Emily Wilde's Encyclopaedia Of Faeries Quotes

Perhaps it is always restful to be around someone who does not expect anything from you beyond what is in your nature.

One doesn’t need magic if one knows enough stories.

Get inside! You're bleeding!" "I will not bleed any less indoors, you utter madwoman.

The Folk were of another world, with its own rules and customs—and to a child who always felt ill-suited to her own world, the lure was irresistible.

If anyone were to claim greater happiness in their careers than I do in poking about sunlit wildwoods for faerie footprints, I should not believe it.

I knew you wouldn’t believe it. Just because you have a heart filled with the dust of a thousand library stacks does not mean everybody does.

...books became my best friends.

Were you expecting me to throw myself at you? Would you have then said a dozen pretty things about my eyes or hair?" "No, it would have been, 'Get off me, you imposter, and tell me what you did with Emily.

How was it that I suddenly had faerie kings, plural, demanding to marry me?

If I frightened my cat as I had Shadow, she'd ignore me for days, or possibly put a curse on me, but then cats have self-respect.

I will never again believe you to be incapable of hard work." He shuddered, "Being capable is not the same as being inclined, Em.

And you shall shut yourself away forever in those old stones with your books and your mysteries like a dragon with her hoard, having as little association with the living as possible and emerging only to breathe fire at your students.

The worst of it was that Bambleby had warned me away from the tree - if I descended into a murderous rage, or turned into a tree myself, he would be very smug about it.

I may be of use to you yet, my dear dragon.

if something is impossible, you cannot be terrible at it

I have never needed rescuing before. I suppose I always assumed that if I ever did, I would have two options: rescue myself or perish.

I was delighted to sit in the corner with my food and a book and speak to no one.

[...] my ridiculous heart gave a leap and would have answered him instantly, if it was the organ in charge of my decision-making.

You screamed, which I appreciated, and Shadow went bersek, also kind but not much more helpful, but fortunately, Lilja has her wits about her and yanked the arrow out [...].

I could almost imagine myself a maiden in one of the stories, but stories didn’t leave dirty teacups scattered throughout the cottage, or underline passages in my books—in ink—no matter how many times I ordered them not to.

A drop landed on the back of my hand, and I realized to my dismay that I was crying. Never in my adult life had I had someone looking out for me. Everything that I have wanted or needed doing, I have done myself. And why not? I have never needed rescuing before. I supposed I always assumed that if I ever did, I would have two options: rescue myself or perish.

How is it that you know how to befriend wild faerie dogs and ferret out Words of Power, yet you missed one of the fundamental rules of dryadology---namely, not cutting wicked kings out of trees." "I've learned my lesson, thank you," I snapped. "Should you end up trapped in one, I won't let you out." "You shall have to. I know you too well, Em. You could never survive without having someone around to snarl at.

Have you ever travelled abroad without servants? I'm sorry, students.

I wish to know the unknowable. To see what no mortal has seen. To peel back the carpeting of the world and tumble into the stars.

The snow had ceased, and the sky was a soft eggshell color, the mountains dreaming under their woolen blankets. There was a loveliness in the forest's absence of color, its haunted dark framed by grey-white boughs, as if the snowfall had winnowed it down to the essence of what a forest is.

There was something about the stories bound between those covers, and the myriad species of Folk weaving in and out of them, each one a mystery begging to be solved. I suppose most children fall in love with faeries at some point, but my fascination was never about magic or the granting of wishes. The Folk were of another world, with its own rules and customs---and to a child who always felt ill-suited to her own world, the lure was irresistible.

There's a bump in your nose now." He glared at me. "There is not." "Your mouth is lopsided." He opened his mouth to argue, but then he just let out a weary groan. "What is the point? I am hideous. I can't wait to change myself back again." "Don't. I prefer you like this." He looked surprised, then he began to smile. "Do you?" "Yes," I said. "You blend into the background. I could almost forget about you entirely. It's refreshing." Naturally, he found a way to twist this into a compliment. "And am I ordinarily a distraction to you, Em?

I don’t recall any formal agreement. I recall a great deal of scowling and a few attempts at impugning my character, but that could characterize many of our conversations

If you do not admit kindness from others, you cannot be surprised when they fail to offer any.

He looked so smug now that I wanted to send him over the side of the mountain, but instead I said, "Thank you," and kissed his lopsided mouth. It had the effect of stunning him into silence, which I enjoyed almost as much. "This way," he said, looking flustered for the first time since I have known him

Yesterday you were angry at my lack of assistance. Today you bite my head off for helping. You are the most contrary person I have ever known." That took the wind out of me. Being labelled contrary by Wendell Bambleby would stop any sensible person in her tracks.

I prefer your company, Em." He said it as if it were obvious. I snorted again, assuming he was teasing me. "Over the company of a tavern filled with a rapt and grateful audience? I'm sure you do." "Over anyone else's company." Again, he said it with some amusement, as if wondering what I was doing speculating about something so evident. "You are drunk," I said. "Shall I prove it to you?" "No, you shan't," I said, alarmed, but he was already sweeping to the floor, bending his knee and taking my hand between his. "What in God's name are you doing?" I said between my teeth. "And why are you doing it now?" "Shall I make an appointment?" he said, then laughed. "Yes, I believe you would like that. Well, name the time when it would be convenient for you to receive a declaration of love." "Oh, get up," I said, furious now. "What sort of jest is this, Wendell?" "You don't believe me?" He smiled, all mischief, a look I'd seen from other Folk, enough to know not to trust him one inch. "Ask for my true name, and I'll give it to you." "Why on earth would you do that?" I demanded, yanking my hand back. "Oh, Em," he said forlornly. "You are the cleverest dolt I have ever met." I stared at him, my heart thundering. Of course, I am not a dolt in any sense; I had supposed he felt something for me and had only hoped he would keep it to himself. Forever. Not that a part of me didn't wish for the opposite. But that was when I assumed his feelings in that respect were equivalent to what he felt for any of the nameless women who passed in and out of his bed. And why would I lower myself to that, when he and I already had something that was vastly more valuable?

Your mortal lover has a mind like crystals," she said. "Sharp and cold. I would like her for my own." "That's very thoughtful of you," was all he said in reply to this statement, which was appalling on a great many levels. "Truly," the woman pressed. "Would you trade her? Your power is of the summerlands, but I will gift you with the hand of winter." "Thank you," Wendell said; he seemed to be struggling to hold back laughter. "But I am satisfied with my hands as they are. And unless you have a key to my forest kingdom across the sea, I will not be trading my mortal lover today." I was going to kill him.

The Folk cannot be understood. They live in accordance to whims and fancies and are little more than a series of contradictions

I would sooner interview a dozen bloody changelings than navigate my way through this thicket of social conventions

As usual, I had no idea what to do with this sort of insight—would questioning him lighten the sadness or make it worse? Should I (oh, God) attempt to hug him?

This was Bambleby, after all--my only friend. (God.)

My life has been one long succession of moments in which I have chosen rationality over empathy, to shut away my feelings and strike off on some intellectual quest, and I have never regretted these choices, but rarely have they stared me in the face as bluntly as they did then.

Unfortunately, he was very old, older even than some of my court's most tedious councillors, so I suppose he had reason to condescend to me. No reason at all to put an arrow in my chest, though.

The loveliness of the view outside stopped me in my tracks. The mountain fell away before me, a carpet of green made greener by the luminous dawn staining the clouds with pinks and golds. The mountains themselves were lightly ensnowed, though there was no threat of a sequel in that cerulean canopy. Within the hinterlands of the prospect heaved the great beast of the sea with its patchy pelt of ice floes.

Shadow padded up to me and put his head on my knee, all forgiven, as it always is with dogs. If I frightened my cat as I had Shadow, she'd ignore me for days, or possibly put a curse on me, but then cats have self-respect.

Did you realize you were capable of inspiring affection in others?" "Only narcissists and layabouts, I thought." He leaned back, a smile playing on his mouth. "You know, Em, you could make life so much easier for yourself if you tried to be liked once in a while.

How did you keep your hands off him?" She gave me a sly look that I never could have imagined on her face before. "Or did you?" "Please," Wendell said. "I ask to be excused from any descriptions of marital intimacy. This whole thing is unfair: I asked you to marry me first." "Oh, that's rich!" I exclaimed, and was about to remind him of his many dalliances, which he'd never hesitated to make me aware of

Then you told me how you had tricked the boggart into thinking you a long-lost relative of his last master---a feat which had required extensive research into local lore---then bribed him with exotic seashells, for you remembered some obscure story about a boggart whose secret fantasy was to travel the world, boggarts being bound to their crumbling ruins, while I half listened in astonishment. I say half, because I was mostly just watching you, observing the way your mind clicks and whirrs like some fantastical clock. Truly, I have never met anyone with a better understanding of our nature, and that anyone includes the Folk. I suppose that's partly why--- Ah, but you really would kill me if I desecrated your scientific vessel with the end of that sentence.

He sighed. “Well, I don’t expect you to do anything with this information. I have grown rather used to pining, so it won’t put me out to keep at it, I suppose.” “I would order you to do all sorts of terrible things,” I managed, though my voice sounded very far away. “You seem to have a talent for that already.

whether I would agree with his theory that Professor Eddington’s relative silence at such convocations suggested a mastery of the open-eyed nap.

...it is always restful to be around someone who does not expect anything from you beyond what is in your nature.

Bambleby hates to be without company to talk at.

Such variation is common. Nevertheless, when it comes to the Folk, there is something true in every story, even the false ones.

I suppose most children fall in love with faeries at some point,

One doesn't need magic if one knows enough stories.

The afternoon held the sort of borrowed, ephemeral warmth that interrupts the advance of winter sometimes…

I should, I suppose, mention here that I am perhaps ninety-five percent certain that Wendell Bambleby is not human.

How did I explain that the stories they tell to children, or for diversion on cold nights spent by the fire, held the deepest of truths

I could not tell if he was terrible at drawing cats or if he simply had a terrible cat.

He is more magic than person, that is the truth of it. Is this what happens to all the Folk as they age, their power hollowing them out like the fissures in an ancient glacier?

I could have thrown my arms around him. Indeed, I almost did, but for some perverse reason, I found myself needing to argue with him instead.

I will never again believe you to be incapable of hard work.” He shuddered. “Being capable is not the same as being inclined, Em.

He glared at me. “Yes, you would do all that, wouldn’t you? Well then, instead, why don’t you just marry me?

Have you ever made a spice cake? I've certainly eaten it. Have you ever made anything? That's neither here nor there. I snorted.

I recognized his expression, for I've seen it before: that of a man trying unsuccessfully to slot me into one of the categories of womanhood with which he is familiar.

Do you want to marry me?" "That's---that's beside the point." A nonsensical reply, but it came the closest to expressing how I felt. I had never even considered marrying Wendell---why on earth would I? Wendell Bambleby! Certainly I'd imagined being with him in other ways, particularly since I'd grown used to having him around---traveling with him across the continent, no doubt arguing half the time; conducting research; scouring woodland and heath for lost doors to the faerie realms. And yes, I liked the prospect of being with him often, or even all the time, and felt a sort of hollowness fill me when I thought about us parting ways. But I couldn't marry one of the Folk, particularly not a faerie king, even if he was Wendell.

Wanting to be through with this quickly, I leaned forward and kissed him. Almost. I lost my nerve halfway there, somewhere around the moment I noticed he had a freckle next to his eye and wondered ridiculously if that was something he would remove if I asked it of him, and instead of a proper kiss, I merely brushed my lips against his. It was a shadow of a kiss, cool and insubstantial, and I almost wish I could be romantic and say it was somehow transformative, but in truth, I barely felt it. But then his eyes came open, and he smiled at me with such innocent happiness that my ridiculous heart gave a leap and would have answered him instantly, if it was the organ in charge of my decision-making. "Choose whenever you wish," he said. "No doubt you will first need to draw up a list of pros and cons, or perhaps a series of bar plots. If you like, I will help you organize them into categories." I cleared my throat. "It strikes me that this is all pointless speculation. You cannot marry me. I am not going to be left behind, pining for you, when you return to your kingdom. I have no time for pining." He gave me an astonished look. "Leave you behind! As if you would consent to that. I would expect to be burnt alive when next I returned to visit. No, Em, you will come with me, and we will rule my kingdom together. You will scheme and strategize until you have all my councillors eating out of your hand as easily as you do Poe, and I will show you everything---everything. We will travel to the darkest parts of my realm and back again, and you will find answers to questions you have never even thought to ask, and enough material to fill every journal and library with your discoveries.

Mr. Egilson?” I said politely, shaking the hand. “Well, who else would I be?” my host replied. I wasn’t sure if this was meant to be unfriendly or if the baseline of his demeanour was mild hostility

It sounds odd to admit that I find the company of such a boisterous person restful, but perhaps it is always restful to be around someone who does not expect anything from you beyond what is in your nature.

He sat with me, chattering away about our triumphant return to Cambridge and ICODEF, and myriad other things, and not expecting anything substantial in reply, which is one of my favourite qualities about him. It sounds odd to admit that I find the company of such a boisterous person restful, but perhaps it is always restful to be around someone who does not expect anything from you beyond what is in your nature.

The forest has a different quality now, girded with winter. It no longer dozes among its autumn finery like a king in silken bedclothes, but holds itself in tension, watchful and waiting. Its moments like that, I am reminded of Gauthier's writings on woodlands and the nature of their appeal to the Folk. Specifically, the forest as liminal, a "middle-world" as Gauthier puts it, its roots burrowing deep into the earth as their branches yearn for the sky. Her scholarship tends towards the tautological and is not infrequently tedious (qualities she shares with a number of the continental dryadologists) yet there is a sense to her words one only grasps after time spent among the Folk.

I was surprised to feel his hand brush against mine---he'd crossed the room without a whisper of sound---his grip feather-light. I froze, realizing that he was about to kiss me only a second after I knew I was going to kiss him. I leaned forward, but he put a hand on the side of my face, very gently, his fingers brushing the edge of my hair. A little shiver went through me. His thumb was by the corner of my mouth, and it made me think of the time when I had touched him there, when I'd thought he was dying from loss of blood. For a heartbeat, all the other moments we'd shared faded away, leaving behind only the small handful of times we'd been close like this, connected somehow like a bright constellation. He brushed his lips against my cheek, and I felt the warmth sink all the way to my bones, chasing out the ice of the snow king's court. "Good night, Em," he murmured, his breath fluttering against my ear and sending a river of goosebumps down my neck.

The Word has a single use, and that is retrieving lost buttons. Suffice it to say, I have rarely bothered with it, and I’m at a loss to explain why anybody would go to the trouble of devising such an enchantment. My conclusion: that is faeries for you.

When he is not speaking or moving, he becomes perfectly still. I mean that—perfectly. I speculate that, in those moments, he returns to what he is, a piece of winter given form. It is the same stillness one finds in a frozen lake or trees weighted by heavy snow.

Somehow, one of the women found time to knit a jacket for Shadow which, combined with the other gifts, left me unaccountable flustered---given my companion's size, it would have taken her hours. Bambleby and I entertained ourselves at the cottage by coaxing a recalcitrant Shadow into his new raiment, which was patterned with flowers and equipped with a jaunty hood. The dog hung his head in abject embarrassment until his tormentors deigned to relieve him of this woolen pillory, and he spent the next hour pointedly ignoring me.

The next time I took notice of you, you were sobbing all over the snow. Well, I thought, finally she's being sensible. Then I realized that you were sobbing because you'd stabbed yourself in the arm, and not out of concern for my imminent demise. I noticed that your tears were freezing as they hit the icy ground and collecting into the shape of a sword. Well, that almost killed me. I mean that---I froze for a full second, during which our yeti friend nearly skewered me through. I dodged, barely, my head whirling. One day I would like for you to explain to me how you heard of the story of Deirdre and her faerie husband, a long-ago king, which is one of the oldest tales in my realm. Do mortals tell it as we do? When the king's murderous sons schemed to steal his kingdom by starving it into torpor with endless winter, Deirdre collected the tears of his dying people and froze them into a sword, with which he was finally able to slay his children. It is a tale many of my own people have forgotten---I know it only because that poor, witless king is my ancestor. I felt the story in my blood and let my magic flow into the sword you were fashioning.

The snow had ceased, and the sky was a soft eggshell colour, the mountains dreaming under their wollen blankets. There was a loveliness in the forest's absence of colour, its haunted dark framed by grey-white boughs, as if the showfall had winnowed it down to the essence of what a forest is.

The truth is that, for the Folk, stories are everything. Stories are part of them and their world in a fundamental way that mortals have difficulty grasping; a story may be a singular event from the past, but - crucially - it is also a pattern that shapes their behaviour and predicts future events.

I sang it in the tongue in which it was composed, that of the Folk, which prosaic scholars simply call Faie. It is a rolling, roundabout speech that takes twice as long to say half as much in English, with many contrary rules, but there is no lovelier language spoken by mortals anywhere in the world.

You could simply tell them you prefer silver." For this is the customary offering in Ireland, at least for the courtly fae. Almost every species of Folk disdains human metals, yet the Irish fae are unique in their ability to tolerate---and, indeed, to love---silver. It is said that they fill their vast, dark forests with silver mirrors like jewels, which drink in the little sun and starlight that penetrates the boughs and reflect it back at the will of the Folk; it is also said that they use silver to construct fantastical staircases that wind up and up those vast trunks, and bridges that hang between them like delicate necklaces.

The faeries took no notice of my cry. No doubt they were used to lost travelers screaming for help. One of them grabbed me by my cloak and wrenched me painfully back and forth, like an animal wishing to drag me to the ground. But I did not need to call for Wendell again. He stepped out from behind a tree---or perhaps from the tree; I didn't see. He reached a hand out and snapped the neck of the faerie gripping me, which I had not expected, and I staggered back from both him and the crumpling body. He saw the mark on my neck, and his entire face darkened with something that seemed to go beyond fury and made him look like some feral creature. The faeries scattered like leaves, though they were too intrigued and too stupid to run. "Are you hurt?" "No." I don't know how I made myself speak. I have seen Wendell angry before, but this was something that seemed to surge through him like lightning, threatening to burn everything in its path. He moved his hand, and a hideous tree rose up from the snow, dark and terrifying, all thorns and knife-sharp branches. The boughs darted out, and he skewered the faeries on them. Once they were all immobilized, held squirming and screaming above the ground, he moved from one to the other, tearing them apart with perfect, calm brutality. Limbs, hearts, other organs I did not recognize scattered the snow. He did not rush, but killed them methodically while the others howled and writhed.

The tailor looked at the ceiling, and then he turned to the attendants with a smile that somehow managed to be charming, despite his ugliness. "Her Highness is modest," he said. "I must undress her now, and she'd rather we have some privacy." Oh, God. If I hadn't known it was Bambleby before, I did now. Even through my shock and confusion, I couldn't help glaring at him.

You can't reveal to me that you're Folk---it must have been part of the enchantment that exiled you from your world. Isn't that it? I've heard of that---yes, that account of the Gallic changeling. And isn't it a peripheral motif within the Ulster Cycle?* * There are, in fact, several stories from France and the British Isles which describe this sort of enchantment. In two of the Irish tales, which may have the same root story, a mortal maiden figures out that her suitor is an exile of the courtly fae after he inadvertently touches her crucifix and burns himself (the Folk in Irish stories are often burning themselves on crucifixes, for some reason). She announces it aloud, which breaks the enchantment and allows him henceforth to reveal his faerie nature to whomever he chooses.

All dryadologists accept the existence of those doors that lead to individual faerie homes and villages, such as those inhabited by the common fae. Theories about a second class of door are more controversial, but I myself believe highly credible, given the stories we have of the courtly fae. These are thought to be doors that lead deep into Faerie, into a world wholly separate from our own.

Faerie stones can be found in a variety of regions, being particularly common in Cornwall and the Isle of Man. They are unimpressive in appearance and hard to recognize with the untrained eye; their most distinguishing feature is their perfect roundness. They seem primarily to be used to store enchantments for later use or perhaps for the purposes of gift-giving. Danielle de Grey's 1850 Guide to Elfstones of Western Europe is the definitive resource on the subject. (I am aware that many dryadologists today ignore de Grey's research on account of her many scandals, but whatever else she was, I find her a meticulous scholar.) A faerie stone with a crack down it has been spent and is thus harmless. An intact stone should be left untouched and reported to ICAD, the International Council of Arcanologists and Dryadologists.

Here of course I refer to Wilson Blythe’s Wilderfolk Theory, widely accepted by dryadologists and often referred to as the Blythian school of thought. Numerous guides have been written on the subject, but essentially Blythe views the Folk as elements of the natural world that have gained consciousness through unknown processes. According to Blythian thought, then, they are tied to their home environments in ways we humans can barely hope to grasp.

It is most likely to be found in a similar woodland landscape, green and wet with plenty of oak groves to drink in the small magics of the common fae and create spaces for such portals to manifest---if indeed their existence is the result of mere accident or chance. These sorts of rabbit hole doors---back entrances, if you like---are often said to be accidental, in the stories. Northern Europe is the most likely location; perhaps one of the warmer forests of Russia." He stood unmoving with his hand on the door, staring at me. "Yes, I know that's a lot of conjecture," I said, misreading the look on his face. "I've not had time to give it much thought." He smiled at me, his eyes shining a little too brightly in the way they sometimes did. "We are going to make a very good team, Em." I snorted to cover the heat rising in my face. "So far, our teamwork seems rather unevenly distributed." "I may be of use to you yet, my dear dragon.

I followed his gaze on my pillow, upon which rested a thing I did not recognize, woolen and oddly shaped. I seized it abruptly, indignant. It was my jumper! "How---what have you---" "I'm sorry," he said, not looking up from the flicker and flash of the needle. "But you cannot expect me to live in close proximity to clothing that barely deserves the word. It is inhumane." I shook out the jumper, gaping. I could hardly tell it was the same garment. Yes, it was the same color, but the wool itself seemed altered, becoming softer, finer, without losing any of its warmth. And it was not a baggy square anymore; it would hang only a little loose on me now, while clearly communicating the lines of my figure. "From now on, you will keep your damned hands off my clothes!" I snapped, then flushed, realizing how that sounded. Bambleby took no notice of any of it. "Do you know that there are men and women who would hand over their firstborns to have their wardrobes tended by a king of Faerie?" he said, calmly snipping a thread. "Back home, every courtier wanted a few moments of my time." "King?" I repeated, staring at him. And yet I was not hugely surprised---it would explain his magic. A king or queen of Faerie, the stories say, can tap into the power of their realm. Yet that power, while vast, is not thought to be limitless, there are tales of kings and queens falling for human trickery. And Bambleby's exile is of course additional testimony.

Egilson was prompt in preparing our supper, which was accompanied by a dozen buns and, perhaps as a form of apology for the lack of apple tart, a basket of greyish-blue fruits aptly named iceberries. Finn delivered the lot, along with his apologies---there were no apples to be had in Hrafnsvik, and he had no experience with bread pudding, but he hoped we would enjoy his briòsupa, which he and Krystjan guessed to be the closest Ljoslander approximation. It was made with rye bread and plenty of cinnamon, cream, and raisins, and smelled divine.

A faerie crouched beside me. It was very small, its frame skeletal with a face full of teeth and two sharp black stones for eyes tucked beneath a ravenskin that it seemed to wear as a sort of cloak, but the skin had been poorly cleaned and the eyes were absent. It had all the substance of cobwebs and was both there and not there; viewed from certain angles, it was merely the shadow of a stone, and from others, a live raven. It was digging around in my pockets with fingernails the length again of its spindly arms and sharp enough to slit my throat without my noticing the injury immediately.

Whatever he touched burst into bloom, scattering the snow with leaves like beaten emeralds, red berries, pussy willows and seed cones, a riot of color and texture crackling through that white world. Soon enough our little wilderness path could have been a grand avenue decked out for a returning general's triumphant procession. Birds hunkered down for the long winter crept out of their burrows, chirruping their alarmed delight as they grew drunk on berries. A narrow fox darted across our path, a starling clutched in its mouth, sparing us a dismissive glance as it slunk back into the velvet shadow.

I could have gone on about faerie stories—I’ve written several articles on the subject—but I didn’t know how to talk to him about my scholarship, if what I said would be nonsense to his ears. The truth is that, for the Folk, stories are everything. Stories are part of them and their world in a fundamental way that mortals have difficulty grasping; a story may be a singular event from the past, but—crucially—it is also a pattern that shapes their behaviour and predicts future events. The Folk have no system of laws, and while I am not saying stories are as law to them, they are the closest thing their world has to some form of order.

Which of the Irish kingdoms is yours?" "Oh---it's the one you scholars call Silva Lupi," he said. "In the southwest." "Wonderful," I murmured. Faerie realms are named for their dominant feature---statistically, the largest category is silva, woodland, followed by montibus, mountains---and an adjective chosen by the first documenting scholar. Ireland has seven realms, including the better-known Silva Rosis. But Silva Lupi---the forest of wolves---is a realm of shadow and monsters. It is the only one of the Irish realms to exist solely in story---not for lack of interest, of course, a number of scholars have disappeared into its depths.

I spent most of the morning surveying the perimeter, wading in and out of the trees. I noted mushroom rings and unusual moss patterns, the folds in the land where flowers grew thick and the places where they slid from one color to another, and those trees which seemed darker and cruder than the others, as if they had drunk a substance other than water. An odd mist billowed from a little hollow cupped within the rugged ground; this I discovered to be a hot spring. Above it, upon a rocky ledge, were several wooden figurines, some half overgrown with moss. There was also a small pile of what I recognized as rock caramels, the salty-sweet Ljosland candies that several of the sailors had favored.

We rode for perhaps an hour with the snow tapping at our cheeks before we came to a little gully where the mountainside folded itself around a grove of misshapen willows. Even if the changeling hadn't directed us there, I would have taken it for a faerie door of some sort; though there are many sorts of doors, they all have a similar quality which can best---and quite inadequately---be described as unusual. A round ring of mushrooms is the obvious example, but one must additionally be on the lookout for large, hoary trees that dwarf their neighbors; for twisted trunks and gaping hollows; for wildflowers out of sync with the forest's floral denizens; for patterns of things; for mounds and depressions and inexplicable clearings. Anything that does not fit.

There was no doubt that the tree before us was the tree; it could have stepped from the tales into the forest. It was centered in an oddly round clearing, as if the other trees had all felt inclined to back away, and was towering but skeletal, its trunk only a little wider than I was and its many, many branches arching and tangling overhead, like a small person propping up a tremendous, many-layered umbrella. But the strangest thing about the tree was its foliage. There were leaves of summer-green mixed in with the fire and gold of autumn; tidy buds just opening their pink mouths, and, here and there, red fruits dangling in clusters, heavy with ripeness. These fruits could not be easily identified; they were roughly the size of apples, but furred like peaches.

Many of the gifts were for me. There were jewels and gowns and furs and paintings--- done on ice canvases that made everything bleed together far more than watercolors---and a strange, empty box with a base of some sort of pale velvet that the faerie claimed would sprout white roses with diamonds in them if left outside at midday, and blue roses with rubies if left outside at midnight. There were other nonsensical presents along these lines, including a saddle of shapeless grey leather that would allow me to ride the mountain fog, though no explanation was given as to why I should wish to do this. The only presents I truly appreciated came in the form of ice cream, which the Hidden Ones are obsessed with and cover with sea salt and nectar from their winter flowers.

But you looked away, and seemed to be avoiding looking at Shadow too, so that I immediately began to think about how it had been him who had led me to you, and then about all of his uncanny ways, not least of which is his choice of a creature like you for a master. I patted his head, feeling about for the glamor, as I have never bothered to do before---and why should I; I do not make a habit of looking beneath people's pets to see if there is a monster hiding there---and sure enough, there it was, and when I moved the magic aside, a bloody Black Hound stared back at me, all glowing eyes and glistening fangs. You looked worried, for some reason, but you calmed down when I started laughing. "Where did you get him?" I said. "In Scotland," you replied. "He's a Grim. I rescued him from a boggart, who was tormenting him for sport.

Below us was a frozen lake. It was perfectly round, a great gleaming eye in which the moon and stars were mirrored. Lanterns glowing the same cold white as the aurora dangled from the lake's edge to a scattering of benches and merchant-stands, draped in bright awnings of opal and blue. Delicious smells floated on the wind---smoked fish; fire-roasted nuts and candies; spiced cakes. A winter fair.* * Outside of Russia, almost all known species of courtly fae, and many common fae also, are fond of fairs and markets; indeed, such gatherings appear in stories as the interstitial spaces between their worlds and ours, and thus it is not particularly surprising that they feature in so many encounters with the Folk. The character of such markets, however, varies widely, from sinister to benign. The following features are universal: 1) Dancing, which the mortal visitor may be invited to partake in; 2) A variety of vendors selling foods and goods which the visitor is unable to recall afterwards. More often than not, the markets take place at night. Numerous scholars have attempted to document these gatherings; the most widely referenced accounts are by Baltasar Lenz, who successfully visited two fairs in Bavaria before his disappearance in 1899.

Wendell was no sooner gazing at the silver sewing needles than he was brushing away a tear. "They are like my father's," he said wonderingly. "I remember the flicker of them in the darkness as we all sat together by the ghealach fire, with the trees surrounding us. He would bring them everywhere, even the Hunt of the Frostveiling---that is the first hunt of autumn, the largest of the year, when even the queen and her children roam through the wilds with spears and swords, riding our best---oh, I don't know what you would call them in your language. They are a kind of faerie fox, black and golden together, which grow larger than horses. My brothers and sisters and I would crowd round the fire to watch him weave nets from brambles and spidersilk. And all the moorbeasts and hag-headed deer would cower at the sight of those nets, though they barely blinked at the whistle of our arrows." He fell silent, gazing at them with his eyes gone very green. "Well," I said, predictably at a loss for an answer to this, "I hope they are of use to you. Only keep them away from any garments of mine." He took my hand, and then, before I knew what he was doing, lifted it to his mouth. I felt the briefest brush of his lips against my skin, and then he had released me and was back to exclaiming over his gifts. I turned and went into the kitchen in an aimless haste, looking for something to do, anything that might distract me from the warmth that had trailed up my arm like an errant summer breeze

Now, there are a few dryadologists who could resist the opportunity to sample faerie food, the enchanted sort served at the tables of the courtly fae---I know several who have dedicated their careers to the subject and would hand over their eye teeth for the opportunity. I stopped at a stand offering toasted cheese---a very strange sort of cheese, threaded with glittering mold. It smelled divine, and the faerie merchant rolled it in crushed nuts before handing it over on a stick, but as soon as it touched my palm, it began to melt. The merchant was watching me, so I put it in my mouth, pantomiming my delight. The cheese tasted like snow and melted within seconds. I stopped next at a stand equipped with a smoking hut. The faerie handed me a delicate fillet of fish, almost perfectly clear despite the smoking. I offered it to Shadow, but he only looked at me with incomprehension in his eyes. And, indeed, when I popped it into my mouth, it too melted flavorlessly against my tongue. I took a wandering course to the lakeshore, conscious of the need to avoid suspicion. I paused at the wine merchant, who had the largest stand. It was brighter than the others, snow piled up behind it in a wall that caught the lantern light and threw it back in a blinding glitter. I had to look down at my feet, blinking back tears, as one of the Folk pressed an ice-glass into my hand. Like the food, the wine smelled lovely, of sugared apples and cloves, but it slid eerily within the ice, more like oil than wine. Shadow kept growling at it, as he had not with the faerie food, and so I tipped it onto the snow. Beside the wine merchant was a stand offering trinkets, frozen wildflowers that many of the Folk threaded through their hair or wove through unused buttonholes on their cloaks, as well as an array of jewels with pins in them. I could not compare them to any jewels I knew; they were mostly in shades of white and winter grey, hundreds of them, each impossibly different from the next. I selected one that I knew, without understanding how, was the precise color of the icicles that hung from the stone ledges of the Cambridge libraries in winter. But moments after I pinned it to my breast, all that remained was a patch of damp.

As a rule, I avoid accepting favours from the locals while conducting fieldwork, as I dislike the potential for partiality it produces.

Everything about this man made me feel utterly insignificant, like a trinket his gaze had been caught by, which he might at any moment choose, idly, to crush between his fingers.

attempt to cover the fact that Egilson had included this information in one of our early letters.