Engage Kiss Quotes

We've searched our database for all the quotes and captions related to Engage Kiss. Here they are! All 100 of them:

I really feel that we're not giving children enough credit for distinguishing what's right and what's wrong. I, for one, devoured fairy tales as a little girl. I certainly didn't believe that kissing frogs would lead me to a prince, or that eating a mysterious apple would poison me, or that with the magical "Bibbity-Bobbity-Boo" I would get a beautiful dress and a pumpkin carriage. I also don't believe that looking in a mirror and saying "Candyman, Candyman, Candyman" will make some awful serial killer come after me. I believe that many children recognize Harry Potter for what it is, fantasy literature. I'm sure there will always be some that take it too far, but that's the case with everything. I believe it's much better to engage in dialog with children to explain the difference between fantasy and reality. Then they are better equipped to deal with people who might have taken it too far.
J.K. Rowling
From the first day I met her, she was the only woman to me. Every day of that voyage I loved her more, and many a time since have I kneeled down in the darkness of the night watch and kissed the deck of that ship because I knew her dear feet had trod it. She was never engaged to me. She treated me as fairly as ever a woman treated a man. I have no complaint to make. It was all love on my side, and all good comradeship and friendship on hers. When we parted she was a free woman, but I could never again be a free man.
Arthur Conan Doyle (The Return of Sherlock Holmes (Sherlock Holmes, #6))
How much time do I get in exchange for that rose?” For the rose, a short engagement. For the speech, you get a lifetime.” I can live with that,” he said, and kissed her.
Laura Lee Guhrke (Guilty Pleasures (Guilty, #1))
This isn’t about romance. A proper kiss, a proper courtship. There’s a way these things should be done.” “For proper thieves?” The corners of her beautiful mouth curled and for a moment he was afraid she would laugh at him, but she simply shook her head and drew even nearer. Her body was the barest breath from his now. The need to close that scrap of distance was maddening. “The first day you showed up at my house for this proper courtship, I would have cornered you in the pantry,” she said. “But please, tell me more about Fjerdan girls.” “They speak quietly. They don’t engage in flirtations with every single man they meet.” “I flirt with the women too.” “I think you’d flirt with a date palm if it would pay you any attention.” “If I flirted with a plant, you can bet it would stand up and take notice. Are you jealous?” “All the time.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Listen.” The voice is extremely loud, and I am forced to hold the telephone away from my ear. “I don’t know who you are, or why you have Jack’s phone, but he is my boyfriend, and—” Boyfriend? What is a boyfriend? Perhaps it is something like a beau. “Is he engaged to you, then?” I hope not. “What? No. Of course not.” “Oh, what a relief. He is my true love, and you do not sound very nice.” “What? Listen, you . . .” And then, strangely enough, she calls me a female dog.
Alex Flinn (A Kiss in Time)
We said good-bye, and Dill went inside the house. He evidently remembered he was engaged to me, for he ran back out and kissed me swiftly in front of Jem. "Yawl write, hear?" he bawled after us.
Harper Lee (To Kill a Mockingbird)
But then, Phillip reminded me of something that happened so long ago, I had completely forgotten it. He reminded of when we were ten, and he gave me my first kiss. We were on the swings out behind school, and right after he kissed me, he got up and ran away. Then all of a sudden, he stopped, turned around and yelled back, Will you marry me someday? And I yelled back to him, YES! And so he said that if people ask, I could tell them that we've been secretly engaged for the past twelve years. And so,.. you will probably all think I am very crazy, but I had to say YES again tonight!
Jillian Dodd (That Boy (That Boy, #1))
Helen, You ask if I regret our engagement. No. I regret every minute that you're out of my sight. I regret every step that doesn't bring me closer to you. My last thought each night is that you should be in my arms. There is no peace or pleasure in my empty bed, where I sleep with you only in dreams and wake to curse the dawn. If I had the right, I would forbid you to go anywhere without me. Not out of selfishness, but because being apart from you is like trying to live without breathing. Think on that. You've stolen my very breath, cariad. And now I'm left to count the days until I take it back from you, kiss by kiss. Winterborne
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
It took me years to learn to sit at my desk for more than two minutes at a time, to put up with the solitude and the terror of failure, and the godawful silence and the white paper. And now that I can take it . . . now that I can finally do it . . . I'm really raring to go. I was in my study writing. I was learning how to go down into myself and salvage bits and pieces of the past. I was learning how to sneak up on the unconscious and how to catch my seemingly random thoughts and fantasies. By closing me out of his world, Bennett had opened all sorts of worlds inside my own head. Gradually I began to realize that none of the subjects I wrote poems about engaged my deepest feelings, that there was a great chasm between what I cared about and what I wrote about. Why? What was I afraid of? Myself, most of all, it seemed. "Freedom is an illusion," Bennett would have said and, in a way, I too would have agreed. Sanity, moderation, hard work, stability . . . I believed in them too. But what was that other voice inside of me which kept urging me on toward zipless fucks, and speeding cars and endless wet kisses and guts full of danger? What was that other voice which kept calling me coward! and egging me on to burn my bridges, to swallow the poison in one gulp instead of drop by drop, to go down into the bottom of my fear and see if I could pull myself up? Was it a voice? Or was it a thump? Something even more primitive than speech. A kind of pounding in my gut which I had nicknamed my "hunger-thump." It was as if my stomach thought of itself as a heart. And no matter how I filled it—with men, with books, with food—it refused to be still. Unfillable—that's what I was. Nymphomania of the brain. Starvation of the heart.
Erica Jong (Fear of Flying)
There used to be two kinds of kisses: First when girls were kissed and deserted; second, when they were engaged. Now there's a third kind, where the man is kissed and deserted. If Mr. Jones of the nineties bragged he'd kissed a girl, everyone knew he was through with her. If Mr. Jones of 1919 brags the same, everyone knows it's because he can't kiss her any more. Given a decent start any girl can beat a man nowadays.
F. Scott Fitzgerald (This Side of Paradise)
Charlotte Stokehurst,” Violet Bridgerton announced, “is getting married.” “Today?” Hyacinth queried, taking off her gloves. Her mother gave her a look. “She has become engaged. Her mother told me this morning.” Hyacinth looked around. “Were you waiting for me in the hall?” “To the Earl of Renton,” Violet added. “Renton.” “Have we any tea?” Hyacinth asked. “I walked all the way home, and I’m thirsty.” “Renton!” Violet exclaimed, looking about ready to throw up her hands in despair. “Did you hear me?” “Renton,” Hyacinth said obligingly. “He has fat ankles.” “He’s—” Violet stopped short. “Why were you looking at his ankles?
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Sam chuckled. “She probably won’t be too mad. Go. Get it over with.” Easy for Sam to say. She knew exactly where she stood in her relationship with Amir. She was happily engaged and never had to worry about secret kisses under blankets because she was a good Muslim girl and would never do such a thing. I, alas, was not a good Muslim girl.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Im gonna be a pretender the rest of my life. Pretending i dont wish every girl i kiss isnt you. Pretending i dont wish every girl i sleep with isnt you. Im gonna have to pretend i dont wish my next relationship wont be with you. Pretend that i dont wish the girl i get engaged to isnt you. Pretend i dont wish the girl i marry isnt you. Pretend i dont wish the mother of my kids to be you. Pretend its not you i want to spend the rest of my life with. Everything will be a lie the rest of my life. Thats so hard to accept.
Michael A. Perez
And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation that plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transfused them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.
Caitlin Moran
We stare at each other. We both sound witless, but at least I have an excuse: What do I say to a prince who kissed me, then told me to get the hell out of his kingdom, then protected me from a beast, before getting engaged overnight?
Gina Chen (Violet Made of Thorns)
I’ll talk to my mother,” she promised. “If I’m sufficiently annoying, I’m sure I can get the engagement period cut in half.” “It makes me wonder,” he said. “As your future husband, should I be concerned by your use of the phrase if I’m sufficiently annoying?” “Not if you accede to all of my wishes.” “A sentence that concerns me even more,” he murmured. She did nothing but smile.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Her knees wobbled, but Mason’s strong arms kept her upright. She tangled her fingers in the back of his hair, and suddenly, her brain engaged. She pulled back, breathless. “I’m sorry. I wasn’t thinking.” Mason loosened his grip on her, shaking his head. “I will never be sorry you stopped thinkin’, darlin’.” His crooked smile almost lured her to kiss him again. So much for imagining he kissed like a wet vacuum. It was the opposite, in fact. Now she realized she’d never really been kissed until tonight.
Lisa Kessler (Devoted to Destiny (Muse Chronicles, #5))
The next day, I am almost afraid. Love? It was more like dragonflies in the sun, 100 degrees at noon, the ends of their abdomens stuck together. I close my eyes when I remember. I hardly knew myself, like something twisting and twisting out of a chrysalis, enormous, without language, all head, all shut eyes, and the humming like madness, the way they writhe away, and do not leave, back, back, away, back. Did I know you? No kiss, no tenderness—more like killing, death-grip holding to life, genitals like violent hands clasped tight barely moving, more like being closed in a great jaw and eaten, and the screaming. I groan to remember it, and when we started to die, then I refuse to remember, the way a drunkard forgets. After, you held my hands extremely hard as my body moved in shudders like the ferry when its axle is loosed past engagement, you kept me sealed exactly against you, our hairlines wet as the arc of a gateway after a cloudburst, you secured me in your arms till I slept - clasped, fragrant, buoyant, that was the morning after love.
Sharon Olds
There is something mind-blowing about a man I can hardly stand, clutching my neck, while his other hand sinks into the back of my hair as we engage in a frenzied world ending kiss.
V. Theia (Manhattan Tormentor (From Manhattan #7))
I believe that women ought to be more proactive about making choices in life. I think that I am not happy about seeing women take the passenger's seat and playing the victim game all too often. If you know a guy is engaged, don't kiss him! There is another woman in the situation whom you are hurting and that other woman could have very well been you, your sister, your mother! If someone is committed, don't sleep with him! There is another woman in the picture that is going to get hurt and that other woman is your sister, just because she is a woman too! This is the kind of proactive I want to see in women, everywhere. We're not victims of the choices that we make; we made those choices! Is another woman doing good? More successful? Happier? Good for her. Because she is your sister and she could very well be you. Let's respect the relationships, the personal paths, the doors and the walkways of our fellow women and let us wish one another the utmost happiness. Because this is the only way up and out.
C. JoyBell C.
Pay up." Eve rolled over, rubbed her bare butt, and wondered if she'd have rug burns. Still vibrating from the last orgasm, she closed her eyes again. "Huh?" "Fifty credits." He leaned over, gently kissed the tip of her breast. "You lost, Lieutenant." "I'm naked," she pointed out. "I don't generally keep credits up my -- " "I'm happy to take your IOU." He rose, all graceful, gleaming muscles, and took a memo card from his console. "Here you are." Handed it to her. She stared down at it, knowing dignity was as lost as the fifty credits. "You're really enjoying this." "Oh, more than you can possibly imagine." Scowling at him, she engaged the memo. "I owe you, Roarke, fifty credits, Dallas, Lieutenant Eve." She shoved the memo at him. "Satisfied." "In every possible way." He thought, sentimentally, that he would tuck the memo away with the little gray suit button he'd kept from their very first meeting. "I love you, Dallas, Lieutenant Eve, in every possible way.
J.D. Robb (Ceremony in Death (In Death, #5))
His blue eyes brightened with a smile. 'I did.' He looked over his shoulder, as if making sure her mom wasn't looking. The he pulled her against him and kissed her. A soft kiss. 'I got you something,' He whispered, his lips breathing words against hers. He reached into his coat pocket and pulled out a ring. A gold ring with a large diamond. A beautiful, teardrop-shaped diamond that looked like an engagement ring. Kylie's breath caught. 'It was my grandmother's ring. In her letter she wrote you should have it. And before you start panicking, let me say that I know maybe we're too young to call it an engagement, That's why I got you this too.' He pulled out a gold chain 'I want you to wear it around your neck. Call it a promise- A promise that when you do slip a ring on that finger...' He ran his hand down to her left hand. 'That it'll be my ring.' Emotion rose in her chest 'You don't have to give me anything for me to give you that promise.
C.C. Hunter (Chosen at Nightfall (Shadow Falls, #5))
There was no mistake," he said. "You freely gave me a kiss because I kept silent about supposed engagement." Well, you could have been more gentlemanly about it," she said with a sniff. "If I'd been gentlemanly, you wouldn't have enjoyed it half as much.
Vicky Dreiling (What a Wicked Earl Wants (The Sinful Scoundrels, #1))
Helen, You ask if I regret our engagement. No. I regret every minute that you’re out of my sight. I regret every step that doesn’t bring me closer to you. My last thought each night is that you should be in my arms. There is no peace or pleasure in my empty bed, where I sleep with you only in dreams and wake to curse the dawn. If I had the right, I would forbid you to go anywhere without me. Not out of selfishness, but because being apart from you is like trying to live without breathing. Think on that. You’ve stolen my very breath, cariad. And now I’m left to count the days until I take it back from you, kiss by kiss. Winterborne
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
I took her in my arms and kissed her. And thus in the midst of a city of wild conflict, filled with the alarms of war; with death and destruction reaping their terrible harvest around her, did Dejah Thoris, Princess of Helium, true daughter of Mars, the God of War, promise herself in marriage to John Carter, Gentleman of Virginia.
Edgar Rice Burroughs
There was no point being a fan these days if you weren't willing to go the extra mile for your idols. It wasn't enough anymore to send them fan mail and kiss the posters above our beds. These days you weren't a true fan until you engaged in Twitter death threats and endless stan wars. The fandom landscape was peppered with land mines, and there was no other way to navigate it but to walk until you hit one. You come out the other side a little crazier, yeah, but you're also stronger. You are a true believer. You will do anything for the object of your affection.
Goldy Moldavsky (Kill the Boy Band)
I touched Loki's chest, running my fingers over the bumps of his scar. I didn't know why exactly, but I felt compelled to, as if the scar connected us somehow. "You just couldn't wait to get me naked, could you, Princess?" Loki asked tiredly. I started to pull my hand back, but he put his own hand over it, keeping it in pace. "No,I-I was checking for wounds," I stumbled. I wouldn't meet his gaze. "I'm sure." He moved his thumb, almost caressing my hand, until it hit my ring. "What's that?" He tried to sit up to see it, so I lifted my hand, showing him the emerald-encrusted oval on my finger. "Is that a wedding ring?" "No, engagement." I lowered my hand, resting it on the bed next to him. "I'm not married yet." "I'm not too late, then." He smiled and settled back in the bed. "Too late for what?" I asked. "To stop you, of course." Still smiling, he closed his eyes. "Is that why you're here?" I asked, failing to point out how near we were to my nuptials. "I told you why I'm here," Loki said. "What happened to you, Loki?" I asked, my voice growing thick when I thought about what he had to have gone through to get all those marks and bruises. "Are you crying?" Loki asked and opened his eyes. "No, I'm not crying." I wasn't, but my eyes were moist. "Don't cry." He tried to sit up, but he winced when he lifted his head, so I put my hand gently on his chest to keep him down. "You need to rest," I said. "I will be fine." He put his hand over mine again, and I let him. "Eventually." "Can you tell me what happened?" I asked. "Why do you need amnesty?" "Remember when we were in the garden?" Loki asked. Of course I remembered. Loki had snuck in over the wall and asked me to run away with him. I had declined, but he'd stolen a kiss before he left, a rather nice kiss. My cheeks reddened slightly at the memory, and that make Loki smile wider. "I see you do." He grinned. "What does that have to do with anything?" I asked. "That doesn't," Loki said, referring to the kiss. "I meant when I told you that the King hates me. He really does, Wendy." His eyes went dark for a minute. "The Vittra King did this to you?" I asked, and my stomach tightened. "You mean Oren? My father?" "Don't worry about it now," he said, trying to calm the anger burning in my eyes. "I'll be fine." "Why?" I asked. "Why does the King hate you? Why did he do this to you?" "Wendy, please." He closed his eyes. "I'm exhausted. I barely made it here. Can we have this conversation when I'm feeling a bit better? Say, in a month or two?" "Loki," I said with a sigh, but he had a point. "Rest. But we will talk tomorrow. All right?" "As you wish, Princess," he conceded, and he was already drifting back to sleep again. I sat beside him for a few minutes longer, my hand still on his chest so I could feel his heartbeat pounding underneath. When I was certain he was asleep, I slid my hand out from under his, and I stood up.
Amanda Hocking (Ascend (Trylle, #3))
Cinder." Kai pulled one leg onto the bank, turning his body so they were facing each other. He took her hands between his and her heart began to drum unexpectedly. Not because of his touch, and not even because of his low, serious tone, but because it occurred to Cinder all at once that Kai was nervous. Kai was never nervous. "I asked you once," he said, running his thumbs over her knuckles, "if you thought you would ever be willing to wear a crown again. Not as the queen of Luna, but ... as my empress. And you said that you would consider it, someday." She swallowed a breath of cool night air. "And ... this is that day?" His lips twitched, but didn't quite become a smile. "I love you. I want to be with you for the rest of my life. I want to marry you, and, yes, I want you to be my empress." Cinder gaped at him for a long moment before she whispered, "That's a lot of wanting." "You have no idea." She lowered her lashes. "I might have some idea." Kai released one of her hands and she looked up again to see him reaching into his pocket - the same that had held Wolf's and Scarlet's wedding rings before. His fist was closed when he pulled it out and Kai held it toward her, released a slow breath, and opened his fingers to reveal a stunning ring with a large ruby ringed in diamonds. It didn't take long for her retina scanner to measure the ring, and within seconds it was filling her in on far more information than she needed - inane worlds like carats and clarity scrolled past her vision. But it was the ring's history that snagged her attention. It had been his mother's engagement ring once, and his grandmother's before that. Kai took her hand and slipped the ring onto her finger. Metal clinked against metal, and the priceless gem looked as ridiculous against her cyborg plating as the simple gold band had looked on Wolf's enormous, deformed, slightly hairy hand. Cinder pressed her lips together and swallowed, hard, before daring to meet Kai's gaze again. "Cinder," he said, "will you marry me?" Absurd, she thought. The emperor of the Eastern Commonwealth was proposing to her. It was uncanny. It was hysterical. But it was Kai, and somehow, that also made it exactly right. "Yes," she whispered. "I will marry you." Those simple words hung between them for a breath, and then she grinned and kissed him, amazed that her declaration didn't bring the surge of anxiety she would have expected years ago. He drew her into his arms, laughing between kisses, and she suddenly started to laugh too. She felt strangely delirious. They had stood against all adversity to be together, and now they would forge their own path to love. She would be Kai's wife. She would be the Commonwealth's empress. And she had every intention of being blissfully happy for ever, ever after.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
This kiss is a gold medal winner, a heart breaker, a soul stealer, a dream. This kiss is everything I never knew I needed. This is the kiss that will ruin me, I know it is, but because it’s so brain-meltingly decadent, I don’t care. I’ll worry about my ruination later.
J.T. Geissinger (Rules of Engagement)
Ran into him?  Are you not together?" Cassie shook her head.  "No." Gage contradicted her by saying, "We are.  We're getting married." Cassie leaned into him and hissed.  "Would you stop telling people that."  She turned back to Sam and gave her a smile.  "We're not getting married." Gage used Cassie's hair to tip her head back again.  He leaned over, giving her another kiss before saying, "Sunshine, we are." Cassie yanked her hair out of his fist and took a step away from him.  "Honey limpkins," she said, sarcastically, "we are not.
Sarah Curtis (Engaging (Alluring, #2))
Although…it does raise an important question.” “Yes?” “We have both admitted we love each other.” “Yes?” “And we’re engaged.” “Yes?” “May I finally kiss you?” Friedrich said in a tone of long suffering. Cinderella laughed so hard he stood up rather than remaining crouched on the ground. “Are you done?” he asked. “Yes.
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
For years I felt guilty about it. Guilty that we kissed for the first time while the city burned, guilty that I was able to lose myself in you in that moment. But later I learned that we weren’t alone. People told me in whispers that they’d had sex that day. That they’d conceived a child. They’d gotten engaged. Said I love you for the first time. There’s something about death that makes people want to live. We wanted to live that day, and I don’t blame us for it. Not anymore.
Jill Santopolo (The Light We Lost)
And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation the plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transformed them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.
Caitlin Moran (Moranifesto)
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
bonobos, related to chimpanzees and native to the Congo, have been found to engage in French kissing.
Karen Shanor (Bats Sing, Mice Giggle: The Surprising Science of Animals' Inner Lives)
Tell me what you want." Before her brain could engage, she kissed him again and whispered, "You. You're what I want.
Lisa Kessler (Devoted to Destiny (Muse Chronicles, #5))
It wasn't the amount of stuff; it was the engagement with that stuff [that mattered for happiness].
Gretchen Rubin (Happier at Home: Kiss More, Jump More, Abandon a Project, Read Samuel Johnson, and My Other Experiments in the Practice of Everyday Life)
The last time I’d been alone with Cal, he’d kissed me. It had definitely been a kiss of the “We Might Die So This Is Just Us Saying Good-Bye (Maybe)” variety, but still. He was, technically, my fiancé (you know, as if Prodigium aren’t weird enough, they also have arranged marriages). Being engaged brought a whole new level of weirdness to my and Cal’s friendship. Cal gave one quick glance back at me, and even though I couldn’t be sure, I thought his gaze fell on my mouth for just a second. I tried hard not to gulp, and when he left the room, I followed him.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
We sealed it with a kiss, and with the kiss, we sealed what would eventually become an engagement, a marriage, a Cape Cod, a dog, grilled cheese sandwiches on Mondays, and everything in between.
Lindsay Detwiler (Without You)
Allie had an escape to bring off, a despotic brother to thwart, and an Italian blackmailer to disappoint. Engaging in getting-to-know-you banter with a famous Scottish poet was not on her list of tasks.
Nichole Van (One Kiss Alone (The Penn-Leiths of Thistle Muir, #3))
Once or twice every night, serving dinner at the big round table, Enid glanced over her shoulder and caught him looking, and made him blush. Al was Kansan. After two months he found courage to take her skating. They drank cocoa and he told her that human beings were born to suffer. He took her to a steel-company Christmas party and told her that the intelligent were doomed to be tormented by the stupid. He was a good dancer and a good earner, however, and she kissed him in the elevator. Soon they were engaged and they chastely rode a night train to McCook, Nebraska, to visit his aged parents. His father kept a slave whom he was married to.
Jonathan Franzen (The Corrections)
You’re not a vamp, are you? Because it would explain your predatory nature, aversion to garlic, why you never seem to get sick, how you seem to be able to read my mind, and why you keep biting me during sex. Not that I’m complaining about the latter. It’s hot.” Dane sighed, but his eyes lit with a faint glimmer of amusement. He gently flicked the diamond on my engagement ring. “You have a drop of milk on your chin.” I frowned. “You usually don’t complain when I don’t swallow properly. I don’t know where I am with you.” He fisted my hair and tugged my head back. “Behave.” He pressed a soft kiss to my mouth. “You’re going to pay for that later.” He released my hair. “Eat your cereal.
Suzanne Wright (The Favor)
THE RULES OF ENGAGEMENT All persons entering a heart do so at their own risk. Management can and will be held responsible for any loss, love, theft, ambition or personal injury. Please take care of your belongings. Please take care of the way you look at me. No roller skating, kissing, smoking, fingers through hair, 3 am phone calls, stained letters, littering, unfeeling feelings, a smell left on a pillow, doors slammed, lyrics whispered, or loitering. Thank you.
pleasefindthis (I Wrote This For You)
Your daughter is neither frivolous, nor is she a flirt. She is, however, my soon-to-be wife, and I’m growing tired of you disrespecting her. I will also not have you push her into anyone’s arms, much less someone she was fond of when she was younger. In fact, for every time you act up concerning Francesca, or put my reputation in jeopardy as you did during the engagement party, I will kill one of your businesses. The pier. A restaurant. Perhaps a poker joint. The list is endless, and I have the means and the time. Get this past that thick skull of yours—she is mine now. I decide if she works, where she studies, and in what positions I want to fuck her. Furthermore, eliminating me from the equation will not work.
L.J. Shen (The Kiss Thief)
He asked me, "what were the usual causes or motives that made one country go to war with another?" I answered "they were innumerable; but I should only mention a few of the chief. Sometimes the ambition of princes, who never think they have land or people enough to govern; sometimes the corruption of ministers, who engage their master in a war, in order to stifle or divert the clamour of the subjects against their evil administration. Difference in opinions has cost many millions of lives: for instance, whether flesh be bread, or bread be flesh; whether the juice of a certain berry be blood or wine; whether whistling be a vice or a virtue; whether it be better to kiss a post, or throw it into the fire: what is the best colour for a coat, whether black, white, red, or gray: and whether it should be long or short, narrow or wide, dirty or clean; with many more. Neither are any wars so furious and bloody, or of so long a continuance, especially if it be in things indifferent.
Jonathan Swift
If you like, I can leave and let you figure this—” Legna grabbed his arm at the bicep when he made a strong movement to get up off the bed, jerking him back down definitively. “Absolutely not! You did this to me; therefore, you get to enjoy the fallout.” “You make it sound like a punishment,” he remarked, his eyes dancing with silver humor. “There is nowhere I would rather be than in my bed with my beautiful mate.” He leaned forward to engage her mouth in a tender kiss, their lips clinging together as if reluctant to release. Finally, he sat back, leaving her warm and happily flushed. “Charmer,” she accused him without malice. “Siren,” he countered, pulling them back together. And into a deep kiss that left them both longing for breath.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
[But] just as unseen worlds unfold to those who read a book, so worlds hidden to hurried sight unfold to those who choose to spend more than a few moments cultivating their relationship with nature. Paying attention is the key: we interact with each other when we allow it to engage our attention, when we 'read' it with absorption, as we would read a book. [Even] the ficus tree in the office cubicle or the oak planted in the urban sidewalk offers undreamed-of wonders to those who pay attention. Just because to literate people reading a book is unremarkable, available to anyone who can learn the alphabet, it is no less magical. Among my people, children are taught to read books; among some other peoples, children are taught to read the trees.
Priscilla Stuckey (Kissed by a Fox: And Other Stories of Friendship in Nature)
When initiating contact with a woman, you start with visual contact at a distance when you first notice each other, which can mean the two of you are quite far away and the only way that you can connect is by using your gaze. As you walk closer, you reach a good distance for vocal contact, a point at which you can connect with your voice as well. Once you have engaged in a conversation, you will move in yet again, close enough to touch, while still maintaining the visual and vocal connection. At a certain point you will move even closer, where you will be able to smell each other, before you are so close you can taste each other — also known as kissing — and finally to use all your senses at the same time to explore her insides as well during sex.
W. Anton (The Manual: What Women Want and How to Give It to Them)
From the first day I met her she was the only woman to me. Every day of that voyage I loved her more, and many a time since have I kneeled down in the darkness of the night watch and kissed the deck of that ship because I knew her dear feet had trod it. She was never engaged to me. She treated me as fairly as ever a woman treated a man. I have no complaint to make. It was all love on my side, and all good comradeship and friendship on hers. When we parted she was a free woman, but I could never again be a free man.
Arthur Conan Doyle
You have to understand that most of the ladies who engage my services haven’t been kissed properly in years. Their partners do it to initiate sex, and they’ve forgotten how to make their women feel loved instead of merely wanted.” I squirm under his intensity,
Leisa Rayven (Mister Romance (Masters of Love, #1))
I’m sorry,” I said turning to him. His clear hazel eyes met mine, and a tiny bit of humor flickered there. “You say that a lot.” Tugging at my Defense uniform (which was even uglier than I remembered; bright blue stretchy cotton was not a good look on anyone), I gave a little laugh. “Yeah, well, I feel it a lot.” Especially where you’re concerned, I wanted to add. Cal didn’t say anything to that, and after a moment, started walking toward the house. I waited a few seconds before following. There was so much I wanted to say to him, but I didn’t even know where to start. Cal, I think I love you, but I’m maybe not in love with you, even though kissing you was pretty boss was maybe one approach. Or: Cal, I love Archer, but my feelings for you are all confused because you are both awesome and smoking hot, and we’re already technically engaged to be married, which adds to the giant pot of boiling emotions and hormones I’ve become. Okay, maybe don’t say boiling… “You okay?” “Huh?” I blinked, surprised to see we’d come to the front of the house. Cal was standing with one foot on the bottom porch step, staring at me. “You have this weird look on your face,” he said. “Like you’re doing really complicated math in your head.” I couldn’t help a little snort of laughter. “I was, in a manner of speaking.” As I moved past him and into the house, I resolved to talk to Cal like a mature grown-up person. Eventually. For now, I gave him a little wave and ran away to my room.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
It’s called First Last Best Worst. All you need to play is pen and paper. As you can see from the worksheet that follows, the top row of the page (the x-axis) is labeled with the words “First,” “Last,” “Best,” and “Worst,” along with a column labeled “Prompts.” Along the left side of the page (the y-axis), the prompts are listed. The prompts are the possible triggers for memories. What was your first kiss? What was your last kiss? What was your best kiss? What was your worst kiss? For each of these prompts, you fill in the word or words that indicate the answers to those questions. That’s it.
Matthew Dicks (Storyworthy: Engage, Teach, Persuade, and Change Your Life through the Power of Storytelling)
Coward,” Bea said tenderly. “Craven. Faint of heart.” His fingers rested at the base of her spine. “Are you trying to provoke me into kissing you?” She grinned at the charge and leaned forward until her mouth just touched his. “How am I doing?” “Terribly,” he breathed before capturing her lips with his own.
Lynn Messina (A Nefarious Engagement (Beatrice Hyde-Clare Mysteries, #4))
Every time General David Petraeus appeared before a congressional committee, whether to testify about Iraq or Afghanistan or to be confirmed as CIA director, the hearings were largely a waste of time. Members of Congress burned through large segments of their time-limited question periods by tossing verbal kisses to the witness and going on about what a patriot Petraeus was. There was little time to ask serious questions about the strategy of our trillion-dollar military engagement in the Muslim world and to explore alternatives. The fawning of military cheerleaders such as Joe Lieberman and Lindsey Graham reached such extravagant lengths as would have made Caesar blush.
Mike Lofgren (The Party Is Over: How Republicans Went Crazy, Democrats Became Useless, and the Middle Class Got Shafted)
It should be illegal for a woman to look as good as you do.” “Really?” She peered down at herself again, but saw nothing all that spectacular. “I’m glad you like it.” “I love it. I love you.” He dug in his pocket. “When I left today, it was for this.” Speechless, Priss watched as he opened a now-wet jeweler’s box. Inside, securely nestled in velvet, was a beautiful diamond engagement ring. Her heart nearly stopped. “I wanted it to be a surprise.” There were no words. Her eyes suddenly burned and her throat went tight. Trace took her hand and slipped the ring on her finger. The fit was perfect, but then, anything Trace did, he did right. “Priss?” Using the edge of his fist, he lifted her chin. “We’ve been to movies and plays, to small diners and fancy restaurants. I’ve taken you dancing and hiking, to the amusement park and the zoo.” Sounding like a choked frog, Priss said, “All the things I never got to do growing up.” “But there’s so much more, honey.” He moved wet tendrils of hair away from her face and over her shoulder. “I was trying to give you time to enjoy it all.” “No!” Priss did not want him second-guessing his intent. “I don’t need any more time. Really I don’t.” Both still very attentive, Matt and Chris snickered. Trace just smiled at her. Closing her hand into a fist, she held the ring tight. “All I need, all I want, is you.” “Glad to hear it, because I’m not an overly patient guy. Hell, I think I knew you were the one the day you showed up in Murray’s office.” He kissed the tip of her nose, her lips, her chin. “You were so damned outrageous, and so pushy, that you scared me half to death.” “You felt me up,” Priss reminded him. “But that was a first for me, too.” “I remember it well.” He treated her to a deeper kiss, and ended it with a groan. “Every day since then, I’ve wanted you more. Even when you worried me, or lied to me, or made me insane, I admired you for it.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Soon, he brought her to the nicest restaurant he could find. Gave her a dozen roses, and an engagement ring. "When I commit to someone, I really commit to them. I know now that there's nobody out there who I care about as much as I do you. There's no one I would rather spend my life with." They kissed. It's true then, they thought. You really can meet the perfect person and live happily ever after.
bellatuscana (Finding Time (Time-Traveling Agency, #3))
Even if he ran after her, what could he say in five minutes that would fix anything? And how exactly did he want to fix things? His shoulders slumped. What had he just done to her for a kiss that wasn’t even that great? And yet he wanted another one. What did that mean exactly? Did it mean he wanted another kiss badly enough to fight August for her? Could he be sure he was any better for her than a Whitaker?
Melissa Jagears (Engaging the Competition (Teaville Moral Society, #0.5))
Tanya was standing a little too close to Liam for comfort, and she had a hand on Daisy's man. "Have you found a table yet?" Daisy put her arm around Liam's waist, pulling him into her side and forcing Tanya to drop her hand from his shoulder. "It's not looking good." He put his arm around her shoulder. "I'll have to get you a motorcycle as a wedding present and we can ride out here together when it's not as busy." Daisy bit back a smile. Liam knew what was going on and he'd just made it clear where his loyalty lay. Tanya's gaze flicked from Liam to Daisy and back to Liam. "You two are engaged?" "Best decision of my life," Liam said, pressing a kiss to Daisy's sweat-covered temple. "What happened?" Tanya's smile faded. "I thought you didn't do relationships." Another squeeze. "I just hadn't met the right person." Daisy gave Tanya a smug but sympathetic smile.
Sara Desai (The Dating Plan (Marriage Game, #2))
She pulled the shawl closer as a tall, lithe figure cut across the parking lot and joined her at the passenger door. “You’re already famous,” Colby Lane told her, his dark eyes twinkling in his lean, scarred face. “You’ll see yourself on the evening news, if you live long enough to watch it.” He jerked a thumb over his shoulder. “Tate’s on his way right now.” “Unlock this thing and get me out of here!” she squeaked. He chuckled. “Coward.” He unlocked the door and let her climb in. By the time he got behind the wheel and took off, Tate was striding across the parking lot with blood in his eye. Cecily blew him a kiss as Colby gunned the engine down the busy street. “You’re living dangerously tonight,” Colby told her. “He knows where you live,” he added. “He should. He paid for the apartment,” she added in a sharp, hurt tone. She wrapped her arms closer around her. “I don’t want to go home, Colby. Can I stay with you tonight?” She knew, as few other people did, that Colby Lane was still passionately in love with his ex-wife, Maureen. He had nothing to do with other women even two years after his divorce was final. He drank to excess from time to time, but he wasn’t dangerous. Cecily trusted no one more. He’d been a good friend to her, as well as to Tate, over the years. “He won’t like it,” he said. She let out a long breath. “What does it matter now?” she asked wearily. “I’ve burned my bridges.” “I don’t know why that socialite Audrey had to tell you,” he muttered irritably. “It was none of her business.” “Maybe she wants a big diamond engagement ring, and Tate can’t afford it because he’s keeping me,” she said bitterly. He glanced at her rigid profile. “He won’t marry her.” She made a sound deep in her throat. “Why not? She’s got everything…money, power, position and beauty-and a degree from Vassar.” “In psychology,” Colby mused. “She’s been going around with Tate for several months.” “He goes around with a lot of women. He won’t marry any of them.” “Well, he certainly won’t marry me,” she assured him. “I’m white.” “More of a nice, soft tan,” he told her. “You can marry me. I’ll take care of you.” She made a face at him. “You’d call me Maureen in your sleep and I’d lay your head open with the lamp. It would never work.
Diana Palmer (Paper Rose (Hutton & Co. #2))
No, please don’t apologize.” She smiled, warmth spreading through her breast as she gathered her courage. Maybe this was the time. “I wanted the kiss just as much as you. As a matter of—” “I’m engaged.” “What?” Anna recoiled as if he had struck her. “I’m engaged to be married.” Edward grimaced as if in self-disgust or possibly pain. She stood frozen, struggling to comprehend the simple words. A numbness seeped throughout her body, driving out the warmth as if it had never been.
Elizabeth Hoyt (The Raven Prince (Princes Trilogy, #1))
Idle, she writes, to imagine falling in love as a correspondence of minds, of thoughts,; it is a simultaneous firing of two spirits engaged in the autonomous act of growing up. And the sensation is of something having noiselessly exploded inside each of them. Around this event, dazed and preoccupied, the lover moves examining her or her own experience; her gratitude alone, stretching away towards a mistaken donor, creates the illusion that she communicates with her fellow, but this is false. The loved object is simply one that has shared an experience at the same moment of time, narcissistically; and the desire to be near the beloved object is at first not due to the idea of possessing it, but simply to let the two experiences compare themselves, like reflections in different mirrors. All this may precede the first look, kiss, or touch; precede ambition, pride or envy; precede the first declarations which mark the turning point--for from here love degenerates into habit, possession, and back to loneliness.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
He shut the door, and stood looking across the room at her. 'Cressy, what did you mean when you told that harridan that your affections were engaged?' The colour deepened a little in her cheeks, but she replied lightly: 'Well, she talked so much like someone in a bad play that I became carried away myself! Besides, I had to say something to convince her! I could see she didn't quite believe me when I said I wasn't going to marry your brother.' He let his breath go in a long sigh, and walked forward, setting his hands on her shoulders, and saying: 'You don't know how much I have wanted to tell you the truth! Cressy, my dear one, forgive me! I've treated you abominably, and I love you so much!' Miss Stavely, who had developed an interest in the top button of his coat, looked shyly up at this. 'Do you, Kit?' she asked. 'Truly?' Mr Fancot, preferring actions to words, said nothing whatsoever in answer to this, but took her in his arms and kissed her. Miss Stavely, who had previously thought him unfailingly gentle and courteous, perceived, in the light of this novel experience, that she had been mistaken: there was nothing gentle about Mr Fancot's crushing embrace; and his behaviour in paying no heed at all to her faint protest could only be described as extremely uncivil. She was wholly unused to such treatment, and she had a strong suspicion that her grandmother would condemn her conduct in submitting to it, but as Mr Fancot seemed to be dead to all sense and propriety it was clearly useless to argue with him.
Georgette Heyer (False Colours)
I'm gonna take her away from you," he said. He did not sound like he was joking. The Boy could have fought for her, but the world is full of brave boys who limp home with their lips split and still no kiss good night. He was a rough fist-fighter himself and, my mother said, "could be mean as a scorpion." But my father's reputation, and his family's reputation, prevented a lot of violence in those days. A family that so routinely pulled knives on each other was not one you engaged without at least weighing the consequences.
Rick Bragg (The Prince of Frogtown)
For half the young men, that was it. They were the control group. For the other half, there was a catch. As they walked down the hallway with their questionnaire, a man—a confederate of the experimenters—walked past them and pulled out a drawer in one of the filing cabinets. The already narrow hallway now became even narrower. As the young men tried to squeeze by, the confederate looked up, annoyed. He slammed the filing cabinet drawer shut, jostled the young men with his shoulder, and, in a low but audible voice, said the trigger word: “Asshole.” Cohen and Nisbett wanted to measure, as precisely as possible, what being called that word meant. They looked at the faces of their subjects and rated how much anger they saw. They shook the young men’s hands to see if their grip was firmer than usual. They took saliva samples from the students, both before and after the insult, to see if being called an asshole caused their levels of testosterone and cortisol—the hormones that drive arousal and aggression—to go up. Finally they asked the students to read the following story and supply a conclusion: It had only been about twenty minutes since they had arrived at the party when Jill pulled Steve aside, obviously bothered about something. “What’s wrong?” asked Steve. “It’s Larry. I mean, he knows that you and I are engaged, but he’s already made two passes at me tonight.” Jill walked back into the crowd, and Steve decided to keep his eye on Larry. Sure enough, within five minutes, Larry was reaching over and trying to kiss Jill. If you’ve been insulted, are you more likely to imagine Steve doing something violent to Larry?
Malcolm Gladwell (Outliers: The Story of Success)
My home should calm me and energize me. It should be a comforting, quiet refuge and a place of excitement and possibility. It should call to my mind the past, the present, and the future. It should be a snuggery of privacy and reflection, but also a gathering place that strengthened my engagement with other people. By making me feel safe, it should embolden me to take risks. I wanted a feeling of home so strong that no matter where I went, I would take that feeling with me; at the same time, I wanted to find adventure without leaving my apartment.
Gretchen Rubin (Happier at Home: Kiss More, Jump More, Abandon a Project, Read Samuel Johnson, and My Other Experiments in the Practice of Everyday Life)
My father," said the young man, bending his knee, "bless me!" Morrel took the head of his son between his two hands, drew him forward, and kissing his forehead several times said, "Oh, yes, yes, I bless you in my own name, and in the name of three generations of irreproachable men, who say through me, 'The edifice which misfortune has destroyed, providence may build up again. 'On seeing me die such a death, the most inexorable will have pity on you. To you, perhaps, they will accord the time they have refused to me. Then do your best to keep our name free from dishonor. Go to work, labor, young man, struggle ardently and courageously; live, yourself, your mother and sister, with the most rigid economy, so that from day to day the property of those whom I leave in your hands may augment and fructify. Reflect how glorious a day it will be, how grand, how solemn, that day of complete restoration, on which you will say in this very office, 'My father died because he could not do what I have done; but he died calmly and peaceably, because in dying he knew what I should do.'" "My father!" cried the young man, "why should you not live?" "If I live, all would be changed; if I live, interest would be converted into doubt, pity into hostility; if I live I am only a man who has broken his word, failed in his engagements - in fact, only a bankrupt. If, on the contrary, I die, remember, Maximilian, my corpse is that of an honest but unfortunate man. Living, my best friends would avoid my house; dead, all Marseilles will follow me in tears to my last home. Living, you would feel shame at my name; dead, you may raise your head and say, 'I am the son of him you killed, because, for the first time, he has been compelled to break his word.
Alexandre Dumas
My body holds my mystery but no longer defines my entire identity. My jean size doesn’t have anything to do with my value as a human. My body is not an indicator of my worth. My body is not meant to be a mirror for other people’s insecurities. My body is something that I am working toward accepting, and once I’m able to find some neutral space inside of me I will be able to continue allowing it to disappear into the background as much as society lets me, and then some. No longer something to be fixed, all I want to do is simply engage, experience, and love my life. My body is a vehicle that can take me toward that happiness.
Jes Baker (Landwhale: On Turning Insults Into Nicknames, Why Body Image Is Hard, and How Diets Can Kiss My Ass)
Love has many positionings. Cordelia makes good progress. She is sitting on my lap, her arm twines, soft and warm, round my neck; she leans upon my breast, light, without gravity; the soft contours scarcely touch me; like a flower her lovely figure twines about me, freely as a ribbon. Her eyes are hidden beneath her lashes, her bosom is dazzling white like snow, so smooth that my eye cannot rest, it would glance off if her bosom were not moving. What does this movement mean? Is it love? Perhaps. It is a presentiment of it, its dream. It still lacks energy. Her embrace is comprehensive, as the cloud enfolding the transfigured one, detached as a breeze, soft as the fondling of a flower; she kisses me unspecifically, as the sky kisses the sea, gently and quietly, as the dew kisses a flower, solemnly as the sea kisses the image of the moon. I would call her passion at this moment a naive passion. When the change has been made and I begin to draw back in earnest, she will call on everything she has to captivate me. She has no other means for this purpose than the erotic itself, except that this will now appear on a quite different scale. It then becomes a weapon in her hand which she wields against me. I then have the reflected passion. She fights for her own sake because she knows I possess the erotic; she fights for her own sake so as to overcome me. She herself is in need of a higher form of the erotic. What I taught her to suspect by arousing her, my coldness now teaches her to understand but in such a way that she thinks it is she herself who discovers it. So she wants to take me by surprise; she wants to believe that she has outstripped me in audacity, and that makes me her prisoner. Her passion then becomes specific, energetic, conclusive, dialectical; her kiss total, her embrace without hesitation.—In me she seeks her freedom and finds it the better the more firmly I encompass her. The engagement bursts. When that has happened she needs a little rest, so that nothing unseemly will emerge from this wild tumult. Her passion then composes itself once more and she is mine.” —from_Either/Or: A Fragment of Life_, (as written by his pseudonym Johannes the Seducer)
Søren Kierkegaard
I reach out and squeeze her hand, and remember everything we’ve lived through together. The normal things we endured as we grew from girls to women. The days in school where boys would line us up in order of our fuckability. The parties where it was normal to lie on top of a semi-conscious girl, do things to her, then call her a slut afterwards. A Christmas number-one song about a pregnant woman being stuffed into the boot of a car and driven off a bridge. Laughing when your male friends made rape jokes. Opening a newspaper and seeing the breasts of a girl who had only just turned legal, dressed in school uniform to make her look underage. Of the childhood films we grew up on, and loved, and knew all the words to, where, at the end, a girl would always get chosen for looking the prettiest compared to all the others. Reading magazines that told you to mirror men’s body language, and hum on their dick when you went down on them, that turned into books about how to get them to commit by not being yourself. Of size zero, and Atkins, and Five-Two, and cabbage soup, and juice cleanses and eat clean. Of pole-dancing lessons as a great way to get fit, and actually, if you want to be really cool, come to the actual strip club too. Of being sexually assaulted when you kissed someone on a dance floor and not thinking about it properly until you are twenty-seven and read a book about how maybe it was wrong. Of being jealous of your friend who got assaulted on the dance floor because why didn’t he pick you to assault? Boys not wanting to be with you unless you fuck them quickly. Boys not wanting to be with you because you fucked them too quickly. Being terrified to walk anywhere in the dark in case the worst thing happens to you, and so your male friend walks you home to keep you safe, and then comes into your bedroom and does the worst thing to you, and now, when you look him up online, he’s engaged to a woman who wears a feminist T-shirt and isn’t going to change her name when they get married. Of learning to have no pubic hair, and how liberating it is to pay thirty-five pounds a month to rip this from your body and lurch up in agony. Rings around famous women’s bodies saying ‘look at this cellulite’, oh, by the way, here is a twenty-quid cream so you don’t get
Holly Bourne (Girl Friends)
She has started to taste her own cooking in a professional way again. Detached, critical, and overly scrupulous. It tastes somewhat different from how she remembers it. Her flavors have gotten somehow stranger, darker and larger: she stirs roasted peppers into the hummus and apricots and capers into the chicken. And she walks into the basement storage room one day and discovers Victor Hernandez kissing Mireille on the butcher block table among the onion skins. Mireille, then Sirine, burst into laughter. Later, Sirine realizes it's the first time she's really laughed in a year. A month later, Mireille is engaged to Victor Hernandez and Victor moves in with her and Um-Nadia. He makes three different kinds of mole sauces for their wedding dinner, and chocolate and cinnamon and black pepper sweetcake.
Diana Abu-Jaber (Crescent)
Let’s take a look at one couple. Carol and Jim have a long-running quarrel over his being late to engagements. In a session in my office, Carol carps at Jim over his latest transgression: he didn’t show up on time for their scheduled movie night. “How come you are always late?” she challenges. “Doesn’t it matter to you that we have a date, that I am waiting, that you always let me down?” Jim reacts coolly: “I got held up. But if you are going to start off nagging again, maybe we should just go home and forget the date.” Carol retaliates by listing all the other times Jim has been late. Jim starts to dispute her “list,” then breaks off and retreats into stony silence. In this never-ending dispute, Jim and Carol are caught up in the content of their fights. When was the last time Jim was late? Was it only last week or was it months ago? They careen down the two dead ends of “what really happened”—whose story is more “accurate” and who is most “at fault.” They are convinced that the problem has to be either his irresponsibility or her nagging. In truth, though, it doesn’t matter what they’re fighting about. In another session in my office, Carol and Jim begin to bicker about Jim’s reluctance to talk about their relationship. “Talking about this stuff just gets us into fights,” Jim declares. “What’s the point of that? We go round and round. It just gets frustrating. And anyway, it’s all about my ‘flaws’ in the end. I feel closer when we make love.” Carol shakes her head. “I don’t want sex when we are not even talking!” What’s happened here? Carol and Jim’s attack-withdraw way of dealing with the “lateness” issue has spilled over into two more issues: “we don’t talk” and “we don’t have sex.” They’re caught in a terrible loop, their responses generating more negative responses and emotions in each other. The more Carol blames Jim, the more he withdraws. And the more he withdraws, the more frantic and cutting become her attacks. Eventually, the what of any fight won’t matter at all. When couples reach this point, their entire relationship becomes marked by resentment, caution, and distance. They will see every difference, every disagreement, through a negative filter. They will listen to idle words and hear a threat. They will see an ambiguous action and assume the worst. They will be consumed by catastrophic fears and doubts, be constantly on guard and defensive. Even if they want to come close, they can’t. Jim’s experience is defined perfectly by the title of a Notorious Cherry Bombs song, “It’s Hard to Kiss the Lips at Night that Chew Your Ass Out All Day Long.
Sue Johnson (Hold Me Tight: Your Guide to the Most Successful Approach to Building Loving Relationships)
Oscar’s breath warmed the back of her head, his lips brushing against her hair, loosened from a braid. He drew a lock away from her neck and kissed the skin just beneath her earlobe, against the throb of her quickening pulse. Like the blackness outside the dome of lamplight, there seemed to be nothing more in the world than his lips, his touch, and the flood of heat consuming her. With a gentle nudge, Oscar turned her toward him. He looked at her the way he had in the Grampains meadow-as if she was the most fascinating woman he’d ever seen. Under his gaze she felt fascinating, too. Capivating…wanted. He traced her jaw with his lips, kissing the angle of her neck ever so tenderly, as though he weren’t certain she wanted him, too. Camille closed the inch of space left between them, her body pressing against his. The muscles in his chest and arms tightened. He was wanted, and she needed to show him how much. No one was there to watch, no one to judge, or tell her the lips caressing her were unworthy of tasting her skin. With those very thoughts, Oscar’s grip loosened. His lips retreated. “This isn’t right,” he whispered, catching his breath. Camille stared at him, her hurt and disappointment plain on her face. “You’re engaged, Camille.” He looked around the room. His eyes rested on the bed. “I shouldn’t be here.” All of a sudden, Camille completely and fully detested Randall. Good, sweet, well-meaning Randall infuriated her with his mere existence, with his big sapphire ring and his marriage proposal and his bright, wealthy future as the savior of Rowen & Company. She didn’t want any of it if it meant she couldn’t have Oscar’s kisses, the return of his hands, and his body pressed close to her own. “I want you here,” she said, the words unable to express the desires stampeding her mind. Oscar licked his lips but stepped toward the doorway. “I can’t. If you’re going to marry Randall-“ Camille hushed him. “No, don’t. Please, don’t.” She didn’t want to hear Randall’s name coming from Oscar’s lips, not when she so desperately wanted to kiss them. “He’s not here. And you are, and…what if you stayed?” she asked, unable to believe the words had come from her mouth. He lost the tense hold of his shoulders and stared at her with disbelief. “Nothing improper, of course,” she added quickly. “What if you just stayed until…until I fell asleep?” Citrus and cloves charged through her sense with their dizzying effect as Oscar stepped back inside the room. He tilted his head and looked sideways at her. “Just until you fall asleep?” She nodded, her throat too tight with nerves to speak.
Angie Frazier (Everlasting (Everlasting, #1))
CLEANSING CONFLICT What is a saint? One whose wine has turned to vinegar. If you're still wine-drunkenly brave, don't step forward. When your sheep becomes a lion, then come. It is said of hypocrites, "They have considerable valor among themselves!" But they scatter when a real enemy appears. Muhammad told his young soldiers, "There is no courage before an engagement." A drunk foams at the mouth talking about what he will do when he gets his sword drawn, but the chance arrives, and he remains sheathed as an onion. Premeditating, he's eager for wounds. Then his bag gets touched by a needle, and he deflates. What sort of person says that he or she wants to be polished and pure, then complains about being handled roughly? Love is a lawsuit where harsh evidence must be brought in. To settle the case, the judge must see evidence. You've heard that every buried treasure has a snake guarding it. Kiss the snake to discover the treasure! The severe treatment is not toward you, but the qualities that block your growth. A rug beater doesn't beat the rug, but rather the dirt. A horse trainer switches not the horse, but the going wrong. Imprison your mash in a dark vat, so it can become wine. Someone asks, "Don't you worry about God's wrath when you spank a child?" "I'm not spanking my child, but the demon in him." When a mother screams, "Get out of here!" she means the mean part of the child. Don't run from those who scold, and don't turn away from cleansing conflict, or you will remain weak. Also, don't listen to bragging. If you go along with self-importance, the work collapses. Better a small modest team. Sift almonds. Discard the bitter. Sour and sweet sound alike when you pour them out on the rattling tray, but inside they're very different.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.
Fiona Cole (Lovers (Voyeur, #2))
To me, Chicago was the bar in the twelfth-floor lobby of the Ritz-Carlton, where I drank strawberry daiquiris—sophisticated!—with my visiting parents and with girls I was trying to impress. It was the elegant shops at the new, fancy Water Tower Place. My favorite Chicago spots were primarily restaurants. Dianna’s Opaa, in Greektown on South Halsted Street, with its lanky, serpent-like owner, Petros Kogiones, performing his host duties that were as important as the food—on the nights he wasn’t there, you felt cheated—sliding back his sheet of long black hair to greet his female customers with an overly familiar kiss and their dates with a disarming, arms-flung-wide cry of “cousin!” then conducting his odd 9 p.m. ceremonies, calling up all the engaged couples to be officially blessed by Famous Petros in the name of God, the Greek Orthodox Church, and Dianna’s Opaa! We’d all cheer and raise our juice glasses of Roditis high. Or
Neil Steinberg (You Were Never in Chicago (Chicago Visions and Revisions))
The father is appalled by the news of the engagement: horrified, angry, jealous, unable to conceal his wounded sense of having been displaced. He acts comically badly towards the fiancé; when his daughter and the new man kiss, he rolls his eyes, while the mother whimpers in admiration. The father identifies as a jilted lover, while the mother identifies with a romantic girlhood. The audience is presumably meant to do the same, in line with their gender. Later in the film, Martin bitterly acknowledges that 'my day has passed', likening himself to 'an old shoe, discontinued.' But is the father's horror at his daughter's sexuality exactly that? Or is it a displaced horror at his own sexuality, his own desire? The commonness o sexual abuse of teens, and the ubiquity of the teen trope in pornography, would suggest that most men at least know what it's like to desire a teenage girl. Is the father's horror at his daughter's sexuality perhaps a disavowed horror at his own susceptibility to it?
Katherine Angel (Daddy Issues)
Idle’ she writes ‘to imagine falling in love as a correspondence of minds, of thoughts; it is a simultaneous firing of two spirits engaged in the autonomous act of growing up. And the sensation is of something having noiselessly exploded inside each of them. Around this event, dazed and preoccupied, the lover moves examining his or her own experience; her gratitude alone, stretching away towards a mistaken donor, creates the illusion that she communicates with her fellow, but this is false. The loved object is simply one that has shared an experience at the same moment of time, narcissistically; and the desire to be near the beloved object is at first not due to the idea of possessing it, but simply to let the two experiences compare themselves, like reflections in different mirrors. All this may precede the first look, kiss, or touch; precede ambition, pride or envy; precede the first declarations which mark the turning point — for from here love degenerates into habit, possession, and back to loneliness.
Lawrence Durrell (The Alexandria Quartet)
When this all goes to shit and my best friend rightfully punches me the fuck out, takes my company, and kicks me out of his life, I'm going to remember this moment right here. The moment it all seems worth it." Her lips start to lift, and I tell myself that I'm doing the right thing. The right thing for me, for once in my damn life. "With you standing in front of me, back straight, fire in your eyes, hair a mess from my hands, and that ring on your finger. When that happens, help me remember, okay?" Courtney nods, licking her lips and moving into my space. She presses me into the counter with her body, bare tits pressed to my chest and hope in her eyes. Hope for me. For us. And it's beautiful and sweet and all I ever wanted. "It'll be okay, Kaede. It'll be finer than fine, I promise." Sure, it will. I nod, even though I don't believe her. I'm only risking ... everything. Court might lose some face, and yeah, Ross will be mad at her. But she's his sister. He'll forgive her. But he legit might kill me. I kiss her anyway, signing my own death certificate.
Lauren Landish (My Big Fat Fake Engagement)
Lucien leaned his head back against the rock wall behind us. 'And then I'll ask your mate how he survived it- knowing you were engaged to someone else. Sharing another male's bed.' I tucked my freezing hands under my arms, gazing toward the gloom ahead. 'Tell me when you knew,' he demanded, his knee pressing into mine. 'That Rhysand was your mate. Tell me when you stopped loving Tamlin and started loving him instead.' I chose not to answer. 'Was it going on before you even left?' I whipped my head to him, even if I could barely make out his features in the dark. 'I never touched Rhysand like that until months later.' 'You kissed Under the Mountain.' 'I had as little choice in that as I did in the dancing.' 'And yet this is the male you now love.' He didn't know- he had no inkling of the personal history, the secrets, that had opened my heart to the High Lord of the Night Court. They were not my stories to tell. 'One would think, Lucien, that you'd be glad I fell in love with my mate, given that you were in the same situation Rhys was in six months ago.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Make love to me." He laced his fingers with hers and rocked slowly in and out. Pleasure replaced the pain as they moved together, finding their own lovely rhythm. She loved this. Not just the sex, but the intimacy. Having him on top of her. This special dance they engaged in that was just between them. He looked into her eyes. "You're incredible." And now they belonged to each other. His pace quickened and she let herself go. Her joy came in waves, like it had earlier, but this time it was different. She was lost in this moment, lost in Enrique. How could anything feel so amazing? Her heart beat so loudly, she was certain he could hear it. Blood coursed through her body; she was on fire as he rubbed her clit. Pleasure prickled through her veins. Over and over again. "Come on, baby. Don't stop!" he said. She didn't want to stop. She wanted to feel this great every day for the rest of her life. He was like a drug, and she was addicted. He gazed deep into her eyes. Her body throbbed as she cried out. Her thighs quivered as he pressed closer. Finally, she broke into a million pieces. "Enrique!
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos))
Stopping just short of her mouth, he rasped, “Are you still engaged to Blakeborough?” Her gorgeous eyes narrowed. “My engagement didn’t stop you last night.” “It would now.” A coy smile broke over her lips, and she tightened her grip on his neck. “Then I suppose it’s a good thing I am not.” With a growl of triumph, he kissed her once more. She was here. She was his. Nothing else mattered. Still kissing her, he jerked both sets of curtains closed. Then he tugged her onto his lap and began to tear at the fastenings of her pelisse-dress. He wanted to touch her, taste her…be inside her. He could think of naught else. “I take it that you mean to seduce me,” she murmured between kisses. “Yes.” Seduce her and marry her. And then seduce her again, as often as he could. “Well then, carry on.” So he did. He unfastened her clothes just enough to bare her breasts, then seized one in his mouth. God, she was perfect. His perfect jewel. She buried her hands in his hair to pull her into him, sighing and moaning as if she would die if he didn’t make love to her. Which was exactly how he felt. Working his hand up beneath her skirts and into the slit in her drawers, he found her so wet and hot that he nearly came right there. He slipped a finger inside her silky sweetness, and she gasped, then began to tug at his trouser buttons. “You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.” “You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?” “Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure. “I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.” “I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.” “I did.” Her breath was unsteady. “But only because…you tore us apart.” He shifted her to sit astride him. “And now?” Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?” His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…” He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts. Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.” She uttered a breathy laugh. “A wanton, more like.” Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Kestrel…do you really want to marry the prince?” “I thought you didn’t want to talk about him.” “Want and need aren’t the same.” His mouth hovered near hers. “Tell me. Is this engagement really your choice? Because I don’t believe it. Not unless I hear you say so.” The glass against her back was a blaze of cold. She shivered. He was so close. All she had to do was uncurl her fingers from the balustrade and lean forward into him. It felt inevitable, like an overfull cup ready to spill. The rasp of his unshaved cheek brushed hers. “Do you?” he said. “Do you want him?” “Yes.” “Prove it,” Arin murmured into her ear. The heat of him settled against her. His palm squeaked against the glass by her head. “Arin.” She could barely speak. “Let me pass.” His lips caught at the base of her neck, slid upward. “Prove that you want him,” he said into her hair. His kiss traveled across her cheek. It brushed her forehead, then rested right on the golden line that marked her engagement. “I do,” she said, but her voice sounded like she was drowning. His kiss was there, waiting near her lips. “Liar,” he breathed. Her hand came between them, and pushed. She was shaken, startled by the way she had shoved him. She felt suddenly, cruelly starved--and angry at herself for this hunger of her own making. “I said, let me go. Or will you hold me here against my will?” He recoiled. His boots scraped back. She couldn’t see his expression, only the way he snatched his arms to his sides and stood stiff. He covered his face as if it weren’t already hidden by the dark. He muttered something into his palms, then they fell away. “I’m sorry,” he said. He tore open the curtain, and was gone.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Apparently, Stoneville meant to gain his amusement solely from watching Jackson bait Celia. Jackson wasn’t entirely sure why, but neither did he care. He cared only about making sure he shot well enough to beat Celia’s three suitors, to prevent them from gaining the kiss. So you can gain it yourself. He scowled as they halted in their new spot to reload. Nonsense. But if he did happen to win it, he would treat her like the lady she was. Devonmont was just the kind of joking fellow to be impudent with her in front of everyone. Lyons had already had a taste of her lips, so he might very well think to make his second taste more intimate. And Basto, who already had a fondness for holding her hand, confound the insolent devil- Jackson swore under his breath. He was acting like some jealous idiot. All right, so he was jealous, but this wasn’t about that. He merely wanted to keep Celia from making an enormous mistake. When she’d tried to get out of shooting, Jackson had realized she was serious about choosing one of these idiots as a husband. Clearly, she thought if she pretended to be some milk-and-water miss, it would help her chances. So he’d made sure she didn’t do any such thing. If they were worthy of her, they had to be worthy of the real her, not the pretend one she presented. Personally, he thought them all fools for not seeing she was putting on an act. And couldn’t she see that a marriage built on such deceptions would fail? No, she was too blinded by her determination to prove her grandmother wrong about her. Well, he couldn’t let her stumble into some idiotic engagement with gentlemen who didn’t deserve her. Especially not after what he’d learned about them.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Perhaps..." Resuming his rake's persona, investing every movement with languid grace, he shifted forward, closer. Held her gaze. "You could teach me what it is you need." He let his gaze drift from her eyes to her lips. "I've always been considered a fast learner, and if I'm willing to learn, to devote myself to the study of what you truly want..." Her lips parted slightly. He raised his gaze once more to her eyes, to the stormy blue. Read her interest, knew he had her undivided attention. Inwardly smiled. "If I swear I'll do all I can to meet your requirements, shouldn't you accept the...challenge, if you like, to take me as I am and reshape me to your need?" Holding her gaze, resisting the urge to lower his to her tempting lips, he raised a hand, touched the backs of his fingers to her cheek in a tantalizingly light caress. "You could, if you wished, take on the challenge of taming the ton's foremost rake, of making me your devoted slave...but you'd have to work at it, make the effort and take the time to educate me-arrogantly oblivious male that I am-all of which will be much easier, facilitated as it were, by us marrying. After all, nothing worthwhile is ever attained easily or quickly. If I'm willing to give you free rein to mold me to your liking, shouldn't you be willing to engage?" She was thinking, considering he could see it in her eyes. She was following his arguments, her mind following the path he wanted it to take. Shifting his fingers to lightly frame her chin, he held her face steady as if for a kiss. "And just think," he murmured, his eyes still locked with hers, his lips curving in a practiced smile, "of the cachet you'll be able to claim as the lady who captured me.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
I don’t know why you’re making such a big deal about me wearing the engagement ring,” Shay said to Michael from behind the wheel of his Range Rover. Before he had a chance to respond, she shifted from reverse to drive and shot out of the parking lot. Straight into oncoming traffic. “Shay, watch out for . . . ” He trailed off, his heart in his throat as she expertly avoided being creamed by another speeding SUV. With his hand still gripping the door and his foot pressed on the floor as if he could somehow miraculously slow the vehicle down, Michael said, “Obviously the ring is a big deal to you or you wouldn’t be trying to kill me.” “Being aggressive will save you. Being cautious, that’s what’ll kill you.” “No doubt you’ll live to be a hundred and ten, then.” He relaxed when the speedometer needle inched down toward a more reasonable speed. “I’m taking it that your life lesson only refers to driving; otherwise you would’ve been applauding my efforts at the club.” She glanced at him, a smile tipping up the corner of her mouth. “So, you actually choked on purpose to cozy up to Costello’s hired henchman and disrupted the dancer’s performance so the bouncers would haul you to Kozack’s office?” He ignored everything else but the part that would get him an answer to his earlier question. “I choked because you took my breath away, and—” She laughed. “Either you’re easily impressed or you don’t get out to many strip clubs. Kozack was going to fire me even before he found me in his office.” “Neither is true, but you didn’t let me finish. As incredible as you looked doing what you were doing on that pole, I choked because I saw the engagement ring on the chain around your neck.” He leaned across the console and slid his hand beneath her leather jacket. Her skin was like satin, and he could smell her warm, floral scent. The temptation to press his face to the tender spot between her shoulder and neck almost overwhelmed him. It was one of his favorite places to kiss her. One of her favorite places to be kissed.
Debbie Mason (Driftwood Cove (Harmony Harbor #5))
I have to second Gran’s thanks for not giving up on me.” “I did consider it a few times,” she teased. “But you can be such an engaging fellow that I never considered it for long.” “And there was all that encouragement from my siblings,” he said. “All their little machinations to help our romance along.” He had the satisfaction of watching his wife blush very prettily. “I didn’t have anything to do with that. I had no idea they were trying to ‘push you’ anywhere.” “Of course you didn’t. You don’t have an ounce of guile in your entire body. But I knew what they were doing.” She blinked at him. “You did?” “My siblings are as transparent as that fetching night rail you put on every evening.” “If you knew, why didn’t you fight them?” “Because they were pushing me in a direction I wanted to go.” “That’s very sweet, but I’m sure you had no desire to marry until-“ “From the moment I met you, sweetheart, I could tell I was in trouble. I didn’t acknowledge it, but on some level I sensed it. When a man first sees the thing he never realized he wanted, he knows it instantly. He just doesn’t always know how to get it.” She laughed. “Oh, I think you figured out very quickly how to get it. You just kissed me until I stopped kneeing you in the privates, and after that I was putty in your hands.” “So that’s the secret, is it?” Reaching over, he hauled her onto his lap. “Now I know how I’ll be spending my afternoon.” Her eyes gleamed at him. “Meeting with the tenants?” “Guess again.” He began to unbutton her gown, which very conveniently opened in the front. “Consulting with the carpenter?” “Absolutely not.” Kissing each swath of flesh revealed with the release of a button, he started dragging up her skirts with his other hand. “Seducing your wife?” she teased, then caught her breath as he slipped his hand between her legs to find her already ready for him. “Exactly. But, if you don’t mind, I believe I shall skip the part where you knee me in the privates.” And as she burst into laughter, he set about to show her the decided advantages in marrying a rakehell.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
I do not want to marry you, Benjamin.” “You’ve been crying.” He brushed the pad of his thumb over her cheek, her skin silky soft to his touch. “We don’t need to set a date if you’re not ready to.” “You aren’t listening to me.” She wrapped her fingers around his wrist and removed his hand from her face. “I cannot marry you, and this is all moving too quickly. I don’t want to shame my family—that’s the last thing I want, but I don’t want…” She raised troubled eyes to his. “I don’t want to make a laughingstock of you when I jilt you.” “Portmaines are not strangers to broken engage-ments.” “Port…?” He saw when she recollected his family name. “Were we to marry, you’d become Maggie Portmaine.” “But we’re not going to marry.” She was appallingly convinced of this, and it irritated him more—worried him more—each time she emphasized her position. “You said things were moving too quickly, Maggie, but if you’ve conceived, they can’t move quickly enough.” Her gaze became haunted, and her hand went to her belly. “You listen to me,” he said, dropping his voice and covering her hand with his own. “Just for today, we are engaged. We need make no other decisions than that. You can jilt me, and I’ll step aside, or we can marry, or we can remain engaged for a time and make further decisions later.” She was listening; she was even watching his mouth as he spoke. He kissed her on the lips for no other reason than he didn’t want her arguing with him. “I want you for my countess, Maggie. I’d made up my mind before we found ourselves in this contretemps, but I wanted to woo you, to squire you about and give you the attention and courting you deserve. Give me a few weeks. We’ll know better what we’re dealing with, and we’ll placate the Lady Dandridges of Society in the meanwhile.” “I can do that,” she said slowly, “but, Benjamin, that’s all I can do. You must not take a notion that we will be wed.” “And if there’s a baby?” She shook her head, but when he took her in his arms, she went unresisting into his embrace. He hoped there was a baby, which surprised him. He understood the necessity for an heir but hadn’t felt any urgency as long as Archer enjoyed good health.
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
So he could talk to Jane and find out what had happened between her and Blakeborough after he left. He could finally get an answer to his marriage proposal. Proposal? Jane would probably call it a marriage command. He groaned. Perhaps it wouldn’t be a bad idea to talk to her while he waited. He could always pack her off in another hackney before it was time for Meredith to return home. Yes, that would be best. Climbing inside the hackney, he doffed his hat and shrugged out of his box coat. But all of his perfectly logical reasons for being there went right out of his head the moment he saw her looking so luscious and lovely in her sunny gown. Because he desired only one thing. Jane. In his arms. Now. She must have seen the feral need flare in his face, for her eyes went wide. That was the only reaction she had time for, however, before he dragged her into his embrace so he could take her mouth in a hard, urgent kiss. God, he wanted her. He would never stop wanting her. Fisting his hands in her puffy sleeves to hold her still, he plundered her mouth the way he ached to plunder her body. Suddenly she shoved him back. “What are you doing? That’s not why--” He clasped her head in his hands, dislodging her bonnet, which tumbled to the floor. Then he kissed her again, demanding her to kiss him back, to need him back. It took her a moment, but then she moaned low in her throat and melted against him. And he exulted. She was soft, so wonderfully soft, his Jane. So wonderfully giving. Surely she wouldn’t be responding to him this way if she had cemented her engagement to Blakeborough. But then, he’d thought that last night. He jerked back, gratified to see from her flushed cheeks, reddened lips, and bright eyes that she was now as eager and aroused as he. Indeed, she was already looping her arms about his neck to draw him close once more. Stopping just short of her mouth, he rasped, “Are you still engaged to Blakeborough?” Her gorgeous eyes narrowed. “My engagement didn’t stop you last night.” “It would now.” A coy smile broke over her lips, and she tightened her grip on his neck. “Then I suppose it’s a good thing I am not.” With a growl of triumph, he kissed her once more. She was here. She was his. Nothing else mattered.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Dom stood dumbfounded as Jane disappeared into the street. Then he hurried to catch up to her, to get some answers. She knew. How the blazes did she know? The answer to that was obvious. “So, Nancy told you the truth, did she?” he snapped as he fell into step beside her. Jane didn’t reply, just kept marching toward the inn like a Hussar bent on battle. “When?” he demanded. “How long have you known?” “For nine years, you…you conniving…lying--” “Nine years? You knew all this time, and you didn’t say anything?” “Say anything!” She halted just short of the innyard entrance to glare at him. “How the devil was I to do that? You disappeared into the streets of London as surely as if you were a footpad or a pickpocket.” She planted her hands on her hips. “Oh, I read about your heroic exploits from time to time, but other than that, I neither heard nor saw anything of you until last year, when you showed up at George’s town house. It was only pure chance that I happened to be at dinner with Nancy that day. As you’ll recall, you didn’t stay long. Nor did you behave as if you would welcome any confidences.” Remembering the cool reception he’d given her, he glanced away, unable to bear the accusation in her eyes. “No, I suppose I didn’t.” “Besides,” she said, “it hardly mattered that I knew the truth. I assumed that if you ever changed your mind about making a life with me, you would seek me out. Since you never did, you were clearly determined to remain a bachelor.” His gaze shot back to her. “It was more complicated than that.” She snorted. “It always is with you. Which is precisely why I’m happy I’m engaged to someone else.” That sent jealousy roaring through him. “Yet you let me kiss you.” A pretty blush stained her cheeks. “You…you took me by surprise, that’s all. But it was a mistake. It won’t happen again.” The blazes it wouldn’t. He intended to find out if the past was as firmly in the past as she claimed. But obviously he couldn’t do it here in the street. He glanced up at the gloomy sky. Or right now. She followed the direction of his gaze. “Yes,” she said in a dull voice. “It looks like we’ll have a rainy trip back.” She headed into the innyard. “Perhaps if we hurry, we can reach Winborough before it starts. Besides, we’ve got only three hours until sunset, and it’s not safe to ride in an open phaeton after dark.” She was right, but he didn’t mean to drop this discussion. He needed answers, and once they were on the road, he meant to get them.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
The perfect girl what can I say; to be so close yet, feel miles away. I want to run to her, but have to walk out the door going the other way. The only words spoken to her are- ‘Have a nice day.’ I think about her and the summer, and what it could have been with her. It reminds me of- sixteen, you are on my mind all the time. I think about you. It is like a vision of the stars shining, ribbon wearing, bracelet making, and holding hands forever. All the sunflowers in the hayfields and kissing in the rain, no more brick walls, no more falling teardrops of pain, and no more jigsaw puzzle pieces would remain. True love should not be such a game; does she feel the same. She is everything that I cannot have, and everything I lack. What if every day could be like this- Diamond rings, football games, and movies on the weekends? It is easy to see she belongs to me; she is everything that reminds me of ‘sixteen’ everything that is in my dreams. Everything she does is amazing, but then again, I am just speculating, and fantasizing about Nevaeh Natalie, who just turned the age of sixteen! Nevaeh- I recall my first boy kiss was not at all, what I thought it was going to be like. I was wearing a light pink dress, and flip-flops that were also pink with white daisy flowers printed on them. I loosened my ponytail and flipped out my hair until my hair dropped down my back, and around my shoulders. That gets A guy going every time, so I have read online. He was wearing ripped-up jeans and a Led Zeppelin t-shirt. He said that- ‘My eyes sparkled in blue amazement, which was breathtaking, that he never saw before.’ Tell me another line… I was thinking, while Phil Collins ‘Take Me Home’ was playing in the background. I smiled at him, he began to slowly lean into me, until our lips locked. So, enjoy, he kissed me, and my heart was all aflutter. When it happened, I felt like I was floating, and my stomach had butterflies. My eyes fastened shut with no intentions of me doing so during the whole thing. When my eyes unfastened my feelings of touch engaged, and I realized that his hands are on my hips. His hands slowly moved up my waist, and my body. I was trembling from the exhilaration. Plus, one thing led to another. It was sort of my first time, kissing and playing with him you know a boy, oh yet not really, I had gotten to do some things with Chiaz before like, in class as he sat next to me. I would rub my hand on it under the desks- yeah, he liked that, and he would be. Oh, how could I forget this… there was this one time in the front seat of his Ford pickup truck, we snuck off… and this was my first true time gulping down on him, for a lack of a better term. As I had my head in his lap and was about to move up for him to go in me down there, I was about to get on top and let him in me. When we both heard her this odd, yet remarkably loud scream of bloody murder! Ava was saying- ‘You too were going to fuck! What the fuck is going on here? Anyways, Ava spotted us before he got to ‘Take me!
Marcel Ray Duriez (Nevaeh The Miracle)
To be fair, if we had married then, who knows what would have become of us? I doubt I would have liked your running about the country as a spy, leaving me alone for weeks at a time. And I daresay you would have had trouble concentrating on your work for worrying about me.” His grateful smile showed that he appreciated her attempt to mitigate his betrayal. “Of course, later you could have…well…come after me. Once you established your business. While I was still un-betrothed. Why didn’t you?” “I don’t suppose you would accept rampant idiocy as a reason?” “I would…if I really thought it were the reason.” When he stiffened, she added archly, “You aren’t generally an idiot. Daft and a tad overbearing, yes, but not an idiot.” A sigh escaped him. He leaned past her to pull the curtain open just enough so he could keep an eye on the street. When it looked as if he might not answer, she added, “Tristan thinks you didn’t come after me because you were afraid that I couldn’t love you.” He cast her a startled glance. “You told Tristan the truth about us?” She winced. “And Lisette and Max. Sorry. Tristan sort of…forced it out of me.” “Well, that explains why Max and Lisette were willing to bring you here in the midst of such a crucial investigation. They’ve been pressing me for a long time to give you another chance. Because they thought you betrayed me.” Grabbing her hands, he gazed down at them with a haunted look. “And I suppose there’s some truth to my brother’s words. But I also didn’t come after you because that would have been a tacit admission that I’d made a mistake. That in so doing, I’d ruined our lives. I was afraid if I admitted I’d been wrong, then it had all been for nothing. I’d sacrificed my happiness--your happiness--for nothing.” “Oh, Dom,” she whispered and squeezed his hands. “A part of me also thought if I didn’t approach you at all, there was still a chance we could be together again. But if I asked and you said no--or worse yet, said that you no longer cared about me--it would be over for good. As long as I didn’t ask, there was always hope. And hope is what kept me going.” A muscle flexed in his jaw. “Until you got engaged. That quashed my hope. It was what I’d told myself I wanted for you. Because it proved that I’d been right to put you aside.” He lifted his gaze to hers. “Unfortunately, being right was cold comfort when it meant I’d lost you for good. By the time you came to me that day at Rathmoor Park, I was in a very dark state. I was resigning myself to a lifetime of loneliness, of wanting you and not having you.” “You would have let me marry Edwin?” she said incredulously. “Even though you still loved me?” “You were still going to marry him, weren’t you?” he countered. “Knowing that you still loved me.” “True.” She attempted a smile. “I would have done it just to bedevil you.” “No doubt,” he said dryly. “But it would have been a mistake, and I’d have been miserable.” He pressed a kiss to their joined hands. “Then I suppose we should really thank Nancy for her shenanigans. Or else we’d still be separate and miserable.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
As if reading his mind, she smiled happily up at him. “Gary really came through for us, didn’t he?” “Absolutely, ma petite. And Beau LaRue was not so bad either. Come, we cannot leave the poor man pacing the swamp. He will think we are engaging in something other than conversation.” Wickedly Savannah moved her body against his, her hands sliding provocatively, enticingly, over the rigid thickness straining his trousers. “Aren’t we?” she asked with that infuriating sexy smile he could never resist. “We have a lot of clean-up to do here, Savannah,” he said severely. “And we need to get word to our people, spread the society’s list through our ranks, warn those in danger.” Her fingers were working at the buttons of his shirt so that she could push the material aside to examine his chest and shoulder, where two of the worst wounds had been. She had to see his body for herself, touch him to assure herself he was completely healed. “I suggest, for now, that your biggest job is to create something for Gary to do so we can have a little privacy.” With a smooth movement, she pulled the shirt from over her head so that her full breasts gleamed temptingly at him. Gregori made a sound somewhere between a sigh and a moan. His hands came up to cup the weight of her in his palms, the feel of her soft, satin skin soothing after the burning torture of the tainted blood. His thumbs caressed the rosy tips into hard peaks. He bent his head slowly to the erotic temptation because he was helpless to do anything else. He needed the merging of their bodies after such a close call as much as she did. He could feel the surge of excitement, the rush of liquid heat through her body at the feel of his mouth pulling strongly at her breast. Gregori dragged her even closer, his hands wandering over her with a sense of urgency. Her need was feeding his. “Gary,” she whispered. “Don’t forget about Gary.” Gregori cursed softly, his hand pinning her hips so that he could strip away the offending clothes on her body. He spared the human a few seconds of his attention, directing him away from the cave. Savannah’s soft laughter was taunting, teasing. “I told you, lifemate, you’re always taking off my clothes.” “Then stop wearing the damn things,” he responded gruffly, his hands at her tiny waist, his mouth finding her flat stomach. “Someday my child will be growing right here,” he said softly, kissing her belly. His hands pinned her thighs so that he could explore easily without interruption. “A beautiful little girl with your looks and my disposition.” Savannah laughed softly, her arms cradling his head lovingly. “That should be quite a combination. What’s wrong with my disposition?” She was writhing under the onslaught of his hands and mouth, arcing her body more fully into his ministrations. “You are a wicked woman,” he whispered. “I would have to kill any man who treated my daughter the way I am treating you.” She cried out, her body rippling with pleasure. “I happen to love the way you treat me, lifemate,” she answered softly and cried out again when he merged their bodies, their minds, their hearts and souls.
Christine Feehan (Dark Magic (Dark, #4))
What’ll it be?” Steve asked me, just days after our wedding. “Do we go on the honeymoon we’ve got planned, or do you want to go catch crocs?” My head was still spinning from the ceremony, the celebration, and the fact that I could now use the two words “my husband” and have them mean something real. The four months between February 2, 1992--the day Steve asked me to marry him--and our wedding day on June 4 had been a blur. Steve’s mother threw us an engagement party for Queensland friends and family, and I encountered a very common theme: “We never thought Steve would get married.” Everyone said it--relatives, old friends, and schoolmates. I’d smile and nod, but my inner response was, Well, we’ve got that in common. And something else: Wait until I get home and tell everybody I am moving to Australia. I knew what I’d have to explain. Being with Steve, running the zoo, and helping the crocs was exactly the right thing to do. I knew with all my heart and soul that this was the path I was meant to travel. My American friends--the best, closest ones--understood this perfectly. I trusted Steve with my life and loved him desperately. One of the first challenges was how to bring as many Australian friends and family as possible over to the United States for the wedding. None of us had a lot of money. Eleven people wound up making the trip from Australia, and we held the ceremony in the big Methodist church my grandmother attended. It was more than a wedding, it was saying good-bye to everyone I’d ever known. I invited everybody, even people who may not have been intimate friends. I even invited my dentist. The whole network of wildlife rehabilitators came too--four hundred people in all. The ceremony began at eight p.m., with coffee and cake afterward. I wore the same dress that my older sister Bonnie had worn at her wedding twenty-seven years earlier, and my sister Tricia wore at her wedding six years after that. The wedding cake had white frosting, but it was decorated with real flowers instead of icing ones. Steve had picked out a simple ring for me, a quarter carat, exactly what I wanted. He didn’t have a wedding ring. We were just going to borrow one for the service, but we couldn’t find anybody with fingers that were big enough. It turned out that my dad’s wedding ring fitted him, and that’s the one we used. Steve’s mother, Lyn, gave me a silk horseshoe to put around my wrist, a symbol of good luck. On our wedding day, June 4, 1992, it had been eight months since Steve and I first met. As the minister started reading the vows, I could see that Steve was nervous. His tuxedo looked like it was strangling him. For a man who was used to working in the tropics, he sure looked hot. The church was air-conditioned, but sweat drops formed on the ends of his fingers. Poor Steve, I thought. He’d never been up in front of such a big crowd before. “The scariest situation I’ve ever been in,” Steve would say later of the ceremony. This from a man who wrangled crocodiles! When the minister invited the groom to kiss the bride, I could feel all Steve’s energy, passion, and love. I realized without a doubt we were doing the right thing.
Terri Irwin (Steve & Me)
They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
He recognized her deft hand and eye for detail immediately. He flipped through the pages, past vignettes of the dairymaid and her vague-featured gentleman engaged in a courtship of sorts: a kiss on the hand, a whisper in the ear. By the book’s midpoint, the chit’s voluminous petticoats were up around her ears, and the illustrations comprised a sequence of quite similar poses in varying locales. Not just the dairy, but a carriage, the larder, in a hayloft lit with candles and strewn with…were those rose petals? I’ll be damned. Gray was fast divining the true source of the French painting master’s mythic exploits. More unsettling by far, however, as he perused the book, he noted a subtle alteration in the gentleman lover’s features. With each successive illustration, the hero appeared taller, broader in the shoulders, and his hair went from a cropped style to collar length in the space of two pages. The more pages Gray turned, the more he recognized himself. It was unmistakable. She’d used him as the model for these bawdy illustrations. She’d sketched him in secret; not once, but many times. And here he’d nearly gone mad with envy over each scrap of foolscap she’d inked for once crewman or another. His emotions underwent a dizzying progression-from surprised, to flattered, to (with the benefit of one especially inventive situation in an orchard) undeniably aroused. But as he lingered over a nude study of this amalgam of the real him and some picaresque fantasy, he began to feel something else entirely. He felt used. She’d rendered his form with astonishing accuracy, given that it must have been drawn before she’d any opportunity to actually see him unclothed. Not that she’d achieved an exact likeness. Her virgin’s imagination was rather generous in certain aspects and somewhat stinting in others, he noted with a bitter sort of amusement. But she’d laid him bare in these pages, without his knowledge or consent. God, she’d even drawn his scars. All in service of some adolescent erotic fantasy. And now he began to grow angry. He had been handling the leaves of the book with his fingertips only, anxious he might smudge or rip the pages. Now he abandoned all caution and flipped roughly through the remainder of the volume. Until he came to the end, and his hand froze. There they were, the two of them. He and she fully clothed and unengaged in any physical intimacies-yet intimate, in a way he had never known. Never dreamed. Sitting beneath a willow tree, his head in her lap. One of her hands lay twined with his, atop his chest. The other rested on his brow. The sky soared vast and expansive above, gauzy clouds spinning into forever. The hot fist of desire that had gripped his loins loosened, moved upward through his torso, churning the contents of his gut along the way. Then it clutched at his heart and squeezed until it hurt. Somehow, this illustration was the most dismaying of all. So naïve, so ridiculous. at least the bawdy situations were plausible, if sometimes physically improbable. This was utterly impossible. To her, he'd never been more than a fantasy. It occurred to Gray that more secrets might be packed within these trunks. If he sorted through her belongings, he might find the answers to all his questions. Perhaps answers to questions he'd never thought to ask. In spite of this, he let the lid of the trunk clap shut and fastened the strap with shaking fingers. He'd suffered as many of her fantasies as he could bear for one day. It was time to acquaint her with reality.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
I don’t…believe you,” she lied, her blood running wild through her veins. His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers. This was not what she’d set out to get from him. But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life. Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught. Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her. Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom. As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer. Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there. Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him. How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him. Belonging to him. Oh, Lord! She shoved him away. How could she have fallen for his kisses after what he’d done? How could she have let him slip that far under her guard? Never again, curse him! Never! For a moment, he looked as stunned by what had flared between them as she. Then he reached for her, and she slipped from between him and the wall, panic rising in her chest. “You do not have the right to kiss me anymore,” she hissed. “I’m engaged, for pity’s sake!” As soon as her words registered, his eyes went cold. “It certainly took you long enough to remember it.” She gaped at him. “You have the audacity to…to…” She stabbed his shoulder with one finger. “You have no business criticizing me! You threw me away years ago, and now you want to just…just take me up again, as if nothing ever happened between us?” A shadow crossed his face. “I did not throw you away. You jilted me, remember?” That was the last straw. “Right. I jilted you.” Turning on her heel, she stalked back toward the road. “Just keep telling yourself that, since you’re obviously determined to believe your own fiction.” “Fiction?” He hurried after her. “What are you talking about?” “Oh, why can’t you just admit what you really did and be done with it?” Grabbing her by the arm, he forced her to stop just short of the street. He stared into her face, and she could see when awareness dawned in his eyes. “Good God. You know the truth. You know what really happened in the library that night.” “That you manufactured that dalliance between you and Nancy to force me into jilting you?” She snatched her arm free. “Yes, I know.” Then she strode out of the alley, leaving him to stew in his own juices.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Brisbane!” I exclaimed, only his mouth was on mine and the word was lost. After a long and thoroughly pleasurable moment, he lifted his head and I tried to catch my breath. His hand was still in a compromising spot and I returned the favour, smothering his groan with my lips. He was muttering something and I pulled away to hear it. “Forty-eight hours. Forty-eight hours. Forty-eight hours.” “Unless,” I began, then broke off, feeling suddenly shy. “Unless?” he prompted, his witch-black eyes glittering brilliantly in the dim light. “Unless you would like to slip upstairs now,” I murmured. “I can dismiss Morag. No one need know.” A slow smile curved his lips and he bent his head to nip my lower lip with his teeth. “Tempting, my lady. But I am engaged to play billiards with your father and your brother Benedick. They have threatened my manhood if I do not appear, and I’d rather keep that intact.” “So would I,” I said seriously. He burst out laughing and kissed me again. “Tomorrow after luncheon. The river meadow.” I nodded and he slipped out from behind Maurice, leaving me deliciously bemused. I adjusted the décolletage of my gown and waited a few seconds, then emerged. Out of the tail of my eye, I caught a glimpse of a white apron whisking around the corner. One of the maids, eavesdropping, no doubt. And I had a very good idea which.
Deanna Raybourn (Midsummer Night (Lady Julia Grey, #3.5))
His cool fingers were under her chin, tilting her face up to his. "You dance very well," he said, but instead of the usual mockery, there was a faintly husky note in his voice, and his eyes were intent on her. "You have the gift of grace." She stared up at him, caught in his gaze. And then, almost without volition, she turned her face, pressing her cheek against his hand. His fingers cupped her long, cool fingers and his thumb feathered her lips, lightly. She opened them beneath the faint pressure, and she knew she was trembling, captured in a moment of magic and wonder, with his hand on her mouth, their eyes caught, and she waited, breathless, knowing that the world was about to change. He bent down, blotting out the light, and she closed her eyes the moment before his mouth touched hers, his lips warm, damp, open against hers, and the shock of it sent her senses reeling, and she was falling into a hot velvet mass of glorious confusion. She was falling toward the hard parquet floor. His mouth left hers, almost before the brief kiss had begun, and his hand wrapped around her wrist, hauling her to her feet before she could collapse entirely. "A word to the wise, dear Emma," he said in a voice as cool and unmoved as the frozen ground outside. "When you engage in a dalliance on the dance floor, remember to keep your balance. It's better not to let your partner kiss you while you're still in a curtsy." "I wasn't expecting to be kissed," she said swiftly, hating him. "Weren't you? Another lesson, my dear. Always expect to be kissed. You have the mouth for it.
Anne Stuart (To Love a Dark Lord)
She thought about what she would write in her journal when she got home. She wanted to write about Mariabella. And the couple in the dark room--engaging in a mix of love and savagery. And the conjurer and his tricks. Cass wanted to know how he had done them. And then there was Falco. Did she dare write about him? About the way she felt when she knew he was going to kiss her, like her heart had grown huge, too big for her chest, like it was seeping out between the laces of her bodice and being pulled in all different directions? Caspita. What had she started?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
There’s a dead girl in there who’s not supposed to be, and another girl murdered, and you don’t care. You don’t care about them, or me.” She turned and walked away from him, blinking back tears. “I refuse to be lied to any longer.” What an idiot she was. “Cassandra, wait.” Falco ran after her, grabbing her arm just before she reached the edge of Agnese’s garden. “I do care. Give me two days. That’s all I need. And then I will tell you everything you want to know.” He stared at her. “Please. I’m asking you to trust me.” “Why should I?” Cass asked, her voice barely above a whisper. The breeze rustled through the ivy. Cass watched one leaf whip back and forth. “Last night you told me not to trust you, and tonight you tell me I should. What’s changed?” “What’s changed is that I…” Falco reached for her face, his fingertips caressing her cheekbones. “I’m falling in love with you,” he said, brushing a strand of hair back from her eyes. “For the longest time I couldn’t see it. I didn’t want to see it. So impossible. But I can’t deny my feelings any longer. You’re more than a muse, Cass. I want you to be more. I want you to be mine.” “But you know--” Cass could barely stutter out a sentence; Falco’s words were so unexpected, she could hardly breathe. “But I’m engaged…” “Forget the engagement. Forget what you’re supposed to do. What do you want to do, Cass? What do you need?” Cass felt her resolve melting away. His fingertips were ten individual spots of heat on her cool skin. She was tired of being cold. All she had to do was lean in and let the warmth engulf her. She thought of their bodies pressed together in the old batèla, her hands caressing his bare skin as their mouths met over and over. She realized she was crying. Falco kissed away her tears one at a time. Each time his lips touched her skin, she felt a brightness, like he was making flowers bloom inside of her. “I want to believe you, but it’s not that simple. I--” “It is that simple.” Falco tilted her face upward and pressed his mouth to hers, gently, then harder. Cass didn’t even try to resist. The wind whipped his hair around, and hers, tickling her skin as Falco pressed her against the framework of the trellis that lined the back of her aunt’s garden. Falco leaned into her and Cass could feel their hearts beating against each other. This was what a kiss should feel like. This was real.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))