Embrace Your Curves Quotes

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There are So many positions of Love: Each curve on a branch, The thousand different ways Your eyes can embrace us, The infinite shapes your Mind can draw, The spring Orchestra of scents, The currents of light combusting Like passionate lips, The revolution of Existence's skirt Whose folds contain other worlds. Your every sigh that falls against His inconceivable Omnipresent Body.
The Gift
And yet, winning is like a welcome drink going down your throat, like a beautiful embrace. It is brilliant while it lasts but it isn't forever. The high eventually melts away and the journey of life begins afresh. The truly remarkable among us visit these highs periodically; winning then becomes a journey, a graph where each point is crucial but is in reality merely part of a larger curve.
Harsha Bhogle (The Winning Way: Learnings from sport for managers)
The movie Bull Durham was written by a man who grew up in the faith and was disillusioned by the church. It begins with the female lead saying, “I believe in the church of baseball. I've tried all the major religions and most of the minor ones … and the only church that truly feeds the soul is baseball.” Later in the movie the Kevin Costner character recites his creed: “I believe in the soul … the hanging curve ball, high fiber, good scotch … I believe there ought to be a constitutional amendment outlawing Astroturf and the designated hitter. I believe in long, slow, deep, soft kisses that last three days.”4 My wife liked that one. A little too much. My wife is a Kevin Costner fundamentalist. Kevin said it; she believes it; that settles it.
John Ortberg Jr. (Faith and Doubt: Embracing Uncertainty in Your Faith)
Places described by a lover are like no other places on earth. To learn a city in this way – boulevards curving, canals, cornices overhead – in the naked embrace, the luxury of listening while your skin is listening. The city slips into your body. And then, if you are fortunate enough to arrive there for the first time with that same lover, or more fortunate still to arrive there after many years with the same lover – then you will enter the place as if in a dream. Your body will recognise the canals, the cornices, the curving boulevards; memory before sight. And that is a great gift, because we arrive most often as strangers; this, of course, is its own pleasure. But this other pleasure – arrival into the memory of a place you’ve never been and yet know in your skin – is the same as arriving into love, that knowledge of something we do not yet know. The kind of love that is like a fatality. The one you never live beyond, no matter what else befalls you.
Anne Michaels (Held: A Novel)
You must always believe. Stay strong. Faith moves mountains. Don't be a bystander in life. No. Take it by the reins. Lay it down beneath you like a woman, a real woman with curves like a prayer pillow. Embrace it gentlly, at other times intensely. Seek out the source of life, where it pulsates, where it burns hot and humid, here, there, everywhere. The world is yours for the taking. Learn to feel out the world. Always give the best of yourself. Bite into it and don't hold back. Fear; leave it behind, far away from you. It will pass through you and continue its course. Walk like a God among men. Always consider what your actions say about you. Every steps resonates; yours levitate! Be mindful of the the way you carry yourself, especially when life punches you right in the heart, your body. Spit violently on the ground if you have to. Turn a deaf-ear to the mean-spirited and narrow-minded. They can only drag you into the lair of regrets, jealousy and resentement.
Wilfried N'Sondé (The Heart of the Leopard Children (Global African Voices))
As she passed the door to Gray’s study, a familiar, muscled arm shot out into the corridor, catching her by the waist. Laughing, she stumbled into the room, quickly finding herself caught between cool walnut paneling at her back and the hot, solid wall of man before her. Ever since their wedding-or since the Kestrel storeroom, more likely-Gray seemed to find it an irresistible challenge, to catch her unawares in an unlikely location and pull her into a feverish embrace. Sophia had no wish to discourage the habit, but this wasn’t the ideal time for a tryst. “Gray,” she chided between kisses, “what are you about? The housekeeper said there was an urgent matter requiring my attention.” “And so there is. I require your attention. Most urgently.” His hand slid to her bottom, and he lifted her easily, pinning her to the wall with his hips. The beaded ridges of the wainscoting dug into her spine. “Don’t think we’ve used this room yet,” he murmured, nibbling at the curve of her neck. “I’m entertaining,” she protested. “Yes, you are,” he said, grinding against her. “Highly entertaining.” Sophia sighed with pleasurable frustration. “I mean, I have a guest. Lady Kendall’s in the salon, with Bel.” She levered her arm against his chest, carving out some space between them. “And I thought you were at your shipping office.” “Yes, well…” Mischief gleamed sharp in his eyes. “I decided to go riding instead.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,) I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul!
Walt Whitman (I Sing the Body Electric)
Look at the stories of people who have changed the world - they have so often started with little, but they distinguished themselves by how they approached life, opportunity, relationships and struggle. Martin Luther King, Nelson Mandela, Gandhi. You name them. The list is huge but the common qualities are small. Resourcefulness and a determination to survive the ‘lemons’ are invariably at the heart of these successes. The secret to a life well lived is taking the resources around us - the people we know, the possessions we own, the skills we’ve acquired - and combining them in such a way that they add up to something greater than their constituent parts. That’s the lemonade bit. So often in the wild I have felt totally beaten, but I have kept going, kept trying to think smart, be resourceful, positive, energetic - despite the fatigue - and it has always made a critical difference. We can’t always choose our circumstances but we can choose how we respond to what life throws at us, and there is power when we realize our ability to alter our destiny. A life in the wild has taught me not to fear the unexpected, but to embrace it. In fact, I have learnt that those curve balls from left-field are very often the making of us.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
In retrospect, however, her mother's irreverence might have been one of her greatest gifts as a parent. Such as the day when Merritt had run crying to her because a group of boys hadn't wanted her to play rounders with them. Lillian had hugged and comforted her, and said, "I'll go tell them to give you a turn." "No, Mama," Merritt had sobbed. "They don't want me to play because I'm not good at it. I mostly can't hit the ball, and when I do, it doesn't go anywhere. They said I have baby arms." The indignity of that had been intolerable. But Mama, who'd always understood the fragility of a child's pride, had curved her fingers around Merritt's upper arm and said, "Make a muscle for me." After feeling Merritt's biceps, her mother had lowered to her haunches until their faces were level. "You have very strong arms, Merritt," she'd said decisively. "You're as strong as any of those boys. You and I are going to practice until you're able to hit that blasted ball over all their heads." For many an afternoon after that, Mama had helped her to learn the right stance, and how to transfer her weight to the front foot during the swing, and how to follow through. They had developed her eye-hand coordination and had practiced until the batting skills felt natural. And the next time Merritt played rounders, she'd scored more points than anyone else in the game. Of the thousands of embraces Mama had given her throughout childhood, few stood out in Merritt's mind as much as the feel of her arms guiding her in a batting stance. I want you to attack the ball, Merritt. Be fierce." Not everyone would understand, but "Be fierce" was one of the best things her mother had ever told her.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Do you have vows?” Freeman asked. Zane nodded, but he didn’t move to take out a piece of paper or any notes. He licked his lips instead and took a deep breath. “Ty,” he said, and the sound was almost lost in the night. “Some roads to love aren’t easy, and I’ve never been more thankful for being forced to fight for something. I started this journey with a partner I hated, and a man in the mirror I hated even more. The road took me from the streets of New York to the mountaintops of West Virginia, from the place I born to the place I found a home. It forced me to let go of my past and face my future. And I had to be made blind before I could see.” Zane swallowed hard and looked down, obviously fighting to finish without choking on the words or tearing up. Ty realized his own eyes were burning, and it wasn’t because of the cold wind. Zane squeezed Ty’s fingers with one hand, and he met Ty’s eyes as he reached into his lapel with his other. “I promise to love you until I die,” he said, his voice strong again. He held up a Sharpie he’d had in his suit, and pulled Ty’s hand closer to draw on his ring finger. With several sweeping motions, he created an infinity sign that looped all the way around the finger. When he was satisfied with the ring he’d drawn, he kissed Ty’s knuckles and let him go, handing him the Sharpie. Ty grasped the pen, but he couldn’t take his eyes off Zane. He ran his thumb over Zane’s palm. He had a set of vows he’d jotted down on a note card, folded up in his pocket, but he left them where they were and gazed into Zane’s eyes, their past flashing in front of him, their future opening up in his mind. He took a deep breath. “I promise to never leave you alone in the dark,” he whispered. He pulled Zane’s hand closer and pressed the tip of the Sharpie against Zane’s skin, curving the symbol for forever around it. When he was satisfied, he kissed the tip of Zane’s finger and slid the pen back into his lapel pocket. Freeman coughed and turned a page in his book. “Do you, Zane Zachary Garrett, take this man to be your lawful wedded husband?” Zane’s lips curved into a warm smile. “I do.” Freeman turned toward Ty. “Do you, Beaumont Tyler Grady, take this man to be your lawful wedded husband?” “I do,” Ty said, almost before the question was finished. “Then by the power vested in me by the state of Maryland, I pronounce you legally wed.” Freeman slapped his little book closed. “You may now share the first kiss of the rest of your lives.” Ty had fully expected to have the urge to grab Zane and plant one on him out of sheer impatience and joy, but as he stood staring at his brand-new husband, it was as if they were moving underwater. He touched the tips of his fingers to Zane’s cheek, then stepped closer and used both hands to cup his face with the utmost care. Zane was still smiling when they kissed, and it was slow and gentle, Zane’s hands at Ty’s ribs pulling them flush. “Okay, now,” Livi whispered somewhere to their side, and a moment later they were both pelted with handfuls of heart-shaped confetti. Zane laughed and finally wrapped his arms around Ty, squeezing him tight. The others continued to toss the confetti at them, even handing out bits to people passing by so they’d be sure to get covered from all sides. They laughed into the kiss, not caring. They were still locked in their happy embrace when Deuce turned the box over above them and rained little, bitty hearts down on their heads.
Abigail Roux (Crash & Burn (Cut & Run, #9))
I love the commanding tone of your voice and how it falls in gentle rhythms. I love how you dance like the waves and pull me in with your tide. You're every ounce as beautiful as the sea and every bit as wild. You have no idea the extent how vibrantly you glow, but perhaps you're learning. And I love that. I love you." A flutter in my chest multiplies, blooming and blooming and blooming, like the kaleidoscope in my dream. Only this time, it doesn't shatter. It holds me there in that rose-gold glow. I burst, but in a way that's expansive, not destructive. I leap forward, pressing my lips to his, obliterated by the dew-damp softness. His eyes widen as he pulls away. I gape at him, flushed. "I---I'm sorry." He hesitates, but then he pounces, drawing me towards his embrace and crushing my open mouth. It happens so fast. He grabs me by the thighs, welling up my skirt as he carries me out of the water. My fingers curl through his hair, and novas explode as he slips his tongue onto mine. He holds me tighter, kissing me over and over again like repeating a melody. It's as natural as language, as wild as the roaring sea. We fall to the ground, and a bed of flowers blossoms beneath us, pale pink and soft. The velvet petals tangle in my hair as he presses into me--- skin on skin, blooming with wild heat. We fold into each other, our arms coiling like serpents, my fingers tracing his body. He pulls away for just a moment, but only to study me like the rarest opal, admiring my every color and curve before kissing my lips--- sweet and soft and slow. We repeat the motions in a ritual that's only our own. I try to catch my thoughts, but they're all tangled up . Though, there's one thing I know for sure. Through my unsteady breathing, I whisper, "I love you, too." Despite what the Devil thinks, I am capable of love, and I won't let him win, not now. Damien and I collapse into the damp petals, surrendering to the night.
Kiana Krystle (Dance of the Starlit Sea)
I know he makes mistakes, but basically he’s a good kid,” she told him. “Trust him, and trust yourself.” She looked so earnest, he thought, as aroused as he was amused. “You’re the one who shouldn’t be trusting me,” he told her, right before he kissed her. As he lowered his mouth to hers, he wrapped his arms around her and drew her close. She leaned into him, her slender body warm and supple in his embrace. Her lips clung, then parted. When he swept inside, she was hot, sweet and more than willing to take him on. The second his tongue touched hers, she moaned. Her fingers dug into his shoulders, and he felt a shudder ripple through her body. He went from hard to ready to explode in two seconds. The way they were next to each other on a log didn’t allow him to explore her the way he wanted, so he broke the kiss and pulled her to her feet. Phoebe went willingly, if a little unsteadily. When they were both standing, he pressed his mouth to her jaw before sliding to her neck. She moaned and leaned back her head. Their lower bodies brushed against each other. When her belly came in contact with his erection, it was his turn to groan. He slid one hand from her waist up to her breast and cupped the feminine curve. Even through the layers of her shirt and bra, he could feel her tight nipple. One sweep of his thumb against it had her gasping. She touched his head and guided his mouth back to hers. This time when he entered her, she closed her lips around his tongue and sucked. He dropped his free hand to the small of her back, holding her in place so he could rub against her. The thick ropes of his control began to unravel. When she curled both arms around his neck, it seemed natural to place his around her waist and pick her up. She wrapped her legs around his hips, bringing herself in direct contact with his hard-on. It was paradise. It was pure torture. He swore. She broke the kiss and smiled at him. “So you find me annoying, but you still want me,” she whispered. “I don’t find you annoying.” He pushed against her crotch. “I don’t find you annoying, either.
Susan Mallery (Kiss Me (Fool's Gold, #17))
The last cake in his hand, he turned to her. “Alexandra.” Placing the candle on the side table, she knelt to retrieve the cloth. “We missed you at the last few meals. But you could have asked if you wanted more.” She straightened, setting the cloth on the table, too. “I’d have sent them to you in the workshop.” He tilted his head, giving her a look so calculatedly innocent—his smile vague, his eyes deliberately blank—that she laughed again. “I’m going to tell everyone you’re a sweet thief.” The cake fell from his fingers and landed with a little plop on the carpet. “Alexandra,” he repeated and reached for her, dragging her into his arms. Though stunned, she went willingly. With their faces just a hair’s breadth apart, he hesitated, making her shiver with anticipation. Then their lips met—she couldn’t tell who closed the gap—and her heart rolled over in her chest. The way they were pressed together from shoulder down to navel seemed incredibly intimate and thrilling—and very different from the friendly or sisterly sort of embrace she was used to. She could feel the searing heat of his skin through the fine fabric of his dressing gown. He wrapped his arms around her back. She buried her hands in his soft hair. He tasted of sugar and chocolate and Tris, a deliciously sweet combination. No, make that dangerously sweet. It took a herculean effort to retreat the barest inch. “We cannot,” she whispered. The look he gave her was so odd and intense, it seemed to go right through her. “I—I need to go back to my room,” she stammered, removing herself from his arms. When he didn’t reply, she added, “I’m sorry,” even though she wasn’t sure what she was apologizing for. He nodded, his lips curving in a sad almost-smile. “We should both go back to our rooms,” she said more firmly. “Good night.” “’Night,” he echoed and turned to exit the far end of the room. Almost against her will, she followed him to the doorway and watched him slowly traverse the long length of the torchlit great hall, standing there until he disappeared into the dark corridor that led to the guest chambers. He didn’t look back. She released a long, shuddering breath before retrieving her candle
Lauren Royal (Alexandra (Regency Chase Brides #1))
45. No Plan Survives First Contact With The Enemy No matter how well you have prepared for something in advance - whether it’s an expedition, an exam, a marriage or a race - when you find yourself in the thick of the action, however good your plan, things happen. Adventure is unpredictable, and you had better learn to be flexible and to swing with the punches, or you will get beaten - it’s as simple as that. Mike Tyson famously once said: ‘Everyone has a plan…until they get punched in the face!’ If the adventure is an exciting one, you can bet your bottom dollar you will get hit by the occasional punch in the face. So prepare for the unexpected, and remember that forewarned is forearmed. Knowing that things will and do go wrong in the heat of battle is actually half the battle. It means that when it happens you are ready for it - you can react fast, stay nimble and you can survive the barrage. We used to say in the military that when things took a turn for the worse you have to ‘improvise, adapt and overcome.’ IAO. It is a good one to remember. It gives us a road map to deal with the unexpected. Being caught out, being caught off guard often makes people freeze - it is a human reaction to shock. But freezing can cost you the edge. So learn to anticipate the unexpected, and when it happens, smile to yourself and treat it as a solid marker that you are doing something right on your road to success. If nothing ever goes wrong then you haven’t been ambitious enough! I also like to say that the real adventure begins in earnest when things go a little bit wrong. It is only then that you get to pit yourself against the worst the wild has to throw at you. When all is going to plan, with all the kit working perfectly and the weather benign, then it isn’t really a test of character. It is easy to be the hero when all is going your way. But when it all goes wrong and life feels like a battle, it is then that we can see what sort of people we have around us. It is only through the hardships that our character becomes forged. Without struggle there can be no growth - physically or emotionally. So embrace the unexpected, feed off it, train yourself to be a master of the curve ball, and you will have built yourself another solid ‘character’ rung on the ladder to success.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
Lottie pressed her face into the crook of his neck and shoulder. She had to stop him now, before her will was completely demolished. “No. Please stop. I’m sorry.” His hand slid from her blouse, and he touched her damp lips with his fingers. “Have I frightened you?” he whispered. Lottie shook her head, somehow resisting the urge to curl into his embrace like a sun-warmed cat. “No… I’ve frightened myself.” For some reason her admission made him smile. His fingers moved to her throat, tracing the fragile line with a sensitivity that made her breath catch. Tugging the peasant blouse back up to her shoulder, he retied the frayed ribbon that secured the neckline. “Then I’ll stop,” he said. “Come— I’ll take you to the house.” He stayed close to her as they continued through the forest, occasionally moving to push a branch out of the way, or taking her hand to guide her over a rough place on the path. As familiar as she was with the woods of Stony Cross Park, Lottie had no need of his assistance. But she accepted the help with demur. And she did not protest when he paused again, his lips finding hers easily in the darkness. His mouth was hot and sweet as he kissed her compulsively… swift kisses, languid ones, kisses that ranged from intense need to wicked flirtation. Drugged with pleasure, Lottie let her hands wander to the thick dishevelment of his hair, the iron-hard nape of his neck. When the blistering heat rose to an untenable degree, Lord Sydney groaned softly. “Charlotte…” “Lottie,” she told him breathlessly. He pressed his lips to her temple and cuddled her against his powerful body as if she were infinitely fragile. “I never thought I would find someone like you,” he whispered. “I’ve looked for you so long… needed you…” Lottie shivered and dropped her head to his shoulder. “This isn’t real,” she said faintly. His lips touched her neck, finding a place that made her arch involuntarily. “What’s real, then?” She gestured to the yew hedge that bordered the estate garden. “Everything back there.” His arms tightened, and he spoke in a muffled voice. “Let me come to your room. Just for a little while.” Lottie responded with a trembling laugh, knowing exactly what would happen if she allowed that. “Absolutely not.” Soft, hot kisses drifted over her skin. “You’re safe with me. I would never ask for more than you were willing to give.” Lottie closed her eyes, her head spinning. “The problem is,” she said ruefully, “I am willing to give you entirely too much.” She felt the curve of his smile against her cheek. “Is that a problem?” “Oh, yes.” Pulling away from him, Lottie held her hands to her hot face and sighed unsteadily. “We must stop this. I don’t trust myself with you.” “You shouldn’t,” he agreed hoarsely. -Lottie & Nick
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
We can’t always choose our circumstances but we can choose how we respond to what life throws at us, and there is power when we realize our ability to alter our destiny. A life in the wild has taught me not to fear the unexpected, but to embrace it. In fact, I have learnt that those curve balls from left-field are very often the making of us.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
Maybe we can get away from our yes/no world of classical music, stop thinking in terms of pop versus serious, and refuse to ghettoize movie music…. Maybe, as we encourage our to sing in their personal voice, we can also bring back the music taken away from us. If you are very fortunate, music will take you to all those places and states of being that physicist are trying to explain/prove - parallel universe, non-linear times, and the vast majority of things that exist but we cannot see/hear, that connect us from today into the very reason we love music, the heart of the matter. Charles Ives made a distinction between the Unknown, and the In-Known the latter being what we profoundly sense but cannot prove or even explain. Just widen your embrace and listen without prejudice. What is the sound of it? No metaphors. No similes. No false criteria. No imposed walls: a gateway to the thing that is infinite, curved, expanding, and imploding - that always existed and will always exist as long as humans walk the earth. It is right there invisible to they eye, yet palpable to your ear, your mind, and your heart. It is called music. It is yours, and because it is yours, it is great.
John Mauceri (The War on Music: Reclaiming the Twentieth Century)
And this is the exact fear that fuels neuroplastic pain. When we’re in pain, we naturally conclude that there’s a physical cause. Maybe we believe it’s inflammation or scar tissue or arthritis. Maybe we think it’s a disc problem, or a nerve issue, or a curved spine. Maybe we suspect it’s poor posture or muscle weakness or a vitamin deficiency. Regardless of the specifics, at a core level, all chronic pain patients have the same fear: “There has to be something going on in my body that’s causing this.” And when the brain believes that the body is damaged, it responds with pain. But when you can embrace a different belief—that the pain is due to your brain making a mistake and that your body is fine—then the fear goes away. And soon after, the pain fades.
Alan Gordon (The Way Out: A Revolutionary, Scientifically Proven Approach to Healing Chronic Pain)
They say that sex is crude: the body fluids…! Crude…? The morning dew on your eyelashes met by my tongue, the tenderest force; my supple curves, the hills you climb, your fingers desperately lost. You want to learn my many gazes – unyielding shields… then pastel sweet… We’ll die one day, but your embraces, each one of them, I want to keep.
Dr. Jasmine (Love, Demystified)
Hey friends, ever feel like life’s passing you by & there’s more behind you than in front? Now, if that’s because you’ve gracefully transitioned into the “wise elder” stage of life, all power to you! But if you’re still young at heart, hold on a sec! Hold that thought, because guess what? Science says it might all be in your head! Here’s the thing: age is just a number (a stubborn number, but a number nonetheless). What matters more is your spirit! So, ditch the age filter & embrace your inner youthful self! Sweetheart, Practice Feeling Younger Not Older ! Darling listen – while it’s impossible for a person to actually make themselves younger, it is possible to practice feeling younger! Try some of these ideas to unlock the fountain of youth (well, the feeling of it, anyway): Stop just talking about doing things, go out & do them! Figure out quickly what you like & try to become the best in the world at it. Get Ahead of The Curve. Experience & Travel. Smile More. Learn New skills.. (at least to delay gratification) & embrace every experience life throws your way. Wishing you all a life filled with endless youthful energy & endless fun! Here’s to feeling fantastic, friends! Blessings!
Rajesh Goyal, राजेश गोयल
Dear Black Man (Poem) ***** I love you because you make me feel things that I have never felt before. You erase my pain and you bring me so much gain. You embrace me and hide me in your well built African and manly body. You make me want to never look at other bodies. I love how you cut your hair. I love to feel your love in the air. The texture of your hair, so beautiful, so artistic. Your beautiful smile, so amazing; it reminds me of hiding places. You walk like you own the world; at least, I assure you that you own mine and the rest of my words. Black Man, you are beautiful. Your skin tone is so dark, it makes me want to bark. Please allow me to run my hands on the hills of that skin. You are handsome, my amazing king. The way you speak your language. The way you speak your Xhosa. Your Hausa. Your Zulu. Your Kituba. Your Tswana. Your Lingala. Your Venda. Your Gadomba. Your Tsonga. Your Shona. Your Bateke. Your Ga. Your Sotho. Your Igbo. Your eyes. Black Man, your eyes tell me a story never heard before. You teach me; from your wisdom, I learn. From your strength, I know 'I can'. Black Man, they enslaved you because they found you intimidating. But today, they look for you to be their mate in dating. You look at my stretchmarks with an eye of an artist. You appreciate my big behind with no judgement. You kiss my big lips with love. And in my big thighs, you hide. You love me when I have no hair. You love me when I have fake hair. Black Man, I thought of you and I wrote to you. All hail the Black king! From your Black Woman, (with African curves) .
Mitta Xinindlu
Innovation is the lifeblood of any successful tech business. To achieve an extreme turnaround, you must be willing to embrace innovation and take risks. This could involve exploring new technologies, investing in research and development, or partnering with startups. By staying ahead of the curve and anticipating market trends, you can position your company for long-term success.
Kevin Chin
Once you break free from this mind-set, however, and begin seeing new technologies simply as tools that you can deploy selectively, you’re able to fully embrace the second principle of minimalism and start furiously optimizing—enabling you to reap the advantages of vaulting up the return curve. Finding useful new technologies is just the first step to improving your life. The real benefits come once you start experimenting with how best to use them.
Cal Newport (Digital Minimalism: On Living Better with Less Technology)
There’s not a lot to say about the Cul-de-Sac except to realize that it exists and to embrace the fact that when you find one, you need to get off it, fast. That’s because a dead end is keeping you from doing something else. The opportunity cost of investing your life in something that’s not going to get better is just too high. That’s it. Two big curves (a bonus, the Cliff, follows). Stick with the Dips that are likely to pan out, and quit the Cul-de-Sacs to focus your resources. That’s it.
Seth Godin (The Dip: A Little Book That Teaches You When to Quit (and When to Stick))
I know we need to talk about things, lots of things," he chokes, "but I just-" Susan grabs his face, pulls his head down, and devours him. And that kiss is everything. It's love and regret and apology. Passion and sex, friendship and promise. It's want and need and yearning and heat and shivers that they both feel shuddering through their bodies. It's ten years' worth of kisses, all crowding into one embrace as the pair of them rediscover each other: the curves of their mouths and bodies pressed close, the insistence of hands and tongues, the hearts hammering in concert, and the silent, mutual promise that there is more- so much more! and better!- to come. When they finally part, Susan looks up at him with a teasing smile and says, "You're not just doing this for the brownie recipe, are you?" "Ah, you caught me!" He laughs, then kisses her again and again and again, and when they pause once more, she notices the flush creeping up his neck, the mixture of frustration and desire in his eyes. Clinging to him, she says, in a throaty voice: "Your place or mine?" "Well," he answers, with a devilish smile, "yours is closer, but mine doesn't have your father or Julia in it." "Right," Susan laughs. "Yours, then." Together, they hurtle through the crowd, through the gates of Charlotte Square, bellowing in unison, "Taxi!
Brianne Moore (All Stirred Up)
Sit down and allow me to have a look at that cut.” Helping her to sit, he grabbed his stool and scooted it in front of her before reaching for his ample supply of ready-made bandages. “So,” he said, allowing a smirk to grow across his face. “You claim you weren’t snooping, and yet you were deliberately looking through articles on my desk. Very suspect, I must say.”  She refused to meet his gaze and he strangled the chuckle that wished for escape. He had to tease her a bit more. “I’m surprised at you, Kitty. I thought you were above such things.”  Kitty tried to tug her hand away and her tone tightened. “I really wasn’t, Nathaniel, I—” “Quiet now and stay still.” Keeping a stern look in his eyes he allowed a small quirk at the corner of his mouth. She pulled her bottom lip between her teeth and looked away, and suddenly the desire to scoot his stool closer swelled beyond the bounds of its levy. With a quick shake of his head, he ignored it. Nearly. Nathaniel pulled her injured hand closer. Lost in the feel of her skin against his, every sense of teasing faded. He took a long inhale of the scent of cinnamon that always seemed to follow her and regained focus on her injury. Fairly deep, and though the blood oozed steadily, ‘twas nothing serious. With a flick of his wrist he opened the bandage with one hand, applied pressure, and started wrapping. Wriggling, Kitty sat straighter. “I’m... I’m so sorry, Nathaniel. I feel simply terrible about the lamp, and soiling your books and papers with all that oil. I do hope you can forgive me.” Her silken voice draped around him like a fond embrace. Must she be so charming?  “Forgive you?” He pulled back, fighting the yearnings with a strong measure of humor. “I’m not sure I can.”  He almost regretted taking his jesting so far when her chin popped up and her dainty brows pinched low. “Nathaniel, I...” She started to protest, then humphed back in her seat with the most delightful twist on her lips. Nathaniel erupted in laughter while Kitty’s pert mouth curved sideways into a smile that stroked his masculine pride. He sighed, calming his jubilant nature. “Think nothing of it, Kitty. There is very little damage done.” He
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))