Eminence In Shadow Quotes

Paine suffered then, as now he suffers not so much because of what he wrote as from the misinterpretations of others... He disbelieved the ancient myths and miracles taught by established creeds. But the attacks on those creeds - or on persons devoted to them - have served to darken his memory, casting a shadow across the closing years of his life. When Theodore Roosevelt termed Tom Paine a 'dirty little atheist' he surely spoke from lack of understanding. It was a stricture, an inaccurate charge of the sort that has dimmed the greatness of this eminent American. But the true measure of his stature will yet be appreciated. The torch which he handed on will not be extinguished. If Paine had ceased his writings with 'The Rights of Man' he would have been hailed today as one of the two or three outstanding figures of the Revolution. But 'The Age of Reason' cost him glory at the hands of his countrymen - a greater loss to them than to Tom Paine. I was always interested in Paine the inventor. He conceived and designed the iron bridge and the hollow candle; the principle of the modern central draught burner. The man had a sort of universal genius. He was interested in a diversity of things; but his special creed, his first thought, was liberty. Traducers have said that he spent his last days drinking in pothouses. They have pictured him as a wicked old man coming to a sorry end. But I am persuaded that Paine must have looked with magnanimity and sorrow on the attacks of his countrymen. That those attacks have continued down to our day, with scarcely any abatement, is an indication of how strong prejudice, when once aroused, may become. It has been a custom in some quarters to hold up Paine as an example of everything bad. The memory of Tom Paine will outlive all this. No man who helped to lay the foundations of our liberty - who stepped forth as the champion of so difficult a cause - can be permanently obscured by such attacks. Tom Paine should be read by his countrymen. I commend his fame to their hands. {The Philosophy of Paine, June 7, 1925}

The endurance of monotony has about the same place in a healty mind that the endurance of darkness has: that is to say, as a strong intellect will have pleasure in the solemnities of storm and twilight, and in the broken and mysterious lights that gleam among them, rather than in mere brilliancy and glare, while a frivolous mind will dread the shadow and storm; and as a great man will be ready to endure much darkness of fortune in order to reach greater eminence of power or felicity, while an inferior man will not pay the price; exactly in like manner a great mind will accept, or even delight in, monotony which would be wearisome to an inferior intellect, because it has more patience and power of expectation, and is ready to pay the full price for the great future pleasure of change.

Eminent Hastings looked close to a hundred years old—though it was said he was much older—with a long silver beard and equally long hair brushed to perfection below the hat he wore. He was a short man, and his face held wrinkles upon wrinkles, a tableau etched onto a busy wood grain.

For what are the Aegyption Hierogliphicks, and the whole History of the Pagan Gods; the Hints, and Fictions of the Wise Men of Old, but in Effect, a kind of Philosophical Mythology ; Which is, in truth, no other, then a more Agreeable Vehicle found out for Conveying to us the Truth and Reason of Things, though the medium of Images and Shadows.

But what is your own opinion? How long shall you march under another man’s orders? Take command, and utter some word which posterity will remember. Put forth something from your own stock. For this reason I hold that there is nothing of eminence in all such men as these, who never create anything themselves, but always lurk in the shadow of others, playing the rôle of interpreters, never daring to put once into practice what they have been so long in learning. They have exercised their memories on other men’s material. But it is one thing to remember, another to know. Remembering is merely safeguarding something entrusted to the memory; knowing, however, means making everything your own; it means not depending upon the copy and not all the time glancing back at the master.

your house is worth $300,000 and you like it fine and don’t want to leave, beware of the developer who can match that price and use campaign contributions to persuade a city council to declare eminent domain on your residence! According to the law and economics movement, the land on which your house sits will always find a higher and better use in the hands of someone with more money,

She had silver hair and silver eyes. More weapons than he could count. She had gifts of shadows, but also fire as bright as the stars, and beyond saved her from eminent death when another in all black approach to kill her.

On Being Human" Angelic minds, they say, by simple intelligence Behold the Forms of nature. They discern Unerringly the Archtypes, all the verities Which mortals lack or indirectly learn. Transparent in primordial truth, unvarying, Pure Earthness and right Stonehood from their clear, High eminence are seen; unveiled, the seminal Huge Principles appear. The Tree-ness of the tree they know-the meaning of Arboreal life, how from earth's salty lap The solar beam uplifts it; all the holiness Enacted by leaves' fall and rising sap; But never an angel knows the knife-edged severance Of sun from shadow where the trees begin, The blessed cool at every pore caressing us -An angel has no skin. They see the Form of Air; but mortals breathing it Drink the whole summer down into the breast. The lavish pinks, the field new-mown, the ravishing Sea-smells, the wood-fire smoke that whispers Rest. The tremor on the rippled pool of memory That from each smell in widening circles goes, The pleasure and the pang --can angels measure it? An angel has no nose. The nourishing of life, and how it flourishes On death, and why, they utterly know; but not The hill-born, earthy spring, the dark cold bilberries. The ripe peach from the southern wall still hot Full-bellied tankards foamy-topped, the delicate Half-lyric lamb, a new loaf's billowy curves, Nor porridge, nor the tingling taste of oranges. —An angel has no nerves. Far richer they! I know the senses' witchery Guards us like air, from heavens too big to see; Imminent death to man that barb'd sublimity And dazzling edge of beauty unsheathed would be. Yet here, within this tiny, charmed interior, This parlour of the brain, their Maker shares With living men some secrets in a privacy Forever ours, not theirs.

Perhaps it was smartest, after all, to collar your memories and isolate them, sedating the irascible ones, banishing the grotesques, systematizing the rest; maybe coaxing a lion into a wheeled cage on occasion and pulling it eminently around town for the neighbors to see. Maybe it was best to let only the shadows of your impounded memories touch you; shadows usually being safer than their begetters, as for example axes and icicles and porcupines.

Fourteen, your eminence." "Fourteen." The wizard spat a laugh, though the sound was too flat to be seriously taken as mirth. "By the time I was twelve, I had written a summation of commentaries upon each of the Seven Roads. By fourteen I could call and command forces that you could not even name, spoken words that you could not in a year perceive the meaning, pressed my mind through realms of thought whose merest shadow will be forever unknown to you. You aspire beyond your station.

For one can no more live without leaving tracks than one can without casting a shadow. S., as his eminence grise, is stealing his tracks, and he cannot fail to sense the magic to which he is being subjected. He is being photographed incessantly. The photograph here has neither a voyeuristic nor an archival function. Its simple message has the form: at this location, at such and such a time, in this particular light, someone was present. But at the same time it conveys the following: there was no point in being here, in such and such a place, and at such and such a time - and in fact no one was here; I was the one who followed him, and I can assure you that no one was here. It is of no interest to know that someone is leading a double life. It is the tailing itself that supplies the other with a double life. The most ordinary of lives may be transfigured in this way; likewise, the most extraordinary of lives may be rendered trite. In any case, life thus succumbs to a strange attraction.

You see, what I'll be sharing with you here is Existential Kink, a radical, somatic, hot, and eminently practical & quick method of coming to love the previously hidden and shamed parts of your own self, so that your old negative patterns dissolve.

He found a middle-aged peasant — Antón Savélieff — sitting on a small eminence outside the village and reading a book of psalms. The peasant hardly knew how to spell in Old Slavonic, and often he would read a book from the last page, turning the pages backward; it was the process of reading which he liked most, and then a word would strike him, and its repetition pleased him. He was reading now a psalm of which each verse began with the word ’rejoice.’ ‘What are you reading?’ he was asked. ‘Well, father, I will tell you,’ was his reply. ‘Fourteen years ago the old prince came here. It was in the winter. I had just returned home, quite frozen. A snowstorm was raging. I had scarcely begun undressing when we heard a knock at the window: it was the elder, who was shouting, “Go to the prince! He wants you!” We all — my wife and our children — were thunder-stricken. “What can he want of you?” my wife cried in alarm. I signed myself with the cross and went; the snowstorm almost blinded me as I crossed the bridge. Well, it ended all right. The old prince was taking his afternoon sleep, and when he woke up he asked me if I knew plastering work, and only told me, “Come tomorrow to repair the plaster in that room.” So I went home quite happy, and when I came to the bridge I found my wife standing there. She had stood there all the time in the snowstorm, with the baby in her arms, waiting for me. “What has happened, Savélich?” she cried. “Well,” I said, “no harm; he only asked me to make some repairs,” That, father, was under the old prince. And now, the young prince came here the other day. I went to see him, and found him in the garden, at the tea table, in the shadow of the house; you, father, sat with him, and the elder of the canton, with his mayor’s chain upon his breast. “Will you have tea, Savélich?” he asks me. “Take a chair. Petr Grigórieff” — he says that to the old one — “give us one more chair.” And Petr Grigórieff — you know what a terror for us he was when he was the manager of the old prince — brought the chair, and we all sat round the tea table, talking, and he poured out tea for all of us. Well, now, father, the evening is so beautiful, the balm comes from the prairies, and I sit and read, “Rejoice! Rejoice!”’ This is what the abolition of serfdom meant for the peasants.

at that time on the walls at home we had five or six large, very bold paintings of scenes of Stuart working on the dustbins with the regular workmen. I’m sure Tracy Emin could interpret that. He loved that job, the team spirit of the older men. It was a lowly work holiday job but he really enjoyed it.

...of his family that he should be painted; he consented at length for his children's sake, but was disturbed when the portrait arrived: "I was but too much taken with my own shadow when it came home; but then I thought, a man should study both to be blameless and eminently active, that presumes to leave a picture behind him. If it put in mind of evil or of no good done by him, it is to little or bad purpose." The extreme Puritan would have rejected the idea of a portrait out of hand as a mortal vanity. p126