Engine Builder Quotes

We tend to hear much more about the splendors returned than the ships that brought them or the shipwrights. It has always been that way. Even those history books enamored of the voyages of Christopher Columbus do not tell much about the builders of the Nina the Pinta and the Santa Maria or about the principle of the caravel. These spacecraft their designers builders navigators and controllers are examples of what science and engineering set free for well-defined peaceful purposes can accomplish. Those scientists and engineers should be role models for an America seeking excellence and international competitiveness. They should be on our stamps.

One hundred years from now, our engineering may seem as archaic as the techniques used by medieval cathedral builders seem to today's civil engineers, while our craftsmanship will still be honored.

The platform builders and ecosystem engineers do not just open a door in the adjacent possible. They build an entire new floor.

Engineers are all too often unsung heroes; if we are ever, in truth, to travel between stars, it will be thanks to their aspirations and imagination... for they are the bridge builders.

You say that you trust no one, but I don't believe you. You trust constantly - even when you don't realize it. At the intersection, you trust that the other drivers will stop when their traffic lights are red; you trust the architects and builders when you walk into a building, the engineers when hopping onto a roller coaster, the cook when you're eating the meal prepared for you. To some extent you trust countless strangers on a daily basis. Just as you would have an extremely tough time surviving in this world with a full trust in all people, you would have an extremely tough time surviving in this world without any trust for any people.

The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge by David McCullough (Simon and Schuster, 1972) The Roebling Legacy by Clifford Zink (Princeton Landmark Publications, 2011) Silent Builder: Emily Warren Roebling and the Brooklyn Bridge by Marilyn E.

Scranton showed that we have been building and using jet engines in a completely trial-and-error experiential manner, without anyone truly understanding the theory. Builders needed the original engineers who knew how to twist things to make the engine work. Theory came later, in a lame way, to satisfy the intellectual bean counter.

At present there are only two land-based cranes in the world that could lift weights of this magnitude. At the very frontiers of construction technology, these are both vast, industrialized machines, with booms reaching more than 220 feet into the air, which require on-board counterweights of 160 tons to prevent them from tipping over. The preparation-time for a single lift is around six weeks and calls for the skills of specialized teams of up to 20 men.13 In other words, modern builders with all the advantages of high-tech engineering at their disposal, can barely hoist weights of 200 tons. Was it not, therefore, somewhat surprising that the builders at Giza had hoisted such weights on an almost routine basis?

In order to understand how engineers endeavor to insure against such structural, mechanical, and systems failures, and thereby also to understand how mistakes can be made and accidents with far-reaching consequences can occur, it is necessary to understand, at least partly, the nature of engineering design. It is the process of design, in which diverse parts of the 'given-world' of the scientist and the 'made-world' of the engineer are reformed and assembled into something the likes of which Nature had not dreamed, that divorces engineering from science and marries it to art. While the practice of engineering may involve as much technical experience as the poet brings to the blank page, the painter to the empty canvas, or the composer to the silent keyboard, the understanding and appreciation of the process and products of engineering are no less accessible than a poem, a painting, or a piece of music. Indeed, just as we all have experienced the rudiments of artistic creativity in the childhood masterpieces our parents were so proud of, so we have all experienced the essence of structual engineering in our learning to balance first our bodies and later our blocks in ever more ambitious positions. We have learned to endure the most boring of cocktail parties without the social accident of either our bodies or our glasses succumbing to the force of gravity, having long ago learned to crawl, sit up, and toddle among our tottering towers of blocks. If we could remember those early efforts of ours to raise ourselves up among the towers of legs of our parents and their friends, then we can begin to appreciate the task and the achievements of engineers, whether they be called builders in Babylon or scientists in Los Alamos. For all of their efforts are to one end: to make something stand that has not stood before, to reassemble Nature into something new, and above all to obviate failure in the effort.

The world's greatest computer is the brain. The world's greatest engine is the heart. The world's greatest generator is the soul. The world's greatest television is the mind. The world's greatest radio is the tongue. The world's greatest camera is the eye. The world's greatest ladder is faith. The world's greatest hammer is courage. The world's greatest sword is accuracy. The world's greatest photographer is sight. The world's greatest knife is fate. The world's greatest spear is intelligence. The world's greatest submerine is a fish. The world's greatest aeroplane is a bird. The world's greatest jet is a fly. The world's greatest bicycle is a camel. The world's greatest motorbike is a horse. The world's greatest train is a centipede. The world's greatest sniper is a cobra. The world's greatest schemer is a fox. The world's greatest builder is an ant. The world's greatest tailor is a spider. The world's greatest assassin is a wolf. The world's greatest ruler is a lion. The world's greatest judge is karma. The world's greatest preacher is nature. The world's greatest philosopher is truth. The world's greatest mirror is reality. The world's greatest curtain is darkness. The world's greatest author is destiny.

the so-called first-mover advantage is usually not an advantage. Industry pioneers often end up with arrows in their backs—while the horsemen, arriving later (Facebook after Myspace, Apple after the first PC builders, Google after the early search engines, Amazon after the first online retailers), get to feed off the carcasses of their predecessors by learning from their mistakes, buying their assets, and taking their customers.

The time capsule is a characteristically twentieth-century invention: a tragicomic time machine. It lacks an engine, goes nowhere, sits and waits. It sends our cultural bits and bobs traveling into the future at snail's pace. At our pace, that is. They travel through time in parallel with the rest of us, at our standard velocity of one second per second, one day per day... Builders of time capsules are projecting something forward into the future, but it's mainly their own imaginations. Like people who buy lottery tickets for the momentary dreams of riches, they get to dream of a time to come when, though long dead, they will be the cynosure of all eyes... Clear the airwaves: Dr. Thornwell Jacobs, Oglethorpe University, AD 1936, has something to say.

Because ease of use is the purpose, this ratio of function to conceptual complexity is the ultimate test of system design. Neither function alone nor simplicity alone defines a good design. This point is widely misunderstood. Operating System/360 is hailed by its builders as the finest ever built, because it indisputably has the most function. Function, and not simplicity, has always been the measure of excellence for its designers. On the other hand, the Time-Sharing System for the PDP-10 is hailed by its builders as the finest, because of its simplicity and the spareness of its concepts. By any measure, however, its function is not even in the same class as that of OS/360. As soon as ease of use is held up as the criterion, each of these is seen to be unbalanced, reaching for only half of the true goal.

There was nothing pretty or elegant about their robot. Compared to the gleaming machines other teams had constructed, Stinky was a study in simplicity. The PVC, the balloon, the tape measure—in each case they had chosen the most straightforward solution to a problem. It was an approach that grew naturally out of watching family members fix cars, manufacture mattresses, and lay irrigation piping. To a large swath of the population, driveway mechanics, box-frame builders, and gardeners did not represent the cutting edge of engineering know-how. They were low-skilled laborers who didn’t have access to real technology. Stinky represented this low-tech approach to engineering. But that was exactly what had impressed the judges. Lisa Spence, the NASA judge, believed that there was no reason to come up with a complex solution when an elementary one would suffice. She felt that Carl Hayden’s robot was “conceptually similar” to the machines she encountered at NASA. The guys were in shock. They marched back up to the stage and looked out at the audience with dazed smiles. Lorenzo felt a rush of emotion. The judges’ Special Prize wasn’t a consolation award. These people were giving them real recognition.

The granite complex inside the Great Pyramid, therefore, is poised ready to convert vibrations from the Earth into electricity. What is lacking is a sufficient amount of energy to drive the beams and activate the piezoelectric properties within them. The ancients, though, had anticipated the need for more energy than what would be collected only within the King's Chamber. They had determined that they needed to tap into the vibrations of the Earth over a larger area inside the pyramid and deliver that energy to the power center—the King's Chamber —thereby substantially increasing the amplitude of the oscillations of the granite. Modern concert halls are designed and built to interact with the instruments performing within. They are huge musical instruments in themselves. The Great Pyramid can be seen as a huge musical instrument with each element designed to enhance the performance of the other. While modern research into architectural acoustics might focus predominantly upon minimizing the reverberation effects of sound in enclosed spaces, there is reason to believe that the ancient pyramid builders were attempting to achieve the opposite. The Grand Gallery, which is considered to be an architectural masterpiece, is an enclosed space in which resonators were installed in the slots along the ledge that runs the length of the gallery. As the Earth's vibration flowed through the Great Pyramid, the resonators converted the vibrational energy to airborne sound. By design, the angles and surfaces of the Grand Gallery walls and ceiling caused reflection of the sound, and its focus into the King's Chamber. Although the King's Chamber also was responding to the energy flowing through the pyramid, much of the energy would flow past it. The specific design and utility of the Grand Gallery was to transfer the energy flowing through a large area of the pyramid into the resonant King's Chamber. This sound was then focused into the granite resonating cavity at sufficient amplitude to drive the granite ceiling beams to oscillation. These beams, in turn, compelled the beams above them to resonate in harmonic sympathy. Thus, with the input of sound and the maximization of resonance, the entire granite complex, in effect, became a vibrating mass of energy.

Builders are people who are curious, explorers. They like to invent. Even when they’re experts, they are ‘fresh’ with a beginner’s mind. They see the way we do things as just the way we do things now. A builder’s mentality helps us approach big, hard-to-solve opportunities with a humble conviction that success can come through iteration: invent, launch, reinvent, relaunch, start over, rinse, repeat, again and again. They know the path to success is anything but straight.”(Our emphasis).

For it to be successful, the architect must • remember that the builder has the inventive and creative responsibility for the implementation; so the architect suggests, not dictates; • always be prepared to suggest a way of implementing anything he specifies, and be prepared to accept any other way that meets the objectives as well; • deal quietly and privately in such suggestions; • be ready to forego credit for suggested improvements.

The success of the Contact Center 2.0 project is a testament to the skills of the engineers at ING and proof that “regular IT people” can transform into ace developers who build world-class software. These world-class software builders are everywhere. Companies need to find them and turn them loose. Make them feel like owners.

Almost three decades had passed since Paolo Cortazár and the breakaway fleet had passed through Laconia gate. Time enough to build a little civilization, a city, a culture. Time enough for him to confirm that alien engineers had designed the protomolecule as a bridge builder. They had thrown it into the stars like seeds to hijack whatever organic life it encountered and create ring gates into a pocket universe, a nexus between worlds. Until they died out, the slow zone and its rings had been the hub of an empire that defied human comprehension. And now, it would be again. A little bridge-building mechanism that overcame locality changed everything for all humanity

Jews ““For you it is good—you are not a Jew. It will be easier for you to enter the University. But Sasha is a Jew — for him, it will be difficult,” Galja said with the burr to her girl neighbor. The girl rushed back home, jumping over two-three stairs, stormed the door and shouted: “Granny, Granny! What does it mean to be a Jew? Is it something bad?” Poor girl, she didn’t know yet that she was also a Jew. He had to hide it from her to make her life easier in the USSR. Here, the Jews were not welcomed. In the USSR, it is good to be Russian.” (- Angelika Regossi, “Russian Colonial Food”. Chapter: Russia - Jews and Nicknames). Diversity “Communists noticed that Kazakhstan was incredibly big—the size of West Europe. Perfectly suitable for huge communist projects and experiments, which brought to Kazakhstan many scientists, engineers, agronomists, builders, and … Soviet secret service — to control the situation. “Kazakhs also have culture, their own, different from ours. They are Muslims. Oh, yeah, atheist, Soviet Muslims,” smiled Boris and added, “You said Kazaki, but they are Kazakhs, these two are different people. Let me explain,” Boris was happy to talk about something else than the Communist Party plans.” (- Angelika Regossi, “Russian Colonial Food”. Chapter: Kazakhstan - Home for Nuclear Tests). Disabled “Turkmens are very close people, but disabled Turkmens are even more. She decided to give him another—spiritual life, that’s why, each day she spent time telling him stories. He would not be like the millions disabled in the USSR: hidden in prison-like hospitals, with no hope and alone, bad treatment and food, closed to the outside world.” (- Angelika Regossi, “Russian Colonial Food”. Chapter: Turkmenia - Closed People). Traditions ““If I would marry Tajik, I would have to furnish our home and bring everything inside it. All from my father’s money. Because I would marry very young and would not earn yet. So, you have to be nice to your father, otherwise, he gives nothing or little,” smiled Nathalie and continued her wedding story, And … I would have this!” Nathalie jumped out of the sofa to the mirror and quickly drew something with a black pencil on her face. When she turned smiling, girlfriends were shocked …” (- Angelika Regossi, “Russian Colonial Food”. Chapter: Tajikia - Neighbour of Afghanistan).

Sometimes, looking at the map of Great Britain, we are struck by the improbability of the place. That strangely fashioned land with its curious prongs and protuberances, like a slender-waisted old woman soaring on piggyback over the continent of Europe, seems suddenly to acquire the air of an improvisation.

The Soviets persisted in offering no information as to the Chief Designer’s identity. For that matter, they identified no one involved in Gagarin’s flight other than Gagarin himself. Nor did they offer any pictures of the rocket or even such elementary data as its length and its rocket thrust. Far from casting any doubt as to the capabilities of the Soviet program, this policy seemed only to inflame the imagination. The Integral! Secrecy was by now accepted as “the Russian way.” Whatever the CIA might have been able to do in other parts of the world, in the Soviet Union they drew a blank. Intelligence about the Soviet space program remained very sketchy. Only two things were known: the Soviets were capable of launching a vehicle of tremendous weight, five tons; and whatever goal NASA set for itself, the Soviet Union reached it first. Using those two pieces of information, everyone in the government, from President Kennedy to Bob Gilruth, seemed to experience an involuntary leap of the imagination similar to that of the ancients … who used to look into the sky and see a clump of stars, sparks in the night, and deduce therefrom the contours of … an enormous bear! … the constellation Ursa Major! … On the evening of Gagarin’s flight, April 12, 1961, President Kennedy summoned James E. Webb and Hugh Dryden, Webb’s deputy administrator and NASA’s highest-ranking engineer, to the White House; they met in the Cabinet room and they all stared into the polished walnut surface of the great conference table and saw … the mighty Integral! … and the Builder!—the Chief Designer! … who was laughing at them … and it was awesome!

Such is the relationship between scientists and engineers and science fiction authors—we feed each other inspiration, the scientists and engineers use this to go and build the world, while the authors use this to tell the world what’s coming and to inspire a new generation of world-builders.

Today I Pray May I make no decision, engineer no change in the course of my lifestream, without calling upon my Higher Power. May I have faith that God’s plan for me is better than any scheme I could devise for myself. Today I Will Remember God is the architect. I am the builder.

For it to be successful, the architect must • remember that the builder has the inventive and creative responsibility for the implementation; so the architect suggests, not dictates; • always be prepared to suggest a way of implementing anything he specifies, and be prepared to accept any other way that meets the objectives as well; • deal quietly and privately in such suggestions; • be ready to forego credit for suggested improvements. Normally the builder will counter by suggesting changes to the architecture. Often he is right—some minor feature may have unexpectedly large costs when the implementation is worked out.

Therefore the most important function that software builders do for their clients is the iterative extraction and refinement of the product requirements. For the truth is, the clients do not know what they want. They usually do not know what questions must be answered, and they almost never have thought of the problem in the detail that must be specified. Even the simple answer—"Make the new software system work like our old manual information-processing system"—is in fact too simple. Clients never want exactly that. Complex software systems are, moreover, things that act, that move, that work. The dynamics of that action are hard to imagine. So in planning any software activity, it is necessary to allow for an extensive iteration between the client and the designer as part of the system definition.

If, as I believe, the conceptual structures we construct today are too complicated to be accurately specified in advance, and too complex to be built faultlessly, then we must take a radically different approach. Let us turn to nature and study complexity in living things, instead of just the dead works of man. Here we find constructs whose complexities thrill us with awe. The brain alone is intricate beyond mapping, powerful beyond imitation, rich in diversity, self-protecting, and self-renewing. The secret is that it is grown, not built. So it must be with our software systems. Some years ago Harlan Mills proposed that any software system should be grown by incremental development.[11] That is, the system should first be made to run, even though it does nothing useful except call the proper set of dummy subprograms. Then, bit by bit it is fleshed out, with the subprograms in turn being developed into actions or calls to empty stubs in the level below. I have seen the most dramatic results since I began urging this technique on the project builders in my software engineering laboratory class. Nothing in the past decade has so radically changed my own practice, or its effectiveness. The approach necessitates top-down design, for it is a top-down growing of the software. It allows easy backtracking. It lends itself to early prototypes. Each added function and new provision for more complex data or circumstances grows organically out of what is already there. The morale effects are startling. Enthusiasm jumps when there is a running system, even a simple one. Efforts redouble when the first picture from a new graphics software system appears on the screen, even if it is only a rectangle. One always has, at every stage in the process, a working system. I find that teams can grow much more complex entities in four months than they can build.

This really does attack essence. Because the build-on-package phenomenon does not today affect the average MIS programmer, it is not yet very visible to the software engineering discipline. Nevertheless, it will grow rapidly, because it does attack the essence of fashioning conceptual constructs. The shrink-wrapped package provides a big module of function, with an elaborate but proper interface, and its internal conceptual structure does not have to be designed at all. High-function software products such as Excel or 4th Dimension are big modules indeed, but they serve as known, documented, tested modules with which to build customized systems. Next-level application builders get richness of function, a shorter development time, a tested component, better documentation, and radically lower cost. The difficulty, of course, is that the shrink-wrapped software package is designed as a stand-alone entity whose functions and interfaces metaprogrammers cannot change. Moreover, and more seriously, shrink-wrapped package builders seemingly have little incentive to make their products suitable as modules in a larger system. I

the builders trusted in the power of communication. They didn't believe in the wisdom of the single individual, of even an experienced engineer. They believed in the wisdom of the group, the wisdom of making sure that multiple pairs of eyes were on a problem and then letting the watchers decide what to do. Man is fallible, but maybe men are less so.

Within the overall structure of a project there is always room for individuality and craftsmanship… One hundred years from now, our engineering may seem as archaic as the techniques used by medieval cathedral builders seem to today’s civil engineers, while our craftsmanship will still be honored.

Scranton showed that we have been building and using jet engines in a completely trial-and-error experiential manner, without anyone truly understanding the theory. Builders

One hundred years from now, our engineering may seem as archaic as the techniques used by medieval cathedral builders seem to today's civil engineers, while our craftsmanship will still be honored.

Many beginning bot builders head down to the local junkyard and purchase a couple of starter motors, assuming that any low-cost, 12-volt DC motor capable of spinning up an automobile engine must be really powerful and torquey. True enough, but starter motors, being series wound, must be modified to make them reverse. While starter motors have been used successfully to drive robots, it takes

On one occasion, when in New York City, I was in the night season called upon to behold buildings rising story after story toward heaven. These buildings were warranted to be fireproof, and they were erected to glorify their owners and builders. Higher and still higher these buildings rose, and in them the most costly material was used. Those to whom these buildings belonged were not asking themselves: "How can we best glorify God?" The Lord was not in their thoughts. {9T 12.1} I thought: "Oh, that those who are thus investing their means could see their course as God sees it! They are piling up magnificent buildings, but how foolish in the sight of the Ruler of the universe is their planning and devising. They are not studying with all the powers of heart and mind how they may glorify God. They have lost sight of this, the first duty of man." {9T 12.2} As these lofty buildings went up, the owners rejoiced with ambitious pride that they had money to use in gratifying self and provoking the envy of their neighbors. Much of the money that they thus invested had been obtained through exaction, through grinding down the poor. They forgot that in heaven an account of every business transaction is kept; every unjust deal, every fraudulent act, is there recorded. The time is coming when in their fraud and insolence men will reach a point that the Lord will not permit them to pass, and they will learn that there is a limit to the forbearance of Jehovah. {9T 12.3} The scene that next passed before me was an alarm of fire. Men looked at the lofty and supposedly fire-proof buildings and said: "They are perfectly safe." But these buildings were consumed as if made of pitch. The fire engines could do nothing to stay the destruction. The firemen were unable to operate the engines. {9T 13.1}

But then night would fall, revealing the sky’s hidden treasure—the stars, after all, weren’t gone during the day, merely obscured—and his loneliness would recede, supplanted by the sense that the universe, for all its inscrutable vastness, was not a hard, indifferent place in which some things were alive and others not and all that happened was a kind of accident, governed by the cold hand of physical law, but a web of invisible threads in which everything was connected to everything else, including him. It was along these threads that both the questions and the answers to life pulsed like an alternating current, all the pains and regrets but also happiness and even joy, and though the source of this current was unknown and always would be, a person could feel it if he gave himself a chance; and the time when Michael Fisher—Michael the Circuit, First Engineer of Light and Power, Boss of the Trade and builder of the Bergensfjord—felt it most was when he was looking at the stars.

My Mission (The Sonnet) I am not here to inspire butcher doctors, I am here to build humanitarian doctors. I am not here to entertain reckless coders, I am here to invigorate humanitarian coders. I am not here to arouse mindless engineers, I am here to torque up humanitarian engineers. I am not here to pamper crooked politicians, I am here to wake up the brave world builders. I am not here to applaud counterfeit philanthropy, I am here to energize humanitarian entrepreneurs. I am not here to peddle the glory of logic over life, I'm here to raise humanitarian scientists 'n philosophers. There is no rest till humanity courses through human veins. My mission is to flood the world with humanitarians by the thousands.

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A carpenter faces the accusation of his level, an electrician must answer the question of whether the lights are in fact on, a speed shop engine builder sees his results in a quarter-mile time slip. Such standards have a universal validity that is apparent to all, yet the discriminations made by practitioners of an art respond also to aesthetic subtleties that may not be visible to the bystander. Only a fellow journeyman is entitled to say “nicely done.

Centuries ago, if you had wanted to build a large structure such as a bridge or a cathedral you would have engaged a master builder. He would have had some knowledge of what it takes to give a structure strength and stability with the least possible expense and effort. He would not have been able to express much of this knowledge in the language of mathematics and physics, as we can today. Instead, he relied mainly on a complex collection of intuitions, habits and rules of thumb, which he had learned from his apprentice-master and then perhaps amended through guesswork and long experience. Even so, these intuitions, habits and rules of thumb were in effect theories, explicit and inexplicit, and they contained real knowledge of the subjects we nowadays call engineering and architecture. It was for the knowledge in those theories that you would have hired him, pitifully inaccurate though it was compared with what we have today, and of very narrow applicability. When admiring centuries-old structures, people often forget that we see only the surviving ones. The overwhelming majority of structures built in medieval and earlier times have collapsed long ago, often soon after they were built. That was especially so for innovative structures. It was taken for granted that innovation risked catastrophe, and builders seldom deviated much from designs and techniques that had been validated by long tradition. Nowadays, in contrast, it is quite rare for any structure – even one that is unlike anything that has ever been built before – to fail because of faulty design. Anything that an ancient master builder could have built, his modern colleagues can build better and with far less human effort. They can also build structures which he could hardly have dreamt of, such as skyscrapers and space stations. They can use materials which he had never heard of, such as fibreglass or reinforced concrete, and which he could hardly have used even if he could somehow have been given them, for he had only a scanty and inaccurate understanding of how materials work. Progress to our current state of knowledge was not achieved by accumulating more theories of the same kind as the master builder knew.

Quadlings consider to fight," said Turtle Heart. "Because they think this is only the start. When the builders to test the soil and to sift water, they to learn of things Quadlings are smart for ever, but Quadlings to keep still." "Things you know?" "Turtle Heart to speak of rubies," he said with a great sigh. "Rubies under the water. Red as pigeon blood. Engineers to say: Red corundum in bands of crystalline limestone under swamp. Quadlings to say: the blood of Oz." "Like the red glass you make?" said Melena. "Ruby glass to come by adding gold chloride," said Turtle Heart. "But Quadling Country to sit atop real deposits of real rubies. And the news is sure to go to the Emerald City with the builders. What to follow is horror upon horror." "How do you know?" snapped Melena. "To look in glass," said Turtle Heart, pointing to the roundel he had made as a toy for Elphaba, "is to see the future, in blood and rubies." "I don't believe in seeing the future. That smacks of the pleasure faith," said Flex fiercely. "The fatalism of the Time Dragon. Pfaah. No, the Unnamed God has an unnamed history for us, and prophecy is merely guesswork and fear." "Fear and guesswork is enough to make Turtle Heart to leave Quadling Country, then," said the Quadling glassblower without apology. "Quadlings do not to call their religion a pleasure faith, but they to listen to signs and to watch for messages. As the water to run red with rubies it will run with the blood of Quadlings.

A piano builder or restorer, then, has to be part master carpenter and part structural engineer, fitting a mechanism as intricate as the finest timepiece into a wooden cabinet that is strengthened with a massive steel frame. A musical historian I once met commented that the mechanism was as complicated as a clock. ‘But the big difference’, he pointed out, ‘is that you don’t pound on a clock.’ This combination of delicacy and sturdiness, of finesse and vigor, makes the piano unique, and the skills to build or repair it are not often found in one person.

Bluestone Construction is a luxury home builder in Asheville, NC, and Greenville, SC. Owned and managed by Kevin Reed, a mechanical engineer with over 25 years’ experience building high end custom homes in the Upstate area, and almost 30 years’ experience managing multi-million dollar projects, we build exquisite custom homes to last for generations with the highest levels of integrity, quickly earning and maintaining your trust. From design to preservation, our custom homes inspire.

Margot Ammann Durrer is the daughter of the Swiss structural engineer and bridge builder, Othmar H. Ammann.

It was only after World War II that Stanford began to emerge as a center of technical excellence, owing largely to the campaigns of Frederick Terman, dean of the School of Engineering and architect-of-record of the military-industrial-academic complex that is Silicon Valley. During World War II Terman had been tapped by his own mentor, presidential science advisor Vannevar Bush, to run the secret Radio Research Lab at Harvard and was determined to capture a share of the defense funding the federal government was preparing to redirect toward postwar academic research. Within a decade he had succeeded in turning the governor’s stud farm into the Stanford Industrial Park, instituted a lucrative honors cooperative program that provided a camino real for local companies to put selected employees through a master’s degree program, and overseen major investments in the most promising areas of research. Enrollments rose by 20 percent, and over one-third of entering class of 1957 started in the School of Engineering—more than double the national average.4 As he rose from chairman to dean to provost, Terman was unwavering in his belief that engineering formed the heart of a liberal education and labored to erect his famous “steeples of excellence” with strategic appointments in areas such as semiconductors, microwave electronics, and aeronautics. Design, to the extent that it was a recognized field at all, remained on the margins, the province of an older generation of draftsmen and machine builders who were more at home in the shop than the research laboratory—a situation Terman hoped to remedy with a promising new hire from MIT: “The world has heard very little, if anything, of engineering design at Stanford,” he reported to President Wallace Sterling, “but they will be hearing about it in the future.

The Pragmatic Programmer, a well-regarded book in the computer programming field, makes this connection between code and old-style craftsmanship more directly by quoting the medieval quarry worker’s creed in its preface: “We who cut mere stones must always be envisioning cathedrals.” The book then elaborates that computer programmers must see their work in the same way: Within the overall structure of a project there is always room for individuality and craftsmanship… One hundred years from now, our engineering may seem as archaic as the techniques used by medieval cathedral builders seem to today’s civil engineers, while our craftsmanship will still be honored.

There's a type out there sees an architect or an engineer, an industrialist, as a sort of titan. A god among men. I don't figure the titan thinks much about it. I think he's a freak of nature, got eyes like steel, got a bulletproof heart. Guys like that don't compete with each other, they compete with all history and all the future too, and they do it with ice water in their veins. Maybe they're right, to waste not a minute wondering whether they might be wrong. How would them pyramids have come to be, weren't for slave drivers and forced labor?

Sumerian myths and legends of the antediluvian world do much more than speak of the five cities. They also tell an extraordinary story of how their ancestors, who lived in the 'most ancient times', were visited by a brotherhood of semi-divine beings described as half men, half fish, who had been 'sent [by the gods] to teach the arts of civilization to mankind before the Flood' and who had themselves 'emerged from the sea'. The collective name by which these creatures were known was the 'Seven Sages' and the name of their leader was Oannes. Each of them was paired as a 'counsellor' to an antediluvian king and they were renowned for their wisdom in affairs of state and for their skills as architects, builders and engineers.

if we were to build a Great Pyramid today, we would need a lot of patience. In preparation for his book "5/5/2000 Ice: The Ultimate Disaster", Richard Noone asked Merle Booker, technical director of the Indiana Limestone Institute of America, to prepare a time study of what it would take to quarry, fabricate, and ship enough limestone to duplicate the Great Pyramid. Using the most modern quarrying equipment available for cutting, lifting, and transporting the stone, Booker estimated that the present-day Indiana limestone industry would need to triple its output, and it would take the entire industry, which as I have said includes thirty-three quarries, twenty-seven years to fill the order for 131,467,940 cubic feet of stone. These estimates were based on the assumption that production would proceed without problems. Then we would be faced with the task of putting the limestone blocks in place. The level of accuracy in the base of the Great Pyramid is astounding, and is not demanded, or even expected, by building codes today. Civil engineer Roland Dove, of Roland P. Dove & Associates, explained that .02 inch per foot variance was acceptable in modern building foundations. When I informed him of the minute variation in the foundation of the Great Pyramid, he expressed disbelief and agreed with me that in this particular phase of construction, the builders of the pyramid exhibited a state of the art that would be considered advanced by modern standards.

Current theories regarding the function and construction of the pyramid fall short. A credible theory would have to explain the following conditions found inside the Great Pyramid: -The selection of granite as the building material for the King's Chamber. It is evident that in choosing granite, the builders took upon themselves an extremely difficult task. -The presence of four superfluous chambers above the King's Chamber. -The characteristics of the giant granite monoliths that were used to separate these so-called "construction chambers." -The presence of exuviae, or the cast-off shells of insects, that coated the chamber above the King's Chamber, turning those who entered black. -The violent disturbance in the King's Chamber that expanded its walls and cracked the beams in its ceiling but left the rest of the Great Pyramid seemingly undisturbed. -The fact that the guardians were able to detect the disturbance inside the King's Chamber, when there was little or no exterior evidence of it. -The reason the guardians thought it necessary to smear the cracks in the ceiling of the King's Chamber with cement. -The fact that two shafts connect the King's Chamber to the outside. -The design logic for these two shafts—their function, dimensions, features, and so forth.

For the rest the old trapper was glad to see the last of habitations, and of men, and of the railroad. Slingerland hated that great, shining steel band of progress connecting East and West. Every ringing sledge-hammer blow had sung out the death-knell of the trapper’s calling. This railroad spelled the end of the wilderness. What one group of greedy men had accomplished others would imitate; and the grass of the plains would be burned, the forests blackened, the fountains dried up in the valleys, and the wild creatures of the mountains driven and hunted and exterminated. The end of the buffalo had come — the end of the Indian was in sight — and that of the fur-bearing animal and his hunter must follow soon with the hurrying years. Slingerland hated the railroad, and he could not see as Neale did, or any of the engineers or builders. This old trapper had the vision of the Indian — that far-seeing eye cleared by distance and silence, and the force of the great, lonely hills. Progress was great, but nature undespoiled was greater. If a race could not breed all stronger men, through its great movements, it might better not breed any, for the bad over-multiplied the good, and so their needs magnified into greed. Slingerland saw many shining bands of steel across the plains and mountains, many stations and hamlets and cities, a growing and marvelous prosperity from timber, mines, farms, and in the distant end — a gutted West.

While M-strengths receive little emphasis or nurturing in most school curricula, they play an essential role in many adult occupations. Designers, mechanics, engineers, surgeons, radiologists, electricians, plumbers, carpenters, builders, skilled artisans, dentists, orthodontists, architects, chemists, physicists, astronomers, drivers of trucks, buses, and taxis, and computer specialists (especially in areas like networking, program and systems architecture, and graphics) all rely on M-strengths for much of what they do.

Globalization is more than a process of corporate expansion, free trade, and instant communications; it is also about a radical ideology, a humanist religion, an effort to replace national sovereignty with global governance and deliver great wealth to the few elite. It is empowered by progressivism and other nefarious societal engines like Marxism, communism that promises utopia but results in massive vulnerabilities for most people and robs those citizens of their basic freedoms. Do you want to understand this sort of chaos that is now threatening every corner of our world? Then you better investigate globalization and all its prickly tentacles.

Protected by plate armor and the pride of chivalry, the noble felt himself invulnerable and invincible and became increasingly contemptuous of the foot soldier. He believed that commoners, being excluded from chivalry, could never be relied upon in war. As grooms, baggage attendants, foragers, and road-builders—the equivalent of engineer corps—they were necessary, but as soldiers in leather jerkins armed with pikes and billhooks, they were considered an encumbrance who in a sharp fight would “melt away like snow in sunshine.” This was not simple snobbism but a reflection of experience in the absence of training. The Middle Ages had no equivalent of the Roman legion. Towns maintained trained bands of municipal police, but they tended to fill up their contingents for national defense with riff-raff good for nothing else. Abbeys had better use for their peasants than to employ their time in military drill. In any epoch the difference between a rabble and an army is training, which was not bestowed on foot soldiers called up by the arrière-ban. Despised as ineffective, they were ineffective because they were despised.

Look at its power,’ he continued. ‘Five thousand years on it still gets you. It involves you whether you like it or not … It forces you into a process of thinking … forces you to learn. The minute you ask a question about it you’ve asked a question about engineering, you’ve asked a question about geometry, you’ve asked a question about astronomy. So it forces you to learn about engineering and geometry and astronomy, and gradually you begin to realize how sophisticated it is, how incredibly clever and skilful and knowledgeable its builders must have been, which forces you to ask questions about mankind, about human history, eventually about yourself too. You want to find out. This is the power of the thing.

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