Empty Lanes Quotes

I make art, sometimes I make true art, and sometimes it fills the empty places in my life. Some of them. Not all.

In the world I see you are stalking elk through the damp canyon forests around the ruins of Rock feller Center. You'll wear leather clothes that will last you the rest of your life. You'll climb the wrist-thick kudzu vines that wrap the Sears Towers. And when you look down, you'll see tiny figures pounding corn, laying stripes of venison on the empty car pool lane of some abandoned superhighways.

He treasured her, treasured her tears, treasured her love for others. Her heart might even be big enough to fill that empty space in his own chest. Perhaps she could be his heart as well.

Doing fine, thank you, I would say, never knowing how to talk about what I do. If I could talk about it, I would not have to do it. I make art, sometimes I make true art, and sometimes it fills the empty places in my heart. Some of them. Not all.

Our lives hang in the balance of unpredictable situations. One minute you're driving down the road whistling a tune, the next moment the car right in front of you spins out of control and crashes. How you prepare for those unpredictable occurrences determines whether you live or die. Always leave an empty lane to your right or left for escape.

Harshness vanished. A sudden softness has replaced the meadows' wintry grey. Little rivulets of water changed their singing accents. Tendernesses, hesitantly, reach toward the earth from space, and country lanes are showing these unexpected subtle risings that find expression in the empty trees.

To embrace love, we risk heartbreak. To resist love, we risk emptiness.

If I could talk about it, I would not have to do it. I make art, sometimes I make true art, and sometimes it fills the empty places in my life. Some of them. Not all.

Lane himself lit a cigarette as the train pulled in. Then, like so many people, who, perhaps, ought to be issued only a very probational pass to meet trains, he tried to empty his face of all expression that might quite simply, perhaps even beautifully, reveal how he felt about the arriving person. Franny was among the first of the girls to get off the train, from a car at the far, northern end of the platform. Lane spotted her immediately, and despite whatever it was he was trying to do with his face, his arm that shot up into the air was the whole truth.

Loving you is no more a beautiful memory, but now just a pain, I cry and weep every time I walk down the memory lane, Your love always completed me in every sense as a whole, But now it’s just emptiness and sorrow in my heart that drains, Of all the people in the world, you choose me to be hurt, Of all the hearts in the world, you choose mine to break… Why did you leave me I ask myself every morning and dawn? Why my love was incomplete tell me why you were gone? A silence surrounds my heart and fills it again with despair, Oh this pain is just too much, and the damage beyond repair, Please come back baby, just come back and bring that old smile, Or just come to see me every once in a while, So my heart no more bleeds, and no more my soul aches, So I can be peaceful after my death, in my ashes and burnt flakes…

Petty human squabbles over borders and oil and creed vanish in the knowledge that this living marble surrounded by infinite emptiness is our shared home, and more, a home we share with, and owe to, the most wonderful inventions of life.

Some people see a glass as half empty; some see it as half full. I put the glass in a cupboard and forget it’s there. You get my point?

God can only be met in emptiness, by those who come in love, abandoning all effort to control, every need to astound.

In the world I see - you are stalking elk through the damp canyon forests around the ruins of Rockefeller Center. You'll wear leather clothes that will last you the rest of your life. You'll climb the wrist-thick kudzu vines that wrap the Sears Tower. And when you look down, you'll see tiny figures pounding corn, laying strips of venison on the empty car pool lane of some abandoned superhighway.

The door opened after a few moments. Sherlock was looking slightly upwards, expecting Amyus Crowe to be standing inside the doorway, and for a moment he was confused by the empty space. His gaze droped, and he felt his heart stutter as it came to rest on the face of a girl at the same level as his own. Her cloths were dark, and in the shadows of the hall her face seemed to be floating in mid-air.

Jesus Christ!" sterling shouted. "Where'd you learn to drive?" "nobody asked you for commentary!" Emma yelled back as they hurtled into the moving traffic. Luckily it was late and the lanes were mostly empty. "I don't want to die on the pacific coast highway!" sterling wailed. "Oh, I'm sorry," Emma's voice dripped acid. "Is there a different highway you'd like to die on? BECAUSE WE CAN ARRANGE THAT.

The saddest thing of all was that their party represented a deviation from the conditions of the time. It was impossible to imagine that in the houses across the lane people were eating and drinking in the same way at such an hour. Beyond the window lay mute, dark, hungry Moscow. Her food stores were empty, and people had even forgotten to think of such things as game and vodka. And thus it turned out that the only true life is one that resembles the life around us and drowns in it without leaving a trace, that isolated happiness is not happiness, so that duck and alcohol, when they seem to be the only ones in town, are not alcohol and a duck at all.

I make art, sometimes I make true art, and sometimes it fills the empty places in my life. Some of them. Not all).

I don’t know how it happened. Nobody does. There are only theories, empty rhetoric and doomsday prophecies. None of them are right, but none of them are completely wrong, either. They all have a grain of truth. All I know is where I was and what I was doing when it happened.

As he lay there, he was sure that he could still feel the memory of that strange hand cupping the back of his neck; and he couldn't believe how empty his mouth felt, now that it only had his own tongue in it.

Sophia stood staring blankly up the stairs for an entire minute before it dawned on her that he'd used the kiss to befuddle her. Blast it all! She fumed to herself as she walked to the front window and stationed herself there. Time went by. The clock ticked. A bee buzzed against the windowpane. Dust settled. After thirty minutes had passed, Sophia had had enough. She gave the empty lane one last glance, then went upstairs.

It's said that great sorrow is no more than a reflection of one's capacity for great joy. I see it from the opposite direction. I'm happy, but there's an empty space inside me that will never stop suffering from the loss of Yan-yeh.

Come! into the open, friend! admittedly only a little is gleaming today down and narrowly the heaven is enclosing us. Neither the mountains have yet risen of the forest the peak as wished and empty the air is resting of singing It’s dull today, the ways and lanes are slumbering and nearly it may seem to me to be as in the leaden time. Nevertheless the wish succeeds, true believers don’t have doubts about One hour and to the pleasure the day must furthermore be dedicated.

Imagine,” Tyler said, "stalking elk past department store windows and stinking racks of beautiful rotting dresses and tuxedos on hangers; you’ll wear leather clothes that will last you the rest of your life, and you’ll climb the wrist-thick kudzu vines that wrap the Sears Tower. Jack and the beanstalk, you’ll climb up through the dripping forest canopy and the air will be so clean you’ll see tiny figures pounding corn and laying strips of venison to dry in the empty car pool lane of an abandoned superhighway stretching eight-lanes-wide and August-hot for a thousand miles.

I must launch out my boat. The languid hours pass by on the shore---Alas for me! The spring has done its flowering and taken leave. And now with the burden of faded futile flowers I wait and linger. The waves have become clamorous, and upon the bank in the shady lane the yellow leaves flutter and fall. What emptiness do you gaze upon! Do you not feel a thrill passing through the air with the notes of the far-away song floating from the other shore?

Slowly the lights of the torches in front of Merry flicked and went out, and he was walking in a darkness; and he thought: ‘This is a tunnel leading to a tomb; there we shall stay forever.’ But suddenly into his dream there fell a living voice. ‘Well, Merry! Thank goodness I have found you!’ He looked up and the mist before his eyes cleared a little. There was Pippin! They were face to face in a narrow lane, but for themselves it was empty. He rubbed his eyes. ‘Where is the king?’ He said. ‘And Eowyn?’ Then he stumbled and sat down on a doorstep and began to weep again. ‘They must have gone up into the Citadel,’ said Pippin. ‘I think you must have fallen asleep on your feet and taken the wrong turning. When we found out you were not with them, Gandalf sent me to look for you. Poor old Merry! How glad I am to see you again! But you are worn out, and I won’t bother you with any talk. But tell me, are you hurt, or wounded?’ ‘No,’ said Merry. ‘Well, no, I don’t think so. But I can’t use my right arm, Pippin, not since I stabbed him. And my sword burned away like a piece of wood.’ Pippin’s face was anxious. ‘Well, you had better come with me as quick as you can,’ he said. ‘I wish I could carry you. You aren’t fit to walk any further. They shouldn’t have let you walk at all; but you must forgive them. So many dreadful things have happened in the City, Merry, that one poor hobbit coming in from battle is easily overlooked.’ ‘It’s not always a misfortune being overlooked,’ said Merry. ‘I was overlooked just now by—no, no, I can’t speak of it. Help me, Pippin! It’s all going dark again, and my arm is so cold.’ ‘Lean on me, Merry lad!” said Pippin. ‘Come now. Foot by foot. It’s not far.’ ‘Are you going to bury me?’ said Merry. ‘No, indeed!’ said Pippin, trying to sound cheerful, though his heart was wrung with fear and pity. ‘No, we are going to the Houses of Healing.

I make art, sometimes I make true art, and sometimes it fills the empty places in my life.

She removed my empty plate, replaced it with a bowl containing a steaming slice of spotted dick with thick yellow custard drizzled all over it.

I have to pee so bad I can taste it! Not only is my glass half empty, someone peed in it. Like Lois Lane said to Superman, I don't give a flying...f...!

If I could talk about it, I would not have to do it. I make art, sometimes I make true art, and sometimes it fills the empty places in my life.

Some people see a glass as half empty; some see it as half full. I put the glass in a cupboard and forget it’s there.

Through this image he had a glimpse of a strange dark cavern of speculation but at once turned away from it, feeling that it was not yet the hour to enter it. But the nightshade of his friend's listlessness seemed to be diffusing in the air around him a tenuous and deadly exhalation and he found himself glancing from one casual word to another on his right or left in stolid wonder that they had been so silently emptied of instantaneous sense until every mean shop legend bound his mind like the words of a spell and his soul shrivelled up, sighing with age as he walked on in a lane among heaps of dead language. His own consciousness of language was ebbing from his brain and trickling into the very words themselves which set to band and disband themselves in wayward rhythms: The ivy whines upon the wall And whines and twines upon the wall The ivy whines upon the wall The yellow ivy on the wall Ivy, ivy up the wall. Did any one ever hear such drivel?

All the while, when Nazneen turned to her prayers and tried to empty her mind and accept each new thing with grace or indifference, Chanu worked his own method. He was looking for the same essential thing. But he thought he could grab it from the outside and hold it against his chest like a shield... Where Nazneen turned in, he turned out; where she strove to accept, he was determined to struggle; where she attempted to dull her mind and numb her thoughts, he argued loud; while she wanted to look neither to the past nor to the future, he lived exclusively in both. They took different paths but they had journeyed, so she realized, together.

Val turned, still naked, still impossibly beautiful. Only the gore spattered on his belly, chest, and arm, marred his perfection. He walked toward her and she couldn't help it. She backed away from him. He smiled. Sweetly. Like a boy. The dagger still in his left hand. And caught her arm with his right hand. "This is who I am, Séraphine. Naked, with blade and blood. I am vengeance. I am hate. I am sin personified. Never mistake me for the hero of this tale, for I am not and shall never be. I am the villain." And he laid his lips over hers and pushed his hot tongue into her mouth and kissed her until she couldn't breathe and it was only later that she found the bloodstains on her dress. Her lips had been sweet, like ripe figs, her mouth a cavern of delight. But her eyes- those dark inquisitor's eyes- had held only horror and disgust. Val sipped his China tea the next morning and gazed out the window. The sun shone on his garden, giving the illusion of warmth, though his empty chest was ice-cold. He could have explained to her that a razor-sharp blade was kinder than a hangman's noose. That death delivered in seconds with a few thrusts was preferable to a laughing, jabbering mob, gleeful at the jerking, agonizing execution. But those saint's eyes would've seen the hypocrisy.

What is loneliness if not unimaginable light and measured in lumens— an electric bill which must be paid, a taxi cab floating across three lanes with its lamp lit, gold in wanting. At 2 a.m. everyone in New York City is empty and asking for someone.

In this world, we are surrounded by fast-paced, empty static energy. They're like the empty calories of the soul. You have empty calories for your body, like a bag of potato chips for example, then you have empty calories for your soul, which are found in the static energy that doesn't really add to our emotional, spiritual, mental experience of living our lives. We have magical moments of connection with people, with nature, with Spirit, but then we rush out of those moments all too fast, in order to go straight back into the busy lanes that are full of things not worthwhile! Empty energies! So when we do that, we forget our magical, nourishing soul moments all too fast and we start caring about things that we shouldn't care about too much, stepping outside of the moments of eternity that we encounter, and going back into the empty noise. So I think that we need to picture ourselves as rocks in the river; we can let all of that rush by us, while we stay fortified where we are, lingering in the warmness of the noontime sun, the chill of the dawn , the reflections of dusk— like a rock in a river— let it all just rush by. Be magic.

Do not fear the ghosts in this house; they are the least of your worries. Personally I find the noises they make reassuring. The creaks and footsteps in the night, their little tricks of hiding things, or moving them, I find endearing, not upsettling. It makes the place feel so much more like a home. Inhabited. Apart from ghosts nothing lives here for long. No cats no mice, no flies, no dreams, no bats. Two days ago I saw a butterfly, a monarch I believe, which danced from room to room and perched on walls and waited near to me. There are no flowers in this empty place, and, scared the butterfly would starve, I forced a window wide, cupped my two hands around her fluttering self, feeling her wings kiss my palms so gentle, and put her out, and watched her fly away. I've little patience with the seasons here, but your arrival eased this winter's chill. Please, wander round. Explore it all you wish. I've broken with tradition on some points. If there is one locked room here, you'll never know. You'll not find in the cellar's fireplace old bones or hair. You'll find no blood. Regard: just tools, a washing-machine, a drier, a water-heater, and a chain of keys. Nothing that can alarm you. Nothing dark. I may be grim, perhaps, but only just as grim as any man who suffered such affairs. Misfortune, carelessness or pain, what matters is the loss. You'll see the heartbreak linger in my eyes, and dream of making me forget what came before you walked into the hallway of this house. Bringing a little summer in your glance, and with your smile. While you are here, of course, you will hear the ghosts, always a room away, and you may wake beside me in the night, knowing that there's a space without a door, knowing that there's a place that's locked but isn't there. Hearing them scuffle, echo, thump and pound. If you are wise you'll run into the night, fluttering away into the cold, wearing perhaps the laciest of shifts. The lane's hard flints will cut your feet all bloody as you run, so, if I wished, I could just follow you, tasting the blood and oceans of your tears. I'll wait instead, here in my private place, and soon I'll put a candle in the window, love, to light your way back home. The world flutters like insects. I think this is how I shall remember you, my head between the white swell of your breasts, listening to the chambers of your heart.

We have seen that multiple lines of historical evidence indicate that Jesus’ tomb was found empty on Sunday morning by a group of his women followers. Furthermore, no convincing natural explanation is available to account for this fact. This alone might prompt us to believe that the resurrection of Jesus is the best explanation.

If, when he disappeared through his portal, he went to Faery, time moves differently there.” “That’s what V’lane said.” I emptied the cash drawer, counted the bills into stacks, then began punching in numbers on an adding machine. The store wasn’t computerized, which made bookkeeping a real pain in the neck. He gave me a look. “The two of you are getting downright chatty, aren’t you, Miss Lane? When did you last see him? What else did he tell you?” “I’m asking the questions tonight.” One day I was going to write a book: How to Dictate to a Dictator and Evade an Evader, subtitled How to Handle Jericho Barrons. He snorted. “If an illusion of control comforts you, Ms. Lane, by all means, cling to it.” “Jackass.” I gave him a look modeled on his own. He laughed, and I stared, then blinked and looked away. I finished rubber-banding the cash, put it in a leather pouch, and punched the final numbers in, running the day’s total. For a moment there he hadn’t looked dark, forbidding, and cold, but dark, forbidding, and . . . warm. In fact, when he’d laughed he’d looked . . . well . . . kind of hot. I grimaced. Obviously I’d eaten something bad for lunch.

Unfortunately the hostility that the European displayed toward the native cultures he encountered he carried even further into his relations with the land. The immense open spaces of the American continents, with all their unexploited or thinly utilized resources, were treated as a challenge to unrelenting war, destruction, and conquest. The forests were there to be cut down, the prairie to be plowed up, the marshes to be filled, the wildlife to be killed for empty sport, even if not utilized for food or clothing. In the act of 'conquering nature' our ancestors too often treated the earth as contemptuously and as brutally as they treated its original inhabitants, wiping out great animal species like the bison and the passenger pigeon, mining the soils instead of annually replenishing them, and even, in the present day, invading the last wilderness areas, precious just because they are still wildernesses, homes for wildlife and solitary human souls. Instead we are surrendering them to six-lane highways, gas stations, amusement parks, and the lumber interests, as in the redwood groves, or Yosemite, and Lake Tahoe-though these primeval areas, once desecrated, can never be fully restored or replaced.

There's a stranger in a car Driving down your street Acts like he knows who you are Slaps his hand on the empty seat and says "Are you gonna get in Or are you gonna stay out?" Just a stranger in a car Might be the one they told you about Well you never were one for cautiousness You open the door He gives you a tender kiss And you can't even hear them no more -- All the voices of choices Now only one road remains And strangers in a car Two hearts Two souls Tonight Two lanes You don't know where you're goin' You don't know what you're doin' Hell it might be the highway to heaven And it might be the road to ruin But this is a song For strangers in a car Baby maybe that's all We really are Strangers in a car (Driving down your street) Just strangers in a car (Driving down your street) Strangers in a car

She saw herself, a fading figure, more than half-way now towards the sunset end, within sight even of the shadowed emptiness that lay beyond the sun's dipping edge. She had lingered over-long, expecting a dream to confirm a dream; she had been oblivious of the truth that the lane went rushing just the same. It was now too late. The speed increased. She had waited, waited for nothing. The seller of dreams was a myth.

In my beginning is my end. In succession Houses rise and fall, crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass. Old stone to new building, old timber to new fires, Old fires to ashes, and ashes to the earth Which is already flesh, fur and faeces, Bone of man and beast, cornstalk and leaf. Houses live and die: there is a time for building And a time for living and for generation And a time for the wind to break the loosened pane And to shake the wainscot where the field-mouse trots And to shake the tattered arras woven with a silent motto. In my beginning is my end. Now the light falls Across the open field, leaving the deep lane Shuttered with branches, dark in the afternoon, Where you lean against a bank while a van passes, And the deep lane insists on the direction Into the village, in the electric heat Hypnotised. In a warm haze the sultry light Is absorbed, not refracted, by grey stone. The dahlias sleep in the empty silence. Wait for the early owl. In that open field If you do not come too close, if you do not come too close, On a summer midnight, you can hear the music Of the weak pipe and the little drum And see them dancing around the bonfire The association of man and woman In daunsinge, signifying matrimonie— A dignified and commodiois sacrament. Two and two, necessarye coniunction, Holding eche other by the hand or the arm Whiche betokeneth concorde. Round and round the fire Leaping through the flames, or joined in circles, Rustically solemn or in rustic laughter Lifting heavy feet in clumsy shoes, Earth feet, loam feet, lifted in country mirth Mirth of those long since under earth Nourishing the corn. Keeping time, Keeping the rhythm in their dancing As in their living in the living seasons The time of the seasons and the constellations The time of milking and the time of harvest The time of the coupling of man and woman And that of beasts. Feet rising and falling. Eating and drinking. Dung and death. Dawn points, and another day Prepares for heat and silence. Out at sea the dawn wind Wrinkles and slides. I am here Or there, or elsewhere. In my beginning.

Well, it ain’t hardly worth ma trouble for such a piddly sum, but c’mon, give it here.” He reached for the bent-up, square container. She thanked Mr. Lane, who grunted again. The groceries and gas weighed more with every mile, and it took some time to get home. Finally in the shade of the lagoon, she emptied the can into the gas tank and scrubbed the boat with rags and wet sand for grist until the metal sides showed through the grime. •

Forty years ago, at the dawn of molecular biology, the French biologist Jacques Monod wrote his famous book Chance and Necessity, which argues bleakly that the origin of life on earth was a freak accident, and that we are alone in an empty universe. The final lines of his book are close to poetry, an amalgam of science and metaphysics: The ancient covenant is in pieces; man knows at last that he is alone in the universe’s unfeeling immensity, out of which he emerged only by chance. His destiny is nowhere spelled out, nor is his duty. The kingdom above or the darkness below: it is for him to choose. Since

Psychoanalysis: An Elegy" What are you thinking about? I am thinking of an early summer. I am thinking of wet hills in the rain Pouring water. Shedding it Down empty acres of oak and manzanita Down to the old green brush tangled in the sun, Greasewood, sage, and spring mustard. Or the hot wind coming down from Santa Ana Driving the hills crazy, A fast wind with a bit of dust in it Bruising everything and making the seed sweet. Or down in the city where the peach trees Are awkward as young horses, And there are kites caught on the wires Up above the street lamps, And the storm drains are all choked with dead branches. What are you thinking? I think that I would like to write a poem that is slow as a summer As slow getting started As 4th of July somewhere around the middle of the second stanza After a lot of unusual rain California seems long in the summer. I would like to write a poem as long as California And as slow as a summer. Do you get me, Doctor? It would have to be as slow As the very tip of summer. As slow as the summer seems On a hot day drinking beer outside Riverside Or standing in the middle of a white-hot road Between Bakersfield and Hell Waiting for Santa Claus. What are you thinking now? I’m thinking that she is very much like California. When she is still her dress is like a roadmap. Highways Traveling up and down her skin Long empty highways With the moon chasing jackrabbits across them On hot summer nights. I am thinking that her body could be California And I a rich Eastern tourist Lost somewhere between Hell and Texas Looking at a map of a long, wet, dancing California That I have never seen. Send me some penny picture-postcards, lady, Send them. One of each breast photographed looking Like curious national monuments, One of your body sweeping like a three-lane highway Twenty-seven miles from a night’s lodging In the world’s oldest hotel. What are you thinking? I am thinking of how many times this poem Will be repeated. How many summers Will torture California Until the damned maps burn Until the mad cartographer Falls to the ground and possesses The sweet thick earth from which he has been hiding. What are you thinking now? I am thinking that a poem could go on forever.

I used to wonder- at night when it was quiet enough in the cabin to think, when I let myself get to the point of wishing for home- if the home in my heart was supposed to be the place where I'd been born, or if it was the place that was raising me. If I got to choose it, or if it had somehow already claimed me. The truth was, when I looked at my reflection in the window, I couldn't see any bit of the Ruby that had lived in a little white house at the end of a lane, honey sticking to her fingers and hair falling from her braids. And it made me feel empty in a way- like I had forgotten the words to my favorite song. That girl was gone forever, and all that was left was a product of the place that had taught her to fear the bright things inside of her heart.

So he gunned the engine and turned the wheel hard to the left. He hopped a curb and accelerated. He began driving over people’s lawns, through their backyards, across their fields. No one was around to stop him. Everyone on this side of Sedan had already evacuated. After a few minutes, he came to the end of a cornfield and found the main road heading south. At first he was glad to reconnect with a real road, but he found it just as clogged as all the roads behind him. He didn’t think twice. He veered into the lane of oncoming traffic and gunned the engine again. In any other circumstance, it would have seemed like an act of lunacy. But in this case there was no oncoming traffic. The lane was empty. Not a soul was heading north toward Sedan and the Belgian border.

In my beginning is my end. In succession Houses rise and fall, crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass. Old stone to new building, old timber to new fires, Old fires to ashes, and ashes to the earth Which is already flesh, fur and faeces, Bone of man and beast, cornstalk and leaf. Houses live and die: there is a time for building And a time for living and for generation And a time for the wind to break the loosened pane And to shake the wainscot where the field-mouse trots And to shake the tattered arras woven with a silent motto. In my beginning is my end. Now the light falls Across the open field, leaving the deep lane Shuttered with branches, dark in the afternoon, Where you lean against a bank while a van passes, And the deep lane insists on the direction Into the village, in the electric heat Hypnotised. In a warm haze the sultry light Is absorbed, not refracted, by grey stone. The dahlias sleep in the empty silence.

The Gospels were written in such temporal and geographical proximity to the events they record that it would have been almost impossible to fabricate events. Anyone who cared to could have checked out the accuracy of what they reported. The fact that the disciples were able to proclaim the resurrection in Jerusalem in the face of their enemies a few weeks after the crucifixion shows that what they proclaimed was true, for they could never have proclaimed the resurrection under such circumstances had it not occurred. The Gospels could not have been corrupted without a great outcry on the part of orthodox Christians. Against the idea that there could have been a deliberate falsifying of the text, no one could have corrupted all the manuscripts. Moreover, there is no precise time when the falsification could have occurred, since, as we have seen, the New Testament books are cited by the church fathers in regular and close succession. The text could not have been falsified before all external testimony, since then the apostles were still alive and could repudiate any such tampering with the Gospels. The miracles of Jesus were witnessed by hundreds of people, friends and enemies alike; that the apostles had the ability to testify accurately to what they saw; that the apostles were of such doubtless honesty and sincerity as to place them above suspicion of fraud; that the apostles, though of low estate, nevertheless had comfort and life itself to lose in proclaiming the gospel; and that the events to which they testified took place in the civilized part of the world under the Roman Empire, in Jerusalem, the capital city of the Jewish nation. Thus, there is no reason to doubt the apostles’ testimony concerning the miracles and resurrection of Jesus. It would have been impossible for so many to conspire together to perpetrate such a hoax. And what was there to gain by lying? They could expect neither honor, nor wealth, nor worldly profit, nor fame, nor even the successful propagation of their doctrine. Moreover, they had been raised in a religion that was vastly different from the one they preached. Especially foreign to them was the idea of the death and resurrection of the Jewish Messiah. This militates against their concocting this idea. The Jewish laws against deceit and false testimony were very severe, which fact would act as a deterrent to fraud. Suppose that no resurrection or miracles occurred: how then could a dozen men, poor, coarse, and apprehensive, turn the world upside down? If Jesus did not rise from the dead, declares Ditton, then either we must believe that a small, unlearned band of deceivers overcame the powers of the world and preached an incredible doctrine over the face of the whole earth, which in turn received this fiction as the sacred truth of God; or else, if they were not deceivers, but enthusiasts, we must believe that these extremists, carried along by the impetus of extravagant fancy, managed to spread a falsity that not only common folk, but statesmen and philosophers as well, embraced as the sober truth. Because such a scenario is simply unbelievable, the message of the apostles, which gave birth to Christianity, must be true. Belief in Jesus’ resurrection flourished in the very city where Jesus had been publicly crucified. If the people of Jerusalem thought that Jesus’ body was in the tomb, few would have been prepared to believe such nonsense as that Jesus had been raised from the dead. And, even if they had so believed, the Jewish authorities would have exposed the whole affair simply by pointing to Jesus’ tomb or perhaps even exhuming the body as decisive proof that Jesus had not been raised. Three great, independently established facts—the empty tomb, the resurrection appearances, and the origin of the Christian faith—all point to the same marvelous conclusion: that God raised Jesus from the dead.

There’s an unexpected lull in the traffic about two-thirds of the way to Darmstadt, and I make the mistake of breathing a sigh of relief. The respite is short-lived. One moment I’m driving along a seemingly empty road, bouncing from side to side on the Smart’s town-car suspension as the hairdryersized engine howls its guts out beneath my buttocks, and the next instant the dashboard in front of me lights up like a flashbulb. I twitch spasmodically, jerking my head up so hard I nearly dent the thin plastic roof. Behind me the eyes of Hell are open, two blinding beacons like the landing lights on an off-course 747. Whoever they are, they’re standing on their brakes so hard they must be smoking. There’s a roar, and then a squat, red Audi sports coupe pulls out and squeezes past my flank close enough to touch, its blonde female driver gesticulating angrily at me. At least I think she’s blonde and female. It’s hard to tell because everything is gray, my heart is trying to exit through my rib cage, and I’m frantically wrestling with the steering wheel to keep the roller skate from toppling over. A fraction of a second later she’s gone, pulling back into the slow lane ahead of me to light off her afterburners. I swear I see red sparks shooting out of her two huge exhaust tubes as she vanishes into the distance, taking about ten years of my life with her.

So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.

Well, then, what explanation of the empty tomb do modern critics offer who deny the resurrection?” The fact is that they are self-confessedly without any explanation to offer.

Unfortunately the hostility that the European displayed toward the native cultures he encountered he carried even further into his relations with the land. The immense open spaces of the American continents, with all their unexploited or thinly utilized resources, were treated as a challenge to unrelenting war, destruction, and conquest. The forests were there to be cut down, the prairie to be plowed up, the marshes to be filled, the wildlife to be killed for empty sport, even if not utilized for food or clothing. In the act of 'conquering nature' our ancestors too often treated the earth as contemptuously and as brutally as they treated its original inhabitants, wiping out great animal species like the bison and the passenger pigeon, mining the soils instead of annually replenishing them, and even, in the present day, invading the last wilderness areas, precious just because they are still wildernesses, homes for wildlife and solitary human souls. Instead we are surrendering them to six-lane highways, gas stations, amusement parks, and the lumber interests, as in the redwood groves, or Yosemite, and Lake Tahoe-though these primeval areas, once desecrated, can never be fully restored or replaced. I have no wish to overstress the negative side of this great exploration. If I seem to do so here it is because both the older romantic exponents of a new life lived in accordance with Nature, or the later exponents of a new life framed in conformity to the Machine, overlooked the appalling losses and wastages, under the delusion either that the primeval abundance was inexhaustible or else that the losses did not matter, since modern man through science and invention would soon fabricate an artificial world infinitely more wonderful than that nature had provided-an even grosser delusion. Both views have long been rife in the United States where the two phases of the New World dream came together; and they are still prevalent.

Miss Reeves…your grandmother led me to believe she and your grandfather would fully approve if I were to pay you court. Would you…? That is, I realize I am…apart from my family and our recent…” He huffed to a halt, and then he lifted his gaze to her face. Whatever he saw seemed to bolster him, though she thought she’d emptied her countenance of any telling expression. “Is your heart already set on Fairchild, or have I a chance at winning your affections?” Oh, how she wished he had phrased it in a more complicated fashion so that she could play her usual role and act the imbecile. But a question so direct could not be misinterpreted even by pseudo Winter. She cleared her throat. “If my grandparents sanction your court, then certainly I shall receive you when you call.” The set of his jaw looked at once amused and frustrated. “That is not what I asked.” Winter took a long moment to study his penetrating eyes, his pleasant face, the uncertainty in his posture. She took a moment to recall how endearing he was as he bumbled his way through all the balls they had both attended, how many smiles she had tamped down as he stuttered through each introduction to eligible females, yet spoke with eloquence to the gentlemen on topics of philosophy and science. Her heart seemed to twist within her. She could like this man, could enjoy his company, but she dared not. He knew nothing that would interest General Washington; she would be beyond useless if she attached herself to him. She would be no more, then, than another Loyalist daughter, seeking her own merriment above the call of freedom. That she could not do. She could not return to an existence without purpose. “Mr. Lane…” Her voice sounded uncertain to her own ears, so she paused for a slow breath. “I am surprised you would ask about my heart. Surely you have heard the rumor that I haven’t one.” He moved to her side and took her hand, tucking it into the crook of his elbow. All the while his gaze bore into her, measuring her. “I know you are not the empty vessel you pretend to be, Miss Reeves. With your leave, I intend to discover what lies beneath this lovely surface.

Writing, it's Feeling. spontaneous urges touching upon each of the senses the moment the pen magnetises into fingertips spilling out currents of words in panicked ink splatters, unmanaged, unfiltered & channeled. wept out, breath subtle,surrounded by empty sound. static brush,while wrist sweeps across lanes,crossing lines, giving in,its desperation, its surrender,where its heading,where its been.

It looked for all the world as Karou had described it in her one brief e-mail to Zuzana: like a sandcastle, a very big sandcastle. It was monumental: an entire town, really – lanes and plazas, neighborhoods, a caravansary, granary, and palace – all of it echoing empty. Its creators had dreamed on a legendary scale, and to stand in its flagstone court, mud walls and peaked roofs jutting overhead, was to feel shrunk to the size of a songbird.

How hard can it be to follow five black SUVs?” Serge leaned over the steering wheel. “Except we’re in Miami.” “So?” “Miami drivers are a breed unto their own. Always distracted.” He uncapped a coffee thermos and chugged. “Quick on the gas and the horn. No separation between vehicles, every lane change a new adventure. The worst of both worlds: They race around as if they are really good, but they’re really bad, like if you taught a driver’s-ed class with NASCAR films.” He watched the first few droplets hit the windshield. “Oh, and worst of all, most of them have never seen snow.” “But it’s not snow,” said Felicia. “It’s rain. And just a tiny shower.” “That’s right.” Serge hit the wipers and took another slug from the thermos. “Rain is the last thing you want when you’re chasing someone in Miami. They drive shitty enough as it is, but on top of that, snow is a foreign concept, which means they never got the crash course in traction judgment for when pavement slickness turns less than ideal. And because of the land-sea temperature differential, Florida has regular afternoon rain showers. Nothing big, over in a jiff. But minutes later, all major intersections in Miami-Dade are clogged with debris from spectacular smash-ups. In Northern states, snow teaches drivers real fast about the Newtonian physics of large moving objects. I haven’t seen snow either, but I drink coffee, so the calculus of tire-grip ratio is intuitive to my body. It feels like mild electricity. Sometimes it’s pleasant, but mostly I’m ambivalent. Then you’re chasing someone in the rain through Miami, and your pursuit becomes this harrowing slalom through wrecked traffic like a disaster movie where everyone’s fleeing the city from an alien invasion, or a ridiculous change in weather that the scientist played by Dennis Quaid warned about but nobody paid attention.” Serge held the mouth of the thermos to his mouth. “Empty. Fuck it—

More than any other kind of relationship to food, hospitality reflects the underlying assumptions of society, assumptions which can and do shift with time. Social forms which once served society well by regulating and polishing behaviour for the better comfort of all can become ossified, empty and oppressive to the individual. Change may be necessary, but change must be motivated by good feeling and concern for others, not by desire to create an impression. Elegance and propriety are always desirable, because they smooth over any social disharmony, but they should be accompanied by real generosity of spirit; and where there is such generosity, want of elegance and propriety may be excused.

That tank," Bucktooth pointed at the gas gauge on the dashboard of the decidedly unfredneck-like '65 Dodge Dart, "is almost empty. We ain't going much farther." "Indeed it is." A solemn Phosphate agreed. "I suggest we stop the car and weigh our options." "What options?" Professor Buckley asked. "Why do-that is- we've been traveling up and down this path for over an hour without seeing anyone or encountering anything. Even the doughnut shop cannot be relocated. In light of this, what options do we have?" It was difficult to argue with the ex-history teacher's typically alarmist position. Brisbane's reliable old automobile had indeed been expending its remaining fuel supply in what seemed to be a hopeless effort to exit the unnamed dirt path. After leaving the doughnut shop and the blonde presidential descendant who worked there, they'd been unable to find DeMohrenschildt Lane again, or any other side street.

Death steals the character and leaves its victim an empty shell. The physical features remain, but the personality is gone and with it his essence, that vital piece of the person that distinguished him from the masses. Death evens out the playing field.

The gospel gap in many of our lives doesn’t stay empty either. If we do not live with a gospel-shaped, Christ-confident, and change-committed Christianity, that hole will get filled with other things. These things may seem plausible and even biblical, but they will be missing the identity-provision-process core that is meant to fill every believer.

The marathon lane is largely empty, mostly silent: the road of the damned rather than the saved.

To those I spoke with whiteness can be associated with isolation, dissections, and disconnections. Amanda: Well, my first husband was half-Irish and I lived with his family . . . So I got to see how they raised their children and I’ve been in prison and was raised with white girls there too. So I got to see a lot of pictures from poor whites to affluent whites. So I’ve seen that there is a disconnection. I mean, feelings are covered. Michael: One of the ways of sustaining cultural whiteness is isolation, like old Descartes. It’s not a plot, just the resonance of bad ideas. Isolate the individual rather than see the individual as the contributor back to the collective. And the carpool lane is empty and there are four lanes filled with one person in each car and that’s white culture pouring down the road, each isolated inside and hearing the news that reinforces the ideas of isolation and whiteness. Cayce: And white people for the most part have kind of isolated themselves . . . there is like a boundary around white people that a lot of times people of color drop when they are together and white people don’t always drop when they are with other white people. There’s not this sense of community. I would love to say that the above characterizations do not reflect my life, family, white friends, and their families. Unfortunately, there is a lot of it that seems right on. True, on some level these descriptions might reflect the general trend toward decreased social engagement.10 Yet over the past decade, I have spent a lot more time around people from different cultural and racial backgrounds. I am very sad to say that this sense of white people as being less emotionally connected, more isolated, and more guarded even when we are with other people resonates. The pain that comes with admitting this is all the more intense because this is something that I have known deep down for quite some time. The patterns are so ingrained that serious effort is required to break out of habits that keep me alone when in pain and nervous about sharing difficulty with family and friends. I wish that this did not characterize a broader struggle. Unfortunately, there are too many white people who exemplify these characteristics. The significant numbers of whites who seriously battle depression and a sense of aloneness in the midst of seemingly comfortable lives and intact, loving families are too great. It bears repeating that, of course, white people are not the only ones who face these issues. But that does not mean that it is not a pattern characteristic of white people worthy of honest investigation.

alarm was spreading. The black figures fled from the house. One of them let fall a hobbit-cloak on the step, as he ran. In the lane the noise of hoofs broke out, and gathering to a gallop, went hammering away into the darkness. All about Crickhollow there was the sound of horns blowing, and voices crying and feet running. But the Black Riders rode like a gale to the North-gate. Let the little people blow! Sauron would deal with them later. Meanwhile they had another errand: they knew now that the house was empty and the Ring had gone. They rode down the guards at the gate and vanished from the Shire. In the early night Frodo woke from deep sleep, suddenly, as if some sound or presence had disturbed him. He saw that Strider was sitting alert in his chair: his eyes gleamed in the light of the fire, which had been tended and was burning brightly; but he made no sign or movement.

Under the glow of a gas street lamp, Marietta Reid stood in an empty lane, looking up at her future: a bakery.

An Apple Gathering I plucked pink blossoms from mine apple-tree And wore them all that evening in my hair: Then in due season when I went to see I found no apples there. With dangling basket all along the grass As I had come I went the selfsame track: My neighbours mocked me while they saw me pass So empty-handed back. Lilian and Lilias smiled in trudging by, Their heaped-up basket teased me like a jeer; Sweet-voiced they sang beneath the sunset sky, Their mother's home was near. Plump Gertrude passed me with her basket full, A stronger hand than hers helped it along; A voice talked with her through the shadows cool More sweet to me than song. Ah Willie, Willie, was my love less worth Than apples with their green leaves piled above? I counted rosiest apples on the earth Of far less worth than love. So once it was with me you stooped to talk Laughing and listening in this very lane: To think that by this way we used to walk We shall not walk again! I let me neighbours pass me, ones and twos And groups; the latest said the night grew chill, And hastened: but I loitered, while the dews Fell fast I loitered still.

All alone in an empty room.

Artists are not born out of love. It’s the absence of love that gives birth to this anguish, agony, resentment, fury and an hour-long conversation within the loneliness of an empty ribcage. It’s the quest for love, for recognition and then the set back leaving the artist aghast because none of that matters anymore. He has wandered way too far on this illicit lane of human psyche. You do not eat the forbidden apple and artists always do that, only to live a life cursed by their own romance with the sadness of a vain destination. It’s dangerous to be this close to an artist where you keep his name on the tip of your tongue, hold yellow in your fist, and stare at the bewildering starry night. There’s chaos, so much of it that you hear his screams in his letters to Theo, you see him in the cracks of the palette of dried water paint. There are a few things that we do not want to share with anyone. That's where the heart is.

Anyway, it was just really important that I come out here for him, you know? So he’s never afraid I’ll leave him alone in an empty room.

Sometimes, I lean out my split-pane window that seems to be high off the ground, and I can hear the whistling wind stream through the leaves of the growth of trees, sometimes this reminds me about being in the garden and golden fields when my eyes are closed. But, when my eyes were open, I realized that it is just the wind rushing through the various hills and valleys of ‘The Land of Many Steeples.’ I do not know what it is… but there is just something about letting your hair blow in the breeze, which feels so amazing. I feel that it is just one of the amazing moments in time, which I have experienced. Oh, just the same can be said, about me standing in the rain, freely and naturally on a warm spring day, while I am filling the ground squish under my toes. Yes, likewise can be said for the winters when I come home from the hellhole, and see the fireplace with its warm glow, from outside the frost chilled arched windows of the tort section of the house that is part of the dwelling. ‘It is amazing also because I know that I will soon be warm and comfortable, and out of this uniform that labels me as one of them.’ In the wintertime, the snowdrifts, the pointed part of the roof along with the weathervane are covered in a blanket of white, ‘The Land of Many Steeples’ sparkles, and soft with an almost spooky light blue cast in the moonlight. The trees down the lane drip with ice like a crystal cave, but- yet we all carve a pathway down the road that leads to the hell and then back to the emptiness. Snow days are rare, but that does not matter to me either way because I cannot truly share it with anyone it seems, as you all know. So, would you be my friend if I asked you? Would you spend some time with me? Can I depend on you; I would be there for you! So, on any day in any weather condition, unless the fog is rising from the valley, I can see in the distance ‘The Land of Many Steeples’, a far cry from this country land, where the dwelling of lost and lonely dreams is upon. Then there are some days there are thunderstorms outside my window, and it takes me back to the past, like when I was in that dark room. I do not think anyone gets over their past, the past that haunts me, and a past that the tower uses against me. Yes, you can change your name. Change your hair, and change your style, but the words of slander will remain. The only thing I can do is find someone that does not care about what the words mean or say, or just plainly pray for it to all go away.

Lonely Hearts and Empty Roads [Verse] Footsteps echoin' on this dusty ground People circlin' like vultures round Can't shake the whisperin' in the wind Dark tales they always tryin' to spin [Verse 2] Shadows lurkin' behind every friend Fake smiles ain't gonna make amends Faces smilin' while they pull the rug Tired of dodgin' every dirty slug [Chorus] Always someone bringin’ you down Always someone jokin’ as you drown Need that soul who saw you true Never made you feel like you’s just a fool [Verse 3] Eyes betray the lies they pave Tired hearts they ain't for sale or save Wanna find someone who'd hold their tongue And sing life's song like you ain't done [Bridge] Man of wisdom said don’t cast the stone Hold the line don’t walk alone In this maze of broken lanes Seek the one who heals your pains [Verse 4] Rusty barbed wire 'round these dreams of mine Each cut deep but I’ll be fine 'Cause somewhere out there’s a heart so rare Never made me feel like life's unfair

She had only the faintest ugly memory of what had brought BZ and Helene together, and to erase it from her mind she fixed her imagination on a needle dripping sodium pentathol into her arm and began counting backward from one hundred. When that failed she imagined herself driving, conceived audacious lane changes, strategic shifts of gear, the Hollywood to the San Bernardino and straight on out, past Barstow, past Baker, driving straight on into the hard white empty core of the world. She slept and did not dream.

Felix grins. “What are you in a huff about? I gave you a Valentine’s heart.” “The box was empty. He already ate all the chocolate,” Lane explains.

Why bring me down just to save me? Why tell me you can’t give me more than empty pleasure and then turn around and be absolutely wonderful?” My voice is rising, and I don’t care. “Because you’re mine.” He takes a step toward me. The look on his face is anger and longing all rolled into one. “Mine to rescue.” He slashes a hand through the air. “Mine to protect.” He steps in, and we’re just inches away. So close I have to tilt my head back to meet those beautiful eyes. “I promised your brother when we met that I would take care of you. You come first, Lane. Even before myself.” “What the fuck?” I whisper. “What kind of patriarchal bullshit is that? So because I’m yours, you decide what’s best for me?” “No. It’s not like that.” He shakes his head. “It’s more like…I would do anything for you. If you’re trapped, I’ll rescue you. If you need a house, I’ll buy it for you. If you were in danger, I’d kill someone to protect you.

Uh, Gary,” I venture hesitantly, my voice just above the tinny pattering of rain against the car roof. Gary glances at me quickly in the rearview mirror, and then his eyes fall back on the road ahead. “This isn’t the way to my house." I go on, a little more sharply now. "Maybe you should turn on the GPS. I don’t want you to get lost.” Gary snorts. “Relax. This is a shortcut. I take this way all the time to get to your home.” I furrow my brows, trying to think back to the last time I invited him over. I can't dredge up a memory of it. “I'm sorry, when have you been to my house?” His silence makes the short hairs on the back of my neck stand. “When have you been to my house?” I repeat. He only continues to stare forward. “Do you remember when you came to Visionaries to work for me?" He asks offhandedly, catching me off-guard. "I do. It was one of the best days of my life. You were so impressive during your interview. I knew I was going to hire you. And over the years, I never once regretted the decision. Not once.” I watch as the number on the speedometer increases from forty miles per hour to sixty. The click of the locks makes me jump in my seat, and I suddenly feel claustrophobic. I can't find any words to say, so I keep quiet. Gary doesn't seem to notice, because he keeps on without pause. “It didn’t take long for me to fall madly in love with you.” He chuckled harshly. “And you rejected me.” “I don’t date people I work with. It's a rule of mine...Besides, you’re my boss, and I’m not comfortable with that.” I wonder what happened to the traffic. I search the other lanes, but they're empty.

He made his way past a fountain with a statue in the middle and down a lane so overhung with trees they formed a tunnel over benches where, in evenings when the weather was good, couples who had nowhere else to go for privacy would hang out and kiss. The lane opened to a broad green, a children’s playground, and two concrete structures for men’s and women’s public restrooms. He went into the men’s restroom. The first stall was empty. In the second stall he found a black Tumi messenger bag identical to the one he was carrying. He closed the stall door and put his bag down, leaving it where the other bag had been. Inside the new bag there were two cell phones, a plug-in flash drive, and a PC-9 ZOAF-an Iranian copycat version of the SIG Sauer P226 9mm pistol. There was also a sound suppressor and four magazines of ammunition, wrapped with rubber bands. He loaded the ZOAF with a fifteen-round magazine and put it and the cell phones into his raincoat pocket, zipping up the new messenger bag and slinging it over his shoulder as he left the restroom

He rose up over her, his arms straight on either side of her shoulders, and slowly withdrew, his flesh dragging against hers. He was hot and hard. She spread her thighs, reveling in this lush feeling, his thrusts blunt and hard now, pounding into her body. And still he watched her, the green of his eyes slivers of want, demanding something of her. Something she was no longer willing to give, it was just too much. When at last she came, her breaths hitching and halting, her legs trembling, her sex pulsing with every push of his cock, she watched him. She saw when he gritted his teeth, his lips drawn back in need and pleasure. He shouted her name, loud in her quiet bedroom, as his big body jerked and plunged and emptied itself in her.

I'm glad to hear you got what you came for," he drawled slowly, trying to capture Brenna's undivided attention, "but actually it's a little hard to believe. You're still empty-handed." He motioned at her hands and the small satchel she carried. "Whatever you came for must be in there? Am I right?" Her eyes narrowed. "Mr. Rose, did anyone ever tell you that curiosity killed the cat?" He let go a laugh that spooked a flock of common yellowthroats from a fir tree along the road. They swooped into the sky and Brenna's lips curled up as she watched them fly away. She was softening... "Yes, they have, Mrs. Lane," he said. "They most surely have. But I've also been told that satisfaction brought it back. What about you?

What the virus did to us. It has always been unimaginable that this pub could be empty while the music played. I am going to talk about what the virus did to us: Do you remember when we sat under trees fighting over which drink we should… drink? How can you possibly forget? We would wake up and imagine what we were going to be in future. We would open our windows and touch each other like we were keys on a pianoforte Do you remember? When we said we were going to go to London Pose in front of The Louvre And raise our hands to the blinding lights on Time Square. We would lay down on the pale moonlight cry and curse the white men for not giving us visas! Do you remember? We had high hopes. Then the virus came omne autem inuicem We watched it like a car without breaks And when it came windows bolted, The music faded, The city of London lost its light, Cafes in Italy bolted and owners run without knowing where they put their keys Times Square became a ghost town And our very little bar we used to insult —— no longer played music And when at night, We sat down to count who we have lost, It didn’t matter if we cried anymore What mattered was when Others would count our dead bodies Like how they count damaged mangoes In the fruit lane at the market.

US Highway 1. A gray snake of concrete writhed past her. The Oceanrest exit let off onto an artery road, two lanes on either side of a double yellow line, a dying pulse bloodletting into the sea. Before the iron lung economy, there’d been a trailer park by the highway, and an ice cream shop, and a very large church. Their razed bodies curled in shallow graves, their bones hidden in underbrush. A monster licked the skulls empty, scavenged the flesh.

Moons decay. Stars explode. That leaves me where I am. All alone in an empty room.

opened my heart, it filled with love, with sex, with power, with new. With every door I pulverized, I knew I’d be missing you. All alone in an empty room.

I know you’re gonna leave me. It’s like the night following the day. I can’t do much but hold on tight, until you go away. Just don’t leave me All alone in an empty room.

life in the fast lane has left me broken on the hard shoulder, a smouldering relic of my former ability, burnt out like a meteor, re-entering retirement with all the control of a comet without an orbit. I'm as empty as a black hole, a vacuum of energy, a non-event, back to your creator, motherfucker, back under the rock you

Old apartment buildings. Every shitty town has a few, the kind where people live because the day-to-day is cheaper and the empty rooms are rented by the hour.

So they went out for a walk. They went through narrow, lightless lanes, where houses that were silent but gave out smells of fish and boiled rice stood on either side of the road. There was not a single tree in sight; no breeze and no sound but the vaguely musical humming of mosquitoes. Once, an ancient taxi wheezed past, taking a short-cut through the lane into the main road, like a comic vintage car passing through a film-set showing the Twenties into the film-set of the present, passing from black and white into colour. But why did these houses – for instance, that one with the tall, ornate iron gates and a watchman dozing on a stool, which gave the impression that the family had valuables locked away inside, or that other one with the small porch and the painted door, which gave the impression that whenever there was a feast or a wedding all the relatives would be invited, and there would be so many relatives that some of them, probably the young men and women, would be sitting bunched together on the cramped porch because there would be no more space inside, talking eloquently about something that didn’t really require eloquence, laughing uproariously at a joke that wasn’t really very funny, or this next house with an old man relaxing in his easy-chair on the verandah, fanning himself with a local Sunday newspaper, or this small, shabby house with the girl Sandeep glimpsed through a window, sitting in a bare, ill-furnished room, memorising a text by candlelight, repeating suffixes and prefixes from a Bengali grammar over and over to herself – why did these houses seem to suggest that an infinitely interesting story might be woven around them? And yet the story would never be a satisfying one, because the writer, like Sandeep, would be too caught up in jotting down the irrelevances and digressions that make up lives, and the life of a city, rather than a good story – till the reader would shout "Come to the point!" – and there would be no point, except the girl memorising the rules of grammar, the old man in the easy-chair fanning himself, and the house with the small, empty porch which was crowded, paradoxically, with many memories and possibilities. The "real" story, with its beginning, middle and conclusion, would never be told, because it did not exist.

Ever since he’d arrived that morning, he’d been aware of her every move. Her steps on the stairs, the creaking floor over his head, the quiet hush of running water in the kitchen. He was relieved when she left. And then the house felt empty. Too empty. He spent the whole time she was gone wondering where she was and when she was coming back. But then she returned, and he reverted to tracing her every movement. Up the stairs, then back down to answer Lover Boy’s call. He’d been glad she’d taken her conversation upstairs. It bugged him to hear her crooning to her fiancé. Then it bugged him that it bugged him. What was wrong with him? Maybe he’d whacked his head so hard he’d knocked a few marbles loose. He

She heard Jake greeting Noelle, heard a bag rattle as he set it on the island, felt his breath on her neck. “Hello, beautiful.” “Shhhh.” He kissed her neck, then turned to empty the contents of his bag just in time for Noelle’s entry. Meridith unwrapped the salad. “Did they have everything you need?” she asked Jake. He caught her eye. “Almost,” he said, winking. Meridith’s

They rounded a corner in the lane, sleet coming thick and fast, blurring Harry’s glasses. Just as he raised a gloved hand to wipe them, Leanne made to grab hold of the package Katie was holding; Katie tugged it back and the package fell to the ground. At once, Katie rose into the air, not as Ron had done, suspended comically by the ankle, but gracefully, her arms oustretched, as though she was about to fly. Yet there was something wrong, something eerie. . . . Her hair was whipped around her by the fierce wind, but her eyes were closed and her face was quite empty of expression. Harry, Ron, Hermione, and Leanne had all halted in their tracks, watching. Then, six feet above the ground, Katie let out a terrible scream. Her eyes flew open but whatever she could see, or whatever she was feeling, was clearly causing her terrible anguish. She screamed and screamed;

Soon after three o'clock on the afternoon of April 22nd 1973, a 35-year-old architect named Robert Maitland was driving down the high-speed exit lane of the Westway interchange in central London. Six hundred yards from the junction with the newly built spur of the M4 motorway, when the Jaguar had already passed the 70 m.p.h. speed limit, a blow-out collapsed the front nearside tyre. The exploding air reflected from the concrete parapet seemed to detonate inside Robert Maitland's skull. During the few seconds before his crash he clutched at the whiplashing spokes of the steering wheel, dazed by the impact of the chromium window pillar against his head. The car veered from side to side across the empty traffic lanes, jerking his hands like a puppet's. The shredding tyre laid a black diagonal stroke across the white marker lines that followed the long curve of the motorway embankment. Out of control, the car burst through the palisade of pinewood trestles that formed a temporary barrier along the edge of the road. Leaving the hard shoulder, the car plunged down the grass slope of the embankment. Thirty yards ahead, it came to a halt against the rusting chassis of an overturned taxi. Barely injured by this violent tangent that had grazed his life, Robert Maitland lay across his steering wheel, his jacket and trousers studded with windshield fragments like a suit of lights.

We tramped over, and as we stepped from the thick trees, we all stopped and stared. Then Corey raced forward, arms raised. “It’s a road. Oh my God. A road!” He dropped to his knees by the roadside. “Oww.” Daniel helped him back to his feet. “The knee is good,” I said. “But the knee is not completely healed. Be careful.” “It’s a road,” Corey said, pointing. “A dirt road,” Hayley muttered. “So? We’ve been slogging through the forest for two days. What do you want? A six-lane highway?” “That’d be nice.” “Yeah, until you raced out, screaming for help, and got mowed down by a logging truck.” He walked into the middle and turned, waving his arms. “It’s a road!” I patted his back. “It’s a lovely road. Now, which way do we go?” Corey looked one way, the brown ribbon extending into emptiness. He looked the other way, saw the same thing and his shoulders slumped. “Damn.

Six months later I ventured to return home. I quote from my diary written in the summer of 1761 : ‘I am back in my beloved city. The scene of desolation fills my eyes with tears. At every step my distress and agitation increases. I cannot recognize houses or landmarks I once knew well. Of the former inhabitants, there is no trace. Everywhere there is a terrible emptiness. All at once I find myself in the quarter where I once resided. I recall the life I used to live : meeting friends in the evenings, reciting poetry, making love, spending sleepless nights pining for beautiful women and writing verses on their long tresses which held me captive. That was life! What is there left of it ? Nothing. Not a soul with whom I can pass a few pleasant moments in conversation ! I come away from the lane and stand on the deserted road, gaping in stunned silence at the scene of devastation. I make a vow that as long as I live, I will never come this way again. Delhi is a city where dust drifts in deserted lanes; in days gone by in this very city a man could fill his lap with gold.

He thumbed through the drab pages, stopping now and again to linger over some scene of a deserted melancholy street, or a little grey lane hemmed in by sad plaster walls, and a feeling of almost intolerable loneliness came over him. Even the village squares or the open places in front of churches had this loneliness, this desertion, as if everyone had gone off for the day to attend some brilliant fair, leaving the town desolate and empty behind. In imagination, in memory, he stood in just such a little street now, as he had when he was a child—at sundown, after supper, on a summer evening, standing alone in the quiet street and listening to a steam calliope playing far away on the edge of the town, at the fairgrounds, before the evening performance of the circus. He closed the book and put it back on the shelf, remembering that moment so clearly and well that tears of pity came to his eyes—for the child, for himself, for the painter, he did not know whom.

The corners of her mouth drooped and he felt an odd panicked twinge somewhere in that empty space where a heart might dwell in other people. "The trouble," Eve said, "is that I've never been able to tell when you're lying to me and when you're not. It wouldn't matter, I suppose, but that you don't care if you lie to me or not. And I do. I used to not. Or maybe I used to tell myself I didn't care. But Val," she said softly, looking at him with his own eyes, "now I do." She turned and, taking Makepeace's arm, very quietly left the room with her fiancé. And it was a very good thing, Val thought, that he hadn't a heart. Because it might've broken then.

Psychoanalysis: An Elegy" What are you thinking? I think that I would like to write a poem that is slow as a summer As slow getting started As 4th of July somewhere around the middle of the second stanza After a lot of unusual rain California seems long in the summer. I would like to write a poem as long as California And as slow as a summer. Do you get me, Doctor? It would have to be as slow As the very tip of summer. As slow as the summer seems On a hot day drinking beer outside Riverside Or standing in the middle of a white-hot road Between Bakersfield and Hell Waiting for Santa Claus. What are you thinking now? I’m thinking that she is very much like California. When she is still her dress is like a roadmap. Highways Traveling up and down her skin Long empty highways With the moon chasing jackrabbits across them On hot summer nights. I am thinking that her body could be California And I a rich Eastern tourist Lost somewhere between Hell and Texas Looking at a map of a long, wet, dancing California That I have never seen. Send me some penny picture-postcards, lady, Send them. One of each breast photographed looking Like curious national monuments, One of your body sweeping like a three-lane highway Twenty-seven miles from a night’s lodging In the world’s oldest hotel. What are you thinking? I am thinking of how many times this poem Will be repeated. How many summers Will torture California Until the damned maps burn Until the mad cartographer Falls to the ground and possesses The sweet thick earth from which he has been hiding. What are you thinking now? I am thinking that a poem could go on forever.

Rina!" I shouted, but the radio was up loud -something sad and gooey- and she didn't hear me. I hit the horn, twice, startling the minivan with a Pro-Choice sticker in front of me, which quickly changed lanes. We kept cruising neck and neck, with Rina full-out brawling now, singing along with the radio, tears running down her face, completely oblivious to both me and the speed limit. I reached under my seat and searched around until I came up with an empty plastic Coke bottle, which I then hurled at her windshield. she jerked back from the wheel as it bounced off, then whipped her around, eyes wide, and finally saw me. "Shit!" she screamed, hitting the automatic window control to open the one nearest me. "What the hell are you doing?