Empire Of Pain Quotes

We've searched our database for all the quotes and captions related to Empire Of Pain. Here they are! All 100 of them:

I'm not really sure why. But... do you stop loving someone just because they betray you? I don't think so. That's what makes the betrayal hurt so much - pain, frustration, anger... and I still loved her. I still do.
Brandon Sanderson (The Final Empire (Mistborn, #1))
Give me a shot to remember And you can take all the pain away from me A kiss and I will surrender The sharpest lives are the deadliest to lead A light to burn all the empires So bright the sun is ashamed to rise and be And I'm in love with all of those vampires So you can leave like the sane abandoned me
Gerard Way
Human beings sometimes find a kind of pleasure in nursing painful emotions, in blaming themselves without reason or even against reason.
Isaac Asimov (Robots and Empire (Robot, #4))
...Do you stop loving someone just because they betray you? I don't think so. That's what makes the betrayal hurt so much—pain, frustration, anger... and I still loved her. I still do.
Brandon Sanderson (The Final Empire (Mistborn, #1))
I think Upton Sinclair once wrote that a man has difficulty understanding something if his salary depends on his not understanding.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
The moral nihilism of celebrity culture is played out on reality television shows, most of which encourage a dark voyeurism into other people's humiliation, pain, weakness, and betrayal.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
Some pain you can distance yourself from, but a headache sits right where you live.
Mark Lawrence (King of Thorns (The Broken Empire, #2))
It is a peculiar hallmark of the American economy that you can produce a dangerous product and effectively off-load any legal liability for whatever destruction that product may cause by pointing to the individual responsibility of the consumer.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
The opioid crisis is, among other things, a parable about the awesome capability of private industry to subvert public institutions.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
You mean that because I have no name I cannot die and that you cannot be held answerable for death even if you kill me?" "That is about the size of it," said the Sergeant. I felt so sad and so entirely disappointed that tears came into my eyes and a lump of incommunicable poignancy swelled tragically in my throat. I began to feel intensely every fragment of my equal humanity. The life that was bubbling at the end of my fingers was real and nearly painful in intensity and so was the beauty of my warm face and the loose humanity of my limbs and the racy health of my red rich blood. To leave it all without good reason and to smash the little empire into small fragments was a thing too pitiful even to refuse to think about.
Flann O'Brien (The Third Policeman)
Where is Aelin.” What had he done, what had he done— Pain sliced Lorcan’s neck, warm blood dribbled down his throat, his chest. Rowan hissed, “Where is my wife?” Lorcan swayed where he knelt. Wife. Wife. “Oh, gods,” Elide sobbed as she overheard, the words carrying the sound of Lorcan’s own fractured heart. “Oh, gods …” And
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
I would submit, sir, that you and your family are addicted to money.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
Empires have collapsed throughout history. They rise, they build, and they fall. Nothing lasts forever. Not even our pain.
Zoulfa Katouh (As Long as the Lemon Trees Grow)
Aelin had known, though. That he was her mate. And she had not pushed it, or demanded he face it, because she loved him, and he knew she'd rather carve out her own heart than cause him pain or distress. His Fireheart. His equal, his friend, his lover. His wife. His mate.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
You develop a kind of admiration for criminal genius and ruthless efficiency, and you forget that the criminal empire is built on human pain and suffering.
Jake Adelstein (Tokyo Vice: An American Reporter on the Police Beat in Japan)
Kelsier glanced down at his hands and forearms. They still burned sometimes, though he was certain the pain was only in his mind. He looked up at Mennis and smiled. “You ask why I smile, Goodman Mennis? Well, the Lord Ruler thinks he has claimed laughter and joy for himself. I’m disinclined to let him do so. This is one battle that doesn’t take very much effort to fight.
Brandon Sanderson (The Final Empire (Mistborn, #1))
While today the Qur’an is viewed in retrospect as the grand scripture of powerful and triumphant empires, virtually its entire unfolding was defined by corresponding experiences of persecution, banishment, slander, and other intense suffering endured by its followers. In many ways, the Qur’an is the product of pain and sorrow.
Mohamad Jebara (The Life of the Qur'an: From Eternal Roots to Enduring Legacy)
How do you stand the pain?” I ask. “It’s just pain.” He shrugs. His white cloak, smeared with dust, sticks to him as though he is wet beneath it.
Mark Lawrence (Emperor of Thorns (The Broken Empire, #3))
And when pain bites, men bargain. Boys too. We twist and turn, we plead and beg, we offer our tormentors what he wants so that the hurting will stop. And when there is no torturer to placate, no hooded man with hot irons and tongs, just a burn you can't escape, we bargain with God, or ourselves, depending on the size of our egos.
Mark Lawrence (King of Thorns (The Broken Empire, #2))
Nature has placed mankind under the governance of two sovereign masters, pain and pleasure. It is for them alone to point out what we ought to do, as well as to determine what we shall do. On the one hand the standard of right and wrong, on the other the chain of causes and effects, are fastened to their throne. They govern us in all we do, in all we say, in all we think: every effort we can make to throw off our subjection, will serve but to demonstrate and confirm it. In words a man may pretend to abjure their empire: but in reality he will remain subject to it all the while. The principle of utility recognizes this subjection, and assumes it for the foundation of that system, the object of which is to rear the fabric of felicity by the hands of reason and of law. Systems which attempt to question it, deal in sounds instead of sense, in caprice instead of reason, in darkness instead of light.
Jeremy Bentham (The Principles of Morals and Legislation)
Aelin did not expect them to come for her. She, who had come for them, who had found them all. She had arranged for everything to fall into place when she yielded her life. When she gave up a thousand years to save them. And Rowan knew she believed they’d make the right choice, the wise choice, and remain here. Lead their armies to victory—the armies she’d secured for them, guessing that she wouldn’t be there to see it through. She did not think she’d ever see him again. He did not accept that. He would not accept that. And he would not accept that he had found her, and she had found him, and they had survived such sorrow and pain and despair together, only to be cleaved apart. He would not accept the fate that had been dealt to her, would not accept that her life was the asking price for saving this world. Her life, or Dorian’s. He would not accept it for one heartbeat. Footsteps
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
The truth was, Librium and Valium were marketed using such a variety of gendered mid-century tropes—the neurotic singleton, the frazzled housewife, the joyless career woman, the menopausal shrew—that what Roche’s tranquilizers really seemed to offer was a quick fix for the problem of “being female.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
A 2016 study found that purchasing even a single meal with a value of $20 for a physician can be enough to change the way that he prescribes. And for all their lip service to the contrary, the Sacklers didn’t need studies to tell them this.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
The women in porn plead to be abused. They call themselves whores and sluts. They are beaten and penetrated by groups of men. Their faces are covered with semen from dozens of masturbating men, their anuses are penetrated repeatedly by lines of partners, and they are raped. The women portrayed in the films exist to fulfill the desire of men in the most degrading and painful way possible. Nearly all porn dialogue includes lines from women such as I am a cunt, I am a bitch. I am a whore. I am a slut.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
Power must be claimed. Wealth won. Rule, dominion, empire purchased with blood. You scarless children deserve nothing. You do not know pain. You do not know what your forefathers sacrificed to place you on these heights. But soon, you will.
Pierce Brown (Red Rising (Red Rising Saga, #1))
In The Republic, Plato imagines human beings chained for the duration of their lives in an underground cave, knowing nothing but darkness. Their gaze is confined to the cave wall, upon which shadows of the world are thrown. They believe these flickering shadows are reality. If, Plato writes, one of these prisoners is freed and brought into the sunlight, he sill suffer great pain. Blinded by the glare, he is unable to seeing anything and longs for the familiar darkness. But eventually his eyes adjust to the light. The illusion of the tiny shadows is obliterated. He confronts the immensity, chaos, and confusion of reality. The world is no longer drawn in simple silhouettes. But he is despised when he returns to the cave. He is unable to see in the dark as he used to. Those who never left the cave ridicule him and swear never to go into the light lest they be blinded as well.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
A part of me longed to lay it all down, that weight I carried, the acid pain of memory, the corrosion of hate.
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
A joke like that could flay a person open before they noticed the pain.
Arkady Martine (A Memory Called Empire (Teixcalaan, #1))
This may be the last stage of imperialism–having appropriated everything else from its colonies, the dead empire appropriates the pain of those it has oppressed.
Fintan O'Toole (Heroic Failure: Brexit and the Politics of Pain)
The pain became my enemy. More than the Count Renar, more than my father's bartering with lives he should have held more precious than crown, or glory, or Jesu on the cross.
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
She complained that because of Purdue’s message about the drug being “good for whatever ails you,” OxyContin was “creeping into a whole population of people where it doesn’t belong.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
Why would you do that?” I asked as he gasped. “Why would you hand me a lever to your pain?” I walked forward, bending the finger down, and he backed before me, into the crowd of his supporters, crying out, bowing low to lessen the sharp angle at which I held the digit.
Mark Lawrence (Emperor of Thorns (The Broken Empire, #3))
You're not like other Wasps." "Aren't I?" Aagen smiled, but it was a painful smile. "No doubt you've killed my kinsmen by the score." "A few," Salma allowed. "Well, next time you shed my kinden's blood, think on this: we are but men, no less nor more than other men, and we strive and feel joy and fail as men have always done. We live in the darkness that is the birthright of us all, that of hurt and ignorance, only sometimes... sometimes there comes the sun." He let the bowl fall from his fingers to the floor, watching it spin and settle, unbroken.
Adrian Tchaikovsky (Empire in Black and Gold (Shadows of the Apt, #1))
According to the Centers for Disease Control and Prevention, in the quarter century following the introduction of OxyContin, some 450,000 Americans had died of opioid-related overdoses. Such overdoses were now the leading cause of accidental death in America, accounting for more deaths than car accidents—more deaths, even, than that most quintessentially American of metrics, gunshot wounds. In fact, more Americans had lost their lives from opioid overdoses than had died in all of the wars the country had fought since World War II.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
Assyria soon discovered a painful truth: empires are like Ponzi schemes: financial frauds in which previous investors are paid returns out of new investors' deposits. The costs of holding imperial territory can only be underwritten by loot and tribute extracted by constant new conquests; empires must continue to expand if they are not to collapse.
Paul Kriwaczek (Babylon: Mesopotamia and the Birth of Civilization)
In Inesser’s experience, being distracted by shooting pains in your ass never improved your decision-making ability.
Yoon Ha Lee (Revenant Gun (Machineries of Empire #3))
a bit of pain’s just what we need: to cauterize the wound, burn out the infection.
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
What made my loss, my pain, any more important than everyone else's.
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
The Sackler empire is a completely integrated operation,” Blair wrote. They could develop a drug, have it clinically tested, secure favorable reports from the doctors and hospitals with which they had connections, devise an advertising campaign in their agency, publish the clinical articles and the advertisements in their own medical journals, and use their public relations muscle to place articles in newspapers and magazines.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
I would have saved them.” But the lie tastes rotten on my tongue. Would anything have held William from me? Would anything have held my mother back. Anything? All bonds can be slipped, all thorns torn free. It’s simply a matter of pain, and of what you’re prepared to lose.
Mark Lawrence (Road Brothers (The Broken Empire, #3.5))
Manon looked to the Thirteen, standing around Asterin in a half circle. One by one, they lifted two fingers to their brows. A murmur went through the crowd. The gesture not to honor a High Witch. But a Witch-Queen. There had not been a Queen of Witches in five hundred years, either among the Crochans or the Ironteeth. Not one. Forgiveness shone in the faces of her Thirteen. Forgiveness and understanding and loyalty that was not blind obedience, but forged in pain and battle, in shared victory and defeat. Forged in hope for a better life—a better world. At last, Manon found Asterin’s gaze, tears now rolling down her Second’s face. Not from fear or pain, but in farewell. A hundred years—and yet Manon wished she’d had more time.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
To make eye contact with Sergio Abandonato was to know both pain and beauty simultaneously. I
Rachel Van Dyken (Empire (Eagle Elite, #8))
I don’t know what a bike is but it sounds painful.
Mark Lawrence (Emperor of Thorns (The Broken Empire, #3))
This had become a mantra for Isaac. If you lose a fortune, you can always earn another, he pointed out. But if you lose your good name, you can never get it back.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
it was when Arthur Sackler said it. Doctors are human, and the notion that donning a white coat might somehow shield them from temptation is a fantasy.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
In fact, more Americans had lost their lives from opioid overdoses than had died in all of the wars the country had fought since World War II.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
They had passed a point of no return. And as it happened, there was an inexpensive substitute for OxyContin that was cheaper and stronger and widely available: heroin.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
That message was repeated many times throughout the event—that when morphine was used to treat pain, it was not actually addictive.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
Because it is on the anvil of pain that the gods forge heroes.
C.L. Werner (Blighted Empire (1) (Warhammer Time of Legends))
A man can have anything, if he is willing to sacrifice. With your birth comes a solemn vow: You will have nothing. Your privilege is the dirt. In the darkness, only ambition will guide you. The oath you swear, the promises you make, they are yours alone. Your freedom will be the wars you wage. Your birthright the losses you suffer. Your entitlement the pain you endure. And when darkness finds you, you will face it alone.
Eternal Emperor Valkorion
When pain bites, men bargain. Boys too. We twist and turn, we plead and beg, we offer our tormentor what he wants so that the hurting will stop. And when there is no torturer to placate, no hooded man with hot irons and tongs, just a burn you can't escape, we bargain with God, or ourselves, depending on the size of our egos.... Take the pain, I said, and I will be a good man. Or if not that, a better man. We all become weasels with enough hurt on us. But I think a small part of it was more than that. A small part was the terrible two-edged sword called experience, cutting away at the cruel child I was, carving out whatever man might yet to come. I promised a better one. Thought I have been known to lie.
Mark Lawrence (King of Thorns (The Broken Empire, #2))
Oxford It is well that there are palaces of peace And discipline and dreaming and desire, Lest we forget our heritage and cease The Spirit’s work—to hunger and aspire: Lest we forget that we were born divine, Now tangled in red battle’s animal net, Murder the work and lust the anodyne, Pains of the beast ‘gainst bestial solace set. But this shall never be: to us remains One city that has nothing of the beast, That was not built for gross, material gains, Sharp, wolfish power or empire’s glutted feast. We are not wholly brute. To us remains A clean, sweet city lulled by ancient streams, A place of visions and of loosening chains, A refuge of the elect, a tower of dreams. She was not builded out of common stone But out of all men’s yearning and all prayer That she might live, eternally our own, The Spirit’s stronghold—barred against despair.
C.S. Lewis
Often, companies will wait until the original patent has nearly run its course and then introduce some minor tweak to the product, thereby obtaining a new patent and effectively restarting the clock.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
It would be best if this obscure chapter in the history of the world were terminated at once, if these ugly people were obliterated from the face of the earth and we swore to make a new start, to run an empire in which there would be no more injustice, no more pain.
J.M. Coetzee
Fenrys had always been a pain in his ass. And Rowan had not forgotten that it was Fenrys who had wanted the task of handling Aelin Galathynius this past spring. Fenrys loved anything that was wild and beautiful, and to dangle Aelin before him … Maeve had known it was torture.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
I am now going to make an admission. I confess, I agree, that all these good people who protested, who laughed, who did not perceive what we perceived, were in a quite legitimate position. Their opinion was quite in order. One must not be afraid to say that the kingdom of letters is only a province of the vast empire of entertainment. One picks up a book, one puts it aside; and even when one cannot put it down one very well understands that this interest is related to the facility of pleasure. That is to say that every effort of a creator of beauty or of fantasy should be bent, by the very essence of his work, on contriving for the public pleasure which demands no effort, or almost none. It is through the public that he should deduce what touches, moves, soothes, animates or enchants the public. There are however several publics; amongst whom it is not impossible to find some people who do not conceive of pleasure without pain, who do not like to enjoy themselves without paying, and who are not happy if their happiness is not in some part their own contrivance through which they wish to realize what it costs them.
Paul Valéry (Selected Writings)
I kept every emotion locked up tight inside. I knew Leo was deeply hurt by my silence, and I liked hurting him, liked sharing my pain. Misery loves company, and I was a big hole of darkness, drawing everyone around me into my despair.
Ann Mayburn (Obsession (Cordova Empire, #1))
At last, Manon found Asterin's gaze, tears now rolling down her Second's face. Not from fear or pain, but in farewell. A hundred years--and yet Manon wish she'd had more time. For a heartbeat, she thought of that sky-blue mare in the aerie, the wyvern that would wait and wait for a rider who would never return. Thought of a green rocky land spreading to the western sea. Hand trembling, Asterin pressed her fingers to her brow and extended them. "Bring our people home, Manon," she breathed.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Women, porn assets, whether they know it or not, are objects They are whores. These whores deserve to be dominated and abused. And once men have had their way with them, these whores are to be discarded. Porn glorifies the cruelty and domination of sexual exploitation in the same way popular culture, as Jensen points out, glorifies the domination and cruelty of war. It is the same disease. It is the belief that “because I have the ability to use force and control to make others do as I please, I have the right to use this force and control.” It is the disease of corporate and imperial power. It extinguishes the sacred and the human to worship power, control, force, and pain. It replaces empathy, eros, and compassion with the illusion that we are gods. Porn is the glittering façade, like the casinos and resorts of Las Vegas, like the rest of the fantasy that is America, of a culture seduced by death.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
It's very painful... I see a lot of poverty. I see a lot of spiritual poverty. This is a nation that has been deceived and abused. And you can't be a happy people when your reality is based on deception... we're causing incredible harm to countries like Syria and Iraq and Afghanistan... but the other side of the sword is cutting us.
Christopher Lee Bollyn
The Stoics categorized the bad kinds of emotion into four general types: pleasure, pain, desire, and fear. Excessive emotions of these types are, they thought, the most important reason why people may fail to achieve appropriate spiritual tranquility.
Emily Wilson (The Greatest Empire: A Life of Seneca)
Pain, fear, drudgery, boredom, lots of boredom—these are the things that build character. And you need to experience loss and remorse because falling down gives you the opportunity to rise once more. Overcoming challenges turns a self-centered infant into a caring adult. Empathy—the ability to understand and appreciate the feelings of others—is the cornerstone of civilization and the foundation of our relationships. Lack of it . . . well, lack of empathy is as close to a definition of evil that I can come up with.
Michael J. Sullivan (Age of Legend (The Legends of the First Empire, #4))
To an active mind, indolence is more painful than labour;
Edward Gibbon (The Decline and Fall of the Roman Empire)
There always seemed to be a better way, except when it came to people. Once broken, people couldn't be repaired.
Michael J. Sullivan (Age of Swords (The Legends of the First Empire, #2))
Your pain is my pain, Butterfly.
Rina Kent (Ruthless Empire (Royal Elite, #6))
The New Republic is not a military entity. It is one of democracy. And it is painfully naïve to think that democracy can work on a galactic scale.
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
This same aversion to intravenous drug use—to shooting up—had also served as a natural cap on the size of the market for heroin in the United States. But when somebody who is already addicted to opioids starts to feel the first pangs of withdrawal, a lifetime’s worth of inhibitions can be swiftly cast aside. This is the logic of addiction. Maybe needles make you queasy. But if your body is acting as if you might die if you don’t get a hit, you’ll start doing all sorts of things you might have sworn, in the past, that you would never do.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
Count, or we’ll begin again with each stroke you miss. You decide how long this goes on for. Unless you’d rather Elide Lochan receive these strokes.” No. Never. Never anyone else but her. Never. But as Cairn walked slowly, savoring each step, as he let that whip drag along the ground, her body betrayed her. Began shaking. She knew the pain. Knew what it’d feel like, what it’d sound like. Her dreams were still full of it. No doubt why Maeve had picked a whipping, why she’d done it to Rowan in Doranelle. Cairn halted. She felt him studying the tattoo on her back. Rowan’s loving words, written there in the Old Language. Cairn snorted. Then she felt him revel in how he’d destroy that tattoo. “Begin,” Maeve said. Cairn’s breath sucked in. And even bracing herself, even clamping down hard, there was nothing to prepare for the crack, the sting, the pain. She did not let herself cry out, only hissed through her teeth. A whip wielded by an overseer at Endovier was one thing. One wielded by a full-blooded Fae male … Blood slid down the back of her pants, her split skin screaming. But she knew how to pace herself. How to yield to the pain. How to take it. “What number was that, Aelin?” She would not. She would never count for that rutting bitch— “Start over, Cairn,” Maeve said. A breathy laugh. Then the crack and the pain and Aelin arched, the tendons in her neck near snapping as she panted through clenched teeth. The males holding her gripped her firm enough to bruise. Maeve and Cairn waited. Aelin refused to say the word. To start the count. She’d die before she did it. “Oh gods, oh gods,” Elide sobbed. “Start over,” Maeve merely ordered over the girl. So Cairn did. Again. Again. Again. They started over nine times before Aelin finally screamed. The blow had been right atop another one, tearing skin down to the bone. Again. Again. Again. Again. Cairn was panting. Aelin refused to speak. “Start over,” Maeve repeated. “Majesty,
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Victoria’s head ached under a heavy crown, and her hand throbbed—the ruby coronation ring had been jammed onto the wrong finger; it was later, painfully, removed with ice. Around her stood her older male advisers, in a state of disrepair. Her prime minister was half-stoned with opium and brandy, ostensibly taken to calm his stomach, and he viewed the entire ceremony in a fog. Her archbishop, having failed to rehearse, jumbled his lines. One of her lords tumbled down the steps when he approached to kiss her hand. But Victoria’s composure was impeccable. Her voice was cool, silvery, and steady.
Julia Baird (Victoria The Queen: An Intimate Biography of the Woman Who Ruled an Empire)
2019, a team of economists from Notre Dame, Boston University, and the National Bureau of Economic Research published a dense research paper on the timing of the “rapid rise in the heroin death rate” in the years since 2010. The title of the paper was “How the Reformulation of OxyContin Ignited the Heroin Epidemic.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
We twist and turn, we plead and beg, we offer our tormentor what he wants so that the hurting will stop. And when there is no torturer to placate, no hooded man with hot irons and tongs, just a burn you can't escape, we bargain with God, or ourselves, depending on the size of our egos. I made mock of the dying at Mabberton and now their ghosts watched me burn. Take the pain, I said, and I will be a good man. Or if not that, a better man. We all become weasels with enough hurt on us. But I thing a small part of it was more than that. A small part was that terrible two-edged sword called experience, cutting away at the cruel child I was, carving out whatever man might be yet to come. I promised a better one. Though I have been known to lie.
Mark Lawrence (King of Thorns (The Broken Empire, #2))
Why say 'the world is complicated' and stop there? I say the world is complicated but not incomprehensible. Only you have to look at it steadily. Isn't it true a person's shoulder hurts sometimes because they've got a disorder in their stomach? And then what does a stupid doctor do? Order massages for the shoulder. What does a wise doctor do? He takes time to think about it, watches the patient carefully, gives him some medicine for his stomach, and the pain in his shoulder goes away. Better yet, he explains to his patients what they have to do to keep their stomach from getting out of order. One day his patient's going to get old and die, just like himself, just like us, and one day, incredible as it may seem, the Empire's going to die, and how foolish people are who whine about it, and whine about how complicated the world is. A seamstress's room is complicated too, but even at night, with the lights out, she can reach out in the darkness and find the yellow thread, the needles, the pincushion. We couldn't, because we don't know the order things are in, in the seamstress's room. And we can't see the order the world is in. But all the same it's there, right under our eyes.
Angélica Gorodischer (Kalpa Imperial: The Greatest Empire That Never Was)
And, because in some hard core of me, in some stubborn trench of selfish refusal, I could not, even at ten years of age, surrender to anything or anyone, I fought that pain. I analysed its offensive, and found its lines of attack. It festered, like the corruption in a wound turned sour, drawing strength from me. I knew enough to know the remedy. Hot iron for infection, cauterize, burn, make it pure. I cut from myself all the weakness of care. The love for my dead, I put aside, secure in a casket, an object of study, a dry exhibit, no longer bleeding, cut loose, set free. The capacity for new love, I burned out. I watered it with acid until the ground lay barren and nothing there would sprout, no flower take root.
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
I said it to the Flower, I'll say it again: There's a solace to be found in sadness. And I understand why ye’d think ye deserve that dark. Easier to find refuge in drink, in rage, to say hell with it all and push everyone away. Because ye think that cold is easier to live with than the pain that could come if ye let the warmth back in, only to be burned again. But that's the fire that lets us know we're alive, Gabriel." ‘I shook my head, two pale shadows now rising at my back. “‘You can't fix a broken blade, Phoebe." “‘But don't ye see? We don't get broken. We’re made broken. We are not whole alone. But if we're blessed, if we're brave, we might find those few whose edges fit against our own. Like pieces of the same puzzle, or shards of the same shattered blade. Those people who, in their own broken way, make our broken edge complete.
Jay Kristoff (Empire of the Damned (Empire of the Vampire, #2))
In the wake of terror, A hero will rise, A just and fairer Ruler in everyone’s eyes. A phoenix at his right, Steel in his left, He will bring the light, That left them bereft. He will end the pain, He will right the wrong, Avenger of the slain, The phoenix beside him, Their reign will be long, The Golden Crown of power, Before him, the evil will cower, His secrets revealed, The phoenix his shield, Against whispers spread, Vitality healed, Though unrest is rampant, The hero will end it, The rider in the field, His destiny sealed
Israh Azizi (The Cavalier (Heroes of the Empire, #1))
All men are not created equal... The weak have deceived you. They would say the meek should inherit the Earth. That the strong should nurture the gentle. This is the Noble Lie of Demokracy. The cancer that poisoned mankind... Power must be claimed. Wealth won. Rule, dominion, empire purchased with blood. You scarless children deserve nothing. You do not know pain. You do not know what your forefathers sacrificed to place you on these heights. But soon, you will. Soon, we will teach you why Gold rules mankind. And I promise, of those among you, only those fit for power will survive.
Pierce Brown (Red Rising (Red Rising Saga, #1))
LUKE: O, what is life, and what our purpose here? Are living creatures made for pain and strife, Do we but walk our days upon the ground To perish without memory or fame? If so, what shall we seek whilst we yet like? Is brave adventure worthy of our time, Or should we seek the principle of pleasure?
Ian Doescher (William Shakespeare's The Empire Striketh Back (William Shakespeare's Star Wars, #5))
According to a study by the Associated Press and the Center for Public Integrity, Purdue and other drug companies that manufacture opioid painkillers spent over $700 million between 2006 and 2015 on lobbying in Washington and in all fifty states. The combined spending of these groups amounted to roughly eight times what the gun lobby spent. (By comparison, during the same period, the small handful of groups pushing for limits on opioid prescribing spent $4 million
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
The reality is that the American people have no desire for an empire. This is not to say that they don't want the benefits, both economic and strategic. It simply means that they don't want to pay the price. Economically, Americans want the growth potential of open markets but not the pains. Politically, they want to have an enormous influence, but not the resentment of the world. Military, they want to be protected from dangers but not to bear the burdens of long-term strategy.
George Friedman (The Next Decade: Where We've Been . . . and Where We're Going)
African Americans had been spared the full brunt of the opioid epidemic: doctors were less likely to prescribe opioid painkillers to Black patients, either because they did not trust them to take the drugs responsibly or because they were less likely to feel empathy for these patients and want to treat their pain aggressively. As a result, levels of addiction and death were statistically low among African Americans. It appeared to be a rare instance in which systemic racism could be said to have protected the community.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
Cæsar is said to have been admirably fitted by nature to make a great statesman and orator, and to have taken such pains to improve his genius this way, that without dispute he might challenge the second place. More he did not aim at, as choosing to be first rather amongst men of arms and power, and, therefore, never rose to that height of eloquence to which nature would have carried him, his attention being diverted to those expeditions and designs, which at length gained him the empire. And he himself, in his answer to Cicero’s panegyric on Cato, desires his reader not to compare the plain discourse of a soldier with the harangues of an orator who had not only fine parts, but had employed his life in this study.
Plutarch (Parallel Lives (Active ToC))
The two women did more than resolve a major problem, they went on to form a political alliance and launch a coup. Cixi was twenty-five years old and Empress Zhen a year younger. Facing them were eight powerful men in control of the state machine. The women were well aware of the risk they were taking. A coup was treason, and if it failed the punishment would be the most painful ling-chi, death by a thousand cuts. But they were willing to take the risk. Not only were they determined to save their son and the dynasty, but they also rejected the prescribed life of imperial widows – essentially living out their future years as virtual prisoners in the harem. Choosing to change their own destiny as well as that of the empire, the two women plotted, often with their heads together leaning over a large glazed earthenware water tank, pretending to be appraising their reflections or just talking girls’ talk.
Jung Chang
Violence promises us something we all deeply desire, something we genuinely want; violence promises us peace. Violence promises us, that in the end, when the last battle is fought, the last bomb is dropped, and the last enemy is slain, we will have what we always dreamed of – safety, a world without suffering, death or bloodshed; a world at rest. Yet, these are the very things Christ offers with the Kingdom of God. A world where the lamb will lay down with the lion, where swords are beaten into plowshares, where mercy and justice flow down like the waters, where every tear will be wiped away from our eyes, and where there will be no more death or sorrow or crying or pain. Christ and violence seem to offer the same final result, the two being competitors for our allegiance.
Ronnie McBrayer (The Jesus Tribe: Following Christ in the Land of the Empire)
Roche offered a different interpretation: while it might be true that some patients appeared to be abusing Librium and Valium, these were people who were using the drug in a nontherapeutic manner. Some individuals just have addictive personalities and are prone to abuse any substance you make available to them. This attitude was typical in the pharmaceutical industry: it’s not the drugs that are bad; it’s the people who abuse them.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
The same subversion of power by truth is evident in the way in which Luke begins his account of Jesus of Nazareth. Luke is at pains to put his readers on notice that this is no ordinary history. He has an angel anticipate cousin John by saying, “with the spirit and power of Elijah he will go before him” (1:17). He has Gabriel declare that “nothing will be impossible with God” (1:37). He offers us an alternative genealogy that refuses the royal recital of Matthew and provides a list of the uncredentialed, rather like Roots by Alex Haley that traces a genealogy that the plantation masters never suspected (Luke 3:23–38).6 In the midst of this playful subversion, Luke has John go public in the empire. He does so by locating the reader amid all the recognized totems of power:
Walter Brueggemann (Truth Speaks to Power: The Countercultural Nature of Scripture)
Oh, I had all sorts of ego-polishing notions about my unhappy self. And I had theories, too. What, after all, is a depressed intellectual without his theories? I can’t reconstruct the details of them now. It would be too boring to try. But there was a lot of Nietzsche involved and Freud, too—oh, and Marx. That was it, my trinity: Nietzsche, Freud, and Marx. Which is to say I believed that power, sex, and money explained all human interactions, all history, and all the world. To pretend anything else, I thought, was rank hypocrisy, the worst of intellectual sins. Faith was a scam, Hope was a lie, Love was an illusion. Power, sex, and money—these three—were the real, the only stuff of life. And the greatest of these, of course, was sex. I don’t remember how I worked all this out philosophically. But for some reason, the other two persons of my trinity—power and money—were things to be disdained. They were motive forces for them, you know, for society’s evil masters, the greedy, the corrupt, the makers of orthodoxy. Sex, though—sex was for us. It was the expressive medium of the liberated, the unconventional, the unbowed, the Natural Man. When it came to sex, there was nothing—nothing consensual—that could repel or alienate such enlightened folks as we. Anyone who questioned that doctrine or looked askance at some sexual practice, anyone who even wondered aloud if perhaps, like any other appetite—for food, say, or alcohol or material goods—our sexual desire might occasionally require discipline or restraint, was painfully irrelevant, grossly out of the loop, unhip in the extreme. No, no. A free man, a natural man, a new man—so my theories went—threw off hypocrisy and explored his sexuality to its depths.
Andrew Klavan (Empire of Lies)
How admirable is the Western method of submitting all theory to scrupulous experimental verification! That empirical procedure has gone hand in hand with the gift for introspection which is my Eastern heritage. Together they have enabled me to sunder the silences of natural realms long uncommunicative. The telltale charts of my crescograph 49 are evidence for the most skeptical that plants have a sensitive nervous system and a varied emotional life. Love, hate, joy, fear, pleasure, pain, excitability, stupor, and countless appropriate responses to stimuli are as universal in plants as in animals.
Paramahansa Yogananda (Autobiography of a Yogi)
Again, that eye watched him warily, temper flickering. But an animal remained. Aedion drawled, even as his relief began to crumble his mask of arrogant calmness, “The useless sentries in the watchtower are now all half in love with you,” he lied. “One said he wanted to marry you.” A low snarl. He yielded a foot but held eye contact with her as he grinned. “But you know what I told them? I said that they didn’t stand a chance in hell.” Aedion lowered his voice, holding her pained, exhausted stare. “Because I am going to marry you,” he promised her. “One day. I am going to marry you. I’ll be generous and let you pick when, even if it’s ten years from now. Or twenty. But one day, you are going to be my wife.” Those eyes narrowed—in what he could only call female outrage and exasperation. He shrugged. “Princess Lysandra Ashryver sounds nice, doesn’t it?” And then the dragon huffed. In amusement. Exhaustion, but … amusement.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
I used to imagine life divided into separate compartments, consisting, for example, of such dual abstractions as pleasure and pain, love and hate, friendship and enmity; and more material classifications like work and play: a profession or calling being, according to that concept—one that seemed, at least on the surface, unequivocally assumed by persons so dissimilar from one another as Widmerpool and Archie Gilbert, something entirely different from “spare time.” That illusion, as such a point of view was, in due course, to appear—was closely related to another belief: that existence fans out indefinitely into new areas of experience, and that almost every additional acquaintance offers some supplementary world with its own hazards and enchantments. As time goes on, of course, these supposedly different worlds, in fact, draw closer, if not to each other, then to some pattern common to all; so that, at last, diversity between them, if in truth existent, seems to be almost imperceptible except in a few crude and exterior ways: unthinkable, as formerly appeared, any single consummation of cause and effect. In other words, nearly all the inhabitants of these outwardly disconnected empires turn out at last to be tenaciously inter-related; love and hate, friendship and enmity, too, becoming themselves much less clearly defined, more often than not showing signs of possessing characteristics that could claim, to say the least, not a little in common; while work and play merge indistinguishably into a complex tissue of pleasure and tedium.
Anthony Powell (A Buyer's Market (A Dance to the Music of Time, #2))
When you feel the need to escape your problems, to escape from this world, don't make the mistake of resorting to suicide Don't do it! You will hear the empty advice of many scholars in the matter of life and death, who will tell you, "just do it" there is nothing after this, you will only extinguish the light that surrounds you and become part of nothingness itself, so when you hear these words remember this brief review of suicide: When you leave this body after committing one of the worst acts of cowardice that a human being can carry out, you turn off the light, the sound and the sense of reality, you become nothing waiting for the programmers of this game to pick you up from the darkness, subtly erase your memories and enable your return and I emphasize the word subtle because sometimes the intelligence behind this maneuver or automated mechanism is wrong and send human beings wrongly reset to such an extent, that when they fall to earth and are born again, they begin to experience memories of previous lives, in many cases they perceive themselves of the opposite sex, and science attributes this unexplainable phenomenon to genetic and hormonal factors, but you and I know better! And we quickly identified this trigger as a glitch in the Matrix. Then we said! That a higher intelligence or more advanced civilization throws you back into this game for the purpose of experimenting, growing and developing as an advanced consciousness and due to your toxic and destructive behavior you come back again but in another body and another life, but you are still you, then you will carry with you that mark of suicide and cowardice, until you learn not to leave this experience without having learned the lesson of life, without having experienced and surprised by death naturally or by design of destiny. About this first experience you will find very little material associated with this event on the internet, it seems that the public is more reserved, because they perceive themselves and call themselves "awakened" And that is because the system has total control over the algorithm of fame and fortune even over life and death. Now, according to religion and childish fears, which are part of the system's business to keep you asleep, eyes glued to the cellular device all day, it says the following: If you commit this act of sin, you turn off light, sound and sense of reality, and from that moment you begin to experience pain, fear and suffering on alarming scales, and that means they will come for you, a couple of demons and take you to the center of the earth where the weeping and gnashing of teeth is forever, and in that hell tormented by demons you will spend eternity. About this last experience we will find hundreds of millions of people who claim to have escaped from there! And let me tell you that all were captivated by the same deity, one of dubious origin, that feeds on prayers and energetic events, because it is not of our nature, because it knows very well that we are beings of energy, then this deity or empire of darkness receives from the system its food and the system receives from them power, to rule, to administer, to control, to control, to kill, to exclude, to inhibit, to classify, to imprison, to silence, to infect, to contaminate, to depersonalize. So now that you know the two sides of the same coin, which one will your intelligence lean towards! You decide... Heads or tails? From the book Avatars, the system's masterpiece.
Marcos Orowitz (THE LORD OF TALES: The masterpiece of deceit)
The universe of his own feelings keeps crowding everyone else's out. It is a constant struggle to see other people as people, rather than as denizens of a dimension one level below the one in which he's doomed to wander, imperially alone. That someone close to him might right now be awake in a different part of the city, feeling a pain every bit as real as his own . . . he can think it, but cannot seem to remember it. And is 'remember' even the right word for something for which you have zero empirical evidence? Postulate, maybe. Imagine. He sweeps the lens back toward the window, where the cat hasn't stirred. Her tail twitches. An idea threatens to form, but doesn't.
Garth Risk Hallberg (City on Fire)
Blood for honor. That was the price then, as it was the price now. It was always the price of honor. Always blood. Always pain. And as the queen was scourged, he wondered if such a thing as honor really existed at all. For what was honor if it could not strip the pride from a barbarian woman even as she was beaten before her people? What was honor if he could only defend his own by doing this to her? Honor, Decianus thought, was just an excuse for war and mayhem. An excuse for taking. Whether the taking of a woman or the taking of one tribe against another, one empire over another, one emperor over the world. An emperor like the one he served . . . If this was honor, he wanted no part in it.
Ruth Downie (A Year of Ravens)
Help you?” he said without looking up. I glanced at Meg, silently double-checking that we were in the right building. She nodded. “We’re here to surrender,” I told the guard. Surely this would make him look up. But no. He could not have acted less interested in us. I was reminded of the guest entrance to Mount Olympus, through the lobby of the Empire State Building. Normally, I never went that way, but I knew Zeus hired the most unimpressible, disinterested beings he could find to guard the desk as a way to discourage visitors. I wondered if Nero had intentionally done the same thing here. “I’m Apollo,” I continued. “And this is Meg. I believe we’re expected? As in…hard deadline at sunset or the city burns?” The guard took a deep breath, as if it pained him to move. Keeping one finger in his novel, he picked up a pen and slapped it on the counter next to the sign-in book. “Names. IDs.” “You need our IDs to take us prisoner?” I asked. The guard turned the page in his book and kept reading. With a sigh, I pulled out my New York State junior driver’s license. I suppose I shouldn’t have been surprised that I’d have to show it one last time, just to complete my humiliation. I slid it across the counter. Then I signed the logbook for both of us. Name(s): Lester (Apollo) and Meg. Here to see: Nero. Business: Surrender. Time in: 7:16 p.m. Time out: Probably never. Since Meg was a minor, I didn’t expect her to have an ID, but she removed her gold scimitar rings and placed them next to my license. I stifled the urge to shout, Are you insane? But Meg gave them up as if she’d done this a million times before. The guard took the rings and examined them without comment. He held up my license and compared it to my face. His eyes were the color of decade-old ice cubes. He seemed to decide that, tragically, I looked as bad in real life as I did in my license photo. He handed it back, along with Meg’s rings. “Elevator nine to your right,” he announced. I almost thanked him. Then I thought better of it.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Hume’s philosophy, whether true or false, represents the bankruptcy of eighteenth-century reasonableness. He starts out, like Locke, with the intention of being sensible and empirical, taking nothing on trust, but seeking whatever instruction is to be obtained from experience and observation. But having a better intellect than Locke’s, a greater acuteness in analysis, and a smaller capacity for accepting comfortable inconsistencies, he arrives at the disastrous conclusion that from experience and observation nothing is to be learnt. There is no such thing as a rational belief: “If we believe that fire warms, or water refreshes, ’tis only because it costs us too much pains to think otherwise.” We cannot help believing, but no belief can be grounded in reason. Nor can one line of action be more rational than another, since all alike are based upon irrational convictions. This last conclusion, however, Hume seems not to have drawn. Even in his most sceptical chapter, in which he sums up the conclusions of Book I, he says: “Generally speaking, the errors in religion are dangerous; those in philosophy only ridiculous.” He has no right to say this. “Dangerous” is a causal word, and a sceptic as to causation cannot know that anything is “dangerous.
Bertrand Russell (A History of Western Philosophy: And Its Connection with Political and Social Circumstances from the Earliest Times to the Present Day)
In 1994, Friedman wrote a memo marked “Very Confidential” to Raymond, Mortimer, and Richard Sackler. The market for cancer pain was significant, Friedman pointed out: four million prescriptions a year. In fact, there were three-quarters of a million prescriptions just for MS Contin. “We believe that the FDA will restrict our initial launch of OxyContin to the Cancer pain market,” Friedman wrote. But what if, over time, the drug extended beyond that? There was a much greater market for other types of pain: back pain, neck pain, arthritis, fibromyalgia. According to the wrestler turned pain doctor John Bonica, one in three Americans was suffering from untreated chronic pain. If that was even somewhat true, it represented an enormous untapped market. What if you could figure out a way to market this new drug, OxyContin, to all those patients? The plan would have to remain secret for the time being, but in his memo to the Sacklers, Friedman confirmed that the intention was “to expand the use of OxyContin beyond Cancer patients to chronic non-malignant pain.” This was a hugely audacious scheme. In the 1940s, Arthur Sackler had watched the introduction of Thorazine. It was a “major” tranquilizer that worked wonders on patients who were psychotic. But the way the Sackler family made its first great fortune was with Arthur’s involvement in marketing the “minor” tranquilizers Librium and Valium. Thorazine was perceived as a heavy-duty solution for a heavy-duty problem, but the market for the drug was naturally limited to people suffering from severe enough conditions to warrant a major tranquilizer. The beauty of the minor tranquilizers was that they were for everyone. The reason those drugs were such a success was that they were pills that you could pop to relieve an extraordinary range of common psychological and emotional ailments. Now Arthur’s brothers and his nephew Richard would make the same pivot with a painkiller: they had enjoyed great success with MS Contin, but it was perceived as a heavy-duty drug for cancer. And cancer was a limited market. If you could figure out a way to market OxyContin not just for cancer but for any sort of pain, the profits would be astronomical. It was “imperative,” Friedman told the Sacklers, “that we establish a literature” to support this kind of positioning. They would suggest OxyContin for “the broadest range of use.” Still, they faced one significant hurdle. Oxycodone is roughly twice as potent as morphine, and as a consequence OxyContin would be a much stronger drug than MS Contin. American doctors still tended to take great care in administering strong opioids because of long-established concerns about the addictiveness of these drugs. For years, proponents of MS Contin had argued that in an end-of-life situation, when someone is in a mortal fight with cancer, it was a bit silly to worry about the patient’s getting hooked on morphine. But if Purdue wanted to market a powerful opioid like OxyContin for less acute, more persistent types of pain, one challenge would be the perception, among physicians, that opioids could be very addictive. If OxyContin was going to achieve its full commercial potential, the Sacklers and Purdue would have to undo that perception.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
We have seen how it is originally language which works on the construction of concepts, a labor taken over in later ages by science. Just as the bee simultaneously constructs cells and fills them with honey, so science works unceasingly on this great columbarium of concepts, the graveyard of perceptions. It is always building new, higher stories and shoring up, cleaning, and renovating the old cells; above all, it takes pains to fill up this monstrously towering framework and to arrange therein the entire empirical world, which is to say, the anthropomorphic world. Whereas the man of action binds his life to reason and its concepts so that he will not be swept away and lost, the scientific investigator builds his hut right next to the tower of science so that he will be able to work on it and to find shelter for himself beneath those bulwarks which presently exist. And he requires shelter, for there are frightful powers which continuously break in upon him, powers which oppose scientific truth with completely different kinds of "truths" which bear on their shields the most varied sorts of emblems.
Friedrich Nietzsche (On Truth and Lies in a Nonmoral Sense)
Hist, then. How dost thou know that some entire, living, thinking thing may not be invisibly and uninterpenetratingly standing precisely where thou now standest; aye, and standing there in thy spite? In thy most solitary hours, then, dost thou not fear eavesdroppers? Hold, don't speak! And if I still feel the smart of my crushed leg, though it be now so long dissolved; then, why mayest not thou, carpenter, feel the fiery pains of hell for ever, and without a body? Hah! Good Lord! Truly, sir, if it comes to that, I must calculate over again; I think I didn't carry a small figure, sir. Look ye, pudding-heads should never grant premises.—How long before this leg is done? Perhaps an hour, sir. Bungle away at it then, and bring it to me (turns to go). Oh, Life. Here I am, proud as Greek god, and yet standing debtor to this blockhead for a bone to stand on! Cursed be that mortal inter-indebtedness which will not do away with ledgers. I would be free as air; and I'm down in the whole world's books. I am so rich, I could have given bid for bid with the wealthiest Praetorians at the auction of the Roman empire (which was the world's); and yet I owe for the flesh in the tongue I brag with.
Herman Melville (Moby Dick: or, the White Whale)
We can withstand a siege for some time,” Arin said. “The city walls are strong. They’re Valorian-built.” “Which means that we will know how to bring them down.” Arin swirled his glass, watching the water’s clear spin. “Care to bet? I have matches. I hear they make very fine stakes.” There was the quirk of a smile. “We aren’t playing at Bite and Sting.” “But if we were, and I kept raising the stakes higher to the point where you couldn’t bear to lose, what would you do? Maybe you’d give up the game. Herran’s only hope of winning against the empire is to become too painful to retake. To mire the Valorians in an unending siege when they’d rather be fighting the east. To force them to conquer the countryside again, piece by piece, spending money and lives. Someday, the empire will decide we’re not worth the fight.” Kestrel shook her head. “Herran will always be worth it.” Arin looked at her, his hands resting on the table. He, too, had no knife. Kestrel knew that this was to make it less obvious that she wasn’t to be trusted with one. Instead, it became more. “You’re missing a button,” he said abruptly. “What?” He reached across the table and touched the cloth at her wrist, on the spot of an open seam. His fingertip brushed the frayed thread. Kestrel forgot that she had been troubled. She had been thinking about knives, she remembered, and now they were talking about buttons, but what one had to do with the other, she couldn’t say. “Why don’t you mend it?” he said. She recovered herself. “That is a silly question.” “Kestrel, do you not know how to sew a button?” She refused to answer. “Wait here,” he said. Arin returned with a sewing kit and button. He threaded a needle, bit it between his teeth, and took her wrist with both hands. Her blood turned to wine. “This is how you do it,” he said. He took the needle from his mouth and pierced it through the cloth.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The discords of our experience--delight in change, fear of change; the death of the individual and the survival of the species, the pains and pleasures of love, the knowledge of light and dark, the extinction and the perpetuity of empires--these were Spenser's subject; and they could not be treated without this third thing, a kind of time between time and eternity. He does not make it easy to extract philosophical notions from his text; but that he is concerned with the time-defeating aevum and uses it as a concord-fiction, I have no doubt. 'The seeds of knowledge,' as Descartes observed, 'are within us like fire in flint; philosophers educe them by reason, but the poets strike them forth by imagination, and they shine the more clearly.' We leave behind the philosophical statements, with their pursuit of logical consequences and distinctions, for a free, self-delighting inventiveness, a new imagining of the problems. Spenser used something like the Augustinian seminal reasons; he was probably not concerned about later arguments against them, finer discriminations. He does not tackle the questions, in the Garden cantos, of concreation, but carelessly--from a philosophical point of view--gives matter chronological priority. The point that creation necessitates mutability he may have found in Augustine, or merely noticed for himself, without wondering how it could be both that and a consequence of the Fall; it was an essential feature of one's experience of the world, and so were all the arguments, precise or not, about it. Now one of the differences between doing philosophy and writing poetry is that in the former activity you defeat your object if you imitate the confusion inherent in an unsystematic view of your subject, whereas in the second you must in some measure imitate what is extreme and scattering bright, or else lose touch with that feeling of bright confusion. Thus the schoolmen struggled, when they discussed God, for a pure idea of simplicity, which became for them a very complex but still rational issue: for example, an angel is less simple than God but simpler than man, because a species is less simple than pure being but simpler than an individual. But when a poet discusses such matters, as in say 'Air and Angels,' he is making some human point, in fact he is making something which is, rather than discusses, an angel--something simple that grows subtle in the hands of commentators. This is why we cannot say the Garden of Adonis is wrong as the Faculty of Paris could say the Averroists were wrong. And Donne's conclusion is more a joke about women than a truth about angels. Spenser, though his understanding of the expression was doubtless inferior to that of St. Thomas, made in the Garden stanzas something 'more simple' than any section of the Summa. It was also more sensuous and more passionate. Milton used the word in his formula as Aquinas used it of angels; poetry is more simple, and accordingly more difficult to talk about, even though there are in poetry ideas which may be labelled 'philosophical.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
THREE HUNDRED YEARS AFTER JESUS DIED ON A ROMAN cross, the emperor Theodosius made Christianity the official religion of the Roman Empire. Christians, who had once been persecuted by the empire, became the empire, and those who had once denied the sword took up the sword against their neighbors. Pagan temples were destroyed, their patrons forced to convert to Christianity or die. Christians whose ancestors had been martyred in gladiatorial combat now attended the games, cheering on the bloodshed. Lord, have mercy. Christ, have mercy. On July 15, 1099, Christian crusaders lay siege to Jerusalem, then occupied by Fatimite Arabs. They found a breach in the wall and took the city. Declaring “God wills it!” they killed every defender in their path and dashed the bodies of helpless babies against rocks. When they came upon a synagogue where many of the city’s Jews had taken refuge, they set fire to the building and burned the people inside alive. An eyewitness reported that at the Porch of Solomon, horses waded through blood. Lord, have mercy. Christ, have mercy. Through a series of centuries-long inquisitions that swept across Europe, hundreds of thousands of people, many of them women accused of witchcraft, were tortured by religious leaders charged with protecting the church from heresy. Their instruments of torture, designed to slowly inflict pain by dismembering and dislocating the body, earned nicknames like the Breast Ripper, the Head Crusher, and the Judas Chair. Many were inscribed with the phrase Soli Deo Gloria, “Glory be only to God.” Lord, have mercy. Christ, have mercy. In a book entitled On Jews and Their Lies, reformer Martin Luther encouraged civic leaders to burn down Jewish synagogues, expel the Jewish people from their lands, and murder those who continued to practice their faith within Christian territory. “The rulers must act like a good physician who when gangrene has set in proceeds without mercy to cut, saw, and burn flesh, veins, bone, and marrow,” he wrote. Luther’s writings were later used by German officials as religious justification of the Holocaust. Lord, have mercy. Christ, have mercy.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)