he said. “Whenever an engine malfunctions, I like to tap-dance around it. Works every time.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
I looked him up and down. Once before I’d seen Jericho Barrons wearing jeans and a T-shirt. It’s like sheet-metaling a W16 Bugatti Veyron engine - all 1,001 horsepower of it - with the body of a ‘65 Shelby. The height of sophisticated power sporting in-your-face, fuck-you muscle. The effect is disturbing. He had more tattoos now than he’d had a few days ago.when I’d last seen him wearing nothing but a sheen of sweat, his arms were unmarked. They were now sleeved in intricate crimson and black designs, from bicep to hand. A silver cuff gleamed in his wrist. There were chains on his boots. “Slumming, huh?” I’d said You should talk, said those dark eyes, as they swept my black leather ensemble.
Karen Marie Moning
There is a pile of clothing on the side of the train tracks. Light-blue cloth—a shirt, perhaps—jumbled up with something dirty white. It’s probably rubbish, part of a load dumped into the scrubby little wood up the bank. It could have been left behind by the engineers who work this part of the track, they’re here often enough. Or it could be something else. My mother used to tell me that I had an overactive imagination; Tom said that, too. I can’t help it, I catch sight of these discarded scraps, a dirty T-shirt or a lonesome shoe, and all I can think of is the other shoe and the feet that fitted into them.
Paula Hawkins (The Girl on the Train)
His tunic lay on the mud nearby, but he couldn't find his shirt at all, until he crawled closer to the scarred girl and realized that she was busily tearing it into strips which she was using to bandage her wounded leg. "Hey!" he said. "That's one of my best shirts!" "So?" she replied without looking up. "It's one of my best legs.
Philip Reeve (Mortal Engines (Mortal Engines, #1))
He wasn't like those handsome men you see on the fashion billboards. He was handsome in a rugged way like a wood cutter with an unkept beard or a man who just finished fixing the engine of his car, wiping his oily hands over his white flannel shirt. Like a man who knows that he has starry eyes that can bring stars closer but doesn't even bother to look.
Malak El Halabi
You wouldn't believe how many languages I had to learn to get my software engineering degree." Sam's gaze drifted over Daisy's Riot Grrrl T-shirt. "I see English wasn't one of them.
Sara Desai (The Marriage Game (Marriage Game, #1))
I hadn't realized how supremely shit-housed I was until we stumbled into our room at the Embassy Suites. You ever been so drunk you forgot that you have to shit until the last minute? Well I was at that stage. I nearly had my pants completely off when SlingBlade snaked past me and got into the toilet first. Fine, I go get out of my bar clothes and change into a t-shirt and pink Gap boxers to sleep in. I wait patiently for about three minutes, then I start pounding on the door, screaming at him that I am going to shit on his bed if he doesn't get out of there. A short time later he opens the door laughing his ass off, and says, "That was perhaps the most prodigious shit ever. I just put that toilet into therapy." I take a gander into the bathroom. It looks like Revelations. The toilet is overflowing, brown shit water is spilling out all over the bathroom floor, and the tank is making demonic gurgling noises. THE MOTHERFUCKER CLOGGED UP A HOTEL TOILET! Hotel toilets are industrial size; they are designed to be able to accommodate repeated elephant-sized shits, and their ram-jet engine flushes generate enough force to suck down a human infant, yet skinny ass 170-pound SlingBlade completely killed ours.
Tucker Max
She's a bright girl. She learned in her thirteenth year that you can get old films of Mae West or Marlene Dietrich (who is a Vulcan; look at the eyebrows) after midnight on UHF if you know where to look, at fourteen that pot helps, at fifteen that reading's even better. She learned, wearing her rimless glasses, that the world is full of intelligent, attractive, talented women who manage to combine careers with their primary responsibilities as wives and mothers and whose husbands beat them. She's put a gold circle pin on her shirt as a concession to club day. She loves her father and once is enough. Everyone knows that much as women want to be scientists and engineers, they want foremost to be womanly companions to men (what?) and caretakers of childhood; everyone knows that a large part of a woman's identity inheres in the style of her attractiveness. Laur is daydreaming. She looks straight before her, blushes, smiles, and doesn't see a thing... Laur is daydreaming that she's Genghis Khan.
Joanna Russ (The Female Man)
As far as I could see, she didn't take any better care of her apparel than I did mine, but I owned shirts that looked like they'd been run through a car engine half an hour after I removed the price tags, and she had socks from high school that were still as white as palace linen. Women and their clothes often astounded me this way, but I figured it was one of those mysteries I'd never solve - like what really happened to Amelia Earhart or the bell that used to occupy our office.
Dennis Lehane (Gone, Baby, Gone (Kenzie & Gennaro, #4))
He wasn't like those handsome men you see on the fashion billboards. He was handsome in a rugged way like a wood cutter with an unkempt beard or a man who just finished fixing the engine of his car, wiping his oily hands over his white flannel shirt. Like a man who knows that he has starry eyes that can bring stars closer but doesn't even bother to look.
Malak El Halabi
She wears thick eyeliner, a short skirt, a T-shirt that says “Eagles may soar, but weasels never get sucked into jet engines.
Gwen E. Kirby (Shit Cassandra Saw: Stories)
White looked good on him, especially with all the engine grease. His T-shirt clung, the sleeves stretching wide over flexing biceps.
Kit Rocha (Beyond: Volume One (Beyond, #1-3))
I told them that was the dulcet roar of a Rampion's engines," said Kai, "but they all insisted it was just another media hover flying over." His hands were tucked into his pickets and he was dressed more casually than Cinder was used to seeing him - a cotton button-down shirt with the sleeves rolled to his forearms and dark denim jeans. She had never imagined that farm life might suit him, but he looked as comfortable here as he did anywhere. Cinder crossed her arms over her chest. "You're an expert on the sound levels of spaceships now, are you?" "Nah," said Kai. "I've just been waiting to hear that sound all day." She smiled at him, feeling the hummingbird flutter of her own pulse. He smiled back. "Aces," said Thorne with a low groan. "They haven't even kissed yet and they're already making me nauseous." His comment was followed by a pained grunt, but Cinder didn't know which of her friends had smacked him.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Bobby's back yard hadn't changed since she was knee-high. It was still littered with bicycle bits and pieces of engine that he was always tinkering with. It looked like the same relentless weeds bravely struggled through the cracked flagstones; the same array of socks and T-shirts flapped on the washing line, though somewhat bigger, and even the same wasps droned around the dustbin. That's how it seemed – a place immune to time.
Bernie Morris (Bobby's Girl)
At that time in IBM you had to wear a white shirt, dark pants and a black tie with your badge stapled to your shoulder or something,” said Steve Bristow, an engineer. “At Atari the work people did counted more than how they looked.
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
Snake pushes me out of the way, using me like a weapon to knock Gage and Tank off balance. He runs for the door and bursts out before we get a chance to get back to our feet. The men try to keep me in the house, but I don’t listen to them. Chasing after Snake, I reach under my shirt and wrap my hand around the handle of my gun. He doesn’t have a car, but that’s not going to stop the slimy piece of shit from trying to get away from me. After jangling a few handles, he finds an unlocked door and dives behind the wheel. My shot obliterates the back window, but it doesn’t stop him from cranking the engine
A.J. Rivers (The Girl in Cabin 13 (Emma Griffin FBI Mystery, #1))
Harry would take off his coat, remove his cravat, roll up his shirt-sleeves, give his curly hair the right touch before the glass, get out his book on engineering, his boxes of instruments, his drawing paper, his profile paper, open the book of logarithms, mix his India ink, sharpen his pencils, light a cigar, and sit down at the table to "lay out a line," with the most grave notion that he was mastering the details of engineering.
Mark Twain (The Collected Works of Mark Twain: The Complete & Unabridged Novels)
You want to leave the moat, to go back to the room; you’re already turning and trying to find the door, covered with fake leather, in the steep wall of the moat, but the master succeeds in grabbing your hand and, looking straight in your eyes, says: Your assignment: describe the jaw of a crocodile, the tongue of a hummingbird, the steeple of the New Maiden Convent, a shoot of bird cherry, the bend of the Lethe, the tail of any village dog, a night of love, mirages over hot asphalt, the bright midday in Berezov, the face of a flibbertigibbet, the garden of hell, compare the termite colony to the forest anthill, the sad fate of leaves to the serenade of a Venetian gondolier, and transform a cicada into a butterfly, turn rain into hail, day into night, give us today our daily bread, make a sibilant out of a vowel, prevent the crash of the train whose engineer is asleep, repeat the thirteenth labor of Hercules, give a smoke to a passerby, explain youth and old age, sing a song about a bluebird bringing water in the morn, turn your face to the north, to the Novgorodian barbicans, and then describe how the doorman knows it is snowing outside, if he sits in the foyer all day, talks to the elevator operator, and does not look out the window because there is no window; yes, tell how exactly, and in addition, plant in your orchard a white rose of the winds, show it to the teacher Pavel and, if he likes it, give the white rose to the teacher Pavel, pin the flower to his cowboy shirt or to his dacha hat, bring joy to the man who departed to nowhere, make your old pedagogue—a joker, a clown, and a wind-chaser—happy.
Sasha Sokolov (A School for Fools)
There is a pile of clothing on the side of the train tracks. Light-blue cloth—a shirt, perhaps—jumbled up with something dirty white. It’s probably rubbish, part of a load dumped into the scrubby little wood up the bank. It could have been left behind by the engineers who work this part of the track, they’re here often enough. Or it could be something else. My mother used to tell me that I had an overactive imagination; Tom said that, too. I can’t help it, I catch sight of these discarded scraps, a dirty T-shirt or a lonesome shoe, and all I can think of is the other shoe and the feet that fitted into them. The
Paula Hawkins (The Girl on the Train)
In the 1960s, it took months before someone figured out they could sell tie-dyed shirts and bell bottoms to anyone who wanted to rebel. In the 1990s, it took weeks to start selling flannel shirts and Doc Martens to people in the Deep South. Now people are hired by corporations to go to bars and clubs and observe what the counterculture is into and have it on the shelves in the mall stores right as it becomes popular. The counterculture, the indie fans, and the underground stars—they are the driving force behind capitalism. They are the engine. This brings us to the point: Competition among consumers is the turbine of capitalism.
David McRaney (You Are Not So Smart: Why You Have Too Many Friends on Facebook, Why Your Memory Is Mostly Fiction, and 46 Other Ways You're Deluding Yourself)
Farragut's first visitor was his wife. He was raking leaves in yard Y when the PA said that 734-508-32 had a visitor. He jogged up the road past the firehouse and into the tunnel. It was four flights up to cellblock F. "Visitor," he said to Walton, who let him into his cell. He kept his white shirt prepared for visits. It was dusty. He washed his face and combed his hair with water. "Don't take nuttin but a handkerchief," said the guard. "I know, I know, I know...." Down he went to the door of the visitor's room, where he was frisked. Through the glass he saw that his visitor was Marcia. There were no bars in the visitor's room, but the glass windows were chicken-wired and open only at the top. A skinny cat couldn't get in or out, but the sounds of the prison moved in freely on the breeze. She would, he knew, have passed three sets of bars - clang, clang, clang - and waited in an anteroom where there were pews or benches, soft-drink engines and a display of the convict's art with prices stuck in the frames. None of the cons could paint, but you could always count on some wet-brain to buy a vase of roses or a marine sunset if he had been told that the artist was a lifer. There were no pictures on the walls of the visitor's room but there were four signs that said: NO SMOKING, NO WRITING, NO EXCHANGE OF OBJECTS, VISITORS ARE ALLOWED ONE KISS.
John Cheever (Falconer)
Eddie would have loved the publicity. His old friends said he should have worn a T-shirt emblazoned ‘I am a Spy for MI5.’ The last time I met him he described how he had missed a fortune in ermine (to be used in coronation robes) during a furs robbery, because he thought it was rabbit. He also said he successfully convinced a German au pair girl that he was a post office telephone engineer, and robbed the wall safe. He was also once visited by an income tax inspector, and produced a doctor’s certificate that he had a weak heart and could not be ‘caused stress.’ Ten minutes later, he drove, in a Rolls-Royce, past the inspector waiting in the rain at a bus stop, and gave him a little wave.
Ben Macintyre (Agent Zigzag: A True Story of Nazi Espionage, Love, and Betrayal)
Another bottle was brought out and poured into the reservoir. Once more I climbed inside the car and pressed the spurter button. Once more nothing happened--and once more, when we looked inside the reservoir, we found it empty. "Two litres!" I said. "Where has it all gone?" They'd vaporized, evaporated. And do you know what? It felt wonderful. Don't ask me why: it just did. It was as though I'd just witnessed a miracle: matter--these two litres of liquid--becoming un-matter--not surplus matter, mess or clutter, but pure, bodiless blueness. Transubstantiated. I looked up at the sky: it was blue and endless. I looked back at the boy. His overalls and face were covered in smears. He'd taken on these smears so that the miracle could happen, like a Christian martyr being flagellated, crucified, scrawled over with stigmata. I felt elated--elated and inspired. "If only..." I started, but paused. "What?" he asked. "If only everything could..." I trailed off. I knew what I meant. I stood there looking at his grubby face and told him: "Thank you." Then I got into the car and turned the ignition key in its slot. The engine caught--and as it did, a torrent of blue liquid burst out of the dashboard and cascaded down. It gushed from the radio, the heating panel, the hazard-lights switch and the speedometer and mileage counter. It gushed all over me: my shirt, my legs, my groin.
Tom McCarthy (Remainder)
I whirled on him. He was spattered with blood, breathing hard, head down, eyes narrowed, and fury was rolling off him in thick, dangerous waves. How dare he be furious with me? I was the wronged party! My battle was interrupted, bloodlust was bottled up inside me, a turbo engine revved to redline. “The vamp was mine< Barrons.” “Inspect his teeth, Ms. Lane,” he said tightly. “They were cosmetic enhancements. He was no vampire.” I punched him lightly in the shoulder. “I don’t care what he was! It was my fight, you bastard!” He punched me back with the same light, warning force. “You were taking too long to finish it up.” “Who are you to decide how long is too long?” I gave him another tap in the shoulder. He returned the blow with equal force. “You were enjoying it!” “I was not!” “You were smiling, bouncing on the balls of your feet, egging him on.” “I was trying to end the fight!” I punched his shoulder, hard this time. “You were way past trying to end it,” he snapped, punching me back. I nearly fell over. “You were prolonging it. You were glorying in it.” “You don’t know what the feck you’re talking about!” I shouted. “I couldn’t tell the difference between the two of you anymore!” he roared. I smashed my fist into his face. Lies roll off us. It’s the truths we work hardest to silence. “Then you weren’t looking hard enough! I’m the one with boobs!” “I know you’re the one with boobs! They’re in my fucking face every fucking time I turn around!” “Maybe you need to get a grip on your libido, Barrons!” “Fuck you, Ms. Lane!” “You just try. I’ll kick the shit out of you!” “You think you could?” “Bring it on.” He grabbed a fistful of my T-shirt, and dragged me up against him until our noses touched. “I’ll bring it on, Ms. Lane. But remember you asked for it. So don’t even think about trying to tap out on the mat and quit the fight.” “You hear anybody crying ‘Uncle’ here, Barrons? I don’t.” “Fine.” “Fine.
Karen Marie Moning (Bloodfever (Fever, #2))
You are always meeting trouble half way, Jukes,” Captain MacWhirr remonstrated quaintly. “Though it’s a fact that the second mate is no good. D’ye hear, Mr. Jukes? You would be left alone if...” Captain MacWhirr interrupted himself, and Jukes, glancing on all sides, remained silent. “Don’t you be put out by anything,” the Captain continued, mumbling rather fast. “Keep her facing it. They may say what they like, but the heaviest seas run with the wind. Facing it — always facing it — that’s the way to get through. You are a young sailor. Face it. That’s enough for any man. Keep a cool head.” “Yes, sir,” said Jukes, with a flutter of the heart. In the next few seconds the Captain spoke to the engine-room and got an answer. For some reason Jukes experienced an access of confidence, a sensation that came from outside like a warm breath, and made him feel equal to every demand. The distant muttering of the darkness stole into his ears. He noted it unmoved, out of that sudden belief in himself, as a man safe in a shirt of mail would watch a point.
Joseph Conrad (Joseph Conrad: The Complete Novels)
(The Mothman at the Psychiatrist's Office in the City) It is a good idea not to be traumatized by fire because if you're looking for it you'll find it everywhere even the engine of your car even beneath the stovetop sleeping quietly even the shirt pocket of your friend who also keeps it on the tip of his tongue and in a candle on the corner of the bar it is a good idea not to be traumatized by fire because if you are alone with it you become alone with its thoughts and hoo boy let me tell you fire thinks some real awful awful awful it is a good idea not to be traumatized by fire because there are whole parts of West Virginia named after explosives which is where they saw the first of us mothpeople and yes it is a good idea not to be traumatized by fire because if you fixate on it you can't rule out the possibility of summoning it with the pale force of your fear it is a good idea not to be traumatized by fire because it is a good idea not to be traumatized because it is fire not an idea to be traumatized by but fire actual fire I'm telling or I'm trying to tell you I'm not afraid of the idea but the thing itself
Robert Wood Lynn (Mothman Apologia)
But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner. (Big Sur, Chap. 11)
Jack Kerouac (Big Sur)
Jay's downstairs waiting." With her father on one side, and the handrail on the other, Violet descended the stairs as if she were floating. Jay stood at the bottom, watching her, frozen in place like a statue. His black suit looked as if it had been tailored just for him. His jacket fell across his strong shoulders in a perfect line, tapering at his narrow waist. The crisp white linen shirt beneath stood out in contrast against the dark, finely woven wool. He smiled appreciatively as he watched her approach, and Violet felt her breath catch in her throat at the striking image of flawlessness that he presented. "You...are so beautiful," he whispered fervently as he strode toward her, taking her dad's place at her arm. She smiled sheepishly up at him. "So are you." Her mom insisted on taking no fewer than a hundred pictures of the two of them, both alone and together, until Violet felt like her eyes had been permanently damaged by the blinding flash. Finally her father called off her mom, dragging her away into the kitchen so that Violet and Jay could have a moment alone together. "I meant it," he said. "You look amazing." She shook her head, not sure what to say, a little embarrassed by the compliment. "I got you something," he said to her as he reached inside his jacket. "I hope you don't mind, it's not a corsage." Violet couldn't have cared less about having flowers to pin on her dress, but she was curious about what he had brought for her. She watched as he dragged out the moment longer than he needed to, taking his time to reveal his surprise. "I got you this instead." He pulled out a black velvet box, the kind that holds fine jewelry. It was long and narrow. She gasped as she watched him lift the lid. Inside was a delicate silver chain, and on it was the polished outline of a floating silver heart that drifted over the chain that held it. Violet reached out to touch it with her fingertip. "It's beautiful," she sighed. He lifted the necklace from the box and held it out to her. "May I?" he asked. She nodded, her eyes bright with excitement as he clasped the silver chain around her bare throat. "Thank you," she breathed, interlacing her hand into his and squeezing it meaningfully. She reluctantly used the crutches to get out to the car, since there were no handrails for her to hold on to. She left like they ruined the overall effect she was going for. Jay's car was as nice on the inside as it was outside. The interior was rich, smoky gray leather that felt like soft butter as he helped her inside. Aside from a few minor flaws, it could have passed for brand-new. The engine purred to life when he turned the key in the ignition, something that her car had never done. Roar, maybe-purr, never. She was relieved that her uncle hadn't ordered a police escort for the two of them to the dance. She had half expected to see a procession of marked police cars, lights swirling and sirens blaring, in the wake of Jay's sleek black Acura. Despite sitting behind the wheel of his shiny new car, Jay could scarcely take his eyes off her. His admiring gaze found her over and over again, while he barely concentrated on the road ahead of him. Fortunately they didn't have far to go.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Nikolay Anastasyevitch Ananyev, the engineer, was a broad-shouldered, thick-set man, and, judging from his appearance, he had, like Othello, begun the "descent into the vale of years," and was growing rather too stout. He was just at that stage which old match-making women mean when they speak of "a man in the prime of his age," that is, he was neither young nor old, was fond of good fare, good liquor, and praising the past, panted a little as he walked, snored loudly when he was asleep, and in his manner with those surrounding him displayed that calm imperturbable good humour which is always acquired by decent people by the time they have reached the grade of a staff officer and begun to grow stout. His hair and beard were far from being grey, but already, with a condescension of which he was unconscious, he addressed young men as "my dear boy" and felt himself entitled to lecture them good-humouredly about their way of thinking. His movements and his voice were calm, smooth, and self-confident, as they are in a man who is thoroughly well aware that he has got his feet firmly planted on the right road, that he has definite work, a secure living, a settled outlook. . . . His sunburnt, thicknosed face and muscular neck seemed to say: "I am well fed, healthy, satisfied with myself, and the time will come when you young people too, will be wellfed, healthy, and satisfied with yourselves. . . ." He was dressed in a cotton shirt with the collar awry and in full linen trousers thrust into his high boots. From certain trifles, as for instance, from his coloured worsted girdle, his embroidered collar, and the patch on his elbow, I was able to guess that he was married and in all probability tenderly loved by his wife.
Anton Chekhov (Love)
Dontchev was born in Bulgaria and emigrated to America as a young kid when his father, a mathematician, took a job at the University of Michigan. He got an undergraduate and graduate degree in aerospace engineering, which led to what he thought was his dream opportunity: an internship at Boeing. But he quickly became disenchanted and decided to visit a friend who was working at SpaceX. “I will never forget walking the floor that day,” he says. “All the young engineers working their asses off and wearing T-shirts and sporting tattoos and being really badass about getting things done. I thought, ‘These are my people.’ It was nothing like the buttoned-up deadly vibe at Boeing.” That summer, he made a presentation to a VP at Boeing about how SpaceX was enabling the younger engineers to innovate. “If Boeing doesn’t change,” he said, “you’re going to lose out on the top talent.” The VP replied that Boeing was not looking for disrupters. “Maybe we want the people who aren’t the best, but who will stick around longer.” Dontchev quit. At a conference in Utah, he went to a party thrown by SpaceX and, after a couple of drinks, worked up the nerve to corner Gwynne Shotwell. He pulled a crumpled résumé out of his pocket and showed her a picture of the satellite hardware he had worked on. “I can make things happen,” he told her. Shotwell was amused. “Anyone who is brave enough to come up to me with a crumpled-up résumé might be a good candidate,” she said. She invited him to SpaceX for interviews. He was scheduled to see Musk, who was still interviewing every engineer hired, at 3 p.m. As usual, Musk got backed up, and Dontchev was told he would have to come back another day. Instead, Dontchev sat outside Musk’s cubicle for five hours. When he finally got in to see Musk at 8 p.m., Dontchev took the opportunity to unload about how his gung-ho approach wasn’t valued at Boeing. When hiring or promoting, Musk made a point of prioritizing attitude over résumé skills. And his definition of a good attitude was a desire to work maniacally hard. Musk hired Dontchev on the spot.
Walter Isaacson (Elon Musk)
I want to move my hands, but they’re fused to his rib cage. I feel his lung span, his heartbeat, his very life force wrapped in these flimsy bars of bone. So fragile yet so solid. Like a brick wall with wet mortar. A juxtaposition of hard and soft. He inhales again. “Jayme,” he says my name with a mix of sigh and inquiry. I open my eyes and peer into his flushed face. Roses have bloomed on his ruddy cheeks and he looks as though he’s raced the wind. “Mm?” I reply. My mind is full of babble, I’m so high. “Jayme,” he’s insistent, almost pleading. “What are you?” Instantaneous is the cold alarm that douses the flames still dancing in my heart. I feel the nervousness that whispers through me like a cool breeze in the leaves. “What do you mean?” I ask, the disquiet wringing the strength from my voice. “It doesn’t hurt anymore,” he explains, inhaling deeply. I feel the line of a frown between my brows. Gingerly, I lift the hem of his shirt. And as sure as I am that the world is round and that the sky is, indeed, blue the bruises and welts on his torso have faded to nothingness, the golden tan of his skin is sun-kissed perfection. Panic has me frozen as I stare. “I don’t understand,” I whisper. He looks down at his exposed abdomen. “I think you healed me.” He says it so simply, but my mind takes his words and scatters them like ashes. I feel like I’m waking from a coma and I have amnesia and everyone speaks Chinese. I can’t speak. If I had the strength to, I wouldn’t have the words. I feel the panic flood into me and fear spiked adrenaline courses through me, I shove him. Hard. Eyes wide with shock, he stumbles back a few steps. A few steps is all I need. Fight or flight instinct taking root, I fight to flee. The space between us gives me enough room to slide out from between him and the car. He shouts my name. It’s too late. I’m running a fast as my lithe legs will carry me. My Converse pound the sidewalk and I hear the roar of his engine. It’s still too late. I grew up here and I’m ten blocks from home. No newbie could track me in my own neighborhood. In my town. Not with my determination to put as much distance as I can between me and the boy who scares the shit out of me. Not when I’ve scared the shit out of myself. I run. I run and I don’t stop.
Elden Dare (Born Wicked (The Wicked Sorcer Series #1))
It seemed as if the crud of the universe had found its way into the two rose boxes. The strainers were choked with unmentionable sludge and with every handful of muck I pulled out, I expected to find a decaying dead rat. Of course, this idea was firmly planted into my cranium by the upperclassmen, but this was not to be. Instead, I found rags, paper, lots of gunky oil, a few pens, some socks and someone’s denim shirt. One bucket at a time was lifted with my hands until the job was done. Some diesel oil and clean rags cleaned the metal surfaces good enough to be painted. I have no idea how long it took to dry, if it ever did, but the engineers were impressed enough to allow me time for dinner.
Hank Bracker
into his jeans and button-down shirt. He dropped off the RAF overalls in the trunk of the car, and then looked around him. The car park was empty. He walked to the side of the parking lot. The fence was low there and he vaulted across it to the low ground that led to the pebble beach. He cut straight across, heading to the port, walking quickly across the shrub and grassland. A line of low trees near the port fence gave him cover. He studied the wire fence. It was about ten feet tall, with regularly spaced posts, and he couldn’t see any signs of electricity. There wasn’t any barbed wire at the top, which made his life a lot easier. He grabbed the wire mesh and shook it. It was firm and would take his weight. He wrapped his legs around a post and pulled himself up with both hands, using it like a fast rope. He crouched over the top and jumped down. The brick wall of a building lay in front of him. He could hear an engine wheezing and what sounded like train railway
Mick Bose (Hidden Agenda (Dan Roy #1))
It seemed as if the crud of the universe had found its way into the two rose boxes. The strainers were choked with unmentionable sludge and with every handful of muck I pulled out, I expected to find a decaying dead rat. Of course, this idea was firmly planted into my cranium by the upperclassmen, but this was not to be. Instead, I found rags, paper, lots of gunky oil, a few pens, some socks and someone’s denim shirt. One bucket at a time was lifted with my hands until the job was done. Some diesel oil and clean rags cleaned the metal surfaces well enough to be painted. I have no idea how long it took to dry, if it ever did, but the engineers were impressed enough to allow me time for dinner.
Hank Bracker
As Regina McGowan pulled her silver Volvo SUV into the driveway in front of the huge, farmhouse-style home, all Megan could see was boys. Boys everywhere. All seven of them plus their dad, running and laughing and shoving each other around on the front lawn, engaged in what appeared to be a full-contact, tackle version of ultimate Frisbee. They were playing shirts and skins. Shirts and mighty-fine-lookin’ skins. Megan’s pulse pounded in her ears. Forget evil, laughing little monsters. These guys had been touched by the Abercrombie gods. They were a blur of toned, suntanned perfection. For a few seconds, Megan had trouble focusing on any one of them, but then one of the skins scored a goal and jumped up, arms thrust in the air, whooping in triumph as he clutched the Frisbee in one hand. His six-pack abs were dotted with sweat and a couple of stray pieces of torn grass. His smile sent shivers right through Megan’s core. He had shaggy blond hair, a square chin, and the most perfect shoulder muscles Megan had ever seen. One of his brothers slapped him on the back and pointed toward the Volvo. He turned around and looked right at Megan. The rest of the world ceased to exist. “Well, here we are,” Regina said, killing the engine. “Megan?” He smiled slowly--a perfect, open, happy smile. “Megan?” Something touched Megan’s arm. “Oh! Uh…yeah?” Megan whipped her eyes away from Mr. Perfection and blushed. Regina’s brown eyes twinkled with amusement and sympathy. “You can live in the car if you want to, but they’ll find a way to get to you anyway.” “Oh…uh…” God, did she just catch me drooling all over one of her kids? Gross! “Don’t worry. They promised me they would be on their best behavior,” Regina said, unbuckling her seat belt. She swung her long dark hair over her shoulder as she got out of the car and leaned down to look at Megan. “My advice? Just be yourself. I’m sure you’ll be fine.” Megan managed to smile and Regina slammed the car door. Be myself. Yeah. Right. Because that’s gotten me so far in the past.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
Ode to Charlie THE DOG OF A LIFETIME We got a pup named Charlie One year at Christmastime. He changed our lives completely So I’ll share this dog rhyme. His ears were long and dangly, His legs were short and fat, His naps were almost constant, ’Cept when he chased the cat. I dressed him up in outfits, In dresses, shirts, and jeans, In boots and leather loafers-- The dapp’rest pup I’d seen! He started working cattle With Ladd and all the crew. He thought this was his purpose. Oh, if he only knew! That he was just a Bassett And bred for not so much. But Charlie rose above it And learned that cowdog touch. But man, that short dog syndrome… He thought he was in charge And ruled the other doggies His bravado, always large! But deep down, all he wanted Were tummy rubs all day And sausage, ham, and burgers And bacon, I would say. He snored just like an engine, His breath was not so great, His ears were always crusty From hanging in his plate. But Charlie Boy was perfect And loyal through and through. He knew what we were thinking, He sensed what we would do. We thought he’d live forever But cancer came and stayed, Then left with our dear Charles And left us all dismayed. And yet, we feel so lucky He got to be our friend. We have a million memories Right up until the end. We loved you, Charlie, you were the best We never will forget you And the very second we get to Heaven… We’re coming straight to get you!
Ree Drummond (The Pioneer Woman Cooks: Come and Get It! Simple, Scrumptious Recipes for Crazy Busy Lives)
Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
Matthew Dickman
The small launch bay was littered with debris. A powerful breeze tore at his black silk shirt as Kilroy made his way across it to the waiting shuttle, evoking a feeling like the fingers of fate were caressing his body. “The Hammer” stepped over the body of one of his fallen crew without a trace of care or concern. The air was rushing past him, like a wind, out into space through the wounds in the side of his ship. Fatigued and desperate, the Hammer was running out of options. His ship was a mess, holed in a dozen places, the life support systems failing. Weakened hull sections were collapsing in pressure bursts. The vibrations that shook the deck beneath him now were not from the engines that once drove her forward, but now from the explosions down below, tearing her apart.
Christina Engela (Dead Beckoning)
The maneless male lions—eventually shot by a railroad engineer, Colonel John H. Patterson (portrayed by Val Kilmer, Boulder’s Hamlet, in the 1996 movie The Ghost and the Darkness)—now reside, stuffed, at Chicago’s Field Museum, where one can purchase souvenir mugs, posters, and T-shirts displaying the killers in an innocuous, colorful, Lion King–style graphic. Leopards,
David Baron (The Beast in the Garden: A Modern Parable of Man and Nature)
He didn’t take her back to the shooting range right away. There was a lookout point between here and there. Linc swerved the dark cobalt car into it, pulling alongside the rock wall and switching the engine off. They had the lookout to themselves. “Why are we stopping?” she asked. Rhetorically. “Great view.” She glanced at the distant DC skyline, seeing the dome of the Capitol to the east and the tip of the Washington Monument. The Mall, its grassy expanse invisible from where they were, stretched to the Lincoln Memorial at the other end. Its blocky rectangular top appeared through the bare-branched trees. “Sure is.” Kenzie tossed her handbag into the footwell and turned to him. That grin on his handsome face was not about sightseeing. She allowed herself the pleasure of looking him over one last time. He pretended not to notice. Even looking straight ahead through the windshield, his dark eyes had a knowing glint. It was arrogant of him to assume that he knew what she wanted, even though he was right. And annoying of him to wait for her to make the first move. One strong hand rested on the wheel and the other on his thigh. Kenzie unbuckled her seat belt and leaned over. Two could play that game. She put her lips against his ear and he stiffened visibly. “What’s on your mind, Linc?” she breathed, teasing him. She was amused to see his eyes close with pleasure. Maybe he hadn’t been expecting her to say something like that. Too bad. She’d said it. Kenzie slid her hand over his smooth-shaven jaw and turned his face to hers. Wow. His gaze burned with passion. She’d never seen Linc like this. He was all man and then some. Hard to say who began the kiss, but it went on for a while. She didn’t remember taking the knot out of his tie, which hung open. A couple of buttons had parted company with the buttonholes on his shirt. Linc sat back when she did. “Wow. I mean, maybe you should take me home,” she said. “Not that I don’t want more, but--” Linc nodded, turning the key in the ignition until the engine revved. “Tell me when, Kenzie. That’s all I ask.
Janet Dailey (Honor (Bannon Brothers, #2))
I'm the death investigator," the man said in a dry voice. He was wearing gray chinos, plain black walking sneakers, a tucked-in white short-sleeved polo shirt with a pen inserted on the placket, and a gray windbreaker. His head was slightly over-large and his hair was thinning. If he was going for the look of 'quietly angry engineer who will one day explode,' or 'DI by day, super-villain by night,' he had succeeded.
Nina Post (Danger Returns in Pairs (Shawn Danger Mysteries Book 2))
The muscles of Sue’s legs tensed, and the saddle lurched. One of the little girls screamed. And then the Tyrannosaur came down from the leap that had carried her over the besieged Wardens. Sue landed with one clawed foot on the street, and the other came down squarely on the Caddy’s hood, like a falcon descending upon a rabbit. There was an enormous sound of shrieking metal and breaking glass, and the saddle lurched wildly again. I leaned over to see what had happened. The car’s hood and engine block had been compacted into a two-foot-thick section of twisted metal. Even as I looked, Sue leaned over the car in a curiously birdlike movement, opened her enormous jaws, and ripped the roof off. Inside was Li Xian, dressed in a black shirt and trousers. The ghoul’s forehead had a nasty gash in it, and green-black blood had sheeted over one side of his face. His eyes were blank and a little vague, and I figured he’d clipped his head on the steering wheel or window when Sue brought his sliding car to an abrupt halt. Li Xian shook his head and then started to scramble out of the car. Sue roared again, and the sound must have terrified Li Xian, because all of his limbs jerked in spasm and he fell on his face to the street. Sue leaned down again, her jaws gaping, but the ghoul rolled under the car to get away from them. So Sue kicked the car, and sent it tumbling end over end three or four times down the street. The ghoul let out a scream and stared up at Sue in naked terror, covering his head with his arms. Sue ate him. Snap. Gulp. No more ghoul. “What’s with that?” Butters screamed, his voice high and frightened. “Just covering his head with his arms? Didn’t he see the lawyer in the movie?” “Those who do not learn the lessons of history are doomed to repeat them,” I replied, turning Sue around. “Hang on!” I rode the dinosaur into the stream of zombies following in the Wardens’ wake and let her go to town. Sue chomped and stomped and smacked zombies fifty feet through the air with swinging blows of her snout. Her tail batted one particularly vile-looking zombie into the brick wall of the nearest building, and the zombie hit so hard and so squishily that it just stuck to the wall like a refrigerator magnet, arms and legs spread in a sprawl.
Anonymous
But you’re not even bonded,” Sylvan protested as he engaged the shuttle’s engines. “You think that matters to me?” Baird frowned at him fiercely. “I love her, Sylvan, bonded or not. Wouldn’t you have done the same for Feenah if you’d had to?” “Of course,” Sylvan said instantly. “Even though she didn’t want what I had to offer I still would have given everything I had to make her safe.” “Then you know how I feel.” Baird sighed and ran a hand through his hair as the shuttle lifted off. “Don’t you get it, Sylvan? This is what the priestess was talking about. I thought after all that trouble in the unmated males section that the danger was over. Thought the sacrifice I had to make was letting them see me mark my female.” Sylvan nodded thoughtfully. A public marking like the one Baird had done was considered a humiliation but his brother had taken it in stride despite his bride’s defiant attitude. Not his bride anymore, he reminded himself. They’re not even bonded and still he’s willing to give up everything to save her. “I see,” he said neutrally, piloting the shuttle out of the docking bay. “But that wasn’t it,” Baird continued as they left the Kindred ship behind. “This is. I can see it now and I’m fine with it. I want it.” “How can you say that?” Sylvan burst out. “You’re going to your death.” Baird shrugged, his broad shoulders rolling under the crimson uniform shirt. “I was dead anyway—the minute I saw her leave I felt it. At least this way it won’t take as long.” “Baird, listen to me,” Sylvan said evenly. “I know how you feel—no one could know it better. But there is life after a failed bonding.” “Yeah, but what kind of life?” Baird gave him a long, searching look. “I’ve seen you, Brother. Ached for your pain and admired your strength. But I just don’t want to go through that. If I can’t be with Olivia…” He shook his head. Sylvan knew what he was saying. If I can’t be with Olivia, I don’t want to be at all. Baird would rather die than live in a universe where his love was denied him. It saddened Sylvan but didn’t surprise him. A Kindred male’s attachment to his female often bordered on the extreme and many warriors didn’t survive the loss of their chosen mate.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
through the hull. The ship burst like a rotten pumpkin, and the engine exploded. The images in the northern doorway were even worse. Hazel saw Leo, unconscious—or dead—falling through the clouds. She saw Frank staggering alone down a dark tunnel, clutching his arm, his shirt soaked in blood. And Hazel saw herself in a vast cavern filled with strands of light like a luminous web. She was struggling to break through while, in the distance, Percy and Annabeth lay sprawled and unmoving at the foot of two black-and-silver metal doors. “Choices,” said Hecate. “You stand at the crossroads, Hazel Levesque. And I am the goddess of crossroads.” The ground rumbled at Hazel’s feet. She looked down and saw the glint of silver coins…thousands of old Roman denarii breaking the surface all around her, as if the entire hilltop was coming to a boil. She’d been so agitated by the visions in the doorways that she must have summoned every bit of silver in the surrounding countryside. “The past is close to the surface in this place,” Hecate said. “In ancient times, two great Roman roads met here. News was exchanged. Markets were held. Friends met, and enemies fought. Entire armies had to choose a direction. Crossroads are always places of decision.” “Like…like Janus.” Hazel remembered the shrine of Janus on Temple Hill back at Camp Jupiter. Demigods would go there
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
down. ‘Good evening,’ he said innocently. ‘Just checking why you’re parked here at 10.30 p.m. on a Saturday night,’ the security guard said suspiciously, eyeing our baby wipes in the middle of the seats. ‘We’re just out for a drive,’ Dan replied. ‘Seeing the sights.’ ‘Round ’ere? Good luck finding them,’ he scoffed, taking a cigarette from the pocket of his shirt. ‘Not to worry, mate. Drive on. Just checking you’re not up to no good.’ He winked, slapping the side of the van as he walked back to his post. Dan started the knackered engine of the scruffy Volkswagen. ‘Let’s get all this food back to the fridge at the kitchen. We can sort through it in the morning,’ he said. His hand brushed mine as I reached over to turn the radio on, and he changed gear. ‘Sorry,’ we mumbled at the same time, but I couldn’t ignore the rush of excitement I felt when our skin touched. I averted my eyes from Dan to the window and watched his reflection in the driver’s seat as we trundled through the dark streets. ‘You survived your first dumpster diving trip then,’ Dan said, breaking the tension between us. ‘It appears so,’ I agreed. ‘I don’t suppose you’re free tomorrow afternoon, after work, are you?’ My stomach did a teeny flip.
Danielle Owen-Jones (Stone Broke Heiress)
Vaishusmriti (The Sonnet) Those few afternoon trips back from uni, With her head on my shoulder, were utopia. My stomach was bursting with butterflies, But my lips could barely utter a word. My shirt got seeped with her intoxicating scent, But her heart was posted to another man's mail. Yet how can you begrudge someone you once loved! It's okay to lose your heart to the wrong people. Hadn't she rejected me, I'd have ended up yet another nobody in the sea of engineers. When life shatters you to a million pieces, Get up and give back life some middle finger. If you must love, love without any agenda, If they love you back, your heart grows softer, If they break you, your heart grows stronger, Either way, in act of love there is no failure.
Abhijit Naskar (Vande Vasudhaivam: 100 Sonnets for Our Planetary Pueblo)
I'm waiting for Kodiak in his workshop, wearing - deliciously enough - one of his jumpsuits. The sleeves hang to the middle of my fingers. We have only dry clothes shampoo on the ship, so this shirt smells perfectly clean and also like months of built-up Kodiak scent, of engines and sweat and lemongrass and bleach. I'm draped in the deepest and freshest version of him.
Eliot Schrefer (The Darkness Outside Us (The Darkness Outside Us, #1))
Likewise, we have no idea what it will cost to build. Without knowing the actual solution, this is extremely hard for engineering to predict. Most experienced engineers will refuse to even give an estimate at this stage, but some are pressured into the old t‐shirt sizing compromise—just let us know if this is “small, medium, large, or extra large.
Marty Cagan (Inspired: How to Create Tech Products Customers Love (Silicon Valley Product Group))
One of the crew shouted, “Man overboard!” Seeing what had happened, I instantly threw the engines into reverse, attempting to stop the vessel’s headway without backing over my floundering steward. As the ship shuttered from the unexpected reverse thrust of her engines, now running full speed astern and fighting the current, I watched helplessly as a large prehistoric reptile slithered into the muddy river. Instinctively he was followed by others. Within an instant they were underwater and out of sight, but I knew they were heading in our direction hoping for a tasty dinner. It took a while for me to actually stop the ship’s headway and start to back down. The bosun already had a ladder over the side and yelled to him to stop trashing around, but Henry was panicking and we all expected him to get pulled under. Henry quickly became aware of the imminent danger he was in and stopped floundering, thus allowing the current to carry him in our direction. Now with the ship stopped, we were at the mercy of the current. Henry, with fear painted on his face, would never be closer to us than now. This was the time for him to swim the last short distance, but his fear and knowing that splashing would attract the crocodiles caused him to freeze. With everyone shouting instructions it became confusing, so calculating the risk, I dove in and with just a few powerful strokes was next to Henry. The water was cool compared to the moist air and I thought it felt refreshing, but the only thing I should have been thinking about was getting the two of us out of there! Reaching out, I grabbed his already torn shirt and in what seemed less than a nanosecond towed him back to the ship. A push by me and a pull by the ship’s bosun landed the hapless steward on the deck like a fish out of water. Not wasting any time, I was up the ladder and onto the main deck in a shot. Looking back I half expected to see the huge mouth and glistening white teeth of a fearsome crocodilian. However, nothing stirred as we drifted with the current. Looking back to the now empty river bank I knew that just beneath the surface, they were in the murky water looking for us. Firing the engines up again, I turned the ship away from the bank and back on course in the channel. Handing the helm over to the Quartermaster, I went below to get changed since we would be approaching the treacherous sand bar in about a half hour.
Hank Bracker
None of it was good enough for James Watson. I want my daughter. And then, when we ride out of there, I want that place burning down behind me. You sound like a cowboy, Leander had scoffed, and it was then, as they'd crossed the state line, that they hit on a plan that appealed to the both of them. "Hose thieves," Watson said, with some satisfaction. Araminta coughed in the driver's seat, but offered no commentary. Leander had grown up taking riding lessons; James had insisted he'd worked as a trail guide in college. ("He had not," Watson said, "worked as a trail guide in college.") They'd stopped at a twenty-four-hour Walmart and changed from their formal wear into flannel shirts and Carhartts and hats to hide their faces. They bought bolt cutters, shovels, fertilizer, two long-handled lighters, and three twenty-five-packs of Saturn Missile Extremely Loud Fireworks. They'd paid for it all in cash. After parking the car in the woods, they'd approached the facility on foot. The "school" was protected by a twelve-food-high fence crowned with barbed wire. Luckily, it wasn't electrified; less luckily, it was surrounded a spot close enough to the stables for their purposes. Then James chose a spot a mile farther along, laid down both bags of fertilizer, and started a massive fire. At the same time, Leander cut a hole in the fence big enough for a palomino, ducked through, and set off his pack of fireworks. They sang like missiles into the sky as he made his way to the stables. James Watson went for his daughter. In short order, the school was surrounded by fire engines and police cars.
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
You're a lot, you know?" Max tilted his head. "What do you mean?" "Well, for one thing, why do you still have your sunglasses on?" He removed them from his face, and hung them on the V-neck of his T-shirt. "I guess I'm just used to-" "Do you really think no one recognizes you as long as you keep your sunglasses on? I promise you that poor thing knew who you were." Max started to argue but Hadley continued. "So there you are, the great Max Cavanagh, asking her to reverse engineer a pancake with you in her second week of work. Yeah. That's a lot.
Bethany Turner (Hadley Beckett's Next Dish)
My clothes are burned, but wearable, if you ignore the burning garbage smell. I have on an ancient Germs T-shirt that my girlfriend lifted from a West Hollywood vintage shop for me, worn black jeans with holes in the knees, a pair of ancient engineer boots, and a battered leather motorcycle jacket, strategic points of which are held together with black gaffer’s tape. The heel of my right boot is loose from when I’d kicked the living Jesus out of some carjacking piece of shit after he dragged some screaming soccer mom to the pavement at a stoplight. I hate cops and I fucking hate goody-goody hero types, but there is some shit I will not put up with if it happens in front of me
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
Hellooo.” The ferry captain shot a thumb at her Jeep. “Gonna get it off ?” “Oh.” She laughed. “Sorry.” Releasing Nicole, she ran back onto the ferry and slid behind the wheel. By the time she revved the engine, Nicole was in the passenger’s seat, sliding a hand over the timeworn dashboard. “I am paying you for this.” Charlotte shot her a startled look and inched forward. “For this car? You are not.” “You wouldn’t have bought it if it weren’t for my book, and you won’t take money for that.” “Because it’s your book. I’m just along for the ride.” She laughed at her own words. “Can you believe, this is the first car I’ve ever owned?” She eased it onto the dock. “Is it real or what?” “Totally real,” Nicole said, though momentarily wary. “Safe on the highway?” “It got me here.” Charlotte waved at the captain. “Thank you!” Still crawling along, she drove carefully off the pier. When she was on firm ground, she stopped, angled sideways in the seat, and addressed the first of the ghosts. “I’m sorry about your dad, Nicki. I wanted to be there. I just couldn’t.” Seeming suddenly older, Nicole smiled sadly. “You were probably better off. There were people all over the place. I didn’t have time to think.” “A heart attack?” “Massive.” “No history of heart problems?” “None.” “That’s scary. How’s Angie?” Nicole’s mother. Charlotte had phoned her, too, and though Angie had said all the right words—Yes, a tragedy, he loved you, too, you’re a darling to call—she had sounded distracted. “Bad,” Nicole confirmed. “They were so in love. And he loved Quinnipeague. His parents bought the house when he was little. He actually proposed to Mom here. They always said that if I’d been a boy, they’d have named me Quinn. She can’t bear to come now. That’s why she’s selling. She can’t even come to pack up. This place was so him.” “Woo-hoo,” came a holler that instantly lifted the mood. “Look who’s here!” A stocky woman, whose apron covered a T-shirt and shorts, was trotting down the stairs from the lower deck of the Chowder House. Dorey Jewett had taken over from her father midway through Charlotte’s summers here and had brought the place up to par with the best of city restaurants. She had the gleaming skin of one who worked over steam, but the creases by her eyes, as much from smiling as from squinting over the harbor, suggested she was nearing sixty. “Missy here
Barbara Delinsky (The Right Wrong Number)