Emergency Tv Quotes

I guess that's how they were able to do it, in the way they did it, all at once, without anyone knowing beforehand. If there had still been portable money, it would have been more difficult. It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics at the time. I was stunned. Everyone was, I know that. It was hard to believe, the entire government gone like that. How did they get in, how did it happen? That was when they suspended the Constitution. They said it would be temporary. There wasn't even any rioting in the streets. People stayed home at night, watching television, looking for some direction. There wasn't even an enemy you could put your finger on.

It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics, at the time. Keep calm, they said on television. Everything is under control.

The media landscape of the present day is a map in search of a territory. A huge volume of sensational and often toxic imagery inundates our minds, much of it fictional in content. How do we make sense of this ceaseless flow of advertising and publicity, news and entertainment, where presidential campaigns and moon voyages are presented in terms indistinguishable from the launch of a new candy bar or deodorant? What actually happens on the level of our unconscious minds when, within minutes on the same TV screen, a prime minister is assassinated, an actress makes love, an injured child is carried from a car crash? Faced with these charged events, prepackaged emotions already in place, we can only stitch together a set of emergency scenarios, just as our sleeping minds extemporize a narrative from the unrelated memories that veer through the cortical night. In the waking dream that now constitutes everyday reality, images of a blood-spattered widow, the chromium trim of a limousine windshield, the stylised glamour of a motorcade, fuse together to provide a secondary narrative with very different meanings.

Child psychologists have demonstrated that our minds are actually constructed by these thousands of tiny interactions during the first few years of life. We aren't just what we're taught. It's what we experience during those early years - a smile here, a jarring sound there - that creates the pathways and connections of the brain. We put our kids to fifteen years of quick-cut advertising, passive television watching, and sadistic video games, and we expect to see emerge a new generation of calm, compassionate, and engaged human beings?

Silence. It flashed from the woodwork and the walls; it smote him with an awful, total power, as if generated by a vast mill. It rose from the floor, up out of the tattered gray wall-to-wall carpeting. It unleashed itself from the broken and semi-broken appliances in the kitchen, the dead machines which hadn’t worked in all the time Isidore had lived here. From the useless pole lamp in the living room it oozed out, meshing with the empty and wordless descent of itself from the fly-specked ceiling. It managed in fact to emerge from every object within his range of vision, as if it—the silence—meant to supplant all things tangible. Hence it assailed not only his ears but his eyes; as he stood by the inert TV set he experienced the silence as visible and, in its own way, alive. Alive! He had often felt its austere approach before; when it came it burst in without subtlety, evidently unable to wait. The silence of the world could not rein back its greed. Not any longer. Not when it had virtually won.

5. Television is of great educational value. It teaches you while still really young how to (a) kill, (b) rob, (c) embezzle, (d) shoot, (e) poison, and generally speaking, (f) how to grow up into a Wild West outlaw or gangster by the time you leave school. 6. Television puts a stop to crime because all the burglars and robbers, instead of going to burgle and rob, sit at home watching The Lone Ranger, Emergency Ward Ten and Dotto.

I guess that's how they were able to do it, in the way they did, all at once, without anyone knowing beforehand. If there had still been portable money, it would have been more difficult. "It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics, at the time. "Keep calm, they said on television. Everything is under control. "I was stunned. Everyone was, I know that. It was hard to believe. The entire government, gone like that. How did they get in, how did it happen? "That was when they suspended the Constitution. They said it would be temporary. There wasn't even any rioting in the streets. People stayed at home at night, watching television, looking for some direction. There wasn't even an enemy you could point your finger at. ... "Newspapers were censored and some were closed down, for security reasons they said. The roadblocks began to appear, and Identipasses. Everyone approved of that, since it was obvious you couldn't be too careful.

We put our kids to fifteen years of quick-cut advertising, passive television watching, and sadistic video games, and we expect to see emerge a new generation of calm, compassionate, and engaged human beings?

In 1955, a little more than four years after leaving a TV studio in Hollywood, signals bearing the first sound and images of the I Love Lucy show passed Proxima Centauri, the nearest star to our sun. A half-century later, a scene with Lucy disguised as a clown sneaking into Ricky’s Tropicana Night Club was 50-plus light-years, or about 300 trillion miles, away. Since the Milky Way is 100,000 light-years across and 1,000 light-years thick, and our solar system is near the middle of the galactic plane, this means in about AD 2450 the expanding sphere of radio waves bearing Lucy, Ricky, and their neighbors the Mertzes will emerge from the top and bottom of our galaxy and enter intergalactic space.

As if reading his mind, Lily huffed. “You’re as predictable as the spring rains, son of mine, and as boring as drying paint. Unless there’s an emergency, you’re home every night by seven, you eat dinner by yourself, go for a run, watch exactly one hour of TV by yourself, and go to bed at ten o’clock. If God ever loses his watch, he only has to look at Lance Beaufort to get back on schedule.” ... “I’ve been having trouble with my phone,” he tried. Lily took two strides to the desk, leaned over it with both hands braced on the surface, and stared. “Okay, yes! I have been over there. But it’s for work. And…and it’s work related!” “Oh? Explain that to me, because I thought you were the sheriff, not in training for a role in Lassie.

TV irony changed in post-modern times. Irony, which exploits the difference between what is said and what is meant, and between how things appear and how they really are, used to be a reliable trope for exposing hypocrisy. Post-modern irony is not liberating, but rather imprisoning. Wallace quoted the poet and philosopher Lewis Hyde: ‘Irony has only emergency use. Carried over time, it is the voice of the trapped who have come to enjoy their cage.

The global aid community is mobilised into fighting drought in a district that gets 1,500 mm of rainfall annually. The reverse spiral begins. Donor governments love emergency relief. It forms a negligible part of their spending, but makes for great advertising. (Emergencies of many sorts do this, not just drought. You can run television footage of the Marines kissing babies in Somalia.) There are more serious issues between rich and poor nations—like unequal trade. Settling those would be of greater help to the latter. But for that, the ‘donors’ would have to part with something for real. No. They prefer emergency relief.

Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.

It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics, at the time. Keep calm, they said on television. Everything is under control. I was stunned. Everyone was, I know that. It was hard to believe. The entire government, gone like that. How did they get in, how did it happen? That was when they suspended the Constitution. They said it would be temporary. There wasn't even any rioting in the streets. People stayed home at night, watching television, looking for some direction. There wasn't even an enemy you could put your finger on.

It was after the catastrophe, when they shot the president and machine-gunned the congress, and the army declared the state of emergency. They blamed it on the Islamic fanatics at the time. "Keep calm," they said on television, "everything is under control." I was stunned. Everyone was, I know that. It was hard to believe the entire government gone like that. How did they get in? How did it happen? That was when they suspended the constitution. They said it would be temporary, there wasn't even any rioting in the streets, people stayed at home at night, watching television, waiting for some direction. There wasn't even an enemy you could put a finger on.

It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics, at the time. Keep calm, they said on television.

Germany’s emergence as a self-confident, non-aggressive, democratic power – not to speak of the humanitarian example it has set – is a pill too bitter for many of us Brits to swallow. That is a sadness that I have regretted for far too long.

I watched with incredulity as businessmen ran to the government in every crisis, whining for handouts or protection from the very competition that has made this system so productive. I saw Texas ranchers, hit by drought, demanding government-guaranteed loans; giant milk cooperatives lobbying for higher price supports; major airlines fighting deregulation to preserve their monopoly status; giant companies like Lockheed seeking federal assistance to rescue them from sheer inefficiency; bankers, like David Rockefeller, demanding government bailouts to protect them from their ill-conceived investments; network executives, like William Paley of CBS, fighting to preserve regulatory restrictions and to block the emergence of competitive cable and pay TV. And always, such gentlemen proclaimed their devotion to free enterprise and their opposition to the arbitrary intervention into our economic life by the state. Except, of course, for their own case, which was always unique and which was justified by their immense concern for the public interest.

When my tantrum, which is what I call my TV set, flashes boobs and smiles in my face, and says everybody but me is going to get laid tonight, and this is a national emergency, so I've got to rush out and buy a car or pills, or a folding gymnasium I can hide under my bed, I laugh like a hyena.

The 2016 presidential election was already surreal—a former reality TV host fueled by white backlash had completed a hostile takeover of the Republican Party—before the bears emerged.

It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics, at the time. Keep calm, they said on television. Everything is under control. I was stunned. Everyone was, I know that. It was hard to believe. The entire government, gone like that. How did they get in, how did it happen?

This was when he first suspected that the kindly child-loving God extolled by his headmistress might not exist. As it turned out, most major world events suggested the same. But for Theo’s sincerely godless generation, the question hasn’t come up. No one in his bright, plate-glass, forward-looking school ever asked him to pray, or sing an impenetrable cheery hymn. There’s no entity for him to doubt. His initiation, in front of the TV, before the dissolving towers, was intense but he adapted quickly. These days he scans the papers for fresh developments the way he might a listings magazine. As long as there’s nothing new, his mind is free. International terror, security cordons, preparations for war — these represent the steady state, the weather. Emerging into adult consciousness, this is the world he finds.

Over the years, Raul remembered many events like if they were TV shows, especially at night, like when he and Alberto cruised around town. The open windows, the wide space of the desert, allowed room for his thoughts to emerge. Some memories played over and over again, like the re-runs he watched during the summer. And depending on the events, he didn’t mind having to sit through them. At least his memories weren’t interrupted with commercials. Click . . . Click . . . Click . . .

I guess that’s how they were able to do it, in the way they did, all at once, without anyone knowing beforehand. If there had still been portable money, it would have been more difficult. It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics, at the time. Keep calm, they said on television. Everything is under control. I was stunned. Everyone was, I know that. It was hard to believe. The entire government, gone like that. How did they get in, how did it happen?

A choking dry-ice smog of disappointment, pooling in the drops and troughs of suddenly uncertain ground. Mudyards, wit here and there the smoking wrecks of ideologies, their wheels and radios gone. River of litter rustling in a swollen course below the sky's black drag and in the ditches mustard gas, a mulch of sodden colouring books, imploded television sets. These are the fretful margins of twentieth century, the boomtowns ragged edge, out past the sink estates, the human landfill, where the wheelchair access paving quakes, gives way like sphagnum moss beneath our feet. It’s 1999, less like date than like a number we restore to in emergencies. pre-packaged in its national front hunting. It’s millennial mummy-wraps. The zeitgeist yawns, as echoing and hollow as the Greenwich dome. It’s April 10th; we find ourselves in red lion square....caught in the crosshairs of geography and time like sitting ducks, held always by surface tension of the instant, by the sensory dazzle. Constant play of light on neural ripples. Fluttering attention pinned to where and when and who we are. The honey-trap of our personal circumstance, of our familiar bodies restless in these chairs.

In my own city of Los Angeles, everyone will gladly pay a hundred dollars a month for cable television, yet would roar in protest if forced to pay that much for life’s elixir piped directly into their homes. When Governor Schwarzenegger declared a state of drought emergency, I studied my water bill closely for the first time in my life. For two months of clean drinking water, snared from faraway sources, and delivered to my house by one of the world’s most expensive and elaborate engineering schemes, I was charged $20.67. I spend more on postage stamps. If only everyone could indulge such ignorant bliss…

It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics, at the time. Keep calm, they said on television. Everything is under control. I was stunned. Everyone was, I know that. It was hard to believe. The entire government, gone like that. How did they get in, how did it happen? That was when they suspended the Constitution. They said it would be temporary. There wasn’t even any rioting in the streets. People stayed home at night, watching television, looking for some direction. There wasn’t even an enemy you could put your finger on.

We had each other of course, but not in the perfectly synced way our television counterparts did. We didn't live in the same apartment building and pop in unannounced to make grilled-cheese sandwiches or coach each other for job interviews. We weren't always available for emergency brunches or last-minute trips to Jamaica. Instead, we had complicated, independent lives wending down many different paths, lives that sometimes had us working sixteen-hour days, or moving out of state, or navigation fledging romance. We saw each other the way most urban professionals do - by booking dates days or weeks in advance. That meant we were frequently alone, with time.

An uncanny economy has emerged in which a secure, middle-class lifestyle receded for many, but the material trappings of middle-class success became affordable to most. In the 1960s, it was possible to attend a four-year college debt-free but impossible to purchase a flat-screen television. By the 2020s, the reality was close to the reverse.

I began this process without preconceptions of how the information would shake out. Five consistent types of behavioral risk emerged: Ego, Emotion, Information, Attention, and Conservation. The number of bad decisions we can make is limitless (have you seen reality TV?), but all behavioral risk has one or more of these five risk factors at its core.

So he asked her what she’d like to drink. Her choice would be crucial. If she orders a decaf, he thought, I’m getting up and leaving. No one was entitled to drink a decaf when it came to this type of encounter. It’s the least gregarious drink there is. Tea isn’t much better. Just met, and already settling into some kind of dull cocoon. You feel like you’re going to end up spending Sunday afternoons watching TV. Or worse: at the in-laws’. Yes, tea is indisputably in-law territory. Then what? Alcohol? No good for this time of day. You could have qualms about a woman who starts drinking right away like that. Even a glass of red wine isn’t going to cut it. François kept waiting for her to choose what she’d like to drink, and this was how he kept up his liquid analysis of first impressions of women. What was left now? Coke, or any type of soda … no, not possible, that didn’t say woman at all. Might as well ask for a straw, too, while she was at it. Finally he decided that juice was good. Yes, juice, that was nice. It’s friendly and not too aggressive. You can sense the kind of sweet, well-balanced woman who would make such a choice. But which juice? Better to avoid the great classics: apple, orange, too popular. It would have to be only slightly original without being completely eccentric. Papaya or guava—frightening. No, the best is choosing something in between, like apricot. That’s it. Apricot juice: perfect. If she chooses it, I’ll marry her, thought François. At that precise instant, Natalie raised her head from the menu, as if emerging from a long reflection. It was the same reflection in which the stranger opposite her had just been absorbed. “I’ll have a juice…” “…?” “Apricot juice, I guess.” He looked at her as if she were a violation of reality.

Exoteric machines - esoteric machines. They say the computer is an improved form of typewriter. Not a bit of it. I collude with my typewriter, but the relationship is otherwise clear and distant. I know it is a machine; it knows it is a machine. There is nothing here of the interface, verging on biological confusion, between a computer thinking it is a brain and me thinking I am a computer. The same familiarity with good old television, where I was and remained a spectator. It was an esoteric machine, whose status as machine I respected. Nothing there of all these screens and interactive devices, including the 'smart' car of the future and the 'smart' house. Even the mobile phone, that incrustation of the network in your head, even the skateboard and rollerblades - mobility aids - are of a quite different generation from the good old static telephone or the velocipedic machine. New manners and a new morality are emerging as a result of this organic confusion between man and his prostheses - a confusion which puts an end to the instrumental pact and the integrity of the machine itself.

In the elaborate con that is American electoral politics, the Republican voter has long been the easiest mark in the game, the biggest dope in the room. Everyone inside the Beltway knows this. The Republican voters themselves are the only ones who never saw it. Elections are about a lot of things, but at the highest level, they’re about money. The people who sponsor election campaigns, who pay the hundreds of millions of dollars to fund the candidates’ charter jets and TV ads and 25-piece marching bands, those people have concrete needs. They want tax breaks, federal contracts, regulatory relief, cheap financing, free security for shipping lanes, antitrust waivers and dozens of other things. They mostly don’t care about abortion or gay marriage or school vouchers or any of the social issues the rest of us spend our time arguing about. It’s about money for them, and as far as that goes, the CEO class has had a brilliantly winning electoral strategy for a generation. They donate heavily to both parties, essentially hiring two different sets of politicians to market their needs to the population. The Republicans give them everything that they want, while the Democrats only give them mostly everything. They get everything from the Republicans because you don’t have to make a single concession to a Republican voter. All you have to do to secure a Republican vote is show lots of pictures of gay people kissing or black kids with their pants pulled down or Mexican babies at an emergency room. Then you push forward some dingbat like Michele Bachmann or Sarah Palin to reassure everyone that the Republican Party knows who the real Americans are. Call it the “Rove 1-2.” That’s literally all it’s taken to secure decades of Republican votes, a few patriotic words and a little over-the-pants rubbing. Policywise, a typical Republican voter never even asks a politician to go to second base. While we always got free trade agreements and wars and bailouts and mass deregulation of industry and lots of other stuff the donors definitely wanted, we didn’t get Roe v. Wade overturned or prayer in schools or balanced budgets or censorship of movies and video games or any of a dozen other things Republican voters said they wanted.

I am ineluctably drawn to the gloomy conclusion that the genius of the American people will drive them into ever tightening bonds of enslavement to technological progress. Out of this the machine will emerge triumphant, man will concern himself exclusively with its maintenance, and we shall all sing, “Oh say, does that star-spangled banner still wave O’er the land of TV and the home of the slave.

Fukushima, Japan. The disaster involving the three General Electric–built reactors on the northeastern coast of Honshu followed a now familiar course, this time played out live on television: a loss of coolant led to reactor meltdown, a dangerous buildup of hydrogen gas, and several catastrophic explosions. No one was killed or injured by the immediate release of radiation, but three hundred thousand people were evacuated from the surrounding area, which will remain contaminated for decades to come. During the early stages of the emergency cleanup, it became clear that robots were incapable of operating in the highly radioactive environment inside the containment buildings of the plant. Japanese soldiers were sent in to do the work, in another Pyrrhic victory of bio-robots over technology.

If you're too young to remember the Time Before Pong, then you probably can't appreciate the momentousness of its arrival. Bear in mind the game emerged in a very different world. It was a time before home computers, cable television, cell phones, game consoles, the Internet--everything we take for granted today. For many of my formative years, we still watched TV in black and white, and had to get up to change the channel. This was the technological Dark Ages. Had we been less culturally enlightened, we would have denounced Pong as witchcraft and burned its inventors at the stake. For those of us who were there--who had never played, let alone seen, a video game--we knew we were witnessing something extraordinary, a groundbreaking achievement in home entertainment. However, none of us knew that we were participating in the birth of a revolution.

It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics, at the time. Keep calm, they said on television. Everything is under control. I was stunned. Everyone was, I know that. It was hard to believe. The entire government, gone like that. How did they get in, how did it happen? That was when they suspended the Constitution. They said it would be temporary. There wasn't even any rioting in the streets. People stayed home at night, watching television, looking for some direction. There wasn't even an enemy you could put your finger on. Look out, said Moira to me, over the phone. Here it comes. Here what comes? I said. You wait, she said. They've been building up to this. It's you and me up against the wall, baby. She was quoting an expression of my mother's, but she wasn't intending to be funny.   Things

Silence. It flashed from the woodwork and the walls; it smote him with an awful, total power, as if generated by a vast mill. It rose from the floor, up out of the tattered gray wall-to-wall carpeting. It unleashed itself from the broken and semi-broken appliances in the kitchen, the dead machines which hadn’t worked in all the time Isidore had lived here. From the useless pole lamp in the living room it oozed out, meshing with the empty and wordless descent of itself from the fly-specked ceiling. It managed in fact to emerge from every object within his range of vision, as if it—the silence—meant to supplant all things tangible. Hence it assailed not only his ears but his eyes; as he stood by the inert TV set he experienced the silence as visible and, in its own way, alive. Alive! He had often felt its austere approach before; when it came, it burst in without subtlety, evidently unable to wait. The silence of the world could not rein back its greed. Not any longer. Not when it had virtually won.

I want to be the chisel, not the David. What can I make of being here? And what can I make of not? Normal people think of recovery as a kind of abstinence: they imagine us sitting around white-knuckled, sweating as we count our hours trying desperately to distract ourselves enough to not relapse. This is because for normal people, drinking is an activity, like brushing their teeth or watching TV. They can reasonably imagine excising drinking, like any other activity, without collapsing their entire person. For a drunk, there’s nothing but drink. There was nothing in my life that wasn’t predicated on getting drunk—either getting fucked up itself or getting money to get fucked up by working or slinging this drug for that drug or that drug for cash. Getting sober means having to figure out how to spend twenty-four hours a day. It means building an entirely new personality, learning how to move your face, your fingers. It meant learning how to eat, how to speak among people and walk and fuck and worse than any of that, learning how to just sit still. You’re moving into a house the last tenants trashed. You spend all your time ripping up the piss-carpet, filling in the holes in the wall, and you also somehow have to remember to feed yourself and make rent and not punch every person who talks to you in the face. There’s no abstinence in it. There’s no self-will. It’s a chisel. It’s surrender to the chisel. Of course you don’t hope to come out a David. It’s miracle enough to emerge still standing on two feet.

These conservative critics call for a return to “family values,” to a world in which prohibition kept us safe from outbreaks of enjoyment. This desire for a return to the past, however, is rarely genuine. Which is to say, such proclamations don’t really want the return to the past that they claim to want. Instead, they want the best of both worlds—the “benefits” of modernity (computers, cars, televisions) without their effects (isolation, enjoyment, narcissism)—and fail to grasp the interdependence of the benefits and the effects

I was among those encouraged to visit China to witness the emergence of “democratic” elections in a village near the industrial town of Dongguan. While visiting, I had a chance to talk in Mandarin with the candidates and see how the elections actually worked. The unwritten rules of the game soon became clear: the candidates were allowed no public assemblies, no television ads, and no campaign posters. They were not allowed to criticize any policy implemented by the Communist Party, nor were they free to criticize their opponents on any issue.

Here’s a simple definition of ideology: “A set of beliefs about the proper order of society and how it can be achieved.”8 And here’s the most basic of all ideological questions: Preserve the present order, or change it? At the French Assembly of 1789, the delegates who favored preservation sat on the right side of the chamber, while those who favored change sat on the left. The terms right and left have stood for conservatism and liberalism ever since. Political theorists since Marx had long assumed that people chose ideologies to further their self-interest. The rich and powerful want to preserve and conserve; the peasants and workers want to change things (or at least they would if their consciousness could be raised and they could see their self-interest properly, said the Marxists). But even though social class may once have been a good predictor of ideology, that link has been largely broken in modern times, when the rich go both ways (industrialists mostly right, tech billionaires mostly left) and so do the poor (rural poor mostly right, urban poor mostly left). And when political scientists looked into it, they found that self-interest does a remarkably poor job of predicting political attitudes.9 So for most of the late twentieth century, political scientists embraced blank-slate theories in which people soaked up the ideology of their parents or the TV programs they watched.10 Some political scientists even said that most people were so confused about political issues that they had no real ideology at all.11 But then came the studies of twins. In the 1980s, when scientists began analyzing large databases that allowed them to compare identical twins (who share all of their genes, plus, usually, their prenatal and childhood environments) to same-sex fraternal twins (who share half of their genes, plus their prenatal and childhood environments), they found that the identical twins were more similar on just about everything.12 And what’s more, identical twins reared in separate households (because of adoption) usually turn out to be very similar, whereas unrelated children reared together (because of adoption) rarely turn out similar to each other, or to their adoptive parents; they tend to be more similar to their genetic parents. Genes contribute, somehow, to just about every aspect of our personalities.13 We’re not just talking about IQ, mental illness, and basic personality traits such as shyness. We’re talking about the degree to which you like jazz, spicy foods, and abstract art; your likelihood of getting a divorce or dying in a car crash; your degree of religiosity, and your political orientation as an adult. Whether you end up on the right or the left of the political spectrum turns out to be just as heritable as most other traits: genetics explains between a third and a half of the variability among people on their political attitudes.14 Being raised in a liberal or conservative household accounts for much less. How can that be? How can there be a genetic basis for attitudes about nuclear power, progressive taxation, and foreign aid when these issues only emerged in the last century or two? And how can there be a genetic basis for ideology when people sometimes change their political parties as adults? To answer these questions it helps to return to the definition of innate that I gave in chapter 7. Innate does not mean unmalleable; it means organized in advance of experience. The genes guide the construction of the brain in the uterus, but that’s only the first draft, so to speak. The draft gets revised by childhood experiences. To understand the origins of ideology you have to take a developmental perspective, starting with the genes and ending with an adult voting for a particular candidate or joining a political protest. There are three major steps in the process. Step

It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics, at the time. Keep calm, they said on television. Everything is under control. I was stunned. Everyone was, I know that. It was hard to believe. The entire government, gone like that. How did they get in, how did it happen? That was when they suspended the Constitution. They said it would be temporary. There wasn’t even any rioting in the streets. People stayed home at night, watching television, looking for some direction. There wasn’t even an enemy you could put your finger on. Look out, said Moira to me, over the phone. Here it comes. Here what comes? I said. You wait, she said. They’ve been building up to this. It’s you and me up against the wall, baby. She was quoting an expression of my mother’s, but she wasn’t intending to be funny. Things continued in that state of suspended animation for weeks, although some things did happen. Newspapers were censored and some were closed down, for security reasons they said. The roadblocks began to appear, and Identipasses. Everyone approved of that, since it was obvious you couldn’t be too careful. They said that new elections would be held, but that it would take some time to prepare for them. The thing to do, they said, was to continue on as usual.

Pull approaches differ significantly from push approaches in terms of how they organize and manage resources. Push approaches are typified by "programs" - tightly scripted specifications of activities designed to be invoked by known parties in pre-determined contexts. Of course, we don't mean that all push approaches are software programs - we are using this as a broader metaphor to describe one way of organizing activities and resources. Think of thick process manuals in most enterprises or standardized curricula in most primary and secondary educational institutions, not to mention the programming of network television, and you will see that institutions heavily rely on programs of many types to deliver resources in pre-determined contexts. Pull approaches, in contrast, tend to be implemented on "platforms" designed to flexibly accommodate diverse providers and consumers of resources. These platforms are much more open-ended and designed to evolve based on the learning and changing needs of the participants. Once again, we do not mean to use platforms in the literal sense of a tangible foundation, but in a broader, metaphorical sense to describe frameworks for orchestrating a set of resources that can be configured quickly and easily to serve a broad range of needs. Think of Expedia's travel service or the emergency ward of a hospital and you will see the contrast with the hard-wired push programs.

One common criticism emerged from Congress and the media: Obama had not formally addressed the nation since authorizing military action. So, on March 28, two weeks after the Situation Room meeting that had set everything in motion, he gave a speech at the National Defense University in Washington. The television networks said they wouldn’t carry it in prime time, so it was scheduled for the second-tier window of 7:30 P.M., an apt metaphor for the Libyan operation—cable, not network; evening, not prime time; kinetic military operation, not war. The speech was on a Monday, and I spent a weekend writing it. Obama was defensive. Everything had gone as planned, and yet the public and political response kept shifting—from demanding action to second-guessing it, from saying he was dithering to saying he wasn’t doing enough. Even while he outlined the reasons for action in Libya, he stepped back to discuss the question that would continue to define his foreign policy: the choice of when to use military force. Unlike other wartime addresses, he went out of his way to stress the limits of what we were trying to achieve in Libya “—saving lives and giving Libyans a chance to determine their future, not installing a new regime or building a democracy. He said that we would use force “swiftly, decisively, and unilaterally” to defend the United States, but he emphasized that when confronted with other international crises, we should proceed with caution and not act alone.

Heroines of American journalism, writing in publications like The New York Times and The Washington Post, and reporting for major television networks, have all played a similar role of legitimizing America's new imperial project in Afghanistan and Iraq and the Middle East at large, promoting a narrative that violent military incursions are designed to liberate women and deliver better societies. Thus they also underscore their own superior status as white feminists, with their values of rebellion over resilience, risk over caution, and speed over endurance as the ultimate feminist values. Afghan women emerge as no more than prototypes whose wishes always align with what white feminists think they should want, rather than as people with independent political positions and perspectives.

Some researchers, such as psychologist Jean Twenge, say this new world where compliments are better than sex and pizza, in which the self-enhancing bias has been unchained and allowed to gorge unfettered, has led to a new normal in which the positive illusions of several generations have now mutated into full-blown narcissism. In her book The Narcissism Epidemic, Twenge says her research shows that since the mid-1980s, clinically defined narcissism rates in the United States have increased in the population at the same rate as obesity. She used the same test used by psychiatrists to test for narcissism in patients and found that, in 2006, one in four U.S. college students tested positive. That’s real narcissism, the kind that leads to diagnoses of personality disorders. In her estimation, this is a dangerous trend, and it shows signs of acceleration. Narcissistic overconfidence crosses a line, says Twenge, and taints those things improved by a skosh of confidence. Over that line, you become less concerned with the well-being of others, more materialistic, and obsessed with status in addition to losing all the restraint normally preventing you from tragically overestimating your ability to manage or even survive risky situations. In her book, Twenge connects this trend to the housing market crash of the mid-2000s and the stark increase in reality programming during that same decade. According to Twenge, the drive to be famous for nothing went from being strange to predictable thanks to a generation or two of people raised by parents who artificially boosted self-esteem to ’roidtastic levels and then released them into a culture filled with new technologies that emerged right when those people needed them most to prop up their self-enhancement biases. By the time Twenge’s research was published, reality programming had spent twenty years perfecting itself, and the modern stars of those shows represent a tiny portion of the population who not only want to be on those shows, but who also know what they are getting into and still want to participate. Producers with the experience to know who will provide the best television entertainment to millions then cull that small group. The result is a new generation of celebrities with positive illusions so robust and potent that the narcissistic overconfidence of the modern American teenager by comparison is now much easier to see as normal.

I was on my way to talk to Davis when the car hit me". . . . . . "A dark figure emerged from the shadows, half-lit by the glittering streetlight and the pale glow of the moon". . . . . . . "Huge black wings erupted out of her back like a blooming rose. She was beautiful." . . . . "I knew who this woman was.’Are you Death?'" . . . . . “'Most people have something holding them down to this world,' she said, 'like a tether on a balloon. It could be something material, a person, or persons, an unfinished goal. There are many reasons to want to keep living. I wonder, Juvenalius, what is yours?' I smiled just thinking about it. 'His name’s Davis.' Her hand stroked my cheek so gently I wanted to cry. 'Tell me about him,' she whispered." And Juvenalius does. And you will be transfixed as Juve's first friend comes to life in his memory in this Tale with a gay twist.

Zap. Sports channel. Normal is nine innings, four balls, three strikes, somebody wins, somebody loses, there’s no such thing as a tie. Zap. Normal is unreal people, mostly rich unreal people, having sex with rappers and basketball players and thinking of their unreal family as a real-world brand, like Pepsi or Drano or Ford. Zap. News channels. Normal is guns and the normal America that really wants to be great again. Then there’s another normal if your skin color is the wrong color and another if you’re educated and another if you think education is brainwashing and there’s an America that believes in vaccines for kids and another that says that’s a con trick and everything one normal believes is a lie to another normal and they’re all on TV depending where you look, so, yeah, it’s confusing. I’m really trying to understand which this is America now. Zap zap zap. A man with his head in a bag being shot by a man without a shirt on. A fat man in a red hat screaming at men and women also fat also in red hats about victory, We’re undereducated and overfed. We’re full of pride over who the f*ck knows. We drive to the emergency room and send Granny to get our guns and cigarettes. We don’t need no stinkin’ allies cause we’re stupid and you can suck our dicks. We are Beavis and Butt-Head on ’roids. We drink Roundup from the can. Our president looks like a Christmas ham and talks like Chucky. We’re America, bitch. Zap. Immigrants raping our women every day. We need Space Force because Space ISIS. Zap. Normal is Upside-Down Land. Our old friends are our enemies now and our old enemy is our pal. Zap, zap. Men and men, women and women in love. The purple mountains’ majesty. A man with an oil painting of himself with Jesus hanging in his living room. Dead schoolkids. Hurricanes. Beauty. Lies. Zap, zap, zap. “Normal doesn’t feel so normal to me,” I tell him. “It’s normal to feel that way,” he replies.

Just as the printing press led to the appearance of a new set of possibilities for democracy, beginning five hundred years ago—and just as the emergence of electronic broadcasting reshaped those possibilities, beginning in the first quarter of the twentieth century—the Internet is presenting us with new possibilities to reestablish a healthy functioning self-government, even before it rivals television for an audience. In fact, the Internet is perhaps the greatest source of hope for reestablishing an open communications environment in which the conversation of democracy can flourish. It has extremely low entry barriers for individuals. The ideas that individuals contribute are dealt with, in the main, according to the rules of a meritocracy of ideas. It is the most interactive medium in history and the one with the greatest potential for connecting individuals to one another and to a universe of knowledge. An important distinction to make is that the Internet is not just another platform for disseminating the truth. It’s a platform for pursuing the truth, and the decentralized creation and distribution of ideas, in the same way that markets are a decentralized mechanism for the creation and distribution of goods and services. It’s a platform, in other words, for reason. But just as it is important to avoid romanticizing the printing press and the information ecosystem it created, it is also necessary to keep a clear-eyed view of the Internet’s problems and abuses. It is hard to imagine any human evil that is not somehow abundantly displayed somewhere on the Internet. Parents of young children are often horrified to learn what obscene, grotesque, and savage material is all too easily available to children whose Web-surfing habits are not supervised or electronically limited. Teen suicides, bullying, depravity, and criminal behavior of all descriptions are described and—some would argue—promoted on the Internet. As with any tool put at the disposal of humankind, it can be, and is, used for evil as well as good purposes. And as always, it is up to us—particularly those of us who live in a democracy—to make intelligent choices about how and for what we use this incredibly powerful tool.

A Conversation with the Author What was your inspiration for The 7½ Deaths of Evelyn Hardcastle? Inspiration is a flash-of-lightning kind of word. What happens to me is more like sediment building. I love time travel, Agatha Christie, and the eighties classic Quantum Leap, and over time a book emerged from that beautiful quagmire. Truthfully, having the idea was the easy part, keeping track of all the moving parts was the difficulty. Which character was the most interesting to write, and in which host do you feel Aiden truly flourishes? Lord Cecil Ravencourt, by miles. He occupies the section of the book where the character has to grapple with the time travel elements, the body swapping elements, and the murder itself. I wanted my most intelligent character for that task, but I thought it would be great to hamper him in some way, as well. Interestingly, I wanted to make him really loathsome—which is why he’s a banker. And yet, for some reason, I ended up quite liking him, and feeding a few laudable qualities into his personality. I think Derby ended up getting a double dose of loathsome instead. Other than that, it’s just really nice seeing the evolution of his relationship with Cunningham. Is there a moral lesson to Aiden’s story or any conclusion you hope the reader walks away with as they turn the final page? Don’t be a dick! Kind, funny, intelligent, and generous people are behind every good thing that’s ever happened to me. Everybody else you just have to put up with. Like dandruff. Or sunburn. Don’t be sunburn, people. In one hundred years, do you believe there will be something similar to Blackheath, and would you support such a system? Yes, and not exactly. Our prison system is barbaric, but some people deserve it. That’s the tricky part of pinning your flag to the left or right of the moral spectrum. I think the current system is unsustainable, and I think personality adjustment and mental prisons are dangerous, achievable technology somebody will abuse. They could also solve a lot of problems. Would you trust your government with it? I suppose that’s the question. The book is so contained, and we don’t get to see the place that Aiden is escaping to! Did you map that out, and is there anything you can share about the society beyond Blackheath’s walls? It’s autocratic, technologically advanced, but they still haven’t overcome our human weaknesses. You can get everywhere in an hour, but television’s still overrun with reality shows, basically. Imagine the society that could create something as hateful as Annabelle Caulker.

My mother took one of the sunflowers from me and placed it over Pumpkin’s grave. She folded her hands over her stomach and leaned forward, staring at the headstone as though she expected it to suddenly topple backwards and for Pumpkin, all strawberry-blond hair and big eyes, to emerge with arms outstretched. A low moan escaped from my mother’s lips, the kind of sound that a wild animal makes when it’s dying and alone. I wanted to comfort her, but in my own selfish, possessive grief I was immobilized. I wanted her to leave so that I could be alone with my sister. The last time I had been alone with Pumpkin was just before the burial. She had been laid out in a frilly butter-yellow granny dress that she had worn once to our cousin’s wedding the year before. Her peach-painted mouth was pursed in a pensive expression, the kind of look she would have quickly replaced with a smile had she caught someone looking. As I leaned over the casket and pressed my lips to her cheek, I was less shocked by the coldness of her skin than I was by the realization that I had never kissed my sister before. I had hugged her many times, I had wrestled with her in front of the TV set, I had slept beside her and had felt her heart beating against my back, but I had never before kissed her face.

Another can do the activity for you; even enjoyment itself can be outsourced. The common example given by Žižek is the laugh track that occurs in most comedic sit-coms (now, sadly a dying form of entertainment with streaming services superseding network television), but the idea is that the television show is fully equipped with a canned laughter which then laughs at the point in the show when the actors make a funny remark. The point is not that the audience laughs along with the canned laughter, but that after a long day at work when you are tired, the canned laughter does the laughing for you. You are relieved of the need to act, and you imagine that there is a real person somewhere laughing at the joke in your place. Ideology functions in this gap, because the reality is that canned laughter is just a machine recording of laughter and there are no real people who are actually laughing. Žižek’s thesis is that this creates a “subject supposed to believe'' that there is someone out there doing the work that we are not doing. In instances when we give to charities we want to believe that the money is going to a good cause and that the problem of say, hunger in Africa, is being resolved by our donation. Not by the person donating the money, but by someone else who will allegedly act on our behalf and put in the work necessary for consumerism to continue unabated. Consumers can remain docile, or even active in their own hedonistic desires. Interpassivity implies that a decentered subject has emerged, where even the innermost desires of the subject can be externalized.

Trump’s shortcomings stood out particularly during emergencies. I remember briefing the president in the Oval Office on the projected storm track of an Atlantic hurricane. At first, he seemed to grasp the devastating magnitude of the Category 4 superstorm, until he opened his mouth. “Is that the direction they always spin?” the president asked me. “I’m sorry sir,” I responded, “I don’t understand.” “Hurricanes. Do they always spin like that?” He made a swirl in the air with his finger. “Counterclockwise?” I asked. He nodded. “Yes, Mr. President. It’s called the Coriolis effect. It’s the same reason toilet water spins the other direction in the Southern Hemisphere.” “Incredible,” Trump replied, squinting his eyes to look at the foam board presentation. We needed him to urge residents to evacuate from the Carolinas, where it looked like the storm would make landfall, but the president mused about another potential response. “You know, I was watching TV, and they interviewed a guy in a parking lot,” Trump leaned back and recounted. “He was wearing a red hat, a MAGA hat, and he said he was going to ‘ride it out.’ Isn’t that something? That’s what Trump supporters do. They’re tough. They ride it out. I think that’s what I’ll tell them to do.” Sometimes his irreverence could be funny, even charming. That day it wasn’t. Worried looks filled the room. A clever communications aide piped up. “Mr. President, I wouldn’t take that chance. This is going to be a pretty bad storm, and you don’t want to lose supporters in the Carolinas before the 2020 election.” The president thought about it for a moment. “That’s such a good point. We should urge the evacuations.” You couldn’t write such a stupid scene in a movie, but it always got a little worse.

Well before the end of the 20th century however print had lost its former dominance. This resulted in, among other things, a different kind of person getting elected as leader. One who can present himself and his programs in a polished way, as Lee Quan Yu you observed in 2000, adding, “Satellite television has allowed me to follow the American presidential campaign. I am amazed at the way media professionals can give a candidate a new image and transform him, at least superficially, into a different personality. Winning an election becomes, in large measure, a contest in packaging and advertising. Just as the benefits of the printed era were inextricable from its costs, so it is with the visual age. With screens in every home entertainment is omnipresent and boredom a rarity. More substantively, injustice visualized is more visceral than injustice described. Television played a crucial role in the American Civil rights movement, yet the costs of television are substantial, privileging emotional display over self-command, changing the kinds of people and arguments that are taken seriously in public life. The shift from print to visual culture continues with the contemporary entrenchment of the Internet and social media, which bring with them four biases that make it more difficult for leaders to develop their capabilities than in the age of print. These are immediacy, intensity, polarity, and conformity. Although the Internet makes news and data more immediately accessible than ever, this surfeit of information has hardly made us individually more knowledgeable, let alone wiser, as the cost of accessing information becomes negligible, as with the Internet, the incentives to remember it seem to weaken. While forgetting anyone fact may not matter, the systematic failure to internalize information brings about a change in perception, and a weakening of analytical ability. Facts are rarely self-explanatory; their significance and interpretation depend on context and relevance. For information to be transmuted into something approaching wisdom it must be placed within a broader context of history and experience. As a general rule, images speak at a more emotional register of intensity than do words. Television and social media rely on images that inflamed the passions, threatening to overwhelm leadership with the combination of personal and mass emotion. Social media, in particular, have encouraged users to become image conscious spin doctors. All this engenders a more populist politics that celebrates utterances perceived to be authentic over the polished sound bites of the television era, not to mention the more analytical output of print. The architects of the Internet thought of their invention as an ingenious means of connecting the world. In reality, it has also yielded a new way to divide humanity into warring tribes. Polarity and conformity rely upon, and reinforce, each other. One is shunted into a group, and then the group polices once thinking. Small wonder that on many contemporary social media platforms, users are divided into followers and influencers. There are no leaders. What are the consequences for leadership? In our present circumstances, Lee's gloomy assessment of visual media's effects is relevant. From such a process, I doubt if a Churchill or Roosevelt or a de Gaulle can emerge. It is not that changes in communications technology have made inspired leadership and deep thinking about world order impossible, but that in an age dominated by television and the Internet, thoughtful leaders must struggle against the tide.

Emerging from these predictable televised jousting matches, I thought I could do something different. I arranged an Israeli press conference for all the Arab journalists covering the conference. This was thoroughly unconventional at the time. Most of the journalists came, and I let them fire questions at me. One by one they leveled the usual vilifications, and one by one I rebuffed them with factual counterarguments. But I tried to do so in a noncombative way. Having met several Arab diplomats in the United Nations, I was shocked to discover a simple truth: They didn’t know even the most rudimentary facts about the history of our conflict or of our historic attachment to the contested land. For decades they had absorbed the lies of Arab propaganda and believed them to be true. The fact that this propaganda was taken for truth was typically explained away by American diplomats as deriving from different narratives, another piece of jargon used to denote that each side’s arguments are relative and beyond any objective examination of the facts. Competing “narratives” have been very much present in the Knesset, too. In a late-night debate in 2013, an Arab Knesset member was debating a Likud member about who preceded whom in what is now Israel. The historical facts are not that difficult to establish, since the Jews appeared in what became the Land of Israel roughly 3,500 years ago and the Arab conquest of this land occurred some two thousand years later, in the seventh century CE. The Arab member of the Knesset summed up his speech with a sharp, double-edged barb: “We were here before you, and we will be here after you.” At two in the morning I had had enough. I asked to use the prime minister’s prerogative to speak and gave my shortest speech in the Knesset: “To the Knesset member who just spoke, I say this: The first thing you said didn’t happen, and the second never will.” 13

The Iran/Contra cover-up The major elements of the Iran/Contra story were well known long before the 1986 exposures, apart from one fact: that the sale of arms to Iran via Israel and the illegal Contra war run out of Ollie North’s White House office were connected. The shipment of arms to Iran through Israel didn’t begin in 1985, when the congressional inquiry and the special prosecutor pick up the story. It began almost immediately after the fall of the Shah in 1979. By 1982, it was public knowledge that Israel was providing a large part of the arms for Iran—you could read it on the front page of the New York Times. In February 1982, the main Israeli figures whose names later appeared in the Iran/Contra hearings appeared on BBC television [the British Broadcasting Company, Britain’s national broadcasting service] and described how they had helped organize an arms flow to the Khomeini regime. In October 1982, the Israeli ambassador to the US stated publicly that Israel was sending arms to the Khomeini regime, “with the cooperation of the United States…at almost the highest level.” The high Israeli officials involved also gave the reasons: to establish links with elements of the military in Iran who might overthrow the regime, restoring the arrangements that prevailed under the Shah—standard operating procedure. As for the Contra war, the basic facts of the illegal North-CIA operations were known by 1985 (over a year before the story broke, when a US supply plane was shot down and a US agent, Eugene Hasenfus, was captured). The media simply chose to look the other way. So what finally generated the Iran/Contra scandal? A moment came when it was just impossible to suppress it any longer. When Hasenfus was shot down in Nicaragua while flying arms to the Contras for the CIA, and the Lebanese press reported that the US National Security Adviser was handing out Bibles and chocolate cakes in Teheran, the story just couldn’t be kept under wraps. After that, the connection between the two well-known stories emerged. We then move to the next phase: damage control. That’s what the follow-up was about. For more on all of this, see my Fateful Triangle (1983), Turning the Tide (1985), and Culture of Terrorism (1987).

Then, on a left-hand curve 2.8 kilometres from the finish line, Marco delivers another cutting acceleration. Tonkov is immediately out of the saddle. The gap reaches two lengths. Tonkov fights his way back and is on Marco’s wheel when Marco, who is still standing on the pedals, accelerates again. Suddenly Tonkov is no longer there. Afterwards Tonkov would say he could no longer feel his hands and feet. ‘I had to stop. I lost his slipstream. I couldn’t go on.’ Marco told Romano Cenni he could taste blood. His performance on Montecampione was close to self-mutilation. Seven hundred metres from the finish line, the TV camera on the inside of the final right-hand bend, looking down the hill, picks Marco up over two hundred metres from the line and follows him for fifty metres, a fifteen-second close-up, grainy, pallid in the late-afternoon light. A car and motorbike, diffused and ghostlike, pass between the camera and Marco, emerging out of the gloom. The image cuts to another camera, tight on him as he swings round into the finishing straight, a five-second flash before the live, wide shot of the stage finish: Marco, framed between ecstatic fans on either side, and the finish-line scaffolding adorned with race sponsors‘ logos; largest, and centrally, the Gazzetta dello Sport, surrounded by branding for iced tea, shower gel, telephone services. Then we see it again in the super-slow-motion replay; the five seconds between the moment Marco appeared in the closing straight and the moment he crossed the finish line are extruded to fifteen strung-out seconds. The image frames his head and little else, revealing details invisible in real time and at standard resolution: a drop of sweat that falls from his chin as he makes the bend, the gaping jaw and crumpled forehead and lines beneath the eyes that deepen as Marco wrings still more speed from the mountain. As he rides towards victory in the Giro d‘Italia, Marco pushes himself so deeply into the pain of physical exertion that the gaucheness he has always shown before the camera dissolves, and — this must be the instant he crosses the line — he begins to rise out of his agony. The torso lifts to vertical, the arms spread out into a crucifix position, the eyelids descend, and Marco‘s face, altered by the darkness he has seen in his apnoea, lifts towards the light.

(Notably, temporary loss of blood or oxygen or excess carbon dioxide in the blood can also cause a disruption in the temporoparietal region and induce out-of-body experiences, which may explain the prevalence of these sensations during accidents, emergencies, heart attacks, etc.) NEAR-DEATH EXPERIENCES But perhaps the most dramatic category of out-of-body experiences are the near-death stories of individuals who have been declared dead but then mysteriously regained consciousness. In fact, 6 to 12 percent of survivors of cardiac arrest report having near-death experiences. It’s as though they have cheated death itself. When interviewed, they have dramatic tales of the same experience: they left their body and drifted toward a bright light at the end of a long tunnel. The media have seized upon this, with numerous best sellers and TV documentaries devoted to these theatrical stories. Many bizarre theories have been proposed to explain near-death experiences. In a poll of two thousand people, fully 42 percent believed that near-death experiences were proof of contact with the spiritual world that lies beyond death. (Some believe that the body releases endorphins—natural narcotics—before death. This may explain the euphoria that people feel, but not the tunnel and the bright lights.) Carl Sagan even speculated that near-death experiences were a reliving of the trauma of birth. The fact that these individuals recount very similar experiences doesn’t necessarily corroborate their glimpses into the afterlife; in fact, it seems to indicate that there is some deep neurological event happening. Neurologists have looked into this phenomenon seriously and suspect that the key may be the decrease of blood flow to the brain that often accompanies near-death cases, and which also occurs in fainting. Dr. Thomas Lempert, a neurologist at the Castle Park Clinic in Berlin, conducted a series of experiments on forty-two healthy individuals, causing them to faint under controlled laboratory conditions. Sixty percent of them had visual hallucinations (e.g., bright lights and colored patches). Forty-seven percent of them felt that they were entering another world. Twenty percent claimed to have encountered a supernatural being. Seventeen percent saw a bright light. Eight percent saw a tunnel. So fainting can mimic all the sensations people have in near-death experiences

When asked about the difficulties of sculpture, Michelangelo said, “It is easy. You just chip away all the stone that isn’t David.” It’s simple to cut things out of a life. You break up with a shitty partner, quit eating bread, delete the Twitter app. You cut it out, and the shape of what’s actually killing you clarifies a little. The whole Abrahamic world invests itself in this promise: Don’t lie, don’t cheat, don’t fuck or steal or kill, and you’ll be a good person. Eight of the ten commandments are about what thou shalt not. But you can live a whole life not doing any of that stuff and still avoid doing any good. That’s the whole crisis. The rot at the root of everything. The belief that goodness is built on a constructed absence, not-doing. That belief corrupts everything, has everyone with any power sitting on their hands. A rich man goes a whole day without killing a single homeless person and so goes to sleep content in his goodness. In another world, he’s buying crates of socks and Clif bars and tents, distributing them in city centers. But for him, abstinence reigns. I want to be the chisel, not the David. What can I make of being here? And what can I make of not? Normal people think of recovery as a kind of abstinence: they imagine us sitting around white-knuckled, sweating as we count our hours trying desperately to distract ourselves enough to not relapse. This is because for normal people, drinking is an activity, like brushing their teeth or watching TV. They can reasonably imagine excising drinking, like any other activity, without collapsing their entire person. For a drunk, there’s nothing but drink. There was nothing in my life that wasn’t predicated on getting drunk—either getting fucked up itself or getting money to get fucked up by working or slinging this drug for that drug or that drug for cash. Getting sober means having to figure out how to spend twenty-four hours a day. It means building an entirely new personality, learning how to move your face, your fingers. It meant learning how to eat, how to speak among people and walk and fuck and worse than any of that, learning how to just sit still. You’re moving into a house the last tenants trashed. You spend all your time ripping up the piss-carpet, filling in the holes in the wall, and you also somehow have to remember to feed yourself and make rent and not punch every person who talks to you in the face. There’s no abstinence in it. There’s no self-will. It’s a chisel. It’s surrender to the chisel. Of course you don’t hope to come out a David. It’s miracle enough to emerge still standing on two feet. —from BOOKOFMARTYRS.docx by Cyrus Shams

The top surface of the computer is smooth except for a fisheye lens, a polished glass dome with a purplish optical coating. Whenever Hiro is using the machine, this lens emerges and clicks into place, its base flush with the surface of the computer. The neighborhood loglo is curved and foreshortened on its surface. Hiro finds it erotic. This is partly because he hasn't been properly laid in several weeks. But there's more to it. Hiro's father, who was stationed in Japan for many years, was obsessed with cameras. He kept bringing them back from his stints in the Far East, encased in many protective layers, so that when he took them out to show Hiro, it was like watching an exquisite striptease as they emerged from all that black leather and nylon, zippers and straps. And once the lens was finally exposed, pure geometric equation made real, so powerful and vulnerable at once, Hiro could only think it was like nuzzling through skirts and lingerie and outer labia and inner labia. . . . It made him feel naked and weak and brave. The lens can see half of the universe -- the half that is above the computer, which includes most of Hiro. In this way, it can generally keep track of where Hiro is and what direction he's looking in. Down inside the computer are three lasers -- a red one, a green one, and a blue one. They are powerful enough to make a bright light but not powerful enough to burn through the back of your eyeball and broil your brain, fry your frontals, lase your lobes. As everyone learned in elementary school, these three colors of light can be combined, with different intensities, to produce any color that Hiro's eye is capable of seeing. In this way, a narrow beam of any color can be shot out of the innards of the computer, up through that fisheye lens, in any direction. Through the use of electronic mirrors inside the computer, this beam is made to sweep back and forth across the lenses of Hiro's goggles, in much the same way as the electron beam in a television paints the inner surface of the eponymous Tube. The resulting image hangs in space in front of Hiro's view of Reality. By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic soundtrack. So Hiro's not actually here at all. He's in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse. It beats the shit out of the U-Stor-It.

It was discussed and decided that fear would be perpetuated globally in order that focus would stay on the negative rather than allow for soul expression to positively emerge. As people became more fearful and compliant, capacity for free thought and soul expression would diminish. There is a distinct inability to exert soul expression under mind control, and evolution of the human spirit would diminish along with freedom of thought when bombarded with constant negative terrors. Whether Bush and Cheney deliberately planned to raise a collective fear over collective conscious love is doubtful. They did not think, speak, or act in those terms. Instead, they knew that information control gave them power over people, and they were hell-bent to perpetuate it at all costs. Cheney, Bush, and other global elite ushering in the New World Order totally believed in the plan mapped out by artificial intelligence. They were allowing technology to dictate global control. “Life is like a video game,” Bush once told me at the rural multi-million dollar Lampe, Missouri CIA mind control training camp complex designed for Black Ops Special Forces where torture and virtual reality technologies were used. “Since I have access to the technological source of the plans, I dictate the rules of the game.” The rules of the game demanded instantaneous response with no time to consciously think and critically analyze. Constant conscious disruption of thought through television’s burst of light flashes, harmonics, and subconscious subliminals diminished continuity of conscious thought anyway, creating a deficit of attention that could easily be refocused into video game format. DARPA’s artificial intelligence was reliant on secrecy, and a terrifying cover for reality was chosen to divert people from the simple truth. Since people perceive aliens as being physical like them, it was decided that the technological reality could be disguised according to preconceptions. Through generations of genetic encoding dating back to the beginning of man, serpents incite an innate autogenic response system in humans to “freeze” in terror. George Bush was excited at the prospects of diverting people from truth by fear through perpetuating lizard-like serpent alien misconceptions. “People fear what they don’t know anyway. By compounding that fear with autogenic fear response, they won’t want to look into Pandora’s Box.” Through deliberate generation of fear; suppression of facts under the 1947 National Security Act; Bush’s stint as CIA director during Ford’s Administration; the Warren Commission’s whitewash of the Kennedy Assassination; secrecy artificially ensured by mind control particularly concerning DARPA, HAARP, Roswell, Montauk, etc; and with people’s fluidity of conscious thought rapidly diminishing; the secret government embraced the proverbial ‘absolute power that corrupts absolutely.’ According to New World Order plans being discussed at the Grove, plans for reducing the earth’s population was a high priority. Mass genocide of so-called “undesirables” through the proliferation of AIDS4 was high on Bush’s agenda. “We’ll annihilate the niggers at their source, beginning in South and East Africa and Haiti5.” Having heard Bush say those words is by far one of the most torturous things I ever endured. Equally as torturous to my being were the discussions on genetic engineering, human cloning, and depletion of earth’s natural resources for profit. Cheney remarked that no one would be able to think to stop technology’s plan. “I’ll destroy the planet first,” Bush had vowed.

The testimony is followed by another montage of Team Impact feats of strength. “Ladies and Gentlemen,” an amped up announcer voice a la Monster Truck Rally proclaims, “We are Team Impaaaaact. Standing on faith tonight let’s give it up for the King of Kings and Lord of Lords, the one, the only, the Risen Warrioooooor!” Are they talking about Jesus? Is he a cage fighter or the Lamb of God? If ever there was a cross-denying tribute to a theology of glory, it would be Team Impact. As is the case with the rest of TBN, the scandal of Jesus’ birth, life, teachings, death, and resurrection are ignored entirely in favor of a Jesus-as-Rambo theology; here the Lord just kicks ass and takes names, much like the freakishly muscular Team Impact guys. Taking one’s Christology from a couple of chapters of Revelation (ignoring the central Christ image, that of the Lamb who was slain) rather than the gospels is baffling to me. I recently saw an “inspirational” self-mocking emerging church poster. The word “incarnational” rested below an image of a heavily tattooed guy wearing a crown of thorns made of barbed wire. The caption read “What would Jesus do? I’m pretty sure he’d do stuff I think is cool.” We all wish to make Christ in our own image because the truth of a God who dies is too much. We’ll believe anything but that, and if that anything happens to bring us power and victory and glory then all the better.

America stakes a relatively modest claim to world history when compared to other nations. Perhaps this lack of historical longevity partially accounts for why each generation of Americans tends to define themselves based largely upon the flashbulb remembrances that took place during their lifetime. Despite the relative newness of The United States of America emergence as a great power, post-Vietnam Americans display no deeply entwined interest in their national heritage. The battle cries of the American Revolution, the Civil War, and the battle hymns of World War I and World War II seem like ancient relics in the springtime commencement of the digital age. Today’s consumerism society brazenly casted aside the legacy of its predecessors similar to how one would toss away a functionally obsolete toaster, bulky television set, or land phone when the newest and slimmest best thing comes along. It is a fundamental mistake to forget the embryonic stages of America. When a nation’s citizens respect the accomplishments of its ancestors, the populous feels spiritually rooted. Without a clear vision and a unified approach, America will never become the beacon of universal justice.

All manner of physical systems,” wrote Robert G. Jahn, “whether mechanical, electromagnetic, fluid dynamical, quantum mechanical, or nuclear, display capacities for synergistically interactive vibrations with similar systems, or with their environment. Coupled harmonic oscillators, all common musical instruments, radio and television circuitry, atomic components of molecules, all involve this ‘sympathetic’ resonance, from which strikingly different properties emerge than those that characterize their isolated components.”21

On January 8, 1959, Fidel made his grand entrance into Havana. With his son Fidelito at his side, he rode on top of a Sherman tank to Camp Columbia, where he gave the first of his long, rambling, difficult-to-endure speeches. It was broadcast on radio and television for the entire world to witness. For the Cubans it was what they had waited for! During the speech, smiling Castro asked Camilo Cienfuegos, “How am I doing?” and the catch phrase “Voy bien, Camilo” was born. The following Christmas the celebrations were exceptional and made up for the drab Christmas of 1958. There were great expectations on the part of the Cuban people, but most of these expectations would be shattered in the years to come. In the United States, people saw things differently. “Kangaroo trials” of Batista’s followers, ending with their executions, infuriated Americans who couldn’t believe what was happening on what they considered a happy island. Members of the U.S. Congress held formal hearings, interviewing exiled Cubans known as Batistianos. The result was that in the United States, people began to rally against Castro and in Cuba, people saw the United States as presumptuous and overbearing. Eisenhower treated Fidel with contempt and Nixon did not hide the fact that he disliked the Cuban leader. It was this combination of events that led Cuban-American relations into a diplomatic downhill spiral, from which the two countries have just now started to emerge. Without American backing, Cuba turned to Communism and looked to the Soviet Union for support. The results that followed should have been expected and were the consequences of American arrogance and Cuban misplaced pride.

We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong. Standing there next to this impressive animal, I tried to wrap my mind around the idea that people had wanted him dead. His huge, intimidating teeth made him look primeval, and his osteodermal plates gleamed black in the sun--a dinosaur, living here among us. I felt so emotional, contemplating the fear-based cruelty that prompted humans to hate these animals. For his part, Acco still remembered his capture, even though it had happened nearly a decade before. Whenever Steve went into his enclosure, Acco would stalk him and strike, exploding out of the water with the intent to catch Steve unaware. Despite the conflict in Steve’s soul over whether he had done the right thing, I decided that Acco’s capture had to be. In the zoo, Acco had his own territory to patrol and a beautiful female crocodile, Connie, who loved him dearly. Left in the wild, somebody would have eventually shot him. If the choice is between a bullet and living in the Crocodile Environmental Park, I think his new territory was much more preferable. When I met Steve in 1991, he had just emerged from a solid decade in the bush, either with Bob or on his own, with just his dog Chilli, and later Sui. Those years had been like a test of fire. As a boy all Steve wanted to do was to be like his dad. At twenty-nine he’d become like Bob and then some. He had done so much more than catch crocs. In the western deserts, he and Bob helped researchers from the Queensland Museum understand the intricacies of fierce snake behavior. Steve also embarked on a behavioral study of a rare and little-understood type of arboreal lizard, the canopy goanna, scrambling up into trees in the rain forests of Cape York Peninsula in pursuit of herpetological knowledge. As much as Steve had become a natural for television, over the course of the 1980s he had become a serious naturalist as well. His hands-on experience, gleaned from years in the bush, meshed well with the more abstract knowledge of the academics. No one had ever accomplished what he had, tracking and trapping crocodiles for months at a time on his own. He would hand Bindi and Robert his knowledge of nature and the bush, just as Bob and Lyn had handed it down to him. This is what few people understood about Steve--his relationship with his family, and the tradition of passion and commitment and understanding that passed from generation to generation. Later on, that Irwin family tradition would bring Steve untold grief, when outsiders misjudged his effort to educate his children and crucified him for it.

When I met Steve in 1991, he had just emerged from a solid decade in the bush, either with Bob or on his own, with just his dog Chilli, and later Sui. Those years had been like a test of fire. As a boy all Steve wanted to do was to be like his dad. At twenty-nine he’d become like Bob and then some. He had done so much more than catch crocs. In the western deserts, he and Bob helped researchers from the Queensland Museum understand the intricacies of fierce snake behavior. Steve also embarked on a behavioral study of a rare and little-understood type of arboreal lizard, the canopy goanna, scrambling up into trees in the rain forests of Cape York Peninsula in pursuit of herpetological knowledge. As much as Steve had become a natural for television, over the course of the 1980s he had become a serious naturalist as well. His hands-on experience, gleaned from years in the bush, meshed well with the more abstract knowledge of the academics. No one had ever accomplished what he had, tracking and trapping crocodiles for months at a time on his own. He would hand Bindi and Robert his knowledge of nature and the bush, just as Bob and Lyn had handed it down to him. This is what few people understood about Steve--his relationship with his family, and the tradition of passion and commitment and understanding that passed from generation to generation. Later on, that Irwin family tradition would bring Steve untold grief, when outsiders misjudged his effort to educate his children and crucified him for it.

TIME FOR MORE TEA He does not keep the wicked alive but gives the afflicted their rights. Job 36:6 We the people. That’s what so many Americans have rallied around since the unstoppable Tea Party grassroots movement emerged. It resonates deeply with our Founders’ vision for an America created by the people and for the people, while it fights to ensure our lives are not ruled by the elites in Washington. And where do these convictions originate? We believe we’re created in God’s image and thus have God-given rights that we must protect from the destructive forces of the federal government. Even as the liberal media mock our ideals and our leaders, and even dare to mock our God, we have continued to stand for what is right. We stand because our hope comes from above, not from our TV screens and from Washington. Liberal elites put patriots down and mock them because they’re scared of conscientious, independent citizens. They look around and realize there are more of us than there are of them. They’re scared, because they see how people flock to a message of truth and hope. Patriots will keep winning because when the true biblical hope that the Founders enshrined in our Constitution is held up next to the façade of hope that this world offers, hope rooted in Christ always wins. SWEET FREEDOM IN Action Today, support those in your community who are truly fighting to uphold our one nation under God! Get involved in a local campaign for a candidate who stands for these principles.

go·mer  n. 1 MILITARY SLANG an inept or stupid colleague, especially a trainee. 2 INFORMAL (used mainly by doctors) a troublesome patient, especially an elderly or homeless one.  1960s: origin uncertain; sense 1 perhaps from the television character Gomer Pyle, a bungling Marine Corps enlistee; sense 2 perhaps an acronym from get out of my emergency room.

I have a confession to make.121 Almost every time I tune in to religious radio or TV, I want to change my religion. I

The present threat is not based on conflicting ideas about America's basic principles. It is based on several serious problems that stem from the dramatic and fundamental change in the way we communicate among ourselves. Our challenge now is to understand that change and see those problems for what they are. Consider the rules by which our present public forum now operates and how different they are from the norms our Founders knew during the age of print. Today's massive flows of information are largely only in one direction. The world of television makes it virtually impossible for individuals to take part in what passes for a national conversation. Individuals receive, but they cannot send. They absorb, but they cannot share. They hear, but they do not speak. They see constant motion, but they do not move themselves. The "well-informed citizenry" is in danger of becoming the "well-amused audience". Ironically, television programming is actually more accessible to more people than any source of information has ever been in all of history. But here is the crucial distinction: It is accessible in only one direction. There is no true interactivity, and certainly no conversation. Television stations and networks are almost completely inaccessible to individual citizens and almost always uninterested in ideas contributed by citizens. So, unlike the marketplace of ideas that emerged in the wake of the printing press, there is much less of an exchange of ideas in television's domain because of the imposing barriers to entry that exclude contributions from most citizens.

As was the case in Ferguson, the media became as much a motivating factor as the death itself. While cable news talking heads often declare that the media is to blame for mass protests--arguing that if the cameras would go away, so would the demonstrators--the logic is only partially correct, and it diagnoses the wrong root cause. Many of those who take to the street and demand justice do emerge in response to the media, but it's not necessarily because they want to get on camera (although many of the protesters happily embrace the chance to step under the bright lights and speak their piece). Rather, many in these communities show up in the streets because they do not recognise the way their home is being depicted on their television sets. They are upset and offended by what they are hearing and reading about their community. They emerge to serve as ombudsmen, correct the record, tell their own stories. The people who took to the streets were, in many ways, protesting not only the death of Freddie Gray, but also the way his life and death had been portrayed in the media.

At the time, we had one of those TV’s operated by coins which are inserted in a box at the side. The three of us were sat side by side on the sofa as the PC delivered his stern lecture. ‘Only dial 999 if it’s an absolute emergency,’ he chastized. ‘It was an emergency,’ I shouted. ‘The coins ran out and we lost our picture.’ The policeman and mum had a job not to laugh. They saw the funny side thankfully but we had a telling off we didn’t forget in a hurry.

Starting in the 1940s, we began coating glass with phosphor and firing electrons at it, creating the hypnotic images of television. Within a few years, sociologists and media theorists were declaring that we had become a “society of the image,” the literate Gutenberg galaxy giving way to the blue glow of the TV screen and the Hollywood glamour shot. Those transformations emerged out of a wide range of innovations and materials, but all of them, in one way or another, depended on the unique ability of glass to transmit and manipulate light.

[...]Elihu tried and failed to control a visible shudder. “I haven’t been watching TV, as I told you—but since I’m rooming in the UN Hostel, I’ve been getting first-hand opinions from people of a hundred different nationalities, and take my word, Yatakang is the most cordially hated country on the face of the globe right now, not excluding China.” “And here’s the crunch,” Norman said, leaning forward to emphasise his words. “There hasn’t been a new crisis since Mr. and Mrs. Everywhere took over. They emerged full-blown into the existing contemporary world, with its generation-long antipathies and hatreds. Even so, I’ve seen what they’ve done to public opinion. Tens—scores—of millions of people are becoming identified with that imaginary couple. The next presidential campaign will pivot on what they think, not on the validity of the rival policies. But the Yatakang question is going to hit first, and what’s worse it’ll hit people in the balls. Below the waist you don’t think, you react. Let Mr. and Mrs. Everywhere only say that this isn’t fair, and you’ll have a party in favour of war against Yatakang within a week.” There was a short silence. A kind of anguish was written on Norman’s face. Studying it, Elihu said finally, “It’s remarkable how much you’ve altered in the few days since I met you.” “What? How do you mean?” “Laying away your ancestor to his long-time rest has improved you out of recognition. A couple of weeks ago I can imagine you chortling over the discomfiture of the paleasses in face of this breakthrough by yellowbellies. Now what seems to worry you most is the fact that people won’t get the chance to judge the idea dispassionately for themselves, but may get stampeded into stupid emotional reactions.” “My whole life has been one long emotional reaction,” Norman said, not looking at the older man. “Shall we leave the subject and get back to the business in hand?

The challenge now is to decode the underlying meaning of small-world and scale-free architecture, if there is any. In one recent attempt, Solé has observed that electronic circuits tend to be wired in a small-world fashion, and he thinks he knows why. Whether he was analyzing the latest digital microchips or the clunky circuits found in old televisions, he found that all the components were just a few electrical steps from one another, yet they were much more clustered than they would have been in an equivalent random circuit, thanks to the modular design favored by engineering practice.

Do we really want "More is better" to be the epitaph of the human race? In our individual lives, we struggle most with two sorts of action. The first is: Do something "nice" now and at some specified time in the future a "nasty will emerge. Repeat it often enough, and a "nasty" will appear with compound interest we could well do without. You might call this "From first hangover to cirrhosis." The second is: Do something now that it would be easier not to do (e.g. math homework instead of TV or get up an hour earlier for some yogasana practice) and reap the benefit a bit later. Repeat it often enough and harvest the compound interest as the future unrolls.

Then the center of influence shifted to London, with the Beatles and the Rolling Stones, Cream, the Who, the Kinks, and all the bands that orbited them. San Francisco, with the Grateful Dead, Jefferson Airplane, and Santana, had its moment in a psychedelic spotlight around the Summer of Love and the Monterey Pop Festival in 1967, but as the 1960s gave way to the '70s, the center of the musical universe shifted unmistakably to Los Angeles. "It was incredibly vital," said Jonathan Taplin, who first came to LA as the tour manager for Bob Dylan and the Band and later relocated there to produce Martin Scorsese's breakthrough movie, Mean Streets. "The nexus of the music business had really moved from New York to Los Angeles. That had been a profound shift . . . It was very clear that something big had changed."'' For a breathtaking few years, the stars aligned to glittering effect in Los Angeles. The city attracted brilliant artists; skilled session musicians; soulful songwriters; shrewd managers, agents, and record executives; and buzz-building clubs. From this dense constellation of talent, a shimmering new sound emerged, a smooth blend of rock and folk with country influences. Talented young people from all over the country began descending on Los Angeles with their guitar cases or dreams of becoming the next Geffen. Irving Azoff, a hyper-ambitious young agent and manager who arrived in Los Angeles in 1972, remembered, "It was like the gold rush. You've never seen anything like it in the entertainment business. The place was exploding. I was here—right place, right time. I tell everybody, `If you're really good in this business, you only have to be right once,' so you kind of make your own luck, but it is luck, too. It was hard to be in LA in that time and have any talent whatsoever in the music business—whether you were a manager, an agent, an artist, a producer, or writer—[and] not to make it, because it was boom times. It was the gold rush, and it was fucking fun.

Senior Wal-Mart officials concentrated on setting goals, measuring progress, and maintaining communication lines with employees at the front lines and with official agencies when they could. In other words, to handle this complex situation, they did not issue instructions. Conditions were too unpredictable and constantly changing. They worked on making sure people talked. Wal-Mart’s emergency operations team even included a member of the Red Cross. (The federal government declined Wal-Mart’s invitation to participate.) The team also opened a twenty-four-hour call center for employees, which started with eight operators but rapidly expanded to eighty to cope with the load. Along the way, the team discovered that, given common goals to do what they could to help and to coordinate with one another, Wal-Mart’s employees were able to fashion some extraordinary solutions. They set up three temporary mobile pharmacies in the city and adopted a plan to provide medications for free at all of their stores for evacuees with emergency needs—even without a prescription. They set up free check cashing for payroll and other checks in disaster-area stores. They opened temporary clinics to provide emergency personnel with inoculations against flood-borne illnesses. And most prominently, within just two days of Katrina’s landfall, the company’s logistics teams managed to contrive ways to get tractor trailers with food, water, and emergency equipment past roadblocks and into the dying city. They were able to supply water and food to refugees and even to the National Guard a day before the government appeared on the scene. By the end Wal-Mart had sent in a total of 2,498 trailer loads of emergency supplies and donated $3.5 million in merchandise to area shelters and command centers. “If the American government had responded like Wal-Mart has responded, we wouldn’t be in this crisis,” Jefferson Parish’s top official, Aaron Broussard, said in a network television interview at the time.

To CBS boss Bill Paley, who had come of age building his radio network to rival NBC, the simple formula to keep up was to transfer his radio stars to TV. The transition worked for America’s most famous newscaster, Edward R. Murrow, who had become famous for broadcasting from London during the Battle of Britain. But two far bigger stars would emerge in a different genre. In the late forties, Lucille Ball had been a star of a CBS radio program known as My Favorite Husband, a situation comedy that chronicled the domestic life and squabbles of an all-American couple.

It was okay, Travis, when the world couldn’t see us consuming and consuming. Or hear us. Or taste some of our wares. But communication by cinema, satellite, radio, television tape, these have been like a light coming on slowly, being turned up like on a rheostat control in a dark cellar where all of mankind used to live. Now it is blinding bright, cruelly bright. And they can all look over into our corner and see us gorging ourselves and playing with our bright pretty toys. And so they want theirs now. Just like ours, God help them. And what is the only thing we can say? ‘Sorry. You’re a little too late. We used it all up, all except what we need to keep our toys in repair and running and to replace them when they wear out. Sorry, but that’s the way it is.’ What comes after that? Barbarism, an interregnum, a new dark ages, and another start a thousand years from now with a few million people on the planet? Our myth has been that our standard of living would become available to all the peoples of the world. Myths wear thin. We have a visceral appreciation of the truth. That truth, which we don’t dare announce to the world, is what gives us the guilt and the shame and the despair. Nobody in the world will ever live as well, materially, as we once did. And now, as our materialism begins to sicken us, it is precisely what the emerging nations want for themselves. And can never have. Brazil might manage it. But no one else.

The internet was banned and Mrs Shafquat Husain O’Reilly Kim-Lee, the American president (Republican, on an Evangelical ticket), rather dramatically, during a globally-televised media circus, broke the “In case of Emergency” glass and threw the big industrial “Stop Internet” switch on the wall in the Ovoid Room of The Whitehouse.

drew more television viewers than did Ronald Reagan’s but in fact Reagan in 1981 had 42 million viewers while Obama in 2009 had 38 million, according to Nielsen Media Research.

A starlet in whom Shukla took a special interest was a curvaceous beauty called Vijay Kumari, known by her pet name, Candy. Students at the Film and Television Institute of India (FTII), Pune, recall how one day in August 1976 film director G.P. Sippy turned up at the institute along with Candy dressed in blue jeans, a yellow top and dark glasses. They were told that Candy, who had ‘high connections’, was to be given a place in the girls’ hostel even though she had taken none of the mandatory admission tests. N.V.K. Murthy, the then director of FTII, at first resisted her admission but was told by Sippy that it was a direct order from Shukla. Shortly afterwards Murthy was transferred to Delhi and replaced by Jagat Murari.

The results showed that when established habits were weak, intentions tended to predict behavior. So, if you don’t watch TV news that much, your intention for the coming week, whether it’s to watch more, less, or the same, is likely to be accurate. Good news for our sense of self-control. Here comes the bad news. As habits get stronger, our intentions predict our behavior less and less. So, when you’re in the habit of visiting fast-food restaurants, for example, it doesn’t matter much whether you intend to cut it down or not, chances are that your habit will continue. It gets worse, though. Participants were also asked how confident they were in predicting their behavior over the coming 7 days. An unusual result emerged. Those with the strongest habits, who were the least successful in predicting their behavior over the coming

Goodby, Silverstein & Partners, the legendary San Francisco-based ad agency behind such classic campaigns as “Got Milk” and the Foster Farm Chickens, had found itself in a funk—and felt increasingly irrelevant in an emerging, transmedia world of social networking, user-generated content, mobile, Internet video, and more. So a few years ago, the agency set an ambitious goal to completely revamp itself for the digital age. “Our goal is to be unrecognizable twelve months from now,” creative director Jamie Barrett said at the time. The idea: transform an agency known primarily for eye-popping television spots into one badass, multiplatform marketing machine. It was well worth the effort. In less than a year, Goodby saw revenues leap 20 percent to $102 million. At the start of its transformation effort, 80 percent of the twenty-five-year-old agency’s revenues came from traditional advertising campaigns, while less than 20 percent came from digital initiatives. Today, after three years of reinvention, those numbers are nearly flip-flopped, with 60 percent of revenues now coming from digital initiatives, and 40 percent from traditional. Now, a team once vexed by what it called “Crispin Envy”—for all the attention Crispin Porter + Bogusky receives for its groundbreaking work in digital media—has found its own footing, and then some. While many have driven the transformation, no one has received more credit as a catalyst for change than Derek Robson, forty-two, whom Goodby recruited from adverting agency powerhouse Bartle Bogle Hegarty in London.

Attributing culpability for cyberattacks is difficult. Competent spy agencies labor to make it nigh-impossible. But it didn’t take long before Obama administration and congressional leaders started expressing with unusual certainty—off the record, of course—that Russia was behind the assault. A theory emerged. The Russians were putting a digital thumb on the scale of the US election to help the aforementioned reality-TV host—who just happened to be running on the most pro-Russia platform in GOP history.

If “ship early, ship often” is interpreted as the willingness to expose not-quite-feature-complete but well-tested products to the healthy pressures of real users, everybody wins. But if it is used as an excuse for shipping half-baked, flaky products; using your customers as unpaid quality-assurance staff—and counting on ever-lowering expectations of quality in a slipshod marketplace numbed by crashing TVs and bug-filled software—it is another matter entirely. Even

Not only being occupied but also being preoccupied is highly encouraged by our society. The way in which newspapers, radio, and TV communicate their news to us creates an atmosphere of constant emergency. The excited voices of reporters, the predilection for gruesome accidents, cruel crimes, and perverted behavior, and the hour-to-hour coverage of human misery at home and abroad slowly engulf us with an all-pervasive sense of impending doom. On top of all this bad news is the avalanche of advertisements. Their unrelenting insistence that we will miss out on something very important if we do not read this book, see this movie, hear this speaker, or buy this new product deepens our restlessness and adds many fabricated preoccupations to the already existing ones.

Our sense of self, formulated in large part by the untold number of cross-related connections that we make with our physical, social, and family environments, is reliant upon fitting into our social fabric. The educational environment, family relationships, peer groups, books, television, films, music, along with an assortment of other cultural events shape our emergent persona. Our successes and failures interacting in the world leave their collective imprint upon the wet clay of our forming brains. We are sentimental creatures who cling to past memories. We are inquisitive critters who venture forth from our protective dens to explore new territory. We are perceptive organisms equipped with five basic senses. We are sentient beings who can consciously organize our sense impressions into guiding ideas and useful principles. Our survival responses form a central cord of our emotions. We are receptive, compassionate beings that respond with both body and mind to global stimuli.

And suddenly there he was, emerging from the staircase and walking toward them, parting the crowd like Moses. If Moses were Swedish. And incredibly hot. To Luna’s eyes, the whole room seemed to turn his way as he strode across the bar, nodding hello to a few people who raised their hands to him in greeting; TV types, Luna presumed. She felt a thrill of pride as she noticed that he was wearing her favourite suit, the dark grey one, looking like… ‘Oh my days, it’s like a bloody Paco Rabanne advert,’ Kayla exclaimed, elbowing Nancy in the ribs and nodding in his direction.

The Iranian reaction after 9/11 shows in high relief the apparent paradox in Iranian attitudes to the West, in general, and to the United States, in particular. As we have seen, Iranians have real historical grounds for resentment that are unique to Iran and that go beyond the usual postures of nationalism and anti-Americanism. But among many ordinary Iranians there is also a liking and respect for Europeans and Americans that goes well beyond what one finds elsewhere in the Middle East. To some extent this is again a function of the Iranians’ sense of their special status among other Middle Eastern nations. Plainly, different Iranians combine these attitudes in different ways, but the best way to explain this paradox is perhaps to say that many Iranians (irrespective of their attitude to their own government, which they may also partly blame for the situation) feel snubbed, abused, misunderstood, and let down by the Westerners they think should have been their friends. This emerges in different ways—including in the rhetoric of politics, as is illustrated by a passage from a televised speech by Supreme Leader Khamenei on June 30, 2007: Why, you may ask, should we adopt an offensive stance? Are we at war with the world? No, this is not the meaning. We believe that the world owes us something. Over the issue of the colonial policies of the colonial world, we are owed something. As far as our discussions with the rest of the world about the status of women are concerned, the world is indebted to us. Over the issue of provoking internal conflicts in Iran and arming with various types of weapons, the world is answerable to us. Over the issue of proliferation of nuclear weapons, chemical weapons and biological weapons, the world owes us something.

Yay, another puppy! Can I come see it?” he exclaimed. “Yes. But focus, Jessie. Do you have the trainer’s number?” “Yeah, it’s in my phone, which is upstairs. I’ll call Marie as soon as we hang up and see if she can do an emergency consultation. She’s so great, she’s like that dog whisperer guy on TV. Only, she’s a girl. And blonde. Oh, and southern. She says things like, ‘fuck me runnin’ with a stick.’ It’s a riot!

Saving Lives and Protecting Rights in Translation It is said that life and death are under the power of language. —Hélène Cixous, French author and philosopher Lifeline The phone rings, jolting me to attention. It’s almost midnight on a Friday night. I didn’t want to work the late shift, but the need for my work never sleeps. Most of the calls I get at this late hour are from emergency dispatchers for police, fire, and ambulance. They often consist of misdials, hang-ups, and other nonemergencies. I’ve been working since early this morning, and I’m just not in the mood tonight to hear someone complain about a neighbor’s television being turned up too loud. But someone has got to take the call. I pick up before it rings a second time. “Interpreter three nine four zero speaking, how may I help you?” The dispatcher wastes no time with pleasantries. “Find out what’s wrong,” he barks in English. He didn’t ask me to confirm the address, so I assume he must already have police officers headed to the scene. I ask the Spanish speaker how we can help. I wait for a response. Silence. I ask the question again. No answer, but I can hear that there’s someone on the line. We wait, but we don’t hear any response. It’s probably just another child playing with the phone, accidentally dialing 911. I imagine the little guy looking curiously at the phone and pressing the buttons, then staring at it as a voice comes out of the other end. This happens all the time. I turn up the volume on my headset, just in case it might help me pick up the scolding words of a parent in the background. Then suddenly, I hear a timid female voice speaking so quietly that I can barely make out the words. “Me va a matar,” she whispers.

Saving Lives and Protecting Rights in Translation It is said that life and death are under the power of language. —Hélène Cixous, French author and philosopher Lifeline The phone rings, jolting me to attention. It’s almost midnight on a Friday night. I didn’t want to work the late shift, but the need for my work never sleeps. Most of the calls I get at this late hour are from emergency dispatchers for police, fire, and ambulance. They often consist of misdials, hang-ups, and other nonemergencies. I’ve been working since early this morning, and I’m just not in the mood tonight to hear someone complain about a neighbor’s television being turned up too loud. But someone has got to take the call. I pick up before it rings a second time. “Interpreter three nine four zero speaking, how may I help you?” The dispatcher wastes no time with pleasantries. “Find out what’s wrong,” he barks in English. He didn’t ask me to confirm the address, so I assume he must already have police officers headed to the scene. I ask the Spanish speaker how we can help. I wait for a response. Silence. I ask the question again. No answer, but I can hear that there’s someone on the line. We wait, but we don’t hear any response. It’s probably just another child playing with the phone, accidentally dialing 911. I imagine the little guy looking curiously at the phone and pressing the buttons, then staring at it as a voice comes out of the other end. This happens all the time. I turn up the volume on my headset, just in case it might help me pick up the scolding words of a parent in the background. Then suddenly, I hear a timid female voice speaking so quietly that I can barely make out the words. “Me va a matar,” she whispers. The tiny hairs on my arm stand up on end. I swiftly render her words into English: “He’s going to kill me.” Not missing a beat, the dispatcher asks, “Where is he now?” “Outside. I saw him through the window,” I state, after listening to the Spanish version. I’m trying to stay calm and focused, but the fear in the caller’s voice is not only contagious, but essential to the meaning I have to convey. For what seems like an eternity (but is probably just a few seconds), I hear only the beeps of the recorded line and the dispatcher clicking away at his keyboard. I feel impatient. He’s most likely looking to see how far the nearest police officer is from the scene. “Interpreter, find out where she is.

Television’s emergence as the dominant medium of communication gave birth to the slickly marketed health-wealth-and-success gospel rampant in today’s church.

President Bush did us proud at Ground Zero. We hadn’t even cleared the wreckage as safe, but he was there addressing emergency response workers and rallying a fearful nation. That’s real leadership. That’s actual character! But when all our United States senators peeked out of their fortresslike capitol to sing “The Star-Spangled Banner,” hands over their hearts, I wanted to scream. I was furious. For all their committees, subcommittees, and special boards and the previous administration, I knew damned well that they shared part of the blame. Bosnia hadn’t even been wrapped up. We had abandoned Somalia to become a hotbed of terrorism and fanaticism—a failed state. On television, the first person I watched on the news, alibi-ing that now was not the time for blame, was my old pal, now New York’s junior United States senator, Hillary Rodham Clinton.

How did the West produce the intense world of visual signs? What were the underlying forces that favored the multiplication of signs? It is generally understood that there is close relationship between capitalism and Christianity. Especially through the Protestant Reformation the Christian faith produced a huge shift to the individual, a man or woman separated out before God. Sociologists and historians recognize that by means of this ideological transition the individual no longer existed within a containing order of duties and rights controlling the distribution of wealth. Wealth instead became a marker of individual divine blessing. Thus the Reformation led to the typical figure of the righteous business man, the mill-owner who made big profits during the week and with them endowed a church for giving thanks on Sunday. More recently we have the emergence of the ‘prosperity gospel’ which applies the same basic formula to everyone. As they say in these churches, ‘prayed for and paid for’, neatly chiming relationship to God and personal financial success. Thus Christianity has underpinned the multiplication of material wealth for individuals. But a consequence of this is the thickening of the world of signs. Prosperity is a sign of God’s favor, and this is shown, signified, by the actual goods, the houses, clothes, cars, etc. Against this metaphysical background, however, the goods very quickly attain their own social value and produce the well-known contours of the consumer world. Once they were declared divinely willed and good they could act as self-referential signs in and for themselves. People don’t have to give any thought to theological justification to derive meaning from the latest car model, from the good-life associations of household items, refrigerators, fitted kitchens, plasma T.V.s, and now from the plugged-in cool of the digital world, computers, cell phones, iPods, G.P.S. and so on. So it is that our Western culture has developed a class of signs with a powerful inner content of validated desire. You

The spray trucks featured in so much television footage from South America were largely useless publicity ploys. Governments liked them because people found them reassuring. But against Aedes aegypti mosquitoes, relying heavily on street fogging was almost counterproductive: they bred near houses and slipped indoors as soon as they could, following the carbon dioxide vapor trail of human breath. As the trucks drove by, people closed their windows, thereby protecting the mosquitoes. TV footage of soldiers emptying standing water was also good publicity; but as soon as it rained, neighborhoods were back to square one.