“
There is no sound more annoying than the chatter of a child, and none more sad than the silence they leave when they are gone.
”
”
Mark Lawrence (King of Thorns (The Broken Empire, #2))
“
I’ll tell you now. That silence almost beat me. It’s the silence that scares me. It’s the blank page on which I can write my own fears. The spirits of the dead have nothing on it. The dead one tried to show me hell, but it was a pale imitation of the horror I can paint on the darkness in a quiet moment.
”
”
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
“
Empires preserve their power with the stories that they tell, but just as critical are the stories they don’t—the dark silences they impose, the pages they tear out.
”
”
David Grann (The Wager: A Tale of Shipwreck, Mutiny and Murder)
“
Put a man in a room for a hundred years with a thousand books, and he’ll know a million truths. Put him in a room for a year with silence, and he’ll know himself.
”
”
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
“
My memory is to the world as a drawing is to the photograph. Imperfect. More perfect. We remember what we must, what we choose to, because it is more beautiful and real than the truth.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
Fools believe silence is a void needing to be filled; the wise understand there's no such thing as silence.
”
”
Michael J. Sullivan (Age of Myth (The Legends of the First Empire, #1))
“
Do not mistake my silence for lack of feeling. I have good reason to keep my thoughts to myself
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
It is a mistake to believe we must know a thing to be influenced by it. It is a mistake to believe the thing must even be real.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
His eyes - those silver eyes that would probably haunt her for the rest of her life - were bright.
"No matter what I have done, I really do love you, Celaena."
The word hit her like a stone to the head. He'd never said that word to her before. Ever.
A long silence fell between them.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
The man who hopes for the future delays its arrival, and the man who dreads it summons it to his door.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
I’ll tell you now. That silence almost beat me. It’s the silence that scares me. It’s the blank page on which I can write my own fears.
”
”
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
“
Silence is a type of chaos. You can hear it in your head, but you can't see it with your eyes or feel it with your skin. It's a deep suffocation that slowly but surely takes hold of you
”
”
Rina Kent (Ruthless Empire (Royal Elite, #6))
“
It's in silence we know ourselves, vampire. It's in stillness we hear the questions that truly matter, scratching like baby birds on the eggshells of our eyes. Who am I? What do I want? What have I become? Truth is, the questions you hear in the quiet are always the most terrifying, because most people never take the time to listen to the answers. They dance. And they sing. And they fight. And they fuck. And they drown, filling their gullets with piss and their lungs with smoke and their heads with shit so they never have to learn the truth of who the fuck they are. Put a man in a room for a hundred years with a thousand books, and he’ll know a million truths. Put him in a room for a year with silence, and he’ll know himself.
”
”
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
“
Atrocity is writ by quiet men in council chambers over crystal glasses of cool water. Strange little men with ashes in their hearts. Sans passion, sans hope… sans everything. Everything but fear.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
But the truth is poor poetry
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
The silence could have swallowed a star.
”
”
Yoon Ha Lee (Ninefox Gambit (The Machineries of Empire, #1))
“
The fool believes the iniquities of the world are the fault of other men. Gibson’s voice, dry as old manuscript pages, had never been more clear. The truly wise try to change themselves, which is the more difficult and less grand task.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
Augustine once said that if there are such things as the past and the future, they do not exist as such but are only the present in their own times. The past, he says, exists only in memory and the future only in expectation. Neither is real.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
It’s the silence that scares me. It’s the blank page on which I can write my own fears.
”
”
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
“
Galaxy, he hated them! He stopped himself, drew a firm breath...There was no use thinking hate...He had learned to bear in silence. He ought not forget what he had learned now. Of all times, not now.
”
”
Isaac Asimov (The Currents of Space (Galactic Empire, #2))
“
A single death, wrote one ancient king, is a tragedy, but a genocide can only be understood through statistics.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
Dangerous things, names. A kind of curse, defining us that we might live up to them, or giving us something to run away from.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
Diyar-e-Ishq Mein Apna Maqam Paida Kar,
Naya Zamana, Naye Subah-o-Sham Paida Kar;
Khuda Agar Dil-e-Fitrat Shanas De Tujh Ko,
Sakoot-e-Lala-o-Gul Se Kalaam Paida Kar;
Mera Tareeq Ameeri Nahin, Faqeeri Hai,
Khudi Na Baich, Ghareebi Mein Naam Paida Kar
Build in love’s empire your hearth and your home;
Build Time anew, a new dawn, a new eve!
Your speech, if God give you the friendship of Nature,
From the rose and tulip’s long silence weave
The way of the hermit, not fortune, is mine;
Sell not your soul! In a beggar’s rags shine.
”
”
Muhammad Iqbal (Baal-e-Jibreel)
“
As the ancient sea was cruel, so too is that blacker sea, vaster by far, that fills the void between the suns like water.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
We live in stories, and in stories, we are subject to phenomena beyond the mechanisms of space and time. Fear and love, death and wrath and wisdom, these are as much part of our universe as light and gravity.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
Civilization is a kind of prayer: that by right action we might bring to pass the peace and quiet that is the ardent desire of every decent heart.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
Alaric waited. It’s a good enough trick. Say nothing and men feel compelled to fill the silence, even if it’s with things they would rather have kept secret. It’s a good enough trick, but I know it and I said nothing.
”
”
Mark Lawrence (King of Thorns (The Broken Empire, #2))
“
The world’s soft the way the ocean is. Ask any sailor what I mean. But even when it is at its most violent, Hadrian . . . focus on the beauty of it. The ugliness of the world will come at you from all sides. There’s no avoiding it. All the schooling in the universe won’t stop that.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
We rode in silence for a while and I wondered if men were the world's leaves. If as we aged the world filled us with its poisons so as old men, filled to the brim with the bitterest gall, we could fall into hell and take it all with us. Perhaps without death the world would choke on its own evils.
”
”
Mark Lawrence (Emperor of Thorns (The Broken Empire, #3))
“
When she is crowned in jasmine, in needle-flower, in smoke and in fire, he will kneel before he and name her," repeated Rao, in common Zaban. And suddenly Malini was shivering, every inch of her afire with a mad elation that rose up, up in her blood. "He will give the princess of Parijat her fate: He will say..." He swallowed. Raised his eyes, which were fierce and wet. "Name who shall sit upon the throne, princess. Name the flower of empire. Name the head that shall reign beneath a crown of poison. Name the hand that lit the pyre." The silence was deep; a drumming tense silence, drawn taut as a bowstring. "He will name her thus," finished Rao. "And she will know.
”
”
Tasha Suri (The Jasmine Throne (The Burning Kingdoms, #1))
“
The name the man had chosen, it turned out, was Thirty-Six All-Terrain Tundra Vehicle, a revelation that produced in both Mahit and Three Seagrass a kind of stunned silence.
”
”
Arkady Martine (A Memory Called Empire (Teixcalaan, #1))
“
Sift the sand of every world and sort the dust of space between them, and you will find not one atom of fear, nor gram of love nor dram of hatred. Yet they are there, unseen and uncertain as the smallest quanta and just as real.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
The artist sees things not in terms of what is or might be, but in terms of what must be. Of what our world must become. This is why a portrait will—to the human observer—always defeat the photograph.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
There are two kinds of beggars: poor beggars and rich beggars, but they are all beggars. Even your kings and your queens are beggars. Only those people, very few people who have stood alone in their being, in their clarity, in their light, who have found their own light, who have found their own flowering, who have found their own space they can call their home, their eternal home—those few people are the emperors. This whole universe is their empire. They don’t need to conquer it; it is already conquered. By knowing yourself you have conquered it.
”
”
Osho (Love, Freedom, and Aloneness: On Relationships, Sex, Meditation, and Silence)
“
Language signifies when instead of copying thought it lets itself be taken apart and put together again by thought. Language bears the sense of thought as a footprint signifies the movement and effort of a body. The empirical use of already established language should be distinguished from its creative use. Empirical language can only be the result of creative language. Speech in the sense of empirical language - that is, the opportune recollection of a preestablished sign – is not speech in respect to an authentic language. It is, as Mallarmé said, the worn coin placed silently in my hand. True speech, on the contrary - speech which signifies, which finally renders "l'absente de tous bouquets" present and frees the sense captive in the thing - is only silence in respect to empirical usage, for it does not go so far as to become a common noun. Language is oblique and autonomous, and if it sometimes signifies a thought or a thing directly, that is only a secondary power derived from its inner life. Like the weaver, the writer works on the wrong side of his material. He has only to do with the language, and it is thus that he suddenly finds himself surrounded by sense.
”
”
Maurice Merleau-Ponty (Signs)
“
Empires preserve their power with the stories that they tell, but just as critical are the stories they don’t—the dark silences they impose, the pages they
”
”
David Grann (The Wager: A Tale of Shipwreck, Mutiny and Murder)
“
Let us move to the only beginning I’ve a right to: my own.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
And in every age there is a stigma attached to extreme intelligence
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
The practiced ear could hear the calculation behind every word like fishhooks in the mind.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
This is the truth that sets you free: you are who you commit yourself to being, you have what you commit yourself to having, you live as you commit yourself to living.
”
”
Anthony Chapman (An Empire of Silence)
“
He broke off his explanation, seeing in his daughter's eyes the exact moment that a child first understands there are limits on what her parents can do, rather than just limits on what they choose to do. He knelt before her in a moment's silence, somewhat less than he had been just seconds before, and Emy a half step closer to the woman she would one day become.
”
”
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
“
I am the wind and the wind is invisible, all the leaves tremble but I am invisible, blackbird over the dark field but I am invisible, what fills the balloon and what it moves through, knot without rope, bloom without flower, galloping without the horse, the spirit of the thing without the thing, location without dimension, without a within, song without throat, word without ink, wingless flight, dark boat in the dark night, shine without light, pure velocity, as the hammer is a hammer when it hits the nail and the nail is a nail when it meets the wood and the invisible table begins to appear out of mind, pure mind, out of nothing, pure thinking, hand of the mind, hand of the emperor, arm of the empire, void and vessel, sheath and shear, and wider, and deeper, more vast, more sure, through silence, through darkness, a vector, a violence, and even farther, and even worse, between, before, behind, and under, and even stronger, and even further, beyond form, beyond number, I labor, I lumber, I fumble forward through the valley as winter, as water, a shift in the river, I mist and frost, flexible and elastic to the task, a fountain of gravity, space curves around me, I thirst, I hunger, I spark, I burn, force and field, force and counterforce, agent and agency, push to your pull, parabola of will, massless mass and formless form, dreamless dream and nameless name, intent and rapturous, rare and inevitable, I am the thing that is hurtling towards you…
”
”
Richard Siken
“
Silence!” Korbolo snapped. He eyed Duiker. “You are the historian who rode with Coltaine.”
The historian faced him. “I am.”
“You are a soldier.”
“As you say.”
“I do, and so you shall die with these soldiers, in a manner no different-“
“You mean to slaughter ten thousand unarmed men and women, Korbolo Dom?”
“I mean to cripple Tavore before she even sets foot on this continent. I mean to make her too furious to think. I mean to crack that façade so she dreams of vengeance day and night, poisoning her every decision.”
“You always fashioned yourself as the Empire’s harshest Fist, didn’t you, Korbolo Dom? As if cruelty’s a virtue…
”
”
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
“
No matter what I do, I really do love you Celaena."
The word hit her like a stone to the head. He'd never said that word to her before. Ever.
A long silence fell between them.
Arobynn's neck shifted as he swallowed. "I do the things that I do because I'm sacred ... and because I don't know how to express what I feel." He said it so quietly that she barely heard it. "I did all of those things because I was angry with you for picking Sam."
Arobynn's carefully cultivated mask fell, and the wound she'd given him flickered in those magnificent eyes. "Stay with me," he whispered. "Stay in Rifthold."
She swallowed, and found it particularly hard to do so. "I'm going."
"No," he said softly. "Don't go."
No.
That was what she'd said to him that night he'd beaten her, in the moment before he'd struck her, when she thought he was going to hurt Sam instead. And then he'd beaten her so badly she'd been knocked unconscious. Then he'd beaten Sam, too.
Don't.
That was what Ansel had said to her in the desert when Celaena had pressed the sword into the back of her neck, when the agony of Ansel's betrayal had been almost enough to make Celaena kill the girl she'd called a friend. But that betrayal had paled in comparison to what Arobynn had done to her when he'd tricked her into killing Doneval, a man who could have freed countless slaves.
He was using word as chains to bind her again. He'd had so many chances over the year to tell her that he loved her--he'd known how much she craved those words. But he hadn't spoken them until he needed to use them as weapons.
And now that she had Sam, Sam who said those words without expecting anything in return, Sam who loved her for reasons she still didn't understand...
Celaena tilted her head to the side, the only warning she gave that she was still ready to attack him.
"Get out of my house.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
For Socrates, all virtues were forms of knowledge. To train someone to manage an account for Goldman Sachs is to educate him or her in a skill. To train them to debate stoic, existential, theological, and humanist ways of grappling with reality is to educate them in values and morals. A culture that does not grasp the vital interplay between morality and power, which mistakes management techniques for wisdom, which fails to understand that the measure of a civilization is its compassion, not its speed or ability to consume, condemns itself to death. Morality is the product of a civilization, but the elites know little of these traditions. They are products of a moral void. They lack clarity about themselves and their culture. They can fathom only their own personal troubles. They do not see their own bases or the causes of their own frustrations. They are blind to the gaping inadequacies in our economic, social, and political structure and do not grasp that these structures, which they have been taught to serve, must be radically modified or even abolished to stave off disaster. They have been rendered mute and ineffectual. “What we cannot speak about” Ludwig Wittgenstein warned “we must pass over in silence.
”
”
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
“
I kept every emotion locked up tight inside. I knew Leo was deeply hurt by my silence, and I liked hurting him, liked sharing my pain. Misery loves company, and I was a big hole of darkness, drawing everyone around me into my despair.
”
”
Ann Mayburn (Obsession (Cordova Empire, #1))
“
They don’t shut the fuck up. They don’t just sit and listen. It’s in silence we know ourselves, vampire. It’s in stillness we hear the questions that truly matter, scratching like baby birds on the eggshells of our eyes. Who am I? What do I want? What have I become? Truth is, the questions you hear in the quiet are always the most terrifying, because most people never take the time to listen to the answers.
”
”
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
“
religious controversy is the offspring of arrogance and folly; that true piety is most laudably expressed by silence and submission; that man, ignorant of his own nature, should not presume to scrutinize the nature of his God; and that it is sufficient for us to know, that power and benevolence are the perfect attributes of the Deity.
”
”
Edward Gibbon (The Decline and Fall of the Roman Empire)
“
She was silence. She was dead leaves fallen. She was a blood-red stain, spilling slow across the dance floor and making my heart fall still. The drip of hot wax upon your naked skin. The first flicker of a lover's tongue into your opening, wanting mouth.
”
”
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
“
For a long moment, they stood together in silence. Vader thought about his secret... about Thrawn's loyalty... about the Emperor's continued need for him. Perhaps the entire Empire's need for him... "Anakin Skywalker is dead," he said.
Thrawn lowered his head. "I know."
Vader nodded slowly. *I know.* Not *So I have heard.* Not *So I was informed.* But *I know.* "We will not speak of him again," he said. "*You* will not speak of him again."
"I understand, my lord," Thrawn said. "But I will always honor his legacy.
”
”
Timothy Zahn (Thrawn: Alliances (Star Wars: Thrawn, #2))
“
I do not consider myself a great artist, though she made me wish I was. I could not have known at this first meeting how many times I would fail to capture her, in charcoal and in life. The brazen declaration of her; the pride in that upturned chin, the pointed nose, and the tidy carelessness that put her above the opinions of lesser men. There's little sign of her wit-so close to cruelty-in any of the drawings I made of her, and this poor prose cannot contain her beauty, body or soul. They are only echoes, as is this.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
Joy is a wind, Hadrian. It will pick you up only to smash you against the rocks again.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
And it is in the nature of stories that times present and past are present in time future, and the future present in the past.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
Fear is the death of reason...and reason the death of fear.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
The worlds have enough of tyrants, enough of murderers and genocides.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
But folk ain’t that different, one-to-one, no matter what’s on the outside. Doesn’t even matter where you been. Hurt the same, need the same. Need someone to remind them they’re human.
”
”
Christopher Ruocchio (Empire of Silence (Sun Eater #1))
“
Si tu veux nous nous aimerons
Avec tes lèvres sans le dire
Cette rose ne l'interromps
Qu'à verser un silence pire
Jamais de chants ne lancent prompts
Le scintillement du sourire
Si tu veux nous nous aimerons
Avec tes lèvres sans le dire
Muet muet entre les ronds
Sylphe dans la pourpre d'empire
Un baiser flambant se déchire
Jusqu'aux pointe des ailerons
Si tu veux nous nous aimerons.
”
”
Stéphane Mallarmé
“
Focus blurs, Gibson used to say. Focus blinds. You must take in all of a thing by seeing the totality of it, not by focusing on minutiae. This is as important for a ruler as it is for a painter.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
„So you have a pretty sword. So what? What does that prove? You don‘t look like a god killer to me. I‘m Donny of Nadak, and you look like a pair of liars hoping for a free meal.“ His words silenced the room, an uneasy void interrupted only by the pop and hiss of the fire. Raithe looked over at Malcolm and whispered, „See. THIS is the problem with your plan. There‘s ALWAYS going to be a Donny.
”
”
Michael J. Sullivan (Age of Myth (The Legends of the First Empire, #1))
“
A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world.
I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea.
I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.
”
”
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
“
To be “defiled” by empire is to be robbed of a distinct identity that permits freedom against dominant culture. “Fasting” as alert abstention may be the order of the day that will make the asking of prayers more serious and compelling.
”
”
Walter Brueggemann (Interrupting Silence: God's Command to Speak Out)
“
It was ironic that the same people who had enacted nuclear war on the Homeworld, who presided over the refugee camps and rotted the ecosphere, had balked in the face of blood sport. Would they call us barbarians, those men of ancient days?
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
I have had many names. During the war, I was Hadrian Halfmortal and Hadrian the Deathless. After the war, I was the Sun Eater. To the poor people of Borosevo, I was a myrmidon called Had. To the Jaddians, I was Al Neroblis. To the Cielcin, I was Oimn Belu
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
As the wine went down in the bottles, patriotism arose in the three men. And when the wine was gone they went down the hill arm in arm for comradeship and safety, and they walked into Monterey. In front of an enlistment station they cheered loudly for America and dared Germany to do her worst. They howled menaces at the German Empire until the enlistment sergeant awakened and put on his uniform and came into the street to silence them. He remained to enlist them.
”
”
John Steinbeck (The Short Novels of John Steinbeck)
“
Touch was absolutely
out of the question. I couldn’t stop sweating. My heart, a butterfly pinned
to a glacier. Empires fell inside my mouth. I touched myself like a pogrom
& broke my sex into a history of inconsequential shames. I wept viciously
inside of my own stomach & had it condemned. From an upside-down bell
I drank silence, subsisted on the memory of someone else’s hands. Wolves
sang & I did not answer. I forgot their names. Mornings were the worst, then
there were days & evenings. Streetlights & darkened sycamore & suburban
grief so full it made me foolish. I shattered my fist on the Lord’s jaw. Sorrow
sat, licking my wrists & my neck. I slept at its convenience. O, uncelebrated
body. My penis, a lighthouse on the bottom of the ocean, shining shadows
at the undersides of boats. Nobody drowned for so many years. Desperate
for the making of those candy-throated ghosts, I found the rooms between
the violence of comets. I threw myself into anything’s path. Even the sky
bent around me. How lonely to be something that nothing wants to kill. (So I Locked Myself Inside A Star for Twenty Years)
”
”
Jeremy Radin
“
In this room, he told himself, history might have been written, the course of cosmic empire might have been shaped and the fate of stars decided.
But now there was no sign of life, just a brooding silence that seemed to whisper in a tongueless language of days and faces and problems long since wiped out by the march of years.
”
”
Clifford D. Simak (Cosmic Engineers)
“
The frightened man eats himself
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
Eternity is in silence. It is in the quiet of the world, in the darkness and solitude of the heart. These are the things that make forever out of instants.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
When, in the silence of abjection, no sound remains except the rattle of the slave’s chain and the informer’s voice; when everyone trembles before the tyrant and it is as dangerous to curry his favor as to incur his disapproval, the historian appears, entrusted with the wrath of nations. Nero prospers in vain, for Tacitus has already been born within the Empire.
”
”
François-René de Chateaubriand (Memoirs from Beyond the Grave, 1800-1815)
“
Then a voice—the voice—first broke into my universe. There are moments, instants that divide. Time fractures about them so that there is a time after . . . and so that all that was before is a kind of dream.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
Most of the crimes which disturb the internal peace of society are produced by the restraints which the necessary, but unequal, laws of property have imposed on the appetites of mankind, by confining to a few the possession of those objects that are coveted by many. Of all our passions and appetites, the love of power is of the most imperious and unsociable nature, since the pride of one man requires the submission of the multitude. In the tumult of civil discord, the laws of society lose their force, and their place is seldom supplied by those of humanity. The ardor of contention, the pride of victory, the despair of success, the memory of past injuries, and the fear of future dangers, all contribute to inflame the mind, and to silence the voice of pity. From such motives almost every page of history has been stained with civil blood....
”
”
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
“
I stand in the corners - the darkest pits of the room and sometimes I stand in the center feeling the stale cold envelop me just watching everyone disappear, I know they label it hiatus, but hiatus is just like death. It could be a long time before I could ever say hello again - and sometimes I never got to say goodbye.
I'm just now realizing how long this empire called goodreads has survived, I'm always here seeing new faces, new people, new ways of thinking. But my main question is -
How could they leave all this behind?
A deep sorrow that sounds like a ringing silence delves into my ears when I realize time has gone by fast and here I am finding direct mails from 2020, or 2019, 2018, 2017, even further.
I'm scared - alone and out of touch. I remember a couple from my early years....They both disappeared. Ken got shot again. Alastor up and left. I remember forenthico and bree fighting over a valentine's day present he presented to match with her. Abbigail is gone. I haven't heard from Elizabeth in a long while. Nezuko is silent. Alice, Tsukishima, Fizzii, Giran, Moonkitty, Sylvia, River, Star.
If you see this I'm still waiting.
”
”
﹁ Aʟʟᴍɪɢʜᴛ ﹂ Oꜰꜰɪᴄɪᴀʟ
“
I’m sorry, sir. She was a good soldier.” “She might have disagreed with you,” Marcus said with a slight smile. “But you’re right. In the end it’s not all about crisp salutes and shiny boots.” Fitz, who had both, kept a diplomatic silence.
”
”
Django Wexler (The Guns of Empire (The Shadow Campaigns, #4))
“
I should have let you kill him.”
Silence.
“You’re nodding, aren’t you?”
“I didn’t say a word.”
“Bastard,” Hadrian grumbled.
“You know the worst thing?”
“I’ve got a pretty long list of bad things right now, and I’m not sure which one I would put on top. So I’ll bite.
”
”
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
“
The names of Seneca, of the elder and the younger Pliny, of Tacitus, of Plutarch, of Galen, of the slave Epictetus, and of the emperor Marcus Antoninus, adorn the age in which they flourished, and exalt the dignity of human nature. They filled with glory their respective stations, either in active or contemplative life; their excellent understandings were improved by study; philosophy had purified their minds from the prejudices of the popular superstition; and their days were spent in the pursuit of truth and the practice of virtue. Yet all these sages (it is no less an object of surprise than of concern) overlooked or rejected the perfection of the Christian system. Their language or their silence equally discover their contempt for the growing sect which in their time had diffused itself over the Roman empire. Those among them who condescend to mention the Christians consider them only as obstinate and perverse enthusiasts, who exacted an implicit submission to their mysterious doctrines, without being able to produce a single argument that could engage the attention of men of sense and learning.
”
”
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
“
How admirable is the Western method of submitting all theory to scrupulous experimental verification! That empirical procedure has gone hand in hand with the gift for introspection which is my Eastern heritage. Together they have enabled me to sunder the silences of natural realms long uncommunicative. The telltale charts of my crescograph 49 are evidence for the most skeptical that plants have a sensitive nervous system and a varied emotional life. Love, hate, joy, fear, pleasure, pain, excitability, stupor, and countless appropriate responses to stimuli are as universal in plants as in animals.
”
”
Paramahansa Yogananda (Autobiography of a Yogi)
“
But before we cue the brass section to blare "The Stars and Stripes Forever," it might be worth taking another moment of melancholy silence to mourn the thwarted reconciliation with the mother country and what might have been. Anyone who accepts the patriots' premise that all men are created equal must come to terms with the fact that the most obvious threat to equality in eighteenth-century North America was not taxation without representation but slavery. Parliament would abolish slavery in the British Empire in 1833, thirty years before President Lincoln's Emancipation Proclamation. A return to the British fold in 1776 might have freed American slaves three decades sooner, which is what, a generation and a half? Was independence for some of us more valuable than freedom for all of us? As the former slave Frederick Douglass put it in an Independence Day speech in 1852, "This is your Fourth of July, not mine.
”
”
Sarah Vowell
“
When you feel the need to escape your problems, to escape from this world, don't make the mistake of resorting to suicide Don't do it! You will hear the empty advice of many scholars in the matter of life and death, who will tell you, "just do it" there is nothing after this, you will only extinguish the light that surrounds you and become part of nothingness itself, so when you hear these words remember this brief review of suicide: When you leave this body after committing one of the worst acts of cowardice that a human being can carry out, you turn off the light, the sound and the sense of reality, you become nothing waiting for the programmers of this game to pick you up from the darkness, subtly erase your memories and enable your return and I emphasize the word subtle because sometimes the intelligence behind this maneuver or automated mechanism is wrong and send human beings wrongly reset to such an extent, that when they fall to earth and are born again, they begin to experience memories of previous lives, in many cases they perceive themselves of the opposite sex, and science attributes this unexplainable phenomenon to genetic and hormonal factors, but you and I know better! And we quickly identified this trigger as a glitch in the Matrix. Then we said! That a higher intelligence or more advanced civilization throws you back into this game for the purpose of experimenting, growing and developing as an advanced consciousness and due to your toxic and destructive behavior you come back again but in another body and another life, but you are still you, then you will carry with you that mark of suicide and cowardice, until you learn not to leave this experience without having learned the lesson of life, without having experienced and surprised by death naturally or by design of destiny. About this first experience you will find very little material associated with this event on the internet, it seems that the public is more reserved, because they perceive themselves and call themselves "awakened" And that is because the system has total control over the algorithm of fame and fortune even over life and death. Now, according to religion and childish fears, which are part of the system's business to keep you asleep, eyes glued to the cellular device all day, it says the following: If you commit this act of sin, you turn off light, sound and sense of reality, and from that moment you begin to experience pain, fear and suffering on alarming scales, and that means they will come for you, a couple of demons and take you to the center of the earth where the weeping and gnashing of teeth is forever, and in that hell tormented by demons you will spend eternity. About this last experience we will find hundreds of millions of people who claim to have escaped from there! And let me tell you that all were captivated by the same deity, one of dubious origin, that feeds on prayers and energetic events, because it is not of our nature, because it knows very well that we are beings of energy, then this deity or empire of darkness receives from the system its food and the system receives from them power, to rule, to administer, to control, to control, to kill, to exclude, to inhibit, to classify, to imprison, to silence, to infect, to contaminate, to depersonalize. So now that you know the two sides of the same coin, which one will your intelligence lean towards! You decide... Heads or tails? From the book Avatars, the system's masterpiece.
”
”
Marcos Orowitz (THE LORD OF TALES: The masterpiece of deceit)
“
si tu examines mon empire tu t'en iras voir les forgerons et les trouveras forgeant des clous et se passionnant pour les clous et te chantant les cantiques de la clouterie. Puis tu t'en iras voir les bucherons et tu les trouveras abattant arbres et se passionnant pour l'abattage d'arbres, et se remplissant d'une intense jubilation à l'heure de la fête du bucheron, qui est du premier craquement, lorsque la majesté de l'arbre commence de se prosterner. Et si tu vas voir les astronaumes, tu les verras se passionnant pour les étoiles et n'écoutant plus que leur silence. Et en effet chacun s'imagine être tel. Maintenant si je te demande: "Que se passe-t-il dans mon empire, que naîtra-t-il demain chez moi?" tu me diras: "On forgera des clous, on abattra des arbres, on observera les étoiles et il y aura donc des réserves de clous, des réserves de bois et des observations d'étoiles." Car myope et le nez contre, tu n'as point reconnu la construction d'un navire.
(chapitre CXVII)
”
”
Antoine de Saint-Exupéry (Citadelle)
“
Anyone sufficiently arrogant to think the poor will simply starve in silence has a particularly weak grasp of not only biology, but history. Far more cultures and governments and dynasties and countries and empires have collapsed throughout history from famine and failures in food distribution than have been wiped out by war or disease or revolution or terrorism.
”
”
Peter Zeihan (Disunited Nations: The Scramble for Power in an Ungoverned World)
“
The tech boom was the best thing to happen to Indians. Why are they so good at this tech support stuff? Not just because they’re computer savvy. They’re also polite. That was what collapsed the British empire. They were too polite. Every other colony used violence to attain freedom. The Indians’ form of revolution was awkward silence until the British showed themselves out.
”
”
Colin Quinn (The Coloring Book: A Comedian Solves Race Relations in America)
“
In a world dominated by violent and passive-aggressive men, and by male institutions dispensing violence, it is extraordinary to note how often women are represented as the perpetrators of violence, most of all when we are simply fighting in self-defense or for our children, or when we collectively attempt to change the institutions that are making war on us and on our children. In reality, the feminist movement could be said to be trying to visualize and make way for a world in which abortion would not be necessary; a world free from poverty and rape, in which young girls would grow up with intelligent regard for and knowledge of their bodies and respect for their minds, in which the socialization of women into heterosexual romance and marriage would no longer be the primary lesson of culture; in which single women could raise children with a less crushing cost to themselves, in which female creativity might or might not choose to express itself in motherhood. Yet, when radical feminists and lesbian/feminists begin to speak of such a world, when we begin to sketch the conditions of a life we have collectively envisioned, the first charge we are likely to hear is a charge of violence: that we are “man-haters.” We hear that the women’s movement is provoking men to rape; that it has caused an increase in violent crimes by women; and when we demand the right to rear our children in circumstances where they have a chance for more than mere physical survival, we are called fetus-killers. The beating of women in homes across this country, the rape of daughters by fathers and brothers, the fear of rape that keeps old—as well as young—women off the streets, the casual male violence that can use a car to run two jogging women off a country road, the sadistic exploitation of women’s bodies to furnish a multibillion-dollar empire of pornography, the decision taken by powerful white males that one-quarter of the world’s women shall be sterilized or that certain selected women—poor and Third World—shall be used as subjects for psychosurgery and contraceptive experiments—these ordinary, everyday events inevitably must lead us to ask: who indeed hates whom, who is killing whom, whose interest is served, and whose fantasies expressed, by representing abortion as the selfish, willful, morally contagious expression of woman’s predilection for violence?
”
”
Adrienne Rich (On Lies, Secrets, and Silence: Selected Prose 1966-1978)
“
We talk about creating an utopia, but we install an empire and we build our success on the back of the exploited.
We talk about equality, but we ignore the power structures that silence the voices of the less powerful.
We talk about meritocracy, but we only promote and care for those from the core planets.
We talk about science and rationality, but we pray to extinct gods and worship mutated humans.
”
”
Maya Darjani (Ancient as the Stars: A Space Opera Adventure (Broken Union))
“
And now at last the Earth was dead. The final pitiful survivor had perished. All the teeming billions; the slow aeons; the empires and civilizations of mankind were summed up in this poor twisted form—and how titanically meaningless it had all been! Now indeed had come an end and climax to all the efforts of humanity—how monstrous and incredible a climax in the eyes of those poor complacent fools in the prosperous days! Not ever again would the planet know the thunderous tramping of human millions—or even the crawling of lizards and the buzz of insects, for they, too, had gone. Now was come the reign of sapless branches and endless fields of tough grasses. Earth, like its cold, imperturbable moon, was given over to silence and blackness forever. The stars whirled on; the whole careless plan would continue for infinities unknown. This trivial end of a negligible episode mattered not to distant nebulae or to suns newborn, flourishing, and dying. The race of man, too puny and momentary to have a real function or purpose, was as if it had never existed. To such a conclusion the aeons of its farcically toilsome evolution had led.
”
”
H.P. Lovecraft
“
It is one of the greatest Curses visited upon Mankind, he told me, that they shall fear where no Fear is: this astrological and superstitious Humour disarms men's Hearts, it breaks their Courage, it makes them help to bring such Calamities on themselves. Then he stopped short and looked at me, but my Measure was not yet fill'd up so I begg' d him to go on, go on. And he continued: First, they fancy that such ill Accidents must come to pass, and so they render themselves fit Subjects to be wrought upon; it is a Disgrace to the Reason and Honour of Mankind that every fantasticall Humourist can presume to interpret the Skies (here he grew Hot and put down his Dish) and to expound the Time and Seasons and Fates of Empires, assigning the Causes of Plagues and Fires to the Sins of Men or the Judgements of God. This weakens the Constancy of Humane Actions, and affects Men with Fears, Doubts, Irresolutions and Terrours.
I was afraid of your Moving Picture, I said without thought, and that was why I left.
It was only Clock-work, Nick.
But what of the vast Machine of the World, in which Men move by Rote but in which nothing is free from Danger?
Nature yields to the Froward and the Bold.
It does not yield, it devours: You cannot master or manage Nature.
But, Nick, our Age can at least take up the Rubbidge and lay the Foundacions: that is why we must study the principles of Nature, for they are our best Draught.
No, sir, you must study the Humours and Natures of Men: they are corrupt, and therefore your best Guides to understand Corrupcion.
The things of the Earth must be understood by the sentient Faculties, not by the Understanding.
There was a Silence between us now until Sir Chris. says, Is your Boy in the Kitchin? I am mighty Hungry.
”
”
Peter Ackroyd (Hawksmoor)
“
These long millennia may well have witnessed wars and revolutions, ecstatic religious movements, profound philosophical theories, incomparable artistic masterpieces. The foragers may have had their all-conquering Napoleons, who ruled empires half the size of Luxembourg; gifted Beethovens who lacked symphony orchestras but brought people to tears with the sound of their bamboo flutes; and charismatic prophets who revealed the words of a local oak tree rather than those of a universal creator god. But these are all mere guesses. The curtain of silence is so thick that we cannot even be sure such things occurred – let alone describe them in detail.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Connaître une vérité, peut-être n'est-ce que la voir en silence. Connaître la vérité, c'est peut-être avoir droit enfin au silence éternel. J'ai coutume de dire que l'arbre est vrai, lequel est une certaine relation entre ses parties. Puis la forêt laquelle est une certaine relation entre les arbres. Puis le domaine lequel est une certaine relation entre les arbres et les plaines et autres matériaux du domaine. Puis de l'empire lequel est une certaine relation entre les domaines et les villes et autres matériaux des empires. Puis de Dieu lequel est une relation parfaite entre les empires et quoi que ce soit dans le monde. Dieu est aussi vrai que l'arbre, bien que plus difficile à lire.
”
”
Antoine de Saint-Exupéry (Citadelle)
“
How will we seize Wensan’s ship?” a Herrani asked.
“We’ll climb its hull ladder.”
Kestrel laughed. “You’ll be picked off one at a time by Wensan’s crew as soon as they realize what’s happening.”
The room went still. Spines stiffened. Arin, who had been facing the Herrani, turned to stare at Kestrel. The look he gave her prickled the air between them like static.
“Then we’ll pretend we’re their Valorian sailors who have been on shore,” he said, “and ask for our launches to be winched up to the deck from the water.”
“Pretend to be Valorian? That will be believable.”
“It will be dark. They won’t see our faces, and we have the names of sailors on shore.”
“And your accent?”
Arin didn’t answer.
“I suppose you hope that the wind will blow your accent away,” Kestrel said. “But maybe the sailors will still ask you for the code of the call. Maybe your little plan will be dead in the water, just like all of you.”
There was silence.
“The code of the call,” she repeated. “The password that any sane crew uses and shares with no one but themselves, in order to prevent people from attacking them as you so very foolishly hope to do.”
“Kestrel, what are you doing?”
“Giving you some advice.”
He made an impatient noise. “You want me to burn the ships.”
“Do I? Is that what I want?”
“We’ll be weaker against the empire without them.”
She shrugged. “Even with them, you won’t stand a chance.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
What I felt for you in Doranelle and what I feel for you now are the same. I just didn’t think I’d ever get the chance to act on it.” She knew why she needed to hear it—he knew, too. Darrow’s and Rolfe’s words danced around in her head, an endless chorus of bitter threats. But Aelin only smirked at him. “Then act away, Prince.” Rowan let out a low laugh, and said nothing else as he claimed her mouth, nudging her back against the crumbling chimney. She opened for him, and his tongue swept in, thorough, lazy. Oh, gods—this. This was what drove her out of her mind—this fire between them. They could burn the entire world to ashes with it. He was hers and she was his, and they had found each other across centuries of bloodshed and loss, across oceans and kingdoms and war. Rowan pulled back, breathing heavily, and whispered against her lips, “Even when you’re in another kingdom, Aelin, your fire is still in my blood, my mouth.” She let out a soft moan, arching into him as his hand grazed her backside, not caring if anyone spotted them in the streets below. “You said you wouldn’t take me against a tree the first time,” she breathed, sliding her hands up his arms, across the breadth of his sculpted chest. “What about a chimney?” Rowan huffed another laugh and nipped at her bottom lip. “Remind me again why I missed you.” Aelin chuckled, but the sound was quickly silenced as Rowan claimed her mouth again and kissed her deeply in the moonlight.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
Finally, Europe’s post-war history is a story shadowed by silences; by absence. The continent of Europe was once an intricate, interwoven tapestry of overlapping languages, religions, communities and nations. Many of its cities—particularly the smaller ones at the intersection of old and new imperial boundaries, such as Trieste, Sarajevo, Salonika, Cernovitz, Odessa or Vilna—were truly multicultural societies avant le mot, where Catholics, Orthodox, Muslims, Jews and others lived in familiar juxtaposition. We should not idealise this old Europe. What the Polish writer Tadeusz Borowski called ‘the incredible, almost comical melting-pot of peoples and nationalities sizzling dangerously in the very heart of Europe’ was periodically rent with riots, massacres and pogroms—but it was real, and it survived into living memory.
Between 1914 and 1945, however, that Europe was smashed into the dust. The tidier Europe that emerged, blinking, into the second half of the twentieth century had fewer loose ends. Thanks to war, occupation, boundary adjustments, expulsions and genocide, almost everybody now lived in their own country, among their own people. For forty years after World War Two Europeans in both halves of Europe lived in hermetic national enclaves where surviving religious or ethnic minorities the Jews in France, for example—represented a tiny percentage of the population at large and were thoroughly integrated into its cultural and political mainstream. Only Yugoslavia and the Soviet Union—an empire, not a country and anyway only part-European, as already noted—stood aside from this new, serially homogenous Europe.
But since the 1980s, and above all since the fall of the Soviet Union and the enlargement of the EU, Europe is facing a multicultural future. Between them refugees; guest-workers; the denizens of Europe’s former colonies drawn back to the imperial metropole by the prospect of jobs and freedom; and the voluntary and involuntary migrants from failed or repressive states at Europe’s expanded margins have turned London, Paris, Antwerp, Amsterdam, Berlin, Milan and a dozen other places into cosmopolitan world cities whether they like it or not.
”
”
Tony Judt (Postwar: A History of Europe Since 1945)
“
Have you ever seen someone speak of something that consumes them? That lights them up from the foundations of their soul? Valka spoke with such fervency that I forgot myself for a time. Whatever animosity she had felt toward me upon our first meeting seemed to have mostly evaporated, vanished into a hesitant respect for me and for my situation. And I? I feared her. I feared what she represented, and that I cared what she thought of me. I feared the secrets I was made to carry. My name, my blood. I feared that she would think me false, my respect for her work feigned, when it was the thing I’d shown her that was most true. Thus we are all destroyed by those things that matter to us, as she mattered to me in my loneliness.
”
”
Christopher Ruocchio (Empire of Silence (Sun Eater #1))
“
Entirely my own opinion,” said Ivanov. “I am glad that we have reached the heart of the matter soon. In other words: you are convinced that “we” – that is to say, the Party, the State and the masses behind it – no longer represent the interests of the Revolution.”
“I should leave the masses out of it,” said Rubashov. […] “Leave the masses out of it, “ he repeated. “You understand nothing about them. Nor, probably, do I any more. Once, when the great “we” still existed, we understood them as no one had ever understood them before. We had penetrated into their depths, we worked in the amorphous raw material of history itself…” […] “At that time,” Rubashov went on, “we were called the Party of the Plebs. What did the others know of history? Passing ripples, little eddies and breaking waves. They wondered at the changing forms of the surface and could not explain them. But we had descended into the depths, into the formless, anonymous masses, which at all times constituted the substance of history; and we were the first to discover her laws of motion. We had discovered the laws of her inertia, of the slow changing of her molecular structure, and of her sudden eruptions. That was the greatness of our doctrine. The Jacobins were moralists; we were empirics. We dug in the primeval mud of history and there we found her laws. We knew more than ever men have known about mankind; that is why our revolution succeeded. And now you have buried it all again….” […] “Well,” said Rubashov, “one more makes no difference. Everything is buried: the men, their wisdom and their hopes. You killed the “We”; you destroyed it. Do you really maintain that the masses are still behind you? Other usurpers in Europe pretend the same thing with as much right as you….” […] “Forgive my pompousness,” he went on, “but do you really believe the people are still behind you? It bears you, dumb and resigned, as it bears others in other countries, but there is no response in their depths. The masses have become deaf and dumb again, the great silent x of history, indifferent as the sea carrying the ships. Every passing light is reflected on its surface, but underneath is darkness and silence. A long time ago we stirred up the depths, but that is over. In other words” – he paused and put on his pince-nez – “in those days we made history; now you make politics. That’s the whole difference.” […] "A mathematician once said that algebra was the science for lazy people - one does not work out x, but operates with it as if one knew it. In our case, x stands for the anonymous masses, the people. Politics mean operating with this x without worrying about its actual nature. Making history is to recognize x for what it stands for in the equation."
"Pretty," said Ivanov. "But unfortunately rather abstract. To return to more tangible things: you mean, therefore, that "We" - namely, Party and State - no longer represent the interests of the Revolution, of the masses or, if you like, the progress of humanity."
"This time you have grasped it," said Rubashov smiling. Ivanov did not answer his smile.
”
”
Arthur Koestler (Darkness at Noon)
“
Isydoris shot Azhrael an incredulous glare and whispered in dismay, “You are going to have a man gutted alive for spreading gossip?!”
“No, of course not. Gutting him alive is not enough. I have also ordered them to cut out his tongue,” he joked in a calm tone, then turned deadly serious. “Nobody speaks ill of my woman.”
Isydoris shook her head in numb disbelief. “But what would be the point of such barbaric punishment? This man will die, and people will continue to talk. Even you cannot silence every malicious tongue in the empire.”
“Watch me,” he proclaimed with firm determination. “My sweet, it remains to be seen what I cannot accomplish by the sheer force of my will. I do not care how much blood needs to be spilled, but the commoners will learn to utter your name with caution and respect. I shall settle for nothing less.
”
”
Astrid Jane Ray (The Queen of Aessarion)
“
I’ll teach you as much as I can before we arrive in Skull’s Bay,” Rowan said. “We may find someone there who escaped the butchers—someone to instruct you more than I can.” “You taught Aelin.” Again, silence. Then, “Aelin is my heart. I taught her what I knew, and it worked because our magics understood each other deep down—just as our souls did. You are … different. Your magic is something I have rarely encountered. You need someone who grasps it, or at least how to train you in it. But I can teach you control; I can teach you about spiraling down into your power, and taking care of yourself.” Dorian nodded his thanks. “The first time you met Aelin, did you know … ?” A snort. “No. Gods, no. We wanted to kill each other.” The amusement flickered. “She was … in a very dark place. We both were. But we led each other out of it. Found a way—together.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
Tyrus pushed the mummy off him and rose, whisking sloughed bits of dried flesh from his tunic.
"Well, that wasn't at all humiliating," he said. "Please tell me I didn't shriek. And if I did? Remember I am of imperial lineage. Lie to me."
"You didn't shriek," Moria said. "Still, it is a shame Simeon wasn't here to record the encounter for posterity. Prince Tyrus, attacked by a mummified monk. Truly though, it looked more like a monkey. A crazed monkey, clinging to you -"
"Enough," he said with a feigned scowl. "Speaking of monks, did they see ...?"
He looked around. Ivo had sidled off as they opened the box. Now he huddled with the other two a hundred paces away.
"Well, at least they didn't bear close witness," Tyrus muttered.
"You needn't worry," Ashyn said. "Two of them had taken vows of silence."
"Though they might have been tempted to break them," Moria said. "To relay that particular story."
"But I did not shriek, correct?"
She smiled. "You did not shriek.
”
”
Kelley Armstrong (Empire of Night (Age of Legends, #2))
“
In March 1994, Putin attended a European Union event in Hamburg that included a speech by Estonian president Lennart Meri. Estonia, like the two other Baltic republics, was annexed by the Soviet Union at the start of World War II, then lost to the Germans, to be retaken by the Soviets in 1944. The three Baltic states were the last to be included in the Soviet empire and the first to emerge from it—in no small part because they had a population that still remembered a time before the Soviets. Meri, Estonia’s first democratically elected leader in half a century, had been active in the anti-Soviet liberation movement. Now, speaking in Hamburg, he referred to the Soviet Union as “occupiers.” At this point Putin, who had been sitting in the audience among Russian diplomats, rose and left the room. “It looked very impressive,” recalled a St. Petersburg colleague who would go on to run the Russian federal election commission under President Putin. “The meeting was held in Knights’ Hall, which has ten-meter-tall ceilings and a marble floor, and as he walked, in total silence, each step of his echoed under the ceiling. To top it all off, the huge cast-iron door slammed shut behind him with deafening thunder.
”
”
Masha Gessen (The Man Without a Face: The Unlikely Rise of Vladimir Putin)
“
The year 1915 was fated to be disastrous to the cause of the Allies and to the whole world. By the mistakes of this year the opportunity was lost of confining the conflagration within limits which though enormous were not uncontrolled. Thereafter the fire roared on till it burnt itself out. Thereafter events passed very largely outside the scope of conscious choice. Governments and individuals conformed to the rhythm of the tragedy, and swayed and staggered forward in helpless violence, slaughtering and squandering on ever-increasing scales, till injuries were wrought to the structure of human society which a century will not efface, and which may conceivably prove fatal to the present civilization. But in January, 1915, the terrific affair was still not unmanageable. It could have been grasped in human hands and brought to rest in righteous and fruitful victory before the world was exhausted, before the nations were broken, before the empires were shattered to pieces, before Europe was ruined. It was not to be. Mankind was not to escape so easily from the catastrophe in which it had involved itself. Pride was everywhere to be humbled, and nowhere to receive its satisfaction. No splendid harmony was to crown the wonderful achievements. No prize was to reward the sacrifices of the combatants. Victory was to be bought so dear as to be almost indistinguishable from defeat. It was not to give even security to the victors. There never was to be ‘The silence following great words of
”
”
Winston S. Churchill (The World Crisis Vol 2: 1915)
“
On ne peut pas dire que le petit bourgeois n'a rien lu. Il a tout lu, tout dévoré au contraire.
Seulement son cerveau fonctionne à la manière de certains appareils digestifs de type élémentaire.
Il filtre. Et le filtre ne laisse passer que ce qui peut alimenter la couenne de la bonne conscience bourgeoise.
Les Vietnamiens, avant l'arrivée des Français dans leur pays, étaient gens de culture vieille, exquise et raffinée. Ce rappel indispose la Banque d'Indochine. Faites fonctionner l'oublioir !
Ces Malgaches, que l'on torture aujourd'hui, étaient, il y a moins d'un siècle, des poètes, des artistes, des administrateurs ? Chut ! Bouche cousue ! Et le silence se fait profond comme un coffre-fort ! Heureusement qu'il reste les nègres. Ah ! les nègres ! parlons-en des nègres !
Eh bien, oui, parlons-en.
Des empires soudanais ? Des bronzes du Bénin ? De la sculpture Shongo ? Je veux bien ; ça nous changera de tant de sensationnels navets qui adornent tant de capitales européennes. De la musique africaine. Pourquoi pas?
Et de ce qu'ont dit, de ce qu'ont vu les premiers explorateurs... Pas de ceux qui mangent aux râteliers des Compagnies ! Mais des d'Elbée, des Marchais, des Pigafetta ! Et puis de Frobénius ! Hein, vous savez qui c'est, Frobénius ? Et nous lisons ensemble :
« Civilisés jusqu'à la moelle des os ! L'idée du nègre barbare est une invention européenne. »
Le petit bourgeois ne veut plus rien entendre. D'un battement d'oreilles, il chasse l'idée.
L'idée, la mouche importune.
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Aimé Césaire (Discourse on Colonialism)
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The declining age of learning and of mankind is marked, however, by the rise and rapid progress of the new Platonists. The school of Alexandria silenced those of Athens; and the ancient sects enrolled themselves under the banners of the more fashionable teachers, who recommended their system by the novelty of their method and the austerity of their manners. Several of these masters—Ammonius, Plotinus, Amelius, and Porphyry—were men of profound thought and intense application; but, by mistaking the true object of philosophy, their labors contributed much less to improve than to corrupt human understanding. The knowledge that is suited to our situation and powers, the whole compass of moral, natural and mathematical science, was neglected by the new Platonists; whilst they exhausted their strength in the verbal disputes of metaphysics, attempted to explore the secrets of the invisible world, and studied to reconcile Aristotle with Plato, on subjects of which both of these philosophers were as ignorant as the rest of mankind. Consuming their reason in these deep but unsubstantial meditations, their minds were exposed to illusions of fancy. They flattered themselves that they possessed the secret of disengaging the soul from its corporeal prison, claimed a familiar intercourse withe dæmons and spirits; and, by a very singular revolution, converted the study of philosophy into that of magic. The ancient sages had derided the popular superstition; after disguising its extravagance by the this pretense of allegory, the disciples of Plotinus and Porphyry becomes its most zealous defenders. As they agreed with the Christians in a few mysterious points of faith, they attacked the remainder of their theological system with all the fury of civil war. The new Platonists would scarcely deserve a place in the history of science, but in that of the church the mention of them will very frequently occur.
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Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
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But the worshippers and admirers of these gods delight in imitating their scandalous iniquities, and are nowise concerned that the republic be less depraved and licentious. Only let it remain undefeated, they say, only let it flourish and abound in resources; let it be glorious by its victories, or still better, secure in peace; and what matters it to us? This is our concern, that every man be able to increase his wealth so as to supply his daily prodigalities, and so that the powerful may subject the weak for their own purposes. Let the poor court the rich for a living, and that under their protection they may enjoy a sluggish tranquillity; and let the rich abuse the poor as their dependants, to minister to their pride. Let the people applaud not those who protect their interests, but those who provide them with pleasure. Let no severe duty be commanded, no impurity forbidden. Let kings estimate their prosperity, not by the righteousness, but by the servility of their subjects. Let the provinces stand loyal to the kings, not as moral guides, but as lords of their possessions and purveyors of their pleasures; not with a hearty reverence, but a crooked and servile fear. Let the laws take cognizance rather of the injury done to another man's property, than of that done to one's own person. If a man be a nuisance to his neighbor, or injure his property, family, or person, let him be actionable; but in his own affairs let everyone with impunity do what he will in company with his own family, and with those who willingly join him. Let there be a plentiful supply of public prostitutes for every one who wishes to use them, but specially for those who are too poor to keep one for their private use. Let there be erected houses of the largest and most ornate description: in these let there be provided the most sumptuous banquets, where every one who pleases may, by day or night, play, drink, vomit, dissipate. Let there be everywhere heard the rustling of dancers, the loud, immodest laughter of the theatre; let a succession of the most cruel and the most voluptuous pleasures maintain a perpetual excitement. If such happiness is distasteful to any, let him be branded as a public enemy; and if any attempt to modify or put an end to it let him be silenced, banished, put an end to. Let these be reckoned the true gods, who procure for the people this condition of things, and preserve it when once possessed. Let them be worshipped as they wish; let them demand whatever games they please, from or with their own worshippers; only let them secure that such felicity be not imperilled by foe, plague, or disaster of any kind. What sane man would compare a republic such as this, I will not say to the Roman empire, but to the palace of Sardanapalus, the ancient king who was so abandoned to pleasures, that he caused it to be inscribed on his tomb, that now that he was dead, he possessed only those things which he had swallowed and consumed by his appetites while alive? If these men had such a king as this, who, while self-indulgent, should lay no severe restraint on them, they would more enthusiastically consecrate to him a temple and a flamen than the ancient Romans did to Romulus.
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Augustine of Hippo (City of God)