Emerald City Quotes

As they passed the rows of houses they saw through the open doors that men were sweeping and dusting and washing dishes, while the women sat around in groups, gossiping and laughing. What has happened?' the Scarecrow asked a sad-looking man with a bushy beard, who wore an apron and was wheeling a baby carriage along the sidewalk. Why, we've had a revolution, your Majesty -- as you ought to know very well,' replied the man; 'and since you went away the women have been running things to suit themselves. I'm glad you have decided to come back and restore order, for doing housework and minding the children is wearing out the strength of every man in the Emerald City.' Hm!' said the Scarecrow, thoughtfully. 'If it is such hard work as you say, how did the women manage it so easily?' I really do not know,' replied the man, with a deep sigh. 'Perhaps the women are made of cast-iron.

I hate to break it to you, but just because someone has pretty hair and a good skin tone and a crown instead of a pointy hat doesn’t mean she’s not the baddest bitch this side of the emerald city.

My people have been wearing green glasses on their eyes for so long that most of them think this really is an Emerald City.

To be angry once in a while is really good fun, because it makes others so miserable. But to be angry morning, noon and night, as I am, grows monotonous and prevents my gaining any other pleasure in life.

Your American fairytales end that way.  Real fairytales end in blood or tears.

In this world in which we live simplicity and kindness are the only magic wands that work wonders

People often do a good deed without hope of reward, but for an evil deed they always demand payment.

Unseelie dreams make unseelie fae.

She put her face against Glinda's and kissed her. 'Hold out, if you can,' she murmured, and kissed her again. 'Hold out, my sweet.' [...] It was astounding how quickly she became camouflaged in the ragamuffin variety of street life on the Emerald City. Or maybe it was foolish tears blurring Glinda's vision. Elphaba hadn't cried, of course. Her head had turned quickly as she stepped down, not to hide her tears but to soften the fact of their absence. But the sting, to Glinda, was real.

Girl of Emerald, no man can tame. Burn down the world, consumed by flames.

just because someone has pretty hair and good skin tone and a crown instead of a pointy hat doesn’t mean she’s not the baddest bitch this side of the Emerald City.

We need a new ethic of place, one that has room for salmon and skyscrapers, suburbs and wilderness, Mount Rainier and the Space Needle, one grounded in history.

...it is folly for us to try to appear otherwise than as nature has made us.

The reason most people are bad is because they do not try to be good." L. Frank Baum, The Emerald City of Oz, 1910

I’m Dorothy trying to get to the Emerald City. Only, someone forgot to paint the sidewalks yellow.

I guess it’s always romantic when two people fall in love.... Even if it turns out not to be real.

...to go to a dance with a guy who has all the personality of a serial killer mixed with a sponge.

No one has the right to destroy any living creatures, however evil they may be, or to hurt them or make them unhappy. I will not fight, even to save my kingdom.

...it seems to me the Land of Oz is a little ahead of the United States in some of its laws. For here, if one can’t talk clearly, and straight to the point, they send him to Rigmarole Town; while Uncle Sam lets him roam around wild and free, to torture innocent people.

The wall was built of jasper, while the city was pure gold, clear as glass. The foundations of the wall of the city were adorned with every kind of jewel. The first was jasper, the second sapphire, the third agate, the fourth emerald, the fifth onyx, the sixth carnelian, the seventh chrysolite, the eighth beryl, the ninth topaz, the tenth chrysoprase, the eleventh jacinth, the twelfth amethyst.2

The reason most people are bad is because they do not try to be good. Now, the Nome King had never tried to be good, so he was very bad indeed.

Because the Nome King intends to do evil is no excuse for my doing the same,

The Emerald City has been ruled by men long enough

Emerald City. Not all the people could go to congratulate

I'm glad you have decided to come back and restore order, for doing housework and minding the children is wearing out the strength of every man in the Emerald City." "Hm!" said the Scarecrow, thoughtfully. "If it is such hard work as you say, how did the women manage it so easily?" "I really do not know" replied the man, with a deep sigh. "Perhaps the women are made of castiron.

Geeks are not the world’s rowdiest people. We’re quiet and introspective, and usually more comfortable communing with our keyboards or a good book than each other. Our idea of how to paint the Emerald City red involves light liquor, heavy munchies, and marathon sessions of video games of the ‘giant robots shooting each other and everything else in sight’ variety. We debate competing lines of software or gaming consoles with passion, and dissect every movie, television show, and novel in the science fiction, fantasy, and horror genres. With as many of us as there are in this town, people inevitably find ways to cater to us when we get in the mood to spend our hard-earned dollars. Downtown Seattle boasts grandiose geek magnets, like the Experience Music Project and the Experience Science Fiction museum, but it has much humbler and far more obscure attractions too, like the place we all went to for our ship party that evening: a hole-in-the-wall bar called the Electric Penguin on Capitol Hill.

Where is the Emerald City?" he inquired. "And who is Oz?" "Why, don't you know?" she returned, in surprise. "No, indeed. I don't know anything. You see, I am stuffed, so I have no brains at all," he answered sadly.

She was a wonder junkie. In her mind, she was a hill tribesman standing slack-jawed before the real Ishtar Gate of ancient Babylon; Dorothy catching her first glimpse of the vaulted spires of the Emerald City of Oz; a small boy from darkest Brooklyn plunked down in the Corridor of Nations of the 1939 World’s Fair, the Trylon and Perisphere beckoning in the distance; she was Pocahontas sailing up the Thames estuary with London spread out before her from horizon to horizon. been voyaging between the stars when the ancestors of humans were still brachiating from branch to branch in the dappled sunlight of the forest canopy. Drumlin, like many others she had known over the years, had called her an incurable romantic; and she found herself wondering again why so many people thought it some embarrassing disability. Her romanticism had been a driving force in her life and a fount of delights. Advocate and practitioner of romance, she was off to see the Wizard.

She stood at the edge of a glassy river lined with impossibly tall trees, fanning out their wide emerald leaves among the puffy white clouds. Across the river, a row of crystal castles glittered in the sunlight in a way that would make Walt Disney want to throw rocks at his “Magic Kingdom.” To her right, a golden path led into a sprawling city, where the elaborate domed buildings seemed to be built from brick-size jewels—each structure a different color. Snowcapped mountains surrounded the lush valley, and the crisp, cool air smelled like cinnamon and chocolate and sunshine.

History will judge the war against Iraq not by the brilliance of its military execution, but by the effectiveness of the post-hostilities activities.

There are things you're just positive will happen to you. Then there's that second when you realize, Jesus Christ. Maybe they won't.

You are so ridiculous,” said the lion. “Thinking that your thinking is worth thinking about.

This Guph was really a clever rascal, and it seems a pity he was so bad, for in a good cause he might have accomplished much.

All your troubles are due to those 'ifs'," declared the Wizard.

All of us are navigating our own personal yellow brick roads. Some of us are still asleep in the poppy field; some of us remain content with the material pleasures of the Emerald City. Some of us still think that the Wizard is great and powerful and follow his arbitrary commands to curry favor, while others have seen the man behind the curtain and have become disillusioned or feel betrayed. For the rest of us, once we acknowledge that our hearts’ desires lie in our own backyard—inside of us—we’ll be closer to home. And there’s no place like home.

Lex surfed wicked, like the devil. He wasn’t afraid of anything, seemed like. He grinned at West as the waves came up toward them like towers of green glass, an emerald city. We’re off to see the wizard, he shouted. He whooped. His body crouched ready to fly. He shone against the sun.

I beg to announce to your glorious highness,” began the Scarecrow, in a solemn voice, “that my Emerald City has been overrun by a crowd of impudent girls with knitting-needles, who have enslaved all the men, robbed the streets and public buildings of all their emerald jewels, and usurped my throne.

I felt like a mouse running through one of those cardboard mazes. I didn't have to think about anything I did. My body just...went. The difference was that, unlike the mouse, there was no hunk of cheese waiting for me at the end. No reward of any kind for making it through. In fact, there was no end at all.

She dreamed of Venice. However, it wasn’t a city alive with stars dripping like liquid gold into canals, or Bougainvillea spilling from flowerpots like overfilled glasses of wine. In this dream, Venice was without color. Where pastel palazzi once lined emerald lagoons, now, gray, shadowy mounds of rubble paralleled murky canals. Lovers could no longer share a kiss under the Bridge of Sighs; it had been the target of an obsessive Allied bomb in search of German troops. The only sign of life was in Piazza San Marco, where the infamous pigeons continued to feed. However, these pigeons fed not on seeds handed out by children, but on corpses rotting under the elongated shadow of the Campanile.

Dalinar took one step forward, then drove his Blade point-first into the middle of the blackened glyph on the stone. He took a step back. “For the bridgemen,” he said. Sadeas blinked. Muttering voices fell silent, and the people on the field seemed too stunned, even, to breathe. “What?”Sadeas asked. “The Blade,”Dalinar said, firm voice carrying in the air. “In exchange for your bridgemen. All of them. Every one you have in camp. They become mine, to do with as I please, never to be touched by you again. In exchange, you get the sword.” Sadeas looked down at the Blade, incredulous. “This weapon is worth fortunes. Cities, palaces, kingdoms.” “Do we have a deal?”Dalinar asked. “Father, no!”Adolin Kholin said, his own Blade appearing in his hand. “You—” Dalinar raised a hand, silencing the younger man. He kept his eyes on Sadeas. “Do we have a deal?” he asked, each word sharp. Kaladin stared, unable to move, unable to think. Sadeas looked at the Shardblade, eyes full of lust. He glanced at Kaladin, hesitated just briefly, then reached and grabbed the Blade by the hilt. “Take the storming creatures.” Dalinar nodded curtly, turning away from Sadeas. “Let’s go,”he said to his entourage. “They’re worthless, you know,”Sadeas said. “You’re of the ten fools, Dalinar Kholin! Don’t you see how mad you are? This will be remembered as the most ridiculous decision ever made by an Alethi highprince!” Dalinar didn’t look back. He walked up to Kaladin and the other members of Bridge Four. “Go,” Dalinar said to them, voice kindly. “Gather your things and the men you left behind. I will send troops with you to act as guards. Leave the bridges and come swiftly to my camp. You will be safe there. You have my word of honor on it.” He began to walk away. Kaladin shook off his numbness. He scrambled after the highprince, grabbing his armored arm. “Wait. You—That—What just happened?” Dalinar turned to him. Then, the highprince laid a hand on Kaladin’s shoulder, the gauntlet gleaming blue, mismatched with the rest of his slate-grey armor. “I don’t know what has been done to you. I can only guess what your life has been like. But know this. You will not be bridgemen in my camp, nor will you be slaves.” “But…” “What is a man’s life worth?” Dalinar asked softly. “The slavemasters say one is worth about two emerald broams,” Kaladin said, frowning. “And what do you say?” “A life is priceless,” he said immediately, quoting his father. Dalinar smiled, wrinkle lines extending from the corners of his eyes. “Coincidentally, that is the exact value of a Shardblade. So today, you and your men sacrificed to buy me twenty-six hundred priceless lives. And all I had to repay you with was a single priceless sword. I call that a bargain.” “You really think it was a good trade, don’t you?” Kaladin said, amazed. Dalinar smiled in a way that seemed strikingly paternal.

Sometimes I wondered how long I would have to wait for the world to catch up to me. The rest of the time I was sure it never would.

Everyone is someone's captive. The trick is knowing whose.

... see how everything now is precious, how someday I'll know I was lucky to be here.

The mule is a very intelligent animal, but to get his attention you have to hit him on the head with a stick.

The storm was resting. It didn’t want to be, but it was. It had spent a fortnight understudying a famous anticyclone over the Circle Sea, turning up every day, hanging around in the cold front, grateful for a chance to uproot the occasional tree or whirl a farmhouse to any available emerald city of its choice. But the big break in the weather had never come.

Those are stories, little one,” said the cobbler. “Stories are made up except when they’re not.

We live in an age of progress," announced Professor Wogglebug, pompously. "It is easier to swallow knowledge than to acquire it laboriously from books. Is it not so, my friends?" "Some

When shall we start?” asked the Scarecrow. “Are you going?” they asked, in surprise. “Certainly. If it wasn’t for Dorothy I should never have had brains. She lifted me from the pole in the cornfield and brought me to the Emerald City. So my good luck is all due to her, and I shall never leave her until she starts back to Kansas for good and all.” “Thank you,” said Dorothy,

The quality of Venice that accomplishes what religion so often cannot is that Venice has made peace with the waters. It is not merely pleasant that the sea flows through, grasping the city like tendrils of vine, and, depending upon the light, making alleys and avenues of emerald and sapphire, Citi s a brave acceptance of dissolution and an unflinching settlement with death. Though in Venice you may sit in courtyards of stone, and your heels may click up marble stairs, you cannot move without riding upon or crossing the waters that someday will carry you in dissolution to the sea.

Now then, Mr. Crab," said the zebra, "here are the people I told you about; and they know more than you do, who live in a pool, and more than I do, who live in a forest. For they have been travelers all over the world, and know every part of it." "There's more of the world than Oz," declared the crab, in a stubborn voice. "That is true," said Dorothy; "but I used to live in Kansas, in the United States, and I've been to California and to Australia--and so has Uncle Henry." "For my part," added the Shaggy Man, "I've been to Mexico and Boston and many other foreign countries." "And I," said the Wizard, "have been to Europe and Ireland." "So you see," continued the zebra, addressing the crab, "here are people of real consequence, who know what they are talking about.

The tree crowns were packed together like puffballs, displaying every possible hue, tint, and shade of green. Chartreuse, emerald, lime, aquamarine, teal, bottle, glaucous, asparagus, olive, celadon, jade, malachite—mere words are inadequate to express the chromatic infinities.

afforded an ethereal view of lower Manhattan rising up like the Emerald City of Oz. I guess it would be more accurate to say I enjoyed running less than I enjoyed how running later made me feel. Still, there were immediate pleasures, namely the solitude, and the sense of myself as a person in motion, even if I wasn’t sure in what direction that motion

The emerald life of shepherds always reminds us the romantic and humble life we have lost due to living in the cities!

Everything changes after a storm.

get lost, Dorothy." "It's the thing we don't expect, Billina, that usually happens," observed the girl, thoughtfully.

Monarch.

It's the thing we don't expect, Billina, that usually happens," observed the girl, thoughtfully.

Well, you never can tell with a twister. They are as mean, as ornery, and as unpredictable as an unhappy woman.

How many were the aquarelles she painted for me; what a revelation it was when she showed me the lilac tree that grows out of mixed blue and red! Sometimes, in our St Petersburg house, from a secret compartment in the wall of her dressing room (and my birth room), she would produce a mass of jewelry for my bedtime amusement. I was very small then, and those flashing tiaras and chokers and rings seemed to me hardly inferior in mystery and enchantment to the illumination in the city during imperial fêtes, when, in the padded stillness of a frosty night, giant monograms, crowns, and other armorial designs, made of coloured electric bulbs - sapphire, emerald, ruby - glowed with a kind of charmed constraint above snow-lined cornices on housefronts along residential streets.

Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. Once on a time I really imagined myself "an author of fairy tales," but now I am merely an editor or private secretary for a host of youngsters whose ideas I am requested to weave into the thread of my stories...My, what imaginations these children have developed! Sometimes I am fairly astounded by their daring an genius. There will be no lack of fairy-tale authors in the future, I am sure. My readers have told me what to do with Dorothy, and Aunt Em and Uncle Henry, and I have obeyed their mandates. They have also given me a variety of subjects to write about in the future: enough, in fact, to keep me busy for some time. I am very proud of this alliance. Children love these stories because children have helped to create them. My readers know what they want and realize I try to please them. The result is satisfactory to the publishers, to me, and (I am quite sure) to the children. I hope, my dears, it will be a long time before we are obliged to dissolve partnership.

The thing that first knocked me out about Amsterdam, even on the coldest, greyest February day, was its beauty. The houses rise, red and grey, and seem to float swanlike above the canals. The sheen on the water is olive-green, and mallards with their brilliant emerald heads slide gravely under the bridges. if you close your eyes you can see the city peopled again by those who built it - seventeenth century burghers in their black coats, rich from trading with the Indies.

As these two officials took their places, Dorothy asked: "Why is the colander the High Priest?" "He's the holiest thing we have in the kingdom," replied King Kleaver. "Except me," said a sieve. "I'm the whole thing when it comes to holes.

Zelda had a sudden impression that the palace was alive, an inhuman giant buried to its neck in the city, waiting for her with many blank eyes. Those emerald columns were its teeth. It waited for each new wave of lords and ate them each in turn, sucked their brains through small holes drilled in their skulls....What did the palace care for whose flag it flew, whose head sat on the shoulders of the statue on it's throne? It was patient, and hungry. It laughed in architecture.

It wasn’t depression, exactly; more a weird, restless pressure that made me wander the house late at night, opening the best bottles of wine in our cellar and drinking them alone while I channel-surfed along the forgotten byways of cable TV.

it seems to me the Land of Oz is a little ahead of the United States in some of its laws. For here, if one can't talk clearly, and straight to the point, they send him to Rigmarole Town; while Uncle Sam lets him roam around wild and free, to torture innocent people.

What are we waiting for, assembled in the forum? The barbarians are due here today. Why isn't anything happening in the senate? Why do the senators sit there without legislating? Because the barbarians are coming today. What laws can the senators make now? Once the barbarians are here, they'll do the legislating. Why did our emperor get up so early, and why is he sitting at the city's main gate on his throne, in state, wearing the crown? Because the barbarians are coming today and the emperor is waiting to receive their leader. He has even prepared a scroll to give him, replete with titles, with imposing names. Why have our two consuls and praetors come out today wearing their embroidered, their scarlet togas? Why have they put on bracelets with so many amethysts, and rings sparkling with magnificent emeralds? Why are they carrying elegant canes beautifully worked in silver and gold? Because the barbarians are coming today and things like that dazzle the barbarians. Why don't our distinguished orators come forward as usual to make their speeches, say what they have to say? Because the barbarians are coming today and they're bored by rhetoric and public speaking. Why this sudden restlessness, this confusion? (How serious people's faces have become.) Why are the streets and squares emptying so rapidly, everyone going home so lost in thought? Because night has fallen and the barbarians have not come. And some who have just returned from the border say there are no barbarians any longer. And now, what's going to happen to us without barbarians? They were, those people, a kind of solution

The girls looked aghast. I watched them cast baleful looks their mother’s way, and saw, in their silky, seamless faces, the thick patina so many years of privilege had left behind. Suddenly I was enraged—enraged at both of them for not knowing what these privileges had cost.

Know, O man, that Light is thine heritage. Know that darkness is only a veil. Sealed in thine heart is brightness eternal, waiting the moment of freedom to conquer, waiting to rend the veil of the night. Some I found who had conquered the ether. Free of space were they while yet they were men. Using the force that is the foundation of ALL things, far in space constructed they a planet, drawn by the force that flows through the ALL; condensing, coalescing the ether into forms, that grew as they willed. Outstripping in science, they, all of the races, mighty in wisdom, sons of the stars. Long time I paused, watching their wisdom. Saw them create from out of the ether cities gigantic of rose and gold. Formed forth from the primal element, base of all matter, the ether far flung. Far in the past, they had conquered the ether, freed themselves from the bondage of toil; formed in heir mind only a picture and swiftly created, it grew. Forth then, my soul sped, throughout the Cosmos, seeing ever, new things and old; learning that man is truly space-born, a Sun of the Sun, a child of the stars.

Frank Baum’s book the Wonderful Wizard of Oz, which appeared in 1990, is widely recognized to be a parable for the Populist campaign of William Jennings Bryan, who twice ran for president on the Free Silver platform- vowing to replace the gold standard with a bimetallic system that would allow the free creation of silver money alongside gold. As with the Greenbackers, one of the main constituencies for the movement was debtors: particularly, Midwestern farm families such as Dorothy’s, who had been facing a massive wave of foreclosures during the severe recession of the 1890s. According to the Populist reading, the Wicked Witches of the East and West represent the East and West Coast bankers (promoters of and benefactors from the tight money supply), the Scarecrow represented the farmers (who didn’t have the brains to avoid the debt trap), the Tin Woodsman was the industrial proletariat (who didn’t have the heart to act in solidarity with the farmers), the Cowardly Lion represented the political class (who didn’t have the courage to intervene). The yellow brick road, silver slippers, emerald city, and hapless Wizard presumably speak for themselves. “Oz” is of course the standard abbreviation for “ounce.

thought that you are the only person I’ve ever known whom I would allow to carve out my beating heart and flay it before my eyes. With you, life would forever be intriguing, entrancing. I want to witness the heights of your anger and the depths of your depravity. I want to linger with you in your apathy and dive with you into your passion. I want to do all those things with you, for all time. That is what I thought.

I recently learned that I was thinking about it all wrong. You don’t ever get over that kind of grief. It doesn’t dissolve. You don’t process it until it goes away. All you do is make enough room around the pain so that it doesn’t dominate your life. You expand your sense of self so it’s big enough to hold the grief while letting in the rest of life. You make room for the good stuff. Whenever you can, as much as you can, you choose to be happy.

How is it that people look at the same city and see such very different places? The answer lies in history, or, more accurately, in how people have chosen to remember the past. The habit of regarding culture and nature as binary categories has shaped how we view cities and their dynamic environments. The result is a kind of intellectual myopia in which 'history is experienced as nostalgia and nature as regret--as a horizon fast disappearing behind us.

Bird was watering the pots. She stood still for a moment and watched him. The spray of the water made rainbows in the low, afternoon light, and the leaves of the chard glowed emerald and ruby. And how could she distinguish him from her, or her from the garden, when it was all light, colors playing against one another, wrapped in scent, rich earth and citrus? Bird himself was merely a sphere of turquoise and gold, laced with darker streaks. Musk and sweat and sun-warmed skin. She inhaled, wondering what elixir she could brew from this moment of perfect beauty.

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

IS IT STRANGE COMING here and not being the one on trial?” Keefe asked, checking his expertly styled blond hair in a shiny facet on one of the jeweled walls before he followed Sophie into Tribunal Hall. “Because I’d be happy to help you break a few laws if you’re feeling left out.” “Me too!” Ro—Keefe’s bodyguard—jumped in. Her pierced nose crinkled as she surveyed the empty auditorium, which was built entirely out of emeralds. “Ugh, you guys have really out-sparkled yourselves with this place. It’s basically begging me to smash something.” “No one will be smashing anything,” Sandor—Sophie’s bodyguard—warned. “Or causing any other problems!

Nonetheless, as Seattle's leaders and residents would discover, this new urban environment was a palimpsest of exploitation, conflict, compromise, adaptation, and defeat. Physical forces and creatures beyond human control always pushed back. So, too, did the people who suffered from the changes. The new urban ecology was never the result of purely natural forces but the combination of human power magnified or thwarted by an unpredictable physical environment. The non-human environment that enfolded the city was not predetermined, nor was the poverty that the decades of shaping and reshaping Seattle had aggravated. In the end, the ecology of urban poverty was altogether a human creation.

Every so often, the gods stop laughing long enough to do something terrible. There are few facts that are not brutal. The bitter, insufficient truth is that God recovered, but fun is dead. Alcohol: the antidote to civilization. Alcoholism is a fatal disease. But then I am not a member of Alcoholics Anonymous, because I don't want to be cured. Alcoholism is suicide with training wheels. I watch myself sinking, an inch at a time, and I spit into the eye of fate, like Doc Holliday, who died too weak to lift a playing card. My traitorous and degenerate attitude is sort of my book review of the world we live in. I resign from the human race. I declare myself null and void; folded, spindled, and mutilated. . . .This bar is an oasis for the night people, the street people, the invisible tribe, the people who simply do not exist in the orderly world we see in Time - the weekly science fiction magazine published by the Pentagon - an orderly world which is a sanitized Emerald City populated by contented Munchkins who pay taxes to buy tanks, nerve gas, and bombers and not a world which is a bus-station toilet where the air is a chemical cocktail of cancer-causing agents, children are starving, and the daily agenda is kill or be killed. When the world demands that you be larger than life, and you are finding it hard enough just being life-size, you can come here, in the messy hemorrhaging of reality, let your hair down, take your girdle off, and not be embarrassed by your wounds and deformities. Here among the terminally disenchanted you are graded not by the size of the car on display in your driveway but by the size of your courage in the face of nameless things. . . .Half of these people look like they just came back from the moon, and all of them are sworn witnesses for the prosecution on the charge that Earth serves as Hell for some other planet.

Once upon a time, there was a ghoul who fell in love with a daughter of the port of Innsmouth. To say the least, her parents would hardly have looked upon this as an acceptable state of affairs. She, destined one day to descend through abyssal depths to the splendor of many spired Y’ha-nthlei in the depths well beyond the shallows of Jeffreys Ledge. She might have the fortune to marry well, perhaps, even, taking for herself a husband from among the amphibious Deep Ones who inhabit the city, or, at the very least, a fine and only once-human devotee of the Esoteric Order. She would be adorned in nothing more than the fantastic, partly golden alloy diadems and bracelets and anklets, the lavalieres of uncut rubies, emeralds, sapphires, and diamonds. What caring parent would not be alarmed that their only daughter might foolishly forsake so precious an inheritance, and all for an infatuation with so lowborn and vile creature as a ghoul?

A few minutes later, a tall, bronze-skinned woman with masses of dark hair, eyes like pale emeralds, and more curves than the Nürburgring racetrack appeared next to my table. My SEAL stood and started to intervene, but I held up a lazy hand, gave a droopy-eyed smile, slurred my words, and waved him off. The stripper sat on my lap with nothing between her and the Lord but a smile and three pieces of strategically placed duct tape. She slipped a glittering arm around my shoulders—she apparently was wearing lotion with metal flakes in it and it felt rough. Then she leaned her décolletage my way, placing her head next to my ear. “You know what you’re supposed to do, right?” she whispered, smiling and acting like she had just said something terribly wrong. She was a good actress for Elizabeth City. Laughing, smiling, and acting wasted, I slurred as loudly and obnoxiously as I could, “Oh, I know exactly what I’m doing, woman!” With that, I reached up and placed my hand on her massive breast, just as I’d been instructed to do—all for the good of my country. The slap that followed could[…]” Excerpt From: Jamie Smith. “Gray Work

the hand like a beggar’s upheld with the fingers forming a suggestion of what he deserves and desires to receive, shaping the alms, thumb almost touching finger tips, as though on the tip of the tongue he’s about to say in sleep and with that gesture what he couldnt say awake: ‘Why have you taken this away from me, that I cant draw my breath in the peace and sweetness of my own bed but here in these dull and nameless rags on this humbling stoop I have to sit waiting for the wheels of the city to roll,’ and further, ‘I dont want to show my hand but in sleep I’m helpless to straighten it, yet take this opportunity to see my plea, I’m alone, I’m sick, I’m dying – see my hand up-tipped, learn the secret of my human heart, give me the thing, give me your hand, take me to the emerald mountains beyond the city, take me to the safe place, be kind, be nice, smile – I’m too tired now of everything else, I’ve had enough, I give up, I quit, I want to go home, take me home O brother in the night – take me home, lock me in safe, take me to where all is peace and amity, to the family of life, my mother, my father, my sister, my wife and you my brother and you my friend – but no hope, no hope, no hope, I wake up and I’d give a million dollars to be in my own bed – O Lord save me –’ In evil roads behind gas tanks where murderous dogs snarl from behind wire fences cruisers suddenly leap out like getaway cars but from a crime more secret, more baneful than words can tell. The woods are full of wardens.

About a month before the handover of sovereignty, Joshua Paul, a young CPA staffer, typed up a joke on his computer and sent it to a few friends in the palace. The recipients forwarded it to their friends, who did the same thing. In less than a week, almost everyone in the Green Zone had seen it. QUESTION: Why did the Iraqi chicken cross the road? CPA: The fact that the chicken crossed the road shows that decision-making authority has switched to the chicken in advance of the scheduled June 30th transition of power. From now on, the chicken is responsible for its own decisions. HALLIBURTON: We were asked to help the chicken cross the road. Given the inherent risk of road crossing and the rarity of chickens, this operation will only cost $326,004. SHIITE CLERIC MOQTADA AL-SADR: The chicken was a tool of the evil Coalition and will be killed. U.S. ARMY MILITARY POLICE: We were directed to prepare the chicken to cross the road. As part of these preparations, individual soldiers ran over the chicken repeatedly and then plucked the chicken. We deeply regret the occurrence of any chicken-rights violations. PESHMERGA: The chicken crossed the road, and will continue to cross the road, to show its independence and to transport the weapons it needs to defend itself. However, in the future, to avoid problems, the chicken will be called a duck, and will wear a plastic bill. AL-JAZEERA: The chicken was forced to cross the road multiple times at gunpoint by a large group of occupation soldiers, according to witnesses. The chicken was then fired upon intentionally, in yet another example of the abuse of innocent Iraqi chickens. CIA: We cannot confirm or deny any involvement in the chicken-road-crossing incident. TRANSLATORS: Chicken he cross street because bad she tangle regulation. Future chicken table against my request.

his hands moved busily among the puppets, choosing, discarding, until they pounced finally on the moon with her crystal eyes and her hands shaped like stars. 'I will be the moon,' Kyel said. 'You must make a wish to me.' Lydea slid her fingers into the fox's head, with its sly smile and fiery velvet pelt. 'I wish,' she said, 'that you would take your nap.' 'No,' the prince said patiently, 'you must make a true wish. And I will grant it because I am the moon.' 'Then I must make a fox's wish. I wish for an open door to every hen house, and the ability to jump into trees.' The moon sank onto the blue hillock of Kyel's knee. 'Why?' 'So that I can escape the farmer's dogs when they run after me.' 'Then you should wish,' the prince said promptly, 'that you could jump as high as the moon.' 'A good wish. But there are no hens on the moon, and how would I get back to Ombria?' The moon rose again, lifted a golden hand. 'On a star.' The governess smiled. The fox stroked the prince's hair while he shook away the moon and replaced it with the sorceress, who had one amethyst eye and one emerald, and who wore a black cloak that shimmered with ribbons of faint, changing colors. 'I am the sorceress who lives underground,' the prince said. 'Is there really a sorceress who lives underground?' 'So they --' Lydea checked herself, let the fox speak. 'So they say, my lord.' 'How does she live? Does she have a house?' She paused again, glimpsing a barely remembered tale. 'I think she does. Maybe even her own city beneath Ombria. Some say that she has an ancient enemy, who appears during harsh and perilous times in Ombria's history. Then and only then does the sorceress make her way out of her underground world to fight the evil and restore hope to Ombria.' ... The sorceress descended, long nose down on the silk. Kyel picked another puppet up, looked at it silently a moment. The queen of pirates, whose black nails curved like scimitars, whose hair was a rigid knoll in which she kept her weapons, stared back at him out of glittering onyx eyes.

Because salmon have both united and divided a people, they present us with an opportunity to think ethically about this place, Seattle. The challenge, though, is to move beyond the habit of trying to dominate nature to the more feasible goal of governing ourselves, and to tame our reflexive impulse to put ideas into neat categories. An evolving ethic of place, like any ethic, is neither a divine commandment nor doctrinaire mandate. It is a product of history and thus it is ever changing. It must be, in other worse, a deliberate and enduring dialogue between humans and their environments.

And it struck him that this was New York: a place that glittered from a distance even when you reached it.

San Francisco is ours, we’ve signed our name on it a hundred times: SISTERS OF THE MOON.

I feel Angel warm beside me and think how I’ll never love anyone this much, how without her I would disappear.

San Francisco is ours, we’ve signed our name on it a hundred times: SISTERS OF THE MOON.

When I’m thirty-four, tonight will be a million years ago, I think–the St. Francis Hotel and the rainy palm tree sounds, Silas with the bandage on his head–and this makes me see how everything now is precious, how someday I’ll know I was lucky to be here.

This is it," I sob, clinging to Angel and Liz, their warm shoulders. I hear them crying, too, and think, It will be like this always. From now on, nothing can divide us.

I wonder what became of you, your Johnny Rotten skin, no Emerald City eyes. You'd have been a beauty if you let inferiority steam your glasses with its candor, sans laughter.

Dorothy had a bad dream. She dreamed she grew up and grew old, and her children put her in a home. And then she woke up and found it was all real. There’s no place like a rest home.

Now we need to bring it to a printers and get it turned into a proper book. Then we can sell it and make our fortune. If I make enough emeralds, maybe I can build a real-life city made from potato. And maybe I can build a real-life city made from cake! Don’t be ridiculous, Alex.

Dave and the others walked around the building. The building was surrounded by clumps of bushes and vines grew up its walls, but it looked like it had once had a lovely garden. When they reached the other side of the building, they saw a minecart track. It led from inside the building and then went off across the savanna, disappearing into the distance. The track seemed to lead right up to the huge white walls. The minecart track was twice as wide as they usually were. Suddenly an old music box embedded into one of the walls crackled into life, almost making Dave jump out of his skin. “Welcome to Redstone Land Station!” said a recorded voice. “You’re about to have the most fantastic vacation of your life, enjoying all the fun rides and experiences that our theme park has to offer. Ride on a rollercoaster! Stay at our luxury hotels! Chill out by our swimming pools! Or, if you’re feeling adventurous, why not join one of our tour groups and take a two-day horse ride to Bedrock City? This mysterious city has been abandoned for centuries. What kind of people used to live there? Nobody knows! But what we do know is that our Bedrock City tours are a fantastic deal — only forty emeralds per person, and kids get to go free! And if you’re feeling even more adventurous, you can take one of our tours to the Far Lands. Yes, beyond Bedrock City is one of the four edges of the world, a mysterious place where anything can happen! But I’m getting ahead of myself. For now, jump on the train and enjoy the leisurely ride to Redstone Land. The buffet carriage is at the back and is stocked with delicious food and drink! Terms and conditions apply. Redstone Land is not responsible for any injuries or loss of life experienced during one of our Bedrock City or Far Lands tours.” “Okay, that was weird,” said Carl. Suddenly the old music box spluttered into life once more and began to play the same message: “Welcome to Redstone Land Station! You’re about to have the most fantastic — “ WHAM! Carl slammed one of his golem fists into the music box, making it go POOF. A record fell out, and Carl picked it up and flung it across the savanna.

Quadlings consider to fight," said Turtle Heart. "Because they think this is only the start. When the builders to test the soil and to sift water, they to learn of things Quadlings are smart for ever, but Quadlings to keep still." "Things you know?" "Turtle Heart to speak of rubies," he said with a great sigh. "Rubies under the water. Red as pigeon blood. Engineers to say: Red corundum in bands of crystalline limestone under swamp. Quadlings to say: the blood of Oz." "Like the red glass you make?" said Melena. "Ruby glass to come by adding gold chloride," said Turtle Heart. "But Quadling Country to sit atop real deposits of real rubies. And the news is sure to go to the Emerald City with the builders. What to follow is horror upon horror." "How do you know?" snapped Melena. "To look in glass," said Turtle Heart, pointing to the roundel he had made as a toy for Elphaba, "is to see the future, in blood and rubies." "I don't believe in seeing the future. That smacks of the pleasure faith," said Flex fiercely. "The fatalism of the Time Dragon. Pfaah. No, the Unnamed God has an unnamed history for us, and prophecy is merely guesswork and fear." "Fear and guesswork is enough to make Turtle Heart to leave Quadling Country, then," said the Quadling glassblower without apology. "Quadlings do not to call their religion a pleasure faith, but they to listen to signs and to watch for messages. As the water to run red with rubies it will run with the blood of Quadlings.

This whole city is mine,” said Derek. “This is what you get for working hard. No-one ever gave me anything. I worked for every emerald that I have.” “I thought your father founded the city?” said Carl. “I earned everything I have!” Derek snapped. “I renamed the city Cool City—that was all me!” “Wow,” said Carl. “You renamed a city. What a hero.” “Thanks!” said Derek, completely missing Carl’s sarcasm.

Crystals certainly are beautiful objects, for they were created by God. Portions of God's glorious heavenly city, the New Jerusalem, will be constructed from crystal. It's in the Bible, Revelation 21:11, & 18-20 NIV. "It shone with the glory of God, and its brilliance was like that of a very precious jewel, like a jasper, clear as crystal. The wall was made of jasper, and the city of pure gold, as pure as glass. The foundations of the city walls were decorated with every kind of precious stone. The first foundation was jasper, the second sapphire, the third chalcedony, the fourth emerald, the fifth sardonyx, the sixth carnelian, the seventh chrysolite, the eighth beryl, the ninth topaz, the tenth chrysoprase, the eleventh jacinth, and the twelfth amethyst.

18The wall was built of jasper; and the city was pure gold, transparent like clear crystal. [1 Kin 6:30] 19The foundation stones of the wall of the city were adorned with every kind of precious stone. The first foundation stone was jasper; the second, sapphire; the third, chalcedony; the fourth, emerald; [Ex 28:17–20; Is 54:11, 12] 20the fifth, sardonyx; the sixth, sardius; the seventh, chrysolite (yellow topaz); the eighth, beryl; the ninth, topaz; the tenth, chrysoprase; the eleventh, jacinth; the twelfth, amethyst. 21And the twelve gates were twelve pearls; each separate gate was of one single pearl. And the street (broad way) of the city was pure gold, like transparent crystal. 22I saw no temple in it, for the Lord God Almighty [the Omnipotent, the Ruler of all] and the Lamb are its temple. 23And the city has no need of the sun nor of the moon to

Think about it. Why would a company like Emerald want a robust intercity transit system? They don’t want workers to commute elsewhere—and they definitely don’t want it to be easy for tourists to leave and spend cash in La Ronge or Moundville.” As Misha spoke, Sulfur had a vivid image of their not-so-distant future. They could almost hear the words that Verdance would use to make its announcement. We made a good faith effort, they would say. We got transit started and now it’s up to each city to carry on, they would add. And then, because most of the wealthy owners had private transit, there would be endless debates over where to plant those ugly tracks that Cylindra had already rejected. Nobody would want them next to their nice neighborhoods. There would be excuses about how trains messed up the Pleistocene purity of Sasky, but really it would be about not wanting to deal with the class of person who took public transit. Sulfur imagined the tracks slowly softening into mulch while millions of people tried to get around by cobbling together circuitous routes from dozens of local transit systems that each charged a separate fare. And then rich commuters would deal with the problem by building Mounts who couldn’t say whether they consented to be used that way or not.

weirdos kept popping around our camp, talking about it and about a whole lot of crazy things, things like white zombies, white endermen, rooms filled with crates filled to the brim with diamonds and emeralds and a city built with nothing but gold and diamond bricks. For a while there those rumors got me thinking.” Micah said. “So why didn’t you go for it? I mean, you already had a clan and stuff.” I told him.             “It wasn’t that easy. I brought it up to the guys but they didn’t really believe the thing was true. I didn’t want to push the matter further. I didn’t want them to believe that I was some loony, so I gave up on it. I was the clan leader and I couldn’t afford to lose my clan’s respect. I never forgot about these rumors, though. After I respawned, before I met up with Jerry, I wandered through the woods for a while. I stumbled across some players. They were new, had

tugging her through the crowds and toward the real tourist draw of the Gate. Jutting out of the quartz about four feet off the ground lay the dial pad: a solid-gold block embedded with seven different gems, each for a different quarter of the city, the insignia of each district etched beneath it. Emerald and a rose for Five Roses. Opal and a pair of wings for the CBD. Ruby and a heart for the Old Square. Sapphire and an oak tree for Moonwood. Amethyst and a human hand for Asphodel Meadows. Tiger’s-eye and a serpent for the Meat Market. And onyx—so black it gobbled the light—and a set of skull and crossbones for the Bone Quarter.