Emily Bronte Quotes

She burned too bright for this world.

Terror made me cruel . . .

It was not the thorn bending to the honeysuckles, but the honeysuckles embracing the thorn.

You said I killed you-haunt me, then! [...] Be with me always-take any form-drive me mad! only do not leave me in this abyss, where I cannot find you!

It is hard to forgive, and to look at those eyes, and feel those wasted hands,' he answered. 'Kiss me again; and don’t let me see your eyes! I forgive what you have done to me. I love my murderer—but yours! How can I?

A person who has not done one half his day's work by ten o'clock, runs a chance of leaving the other half undone.

When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. Indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.

You know that I could as soon forget you as my existence!

And I pray one prayer--I repeat it till my tongue stiffens--Catherine Earnshaw, may you not rest as long as I am living! You said I killed you--haunt me, then!...Be with me always--take any form--drive me mad! only do not leave me in this abyss, where I cannot find you!

I am now quite cured of seeking pleasure in society, be it country or town. A sensible man ought to find sufficient company in himself.

It is for God to punish wicked people; we should learn to forgive.

I'll be as dirty as I please, and I like to be dirty, and I will be dirty!

Kiss me again, but don't let me see your eyes! I forgive what you have done to me. I love my murderer--but yours! How can I?

Every leaf speaks bliss to me, fluttering from the autumn tree.

Oh, I'm burning! I wish I were out of doors! I wish I were a girl again, half savage and hardy, and free... and laughing at injuries, not maddening under them! Why am I so changed?

Because misery, and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will did it. I have no broken your heart - you have broken it; and in breaking it, you have broken mine. So much the worse for me that I am strong.

He's more myself than I am. Whatever our souls are made of, his and mine are the same. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger.

Oliver was Oliver,' I said, as if that summed things up. 'Parce que c'était lui, parce que c'était moi,' my father added, quoting Montaigne's all-encompassing explanation for his friendship with Etienne de la Boétie. I was thinking, instead, of Emily Brontë's words: because 'he's more myself than I am.

Oh, Cathy! Oh, my life! how can I bear it?" was the first sentence he uttered, in a tone that did not seek to disguise his despair. And now he stared at her so earnestly that I thought the very intensity of his gaze would bring tears into his eyes; but they burned with anguish: they did not melt.

I had to read Wuthering Heights for English and I never enjoyed a book in all my life as much as that one.

And from the midst of cheerless gloom I passed to bright unclouded day.

Terror made me cruel; and finding it useless to attempt shaking the creature off, I pulled its wrist on to the broken pane, and rubbed it to and fro till the blood ran down and soaked the bedclothes...

No coward soul is mine, No trembler in the world's storm-troubled sphere...

And, even yet, I dare not let it languish, Dare not indulge in memory’s rapturous pain; Once drinking deep of that divinest anguish, How could I seek the empty world again?

Lines I die but when the grave shall press The heart so long endeared to thee When earthy cares no more distress And earthy joys are nought to me. Weep not, but think that I have past Before thee o'er the sea of gloom. Have anchored safe and rest at last Where tears and mouring can not come. 'Tis I should weep to leave thee here On that dark ocean sailing drear With storms around and fears before And no kind light to point the shore. But long or short though life may be 'Tis nothing to eternity. We part below to meet on high Where blissful ages never die.

I'd be glad of a retaliation that wouldn't recoil on myself; but treachery and violence are spears pointed at both ends: they wound those who resort to them, worse than their enemies.

Free-form jigging, communal shapes in the air; Dancing was easy!...YMCA! YMCA! Arms in the air, mimicking the letters - what a marvelous idea! Who knew that dancing could be so logical? ...From my limited exposure to popular music, people did seem to sing about umbrellas and firstarting and Emily Bronte novels, so, I supposed, why not a gender-and faith-based youth organization?

My sister Emily loved the moors. Flowers brighter than the rose bloomed in the blackest of the heath for her; out of a sullen hollow in a livid hillside her mind could make an Eden. She found in the bleak solitude many and dear delights; and not the least and best-loved was – liberty.

Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs. Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot. Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is? It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.

A sensible man ought to find sufficient company in himself.

You have left me so long to struggle against death, alone, that I feel and see only death! I feel like death!

I'm not going to act the lady among you, for fear I should starve .

Nay, you'll be ashamed of me everyday of your life," he answered; "and the more ashamed, the more you know me; and I cannot bide it.

Riches I hold in light esteem, And love I laugh to scorn, And lust of fame was but a dream That vanished with the morn. And if I pray, the only prayer That moves my lips for me Is, 'Leave the heart that now I bear, And give me liberty!' Yes, as my swift days near their goal, 'Tis all that I implore - In life and death, a chainless soul, With courage to endure.

The night is darkening round me, The wild winds coldly blow; But a tyrant spell has bound me, And I cannot, cannot go.

I'm happiest when most away I can bear my soul from its home of clay On a windy night when the moon is bright And the eye can wander through worlds of light— When I am not and none beside— Nor earth nor sea nor cloudless sky— But only spirit wandering wide Through infinite immensity.

I am Heathcliff!

Don't you know how much I hero-worshiped you when I was a kid? You were Marie Curie crossed with Emily Bronte crossed with Joan of Arc to me when I was ten. And when i told you that, you said my cultural references were the sign of a colonized mind.

What do you think is my favourite book? Just now, I mean; I change every three days. "Wuthering Heights." Emily Bronte was quite young when she wrote it, and had never been outside of Haworth churchyard. She had never known any men in her life; how could she imagine a man like Heathcliff? I couldn't do it, and I'm quite young and never outside the John Grier Asylum - I've had every chance in the world. Sometimes a dreadful fear comes over me that I'm not a genius. Will you be awfully disappointed, Daddy, if I don't turn out to be a great author?

You're hard to please: so many friends and so few cares, and can't make yourself content.

If I could I would always work in silence and obscurity, and let my efforts be known by their results.

Fall, leaves, fall; die, flowers, away; Lengthen night and shorten day; Every leaf speaks bliss to me Fluttering from the autumn tree. I shall smile when wreaths of snow Blossom where the rose should grow; I shall sing when night’s decay Ushers in a drearier day.

And I pray one prayer--I repeat it till my tongue stiffens--Catherine Earnshaw, may you not rest as long as I am living; you said I killed you--haunt me, then! The murdered DO haunt their murderers, I believe. I know that ghosts HAVE wandered on earth. Be with me always--take any form--drive me mad! only DO not leave me in this abyss, where I cannot find you! Oh, God! it is unutterable! I CANNOT live without my life! I CANNOT live without my soul!

The wind I hear it sighing, with autumn's saddest sound; withered leaves all thick are lying, as spring-flowers on the ground. This dark night has won me to wander far away; old feelings gather fast upon me.

But there's this one difference: one is gold put to the use of paving-stones, and the other is tin polished to ape a service of silver. Mine has nothing valuable about it; yet I shall have the merit of making it go as far as such poor stuff can go. His had first-rate qualities, and they are lost, rendered worst than unavailing.

I'll go with him as far as the park,' he said. 'You'll go with him to hell!' exclaimed his master,

The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, 'Let me in - let me in!' 'Who are you?' I asked, struggling, meanwhile, to disengage myself. 'Catherine Linton,' it replied, shiveringly (why did I think of LINTON? I had read EARNSHAW twenty times for Linton) - 'I'm come home: I'd lost my way on the moor!' As it spoke, I discerned, obscurely, a child's face looking through the window.

The nuisance of her presence outweighs the gratification to be derived from tormenting her

Emily suffers no more from pain or weakness now. She will never suffer more in this world. She is gone after a hard, short conflict...Yes there is no Emily in time or on earth now. Yesterday we put her poor, wasted, mortal frame quietly under the chancel pavement. We are very calm at present. Why shoud we be otherwise? The anguish of seeing her suffer is over; the spectacle of the pains of death is gone by; the funeral day is past. We feel she is at peace. No need now to trouble for the hard frost and the keen wind. Emily does not feel them.

Yet genius of a sort must have existed among women as it must have existed among the working classes. Now and again an Emily Bronte or a Robert Burns blazes out and proves its presence. But certainly it never got itself on paper. When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. […]any woman born with a great gift in the sixteenth century would certainly have gone crazed, shot herself, or ended her days in some lonely cottage outside the village, half witch, half wizard, feared and mocked at. For it needs little skill in psychology to be sure that a highly gifted girl who had tried to use her gift for poetry would have been so thwarted and hindered by other people, so tortured and pulled asunder by her own contrary instincts, that she must have lost her health and sanity to a certainty.

You are my son, then, I'll tell you' and your mother was a wicked slut to leave you in ignorance of the sort of father you possessed.

Wuthering being a significant, provincial adjective descriptive of the atmospheric tumult to which its station is exposed in stormy weather.

I went about my house hold duties, convinced that the Grange had but one sensible soul in its walls, and that lodged in my body.

A mi espalda, brillaba aún el sol y ante mí se levantaba la luna.

My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning; my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and, if all else remained, and he were annihilated, the Universe would turn into a mighty stranger. I should not seem a part of it. My love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees - my love for Heathcliff resembles the eternal rocks beneath - a source of little visible delight, but necessary. Nelly, I am Heathcliff [...]

Le tengo constantemente en mi pensamiento, aunque no siempre como una cosa agradable. Tampoco yo me agrado siempre de mí misma. No hables más de separarnos, porque eso es irrealizable.

He had been content with daily labour and rough animal enjoyments, 'till Catherine crossed his path. Shame at her scorn, and hope of her approval, were his first prompts to higher pursuits; and, instead of guarding him from one and winning him to the other, his endeavors to raise himself had produced just the contrary result.

Mama never told me I had a father.

Riches I hold in light esteem, And love I laugh to scorn; And lust of fame was but a dream that vanished with the morn:

She went of her own accord,' answered the master; 'she has a right to go if she please. Trouble me no more about her. Hereafter she is only me sister in name: not because I disown her, but because she has disowned me.

Banal sexism aside, I find myself tempted to read Wuthering Heights as one thick stacked act of revenge for all that life withheld from Emily. But the poetry shows traces of a deeper explanation. As if anger could be a kind of vocation for some women. It is a chilly thought.

They DO live more in earnest, more in themselves, and less in surface, change, and frivolous external things. I could fancy a love for life here almost possible; and I was a fixed unbeliever in any love of a year's standing.

Two words would comprehend my future—death and hell: existence, after losing her, would be hell. Yet I was a fool to fancy for a moment that she valued Edgar Linton’s attachment more than mine. If he loved with all the powers of his puny being, he couldn’t love as much in eighty years as I could in a day. And Catherine has a heart as deep as I have: the sea could be as readily contained in that horse-trough as her whole affection be monopolised by him. Tush! He is scarcely a degree dearer to her than her dog, or her horse. It is not in him to be loved like me: how can she love in him what he has not?

Winter is not here yet. There’s a little flower, up yonder, the last bud from the multitude of bluebells that clouded those turf steps in July with a lilac mist. Will you clamber up and pluck it to show papa?

During the next free-form jigging section, I started to wonder why the band was singing about, presumably, the Young Men's Christian Association, but then, from my very limited exposure to popular music, people did seem to sing about umbrellas and fire-starting and Emily Bronte novels, so, I supposed, why not a gender- and faith-based youth organization?

Yalnız ihanetle şiddet iki ucu sivri oklara benzer; kullananları düşmanlarından beter yaralarlar.

A che scopo esisterei, se fossi tutta contenuta in me stessa? I miei grandi dolori, in questo mondo, sono stati i dolori di Heathcliff, io li ho tutti indovinati e sentiti dal principio. Il mio gran pensiero, nella vita, è lui. Se tutto il resto perisse e lui restasse, io potrei continuare ad esistere; ma se tutto il resto durasse e lui fosse annientato, il mondo diverrebbe, per me, qualche cosa di immensamente estraneo: avrei l'impressione di no farne più parte.

More than anything, I began to hate women writers. Frances Burney, Jane Austen, Elizabeth Browning, Mary Shelley, George Eliot, Virginia Woolf. Bronte, Bronte, and Bronte. I began to resent Emily, Anne, and Charlotte—my old friends—with a terrifying passion. They were not only talented; they were brave, a trait I admired more than anything but couldn't seem to possess. The world that raised these women hadn't allowed them to write, yet they had spun fiery novels in spite of all the odds. Meanwhile, I was failing with all the odds tipped in my favor. Here I was, living out Virginia Woolf's wildest feminist fantasy. I was in a room of my own. The world was no longer saying, "Write? What's the good of your writing?" but was instead saying "Write if you choose; it makes no difference to me.

I have no objection whatever to your representing me as a little eccentric, since you and your learned friends would have it so; only don't set me on in my fury to burning hearthrugs, sawing the backs off chairs, and tearing my wife's silk gowns... Had I been numbered amongst the calm, concentric men of the world, I should not have been as I now am, and I should in all probability never have had such children as mine have been.

You loved me—then what right had you to leave me? What right—answer me—for the poor fancy you felt for Linton? Because misery and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will, did it. I have not broken your heart—you have broken it; and in breaking it, you have broken mine. So much the worse for me that I am strong. Do I want to live? What kind of living will it be when you—oh, God! would you like to live with your soul in the grave?

Some people are very unfulfilled. In consequence they write passionately good romance because they believe that they could still find happiness. Emily Bronte was not a fulfilled woman but the passion she felt went into Wuthering Heights.

I know more about Emily Bronte than anyone I know. I know enough about her family to have been a part. I’ve walked with her on her damp luscious lonely moors, watched her strain to write on miniscule scraps of paper, seen her hide her works from prying eyes. I’ve brooded alongside her and participated in her taciturnity. Before her death at the ripe old age of 30, I nursed her from the things that ultimately killed her: tuberculosis with a side order of Victorian thinking.

For the vacant nest and silent song, Hope was there, and laughed me out of sadness; Whispering, "Winter will not linger long!

Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.

About Emily : "she never showed regard to any human creature; all her love was reserved for animals".

He turned and narrowed his eyes at her. "There is a certain sort of girl who wants the wolf to eat out of her hand. If you are such, I'll warn you, she doesn't keep her fingers long." Emily met his gaze " Some wolves can be tamed." "Then we call them lapdogs, my dear- and you'll put no leash on me.

My sister Emily first declined. The details of her illness are deep-branded in my memory, but to dwell on them, either in thought or narrative, is not in my power. Never in all her life had she lingered over any task that lay before her, and she did not linger now. She sank rapidly. She made haste to leave us. Yet, while physically she perished, mentally, she grew stronger than we had yet known her. Day by day, when I saw with what a front she met suffering, I looked on her with anguish of wonder and love. I have seen nothing like it; but, indeed, I have never seen her parallel in anything. Stronger than a man, simpler than a child, her nature stood alone. The awful point was, that, while full of ruth for others, on herself she had no pity; the spirit inexorable to the flesh; from the trembling hand, the unnerved limbs, the faded eyes, the same service exacted as they had rendered in health. To stand by and witness this, and not dare to remonstrate, was pain no words can render.

there was less of the peevish temper of a child which frets and teases on purpose to be soothed, and more of the self-absorbed moroseness of a confirmed invalid, repelling consolation, and ready to regard the good-humoured mirth of others, as an insult.

He would have recoiled still more had he been aware that her attachment rose unsolicited, and was bestowed where it awakened no reciprocation of sentiment; for the minute he discovered its existence, he laid the blame on Heathcliff's deliberate designing.

Be with me always—take any form—drive me mad! only do not leave me in this abyss, where I cannot find you!

Any relic of the dead is precious, if they were valued living.

It was very, very sad: and while I read I sighed, for it seemed as if all joy had vanished from the world, never to be restored.

We do sometimes pity creatures that have none of the feeling either for themselves or others. a

ocúpate de que me entierren allí en secreto. Y si no lo haces así, ya te demostraré de un modo palpable que los muertos no se disuelven del todo.

Juega con la flor perfumada, La rama tierna del joven árbol, Y deja mis sentimientos humanos En su propio cauce inquieto.

Mr. Heathcliff and his man climbed the cellar stairs with vexatious phlegm.

Cold in the earth—and fifteen wild Decembers, From those brown hills, have melted into spring: Faithful, indeed, is the spirit that remembers After such years of change and suffering!

He said the pleasantest manner of spending a hot July day was lying from morning till evening on a bank of heath in the middle of the moors, with the bees humming dreamily about among the bloom, and the larks singing high up overhead, and the blue sky and bright sun shining steadily and cloudlessly. That was his most perfect idea of heaven's happiness: mine was rocking in a rustling green tree, with a west wind blowing, and bright white clouds flitting rapidly above; and not only larks, but throstles, and blackbirds, and linnets, and cuckoos pouring out music on every side, and the moors seen at a distance, broken into cool dusky dells; but close by great swells of long grass undulating in waves to the breeze; and woods and sounding water, and the whole world awake and wild with joy. He wanted all to lie in an ecstasy of peace; I wanted all to sparkle and dance in a glorious jubilee. I said his heaven would be only half alive; and he said mine would be drunk: I said I should fall asleep in his; and he said he could not breathe in mine

Just think of Emily Bronte, for example: psychotically bookish - but was there ever a woman screaming out so loudly for a good f***ing? I even suspect that's why Wuthering Heights carries on decades too long rather than sensibly drawing the curtains a little after Cathy's death. It was Bronte saying, 'Look - I'm simply going to keep on writing this stuff until someone comes and shags me raw.

She was painfully shy, but physically she was brave to a surprising degree. She loved few persons, but those few with a passion of self-sacrificing tenderness and devotion. To other people's failings she was understanding and forgiving, but over herself she kept a continual and most austere watch, never allowing herself to deviate for one instant from what she considered her duty. (On Emily Bronte)

Within the sphere of English fiction Heathcliff stands alone. Therefore, if we do not understand him, then it is highly probable we were never intended to do so, so that we should try to realize and accept the fact that there may be just one or two things yet left in heaven and earth not dreamt of by our philosophy.

Göreceğiz bakalım aynı hırpalayıcı rüzgar karşısında başka başka iki ağaç ayını biçimde bozulur muymuş, bozulmaz mıymış?

a sound English education corrected in a great measure her French defects;

Cumbres borrascosas: «No sé qué composición tendrán nuestras almas, pero sea de lo que sea, la suya es igual que la mía».

Ahora me doy cuenta de lo cruel que has sido conmigo, de lo falsa y cruel que has sido. ¿Por qué me despreciaste? ¿Por qué traicionaste, Cathy, a tu propio corazón? No puedo tener una sola palabra de consuelo para tí; te mereces lo que te pasa. Eres tú quien se ha matado a sí misma. Sí, puedes abrazarme y llorar cuanto quieras, puedes provocar mis lágrimas y mis besos, pero ellos serán tu ruina y tu perdición. Si me amabas, ¿en nombre de qué ley me abandonaste? ¿En nombre de la mezquina ilusión que despertó en ti Linton? Dímelo. Porque tú misma, por voluntad propia, hiciste lo que ni la desgracia, ni el envilecimiento, no la muerte, ni nada de lo que Dios o el Diablo nos pudieran infligir habría logrado en su empeño de separarnos. No he sido yo quien ha roto tu corazón, te lo has roto tú misma, y al hacerlo has destrozado, de paso, el mío. Y la peor parte me toca a mí, porque aún tengo fortaleza. ¿Crees que me apetece vivir? ¿Qué clase de vida podrá ser la mía cuando tú...? ¡Oh, Dios Mío! ¿Acaso te gustaría a ti vivir si te encerraran el alma en una tumba?»

Listen. You will still only love me. And I will only love you. It’s only that we’ll have different names. Sometimes I’ll be Augusta, queen of Gondal, and you’ll be a dangerous highwayman. Sometimes we’ll be Alexander and Zenobia, the young lovers. Sometimes… sometimes we will just be two lonely children roaming the moors together. But the ‘he’ of the story will always be you, and the 'she’ of the story will always be me. Forever.

I remember looking on those two sad, earnest, shadowed faces, and wondering wether I could trace the mysterious expression which is said to foretell an early death. I had some fond superstitious hope that the column divided their fates from hers, who stood apart in the canvas, as in life she survived. I liked to see that the bright side of the pillar was towards her - that the light in the picture fell on her; I might more truly have sought in her presentment - nay, in her living face - for the sign of death - in her prime.

She should have been a man – a great navigator. Her powerful reason would have deduced new spheres of discovery from the knowledge of the old; and her strong imperious will would never have been daunted by opposition or difficulty, never have given way but with life. She had a head for logic, and a capability of argument unusual in a man and rarer indeed in a woman... impairing this gift was her stubborn tenacity of will which rendered her obtuse to all reasoning where her own wishes, or her own sense of right, was concerned. On Emily Bronte

know so well that human nature is human nature everywhere, whether under tile or thatch, and that in every specimen of human nature that breathes, vice and virtue are ever found blended, in smaller or greater proportions, and that the proportion is not determined by station. I have seen villains who were rich, and I have seen villains who were poor, and I have seen villains who were neither rich nor poor,

Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit. But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep. He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works… It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody. Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality. This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.