Empty Cans Are Noisy Quotes

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Let my silence grow with noise as pregnant mothers grow with life. Let my silence permeate these walls as sunlight permeates a home. Let the silence rise from unwatered graves and craters left by bombs. Let the silence rise from empty bellies and surge from broken hearts. The silence of the hidden and forgotten. The silence of the abused and tortured. The silence of the persecuted and imprisoned. The silence of the hanged and massacred. Loud as all the sounds can be, let my silence be loud so the hungry may eat my words and the poor may wear my words. Loud as all the sounds can be, let my silence be loud so I may resurrect the dead and give voice to the oppressed. My silence speaks.
Kamand Kojouri
...friendship stands as a small affront to the total control of all things by mass entertainment and mass media and mass education and mass politics. For wherever such friendships persist, there persists the possibility of imaginative leaps that threaten the comfort of the banal. For you look at the friend and you remember the past, and treasure it. You love the friend, and suddenly you understand that this life of ours cannot fully be described by the motion of particulate matter in empty space. You see instantly that politics fades into unimportance, with all its noisy glamour and empty promises. You feel that others before you have known what it is to have the true friend, the one before whom you can, as Cicero put it, think out loud. You feel that, and it is like an earnest of eternity, of being grounded in a a love and beauty and goodness that is at the heart of all ages, and that transcends them all. Pals we may have, in the flatlands of contemporary life. Political allies, sure. Coworkers, aplenty. But not friends.
Anthony Esolen (Ten Ways to Destroy the Imagination of Your Child)
Hey,508! Your room is right above mine. You never said." St. Clair smiles. "Maybe I didn't want you blaming me for keeping you up at night with my noisy stomping boots." "Dude.You do stomp." "I know.I'm sorry." He laughs and holds the door open for me.His room is neater than I expected. I always picture the guys with disgusting bedrooms-mountains of soiled boxer shorts and sweat-stained undershirts,unmade beds with sheets that haven't been changed in weeks, posters of beer bottles and women in neon bikinis,empty soda cans and chip bags,and random bits of model airplanes and discarded video games.s
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me. A rabbi was once asked the following question: ‘When you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?’ The rabbi jabbed his staff into the ground in wrath and shouted, ‘No! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!’ Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands – eternally, that is, until my hands rot – the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girl… For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished. But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts – praised be God! – were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face – large, scimitar-shaped woman’s lips. They moved. I heard a voice ask, ‘Who if your God?’ Unhesitatingly I answered, ‘Buddha!’ But the lips moved again and said: ‘No, Epaphus.’ I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god. All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.
Nikos Kazantzakis (Travels in China & Japan)
He dropped to one knee before her. "Sophia MacFarlane, though I've been every sort of fool there is, and though I've stolen from you and lied to you, as you've stolen from me and lied to me, will you please marry me? To keep me out of trouble, if nothing else." She gave a hiccup of a laugh, her eyes moist with tears. "Only if you, Dougal MacLean, will have me. After all I did to save MacFarlane House, I now realize that without people in it, the people I love, it's nothing more than an empty building. My home is with you, inside your heart." Dougal swept Sophia into his arms and kissed her thoroughly. Then, laughing, he set her back on her feet. "Come, my love, let's find my sister. She spent a good part of the afternoon telling me what a fool I was.I have to show her that she was wrong." "And you need my help to do that?" "It would be a great boon if you'd cling to my arm and look absurdly happy." Sophia chuckled. "I think I can manage that." It was a noisy, contentious group that moved down the hall, as the earl and Red continued to snipe at each other, and Sir Reginald felt he needed to explain his improper embrace with Sophia even though everyone attempted to dissaude him.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
Researchers have found that doing something boring makes people more creative. They suspect it might be because the brain, when bored, goes looking for things to do. It feels unsatisfied, so it goes into Search mode. Thanks to smartphones, we can keep ourselves from ever being bored. There’s always a distraction. But that distraction is unproductive. Our brains become occupied with empty activity, which leaves no room for daydreaming or creative thinking.
Dan Lyons (STFU: The Power of Keeping Your Mouth Shut in an Endlessly Noisy World)
Here we’ll describe four signs that you have to disengage from your autonomous efforts and seek connection. Each of these emotions is a different form of hunger for connection—that is, they’re all different ways of feeling lonely: When you have been gaslit. When you’re asking yourself, “Am I crazy, or is there something completely unacceptable happening right now?” turn to someone who can relate; let them give you the reality check that yes, the gaslights are flickering. When you feel “not enough.” No individual can meet all the needs of the world. Humans are not built to do big things alone. We are built to do them together. When you experience the empty-handed feeling that you are just one person, unable to meet all the demands the world makes on you, helpless in the face of the endless, yawning need you see around you, recognize that emotion for what it is: a form of loneliness. ... When you’re sad. In the animated film Inside Out, the emotions in the head of a tween girl, Riley, struggle to cope with the exigencies of growing up.... When you are boiling with rage. Rage has a special place in women’s lives and a special role in the Bubble of Love. More, even, than sadness, many of us have been taught to swallow our rage, hide it even from ourselves. We have been taught to fear rage—our own, as well as others’—because its power can be used as a weapon. Can be. A chef’s knife can be used as a weapon. And it can help you prepare a feast. It’s all in how you use it. We don’t want to hurt anyone, and rage is indeed very, very powerful. Bring your rage into the Bubble with your loved ones’ permission, and complete the stress response cycle with them. If your Bubble is a rugby team, you can leverage your rage in a match or practice. If your Bubble is a knitting circle, you might need to get creative. Use your body. Jump up and down, get noisy, release all that energy, share it with others. “Yes!” say the people in your Bubble. “That was some bullshit you dealt with!” Rage gives you strength and energy and the urge to fight, and sharing that energy in the Bubble changes it from something potentially dangerous to something safe and potentially transformative.
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
Jam jamming,” Meghan chanted in a sing song voice. “I like the idea, the feel. I KNOW what you are getting at. Where does a sound end? Has the Earth been pumping billions upon billions of horrendous noises into the depths of space since the time primates began walking? Can you imagine all the noisy concerts, explosions of war, and thundering of bombs, all drifting endlessly into empty darkness? Can you imagine? For infinity? Frozen glaciers, devoid rocks, suddenly illuminated to be crushed by all that deafening din, waking the inhabitants of other planets. Jamming alien satellite signals. If there is life out there, it wants to destroy us....I must be really stoned to see this so clearly
Jaime Allison Parker (Justice of the Fox)
1. INTENSITY: The loud, dramatic spirited children are the easiest to spot. They don’t cry; they shriek. They’re noisy when they play, when they laugh, and even when they take a shower, singing at the top of their lungs while the hot-water tank empties. But quiet, intently observant children may also be spirited. They assess each situation before entering it as though developing a strategy for every move; their intensity is focused inward rather than outward. No matter where their intensity is focused, the reactions of spirited children are always powerful. There is rarely a middle of the road. They never whimper; they wail. They can skip into a room, smiling and laughing only to depart thirty seconds later inflamed. Their tantrums are raw and enduring.
Mary Sheedy Kurcinka (Raising Your Spirited Child: A Guide for Parents Whose Child is More Intense, Sensitive, Perceptive, Persistent, and Energetic)
Can’t you wait for bed?” “I could, but the house is full of people. Why’d you insist my mother had to stay with us in the house? She was perfectly willing to take a cabin.” “First of all, there’s only one cabin empty and it’s hunting season, and second, I’m not going to have your mother stay under a different roof when we have two perfectly good upstairs bedrooms. That would be rude. Besides, we’re married—we’re allowed to have sex in our own house, in our own bed.” He grabbed her perfect behind in two large hands and pulled her against him. “You’re noisy when you come.” Then he swooped down on her mouth and kissed her like a starving man. When his lips were somewhat satisfied he broke away slightly and said, “And before and after.” “No, I’m not,” she argued. “Uh-huh. Then you snore and talk in your sleep.” “Do not.” “And you missed a period.” “You noticed that? It’s just a little late.” “Did you pee on a stick yet?” he asked her. Shelby shook her head. “I think it’s too soon and I don’t want to be disappointed. Besides, it might be coming—I feel weepy and my breasts are a little sore.” “You’re pregnant,” he said. “And I want to do you in the hay. You can scream until the horses stampede.” He grinned at her. “Maybe I can get you more pregnant.” “Luke…I don’t want to go home with hay in my hair…” “I can take care of that problem,” he said.
Robyn Carr (Angel's Peak (Virgin River #10))
Thank you for coming with me.” She knew it was no small thing. Dom was Monarch of Iona now, the leader of an enclave shattered by war and betrayal. He should have been at home with his people, helping them restore what was nearly lost forever. Instead, he looked grimly down a sand dune, his clothes poorly suited to the climate, his appearance sticking sticking out of the desert like the sorest of thumbs. While so many things had changed, Dom’s ability to look out of place never did. He even wore his usual cloak, a twin to the one he lost months ago. The gray green had become a comfort like nothing else, just like the silhouette of his familiar form. He loomed always, never far from her side. It was enough to make Sorasa’s eyes sting, and turn her face to hide in her hood for a long moment. Dom paid it no notice, letting her recover. Instead, he fished an apple from his saddlebags and took a noisy bite. “I saved the realm,” he said, shrugging. The least I can do is try to see some of it.” Sorasa was used to Elder manners by now. Their distant ways, their inability to understand subtle hints. The side of her mouth raised against her hood, and she turned back to face him, smirking. “Thank you for coming with me,” she said again. “Oh,” he answered, shifting to look at her. The green of his eyes danced, bright against the desert. “Where else would I go?” Then he passed the rest of the apple over to her. She finished the rest without a thought. His hand lingered, though, scarred knuckles on a tattooed arm. She did not push him away. Instead, Sorasa leaned, so that her shoulder brushed his own, putting some of her weight on him. “Am I still a waste of arsenic?” he said, his eyes never moving from her face. Sorasa stopped short, blinking in confusion. “What?” “When we first met.” His own smirk unfurled. “You called me a waste of arsenic.” In a tavern in Byllskos, after I dumped poison in his cup, and watched him drink it all. Sorasa laughed at the memory, her voice echoing over the empty dunes. In that moment, she thought Domacridhan was her death, another assassin sent to kill her. Now she knew he was the opposite entirely. Slowly, she raised her arm and he did not flinch. It felt strange still, terrifying and thrilling in equal measure. His cheek was cool under under her hand, his scars familiar against her palm. Elders were less affected by the desert heat, a fact that Sorasa used to her full advantage. “No,” she answered, pulling his face down to her own. “I would waste all the arsenic in the world on you.” “Is that a compliment, Amhara?” Dom muttered against her lips. No, she tried to reply. On the golden sand, their shadows met, grain by grain, until there was no space left at all.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
I just lay on the mountain Meadowside in the moonlight, head to grass, and heard the silent recognition of my temporary woes. Yes, so to try to attain to Nirvana when you're already there, to the top of a mountain when you're already there and only have to stay -thus to stay in the nirvana bliss is all I have to do, you have to do, no effort no path really no discipline but just to know that all is empty and awake , a vision and a movie in God's universal mind(Alya-Vijnana) and to stay more or less wisely in that. Because silence itself is the sound of diamonds which can cut through anything the sound of holy emptiness the sound of extinction and bliss, that graveyard silence which is like the silence of an infant's smile the sound of eternity, of the blessedness surely to be believed the sound of nothing ever happened Except God(Which I'd soon hear in a noisy Atlantic tempest) What exists is god in his emanation, what does not exist is god in his peaceful neutrality, what neither exist nor does not exist is god's immortal primordial dawn of father sky9this world this very minute). So, I said stay in that no dimensions here to any of the mountain s or mosquitos and whole milky ways of worlds Because sensation is emptiness old age is emptiness. T's only the golden eternity of gods mind so practice kindness and sympathy remember that men are not responsible in themselves as men for their ignorance and unkindness, they should be pitied, God does pity it, because who says anything about anything since everything is just what it is, free of interpretations. God is not the attainer, he is the farer in that which everything is the abider one caterpillar, a thousand hairs of God. So, know constantly that this is only, you ,God ,empty and awake and eternally free as the unnumerable atoms of emptiness everywhere.
Jack Kerouac (Lonesome Traveler)
The most important thing about India, the thing to be gone into and understood and not seen from the outside, was the people. It was as though, in these small, crowded spaces, no one really felt at home. Everyone felt that the other man, the other group, was laughing; everyone lived with the feeling of siege. The emptiness of the yard was an aspect of its cleanliness. The emptiness of the space was live luxury. Gandhianism was almost a mass hysteria in India, but of a healthy kind. It was the good old values, but packaged in a modern-looking way, very mass-based. As in old Rome, so in modern Bangalore: the more important the man, the greater the crowd at his door. Where there is no want, there is no god. The very idea of the latrine was a non-brahmin idea: to enter such a polluted place was itself pollution. No old-time brahmin would have even contemplated the idea. Good brahmins, traditional brahmins, used open-air sites, a fresh one each time. In the palace where the brahmin had served there had been splendor and extravagance beyond human need, almost as though in the Hindu scheme one of the functions of great wealth was to remind men of the vanity of the senses. In Christian thinking the eternal opposites are the forces of good and evil. In Hindu or brahmin thought the opposites are worldliness and the life of the spirit. One can retreat from one to the other. When the world fails one, one can sink into the spirit, the idea of the world as the play of illusion. Bad architecture in a poor tropical city is more than an aesthetic matter. It spoils people's day to day lives; it wears down their nerves; it generates rages that can flow into many different channels. That station lets you into the very worst of the Bengali small-town atmosphere - ugly, noisy, crowded, full of the kind of deprivation I see in the style of urbanization in our country, the deprivation of mind, of basic needs. I've been practicing yoga for about 15 years now and it's helped me tremendously to arrive at this mental state in which I could take an enormous amount of chaos and confusion around me, for a while, without losing my own peace of mind. Formally, I'm an atheist, but I've reached a state where I separate spirituality from theism and religion. To me the Upanishads represent man's effort to understand the universe and himself at the very highest level of spirituality.
Naipaul V S
The German liberties were certainly very dearly bought. They may not have seemed to expensive to the princes, for it was not they who paid the price. Famine in Brunswick-Wolfenbuttel caused the Duke to notice that his table was less plentifully supplied than usual, and three bad wine harvests on the Lower Danube once prevented Ferdinand from sending his annual gift of tokay to John George of Saxony--such minute draughts blew in through palace windows from the hurricane without. Mortgaged lands, empty exchequers, noisy creditors, the discomforts of wounds and imprisonment, the loss of children in battle, these are all griefs which man can bear with comparative equanimity. The bitter mental sufferings which followed from mistaken policies, loss of prestige, the stings of conscience, and the blame of public opinion gave the German rulers cause to regret the war but seldom acted as an incentive to peace. No German ruler perished homeless in the winter's cold, nor was found dead with grass in his mouth, nor saw his wife and daughters ravished; few, significantly few, caught the pest. Secure in the formalities of their lives, in the food and drink at their table, they could afford to think in terms of politics and not of human sufferings.
C.V. Wedgwood (The Thirty Years War (New York Review Books Classics))