Embrace Elegance Quotes

The peculiar predicament of the present-day self surely came to pass as a consequence of the disappointment of the high expectations of the self as it entered the age of science and technology. Dazzled by the overwhelming credentials of science, the beauty and elegance of the scientific method, the triumph of modern medicine over physical ailments, and the technological transformation of the very world itself, the self finds itself in the end disappointed by the failure of science and technique in those very sectors of life which had been its main source of ordinary satisfaction in past ages. As John Cheever said, the main emotion of the adult Northeastern American who has had all the advantages of wealth, education, and culture is disappointment. Work is disappointing. In spite of all the talk about making work more creative and self-fulfilling, most people hate their jobs, and with good reason. Most work in modern technological societies is intolerably dull and repetitive. Marriage and family life are disappointing. Even among defenders of traditional family values, e.g., Christians and Jews, a certain dreariness must be inferred, if only from the average time of TV viewing. Dreary as TV is, it is evidently not as dreary as Mom talking to Dad or the kids talking to either. School is disappointing. If science is exciting and art is exhilarating, the schools and universities have achieved the not inconsiderable feat of rendering both dull. As every scientist and poet knows, one discovers both vocations in spite of, not because of, school. It takes years to recover from the stupor of being taught Shakespeare in English Lit and Wheatstone's bridge in Physics. Politics is disappointing. Most young people turn their backs on politics, not because of the lack of excitement of politics as it is practiced, but because of the shallowness, venality, and image-making as these are perceived through the media--one of the technology's greatest achievements. The churches are disappointing, even for most believers. If Christ brings us new life, it is all the more remarkable that the church, the bearer of this good news, should be among the most dispirited institutions of the age. The alternatives to the institutional churches are even more grossly disappointing, from TV evangelists with their blown-dry hairdos to California cults led by prosperous gurus ignored in India but embraced in La Jolla. Social life is disappointing. The very franticness of attempts to reestablish community and festival, by partying, by groups, by club, by touristy Mardi Gras, is the best evidence of the loss of true community and festival and of the loneliness of self, stranded as it is as an unspeakable consciousness in a world from which it perceives itself as somehow estranged, stranded even within its own body, with which it sees no clear connection. But there remains the one unquestioned benefit of science: the longer and healthier life made possible by modern medicine, the shorter work-hours made possible by technology, hence what is perceived as the one certain reward of dreary life of home and the marketplace: recreation. Recreation and good physical health appear to be the only ambivalent benefits of the technological revolution.

THE BEAUTY OF THE EARTH IS THE FIRST BEAUTY. MILLIONS OF years before us the earth lived in wild elegance. Landscape is the first-born of creation. Sculpted with huge patience over millennia, landscape has enormous diversity of shape, presence and memory.

Jess loved the interior architecture of living things. Ribs, the protective embrace of them, how they hold delicate organs in a lifelong hug. Eye sockets: no artisan had ever made a more elegant container for a precious thing.

Every moment is a choice. The more we do the right thing even when it’s hard, the more we are creating the habit to face adversity when it comes into our lives head-on with grace and elegance and peace and calm. We are training our minds to embrace the difficulty so that whatever comes at us in our lives, we are prepared for it and it will not disrupt our inner peace because we've trained for this and we can overcome anything.

She laughed a bit at the simple beauty of it all - the white paper, the elegant arc, the soft green grass; and, beside her, the purple backpack, Grandad's golden straw hat, the sky a pale-blue umbrella embracing the whole town

It may be that poetry’s real beauty and elegance is not its finely-chiseled lines or smoothly-rounded ideological concepts at all. The crown of its significance might be––or possibly should be?––its expansive capacity to embrace with equal passion the deadliest failings and the most splendid victories defining human existence.

This book is an essay in what is derogatorily called "literary economics," as opposed to mathematical economics, econometrics, or (embracing them both) the "new economic history." A man does what he can, and in the more elegant - one is tempted to say "fancier" - techniques I am, as one who received his formation in the 1930s, untutored. A colleague has offered to provide a mathematical model to decorate the work. It might be useful to some readers, but not to me. Catastrophe mathematics, dealing with such events as falling off a height, is a new branch of the discipline, I am told, which has yet to demonstrate its rigor or usefulness. I had better wait. Econometricians among my friends tell me that rare events such as panics cannot be dealt with by the normal techniques of regression, but have to be introduced exogenously as "dummy variables." The real choice open to me was whether to follow relatively simple statistical procedures, with an abundance of charts and tables, or not. In the event, I decided against it. For those who yearn for numbers, standard series on bank reserves, foreign trade, commodity prices, money supply, security prices, rate of interest, and the like are fairly readily available in the historical statistics.

Embrace, don’t resist. The way to get rid of age anxiety might be the way you get rid of all anxiety. By acceptance, not denial. Don’t fight it, feel it. Maybe don’t inject yourself with Botox. Do some knifeless mental surgery instead. Reframe your idea of beauty. Be a rebel against marketing. Look forward to being the wise elder. Be the complex elegance of a melting candle. Be a map with 10,000 roads. Be the orange at sunset that outclasses the pink of sunrise. Be the self that dares to be true.

The sight of the centuries-old stone walls never failed to captivate me, evoking a sense of history and grandeur. Stepping inside, I was greeted by the timeless beauty of the castle's architecture. The walls whispered stories of the past, while the ornate furnishings and artwork adorned each room with elegance. It was a place where time seemed to stand still, allowing me to escape the hustle and bustle of daily life and immerse myself in the tranquil atmosphere. I wandered through the halls, taking in the breathtaking views of the Ligurian coastline that stretched out before me. The waters sparkled under the sun's warm embrace, inviting me to lose myself in its vastness.

Lemon and... blueberries, right? No, hold on- blackberries, I think. And... lavender? Lavender, for... excitement? I think there's an old saying that lavender is good for something like that." That sounded familiar. "Just a second." I took the book out of my backpack and flipped through the beginning again. "This isn't in alphabetical order, or any kind of order at all. Oh, here it is. Lavender brings luck and adventure for those who choose to embrace it," I said. "You were right." "What book is that?" asked Vik. "It looks ancient." "I just found it. It's got all these drawings and descriptions of herbs and spices." "Cool! Can I take a look?" I handed him the book, and he spent the next few minutes leafing through it, but then returned to eating the cupcake. "I love this. It's so different from the usual boring things people make. Although..." He took another bite. "I have a suggestion." He studied the cupcake. "The cake is light, fluffy, and complex, and the creamy, tangy frosting complements it so well. It might be even better with an edible garnish. Like a sugared mint leaf." He took another bite. "Or a sugared violet," he said with his mouth half full. "That would be lovely." I gaped in surprise. He was right. It would be lovely. I'd thought about topping them with fresh, mouth-puckering blackberries, but these suggestions were so much more elegant.

Will found that if he looked at the fire, with the angel just at the edge of his vision, he had a much stronger impression of him. “Where is Baruch?” he said. “Can he communicate with you?” “I feel that he is close. He’ll be here very soon. When he returns, we shall talk. Talking is best.” And barely ten minutes later the soft sound of wingbeats came to their ears, and Balthamos stood up eagerly. The next moment, the two angels were embracing, and Will, gazing into the flames, saw their mutual affection. More than affection: they loved each other with a passion. Baruch sat down beside his companion, and Will stirred the fire, so that a cloud of smoke drifted past the two of them. It had the effect of outlining their bodies so that he could see them both clearly for the first time. Balthamos was slender; his narrow wings were folded elegantly behind his shoulders, and his face bore an expression that mingled haughty disdain with a tender, ardent sympathy, as if he would love all things if only his nature could let him forget their defects. But he saw no defects in Baruch, that was clear. Baruch seemed younger, as Balthamos had said he was, and was more powerfully built, his wings snow-white and massive. He had a simpler nature; he looked up to Balthamos as to the fount of all knowledge and joy. Will found himself intrigued and moved by their love for each other.

The Tang Dynasty has always held a special lure for me. This was a time when women rose to the highest ranks as warriors, courtesans and scholars. Anyone with the will and the perseverance to excel could make it. The imperial capital of Changan emerged as a cosmopolitan center of trade and culture. The most famous love stories, the most beautiful poetry and the most elegant fashions came from this era. The Silk Road which connected East to West was at its height during the eighth century and the empire embraced different cultures to a greater extent than ever before. I wanted to know what it was like to wear silk and travel to the edges of the empire during this golden age. And I wanted sword fights!

At once he felt the scales begin to grow out on his thickened skin, and his dark body lighten up with patches of irridescent blue; he fell upon his breast, and his two legs were blended into one, which, gradually lengthening, became an elegant and sharply pointed tail. His arms remained unchanged; he held them out, and as the tears coursed down his cheeks (which were still—for the moment—human), he exclaimed, “Come closer to me, O most wretched wife, and while there is still something left of me, before I am entirely transformed to serpent, touch me, take these hands in yours!” He would have said much more, but suddenly the tip of his tongue divided into two, and words no longer would obey his wishes, so that whenever he tried to complain or grieve, he hissed, and could not manage more, for he had been left with no other voice. Now striking her bare breast, his wife cries out, “Cadmus! Stay as you are! Put off these strange shapes now possessing you, unfortunate man! Cadmus, what’s happening? Where are your feet? Your face? Complexion? Even as I speak, where is the rest of you! Heavenly beings, will you not also turn me to a snake?” The creature’s tongue flicked lightly over her lips, and he slipped in between her cherished breasts as though he were familiar with the place, embraced her, and slid right around her neck. Those of his companions who were present were horrified, but she just calmly stroked the smooth, sleek neck of the crested dragon, and at once there were two serpents intertwined, who presently went crawling off and found a hiding place within a nearby grove.

She wasn’t going to be able to navigate the wet very well in those high heels, but I was sure glad she’d worn them. The graceful, unaffected feminine sway of her as she walked was a sight to see. She began making a bee-line for Murphy’s as quickly as she dared in those heels on the concrete, and then the wet slippery street. Proving there’s no fool like a desperate one, I timed my dash through the rain so I’d arrive in time to open the door for her. It is a risk in today’s climate to open a door for a woman, much less make a play for her — clumsy or otherwise. There was an elegance about her though; I could feel it, even from a distance. She didn’t strike me as the hateful, victimhood-embracing type at all; but perhaps I was simply lonely enough to risk a withering gaze or a tongue-lashing accusing me of being part of some dark, patriarchal and misogynistic conspiracy against her kind. It’s a big word, misogynistic, one of those two-dollar words, as my uneducated old man used to say. Misandrist comes before it in the dictionary, but the type of women who throw the word misogynistic around more often than a teenage girl plays with her hair to flirt, act as if misandrist isn’t a real word too.

While there are deeper regularities in the Universe than the simple circumstances we generally describe as orderly, all that order, simple and complex, seems to derive from laws of Nature established at the Big Bang (or earlier), rather than as a consequence of belated intervention by an imperfect deity. “God is to be found in the details” is the famous dictum of the German scholar Aby Warburg. But, amid much elegance and precision, the details of life and the Universe also exhibit haphazard, jury-rigged arrangements and much poor planning. What shall we make of this: an edifice abandoned early in construction by the architect? The evidence, so far at least and laws of Nature aside, does not require a Designer. Maybe there is one hiding, maddeningly unwilling to be revealed. Sometimes it seems a very slender hope. The significance of our lives and our fragile planet is then determined only by our own wisdom and courage. We are the custodians of life’s meaning. We long for a Parent to care for us, to forgive us our errors, to save us from our childish mistakes. But knowledge is preferable to ignorance. Better by far to embrace the hard truth than a reassuring fable. If we crave some cosmic purpose, then let us find ourselves a worthy goal. --Pale Blue Dot: A Vision of the Human Future in Space

dared to accept this opportunity, or even to conceive of it as an opportunity. White Americans have thought of it as their shame, and have envied those more civilized and elegant European nations that were untroubled by the presence of black men on their shores. This is because white Americans have supposed “Europe” and “civilization” to be synonyms—which they are not—and have been distrustful of other standards and other sources of vitality, especially those produced in America itself, and have attempted to behave in all matters as though what was east for Europe was also east for them. What it comes to is that if we, who can scarcely be considered a white nation, persist in thinking of ourselves as one, we condemn ourselves, with the truly white nations, to sterility and decay, whereas if we could accept ourselves as we are, we might bring new life to the Western achievements, and transform them. The price of this transformation is the unconditional freedom of the Negro; it is not too much to say that he, who has been so long rejected, must now be embraced, and at no matter what psychic or social risk. He is the key figure in his country, and the American future is precisely as bright or as dark as his. And the Negro recognizes this, in a negative way. Hence the question: Do I really want to be integrated into a burning house? White

a country with a well-educated middle class and a statuesque, catwalk-ready Facebook generation that embraces African and American fashions to create an elegant and athletic style of bling and beauty.

Embrace the beauty of Ireland through nature's exquisite artistry. Discover the finest Irish flowers that bloom with grace, color, and enchantment. Let Best Irish Flowers be your gateway to a world where blossoms whisper stories of love, joy, and heartfelt sentiments. From vibrant gardens to delicate arrangements, immerse yourself in the essence of Ireland's floral treasures. Let the flowers speak, and let your heart be captivated by their timeless elegance.

Meet Lijia Zhang, the visionary founder of Konpoto, a haven for lovers of authentic Japanese ceramics. Inspired by a deep connection to the artistry of pottery, Lijia curates an exquisite collection sourced directly from Japan's renowned kilns. Her dedication to preserving tradition while embracing contemporary design shines through each meticulously crafted piece. With an unwavering commitment to quality, she invites individuals to experience the elegance and sophistication of Japanese tableware. Join Lijia and her passionate team at Konpoto on a journey that celebrates timeless craftsmanship and the beauty of cultural heritage.

Components of Elegant Attire 4.1.1 Simple lines and tailored design Clean lines and well-tailored silhouettes define classy clothing. Perfectly fitting clothing should highlight your body's natural proportions and give off an image of effortlessness. 4.1.2 A subdued color scheme A sophisticated wardrobe is built on neutral hues like black, white, navy, beige, and gray. These hues offer a flexible foundation on which you can create your chic combinations. 4.1.3 Classic Works Invest in classic pieces that will last a lifetime. The essentials of stylish clothing are a timeless trench coat, a tailored blazer, a little black dress, and well-fitted trousers. 3.1.4 Less is more and minimalism Decide on quality above quantity to embrace simplicity. Choose carefully chosen pieces for your capsule wardrobe that you can mix and match with ease.

In a realm of soft hues and blooming blossoms, a young girl lay amidst a field of flowers, a celestial veil gracing her features with a gentle, translucent touch. Her arms extended gracefully above her, eyes closed, she seemed to dance on the edge of dreams. The flowers painted the canvas in shades of blue, purple, and pink, their petals swaying in a tender breeze. Dew-kissed blades of grass formed a sea of diamonds, reflecting the soft glow of an unseen moon. As the girl stirred in her slumber, a distant echo of horse steps reached her ears, a melody that danced through the flowered meadow. Slowly, she rose from her flowery bed, the veil slipping away like morning mist to unveil her enchanting presence. Her gown, a masterpiece of celestial elegance, cascaded around her. A floor-length creation in light blue, it cradled her form with a sweetheart neckline, the bodice adorned in gold, floral designs. Layers of tulle formed the flowing skirt, adorned with accents of blueish flowers, and a train that trailed behind her like a comet's tail. Around her neck hung a pendant, a crescent moon cradling a star, both crafted from silver and adorned with blue gemstones, a twin to the one she wore in the enchanted garden. Her golden locks, a cascade of loose curls, framed her face with ethereal grace, flowing like strands of sunlight. Awakening from the meadow's embrace, her deep blue eyes sought the source of the approaching steps. With a sense of dreamlike purpose, she floated towards the sound, the forest mist enveloping her like a lover's caress. In the heart of the foggy woodland, a clearing revealed itself, trees standing sentinel in the distance. From the shroud of mist emerged a figure on horseback, a man in the regalia of a medieval warrior. The horse, a noble steed of white, carried him forward with determined grace. His attire, a tapestry of dark fabric and gilded accents, spoke of a history steeped in honor and battle. High collars and embroidered shoulder pads, buttons, and chains of gold, all adorned his form. His cape billowed behind him, a canvas of golden threads dancing in the breeze. Their eyes met innocence and determination woven together in the tapestry of fate. As he approached, still astride his noble mount, he extended a hand, a silent invitation. With an innocence that matched the morning dew, she lifted her hand to meet his, and at that moment, the world seemed to swirl and dance around them. Yet, just as the dance was about to begin, Princess Mehjabeen's eyes fluttered open, the enchanting dream slipping away like mist beneath the twilight.

In a realm of soft hues and blooming blossoms, a young girl lay amidst a field of flowers, a celestial veil gracing her features with a gentle, translucent touch. Her arms extended gracefully above her, eyes closed, she seemed to dance on the edge of dreams. The flowers painted the canvas in shades of blue, purple, and pink, their petals swaying in a tender breeze. Dew-kissed blades of grass formed a sea of diamonds, reflecting the soft glow of an unseen moon. As the girl stirred in her slumber, a distant echo of horse steps reached her ears, a melody that danced through the flowered meadow. Slowly, she rose from her flowery bed, the veil slipping away like morning mist to unveil her enchanting presence. Her gown, a masterpiece of celestial elegance, cascaded around her. A floor-length creation in light blue, it cradled her form with a sweetheart neckline, the bodice adorned in gold, floral designs. Layers of tulle formed the flowing skirt, adorned with accents of blueish flowers, and a train that trailed behind her like a comet's tail. Around her neck hung a pendant, a crescent moon cradling a star, both crafted from silver and adorned with blue gemstones, a twin to the one she wore in the enchanted garden. Her golden locks, a cascade of loose curls, framed her face with ethereal grace, flowing like strands of sunlight. Awakening from the meadow's embrace, her deep blue eyes sought the source of the approaching steps. With a sense of dreamlike purpose, she floated towards the sound, the forest mist enveloping her like a lover's caress. In the heart of the foggy woodland, a clearing revealed itself, trees standing sentinel in the distance. From the shroud of mist emerged a figure on horseback, a man in the regalia of a medieval warrior. The horse, a noble steed of white, carried him forward with determined grace. His attire, a tapestry of dark fabric and gilded accents, spoke of a history steeped in honor and battle. High collars and embroidered shoulder pads, buttons, and chains of gold, all adorned his form. His cape billowed behind him, a canvas of golden threads dancing in the breeze. Their eyes met innocence and determination woven together in the tapestry of fate. As he approached, still astride his noble mount, he extended a hand, a silent invitation. With an innocence that matched the morning dew, she lifted her hand to meet his, and at that moment, the world seemed to swirl and dance around them.

Poem never sent little things you do for me makes me appreciate you so much it’s the elegant way you do things that makes me embrace your mind heart and soul you are everything beautiful that touches my feelings you are everything real that makes my world vibrant

Yet the integrity of the universe is the context in which creativity is best expressed. The canvas does not limit God’s creativity but rather celebrates it. The elegant complexity of creation is a beautiful reminder that the creative mind is a disciplined mind, that the creative act is not a struggle to be free of limitations but a demonstration that when we embrace our limitations, creativity has no boundaries.

In years gone by, particularly in the East and the South, ladies would attend charm school to learn how to elegantly stand, sit, dance, and walk. Even today, there are "Cotillion" classes for young people to learn how to carry themselves with dignity and use proper social graces. I don't mind sounding old-fashioned because these culturally rich rituals lay a firm foundation for the appropriate behaviors and excellent manners necessary for a positive impression. Embracing a tried and true tradition can sometimes be beneficial. Let's avoid the awkward, embarrassing, and unsophisticated ways we see all too often.

JANUARY 10 Akiba When Akiba was on his deathbed, he bemoaned to his rabbi that he felt he was a failure. His rabbi moved closer and asked why, and Akiba confessed that he had not lived a life like Moses. The poor man began to cry, admitting that he feared God's judgment. At this, his rabbi leaned into his ear and whispered gently, “God will not judge Akiba for not being Moses. God will judge Akiba for not being Akiba.” —FROM THE TALMUD We are born with only one obligation—to be completely who we are. Yet how much of our time is spent comparing ourselves to others, dead and alive? This is encouraged as necessary in the pursuit of excellence. Yet a flower in its excellence does not yearn to be a fish, and a fish in its unmanaged elegance does not long to be a tiger. But we humans find ourselves always falling into the dream of another life. Or we secretly aspire to the fortune or fame of people we don't really know. When feeling badly about ourselves, we often try on other skins rather than understand and care for our own. Yet when we compare ourselves to others, we see neither ourselves nor those we look up to. We only experience the tension of comparing, as if there is only one ounce of being to feed all our hungers. But the Universe reveals its abundance most clearly when we can be who we are. Mysteriously, every weed and ant and wounded rabbit, every living creature has its unique anatomy of being which, when given over to, is more than enough. Being human, though, we are often troubled and blocked by insecurity, that windedness of heart that makes us feel unworthy. And when winded and troubled, we sometimes feel compelled to puff ourselves up. For in our pain, it seems to make sense that if we were larger, we would be further from our pain. If we were larger, we would be harder to miss. If we were larger, we'd have a better chance of being loved. Then, not surprisingly, others need to be made smaller so we can maintain our illusion of seeming bigger than our pain. Of course, history is the humbling story of our misbegotten inflations, and truth is the corrective story of how we return to exactly who we are. And compassion, sweet compassion, is the never-ending story of how we embrace each other and forgive ourselves for not accepting our beautifully particular place in the fabric of all there is. Fill a wide bowl with water. Then clear your mind in meditation and look closely at your reflection. While looking at your reflection, allow yourself to feel the tension of one comparison you carry. Feel the pain of measuring yourself against another. Close your eyes and let this feeling through. Now, once again, look closely at your reflection in the bowl, and try to see yourself in comparison to no one.

So when you experience a so-called failure, don’t view this as failure, but rather as a “character muscle-building” process. It’s a process that will strengthen your resolve to transform your career much the same way a caterpillar transforms itself into an elegant butterfly. The job campaign necessitates that you embrace struggle and constructively address adversity. When you do so, new opportunities will present themselves sooner than you’d think possible.

Soon after that, Eno briefly joined a group called the Scratch Orchestra, led by the late British avant-garde composer Cornelius Cardew. There was one Cardew piece that would be a formative experience for Eno—a piece known as “Paragraph 7,” part of a larger Cardew masterwork called The Great Learning. Explaining “Paragraph 7” could easily take up a book of its own. “Paragraph 7”’s score is designed to be performed by a group of singers, and it can be done by anyone, trained or untrained. The words are from a text by Confucius, broken up into 24 short chunks, each of which has a number. There are only a few simple rules. The number tells the singer how many times to repeat that chunk of text; an additional number tells each singer how many times to repeat it loudly or softly. Each singer chooses a note with which to sing each chunk—any note—with the caveats to not hit the same note twice in a row, and to try to match notes with a note sung by someone else in the group. Each note is held “for the length of a breath,” and each singer goes through the text at his own pace. Despite the seeming vagueness of the score’s few instructions, the piece sounds very similar—and very beautiful—each time it is performed. It starts out in discord, but rapidly and predictably resolves into a tranquil pool of sound. “Paragraph 7,” and 1960s tape loop pieces like Steve Reich’s “It’s Gonna Rain,” sparked Eno’s fascination with music that wasn’t obsessively organized from the start, but instead grew and mutated in intriguing ways from a limited set of initial constraints. “Paragraph 7” also reinforced Eno’s interest in music compositions that seemed to have the capacity to regulate themselves; the idea of a self-regulating system was at the very heart of cybernetics. Another appealing facet of “Paragraph 7” for Eno was that it was both process and product—an elegant and endlessly beguiling process that yielded a lush, calming result. Some of Cage’s pieces, and other process-driven pieces by other avant-gardists, embraced process to the point of extreme fetishism, and the resulting product could be jarring or painful to listen to. “Paragraph 7,” meanwhile, was easier on the ears—a shimmering cloud of sonics. In an essay titled “Generating and Organizing Variety in the Arts,” published in Studio International in 1976, a 28-year-old Eno connected his interest in “Paragraph 7” to his interest in cybernetics. He attempted to analyze how the design of the score’s few instructions naturally reduced the “variety” of possible inputs, leading to a remarkably consistent output. In the essay, Eno also wrote about algorithms—a cutting-edge concept for an electronic-music composer to be writing about, in an era when typewriters, not computers, were still en vogue. (In 1976, on the other side of the Atlantic, Steve Jobs and Steve Wozniak were busy building a primitive personal computer in a garage that they called the Apple I.) Eno also talked about the related concept of a “heuristic,” using managerial-cybernetics champion Stafford Beer’s definition. “To use Beer’s example: If you wish to tell someone how to reach the top of a mountain that is shrouded in mist, the heuristic ‘keep going up’ will get him there,” Eno wrote. Eno connected Beer’s concept of a “heuristic” to music. Brecht’s Fluxus scores, for instance, could be described as heuristics.

1. Being curious means asking questions about why things work the way they do, and embracing unfamiliar situations or topics with a sense of wonder. 2. Being observant means training yourself to see the details that most others often miss. 3. Being fickle means capturing ideas without feeling the need to fully understand or analyze them in that moment. 4. Being thoughtful means taking the time to reflect on a point of view and share it in a considered way. 5. Being elegant means developing your ability to describe a concept in a beautiful and simple way for easy understanding.

SENSUALITY   Her hands push upward gathering the material from my shirt until it reaches over my head. Brushing her hair with my hand I stare deep into the lambent ecru of her eyes as hints of russet and jade glimmer across them both. She gives into me reaching for me while moving her lips down my torso. Carefully removing each layer that is slowly loosened we now find each other completely unguarded as our arms do wrap tightly around one another. Her arms and hands glide and slide naturally in such a graceful performance that her movement does seduce every part of me. Here and now we have become bare as we embrace this method of nearness that unfolds one another’s secrets. Holding her inside of my gentle embrace I marvel every elegant strand from her karakul-like ringlets that fall down beside her face and shoulders. The splendor of her darling features give charm to that undulating delirium that she induces. The edges of my fingertips find their way down the muscles of her back in the way that a drop of rain finds itself traveling across the wet colocasia leaf. Looking into her eyes they do manifest to me again that she is the one whom I’ve been searching for all this time. She is the one I have waited for to whom I do give the great pleasure of showing me how. I’ve wanted every part of me to belong to her and no one else, knowing here and now that all of me will truly become her very own.

In the cosmic dance of swirling lights, Where stars are born and darkness fights, The universe whispers secrets old, In silver threads and dust of gold. Galaxies twirl in elegant grace, Each a part of the endless space, Planets orbit in silent tunes, Around their suns, like drifting balloons. Mysteries hide in the blackest night, Beyond the reach of human sight, Yet we gaze up with hopeful eyes, Dreaming of truths beyond the skies. Infinite worlds, both big and small, The universe holds them, one and all, A canvas vast for us to explore, Its beauty, a siren call to implore. So let us journey through the stars, Past the confines of our earthly bars, For in the universe, we find our place, A tiny speck, in its grand embrace.

He blocked a low thrust, barely, cut forward with the motion - a difficult thing - and was parried, elegantly. Never a swordsman like this before. Never a match. Could it be called a dance? Should they embrace? Were they not?

The objective of Karma-Yoga is stated to be “action freedom.” The actual Sanskrit term is naishkarmya, which literally means “nonaction.” But this literal meaning is misleading, because it is not inactivity that is intended here. Rather, naishkarmya-karman corresponds to the Taoist notion of wu-wei, or inaction in action. That is to say, Karma-Yoga is about freedom in action, or the transcendence of egoic motivations. When the illusion of the ego as acting subject is transcended, then actions are recognized to occur spontaneously. Without the interference of the ego, their spontaneity appears as a smooth flow. Hence truly enlightened beings have an economy and elegance of movement about them that is generally absent in unenlightened individuals. Behind the action of the enlightened being there is no author; or we could say that Nature itself is the author. Action performed in the spirit of self-surrender has benign invisible effects. It improves the quality of our being and makes us a source of spiritual uplift for others. Lord Krishna, in the Bhagavad-Gītā, speaks of the karma-yogin’s working for the welfare of the world. The Sanskrit phrase he uses is loka-samgraha, which literally means “world gathering” or “pulling people together.” What it refers to is this: Our own personal wholeness, founded in self-surrender, actively transforms our social environment, contributing to its wholeness. “Mahatma” Gandhi was modern India’s most superb example of a karma-yogin in action. He worked tirelessly on himself and for the welfare of the Indian nation. In pursuing the lofty ideal of Karma-Yoga, Gandhi had to give up his life. He did so without rancor, with the name of God—“Rām”—on his lips. He embraced his destiny, trusting that none of his spiritual efforts could ever be lost, as is indeed the solemn promise of Lord Krishna in the Bhagavad-Gītā, which Gandhi read daily. Gandhi believed in the inevitability of karma, but he also believed in free will.

1 am green. A lotus flower in full-bloom residing in the lushness of the heart. Reaching, embracing, nourishing all in need. Fragile as the morning dew, as expansive as the depth offragrant forests. Ultimate unconditional acceptance, like the Mother Earth's love for her children. I am blue. Calm and cool, a reflection in a mirrored pond. Diamond stars married to the nighttime sky. The ocean waves curling back to their source. Kind, compassionate words serving as our guide, teacher, and mentor. Father Sky carries truth in the celestial music of his voice. I am purple. The richness of velvet and the elegance of silk. Diamonds of intuition embedded in the space of all-knowingness. Imagination running through the vastness of the dreamscape, playing in afield of swaying lavender, swirling in the energy of dimensions. Insight radiates softly into the mind's eye. I am white. Living within us like the innocence of a child. Sitting quietly, still with peace and patience, ready to serve. Every sparkling, dazzling particle on our planet shining forth universal light. The phenomenal beauty of pure Spirit. I am many colors. NOTE TO READERS This book is intended as an informational guide and is not meant to treat, diagnose, or prescribe. For any medical condition, physical conditions, or symptoms, always consult with a qualified physician or appropriate health care professional. Neither the author nor the publisher accepts any responsibility for your health or how you choose to use the information contained in this book. Names and identifying details have

Listen, my little watering pot, it was in my cousin’s nature to do something rash at any given moment. It always would have been. The reckless streak in the Ravenel family has persevered for centuries. Theo could have married a saint, and he would have lost his temper regardless.” “I’m certainly not a saint,” she said woefully, ducking her head. Amusement rustled through his voice. “I knew that within the first minute of meeting you.” Keeping her head down, Kathleen stared at the hand over hers, elegant but brutally strong, with a faint scattering of hair on the back of it. “I wish I had it to do over again,” she whispered. “No one could blame you for what happened.” “I blame myself.” “‘Let her cover the mark as she will,’” he quoted sardonically, “‘the pang of it will always be in her heart.’” Recognizing the words from The Scarlet Letter, Kathleen glanced up at him miserably. “You liken me to Hester Prynne?” “Only in your aspirations to martyrdom. Although even Hester had a bit of fun before her comeuppance, whereas you’ve apparently had little.” “Fun?” Despair gave way to bewilderment. “What are you talking about?” His gaze was intent on her face. “I would think that even a proper lady might find some pleasure in the conjugal embrace.” She gasped in befuddled outrage. “I--you--that you would dare bring up such a subject--” He had been so gentle and comforting, and now he had changed back into the insufferable cad of before. “As if I would ever discuss that with anyone, least of all you!” As she writhed and began to crawl from his lap, he held her in place easily. “Before you charge away in righteous indignation,” he said, “you might want to refasten your bodice.

Entertainers are seen by people from all walks of life as some sort of allknowing prophet - if they say, a certain health drink is good, the masses would most naively embrace that health drink in their life - if they say, a certain watch or perfume or handbag is the symbol of elegance, the masses would most blindly run after it - and if they run for office, the masses would most stupidly vote for them, without actually knowing their psychological capacity to run a people and maintain peace.

Ocean has taken possession of me. He has hold of me forever. I'm lured to His charming beauty and overwhelming majestic presence. He makes me dream, dance, fly and laugh. His mystical silence is mesmerizing. His roaring voice is fascinating. He inspires with infinite depth and makes me gasp from His rocking weight... Each time, being parted, we, like true lovers, desperately rush into a tearfully passionate hug... United once again He elegantly carries me where I long to be. His euphoric scent fills the air, adoring stillness and glimmering serenity embraces with the warmth of gently kissing waves makes my whole body sing... He always keeps His faithful promises to me and I give back. I find peace in Him and He finds Love in me... Every day and night diving in each other’s eyes and exchanging vows we write the book to pass down this miracle of unseen...